Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, September 1, 2016

A Simple Act of Piety by Achmed Abdullah

A SIMPLE ACT OF PIETY

(1918) (1919ed.)

BY ACHMED ABDULLAH

From The best short stories of 1918, Edited by Edward J. O'Brien: Small, Maynard & Company, Boston (1919)

Originally from The All Story Weekly of The Frank A. Munsey Co. Copyright, 1919

 

HIS affair that night was prosy. He was intending the murder of an old Spanish woman around the corner, on the Bowery, whom he had known for years, with whom he had always exchanged courteous greetings, and whom he neither liked nor disliked.

  He did kill her; and she knew that he was going to the minute he came into her stuffy, smelly shop, looming tall and bland, and yellow, and unearthly Chinese from behind the shapeless bundles of second-hand goods that cluttered the doorway. He wished her good evening in tones that were silvery, but seemed tainted by something unnatural. She was uncertain what it was, and this very uncertainty increased her horror. She felt her hair rise as if drawn by a shivery wind.

  At the very last she caught a glimmer of the truth in his narrow-lidded, purple-black eyes. But it was too late.

  The lean, curved knife was in his hand and across her scraggy throat — there was a choked gurgle, a crimson line broadening to a crimson smear, a thudding fall — and that was the end of the affair as far as she was concerned.

 

  A minute later Nag Hong Fah walked over to the other end of Pell Street and entered a liquor-store which belonged to the Chin Sor Company, and was known as the "Place of Sweet Desire and Heavenly Entertainment." It was the gathering-place for the Chinese-born members of the Nag family, and there he occupied a seat of honor because of his wealth and charity and stout rectitude.

  He talked for about half an hour with the other members of his clan, sipping fragrant, sun-dried Formosa tea mixed with jessamine-flowers, until he had made for himself a bullet-proof alibi.

  The alibi held.

  For he is still at liberty. He is often heard to speak with regret — nor is it hypocritical regret — about the murder of Señora Garcia, the old Spanish woman who kept the shop around the corner. He is a good customer of her nephew, Carlos, who succeeded to her business. Nor does he trade there to atone, in a manner, for the red deed of his hands, but because the goods are cheap.

  He regrets nothing. To regret, you must find sin in your heart, while the murder of Señora Garcia meant no sin to him. It was to him a simple action, respectable, even worthy.

  For he was a Chinaman, and, although it all happened between the chocolate-brown of the Hudson and the murky, cloudy gray of the North River, the tale is of the Orient. There is about it an atmosphere of age-green bronze; of first-chop chandoo and spicy aloewood; of gilt, carved statues brought out of India when Confucius was young; of faded embroideries, musty with the scent of the dead centuries. An atmosphere which is very sweet, very gentle — and very unhuman.

  The Elevated roars above. The bluecoat shuffles his flat feet on the greasy asphalt below. But still the tale is of China — and the dramatic climax, in a Chinaman's story, from a Chinaman's slightly twisted angle, differs from that of an American.

  To Nag Hong Fah this climax came not with the murder of Señora Garcia, but with Fanny Mei Hi's laugh as she saw him with the shimmering bauble in his hands and heard his appraisal thereof.

  

  She was his wife, married to him honorably and truly with a narrow gold band and a clergyman and a bouquet of wired roses bought cheaply from an itinerant Greek vendor, and handfuls of rice thrown by facetious and drunken members of both the yellow race and the white.

  Of course, at the time of his marriage, a good many people around Pell Street whispered and gossiped. They spoke of the curling black smoke and slavery and other gorgeously, romantically wicked things. Miss Edith Rutter, the social settlement investigator, spoke of — and to — the police.

  Whereas Nag Hong Fah, who had both dignity and a sense of humor, invited them all to his house: gossipers, whisperers, Miss Edith Rutter, and Detective Bill Devoy of the Second Branch, and bade them look to their hearts' content; and whereas they found no opium, no sliding panels, and hidden cupboards, no dread Mongol mysteries, but a neat little steam-heated flat, furnished by Grand Rapids via Fourteenth Street, German porcelain, a case of blond Milwaukee beer, a five-pound humidor of shredded Kentucky burlap tobacco, a victrola, and a fine, big Bible with brass clamp and edges and M. Doré's illustrations.

  "Call again," he said as they were trooping down the narrow stairs. "Call again any time you please. Glad to have you — aren't we, kid?" chucking his wife under the chin.

  "You bet yer life, you fat old yellow sweetness!" agreed Fanny; and then — as a special barbed shaft leveled at Miss Rutter's retreating back: "Say! Any time yer wanta lamp my wedding certificate — it 's hangin' between the fottygraphs of the President and the Big Boss — all framed up swell!"

  

  He had met her first one evening in a Bowery saloon, where she was introduced to him by Mr. Brian Neill, the owner of the saloon, a gentleman from out the County Armagh, who had spattered and muddied his proverbial Irish chastity in the slime of the Bowery gutters, and who called himself her uncle.

  This latter statement had to be taken with a grain of salt. For Fanny Mei Hi was not Irish. Her hair was golden, her eyes blue. But otherwise she was Chinese. Easily nine-tenths of her. Of course she denied it. But that is neither here nor there.

  She was not a lady. Could n't be — don't you see — with that mixed blood in her veins, Mr. Brian Neill acting as her uncle, and the standing pools of East Side vice about her.

  But Nag Hong Fah, who was a poet and a philosopher, besides being the proprietor of the Great Shanghai Chop Suey Palace, said that she looked like a golden-haired goddess of evil, familiar with all the seven sins. And he added — this to the soothsayer of his clan, Nag Hop Fat — that he did not mind her having seven, nor seventeen nor seven times seventeen bundles of sin, as long as she kept them in the sacred bosom of the Nag family.

  "Yes," said the soothsayer, throwing up a handful of painted ivory sticks and watching how they fell to see if the omens were favorable. "Purity is a jewel to the silly young. And you are old, honorable cousin ——"

  "Indeed," chimed in Nag Hong Fah, "I am old and fat and sluggish and extremely wise. What price is there in purity higher than there is contained in the happiness and contentment of a respectable citizen when he sees men-children playing gently about his knees?"

  He smiled when his younger brother, Nag Sen Yat, the opium merchant, spoke to him of a certain Yung Quai.

  "Yung Quai is beautiful," said the opium merchant "and young — and of an honorable clan — and ——"

  "And childless! And in San Francisco! And divorced from me!"

  "But there is her older brother, Yung Long, the head of the Yung clan. He is powerful and rich — the richest man in Pell Street! He would consider this new marriage of yours a disgrace to his face. Chiefly since the woman is a foreigner!"

  "She is not. Only her hair and her eyes are foreign."

  "Where hair and eyes lead, the call of the blood follows," rejoined Nag Sen Yat, and he reiterated his warning about Yung Long.

  But the other shook his head.

  "Do not give wings to trouble. It flies swiftly without them," he quoted. "Too, the soothsayer read in the painted sticks that Fanny Mei Hi will bear me sons. One — perhaps two. Afterward, if indeed it be so that the drop of barbarian blood has clouded the clear mirror of her Chinese soul, I can always take back into my household the beautiful and honorable Yung Quai, whom I divorced and sent to California because she is childless. She will then adopt the sons which the other woman will bear me — and everything will be extremely satisfactory."

  And so he put on his best American suit, called on Fanny, and proposed to her with a great deal of dignity and elaborate phrases.

  

  "Sure I 'll marry you," said Fanny. "Sure! I 'd rather be the wife of the fattest, yellowest Chink in New York than live the sorta life I'm livin' — see, Chinkie-Toodles?"

  "Chinkie-Toodles" smiled. He looked her over approvingly. He said to himself that doubtless the painted sticks had spoken the truth, that she would bear him men-children. His own mother had been a river-girl, purchased during a drought for a handful of parched grain; and had died in the odor of sanctity, with nineteen Buddhist priests following her gaily lacquered coffin, wagging their shaven polls ceremoniously, and mumbling flattering and appropriate verses from "Chin-Kong-Ching."

  Fanny, on the other hand, though wickedly and lyingly insisting on her pure white blood, knew that a Chinaman is broad-minded and free-handed, that he makes a good husband, and beats his wife rather less often than a white man of the corresponding scale of society.

  Of course, gutter-bred, she was aggressively insistent upon her rights.

  "Chinkie-Toodles," she said the day before the wedding, and the gleam in her eyes gave point to the words, "I 'm square — see? An' I 'm goin' to travel square. Maybe I have n't always been a poifec' lady, but I ain't goin' to bilk yer, get me? But ——" She looked up, and suddenly, had Nag Hong Fah known it, the arrogance, the clamorings, and the tragedy of her mixed blood were in the words that followed: "I gotta have a dose of freedom. I 'm an American — I 'm white — say!" — seeing the smile which he hid rapidly behind his fat hand — "yer need n't laugh. I am white, an' not a painted Chinese doll. No sittin' up an' mopin' for the retoin of my fat, yellow lord an' master in a stuffy, stinky, punky five-by-four cage for me! In other woids, I resoive for my little golden-haired self the freedom of asphalt an' electric lights, see? An' I 'll play square — as long as you 'll play square," she added under her breath.

  "Sure," he said. "You are free. Why not? I am an American. Have a drink?" And they sealed the bargain in a tumbler of Chinese rice whisky, cut with Bourbon, and flavored with aniseed and powdered ginger.

  

  The evening following the wedding, husband and wife, instead of a honeymoon trip, went on an alcoholic spree amid the newly varnished splendors of their Pell Street flat. Side by side, in spite of the biting December cold, they leaned from the open window and brayed an intoxicated pæean at the Elevated structure which pointed at the stars like a gigantic icicle stood on end, frozen, austere — desolate, for all its clank and rattle, amid the fragrant warm reek of China which drifted from shutters and cellar-gratings.

  Nag Hong Fah, seeing Yung Long crossing the street thought with drunken sentimentality of Yung Long's sister whom he had divorced because she had borne him no children, and extended a boisterous invitation to come up.

  "Come! Have a drink!" he hiccuped.

  Yung Long stopped, looked, and refused courteously, but not before he had leveled a slow, appraising glance at the golden-haired Mei Hi, who was shouting by the side of her obese lord. Yung Long was not a bad-looking man, standing there in the flickering light of the street-lamp the black shadows cutting the pale-yellow, silky sheen of his narrow, powerful face as clean as with a knife.

  "Swell looker, that Chink!" commented Fanny Mei Hi as Yung Long walked away; and her husband, the liquor warming his heart into generosity, agreed:

  "Sure! Swell looker! Lots of money! Let's have another drink!"

