Witches' Loaves by O. Henry

 

Witches' Loaves

by O. Henry

Miss Martha Meacham kept the little bakery on the corner (the one where you go up three steps, and the bell tinkles when you open the door).

Miss Martha was forty, her bank-book showed a credit of two thousand dollars, and she possessed two false teeth and a sympathetic heart. Many people have married whose chances to do so were much inferior to Miss Martha's.

Two or three times a week a customer came in in whom she began to take an interest. He was a middle-aged man, wearing spectacles and a brown beard trimmed to a careful point.

He spoke English with a strong German accent. His clothes were worn and darned in places, and wrinkled and baggy in others. But he looked neat, and had very good manners.

He always bought two loaves of stale bread. Fresh bread was five cents a loaf. Stale ones were two for five. Never did he call for anything but stale bread.

Once Miss Martha saw a red and brown stain on his fingers. She was sure then that he was an artist and very poor. No doubt he lived in a garret, where he painted pictures and ate stale bread and thought of the good things to eat in Miss Martha's bakery.

Often when Miss Martha sat down to her chops and light rolls and jam and tea she would sigh, and wish that the gentle-mannered artist might share her tasty meal instead of eating his dry crust in that draughty attic. Miss Martha's heart, as you have been told, was a sympathetic one.

In order to test her theory as to his occupation, she brought from her room one day a painting that she had bought at a sale, and set it against the shelves behind the bread counter.

It was a Venetian scene. A splendid marble palazzio (so it said on the picture) stood in the foreground -- or rather forewater. For the rest there were gondolas (with the lady trailing her hand in the water), clouds, sky, and chiaro-oscuro in plenty. No artist could fail to notice it.

Two days afterward the customer came in.

"Two loafs of stale bread, if you blease.

"You haf here a fine bicture, madame," he said while she was wrapping up the bread.

"Yes?" says Miss Martha, reveling in her own cunning. "I do so admire art and" (no, it would not do to say "artists" thus early) "and paintings," she substituted. "You think it is a good picture?"

"Der balance," said the customer, is not in good drawing. Der bairspective of it is not true. Goot morning, madame."

He took his bread, bowed, and hurried out.

Yes, he must be an artist. Miss Martha took the picture back to her room.

How gentle and kindly his eyes shone behind his spectacles! What a broad brow he had! To be able to judge perspective at a glance -- and to live on stale bread! But genius often has to struggle before it is recognized.

What a thing it would be for art and perspective if genius were backed by two thousand dollars in bank, a bakery, and a sympathetic heart to -- But these were day-dreams, Miss Martha.

Often now when he came he would chat for a while across the showcase. He seemed to crave Miss Martha's cheerful words.

He kept on buying stale bread. Never a cake, never a pie, never one of her delicious Sally Lunns.

She thought he began to look thinner and discouraged. Her heart ached to add something good to eat to his meagre purchase, but her courage failed at the act. She did not dare affront him. She knew the pride of artists.

Miss Martha took to wearing her blue-dotted silk waist behind the counter. In the back room she cooked a mysterious compound of quince seeds and borax. Ever so many people use it for the complexion.

One day the customer came in as usual, laid his nickel on the showcase, and called for his stale loaves. While Miss Martha was reaching for them there was a great tooting and clanging, and a fire-engine came lumbering past.

The customer hurried to the door to look, as any one will. Suddenly inspired, Miss Martha seized the opportunity.

On the bottom shelf behind the counter was a pound of fresh butter that the dairyman had left ten minutes before. With a bread knife Miss Martha made a deep slash in each of the stale loaves, inserted a generous quantity of butter, and pressed the loaves tight again.

When the customer turned once more she was tying the paper around them.

When he had gone, after an unusually pleasant little chat, Miss Martha smiled to herself, but not without a slight fluttering of the heart.

Had she been too bold? Would he take offense? But surely not. There was no language of edibles. Butter was no emblem of unmaidenly forwardness.

For a long time that day her mind dwelt on the subject. She imagined the scene when he should discover her little deception.

He would lay down his brushes and palette. There would stand his easel with the picture he was painting in which the perspective was beyond criticism.

He would prepare for his luncheon of dry bread and water. He would slice into a loaf -- ah!

Miss Martha blushed. Would he think of the hand that placed it there as he ate? Would he --

The front door bell jangled viciously. Somebody was coming in, making a great deal of noise.

Miss Martha hurried to the front. Two men were there. One was a young man smoking a pipe -- a man she had never seen before. The other was her artist.

His face was very red, his hat was on the back of his head, his hair was wildly rumpled. He clinched his two fists and shook them ferociously at Miss Martha. At Miss Martha.

"Dummkopf!" he shouted with extreme loudness; and then "Tausendonfer!" or something like it in German.

The young man tried to draw him away.

"I vill not go," he said angrily, "else I shall told her."

He made a bass drum of Miss Martha's counter.

"You haf shpoilt me," he cried, his blue eyes blazing behind his spectacles. "I vill tell you. You vas von meddingsome old cat!"

Miss Martha leaned weakly against the shelves and laid one hand on her blue-dotted silk waist. The young man took the other by the collar.

"Come on," he said, "you've said enough." He dragged the angry one out at the door to the sidewalk, and then came back.

"Guess you ought to be told, ma'am," he said, "what the row is about. That's Blumberger. He's an architectural draftsman. I work in the same office with him.

"He's been working hard for three months drawing a plan for a new city hall. It was a prize competition. He finished inking the lines yesterday. You know, a draftsman always makes his drawing in pencil first. When it's done he rubs out the pencil lines with handfuls of stale bread crumbs. That's better than India rubber.

"Blumberger's been buying the bread here. Well, to-day -- well, you know, ma'am, that butter isn't -- well, Blumberger's plan isn't good for anything now except to cut up into railroad sandwiches."

Miss Martha went into the back room. She took off the blue-dotted silk waist and put on the old brown serge she used to wear. Then she poured the quince seed and borax mixture out of the window into the ash can.

The Selfish Giant by Oscar Wilde

The Selfish Giant

by Oscar Wilde

Every afternoon, as they were coming from school, the children used to go and play in the Giant's garden.

It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. "How happy we are here!" they cried to each other.

One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.

"What are you doing here?" he cried in a very gruff voice, and the children ran away.

"My own garden is my own garden," said the Giant; "any one can understand that, and I will allow nobody to play in it but myself." So he built a high wall all round it, and put up a notice-board.

TRESPASSERS

WILL BE

PROSECUTED

He was a very selfish Giant.

The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. "How happy we were there," they said to each other.

Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. "Spring has forgotten this garden," they cried, "so we will live here all the year round." The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. "This is a delightful spot," he said, "we must ask the Hail on a visit." So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.

"I cannot understand why the Spring is so late in coming," said the Selfish Giant, as he sat at the window and looked out at his cold white garden; "I hope there will be a change in the weather."

But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant's garden she gave none. "He is too selfish," she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.

One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King's musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. "I believe the Spring has come at last," said the Giant; and he jumped out of bed and looked out.

What did he see?

He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children's heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. "Climb up! little boy," said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.

And the Giant's heart melted as he looked out. "How selfish I have been!" he said; "now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children's playground for ever and ever." He was really very sorry for what he had done.

So he crept downstairs and opened the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant's neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. "It is your garden now, little children," said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o'clock they found the Giant playing with the children in the most beautiful garden they had ever seen.

All day long they played, and in the evening they came to the Giant to bid him good-bye.

"But where is your little companion?" he said: "the boy I put into the tree." The Giant loved him the best because he had kissed him.

"We don't know," answered the children; "he has gone away."

"You must tell him to be sure and come here to-morrow," said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.

Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. "How I would like to see him!" he used to say.

Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. "I have many beautiful flowers," he said; "but the children are the most beautiful flowers of all."

One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.

Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.

Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, "Who hath dared to wound thee?" For on the palms of the child's hands were the prints of two nails, and the prints of two nails were on the little feet.

"Who hath dared to wound thee?" cried the Giant; "tell me, that I may take my big sword and slay him."

"Nay!" answered the child; "but these are the wounds of Love."

"Who art thou?" said the Giant, and a strange awe fell on him, and he knelt before the little child.

And the child smiled on the Giant, and said to him, "You let me play once in your garden, to-day you shall come with me to my garden, which is Paradise."

And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.

Romance by Robert W. Chambers

Romance

by Robert W. Chambers

THE Volunteer Nurse sighed and spread out her slender, iodine-stained fingers on both knees, looking down at them retleetively.

“It is different now,” she said; “sentiment dies under the scalpel. In the filth and squalor of reality neither the belief in romance nor the capacity for desiring it endure long. . . . Even pity becomes atrophied—or at least a reflex habit; sympathy, sorrow, remain as mechanical reactions, not spontaneous emotions. . . . You can understand that, dear?”

“Partly,” said the Special Messenger, raising her pretty, dark eyes to her old schoolmate.

“In the beginning.” said the Nurse, dreamily, “the men in their uniforms, the drums and horses and glitter, and the flags passing, and youth—youth—not that you and I are yet old in years; do you know what I mean!”

“I know,” said the Special Messenger, smoothing out her riding gloves. “Do you remember the cadets at Oxley? You loved one of them.”

“Yes; you know how it was in the cities; and even afterward in Washington—I mean the hospitals after Bull Run. Young bravery—the Zouaves—the multicolored guard regiments—and a romance in every death!” She laid one stained hand over the other, fingers still wide. “But here in this blackened horror they call the ‘seat of war’—this festering bull-pen, choked with dreary regiments, all alike, all in filthy blue—here individuals vanish, men vanish. The schoolgirl dream of man dies here forever. Only unwashed, naked duty remains; and its inspiration, man—bloody, dirty, vermin-covered, terrible—sometimes; and sometimes whimpering, terrified, flinching, base, bereft of all his sex’s glamour, all his mystery, shorn of authority, devoid of pride, pitiable, screaming under the knife. … It is different now.” said the pretty Volunteer Nurse. . . . “The war kills more than human life.”

