Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, December 20, 2015

The Widow's Protest by Mark Twain

Word Count:  319

One of the saddest things that ever came under my notice (said the banker's clerk) was there in Corning during the war. Dan Murphy enlisted as a private, and fought very bravely. The boys all liked him, and when a wound by and by weakened him down till carrying a musket was too heavy work for him, they clubbed together and fixed him up as a sutler. He made money then, and sent it always to his wife to bank for him. She was a washer and ironer, and knew enough by hard experience to keep money when she got it. She didn't waste a penny.

On the contrary, she began to get miserly as her bank-account grew. She grieved to part with a cent, poor creature, for twice in her hard-working life she had known what it was to be hungry, cold, friendless, sick, and without a dollar in the world, and she had a haunting dread of suffering so again. Well, at last Dan died; and the boys, in testimony of their esteem and respect for him, telegraphed to Mrs. Murphy to know if she would like to have him embalmed and sent home; when you know the usual custom was to dump a poor devil like him into a shallow hole, and then inform his friends what had become of him. Mrs. Murphy jumped to the conclusion that it would only cost two or three dollars to embalm her dead husband, and so she telegraphed "Yes." It was at the "wake" that the bill for embalming arrived and was presented to the widow.

She uttered a wild, sad wail that pierced every heart, and said, "Sivinty-foive dollars for stooffin' Dan, blister their sowls! Did thim divils suppose I was goin' to stairt a Museim, that I'd be dalin' in such expinsive curiassities !"

The banker's clerk said there was not a dry eye in the house.
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