  Arrived at the sixth tumbler, Nag Hong Fah, the poet in his soul released by alcohol, took his blushing bride upon his knee and improvised a neat Cantonese love-ditty; but when Fanny awakened the next morning with the sobering suspicion that she had tied herself for life to a drunkard, she found out that her suspicion was unfounded.

  The whisky spree had only been an appropriate celebration in honor of the man-child on whom Nag Hong Fah had set his heart; and it was because of this unborn son and the unborn son's future that her husband rose from his tumbled couch, bland, fat, without headache or heartache, left the flat, and bargained for an hour with Yung Long, who was a wholesale grocer, with warehouses in Canton, Manila, New York, San Francisco, Seattle, and Vancouver, British Columbia.

  

  Not a word was said about either Yung Quai or Fanny. The talk dealt entirely with canned bamboo sprouts and preserved leeches, and pickled star-fruit, and brittle almond cakes. It was only after the price had been decided upon and duly sealed with the right phrases and palm touching palm — afterwards, though nothing in writing had passed, neither party could recede from the bargain without losing face — that Yung Long remarked,

  "By the way, the terms are cash — spot cash," and he smiled.

  For he knew that the restaurant proprietor was an audacious merchant who relied on long credits and future profits, and to whom in the past he had always granted ninety days' leeway without question or special agreement.

  Nag Hong Fah smiled in his turn; a slow, thin, enigmatic smile.

  "I brought the cash with me," he replied, pulling a wad of greenbacks from his pocket, and both gentlemen looked at each other with a great deal of mutual respect.

  "Forty-seven dollars and thirty-three cents saved on the first business of my married life," Nag Hong Fah said to his assembled clan that night at the Place of Sweet Desire and Heavenly Entertainment. "Ah, I shall have a fine, large business to leave to the man-child which my wife shall bear me!"

  

  And the man-child came — golden-haired, blue-eyed, yellow-skinned, and named Brian in honor of Fanny's apocryphal uncle who owned the Bowery saloon. For the christening Nag Hong Fah sent out special invitations — pink cards lettered with virulent magenta, and bordered with green forget-me-nots and purple roses, with an advertisement of the Great Shanghai Chop Suey Palace on the reverse side. He also bestowed upon his wife a precious bracelet of cloudy white jade, earrings of green jade cunningly inlaid with blue feathers, a chest of carved Tibetan soapstone, a bottle of French perfume, a pound of Mandarin blossom tea for which he paid seventeen dollars wholesale, a set of red Chinese sables, and a new Caruso record for the victrola.

  Fanny liked the last two best; chiefly the furs, which she wore through the whirling heat of an August day, as soon as she was strong enough to leave her couch, on an expedition to her native pavements. For she held fast to her proclaimed right that hers was the freedom of asphalt and electric light — not to mention the back parlor of her uncle's saloon, with its dingy, musty walls covered with advertisements of eminent Kentucky distilleries and the indelible traces of many generations of flies, with its gangrened tables, its battered cuspidors, its commingling atmosphere of poverty and sloth, of dust and stale beer, of cheese sandwiches, wet weeds, and cold cigars.

  "Getta hell outa here!" she admonished a red-powdered bricklayer who came staggering across the threshold of the back parlor and was trying to encircle her waist with amatory intent. "I 'm a respectable married woman — see?" And then to Miss Ryan, the side-kick of her former riotous spinster days, who was sitting at a corner table dipping her pretty little upturned nose into a foaming schooner: "Take my tip, Mamie, an' marry a Chink! That 's the life, believe me!"

  Mamie shrugged her shoulders.

  "All right for you, Fan, I guess," she replied. "But not for me. Y' see — ye're mostly Chink yerself ——"

  "I ain't! I ain't! I'm white — wottya mean callin' me a Chink?" And then, seeing signs of contrition on her friend's face: "Never mind. Chinkie-Toodles is good enough for me. He treats me white, all right, all right!"

  

  Nor was this an overstatement of the actual facts.

  Nag Hong Fah was good to her. He was happy in the realization of his fatherhood, advertised every night by lusty cries which reverberated through the narrow, rickety Pell. Street house to find an echo across the street in the liquor-store of the Chin Sor Company, where the members of his clan predicted a shining future for father and son.

  The former was prospering. The responsibilities of fatherhood had brought an added zest and tang to his keen, bartering Mongol brain. Where before he had squeezed the dollar, he was now squeezing the cent. He had many a hard tussle with the rich Yung Long over the price of tea and rice and other staples, and never did either one of them mention the name of Yung Quai, nor that of the woman who had supplanted Yung Quai in the restaurant-keeper's affections.

  Fanny was honest. She traveled the straight and narrow, as she put it to herself. "Nor ain't it any strain on my feet," she confided to Miss Ryan. For she was happy and contented. Life, after all, had been good to her, had brought her prosperity and satisfaction at the hands of a fat Chinaman, at the end of her fantastic, twisted, unclean youth, and there were moments when, in spite of herself, she felt herself drawn into the surge of that Mongol race which had given her nine-tenths of her blood — a fact which formerly she had been in the habit of denying vigorously.

  She laughed her happiness through the spiced, warm mazes of Chinatown, her first-born cuddled to her breast, ready to be friends with everybody.

  It was thus that Yung Long would see her walking down Pell Street as he sat in the carved window-seat of his store, smoking his crimson-tassled pipe, a wandering ray of sun dancing through the window, breaking into prismatic colors, and wreathing his pale, serene face with opal vapors.

  He never failed to wave his hand in courtly greeting.

  She never failed to return the civility.

  Some swell looker, that Chink. But — Gawd! — she was square, all right, all right!

  

  A year later, after Nag Hong Fah, in expectation of the happy event, had acquired an option on a restaurant farther up-town, so that the second son might not be slighted in favor of Brian, who was to inherit the Great Shanghai Chop Suey Palace, Fanny sent another little cross-breed into the reek and riot of the Pell Street world. But when Nag Hong Fah came home that night, the nurse told him that the second-born was a girl — something to be entered on the debit, not the credit, side of the family ledger.

  It was then that a change came into the marital relations of Mr. and Mrs. Nag Hong Fah.

  Not that the former disliked the baby daughter, called Fanny, after the mother. Far from it. He loved her with a sort of slow, passive love, and he could be seen on an afternoon rocking the wee bundle in his stout arms and whispering to her crooning Cantonese fairy-lilts: all about the god of small children whose face is a candied plum, so that the babes like to hug and kiss him and, of course, lick his face with their little pink tongues.

  But this time there was no christening, no gorgeous magenta-lettered invitations sent to the chosen, no happy prophecies about the future.

  This time there were no precious presents of green jade and white jade heaped on the couch of the young mother.

  She noticed it. But she did not complain. She said to herself that her husband's new enterprise was swallowing all his cash; and one night she asked him how the new restaurant was progressing.

  "What new restaurant?" he asked blandly.

  "The one up-town, Toodles — for the baby ——"

  Nag Hong Fah laughed carelessly.

  "Oh — I gave up that option. Did n't lose much."

  Fanny sat up straight, clutching little Fanny to her.

  "You — you gave it up?" she asked. "Wottya mean — gave it up?"

  Then suddenly inspired by some whisper of suspicion, her voice leaping up extraordinarily strong: "You mean you gave it up — because — because little Fanny is — a goil?"

  He agreed with a smiling nod.

  "To be sure! A girl is fit only to bear children and clean the household pots."

  He said it without any brutality, without any conscious male superiority; simply as a statement of fact. A melancholy fact, doubtless. But a fact, unchangeable,

  "But — but ——" Fanny's gutter flow of words floundered in the eddy of her amazement, her hurt pride and vanity. "I 'm a woman myself — an' I ——"

  "Assuredly you are a woman and you have done your duty. You have borne me a son. Perhaps, if the omens be favorable you will bear me yet another. But this — this girl ——" He dismissed little Fanny with a wave of his pudgy, dimpled hand as a regrettable accident, and continued, soothingly: "She will be taken care of. Already I have written to friends of our clan in San Francisco to arrange for a suitable disposal when the baby has reached the right age." He said it in his mellow, precise English. He had learned it at a night-school, where he had been the pride and honor of his class.

  Fanny had risen. She left her couch. With a swish-swish of knitted bed-slippers she loomed up on the ring of faint light shed by the swinging petroleum lamp in the center of the room. She approached her husband, the baby held close to her heart with her left hand, her right hand aimed at Nag Hong Fah's solid chest like a pistol. Her deep-set, violet-blue eyes seemed to pierce through him.

  But the Chinese blood in her veins — shrewd, patient — scotched the violence of her American passion, her American sense of loudly clamoring for right and justice and fairness. She controlled herself. The accusing hand relaxed and fell gently on the man's shoulder. She was fighting for her daughter, fighting for the drop of white blood in her veins, and it would not do to lose her temper.

  "Looka here, Chinkie-Toodles," she said. "You call yerself a Christian, don't yer? A Christian an' an American. Well, have a heart. An' some sense! This ain't China, Toodles. Lil Fanny ain't goin' to be weighed an' sold to some rich brother Chink at so many seeds per pound. Not much! She's gonna be eddycated. She's gonna have her chance, see? She 's gonna be independent of the male beast an' the sorta life wot the male beast likes to hand to a skoit. Believe me, Toodles, I know what I 'm talkin' about!"

  But he shook his stubborn head. "All has been settled," he replied. "Most satisfactorily settled!"

  He turned to go. But she rushed up to him. She clutched his sleeve

  "Yer — yer don't mean it? Yer can't mean it!" she stammered.

  "I do, fool!" He made a slight, weary gesture as if brushing away the incomprehensible. "You are a woman — you do not understand ——"

  "Don't I, though!"

  She spoke through her teeth. Her words clicked and broke like dropping icicles. Swiftly her passion turned into stone, and as swiftly back again, leaping out in a great, spattering stream of abuse.

  "Yer damned, yellow, stinkin' Chink! Yer — yer — Wottya mean — makin' me bear children — yer own children — an' then ——" Little Fanny was beginning to howl lustily and she covered her face with kisses. "Say kiddie, it 's a helluva dad you 've drawn! A helluva dad! Look at him — standin' there! Greasy an' yellow an' — Say — he 's willin' to sell yer into slavery to some other beast of a Chink! Say ——"

  "You are a — ah — a Chink yourself, fool!"