The Special Messenger drew her buckskin gloves carefully through her belt and buttoned the holster of her revolver.

“I have, seen war, too,” she said; “and the men who dealt death and the men who received it. Their mystery remains—the glamour of a man remains for me—because he is a man.”

“I have heard them crying like children in the stretchers.”

“So have I. That solves nothing.”

But the Nursre went on:

“And in the wards they are sometimes something betwixt devils and children. All the weakness and failings they attribute to women come out in them, too—fear, timidity, inconsequence. greed, malice, gossip! I tell you, women bear pain better.”

“Yes, I have learned that. . . . It is not difficult to beguile them either: to lead them, to read them. That is part of my work. I do it. I know they are afraid in battle—the intelligent ones. Yet they fight. I know they are really children—impulsive, passionate, selfish, often cruel—but, after all, they are here fighting this war—here encamped all around us as far as the eye can see. throughout these hills and forests. . . . They have lost none of their glamour for me. Their mystery remains.”

The Volunteer Nurse looked up with a tired smile:

“You always were emotional, dear.”

“I am still.”

“You don’t have to drain wounds and dry out sores and do the thousand unspeakable offices that we do.”

“Why do you do it?”

“I have to.”

“You didn’t have to enlist. Why did you?”

“Why do the men enlist?” asked the Nurse. “That’s why you and I did—whatever—the motive may have been, God knows. . . . And it’s killed part of me. . . . You don’t cleanse ulcers.”

“No; I am not fitted. I tried; and lost none of the romance in me. Only it happens that I can do—what I am doing—better.”

The Nurse looked at her a trifle awed.

“To think, dear, that you should turn out to be the celebrated Special Messenger. You were timid in school.”

“I am now. . . . You don’t know how afraid a woman can be. Suppose in school—suppose that for one moment we could have foreseen our destiny—here together, you and I, as we are now.”

The Nurse looked into the stained hollow of her right hand.

“I had the lines read once,” she said drearily, “but nobody ever said I’d be here, or that there’d be any war,” And she continued to examine her palm with a hurt expression in her blue eyes.

The Special Messenger laughed, and her lovely pale face lighted up with color.

“Don’t you really think you are ever going to be capable of caring for a man again?”

“No, I don’t, I know now how they’re fashioned, how they think—how—how revolting they can be. . . . No, no! It’s all gone—all the ideals, all the dreams. . . . Good Heavens, how romantic—how senseless we were in school!”

“I am still, I think,” said the Special Messenger thoughtfully. “I like men. . . . A man—the right one—could easily make me love him. And I am afraid there are more than one ‘right one. I have often been on the sentimental border. . . . But they died, or went away—or I did. . . . The trouble with me is. as you say, I am emotional, and very, very tender-hearted. . . . It is sometimes difficult to be loyal—to care for duty—the Union more than for a man. Not that there is any danger of my proving untrue—”

“No,” murmured the Nurse; “loyalty is your inheritance.”

“Yes, we—” she named her family under her breath—”are traditionally trustworthy. It is part of us—our race was always, will always be. . . . But—to see a man near death—and to care for him a little— even a rebel—and to know that one word might save him—only one little disloyal word!”

“No man would save you at that expense,” said the Nurse disdainfully, “I know men,”

“Do you? I don’t—in that way. There was once an offficer—a non-combatant. I could have cared for him. . . . Once there was a Confederate cavalryman. I struck him senseless with my revolver-butt—and I could have—loved him. He was very young. . . . I never can forget him. It is hard, dear, the business I am engaged in. . . . But it has never spoiled my interest in men—or my capacity for loving one of them. I am afraid I am easily moved.”

She rose and stood erect, to adjust her soft riding hat, every line and contour of her youthfully slender figure in charming relief against the window.

“Won’t you let me brew a little tea for you?” asked the Nurse, “Don’t leave me so soon.”

“When do you go on duty?”

“In about ten minutes. It will be easier to-morrow, when we send our sick North. Will you come in to-morrow?”

The Special Messenger shook her head dreamily.

“I don’t know—I don’t know. . . . Good-by.”

“Are you going on duty?”

“Yes.”

“When?”

“Now.”

The Nurse rose and put both arms around her.

“I am so afraid for you,” she said; “and it has been so good to see you. . . . I don’t know whether we’ll ever meet again—”

Her voice was drowned in the noisy outburst of bugles sounding the noon sick-call.

They went out together, where the Messenger’s horse was tied under the trees. Beyond, through the pines, glimmered the tents of an emergency hospital. And now, in the open air not very far away, they could hear picket firing,

“Do be careful,” said the blue-eyed Nurse. “They say you do such audacious things; and every day somebody says you have been taken or hanged or shot. Dear, you are so young and so pretty—”

“So are you. Don’t take fever or smallpox or die from a scratch from a poisoned knife, . . . Good-by once more.”

They kissed each other. A hospital orderly, passing hurriedly, stopped to hold her stirrup; she mounted, thanked the orderly, waved a smiling adieu to her old schoolmate, and. swinging her powerful horse westward, trotted off through the woods, passing the camp sentinels with a nod and a low-spoken word.

Farther out in the woods she encountered the first line of pickets; showed her credentials, then urged her horse forward at a gallop.

“Not that way!” shouted an officer, starting to run after her; “the Johnnies are out there!”

She turned in her saddle and nodded reassuringly, then spurred on again, expecting to jump the Union advance-guard every moment.

There seemed to be no firing anywhere in the vicinity; nothing to be seen but dusky pine woods; and after she had advanced almost to the edge of a little clearing, and not encountering the outer line of Union pickets, she drew bridle and sat stock still in her saddle, searching in every direction with alert dark eyes.

Nothing moved; the heated scent of the Southern pines hung heavy in the forest: in the long dry swale grass of the clearing, yellow butterflies were flying lazily; on a dead branch above her a huge woodpecker, with pointed, silky cap, uttered a querulous, lonely cry from moment to moment.

She strained her dainty, close-set ears; no sound of man stirred in this wilderness—only the strange birdery from above: only the ceaseless monotone of the pine-crests stirred by some high sky breeze unfelt below. A forest path, apparently leading west, attracted her attention into this she steered her horse and continued, even after her compass had warned her that the path was now running directly south.

The tree-growth was younger here; thickets of laurel and holly grew in the undergrowth, and, attempting a short cut out. she became entangled. For a few minutes her horse, stung by the holly, thrashed and floundered about in the maze of tough stems; and when at last she got him free, she was on the edge of another clearing—burnt one, lying like a path of black velvet in the sun. A cabin stood at the farther edge.

Three forest bridle-paths ran west, east, and south from this blackened clearing. She unbuttoned her waist, drew out a map, and, flattening it on her pommel, bent above it in eager silence. And, as she sat studying her map, she became aware of a faint tremor in the solid earth under her horse’s feet. It grew to a dull jarring vibration—nearer—nearer—nearer—and she hastily backed her horse into the depths of the laurel, sprang to the ground, and placed both gauntleted hands over her horse’s nostrils.

A moment later the Confederate cavalry swept through the clearing at a trot—a jaunty, gray column, riding two abreast, then falling into single file as they entered the bridle-path at a canter.

Breathless, she watched them as they flashed by among the pines, sitting their horses beautifully, the wind lifting the broad brims of their soft hats, the sun a bar of gold across each sunburnt face.

There were only a hundred of them—probably some of Stuart’s riders, for they seemed strangely familiar—but it was not long before they had passed on their gay course, and the last tremor in the forest soil—the last distant rattle of saber and carbine—died away in the forest silence.

What were they doing here? She did not know. There seemed no logical reason for their presence.

For a while, awaiting their possible collision with the Union outposts, she listened, expecting the far rattle of rifles. No sound came. They must have sheered off east. So very calmly she addressed herself to the task in hand.

This must be the burnt clearing; her map and the cabin corroborated her belief. Then it was here that she was to meet this unknown man in Confederate uniform and Union pay—a spy like herself—and give him certain information and receive certain information in return.

Her instructions had been unusually rigid; she was to take every precaution; use native disguise whether or not it might appear necessary, carry no papers, and let any man she might encounter make the advances until she was absolutely certain of him. For there was an ugly rumor afloat that he had been caught and hanged, and that a Confederate might attempt to impersonate him. So she looked very carefully at her map, then out of the thicket at the burnt clearing. There was the wretched cabin named as rendezvous, the little garden patch with standing corn and beans, and here and there a yellowing squash.

Why had the passing rebel cavalry left all that good food undisturbed?

Fear, which within her was always latent, always too ready to influence her by masquerading as caution, stirred now. For almost an hour she stood, balancing her field-glasses across her saddle, eyes focused on the open cabin door. Nothing stirred there.

At last, with a slight shiver, she opened her saddle bags and drew out the dress she meant to wear—a dingy, earth-colored thing of gingham.

Deep in the thicket she undressed, folded her fine linen and silken stockings, laid them away in the saddle bags together with waist and skirt, field-glasses, gauntlets, and whip, and the map and papers, which latter, while affording no information to the enemy, would certainly serve to convict her.

Dressed now in the scanty, colorless clothing of a “poor white” of the pine-woods, limbs and body tanned with walnut, her slender feet rubbed in dust and then thrust stockingless into shapeless shoes, she let down the dark, lustrous mass of her hair, braided it, tied it with faded ribbon, rubbed her hands in wood-mold and crushed green leaves over them till they seemed all stained and marred with toil. Then she gathered an armful of splinter-wood.

Now ready, she tethered her horse, leaving him bitted and saddled; spread out his sack of feed, turned and I looked once more at the cabin, then walked noiselessly to the clearing’s edge, carrying her aromatic splinters.

Underfoot, as she crossed it, the charred grass crumbled to powder; three wild doves flickered up into flight, making a soft clatter and displaying the four white feathers. A quail called from the bean-patch.

The heat was intense in tin; sun; perspiration streaked her features; her tender feet burned; the cabin seemed a long way off, a wavering blot through the dancing heat devils playing above the fire-scorched open.

Head bent, she moved on in the shiftless, hopeless fashion of the sort of humanity she was representing, furtively taking her bearings and making such sidelong observations as she dared. To know the shortest way back to her horse might mean life to her. She understood that. Also she fully realized that she might at that very instant be under hostile observation. In her easily excited imagination, all around her the forest seemed to conceal a hundred malevolent eyes. She shivered slightly, wiped the perspiration from her brow with one small bare fist, and plodded on, clutching her light- wood to her soft, rounded breast.

And now at last she was nearing the open cabin door; and she must not hesitate, must show no suspicion. So she went in, dragging her clumsily-shod feet.

A very young man in the uniform of a Confederate cavalry officer was seated inside before the empty fire. She looked at him, simulating dull surprise; he rose and greeted her gracefully.

“Howdy,” she murmured in response, still staring.

“Is this your house?” he asked.

“Suh?” blankly.

“Is this your house?”

“I reckon,” she nodded. “How come you-all in my house?”

He replied with another question:

“What were you doing in the woods?”

“Light-wood,” she answered briefly, stacking the fragrant splinters on the table.

“Do you live here all alone?”

“Reckon I’m alone when I live heah,” sullenly.

“What is your name?” He had a trick of coloring easily.

“What may be yoh name, suh?” she retorted with a little flash of Southern spirit, never entirely quenched even in such as she seemed to be.

Genuine surprise brought the red back into his face and made it, worn as it was, seem almost handsome. The curious idea came to her that she had seen him before somewhere. At the same moment speech seemed to tremble on his lips; he hesitated, looked at her with a new and sudden keenness, and stood looking.

“I expected to meet somebody here,” he said at length.

She did not seem to comprehend.

“I expected to meet a woman here.”

“Who? Me?” incredulously.

He looked her over for a while carefully; looked at her dusty bare ankles, at her walnut-smeared face and throat. She seemed so small, so round-shouldered—so different from what he had expected. They had said that the woman he must find was pretty.

“Was yuh-all fixin’ to meet up with me?” she repeated with a bold laugh.

“I—don’t know,” lie said. “By the Eternal, I don’t know, ma’am. But I’m going to find out in right smart time. Did you ever hear anybody speak Latin?”

“Suh?” blankly; and the audacity faded.

“Latin,” he repeated, a trifle discomfited. “For instance, ‘sic itur.’ Do you know what ‘sic itur‘ means?”

“Sick—what, suh?”

“‘Sic itur!‘ Oh, Lord, she is what she looks like!” he exclaimed in frank despair. He walked to the door, wheeled suddenly, came back, and confronted her.

“Either, ma’am, you are the most consummate actress in this war drama, or you don’t know what I’m saying, and you think me crazy . . . . And now I’ll ask you once for all: Is this the road?”

The Special Messenger looked him full in the eyes; then, as by magic, the loveliest of smiles transfigured the dull, blank features; her round shoulders, pendulous arms, slouching pose, melted into superb symmetry, quickening with grace and youth as she straightened him and faced him, erect, supple, laughing, adorable.

“Sic itur—ad Astra,” she said demurely, and offered him her hand. “Continue,” she added.

He neither stirred nor spoke; a deep flush mounted to the roots of his short, curly hair. She smiled encouragement, thinking him young and embarrassed, and a trifle chagrined.

“Continue the Latin formula,” she noddded, laughing; “what follows, if you please—”

“Good God!” he broke out hoarsely.

And suddenly she knew there was nothing to follow except death—his or hers—realized she made an awful mistake—divined in one dreadful instant the unsuspected counter-mine beneath her very feet—cried out as she struck him full in the face with clenched fist, sprang back, whipping the revolver from her ragged bodice, dark eyes ablaze.

“Now,” she panted, “hands high—and turn your back! Quickly!”

He stood still, very pale, one sun-burnt hand covering the cheek which she had struck. There was blood on it. He heard her breathless voice, warning him to obey, but he only took his hand from his face, looked at the blood on palm and finger, then turned his hopeless eyes on her.

“Too late,” he said heavily. “But—I’d rather be you than I. . . . Look out of that window, Messenger!”

“Put up your hands!”

“No.”

“Will you hold up your hands!”

“No, Messenger. . . . And I—didn’t—know it was you when I came here. It’s—it’s a dirty business—for an officer.” He sank down on the wooden chair, resting his head between both hands. A single drop of blood fell brightly from his cut cheek.

The Special Messenger stole a swift, sidelong glance toward the window, hesitated, and, always watching him warily, slid along the wall toward the door, menacing him at every step with leveled revolver. Then, at the door, she cast one rapid glance at the open field behind her and around. A thrill of horror stiffened her. The entire circle of the burnt clearing was ringed with the gray pickets of rebel cavalry.

The distant men sat motionless on their horses, carbine on thigh. Here and there a distant horse tossed his beautiful head, or perhaps some hat-brim fluttered. There was no other movement, not one sound.

Crouching to pass the windows beneath the sills she crept, heedless of her prisoner, to the rear door. That avenue to the near clustering woods was closed, too: she saw the glitter of carbines above the laurel.

“Special Messenger?” She turned, pale as a ghost. “I reckon we’ve got you.”

“Yes,” she said.

There was another chair by the table—the only other one. She seated herself, shaking all over, laid her revolver on the table, stared at the weapon, pushed it from her with a nervous shudder, and, ashy of lip and cheek, looked at the man she had struck.

“Will they—hang me?”

“I reckon, ma’am. They hung the other one—the man you took me for.”

“Will there be a—trial?”

“Drumhead. . . . They’ve been after you a long, long while.”

“Then—what are you waiting for?”

He was silent.

She found it hard to control the nervous tremor of her limbs and lips. The dryness in her throat made speech difficult.

“Then—if there is no chance—”

He bent forward swiftly and snatched her revolver from the table as her small hand fell heavily upon the spot where the weapon had rested.

“Would you do that?” he said in a low voice.

The desperate young eyes answered him. And, after a throbbing silence: “Won’t you let me?” she asked, “it is indecent to h-hang a—woman—before—men—”

He did not answer.

“Please—please—” she whispered, “Give it back to me—if you are a—soldier. . . . You can go to the door and call them. . . . Nobody will know. . . . You can turn your back. … It will only take a second!”

A big blue-bottle fly came blundering into the room and filled the silence with its noise. Years ago the big blue flies sometimes came into the quiet schoolroom; and how everybody giggled when the taller Miss Poucher, bristling from her prunella shoes to her side side-curls, charged indignantly upon the buzzing intruder.

Dry-eyed, dry-lipped, the Messenger straightened up quivering, and drew a quick, sharp breath; then her head fell forward, and, resting inert upon the table, she buried her face in her arms. The most dangerous spy in the Union service—the secret agent who had worked more evil to the Confederacy than any single Union army corps—the coolest, most resourceful, most trusted messenger on either side as long as the struggle lasted—caught at last.

The man, young, Southern, and a gentleman’s son, sat staring at her. He had driven his finger-nails deep into his palms, bitten his under lip till it was raw.

“Messenger!”

She made no response.

“Are you afraid?”

Her head, prone in her arms, motioned dull negation. It was a lie and he knew it. He looked at the slender column of the neck—stained to a delicate amber—at the nape; and he thought of the rope and the knot under the left ear.

“Messenger,” he said once more. “I did not know it was you I was to meet. Look at me, in God’s name!”

She opened her eyes on him, then raised her head.

“Do you know me now?” he asked.

“No.”

“Look!”

He touched the scar on his forehead; but there was no recognition in her eyes.

“Look, I tell you!” he repeated almost fiercely.

She said wearily: “I have seen so many men—so many men. . . . I can’t remember you.”

“And I have seen many women, Messenger; but I have never forgotten you—or what you did—or what you did—”

“I?”

“You. . . . And from that night I have lived only to find you again. and—oh, God! To find you here! My Messenger! My little Messenger! ”

“Who are you?” she whispered, leaning forward on the table, dark eyes dilating with hope.

He sat heavily for a while, head bowed as though stunned to silence; then slowly the white misery returned to his face and he looked up.

“So—after all—you have forgotten. And my romance is dead.”

She did not answer, intent now on every word, every shade of his expression. And, as she looked, through the numbness of her desperation, hope stirred again, stealthily.

“Are you a friend?” Her voice scarcely sounded at all.

“Friends die for each other,” he said. “Do you expect that of me?”

The silence between them became terrible; and at last he broke it with a bitter laugh:

“You once turned a boy’s life to romance—riding through it—out of it—leaving scars on his brow and heart—and on his lips the touch of your own. And on his face your tears. Look at me once more!”

Her breath came quicker: far within her somewhere memory awoke, groping blindly for light.

“For three days we followed you,” he said. “On the Pennsylvania line we cornered you; but you changed garb and shape and speech, almost under our eyes—as a chameleon changes color, matching the leaf it hides on. . . . I halted at that squatter’s house—sure of you at last—and the pretty squatter’s daughter cooked for us while we hunted you in the hills—and when I returned she gave me her bed to sleep on—”

Her hand caught at her throat and she half-rose, staring at him.

“Her own bed to sleep on,” he repeated. “And I had been three days in the saddle; and I ate what she set before me, and slept on her bed—fell asleep—only a tired boy, not a soldier any longer. . . . And awoke to meet your startled eyes—to meet the blow from your revolver butt that made this scar—to fall back bewildered for a moment—half-stunned—Messenger! Do you know me now?”

“Yes,” she said.

They looked breathlessly at one another; suddenly a hot blush covered her neck and face: and his eyes flashed triumph.