  "I ain't! I 'm white — an; square — an,' decent — an' ——"

  He lit a cigarette and smiled placidly, and suddenly she knew that it would be impossible to argue, to plead with him. Might as well plead with some sardonic, deaf immensity, without nerves, without heart. And then, womanlike, the greater wrong disappeared in the lesser.

  "Ye 're right. I'm part Chink myself — an' damned sorry for myself because of it! An' that 's why I know why yer gave me no presents when lil Fanny was born. Because she's a girl! As if that was my fault, yer fat, sneerin' slob, yer! Yah! That 's why yer gave me no presents — I know! I know what it means when a Chink don't give no presents to his wife when she gives boith to a child! Make me lose face — that 's wottya call it, ain't it? An' I thought fer a while yer was savin' up the ducats to give lil Fanny a start in life!

  "Well, yer got another guess comin'! Yer gonna do wot I tell yer, see? Yer gonna open up that there new restaurant up-town, an' yer gonna give me presents! A bracelet, that's what I want! None o' yer measly Chink jade, either; but the real thing, get me? Gold an' diamonds, see?" and she was still talking as he, unmoved, silent, smiling, left the room and went down the creaking stairs to find solace in the spiced cups of the Palace of Sweet Desire and Heavenly Entertainment.

  She rushed up to the window and threw it wide. She leaned far out, her hair framing her face like a glorious, disordered aureole, her loose robe slipping from her gleaming shoulders, her violet eyes blazing fire and hatred.

  She shouted at his fat, receding back:

  "A bracelet, that's what I want! That's what I'm gonna get, see? Gold an' diamonds! Gold an' diamonds, yer yellow pig, yer!"

  It was at that moment that Yung Long passed her house. He heard, looked up, and greeted her courteously, as was his wont. But this time he did not go straight on his way. He looked at her for several seconds, taking in the soft lines of her neck and shoulders, the small, pale oval of her face with the crimson of her broad, generous mouth, the white flash of her small, even teeth, and the blue, sombre orbit of her eyes. With the light of the lamp shining in back, a breeze rushing in front past the open window, the wide sleeves of her dressing-gown fluttered like immense, rosy butterfly-wings.

  Instinctively she returned his gaze. Instinctively, straight through her rage and heartache, the old thought came to her mind:

  Swell looker — that Chink!

  And then, without realizing what she was doing, her lips had formed the thought into words:

  "Swell looker!"

  She said it in a headlong and vehement whisper that drifted down, through the whirling reek of Pell Street — sharp, sibilant, like a message.

  Yung Long smiled, raised his neat bowler hat, and went on his way.

&ndsp;

  Night after night Fanny returned to the attack, cajoling, caressing, threatening, cursing.

  "Listen here, Chinkie-Toodles — "

  But she might as well have tried to argue with the sphinx for all the impression she made on her eternally smiling lord. He would drop his amorphous body into a comfortable rocker, moving it up and down with the tips of his felt-slippered feet, a cigarette hanging loosely from the right corner of his coarse, sagging lips, a cup of lukewarm rice whisky convenient to his elbow, and watch her as he might the gyrations of an exotic beetle whose wings had been burned off. She amused him. But after a while continuous repetition palled the amusement into monotony, and, correctly Chinese, he decided to make a formal complaint to Brian O'Neill, the Bowery saloon-keeper, who called himself her uncle.

  Life, to that prodigal of Erin, was a rather sunny arrangement of small conveniences and small, pleasant vices. He laughed in his throat and called his "nephew" a damned, sentimental fool.

  "Beat her up!" was his calm, matter-of-fact advice. "Give her a good old hiding, an' she'll feed outa yer hand, me lad!"

  "I have — ah — your official permission, as head of her family?"

  "Sure. Wait. I 'll lend ye me blackthorn. She knows the taste of it."

  Nag Hong Fah took both advice and blackthorn. That night he gave Fanny a severe beating and repeated the performance every night for a week until she subsided.

  Once more she became the model wife, and happiness returned to the stout bosom of her husband. Even Miss Rutter, the social settlement investigator, commented upon it. "Real love is a shelter of inexpugnable peace," she said when she saw the Nag Hong Fah family walking down Pell Street, little Brian toddling on ahead, the baby cuddled in her mother's arms.

  

  Generously Nag Hong Fah overlooked his wife's petty womanish vanities; and when she came home one afternoon, flushed, excited, exhibiting a shimmering bracelet that was encircling her wrist, "just imitation gold an' diamonds, Chinkie-Toodles!" she explained. "Bought it outa my savings — thought yer wouldn't mind, see? Thought it would n't hurt yer none if them Chinks hereabouts think it was the real dope an' yer gave it to me" — he smiled and took her upon his knee as of old.

  "Yes, yes," he said, his pudgy hand fondling the intense golden gleam of her tresses. "It is all right. Perhaps — if you bear me another son — I shall give you a real bracelet, real gold, real diamonds. Meanwhile you may wear this bauble."

  As before she hugged jealously her proclaimed freedom of asphalt and electric lights. Nor did he raise the slightest objections. He had agreed to it at the time of their marriage and, being a righteous man, he kept to his part of the bargain with serene punctiliousness.

  Brian Neill, whom he chanced to meet one afternoon in Señora Garcia's second-hand emporium, told him it was all right.

  "That beatin' ye gave her did n't do her any harm, me beloved nephew," he said. "She's square. God help the lad who tries to pass a bit o' blarney to her." He chuckled in remembrance of a Finnish sailor who had beaten a sudden and undignified retreat from the back parlor into the saloon, with a ragged scratch crimsoning his face and bitter words about the female of the species crowding his lips. "Faith, she 's square! Sits there with her little glass o' gin an' her auld chum, Mamie Ryan — an' them two chews the rag by the hour — talkin' about frocks an' frills, I doubt not ——"

  Of course, once in a while she would return home a little the worse for liquor. But Nag Hong Fah, being a Chinaman, would mantle such small shortcomings with the wide charity of his personal laxity.

  "Better a drunken wife who cooks well and washes the children and keeps her tongue between her teeth than a sober wife who reeks with virtue and breaks the household pots," he said to Nag Hop Fat, the soothsayer. "Better an honorable pig than a cracked rose bottle."

  "Indeed! Better a fleet mule than a hamstrung horse," the other wound up the pleasant round of Oriental metaphors, and he reënforced his opinion with a chosen and appropriate quotation from the "Fo-Sho-Hing-Tsan-King."

  

  When late one night that winter, a high wind booming from the north and washing the snow-dusted Pell Street houses with its cutting blast, Fanny came home with a jag, a chill, and a hacking cough, and went down with pneumonia seven hours later, Nag Hong Fah was genuinely sorry. He turned the management of his restaurant over to his brother, Nag Sen Yat, and sat by his wife s bed, whispering words of encouragement, bathing her feverish forehead, changing her sheets, administering medicine, doing everything with fingers as soft and deft as a woman's.

  Even after the doctor had told him three nights later that the case was hopeless and that Fanny would die — even after, as a man of constructive and practical brain, he had excused himself for a few minutes and had sat down in the back room to write a line to Yung Quai, his divorced wife in San Francisco, bidding her hold herself in readiness and including a hundred dollars for transportation — he continued to treat Fanny Mei Hi with the utmost gentleness and patience.

  Tossing on her hot pillows, she could hear him in the long watches of the night breathing faintly, clearing his throat cautiously so as not to disturb her; and on Monday morning — he had lifted her up and was holding her close to help her resist the frightful, hacking cough that was shaking her wasted frame — he told her that he had reconsidered about little Fanny.

  "You are going to die," he said placidly, in a way, apologetically, "and it is fitting that your daughter should make proper obeisance to your departed spirit. A child's devotion is best stimulated by gratitude. And little Fanny shall be grateful to you. For she will go to a good American school and, to pay for it, I shall sell your possessions after you are dead. The white jade bracelet, the earrings of green jade, the red sables — they will bring over four thousand dollars. Even this little bauble" — he slipped the glittering bracelet from her thin wrist — "this, too, will bring a few dollars. Ten, perhaps twelve; I know a dealer of such trifles in Mott Street who ——"

  "Say!"

  Her voice cut in, raucous, challenging. She had wriggled out of his arms. An opaque glaze had come over her violet-blue eyes. Her whole body trembled. But she pulled herself on her elbows with a terrible, straining effort, refusing the support of his ready hands.

  "Say! How much did yer say this here bracelet's worth?"

  He smiled gently. He did not want to hurt her woman's vanity. So he increased his first appraisal.

  "Twenty dollars," he suggested. "Perhaps twenty-one. Do not worry. It shall be sold to the best advantage — for your little daughter ——"

  And then, quite suddenly, Fanny burst into laughter — gurgling laughter that shook her body, choked her throat, and leaped out in a stream of blood from her tortured lungs.

  "Twenty dollars!" she cried. "Twenty-one! Say, you poor cheese, that bracelet alone 'll pay for lil Fanny's eddycation. It 's worth three thousand! It 's real, real — gold an' diamonds! Gold an' diamonds! Yung Long gave it to me, yer poor fool!" And she fell back and died, a smile upon her face, which made her look like a sleeping child, wistful and perverse.

  A day after his wife's funeral Nag Hong Fah, having sent a ceremonious letter, called on Yung Long in the latter's store. In the motley, twisted annals of Pell Street the meeting, in the course of time, has assumed the character of something epic, something Homeric, something almost religious. It is mentioned with pride by both the Nag and the Yung clans; the tale of it has drifted to the Pacific Coast; and even in far China wise men speak of it with a hush of reverence as they drift down the river on their painted house-boats in peach-blossom time.

  

  Yung Long received his caller at the open door of his shop.

  "Deign to enter first," he said, bowing.

  Nag Hong Fah bowed still lower.

  "How could I dare to?" he retorted, quoting a line from the "Book of Ceremonies and Exterior Demonstrations," which proved that the manner is the heart's inner feeling.

  "Please deign to enter first," Yung Long emphasized and again the other gave the correct reply: "How should I dare?"

  Then, after a final request, still protesting, he entered as he was bidden. The grocer followed, walked to the east side of the store and indicated the west side to his visitor as Chinese courtesy demands.

  "Deign to choose your mat," he went on and, after several coy refusals, Nag Hong Fah obeyed again, sat down, and smiled gently at his host.

  "A pipe?" suggested the latter

  "Thanks! A simple pipe of bamboo, please, with a plain bamboo mouthpiece and no ornaments!"

  "No, no!" protested Yung Long. "You will smoke a precious pipe of jade with a carved amber mouthpiece and crimson tassels!"