“You have not forgotten!” he cried.

And there, on the very edge of death itself, the bright shame glowed and glowed in her cheeks, and her distressed eyes fell before his.

“You kissed me,” he said, looking at her.

“I—I thought I had—killed you—” she stammered.

“And you kissed me on the lips. . . . In that moment of peril you waited to do that. Your tears fell on my face. I felt them. And I tell you that, even had I been lying there dead instead of partly stunned, I would have known what you did to me after you struck me down.”

Her head sank lower; the color ran riot from throat to brow.

He spoke again, quietly, yet a strange undertone of exaltation thrilled his voice and transfigured the thin, war-worn features she had forgotten, so that, as she lifted her eyes to him again, the same boy looked back at her from the mist of the long dead years.

“Messenger,” he said, “I have never forgotten. And now it is too late to forget your tears on my face—the touch of your lips on mine. I would not if I could. . . . It was worth living for—dying for. . . . Once—I hoped—some day—after this—all this trouble ended—my romance might come—true—”

The boy choked, then:

“I came here under orders to take a woman spy whose password was the key to a Latin phrase. But until you stood straight in your rags and smiled at me, I did not know it was you—I did not know I was to take the Special Messenger! Do you believe me?”

“Yes.”

The boy colored painfully. Then a queer, pallid change came over his face; he rose, bent over her where she rested heavily on the table:

“Little Messenger,” he said. “I am in your debt for two blows and a kiss.”

She lifted a dazed face to meet his gaze; he trembled, leaned down, and kissed her on the mouth.

Then in one bound he was at the door, signaling troopers with drawn saber—as once, long ago, she had seen him signal them in the Northern woods.

And, through the window, she saw the scattered cavalry forming column at a gallop, obeying every saber signal, trotting forward, wheeling fours right—and then—and then! the gray column swung into the western forest at a canter, and were gone!

The boy leaning in the doorway looked back at her over his shoulder and sheathed his saber. There was not a vestige of color left in his face.

“Go!” he said hoarsely.

“What?” she faltered.

“Go—go, in God’s name! There’s a door there! Can’t you see it?”

SHE had been gone for full hour when at last he turned again. A bit of faded ribbon from her hair lay on the table. He went over to it, curiously. It was tied in a true lover’s knot.

He drew it through his buttonhole and walked slowly back to the door again. For a long while he stood there, vague-eyed, silent. It was nearly sunset when once more he drew his saber, examined it carefully, bent it over one knee, and snapped the blade in two.

Then, with a last look at the sky, and standing very erect, he closed the door, set his back firmly against it, drew his revolver, and looked curiously into the muzzle.

A moment later the racket of the shot echoed through the deserted house.

 

August Heat by William Fryer Harvey

 

August Heat

by William Fryer Harvey (1910)

PHENISTONE ROAD, CLAPHAM,

August 20th, 19—.
I HAVE HAD what I believe to be the most remarkable day in my life, and while the events are still fresh in my mind, I wish to put them down on paper as clearly as possible.
       Let me say at the outset that my name is James Clarence Withencroft.
       I am forty years old, in perfect health, never having known a day’s illness.
       By profession I am an artist, not a very successful one, but I earn enough money by my black-and-white work to satisfy my necessary wants.
       My only near relative, a sister, died five years ago, so that I am independent.
       I breakfasted this morning at nine, and after glancing through the morning paper I lighted my pipe and proceeded to let my mind wander in the hope that I might chance upon some subject for my pencil.
       The room, though door and windows were open, was oppressively hot, and I had just made up my mind that the coolest and most comfortable place in the neighbourhood would be the deep end of the public swimming bath, when the idea came.
       I began to draw. So intent was I on my work that I left my lunch untouched, only stopping work when the clock of St. Jude’s struck four.
       The final result, for a hurried sketch, was, I felt sure, the best thing I had done.
       It showed a criminal in the dock immediately after the judge had pronounced sentence. The man was fat—enormously fat. The flesh hung in rolls about his chin; it creased his huge, stumpy neck. He was clean shaven (perhaps I should say a few days before he must have been clean shaven) and almost bald. He stood in the dock, his short, clumsy fingers clasping the rail, looking straight in front of him. The feeling that his expression conveyed was not so much one of horror as of utter, absolute collapse.
       There seemed nothing in the man strong enough to sustain that mountain of flesh.
       I rolled up the sketch, and without quite knowing why, placed it in my pocket. Then with the rare sense of happiness which the knowledge of a good thing well done gives, I left the house.
       I believe that I set out with the idea of calling upon Trenton, for I remember walking along Lytton Street and turning to the right along Gilchrist Road at the bottom of the hill where the men were at work on the new tram lines.
       From there onwards I have only the vaguest recollection of where I went. The one thing of which I was fully conscious was the awful heat, that came up from the dusty asphalt pavement as an almost palpable wave. I longed for the thunder promised by the great banks of copper-coloured cloud that hung low over the western sky.
       I must have walked five or six miles, when a small boy roused me from my reverie by asking the time.
       It was twenty minutes to seven.
       When he left me I began to take stock of my bearings. I found myself standing before a gate that led into a yard bordered by a strip of thirsty earth, where there were flowers, purple stock and scarlet geranium. Above the entrance was a board with the inscription—

CHAS. ATKINSON
MONUMENTAL MASON
WORKER IN ENGLISH AND ITALIAN MARBLES

       From the yard itself came a cheery whistle, the noise of hammer blows, and the cold sound of steel meeting stone.
       A sudden impulse made me enter.
       A man was sitting with his back towards me, busy at work on a slab of curiously veined marble. He turned round as he heard my steps and I stopped short.
       It was the man I had been drawing, whose portrait lay in my pocket.
       He sat there, huge and elephantine, the sweat pouring from his scalp, which he wiped with a red silk handkerchief. But though the face was the same, the expression was absolutely different.
       He greeted me smiling, as if we were old friends, and shook my hand.
       I apologised for my intrusion.
       “Everything is hot and glary outside,” I said. “This seems an oasis in the wilderness.”
       “I don’t know about the oasis,” he replied, “but it certainly’s hot, as hot as hell. Take a seat, sir!”
       He pointed to the end of the gravestone on which he was at work, and I sat down.
       “That’s a beautiful piece of stone you’ve got hold of,” I said.
       He shook his head. “In a way it is,” he answered; “the surface here is as fine as anything you could wish, but there’s a big flaw at the back, though I don’t expect you’d ever notice it. I could never make really a good job of a bit of marble like that. It would be all right in the summer like this; it wouldn’t mind the blasted heat. But wait till the winter comes. There’s nothing quite like frost to find out the weak points in stone.”
       “Then what’s it for?” I asked.
       The man burst out laughing.
       “You’d hardly believe me if I was to tell you it’s for an exhibition, but it’s the truth. Artists have exhibitions: so do grocers and butchers; we have them too. All the latest little things in headstones, you know.”
       He went on to talk of marbles, which sort best withstood wind and rain, and which were easiest to work; then of his garden and a new sort of carnation he had bought. At the end of every other minute he would drop his tools, wipe his shining head, and curse the heat.
       I said little, for I felt uneasy. There was something unnatural, uncanny, in meeting this man.
       I tried at first to persuade myself that I had seen him before, that his face, unknown to me, had found a place in some out-of-the-way corner of my memory, but I knew that I was practising little more than a plausible piece of self-deception.
       Mr. Atkinson finished his work, spat on the ground, and got up with a sigh of relief.
       “There! what do you think of that?” he said, with an air of evident pride.
       The inscription which I read for the first time was this—

SACRED TO THE MEMORY
OF
JAMES CLARENCE WITHENCROFT
BORN JAN. 18TH, 1860
HE PASSED AWAY VERY SUDDENLY
ON AUGUST 20TH, 19—

“In the midst of life we are in death.”

FOR SOME TIME I sat in silence. Then a cold shudder ran down my spine. I asked him where he had seen the name.
       “Oh, I didn’t see it anywhere,” replied Mr. Atkinson. “I wanted some name, and I put down the first that came into my head. Why do you want to know?”
       “It’s a strange coincidence, but it happens to be mine.”
       He gave a long, low whistle.
       “And the dates?”
       “I can only answer for one of them, and that’s correct.”
       “It’s a rum go!” he said.
       But he knew less than I did. I told him of my morning’s work. I took the sketch from my pocket and showed it to him. As he looked, the expression of his face altered until it became more and more like that of the man I had drawn.
       “And it was only the day before yesterday,” he said, “that I told Maria there were no such things as ghosts!”
       Neither of us had seen a ghost, but I knew what he meant.
       “You probably heard my name,” I said.
       “And you must have seen me somewhere and have forgotten it! Were you at Clacton-on-Sea last July?”
       I had never been to Clacton in my life. We were silent for some time. We were both looking at the same thing, the two dates on the gravestone, and one was right.
       “Come inside and have some supper,” said Mr. Atkinson.
       His wife is a cheerful little woman, with the flaky red cheeks of the country-bred. Her husband introduced me as a friend of his who was an artist. The result was unfortunate, for after the sardines and watercress had been removed, she brought out a Doré Bible, and I had to sit and express my admiration for nearly half an hour.
       I went outside, and found Atkinson sitting on the gravestone smoking.
       We resumed the conversation at the point we had left off.
       “You must excuse my asking,” I said, “but do you know of anything you’ve done for which you could be put on trial?”
       He shook his head.
       “I’m not a bankrupt, the business is prosperous enough. Three years ago I gave turkeys to some of the guardians at Christmas, but that’s all I can think of. And they were small ones, too,” he added as an afterthought.
       He got up, fetched a can from the porch, and began to water the flowers. “Twice a day regular in the hot weather,” he said, “and then the heat sometimes gets the better of the delicate ones. And ferns, good Lord! they could never stand it. Where do you live?”
       I told him my address. It would take an hour’s quick walk to get back home.
       “It’s like this,” he said. “We’ll look at the matter straight. If you go back home tonight, you take your chance of accidents. A cart may run over you, and there’s always banana skins and orange peel, to say nothing of fallen ladders.”
       He spoke of the improbable with an intense seriousness that would have been laughable six hours before. But I did not laugh.
       “The best thing we can do,” he continued, “is for you to stay here till twelve o’clock. We’ll go upstairs and smoke; it may be cooler inside.”
       To my surprise I agreed.