  He clapped his hands, whereupon one of his young cousins entered with a tray of nacre, supporting an opium-lamp, pipes and needles and bowls, and horn and ivory boxes neatly arranged. A minute later the brown opium cube was sizzling over the open flame, the jade pipe was filled and passed to Nag Hong Fah, who inhaled the gray, acrid smoke with all the strength of his lungs, then returned the pipe to the boy, who refilled it and passed it to Yung Long.

  For a while the two men smoked in silence — men of Pell Street, men of lowly trade, yet men at whose back three thousand years of unbroken racial history, racial pride, racial achievements, and racial calm, were sitting in a solemn, graven row — thus dignified men.

  Yung Long was caressing his cheek with his right hand. The dying, crimson sunlight danced and glittered on his well-polished finger-nails.

  Finally he broke the silence.

  "Your wife is dead," he said with a little mournful cadence at the end of the sentence.

  "Yes." Nag Hong Fah inclined his head sadly; and after a short pause: "My friend, it is indeed reasonable to think that young men are fools, their brains hot and crimson with the blinding mists of passion, while wisdom and calm are the splendid attributes of older men ——"

  "Such as — you and I?"

  "Indeed!" decisively.

  Yung Long raised himself on his elbows. His oblique eyes flashed a scrutinizing look and the other winked a slow wink and remarked casually that a wise and old man must first peer into the nature of things, then widen his knowledge, then harden his will, then control the impulses of his heart, then entirely correct himself — then establish good order in his family.

  "Truly spoken," agreed Yung Long. "Truly spoken, O wise and older brother! A family! A family needs the strength of a man and the soft obedience of a woman."

  "Mine is dead," sighed Nag Hong Fah. "My household is upset. My children cry."

  Yung Long slipped a little fan from his wide silken sleeves and opened it slowly.

  "I have a sister," he said gently, "Yung Quai, a childless woman who once was your wife, O wise and older brother."

  "A most honorable woman!" Nag Hong Fah shut his eyes and went on: "I wrote to her five days ago, sending her money for her railway fare to New York."

  "Ah!" softly breathed the grocer; and there followed another silence.

  Yung Long's young cousin was kneading, against the pipe, the dark opium cubes which the flame gradually changed into gold and amber.

  "Please smoke," advised the grocer

  Nag Hong Fah had shut his eyes completely, and his fat face, yellow as old parchment, seemed to have grown indifferent, dull, almost sleepy.

  Presently he spoke:

  "Your honorable sister, Yung Quai, will make a most excellent mother for the children of my late wife."

  "Indeed."

  There was another silence, again broken by Nag Hong Fah. His voice held a great calmness, a gentle singsong, a bronze quality which was like the soft rubbing of an ancient temple gong; green with the patina of the swinging centuries.

  "My friend," he said, "there is the matter of a shimmering bracelet given by you to my late wife ——"

  Yung Long looked up quickly; then down again as he saw the peaceful expression on the other's bland features and heard him continue:

  "For a while I misunderstood. My heart was blinded. My soul was seared with rage. I — I am ashamed to own up to it — I harbored harsh feelings against you. Then I considered that you were the older brother of Yung Quai and a most honorable man. I considered that in giving the bracelet to my wife you doubtless meant to show your appreciation for me, your friend, her husband. Am I not right?"

  Yung Long had filled his lungs with another bowlful of opium smoke. He was leaning back. both shoulders on the mat so as the better to dilate his chest and to keep his lungs filled all the longer with the fumes of the kindly philosophic drug.

  "Yes," he replied after a minute or two. "Your indulgent lips have pronounced words full of harmony and reason. Only — there is yet another trifling matter."

  "Name it. It shall be honorably solved."

  Yung Long sat up and fanned himself slowly.

  "At the time when I arranged a meeting with the mother of your children," he said, "so as to speak to her of my respectful friendship for you and to bestow upon her a shimmering bracelet in proof of it, I was afraid of the wagging, leaky tongues of Pell Street. I was afraid of scandal and gossip. I therefore met your wife in the back room of Señora Garcia's store, on the Bowery. Since then I have come to the conclusion that perhaps I acted foolishly. For the foreign woman may have misinterpreted my motives. She may talk, thus causing you as well as me to lose face, and besmirching the departed spirit of your wife. What sayeth the 'Li-Ki'? 'What is whispered in the private apartments must not be shouted outside.' Do you not think that this foreign woman should — ah ——"

  Nag Hong Fah smiled affectionately upon the other.

  "You have spoken true words, O wise and older brother," he said rising. "It is necessary for your and my honor, as well as for the honor of my wife's departed spirit, that the foreign woman should not wag her tongue. I shall see to it to-night." He waved a fat, deprecating hand. "Yes — yes. I shall see to it. It is a simple act of family piety — but otherwise without much importance."

  And he bowed, left the store, and returned to his house to get his lean knife.

(End.)


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1918."

How to Study The Best Short Stories by Blanche Colton Williams (1919)

How to Study The Best Short Stories by Blanche Colton Williams (1919)

 

How to Study "The Best Short Stories" 


AN ANALYSIS OF EDWARD J. O'BRIEN'S ANNUAL VOLUMES OF THE BEST §HORT STORIES OF THE YEAR PREPARED FOR THE USE OF WRITERS AND OTHER STUDENTS OF THE SHORT-STORY 


BY 

BLANCHE COLTON WILLIAMS



Only the other day a student demanded, " Why can't I get an author to tell me every step in the development of one of his stories?" Although, as I tried to point out, such a thorough proceeding is neither desirable nor easily possible,' yet the essentially valuable part of the author's progress may be most illuminative, and it is obtainable. As one of these writers has said, the artist is not analytical beforehand and is not so, of necessity, after completing his work. But even from those who progress only, as they assert, by inspiration come clear and helpful statements concerning their starting.

Read the story before taking up the exercises.

Consult the biographical data in the Yearbooks for 1915, 1916, 1917, and 1918 to study this book. 1919, 1920, 1921, and 1922 are links to more best stories for your enjoyment.

Observe to what extent the various authors have reflected the country or region in which they have lived. What conclusions do you draw?

Many of the stories conform to the laws of the "Greek Unities" Name them.

The following list is composed of the stories analyzed for the study of this book.

* I will add stories from "How to Study The Best Short Stories," as I find them.

  1. A Simple Act of Piety by Achmed Abdullah
  2. The Sacrificial Alter by Gertrude Atherton
  3. The Excursion By Edwina Stanton Babcock
  4. Cruelties by Edwina Stanton Babcock
  5. Onnie by Thomas Beer
  6. Miss Willett by Barry Benefield
  7. Supers by Frederick Booth
  8. Buster by Katharine Holland Brown
  9. Fog by Dana Burnet
  10. The Water-Hole by Maxwell Struthers Burt
  11. A Cup of Tea by Maxwell Struthers Burt
  12. Ma's Pretties by Francis Buzzell
  13. Chautonville by Will Levington Comfort
  14. Laughter by Charles Caldwell Dobie
  15. The Open Window by Charles Caldwell Dobie
  16. The Lost Phoebe by Theodore Dreiser
  17. La Derniere Mobilisation by W. A. Dwiggins
  18. The Emperor of Elamy by H. G. Dwight
  19. The Citizen by James Francis Dwyer
  20. The Gay Old Dog by Edna Ferber
  21. Blind Vision by Mary Mitchell Freedley
  22. Imagination by Gordon Hall Gerould
  23. The Knight's Move by Katharine Fullerton Gerould
  24. In Maulmain Fever-Ward by George Gilbert
  25. A Jury of Her Peers by Susan Glaspell


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How to Study The Best Short Stories by Blanche Colton Williams (1919)

The Sacrificial Alter by Gertrude Atherton (1916)

LOUIS BAC drifted like a gray shadow through the gray streets of San Francisco. Even the French colony, one of the most homogeneous units of the city, knew little more of him than the community at large. He was the son of one famous restaurateur and the grandson of another; he had been sent to a Lycee in Paris at the age of twelve, graduated from the University of Paris at twenty-two, and returned to San Francisco upon the death of his father a year later. The French colony were surprised that he did not go back to Paris after selling the restaurant--his energetic mother had pre-deceased her husband--but buried himself in the old Bac home behind the eucalyptus-trees on the steepest hillside of the city; otherwise his return and himself attracted no attention whatever until he flung his hat into the international arena.

Both his father, Henri Bac II., and his shrewd mother, Antoinette, had been agreed upon giving their studious ascetic little son a true American's chance to rise in the world, and, acting on the advice of their chief patron and the leader of the French colony, M. Cesar Dupont, who offered his escort, had sent the boy to the College Louis le Grand. They never saw their only child again; but although Louis had been reticent of speech, he proved a very prodigal with his pen. As the years passed it became evident--the entire French colony read these letters--that his goal was belles-lettres and that he was practising on his family. Finally, after many mutations his style became so formal and precise that M. Dupont became alarmed and, during his next visit to Paris, invited the young man to breakfast.

Louis by this time was eighteen, of medium height, as thin as all overworked, underfed, underoxygenated Lycee boys, with large gray eyes that were rarely raised, a long pale face, a long thin nose, a small thin-lipped mouth. The brow was abnormally large, the rest of the head rather small. It was not an attractive personality, M. Dupont reflected--he had not seen Louis for several years--but the boy carried something uncommon in his head-piece, or he, Cesar Dupont, fashionable merchant and bon viveur, had studied the craniums of a thousand San Francisco geniuses in vain.

He had taken his guest to the Restaurant de la Tour d'Argent, and while the duck's frame was being crushed he asked, abruptly:

"Have you given a thought to your future career, Louis? Of course you know you will not be obliged to drudge, but to be a professor of French literature is not without its eclat, and, I fancy, more in your line than commerce."

Louis's lip curled. "I have no more intention of being a professor than of being a merchant," he said in his cold, precise voice. "I shall write."

"Ah!" M. Dupont drew a sigh of relief. He had feared the boy would be forbiddingly reticent. "I hoped as much from your letters. Your refinement of mind and style are remarkable for a man of your years. Shall you write plays?"

A faint color had invaded the youth's cheeks under this considered flattery, and when he lifted his deeply set gray eyes to M. Dupont's it was almost with the frankness of man to man. But he was intensely shy, and although more at his ease with this handsome, genial patron of his family, he made his confidences without warmth.

"No. I shall write the novel. The dramatic form does not appeal to me."

"Ah! Yes. I am not surprised. Your style is certainly more narrative--descriptive. But to be a novelist, my son, you must have seen a great deal of life. You must know the great world--unless--perhaps--you contemplate writing romance?"

Again the delicate lip opposite curled, and Louis almost choked over his morsel of duck. "Romance? No, Monsieur. I am a realist by temperament and mental habit. Nor do I need the great world. Only one thing interests me--crime."

"Crime? Mon Dieu!" The amiable merchant almost choked in his turn, although he savored his duck more slowly than his Lycee guest. "Crime! But you are too young, my son, to be interested in anything so grim. Life is to enjoy. And how can you enjoy with your mind like a morgue?"

"We are not all made to enjoy in the same fashion. I enjoy intensely reading through old volumes of criminal records and trials--my master in psychology has kindly arranged that I shall have access to them. And I read with the greatest interest the details of current criminology. I shall never care for society, for I am too timid and dislike women. But I love the lonely grandeur of nature, and music, and great books and pictures. Have no fear, Monsieur, my mind is not polluted. It is purely scientific, this interest; the psychology of crime happens to appeal to my peculiar gifts."

"But--that is it--your gifts are literary--but yes! I do not like the idea of wasting them on that lamentable subdivision of human society which one ignores save when held up by a footpad. With but few exceptions it has appealed only to the inferior order of writing talent. Even in France the masters do not condescend. With them crime is an incident, not a motif."

"Has it occurred to you, Monsieur, that without the pioneers--"

"Oh yes, perhaps--but you--"

"I am young and unknown? Of what author has that not at least once been said? I purpose to write novels--not mere stories--in which character and life shall be revealed in the light of the boldest and the subtlest crimes--murder preferably--and executed in a form and style above cavil--I hope! Oh, I hope! Moreover, I shall write my books in two languages--I have taken special courses in English. In that, too, I shall be unique."

"Be careful of that style of yours, my son. It is growing a little too academic, and I, a Frenchman, say that! It would do for the essay, and win the praise of the expiring generation of critics, and the younger but non-creative formalists, but I infer you wish to be read by the public. You would also make money as well as achieve fame. Is it not?"

"Quite so. My father wishes that I live until I am thirty in California and vote--I, mon Dieu! But I shall follow his wishes. Then I shall buy a chateau here in France, for our chateaux are incomparable in beauty. Fame, but yes. It would make my nostrils quiver. But all that is as nothing to the joy of writing. Then my soul almost sings. I am almost happy, but not quite."

He paused and his brow darkened. He raised his eyes and stared past his anxious host, far into some invisible plane of tormentingly elusive dreams. M. Dupont wisely remained silent, and Louis resumed, abruptly: "When I shall write as spontaneously as the spring bubbles or the ice melts, when my brain hardly knows what my pen is doing, when I experience that terrific uprush that would drown the more conscious parts of the intellect were it not for the perfect mastery of technique--that is it, monsieur! I am still an infant with my tools. Do not permit my style to cause you anxiety. It is merely in one stage of experiment. I shall not write a line for publication until I am four-and-twenty. I shall send forth my first professional novel on the third of October--my birthday--1900. Meanwhile, I enter the university this year, and take the course in literature. At twenty-two I shall graduate and take my Ph.D. Then I shall serve for a year as a reporter on a London newspaper. So shall I obtain perfect freedom with the English language and that first-hand contact with life which I realize is of a certain necessity. But after that no more of the world. I hate it--realities. I wish to live in my mind, my imagination; to spend every hour when I do not exercise for my nerves or sleep to refresh my faculty, in writing, writing--that one day shall be creating."

Louis carried out his programme to the letter, and published, in 1900--some five years before the terrific episode which it is my melancholy privilege to chronicle--the first of those novels of crime that commanded the sedate attention of the intellectual world. Entombed as it were in the old house under the creaking eucalyptus-trees, with a padlock on his gate, he had rewritten it six times from the original draft--which, according to his method, contained nothing but the stark outline of the plot, every detail of which was thought out during long hours of exterior immobility. Three successive sets of servants, mistaking this accomplishment in petrifaction for a form of insanity which might at any moment express itself in violence, left abruptly. Finally, old Madame Dupont established in the kitchen wing an elderly Frenchman and his wife who had once presided over a hotel for artists, and thereafter Louis had peace and enforced nutrition.

It was during the long months of re-writing, of developing his characters by a subtle secondary method of his own, of profound analysis, and a phrasing which drew heavily on the adjectival vocabulary of the critics later on, that he really enjoyed himself. The last revision was devoted exclusively to the study and improvement of every sentence in the long book; and indeed there is no doubt that these months, from skeleton to trousseau, were, with one tremendous exception, the happiest period of this unhappy creator's life.

This book in its cold intellectual remoteness appealed as little to Louis when he read it in print as it did to the public, and he set himself grimly to work to pour red blood into the veins of his characters and give his next book the rhythm of life as well as of style. Once more he was hailed by the intellectuals, but fell short of popular recognition, which, belonging himself to the intellectual democracy, he estimated far above the few who win their little fame by writing about the creators in art, or even above the artist himself. He was determined to enthrall, to create the perfect illusion. He scorned to be a cult, and when he saw himself alluded to as a "high-brow-lit" he wept. But above all he passionately wished for that intoxication in creation in which consciousness of self was obliterated, the power, as he expressed it, to write one book charged with the magnetism of a burning soul. He always felt, despite his love of his work, as cold and deliberate as a mathematician. And yet he spun his complicated plots with the utmost facility. There was no more doubt of his talent, in the minds of those who wrote essays of him in the reviews, than of his psychological insight and his impeccable style.

Poor Louis! Spurred on by his anxious and experienced friend, M. Cesar Dupont, he made a meticulous attempt to adore a little French milliner; but the young artist, who would have been a monk in the Middle Ages and left to his monastery a precious heritage of illuminated manuscripts, returned within the month to his art (with abject apologies), set his teeth, and dissected the whole affair for his next book; presenting Celeste, the pivot of a demoniacal crime, in all the phases, common or uncommon, to a woman of her type. This novel, which he estimated as his worst, achieved to his disgust a certain measure of popularity, and the reporters hammered at his gate. San Francisco, which after its first mild interest, had forgotten him, awoke to a sense of its own importance, and besieged M. Dupont, whose acquaintance extended far beyond the French colony, for introductions. But Louis would have none of them. He went on writing his novels, taking his walks at midnight, never leaving the house otherwise unless to visit a bookstore or sit in the back of a box at the play, and literally knew no one in the city of his birth but old Madame Dupont, her son, and his two old servants, Philippe and Seraphine. It was after his seventh novel, when he felt himself growing stale, taking less pleasure in the mere act of writing, and losing his hold on his good friends, the intellectuals, that he took his trouble, as was his habit, to M. Cesar.

They dined in the old Dupont mansion on Nob Hill, built, like the humbler home of the Bacs, in the city's youth, and alone, as Madame was in bed with an influenza. M. Cesar as a rule entertained at his club, and had a luxurious suite for bachelor purposes in a select apartment-like house kept by a compatriot, but, like a dutiful son, he made a pretense of sharing his mother's evening meal at six o'clock, no matter where he might be dining at eight.

For an hour after dinner Louis paced up and down the library and unburdened himself while M. Cesar smoked in the depths of a chair. This confidence, which included rage at his own limitations, disgust with the critics who encouraged such miserable failures as he, and invective against fate for planting the fiction imp in what should have been a purely scientific mind and then withholding the power to electrify his talent with genius, was made about every seven months, and M. Cesar always listened with deep concern and sympathy. He loved Louis, who was sweet of nature and the most inoffensive of egoists, but was beginning to regard him as hopeless. To-night, however, he was admitting a ray of hope.

"Celeste was a failure," he said, abruptly. "It is no use for you to try that sort of thing again. But live you must. I have given up a dinner at the club to a distinguished guest from abroad to tell you that I insist you give yourself one more chance."

"What is that?" Louis was alert and suspicious at once.

"Do you remember Berthe?"

"Berthe--your niece at Neuilly?"

"Ah--you do, although you would go to my brother's house so seldom."

"He had grown daughters of whom I was afraid, for their cruel instincts were excited by my shyness. But Berthe was a little thing then, very pretty, very sympathetic. I romped with her in the garden sometimes."

"Just so. Berthe is now twenty, very handsome, very vivacious--a great admirer of M. Louis Bac, celebrated novelist."

The young Frenchman stared at the elderly Frenchman. "Do you wish that I should marry her?"

"For your sake. For hers--to marry a genius whose vampire mistress is his art--ah, well, it is the fate of woman to be sacrificed when they do not sacrifice us. And Berthe's would be no mean destiny. I feel convinced that she alone could make you fall madly in love--"

"I shall never see her again. I have lost my old longing for Paris. What difference where a failure exists and plods? Besides, I dreamed once of returning to Paris a master, not a mere formalist who had won the approval of antiquarians."

"You shall meet her here."

"Here?"

"She arrives to-morrow."

"You have planned this, then, deliberately?"

"It is only a dream promising to come true. Not until now has my brother relented and given his consent to Berthe's taking the long journey. But friends were coming It is fate, my son. Try to fall in love with her--but madly! I, who have loved many times, assure you that the intoxication which tempts lesser men to rhyme should stimulate your great gift to its final expression."

"But marry!" Louis was quite cold. "A wife in my house! Oh no, M. Cesar; I should hate it and her."

"Not if you loved her. And Berthe has subtlety and variety."

"And is far too good for me. I should make a detestable husband."

"Let her make the husband."

Once more Louis turned cold. "You desire that I shall meet her, talk to her, cultivate her? Oh, God!"

"I mean that you shall go to my tailor to-morrow. My mother will introduce Berthe to the Colony on Friday night. Its most distinguished members will be present--bankers, journalists, merchants, professional men of all sorts; young people will come in for a dance after the dinner of twenty-four. You may run away from the dance, but at the dinner you will sit beside Berthe."

This time Louis was petrified. "But no! No!"

M. Cesar rose and laid his hand solemnly on his young friend's shoulder. "For your art, my son, for your divine gift. For both you would lay down your life. Is it not? Another year of this unnatural existence and you will go sterile. And what substitute for you in the long years ahead? Your mind needs a powerful stimulant and at once. The cup approaches your lip. Will you drink or will you turn it upside down?"

"I'll drink if I can," said Louis, through his set teeth, "for what you say is true. But I'd rather drink hemlock."