WE ARE SITTING now in a long, low room beneath the eaves. Atkinson has sent his wife to bed. He himself is busy sharpening some tools at a little oilstone, smoking one of my cigars the while.
       The air seems charged with thunder. I am writing this at a shaky table before the open window. The leg is cracked, and Atkinson, who seems a handy man with his tools, is going to mend it as soon as he has finished putting an edge on his chisel.
       It is after eleven now. I shall be gone in less than an hour.
       But the heat is stifling.
       It is enough to send a man mad.

Afterward by Edith Wharton, Plus Summary

Afterward

by Edith Wharton

(PDF)

I

“Oh, there is one, of course, but you’ll never know it.”

The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.

The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal “feature.” Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: “Well, there’s Lyng, in Dorsetshire. It belongs to Hugo’s cousins, and you can get it for a song.”

The reasons she gave for its being obtainable on these terms—its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities—were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.

“I should never believe I was living in an old house unless I was thoroughly uncomfortable,” Ned Boyne, the more extravagant of the two, had jocosely insisted; “the least hint of ‘convenience’ would make me think it had been bought out of an exhibition, with the pieces numbered, and set up again.” And they had proceeded to enumerate, with humorous precision, their various suspicions and exactions, refusing to believe that the house their cousin recommended was really Tudor till they learned it had no heating system, or that the village church was literally in the grounds till she assured them of the deplorable uncertainty of the water-supply.

“It’s too uncomfortable to be true!” Edward Boyne had continued to exult as the avowal of each disadvantage was successively wrung from her; but he had cut short his rhapsody to ask, with a sudden relapse to distrust: “And the ghost? You’ve been concealing from us the fact that there is no ghost!”

Mary, at the moment, had laughed with him, yet almost with her laugh, being possessed of several sets of independent perceptions, had noted a sudden flatness of tone in Alida’s answering hilarity.

“Oh, Dorsetshire’s full of ghosts, you know.”

“Yes, yes; but that won’t do. I don’t want to have to drive ten miles to see somebody else’s ghost. I want one of my own on the premises. Is there a ghost at Lyng?”

His rejoinder had made Alida laugh again, and it was then that she had flung back tantalizingly: “Oh, there is one, of course, but you’ll never know it.”

“Never know it?” Boyne pulled her up. “But what in the world constitutes a ghost except the fact of its being known for one?”

“I can’t say. But that’s the story.”

“That there’s a ghost, but that nobody knows it’s a ghost?”

“Well—not till afterward, at any rate.”

“Till afterward?”

“Not till long, long afterward.”

“But if it’s once been identified as an unearthly visitant, why hasn’t its signalement been handed down in the family? How has it managed to preserve its incognito?”

Alida could only shake her head. “Don’t ask me. But it has.”

“And then suddenly—” Mary spoke up as if from some cavernous depth of divination—“suddenly, long afterward, one says to one’s self, ‘That was it?’”

She was oddly startled at the sepulchral sound with which her question fell on the banter of the other two, and she saw the shadow of the same surprise flit across Alida’s clear pupils. “I suppose so. One just has to wait.”

“Oh, hang waiting!” Ned broke in. “Life’s too short for a ghost who can only be enjoyed in retrospect. Can’t we do better than that, Mary?”

But it turned out that in the event they were not destined to, for within three months of their conversation with Mrs. Stair they were established at Lyng, and the life they had yearned for to the point of planning it out in all its daily details had actually begun for them.

It was to sit, in the thick December dusk, by just such a wide-hooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkening to a deeper solitude: it was for the ultimate indulgence in such sensations that Mary Boyne had endured for nearly fourteen years the soul-deadening ugliness of the Middle West, and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it. They had never for a moment meant their new state to be one of idleness; but they meant to give themselves only to harmonious activities. She had her vision of painting and gardening (against a background of gray walls), he dreamed of the production of his long-planned book on the “Economic Basis of Culture”; and with such absorbing work ahead no existence could be too sequestered; they could not get far enough from the world, or plunge deep enough into the past.

Dorsetshire had attracted them from the first by a semblance of remoteness out of all proportion to its geographical position. But to the Boynes it was one of the ever-recurring wonders of the whole incredibly compressed island—a nest of counties, as they put it—that for the production of its effects so little of a given quality went so far: that so few miles made a distance, and so short a distance a difference.

“It’s that,” Ned had once enthusiastically explained, “that gives such depth to their effects, such relief to their least contrasts. They’ve been able to lay the butter so thick on every exquisite mouthful.”

The butter had certainly been laid on thick at Lyng: the old gray house, hidden under a shoulder of the downs, had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more richly in its special sense—the sense of having been for centuries a deep, dim reservoir of life. The life had probably not been of the most vivid order: for long periods, no doubt, it had fallen as noiselessly into the past as the quiet drizzle of autumn fell, hour after hour, into the green fish-pond between the yews; but these back-waters of existence sometimes breed, in their sluggish depths, strange acuities of emotion, and Mary Boyne had felt from the first the occasional brush of an intenser memory.

The feeling had never been stronger than on the December afternoon when, waiting in the library for the belated lamps, she rose from her seat and stood among the shadows of the hearth. Her husband had gone off, after luncheon, for one of his long tramps on the downs. She had noticed of late that he preferred to be unaccompanied on these occasions; and, in the tried security of their personal relations, had been driven to conclude that his book was bothering him, and that he needed the afternoons to turn over in solitude the problems left from the morning’s work. Certainly the book was not going as smoothly as she had imagined it would, and the lines of perplexity between his eyes had never been there in his engineering days. Then he had often looked fagged to the verge of illness, but the native demon of “worry” had never branded his brow. Yet the few pages he had so far read to her—the introduction, and a synopsis of the opening chapter—gave evidences of a firm possession of his subject, and a deepening confidence in his powers.

The fact threw her into deeper perplexity, since, now that he had done with “business” and its disturbing contingencies, the one other possible element of anxiety was eliminated. Unless it were his health, then? But physically he had gained since they had come to Dorsetshire, grown robuster, ruddier, and fresher-eyed. It was only within a week that she had felt in him the undefinable change that made her restless in his absence, and as tongue-tied in his presence as though it were she who had a secret to keep from him!

The thought that there was a secret somewhere between them struck her with a sudden smart rap of wonder, and she looked about her down the dim, long room.

“Can it be the house?” she mused.

The room itself might have been full of secrets. They seemed to be piling themselves up, as evening fell, like the layers and layers of velvet shadow dropping from the low ceiling, the dusky walls of books, the smoke-blurred sculpture of the hooded hearth.

“Why, of course—the house is haunted!” she reflected.

The ghost—Alida’s imperceptible ghost—after figuring largely in the banter of their first month or two at Lyng, had been gradually discarded as too ineffectual for imaginative use. Mary had, indeed, as became the tenant of a haunted house, made the customary inquiries among her few rural neighbors, but, beyond a vague, “They du say so, Ma’am,” the villagers had nothing to impart. The elusive specter had apparently never had sufficient identity for a legend to crystallize about it, and after a time the Boynes had laughingly set the matter down to their profit-and-loss account, agreeing that Lyng was one of the few houses good enough in itself to dispense with supernatural enhancements.

“And I suppose, poor, ineffectual demon, that’s why it beats its beautiful wings in vain in the void,” Mary had laughingly concluded.

“Or, rather,” Ned answered, in the same strain, “why, amid so much that’s ghostly, it can never affirm its separate existence as the ghost.” And thereupon their invisible housemate had finally dropped out of their references, which were numerous enough to make them promptly unaware of the loss.

Now, as she stood on the hearth, the subject of their earlier curiosity revived in her with a new sense of its meaning—a sense gradually acquired through close daily contact with the scene of the lurking mystery. It was the house itself, of course, that possessed the ghost-seeing faculty, that communed visually but secretly with its own past; and if one could only get into close enough communion with the house, one might surprise its secret, and acquire the ghost-sight on one’s own account. Perhaps, in his long solitary hours in this very room, where she never trespassed till the afternoon, her husband had acquired it already, and was silently carrying the dread weight of whatever it had revealed to him. Mary was too well-versed in the code of the spectral world not to know that one could not talk about the ghosts one saw: to do so was almost as great a breach of good-breeding as to name a lady in a club. But this explanation did not really satisfy her. “What, after all, except for the fun of the frisson,” she reflected, “would he really care for any of their old ghosts?” And thence she was thrown back once more on the fundamental dilemma: the fact that one’s greater or less susceptibility to spectral influences had no particular bearing on the case, since, when one did see a ghost at Lyng, one did not know it.

“Not till long afterward,” Alida Stair had said. Well, supposing Ned had seen one when they first came, and had known only within the last week what had happened to him? More and more under the spell of the hour, she threw back her searching thoughts to the early days of their tenancy, but at first only to recall a gay confusion of unpacking, settling, arranging of books, and calling to each other from remote corners of the house as treasure after treasure of their habitation revealed itself to them. It was in this particular connection that she presently recalled a certain soft afternoon of the previous October, when, passing from the first rapturous flurry of exploration to a detailed inspection of the old house, she had pressed (like a novel heroine) a panel that opened at her touch, on a narrow flight of stairs leading to an unsuspected flat ledge of the roof—the roof which, from below, seemed to slope away on all sides too abruptly for any but practised feet to scale.

The view from this hidden coign was enchanting, and she had flown down to snatch Ned from his papers and give him the freedom of her discovery. She remembered still how, standing on the narrow ledge, he had passed his arm about her while their gaze flew to the long, tossed horizon-line of the downs, and then dropped contentedly back to trace the arabesque of yew hedges about the fish-pond, and the shadow of the cedar on the lawn.

“And now the other way,” he had said, gently turning her about within his arm; and closely pressed to him, she had absorbed, like some long, satisfying draft, the picture of the gray-walled court, the squat lions on the gates, and the lime-avenue reaching up to the highroad under the downs.

It was just then, while they gazed and held each other, that she had felt his arm relax, and heard a sharp “Hullo!” that made her turn to glance at him.

Distinctly, yes, she now recalled she had seen, as she glanced, a shadow of anxiety, of perplexity, rather, fall across his face; and, following his eyes, had beheld the figure of a man—a man in loose, grayish clothes, as it appeared to her—who was sauntering down the lime-avenue to the court with the tentative gait of a stranger seeking his way. Her short-sighted eyes had given her but a blurred impression of slightness and grayness, with something foreign, or at least unlocal, in the cut of the figure or its garb; but her husband had apparently seen more—seen enough to make him push past her with a sharp “Wait!” and dash down the twisting stairs without pausing to give her a hand for the descent.

A slight tendency to dizziness obliged her, after a provisional clutch at the chimney against which they had been leaning, to follow him down more cautiously; and when she had reached the attic landing she paused again for a less definite reason, leaning over the oak banister to strain her eyes through the silence of the brown, sun-flecked depths below. She lingered there till, somewhere in those depths, she heard the closing of a door; then, mechanically impelled, she went down the shallow flights of steps till she reached the lower hall.

The front door stood open on the mild sunlight of the court, and hall and court were empty. The library door was open, too, and after listening in vain for any sound of voices within, she quickly crossed the threshold, and found her husband alone, vaguely fingering the papers on his desk.

He looked up, as if surprised at her precipitate entrance, but the shadow of anxiety had passed from his face, leaving it even, as she fancied, a little brighter and clearer than usual.

“What was it? Who was it?” she asked.

“Who?” he repeated, with the surprise still all on his side.

“The man we saw coming toward the house.” Boyne shrugged his shoulders. “So I thought; but he must have got up steam in the interval. What do you say to our trying a scramble up Meldon Steep before sunset?”

That was all. At the time the occurrence had been less than nothing, had, indeed, been immediately obliterated by the magic of their first vision from Meldon Steep, a height which they had dreamed of climbing ever since they had first seen its bare spine heaving itself above the low roof of Lyng. Doubtless it was the mere fact of the other incident’s having occurred on the very day of their ascent to Meldon that had kept it stored away in the unconscious fold of association from which it now emerged; for in itself it had no mark of the portentous. At the moment there could have been nothing more natural than that Ned should dash himself from the roof in the pursuit of dilatory tradesmen. It was the period when they were always on the watch for one or the other of the specialists employed about the place; always lying in wait for them, and dashing out at them with questions, reproaches, or reminders. And certainly in the distance the gray figure had looked like Peters.

Yet now, as she reviewed the rapid scene, she felt her husband’s explanation of it to have been invalidated by the look of anxiety on his face. Why had the familiar appearance of Peters made him anxious? Why, above all, if it was of such prime necessity to confer with that authority on the subject of the stable-drains, had the failure to find him produced such a look of relief? Mary could not say that any one of these considerations had occurred to her at the time, yet, from the promptness with which they now marshaled themselves at her summons, she had a sudden sense that they must all along have been there, waiting their hour.

II

Weary with her thoughts, she moved toward the window. The library was now completely dark, and she was surprised to see how much faint light the outer world still held.

As she peered out into it across the court, a figure shaped itself in the tapering perspective of bare lines: it looked a mere blot of deeper gray in the grayness, and for an instant, as it moved toward her, her heart thumped to the thought, “It’s the ghost!”

She had time, in that long instant, to feel suddenly that the man of whom, two months earlier, she had a brief distant vision from the roof was now, at his predestined hour, about to reveal himself as not having been Peters; and her spirit sank under the impending fear of the disclosure. But almost with the next tick of the clock the ambiguous figure, gaining substance and character, showed itself even to her weak sight as her husband’s; and she turned away to meet him, as he entered, with the confession of her folly.

“It’s really too absurd,” she laughed out from the threshold, “but I never can remember!”

“Remember what?” Boyne questioned as they drew together.

“That when one sees the Lyng ghost one never knows it.”

Her hand was on his sleeve, and he kept it there, but with no response in his gesture or in the lines of his fagged, preoccupied face.

“Did you think you’d seen it?” he asked, after an appreciable interval.

“Why, I actually took you for it, my dear, in my mad determination to spot it!”

“Me—just now?” His arm dropped away, and he turned from her with a faint echo of her laugh. “Really, dearest, you’d better give it up, if that’s the best you can do.”

“Yes, I give it up—I give it up. Have you?” she asked, turning round on him abruptly.

The parlor-maid had entered with letters and a lamp, and the light struck up into Boyne’s face as he bent above the tray she presented.

“Have you?” Mary perversely insisted, when the servant had disappeared on her errand of illumination.

“Have I what?” he rejoined absently, the light bringing out the sharp stamp of worry between his brows as he turned over the letters.

“I never tried,” he said, tearing open the wrapper of a newspaper.

“Well, of course,” Mary persisted, “the exasperating thing is that there’s no use trying, since one can’t be sure till so long afterward.”

He was unfolding the paper as if he had hardly heard her; but after a pause, during which the sheets rustled spasmodically between his hands, he lifted his head to say abruptly, “Have you any idea how long?”

Mary had sunk into a low chair beside the fireplace. From her seat she looked up, startled, at her husband’s profile, which was darkly projected against the circle of lamplight.

“No; none. Have you” she retorted, repeating her former phrase with an added keenness of intention.

Boyne crumpled the paper into a bunch, and then inconsequently turned back with it toward the lamp.

“Lord, no! I only meant,” he explained, with a faint tinge of impatience, “is there any legend, any tradition, as to that?”

“Not that I know of,” she answered; but the impulse to add, “What makes you ask?” was checked by the reappearance of the parlor-maid with tea and a second lamp.

With the dispersal of shadows, and the repetition of the daily domestic office, Mary Boyne felt herself less oppressed by that sense of something mutely imminent which had darkened her solitary afternoon. For a few moments she gave herself silently to the details of her task, and when she looked up from it she was struck to the point of bewilderment by the change in her husband’s face. He had seated himself near the farther lamp, and was absorbed in the perusal of his letters; but was it something he had found in them, or merely the shifting of her own point of view, that had restored his features to their normal aspect? The longer she looked, the more definitely the change affirmed itself. The lines of painful tension had vanished, and such traces of fatigue as lingered were of the kind easily attributable to steady mental effort. He glanced up, as if drawn by her gaze, and met her eyes with a smile.

“I’m dying for my tea, you know; and here’s a letter for you,” he said.

She took the letter he held out in exchange for the cup she proffered him, and, returning to her seat, broke the seal with the languid gesture of the reader whose interests are all inclosed in the circle of one cherished presence.

Her next conscious motion was that of starting to her feet, the letter falling to them as she rose, while she held out to her husband a long newspaper clipping.

“Ned! What’s this? What does it mean?”

He had risen at the same instant, almost as if hearing her cry before she uttered it; and for a perceptible space of time he and she studied each other, like adversaries watching for an advantage, across the space between her chair and his desk.

“What’s what? You fairly made me jump!” Boyne said at length, moving toward her with a sudden, half-exasperated laugh. The shadow of apprehension was on his face again, not now a look of fixed foreboding, but a shifting vigilance of lips and eyes that gave her the sense of his feeling himself invisibly surrounded.

Her hand shook so that she could hardly give him the clipping.

“This article—from the ‘Waukesha Sentinel’—that a man named Elwell has brought suit against you—that there was something wrong about the Blue Star Mine. I can’t understand more than half.”

They continued to face each other as she spoke, and to her astonishment, she saw that her words had the almost immediate effect of dissipating the strained watchfulness of his look.

“Oh, that!” He glanced down the printed slip, and then folded it with the gesture of one who handles something harmless and familiar. “What’s the matter with you this afternoon, Mary? I thought you’d got bad news.”

She stood before him with her undefinable terror subsiding slowly under the reassuring touch of his composure.

“You knew about this, then—it’s all right?”

“Certainly I knew about it; and it’s all right.”

“But what is it? I don’t understand. What does this man accuse you of?”

“Oh, pretty nearly every crime in the calendar.” Boyne had tossed the clipping down, and thrown himself comfortably into an arm-chair near the fire. “Do you want to hear the story? It’s not particularly interesting—just a squabble over interests in the Blue Star.”

“But who is this Elwell? I don’t know the name.”

“Oh, he’s a fellow I put into it—gave him a hand up. I told you all about him at the time.”

“I daresay. I must have forgotten.” Vainly she strained back among her memories. “But if you helped him, why does he make this return?”

“Oh, probably some shyster lawyer got hold of him and talked him over. It’s all rather technical and complicated. I thought that kind of thing bored you.”

His wife felt a sting of compunction. Theoretically, she deprecated the American wife’s detachment from her husband’s professional interests, but in practice she had always found it difficult to fix her attention on Boyne’s report of the transactions in which his varied interests involved him. Besides, she had felt from the first that, in a community where the amenities of living could be obtained only at the cost of efforts as arduous as her husband’s professional labors, such brief leisure as they could command should be used as an escape from immediate preoccupations, a flight to the life they always dreamed of living. Once or twice, now that this new life had actually drawn its magic circle about them, she had asked herself if she had done right; but hitherto such conjectures had been no more than the retrospective excursions of an active fancy. Now, for the first time, it startled her a little to find how little she knew of the material foundation on which her happiness was built.