Louis sat at his bedroom window, for the moon was high and the night was clear. The city that so often was shrouded to its cobblestones in fog, its muffled ghostly silence broken only by his creaking eucalyptus-trees, lay below him in all its bleak gray outlines. But he was not looking at the city, although sensible for the first time of the vast composite presence under the ugly roofs; nor even at the high-flung beauty of Twin Peaks; he stared instead at the cross on Calvary, that gaunt hill that rises above the cemeteries of Lone Mountain. The cross stood out black and austere save when a fog wraith from the sea drifted across it. The emblem of the cross was in tune with his mood to-night, for he felt neither romantic nor imaginative, but pervaded with fear and melancholy. The faith in which he had been bred as a child had long since passed, and to him the cross was merely the symbol of crucifixion.

His eye dropped from the cross to the dark mass of the Catholic cemetery where his parents slept. If his writing faculty should desert him, as M. Cesar had ruthlessly predicted, no power in either world should condemn him to life. He would go out to Lone Mountain, shut himself in the family vault, lie down on the stones, and either drink poison or cut his wrists. This morbid vision had appealed to him before, but never so insidiously as to-night: never before had his spirits remained so persistently at zero as during the past week; never before had their melancholy been darkened by fear, rent by panic.

In spite of his shyness and dislike of women, not only had he nerved himself to the ordeal of meeting Berthe Dupont, but worked himself up to a real desire to fall in love with her, to experience that tremendous emotion from inception to crescendo and liberate the deep creative torrents of his genius. Not for a moment did he hope that she would marry him. On the contrary, what he particularly desired was that she should play with him, enthrall him, transform him into a sentimental ass and a caldron of passion, then flout him, condemn him to the fiendish tortures of the unsatisfied lover.

Six months at his desk of carefully nursed passion and torments, and then, immortal fame!

Louis, who was very honest and as little conceited as an author may be, had for some time believed, with his critics and M. Cesar, that he would come into the full fruition of his gifts only after some great, possibly terrific, adventure of the soul had banished forever that curious lethargy that possessed the unexplored tracts of his genius.

Therefore had poor Louis gone to the tailor of his inexorable mentor, and crawled up the hill on Friday night, his heart hammering, his knees trembling, but his teeth set and his whole being a desperate hope. He was willing to go to the stake. Through his consciousness the outlines of another plot, subtle, intricate, vital, hinting at characters who were personalities, but uncommonly misty and slow to cohere, were wandering. Ordinarily his plots were as sharply outlined as a winter tree against a frosty sky. But now! He must tear up his soul by the roots and fill his veins with fire or this new conception would dribble forth in an image so commonplace that he would take it out to Lone Mountain and immure it with himself.

The Dupont house was perched high above the cut that had made a rough hillside into a bland street for the wealthy. The last automobile was rolling away as Louis reached the long flight of covered outer stairs that led up from the street to the house. He walked even more slowly up that tunnel on end, hoping the company would be in the dining-room when he arrived and he could slink into his seat unnoticed.

The old butler, Jean-Marie, almost shoved him into the drawing-room, and for a moment his terrors retreated before a wave of artistic pleasure never before experienced in the house of Dupont. The heavy old mahogany furniture, the bow-windows, even the clumsy old candelabra were completely obliterated by a thousand American Beauty roses. It was a bower of surpassing richness and distinction for a group of women as handsome and exquisitely dressed as Louis had ever seen in the foyer of the opera-house in Paris.

The moment old Madame Dupont, magnificent in brocade and a new wig, espied him, she led the way to the dining-room, before M. Cesar could introduce him to the eager Colony. This relieved Louis almost to the pitch of elation, and he even exchanged a few words with his partner after they were seated at the long table--covered with Madame's historic silver and crystal--the while he covertly examined the young lady on his left. Mademoiselle Berthe had been taken in by the host and was chatting animatedly with M. Jules Constant, a young banker, who sat opposite.

Louis observed with delight that she was more than pretty, and realized that M. Cesar had with purpose restrained his enthusiasm. Certainly it gave Louis a distinct throb of satisfaction to discover for himself that the young girl was beautiful and of no common type. She might be as practical as most Frenchwomen, but she looked romantic, passionate, mysterious. The heavy lids of her large brown eyes gave them depths and smoldering fires. Her soft brown hair, dark but full of light, was dressed close to her small proud head. She had a haughty little nose and a red babyish mouth filled with bright, even teeth. Her complexion was olive and claret; her tall form round, flexible, carried with pride and grace. The contrasts in that seductive face were affecting her inflammable vis-a-vis profoundly.

It was only when dinner was half over that Louis realized with a shock which turned him as pale as his rival, M. Constant, that he felt neither jealousy nor any other of the master passions. He had talked alternately with Mademoiselle Berthe and the shy damsel on his right, and he found the one as interesting as the other. He appreciated that the young lady destined for him was intelligent, and emanated a warm magnetism; moreover, she had both coquetry and indubitable sincerity. Every man at the table was craning his neck, and M. Constant looked ready to fight twelve duels.

And he, Louis Bac, felt nothing!...

Staring at Calvary, his mind drifted over the events of the past week. He had seen Mademoiselle Berthe every day. On two separate occasions he had talked with her alone in the Dupont library. He had liked and admired her increasingly. He found her full of surprises, subtleties; it seemed to him that just such a young woman had been roaming the dim corridors of his brain, impatiently awaiting his call; and as a wife she would be incomparable.

But he did not want a wife. He wanted a grande passion. And he developed not a symptom. He felt not the least desire to impropriate her. Of course there was but one explanation. He was incapable of those profound and racking passions experienced once at least by ordinary men. He was nothing but an intellect with a rotten spot where fiction generated instead of those abnormal impulses that made of men so inflicted social outlaws. Otherwise, he should be quite mad over Berthe Dupont. Her beauty and charm were attracting attention far beyond the French colony. It was Berthe for him or no one. And alas! it was to be neither Berthe nor any one...

The moon flooded the sleeping city as the clocks struck one. Out of that vast composite below, its imagination liberated in dreams, a daring idea sprang, flew upward, darted into Louis's relaxed brain. Its point wedged, quivered like an arrow. Louis himself quivered, but with fright. Of love and woman he had no personal knowledge save for his brief and shallow episode with Celeste, but of both he had the accumulated knowledge of the masters and the insight of genius.

It was night--a beautiful, romantic night. Berthe was beautiful, seductive at all times; what must she not be in the abandon of sleep? If he could steal to her chamber, gaze upon her unconscious loveliness, was it not categorical that he should be overwhelmed like any ordinary man? To defy her scorn for a few poignant moments, then rush forth repulsed and quite mad, to weep upon his floor until dawn! He stared at the boards of his ascetic chamber with fascinated eyes;...to writhe there, to beat the floor with his fists, to weep like a good Frenchman...And he knew that she had gone to bed early to-night, worn out with much gaiety.

He ran lightly down the stairs and let himself out of the house as silently, although his servants slept far in the rear. Even at the top of the hill not a policeman nor a chance pedestrian was in sight. San Francisco, he knew, had a roaring night life, but at this hour the domestic quarters were as silent as a necropolis.

Nor did he meet any one as he walked rapidly along Taylor Street past the dwellings of the rich to the old-fashioned row of houses perched high above the "cut." As he was within a foot of the Dupont mansion he heard a taxicab in his wake, and darted within the sheltering walls of the covered stair. The cab came to a halt before the house opposite; a man with a black bag jumped out, and was immediately admitted.

A doctor, of course; but Louis, to his surprise, discovered that he was experiencing something like a thrill. If seen, he certainly would be handed over to the police. It was, therefore, a moment of real danger, and he almost laughed aloud as he discovered himself enjoying it. Many times he had described, with the most searching analysis, that sensation of fear during moments of imminent detection--even that subtle thrill along the nerves--but he was in search of an emotion that should shake his passions loose, and he ran lightly up the stairs, dismissing even the agreeable idea that he was also to experience the sensation of being his own housebreaker, so to speak. When he reached the upper terrace he took off his shoes and carried them to a little pagoda behind the house; it was possible that he would have to make a hasty exit by way of Jones Street. Before leaving his shelter he looked out warily; but the neighboring houses were black, and behind the windows of the Dupont library was a row of tall eucalyptus-trees planted as a windbreak. It was by one of the library windows that Louis purposed to enter, for he knew that its catch was broken; Jean-Marie's memory was old and intermittent.

He raised the window without difficulty and stepped into the room. It was impenetrably dark and full of furniture. On a pedestal was a vase that had belonged to Napoleon, wired and fastened down as an assurance against earthquake. But Louis knew every detail of that room; he crept down its length without encountering a chair, and opened the door.

In the hall a dim light burned. He listened intently, still with a humorous sense that he felt as like a burglar as any he had ever created. But he experienced no impulse to steal and complete the chain of his sensations. His brain, which registered impressions automatically, was quite normal.

He stole up the stair. Not a step creaked. The upper hall also was dimly lit. He knew that Madame had given the jeune fille the room next to hers, but the connecting door was sure to be closed, for the old lady was a light sleeper and minimized disturbance.

There lay the danger. If Madame heard the slightest sound she would ring the bell connecting with the servants' rooms in the mansard. He tiptoed to her door. She was snoring gently. He walked as softly to a door some ten feet down the hall and turned the knob. It yielded, and he entered the room where Berthe Dupont slept. The young lady was friendly to modern hygiene and the window stood wide open. The radiant moonlight streamed in. Louis, his heart thumping, but his head cool and his hands quiet, walked over to the bed. Berthe lay with her arms tossed outward, her head thrown back, as if consciously drawing attention to the classic outlines under the firm flesh. Her magnificent dark hair streamed over the pillow.

It should have been an entrancing picture, but for some reason it was not. In a moment Louis, with his inexorable eye for detail, realized the peccancy. The young lady's classic face was slightly swollen from sleep, and pallid; her lips were puffed, and blew out, albeit noiselessly, as the regular breath exhaled.

Nevertheless, it was Berthe, and she slept. This was her bedroom, her maiden bower, inviolate by man. She was at his mercy. Why, then, did he not feel that intoxication of the senses, that unreckoning fury of the male, that would have favored any young blood of the French colony? He did not. He merely gazed resentfully at that diminished beauty. His artistic soul curled up. Far from feeling the sensations of the inexorable lover, his mind turned black with anger both at her and at himself. He hated her unreasonably for disappointing him, for failing to melt the ice in his blood. Well, he had seen the last of her. To-morrow he would shut himself up once more and by a supreme effort of will compel his brain to yield up its skulking treasures.

He turned to leave the room, then shrugged his shoulders and approached the bed, this time more stealthily. Why not give her a fright? That would be something to the credit side of this fiasco, which, he reflected with disgust, involved an insult to the best of his friends. He would make her believe she was being murdered, then get out while she was still too terrified and breathless to cry for help.

His first idea was to press his hands about her throat and choke her gently, not even enough to leave a mark, but quite sufficient to make her kick and writhe with terror. But in that case she would see him--he had not even worn his hat. He picked up a pillow she had tossed to the floor and pressed it against her face. She made a sudden downward movement, gurgling. He pressed more firmly, his eye measuring the distance to the door. But the gurgle affected him oddly. He desired to stop it.

Suddenly he knew that she was awake. She not only attempted to leap upward, but her strong hands clutched the pillow frantically. He had not thought of her arms, of those strong, shapely hands he had admired. With a quick catlike leap he was on her chest, his knees hard against her lungs; he caught her hands in one of his, pressing his other arm along that portion of the pillow that covered her nose and mouth. The blood was running swiftly through his veins. His head was light and full of pleasant noises. Suddenly he realized that the tense, strong young body of the girl was relaxing, and he felt a joy so fierce, so profound, so complete, that he could have shouted aloud a welcome to his liberated soul and passions as they tore through those ice barriers at last and found their transports in this sublime act of taking life.

For Louis had forgotten his original intention merely to terrify. The literary cultures in his brain had suddenly become personal and imperative. He was as ruthless as man ever is when supreme desire and opportunity coincide, whether the lust be for woman or the enemy on the battle-field. He meant to kill Berthe Dupont and gratify the clamoring male within him to the full. This was his moment. He was no assassin by natural inclination, and but for this providential set of conditions would have gone to his grave a little bourgeois, a literary machine with as frail a hold on his talents as a singer on a voice that had never been placed.

The body lay limp and flabby at last. He was about to remove the pillow, but his artistic soul uncurled itself and made indignant protest. He lifted the clammy hand and felt the pulse. It was still. So was the heart to which he laid his ear briefly.

Although there was still that ecstatic riot in his veins, his brain was by no means confused, and prompted his subsequent acts as coherently as if he were at his desk, pen in hand. He listened at Madame's door. She still slept rhythmically. He opened the drawers of the bureau and chiffonnier and strewed the contents about the room. In a compartment of the desk he found a loose pile of gold and notes. He pocketed the gold, leaving the drawer open. He found Berthe's jewel-box in another drawer, wrenched a few diamonds from their setting and threw a brooch out of the window.

As he was about to leave he felt a sudden and different impulse toward Madame's door. But he was above all things an artist. Why repeat a great experience with possibly failing ardors? And in satiety lay the terrible danger of finding himself at his desk driving a pen heavy with reaction that should be tipped with fire.

He returned through the silent house and out of it as noiselessly as he had come. In the pagoda he tied his shoes properly lest the dragging laces impede his progress or attract attention.

HE GAZED RESENTFULLY AT THAT DIMINISHED BEAUTY.

And then he heard some one coming stealthily up the stair from the street. A policeman, of course! In an instant he had darted through the tradesman's entrance in the back fence, down a narrow alley, and was peering out into Jones Street. It was deserted.

The fog had rushed in from the Pacific. He encountered no one on his return home. The windows of his own house were still black. He stealthily replaced the chain insisted upon by his servants, then lit the gas in his library and almost flew to his desk. Eight hours later he was still there, and his old servants, weeping and shaking, gave up trying to make him listen. During the next three months, indeed, he might have been isolated on the highest peak of the Sierras.

Louis, after the twenty-four hours of deep recuperative sleep that always followed the finish of a book, awoke to a familiar chorus: the creaking of his eucalyptus-trees, the fog-horn of Sausalito, the measured drip of the fog on his old-fashioned window-panes. But he returned to his personal life with something more than the usual reaction after a long period in the world of imagination; his depression was so great that the divine happiness of the past five months was blotted from his memory.

Then, not slowly, but with frightful abruptness, he understood. It was not that he had forgotten the act of smothering Berthe Dupont while writing under its inspiration, but that realities, himself, were for the time non-existent. Now, in the deep depression of his nerve centers following that long orgy of creation, he felt as if he were falling down through an abyss of horror without hope and without end. And while he experienced no regret for his act, since it had given the world a masterpiece, nor any that he never should see the beautiful girl again, he was filled with an emotional pity for her that surprised himself. But then he was an artist, and he owed her so much!

A moment later and he nearly shrieked aloud. There was a heavy tread on the stair. It was portentously slow and deliberate...Why had he not been suspected before this?...Had M. Cesar used his influence?...He, too, was an artist in his way...He cowered under the bedclothes...The door opened. He heard the rattle of dishes. Seraphine never allowed him to sleep more than twenty-four hours without nourishment.

As he sat up in bed he smiled wanly upon his devoted servitor and smoothed his hair. "Good morning, ma vieille. Or is it afternoon? It is good to return to that rational condition which enables me to appreciate your excellent cooking."

Seraphine's gnarled old face grinned. "Ah, Monsieur, it is good to see you no worse. But you are very pale and thin, alas! Although how, then, in the name of all the saints, should you not be?"

Louis poured out the coffee with a steady hand. "Don't run away," he commanded. "Tell me the news. How is M. Cesar? And Madame Dupont? And the charming Mademoiselle Berthe? Name of a name! but I have not remembered their existence since the day I began my book."

"Oh, Monsieur! But O God!" She was about to squeeze a tear from her aged ducts and rock her body, when the gossip in her lively old mind gave a sniff of disdain and quenched the attempt at retrospective grief. "I--I--stupid old woman that I am--I had forgotten that you knew nothing--"

"Knew nothing?" Louis set down his cup. "Nothing has happened to M. Cesar? Tell me at once!"

"Oh, not M. Cesar, grace a Dieu! But Mademoiselle! Oh, Monsieur! Quelle horreur!"

"Did she die, that charming young lady? She seemed a marvel of health." Louis loosened the soft collar of his night-gown, but his tones merely betrayed a proper concern.

"Dieu! Dieu! If that were all! She was assassinated, that beautiful young girl, just from Paris, and of an innocence, an excellence, a respectability! And by a miserable villain who had seen her take money from the bank that day and got in by the window that old fool of a Jean-Marie had dared to neglect. And with a pillow!" The voluble details convinced Louis that suspicion had not brushed him in passing.

"And the assassin?" he demanded when Seraphine paused for breath. "Whom do they suspect?"

"Suspect? But they caught him red-handed, the foul fiend. For that we thank the good God."

"Caught him! Do you mean as he was in the act of smothering poor Mademoiselle Berthe?"

"But no, Monsieur. He already had made his way down the stairs and out of the house, enfin! But a policeman was in the garden waiting for him. He had been told by some one who had seen the wretch sneak up the covered way. But not too soon, alas! The assassin denied all, of a certainty. He vowed he had been so terrified at the sight of the young lady murdered in her bed that he ran away at once. But, oh! of a great certainty, no one believed him. No, not one!"

"But it well could have been. Remember that I have written stories to prove the criminal folly of condemning on circumstantial evidence alone."

"Ah, yes, Monsieur, that is all very well in stories. But you see this was life, and the man was caught by a real policeman."

"When is the man to be tried?"

"Tried? The man has been tried and hanged, Monsieur."

"What!"

"But yes, Monsieur. Sometimes a murderer is hanged in San Francisco, and this was a miserable, a tramp, with no money or friends to make delay--grace a Dieu! But you are white as death, Monsieur. Who am I to tell you this horrible story when you have just come back from the dead, as it were--"

"It is true that I am overcome. But arrange my bath. I will dress and go to M. Cesar. Oh, my God!"

"But yes, Monsieur."

For a few moments Louis hoped he was dead, that his ice-cold body was yielding up his agonized spirit. He made a desperate effort to rouse the sleeping artist and summon him to the rescue, but without avail; the man was left alone to face the fact that he was a murderer who had taken not one life, but two. And of the two he regretted the friendless burglar the more poignantly.

The fundamental moral questions had never held debate in his highly specialized brain. He had been brought up respectably and had led so impersonal a life that he had obeyed the laws of society automatically. But in this hour of awful revelation, while the artist in him slept the sleep of the dead, he was merely the son of a long line of excellent bourgeois ancestors and could have spat upon himself as a pariah dog.

But in time he got up, bathed, dressed. He even paid his customary visit to the barber. Then he turned his steps toward M. Cesar.

Madame Dupont had gone to Santa Barbara to recuperate after the severe shock to her nerves. M. Cesar, unless dining out, would be at his club. It was eight o'clock.

"Mr. Dupont," he was told, was in the dining-room. Louis gave orders not to disturb him, and was shown into the library. A bright fire burned. He was very cold. He sank limply into a deep chair beside it and dropped his chin on his chest. His mind was too dull for thought, but fully made up.

He was roused by a firm grip on his shoulder, and started up to meet his old friend's tired but kindly eyes.

"But how is this?" cried M. Dupont, in genuine surprise. "It cannot be that you have finished the great work in three months? I did not expect to see you for another two. But of a certainty you write with more and more facility--"

"I wish to see you alone. I have something horrible to say."

"Come up-stairs. My chambers are being done over and I am staying here." M. Dupont, who had given the young author a keen, appraising glance, spoke soothingly and drew a trembling arm through his own. "Mon Dieu, Louis, but you are thin! How long do you fancy you can keep this up? I feared for your gifts. Now I fear for something more precious still. You look on the verge of collapse."

"It does not matter. Take me quickly to your room."

M. Dupont, who never hurried, and always carried his portly form with a certain stateliness, led Louis out of the library and up one flight of the broad staircase to his temporary quarters. Already, Louis automatically noted, his club bedroom had the intimate and sybaritic look of his famous apartment. He had brought to it silver and crystal for his bureau and little buffet, framed photographs of beautiful women, a Meissonier, and several easy-chairs.

He pushed Louis into the deepest of the chairs, poured out a stiff whisky-and-soda, and stood over his guest until the glass was empty. Then he lighted his second after-dinner cigar and settled himself with the first sensation of anticipatory humor he had felt for many weeks. Louis always interested him and not infrequently amused him, with no effort on the part of that most unhumorous mind.

Louis lay back in his chair for a moment, responding to the glow of the spirits. He was still very cold.

"Now, my son, what is it? You may or may not have heard of the terrible tragedy that has devastated my home, but that can wait--"

"Oh no, Monsieur, it is not to wait! It is of that I have come to speak."