She glanced again at her husband, and was reassured by the composure of his face; yet she felt the need of more definite grounds for her reassurance.

“But doesn’t this suit worry you? Why have you never spoken to me about it?”

He answered both questions at once: “I didn’t speak of it at first because it did worry me—annoyed me, rather. But it’s all ancient history now. Your correspondent must have got hold of a back number of the ‘Sentinel.’”

She felt a quick thrill of relief. “You mean it’s over? He’s lost his case?”

There was a just perceptible delay in Boyne’s reply. “The suit’s been withdrawn—that’s all.”

But she persisted, as if to exonerate herself from the inward charge of being too easily put off. “Withdrawn because he saw he had no chance?”

“Oh, he had no chance,” Boyne answered.

She was still struggling with a dimly felt perplexity at the back of her thoughts.

“How long ago was it withdrawn?”

He paused, as if with a slight return of his former uncertainty. “I’ve just had the news now; but I’ve been expecting it.”

“Just now—in one of your letters?”

“Yes; in one of my letters.”

She made no answer, and was aware only, after a short interval of waiting, that he had risen, and strolling across the room, had placed himself on the sofa at her side. She felt him, as he did so, pass an arm about her, she felt his hand seek hers and clasp it, and turning slowly, drawn by the warmth of his cheek, she met the smiling clearness of his eyes.

“It’s all right—it’s all right?” she questioned, through the flood of her dissolving doubts; and “I give you my word it never was righter!” he laughed back at her, holding her close.

III

One of the strangest things she was afterward to recall out of all the next day’s incredible strangeness was the sudden and complete recovery of her sense of security.

It was in the air when she woke in her low-ceilinged, dusky room; it accompanied her down-stairs to the breakfast-table, flashed out at her from the fire, and re-duplicated itself brightly from the flanks of the urn and the sturdy flutings of the Georgian teapot. It was as if, in some roundabout way, all her diffused apprehensions of the previous day, with their moment of sharp concentration about the newspaper article,—as if this dim questioning of the future, and startled return upon the past,—had between them liquidated the arrears of some haunting moral obligation. If she had indeed been careless of her husband’s affairs, it was, her new state seemed to prove, because her faith in him instinctively justified such carelessness; and his right to her faith had overwhelmingly affirmed itself in the very face of menace and suspicion. She had never seen him more untroubled, more naturally and unconsciously in possession of himself, than after the cross-examination to which she had subjected him: it was almost as if he had been aware of her lurking doubts, and had wanted the air cleared as much as she did.

It was as clear, thank Heaven! as the bright outer light that surprised her almost with a touch of summer when she issued from the house for her daily round of the gardens. She had left Boyne at his desk, indulging herself, as she passed the library door, by a last peep at his quiet face, where he bent, pipe in his mouth, above his papers, and now she had her own morning’s task to perform. The task involved on such charmed winter days almost as much delighted loitering about the different quarters of her demesne as if spring were already at work on shrubs and borders. There were such inexhaustible possibilities still before her, such opportunities to bring out the latent graces of the old place, without a single irreverent touch of alteration, that the winter months were all too short to plan what spring and autumn executed. And her recovered sense of safety gave, on this particular morning, a peculiar zest to her progress through the sweet, still place. She went first to the kitchen-garden, where the espaliered pear-trees drew complicated patterns on the walls, and pigeons were fluttering and preening about the silvery-slated roof of their cot. There was something wrong about the piping of the hothouse, and she was expecting an authority from Dorchester, who was to drive out between trains and make a diagnosis of the boiler. But when she dipped into the damp heat of the greenhouses, among the spiced scents and waxy pinks and reds of old-fashioned exotics,—even the flora of Lyng was in the note!—she learned that the great man had not arrived, and the day being too rare to waste in an artificial atmosphere, she came out again and paced slowly along the springy turf of the bowling-green to the gardens behind the house. At their farther end rose a grass terrace, commanding, over the fish-pond and the yew hedges, a view of the long house-front, with its twisted chimney-stacks and the blue shadows of its roof angles, all drenched in the pale gold moisture of the air.

Seen thus, across the level tracery of the yews, under the suffused, mild light, it sent her, from its open windows and hospitably smoking chimneys, the look of some warm human presence, of a mind slowly ripened on a sunny wall of experience. She had never before had so deep a sense of her intimacy with it, such a conviction that its secrets were all beneficent, kept, as they said to children, “for one’s good,” so complete a trust in its power to gather up her life and Ned’s into the harmonious pattern of the long, long story it sat there weaving in the sun.

She heard steps behind her, and turned, expecting to see the gardener, accompanied by the engineer from Dorchester. But only one figure was in sight, that of a youngish, slightly built man, who, for reasons she could not on the spot have specified, did not remotely resemble her preconceived notion of an authority on hot-house boilers. The new-comer, on seeing her, lifted his hat, and paused with the air of a gentleman—perhaps a traveler—desirous of having it immediately known that his intrusion is involuntary. The local fame of Lyng occasionally attracted the more intelligent sight-seer, and Mary half-expected to see the stranger dissemble a camera, or justify his presence by producing it. But he made no gesture of any sort, and after a moment she asked, in a tone responding to the courteous deprecation of his attitude: “Is there any one you wish to see?”

“I came to see Mr. Boyne,” he replied. His intonation, rather than his accent, was faintly American, and Mary, at the familiar note, looked at him more closely. The brim of his soft felt hat cast a shade on his face, which, thus obscured, wore to her short-sighted gaze a look of seriousness, as of a person arriving “on business,” and civilly but firmly aware of his rights.

Past experience had made Mary equally sensible to such claims; but she was jealous of her husband’s morning hours, and doubtful of his having given any one the right to intrude on them.

“Have you an appointment with Mr. Boyne?” she asked.

He hesitated, as if unprepared for the question.

“Not exactly an appointment,” he replied.

“Then I’m afraid, this being his working-time, that he can’t receive you now. Will you give me a message, or come back later?”

The visitor, again lifting his hat, briefly replied that he would come back later, and walked away, as if to regain the front of the house. As his figure receded down the walk between the yew hedges, Mary saw him pause and look up an instant at the peaceful house-front bathed in faint winter sunshine; and it struck her, with a tardy touch of compunction, that it would have been more humane to ask if he had come from a distance, and to offer, in that case, to inquire if her husband could receive him. But as the thought occurred to her he passed out of sight behind a pyramidal yew, and at the same moment her attention was distracted by the approach of the gardener, attended by the bearded pepper-and-salt figure of the boiler-maker from Dorchester.

The encounter with this authority led to such far-reaching issues that they resulted in his finding it expedient to ignore his train, and beguiled Mary into spending the remainder of the morning in absorbed confabulation among the greenhouses. She was startled to find, when the colloquy ended, that it was nearly luncheon-time, and she half expected, as she hurried back to the house, to see her husband coming out to meet her. But she found no one in the court but an under-gardener raking the gravel, and the hall, when she entered it, was so silent that she guessed Boyne to be still at work behind the closed door of the library.

Not wishing to disturb him, she turned into the drawing-room, and there, at her writing-table, lost herself in renewed calculations of the outlay to which the morning’s conference had committed her. The knowledge that she could permit herself such follies had not yet lost its novelty; and somehow, in contrast to the vague apprehensions of the previous days, it now seemed an element of her recovered security, of the sense that, as Ned had said, things in general had never been “righter.”

She was still luxuriating in a lavish play of figures when the parlor-maid, from the threshold, roused her with a dubiously worded inquiry as to the expediency of serving luncheon. It was one of their jokes that Trimmle announced luncheon as if she were divulging a state secret, and Mary, intent upon her papers, merely murmured an absent-minded assent.

She felt Trimmle wavering expressively on the threshold as if in rebuke of such offhand acquiescence; then her retreating steps sounded down the passage, and Mary, pushing away her papers, crossed the hall, and went to the library door. It was still closed, and she wavered in her turn, disliking to disturb her husband, yet anxious that he should not exceed his normal measure of work. As she stood there, balancing her impulses, the esoteric Trimmle returned with the announcement of luncheon, and Mary, thus impelled, opened the door and went into the library.

Boyne was not at his desk, and she peered about her, expecting to discover him at the book-shelves, somewhere down the length of the room; but her call brought no response, and gradually it became clear to her that he was not in the library.

She turned back to the parlor-maid.

“Mr. Boyne must be up-stairs. Please tell him that luncheon is ready.”

The parlor-maid appeared to hesitate between the obvious duty of obeying orders and an equally obvious conviction of the foolishness of the injunction laid upon her. The struggle resulted in her saying doubtfully, “If you please, Madam, Mr. Boyne’s not up-stairs.”

“Not in his room? Are you sure?”

“I’m sure, Madam.”

Mary consulted the clock. “Where is he, then?”

“He’s gone out,” Trimmle announced, with the superior air of one who has respectfully waited for the question that a well-ordered mind would have first propounded.

Mary’s previous conjecture had been right, then. Boyne must have gone to the gardens to meet her, and since she had missed him, it was clear that he had taken the shorter way by the south door, instead of going round to the court. She crossed the hall to the glass portal opening directly on the yew garden, but the parlor-maid, after another moment of inner conflict, decided to bring out recklessly, “Please, Madam, Mr. Boyne didn’t go that way.”

Mary turned back. “Where did he go? And when?”

“He went out of the front door, up the drive, Madam.” It was a matter of principle with Trimmle never to answer more than one question at a time.

“Up the drive? At this hour?” Mary went to the door herself, and glanced across the court through the long tunnel of bare limes. But its perspective was as empty as when she had scanned it on entering the house.

“Did Mr. Boyne leave no message?” she asked.

Trimmle seemed to surrender herself to a last struggle with the forces of chaos.

“No, Madam. He just went out with the gentleman.”

“The gentleman? What gentleman?” Mary wheeled about, as if to front this new factor.