"But, of course, old Seraphine would have told you the moment you would listen. It is like you to come at once, although God knows I should have been grateful for your sympathy during that terrible time--"

"Oh, Monsieur! I cannot stand it!" Louis sprang to his feet and strode about the room. "It is something more awful still that I have come to tell you. How am I to do it? You, who have always been so kind! My only friend! My God, what a return! But of that I never thought. I was obsessed. It was an inhibition."

"Dear Louis! Come to the point. Are you quoting from your new book--"

"M. Cesar, you do not know what you are dodging! I will try to put my confession in a few words. It was I--I--Louis Bac, who--who--killed Mademoiselle Berthe. There! It is said!"

"My poor boy!" M. Dupont rose and poured out another whiskey-and-soda. "Drink this and I will put you to bed in a room close by--drunk, hein! for the first time in your life."

But Louis shook his head. Then he turned upon his friend eyes so beseeching and so abject that the ready tears rose to the eyes of the elderly Frenchman.

"When did Seraphine tell you this dreadful thing?"

"An hour or two ago."

"Just after you had awakened from your long sleep?"

Louis nodded.

"No wonder your insatiable faculty immediately began on another! God knows it is not a subject for jest, but I cannot lose you, too. You will go to bed now--"

"Oh, Monsieur, you must believe me! I tell you I smothered Mademoiselle Berthe with a pillow--"

"Tut! tut! That was all in the papers. I can see old Seraphine's ghoulish delight in recreating that grisly scene. And she told you, of course, that the drawers were open, the contents strewn about--"

"No; or if she did I have forgotten. God! how the moonlight streamed in!"

He flung off M. Cesar's hand, and almost ran about the room while his uneasy host felt of his biceps.

"Will you not believe me?" shrieked Louis.

"Perhaps, dear boy, when you have slept on it--"

"Oh, don't talk as if you thought me insane. If you refuse to believe me I shall go from here and give myself up. I intend to do that anyhow, but I wished to confess to you first. That was your right."

"Do you know what would happen if you went to a police station and denounced yourself? You would first be laughed at and then, if you persisted, sent to a lunatic asylum. It is well you came to me first. Why, the murderer has been hanged. The state would refuse to reopen the case--"

"Surely not!"

"Surely yes."

"Then it is between you and me?"

"And a doctor if you do not go to bed at once."

"Oh, but you must believe in me!" Another memory flashed into his stimulated mind, and he confronted M. Cesar with an air of triumph. "The man denied it, did he not? He said he went into the house to steal and found Berthe murdered, and fled. Is it not so?"

"Naturally."

"Now attend. How do you account for the fact that they found nothing on him--neither the missing gold nor the diamonds wrenched from the bracelet?"

"He had an accomplice, of course. He stood under the window while the man, after he murdered Berthe, dropped the loot out of the window. A brooch was found on the grass. The rear gate was open."

"Ah no, Monsieur. I flung that brooch out of the window. I have that gold, those diamonds in my desk at home. Come with me."

For a moment M. Cesar turned gray and the shoulders that had supported a musket so gallantly in 1870 sagged as if old age had suddenly made its perch there. But he shook himself angrily erect. Did he not know Louis and his delusions? Was the poor boy ever actually on the mortal plane? Had not he himself, twice summoned by Seraphine, poured scalding coffee down his throat? Undoubtedly he had loved Berthe and been inspired at last, for during the first hours of his own grief and horror he had dared to intrude upon the high priest at his altar, and met the unseeing eyes of a genius in ecstasy. No wonder he was nearly mad with grief now.

There was nothing but to humor him. Once more he took his arm, and led him out into the street. Slowly the two men climbed the hills through the fog, for one, though gallant, was no longer young, and the other, although tragically young, was very weak. When they reached the foot of the steep incline which led up to the old Bac mansion M. Dupont cunningly would have passed on, but Louis swung about peremptorily, and the philosophical old boulevardier, who cared for no further argument or confiscation of his precious evening hours, shrugged his shoulders and followed his erratic young friend up and into the house.

The economical Seraphine never left a light burning in the hall. Louis struck a match and led the way into the old double parlors he used as his study, and lit a gas-jet. M. Cesar sat down on one of the horsehair chairs and opened his cigar-case.

"Mon Dieu!" he cried. "What a way to live in this amiable world. Fireless, dank, chairs stuffed with rocks. No wonder you look as if you had been in cold-storage."

"Oh, do not trouble yourself to light a cigar, Monsieur. It will go out, I assure you."

He pulled open a drawer of his desk and pointed to a pile of loose gold and half a dozen diamonds of fair size.

"My God!"

M. Cesar experienced an awful feeling of disintegration. The cigar fell from his relaxed hand and he sagged as far back in the chair as its uncompromising back would permit. He stared at the contents of the drawer throughout a long moment while he shivered with the impression that the waters of death were rising in that bleak and horribly silent room. But at the end of those sixty indelible seconds he sat very erect and the angry color rushed to his face.

"No!" he exclaimed. "That is not evidence. I am quite unconvinced. I have not the least idea how much gold Berthe had in her desk, and one gold-piece is like another. I am a judge of diamonds, for I, alas! have bought many; but diamonds of the same size and water are as hard to identify. Those, no doubt, were your mother's."

"My mother had no diamonds. And what do you suppose I do with diamonds in my desk?"

"Properties, no doubt. How do I know that you have not in another drawer burglars' kits and tools, and all the other instruments of destruction with which your characters celebrate themselves? Those diamonds were larger than any poor Berthe possessed."

"They may have looked small in the heavy art nouveau setting. I noticed the bracelet the night of the dinner."

"I never saw it until I saw it in ruins. Let me see those stones." Louis gathered them up and poured them into M. Cesar's steady hand. The old Frenchman felt of them, held them up to the light, flung them back contemptuously into the drawer. "Paste! I thought as much. For why should you buy real diamonds? As for Berthe--what few stones the poor child had were genuine. She could neither afford stones of that size nor would she condescend to wear paste."

"Do you mean to say you will not believe me?" Louis looked sharply at M. Cesar.

It was quite natural that this amiable gentleman should not choose to believe he had blindly nourished a viper. And not, perhaps, motivated by pride and affection alone. He was kind and charitable and a keen man of business, but pleasure was his god. No man had extracted more juice from the sweet apple of life than he, tasted less of its ashes. It was quite in keeping that he should refuse to have his pleasant pastures sown with horrors a second time.

M. Dupont rose. "I shall send you a sleeping-powder from the chemist's. To-morrow you will take the eleven-thirty train for Santa Barbara, spend a month in my mother's charming home at Montecito, and forget that you are a poor genius subject to plots at the wrong time. That, or a sanatorium. Do you comprehend, my friend?"

Louis turned away with a hopeless gesture. "Oh, very well. Have your own way."

"And you will be ready when I call for you at ten minutes past eleven?"

"If I am awake."

"I shall go out the back way and tell Seraphine to awaken you. Now I must leave you, as I have kept a very charming person waiting too long already."

"Good night, Monsieur. I can tell Seraphine myself."

"Very well. I trust you to do so." Louis accompanied his guest with extreme courtesy to the door. On the threshold M. Cesar paused and looked back into the dark house with a shudder. "Ciel, but it is a tomb! I cannot take you with me this evening, but you can go to the club and sleep there."

"Many thanks, Monsieur, but this house is not a tomb to me. It is my home."

"True. A thousand pardons. Au revoir, mon fils."

It was two o'clock in the morning when Louis laid down his pen. He had confessed in minute detail to the killing of Berthe Dupont, entering into an elaborate and brilliant analysis of the primary causes, the successive phases of a more extended psychological process than he had realized at the time, the final impulse, and, as far as possible, the pathological condition of his brain during the act and the minor acts that followed. He added that while he found it impossible to feel remorse in the common sense, as through this abominable crime he had achieved the passionate ambition and desire of his life and a period of indescribable joy, he felt that as a member of society, however indifferent, it was now his duty to make atonement. As M. Dupont had convinced him that his story would not be believed, that, in fact, the authorities would incarcerate him in a lunatic asylum if he persisted in declaring his guilt, he had determined to act for himself.

He made his confession, he further added, not to clear the name of the poor derelict who had paid the penalty for a crime of which he was innocent, but in the interest of science, which would welcome this voluntary revelation of creative psychology. He believed that other serious writers of fiction, those illustrious men who had written to him with a spontaneous sense of brotherhood, would understand and exonerate. He had cast his soul and his body on the altar of art, and no man had ever done more.

He had written the confession in French and English. He addressed one manuscript to the leading morning newspaper of San Francisco, the other to the literary critic of a great journal in Paris. Then he took a large key from a drawer of his desk and left the house. He dropped the two packages in a mail-box at the foot of the hill, and waited long and wearily for a car. They were infrequent at this hour, but he felt too tired to walk to the outskirts of the city. The night was chill and the fog was dense, but when the car finally came along he took a seat on the front of the dummy, for he dreaded the lights within, of meeting some one, perhaps, who would recognize and speak to him.

When he reached the end of the line he was shivering, and involuntarily he pulled his coat-collar about his ears and thrust his hands into his pockets as he walked rapidly up the hill to the Catholic cemetery.

He knew all the cemeteries on Lone Mountain well, for he often walked there, reading the names on the shafts and mausoleums and reconstructing the history of early San Francisco, of which the dust below had been so fiery an impulse. Henri Bac I. had built a mausoleum here, too, for he felt that as a pioneer he should have a permanent resting-place among the dead who had made history. He had, indeed, been a member of the two great Vigilance Committees, had played his part on more than one occasion as an active citizen who could do somewhat more for the swaddling city than teach its adventurous spirits how to distinguish between stomach and palate.

Louis, who had always been a dutiful son, had come out here every Sunday in all weathers and placed a wreath on the little altar in the dim interior of the vault, knelt automatically for a moment beneath the shelves behind which his parents were sealed.

He unlocked the heavy door; then, as it swung slowly inward, he turned and glanced down over the sleeping city he had loved in his own impersonal fashion. The fog moved like the tides of the sea whose boom came faintly to him. Here and there a shaft from an arc-light shone faintly through, but for the most part San Francisco was the black depths of a ghostly inland sea.

Above him the night was clear. The cross on Calvary stood out like ebony against the glittering sky, a gay and spangled sky as if all the great planets and all the little courtesan stars up there were ready for a night of carnival and laughing at gloomy old Earth.

For a moment Louis hesitated. He was a Catholic by training, and to certain crimes the Church is merciless. But he reasoned that he no more had the right to call himself a Catholic than to persist as a mortal. He went into the vault and swung the heavy door behind him. It clanged faintly, but there was no one to hear.

THE END

This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1916."