“The gentleman who called, Madam,” said Trimmle, resignedly.

“When did a gentleman call? Do explain yourself, Trimmle!”

Only the fact that Mary was very hungry, and that she wanted to consult her husband about the greenhouses, would have caused her to lay so unusual an injunction on her attendant; and even now she was detached enough to note in Trimmle’s eye the dawning defiance of the respectful subordinate who has been pressed too hard.

“I couldn’t exactly say the hour, Madam, because I didn’t let the gentleman in,” she replied, with the air of magnanimously ignoring the irregularity of her mistress’s course.

“You didn’t let him in?”

“No, Madam. When the bell rang I was dressing, and Agnes—”

“Go and ask Agnes, then,” Mary interjected. Trimmle still wore her look of patient magnanimity. “Agnes would not know, Madam, for she had unfortunately burnt her hand in trying the wick of the new lamp from town—” Trimmle, as Mary was aware, had always been opposed to the new lamp—“and so Mrs. Dockett sent the kitchen-maid instead.”

Mary looked again at the clock. “It’s after two! Go and ask the kitchen-maid if Mr. Boyne left any word.”

She went into luncheon without waiting, and Trimmle presently brought her there the kitchen-maid’s statement that the gentleman had called about one o’clock, that Mr. Boyne had gone out with him without leaving any message. The kitchen-maid did not even know the caller’s name, for he had written it on a slip of paper, which he had folded and handed to her, with the injunction to deliver it at once to Mr. Boyne.

Mary finished her luncheon, still wondering, and when it was over, and Trimmle had brought the coffee to the drawing-room, her wonder had deepened to a first faint tinge of disquietude. It was unlike Boyne to absent himself without explanation at so unwonted an hour, and the difficulty of identifying the visitor whose summons he had apparently obeyed made his disappearance the more unaccountable. Mary Boyne’s experience as the wife of a busy engineer, subject to sudden calls and compelled to keep irregular hours, had trained her to the philosophic acceptance of surprises; but since Boyne’s withdrawal from business he had adopted a Benedictine regularity of life. As if to make up for the dispersed and agitated years, with their “stand-up” lunches and dinners rattled down to the joltings of the dining-car, he cultivated the last refinements of punctuality and monotony, discouraging his wife’s fancy for the unexpected; and declaring that to a delicate taste there were infinite gradations of pleasure in the fixed recurrences of habit.

Still, since no life can completely defend itself from the unforeseen, it was evident that all Boyne’s precautions would sooner or later prove unavailable, and Mary concluded that he had cut short a tiresome visit by walking with his caller to the station, or at least accompanying him for part of the way.

This conclusion relieved her from farther preoccupation, and she went out herself to take up her conference with the gardener. Thence she walked to the village post-office, a mile or so away; and when she turned toward home, the early twilight was setting in.

She had taken a foot-path across the downs, and as Boyne, meanwhile, had probably returned from the station by the highroad, there was little likelihood of their meeting on the way. She felt sure, however, of his having reached the house before her; so sure that, when she entered it herself, without even pausing to inquire of Trimmle, she made directly for the library. But the library was still empty, and with an unwonted precision of visual memory she immediately observed that the papers on her husband’s desk lay precisely as they had lain when she had gone in to call him to luncheon.

Then of a sudden she was seized by a vague dread of the unknown. She had closed the door behind her on entering, and as she stood alone in the long, silent, shadowy room, her dread seemed to take shape and sound, to be there audibly breathing and lurking among the shadows. Her short-sighted eyes strained through them, half-discerning an actual presence, something aloof, that watched and knew; and in the recoil from that intangible propinquity she threw herself suddenly on the bell-rope and gave it a desperate pull.

The long, quavering summons brought Trimmle in precipitately with a lamp, and Mary breathed again at this sobering reappearance of the usual.

“You may bring tea if Mr. Boyne is in,” she said, to justify her ring.

“Very well, Madam. But Mr. Boyne is not in,” said Trimmle, putting down the lamp.

“Not in? You mean he’s come back and gone out again?”

“No, Madam. He’s never been back.”

The dread stirred again, and Mary knew that now it had her fast.

“Not since he went out with—the gentleman?”

“Not since he went out with the gentleman.”

“But who was the gentleman?” Mary gasped out, with the sharp note of some one trying to be heard through a confusion of meaningless noises.

“That I couldn’t say, Madam.” Trimmle, standing there by the lamp, seemed suddenly to grow less round and rosy, as though eclipsed by the same creeping shade of apprehension.

“But the kitchen-maid knows—wasn’t it the kitchen-maid who let him in?”

“She doesn’t know either, Madam, for he wrote his name on a folded paper.”

Mary, through her agitation, was aware that they were both designating the unknown visitor by a vague pronoun, instead of the conventional formula which, till then, had kept their allusions within the bounds of custom. And at the same moment her mind caught at the suggestion of the folded paper.

“But he must have a name! Where is the paper?”

She moved to the desk, and began to turn over the scattered documents that littered it. The first that caught her eye was an unfinished letter in her husband’s hand, with his pen lying across it, as though dropped there at a sudden summons.

“My dear Parvis,”—who was Parvis?—“I have just received your letter announcing Elwell’s death, and while I suppose there is now no farther risk of trouble, it might be safer—”

She tossed the sheet aside, and continued her search; but no folded paper was discoverable among the letters and pages of manuscript which had been swept together in a promiscuous heap, as if by a hurried or a startled gesture.

“But the kitchen-maid saw him. Send her here,” she commanded, wondering at her dullness in not thinking sooner of so simple a solution.

Trimmle, at the behest, vanished in a flash, as if thankful to be out of the room, and when she reappeared, conducting the agitated underling, Mary had regained her self-possession, and had her questions pat.

The gentleman was a stranger, yes—that she understood. But what had he said? And, above all, what had he looked like? The first question was easily enough answered, for the disconcerting reason that he had said so little—had merely asked for Mr. Boyne, and, scribbling something on a bit of paper, had requested that it should at once be carried in to him.

“Then you don’t know what he wrote? You’re not sure it was his name?”

The kitchen-maid was not sure, but supposed it was, since he had written it in answer to her inquiry as to whom she should announce.

“And when you carried the paper in to Mr. Boyne, what did he say?”

The kitchen-maid did not think that Mr. Boyne had said anything, but she could not be sure, for just as she had handed him the paper and he was opening it, she had become aware that the visitor had followed her into the library, and she had slipped out, leaving the two gentlemen together.

“But then, if you left them in the library, how do you know that they went out of the house?”

This question plunged the witness into momentary inarticulateness, from which she was rescued by Trimmle, who, by means of ingenious circumlocutions, elicited the statement that before she could cross the hall to the back passage she had heard the gentlemen behind her, and had seen them go out of the front door together.

“Then, if you saw the gentleman twice, you must be able to tell me what he looked like.”

But with this final challenge to her powers of expression it became clear that the limit of the kitchen-maid’s endurance had been reached. The obligation of going to the front door to “show in” a visitor was in itself so subversive of the fundamental order of things that it had thrown her faculties into hopeless disarray, and she could only stammer out, after various panting efforts at evocation, “His hat, mum, was different-like, as you might say—”

“Different? How different?” Mary flashed out at her, her own mind, in the same instant, leaping back to an image left on it that morning, but temporarily lost under layers of subsequent impressions.

“His hat had a wide brim, you mean? and his face was pale—a youngish face?” Mary pressed her, with a white-lipped intensity of interrogation. But if the kitchen-maid found any adequate answer to this challenge, it was swept away for her listener down the rushing current of her own convictions. The stranger—the stranger in the garden! Why had Mary not thought of him before? She needed no one now to tell her that it was he who had called for her husband and gone away with him. But who was he, and why had Boyne obeyed his call

IV

It leaped out at her suddenly, like a grin out of the dark, that they had often called England so little—“such a confoundedly hard place to get lost in.”

A confoundedly hard place to get lost in! That had been her husband’s phrase. And now, with the whole machinery of official investigation sweeping its flash-lights from shore to shore, and across the dividing straits; now, with Boyne’s name blazing from the walls of every town and village, his portrait (how that wrung her!) hawked up and down the country like the image of a hunted criminal; now the little compact, populous island, so policed, surveyed, and administered, revealed itself as a Sphinx-like guardian of abysmal mysteries, staring back into his wife’s anguished eyes as if with the malicious joy of knowing something they would never know!

In the fortnight since Boyne’s disappearance there had been no word of him, no trace of his movements. Even the usual misleading reports that raise expectancy in tortured bosoms had been few and fleeting. No one but the bewildered kitchen-maid had seen him leave the house, and no one else had seen “the gentleman” who accompanied him. All inquiries in the neighborhood failed to elicit the memory of a stranger’s presence that day in the neighborhood of Lyng. And no one had met Edward Boyne, either alone or in company, in any of the neighboring villages, or on the road across the downs, or at either of the local railway-stations. The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.

Mary, while every external means of investigation was working at its highest pressure, had ransacked her husband’s papers for any trace of antecedent complications, of entanglements or obligations unknown to her, that might throw a faint ray into the darkness. But if any such had existed in the background of Boyne’s life, they had disappeared as completely as the slip of paper on which the visitor had written his name. There remained no possible thread of guidance except—if it were indeed an exception—the letter which Boyne had apparently been in the act of writing when he received his mysterious summons. That letter, read and reread by his wife, and submitted by her to the police, yielded little enough for conjecture to feed on.

“I have just heard of Elwell’s death, and while I suppose there is now no farther risk of trouble, it might be safer—” That was all. The “risk of trouble” was easily explained by the newspaper clipping which had apprised Mary of the suit brought against her husband by one of his associates in the Blue Star enterprise. The only new information conveyed in the letter was the fact of its showing Boyne, when he wrote it, to be still apprehensive of the results of the suit, though he had assured his wife that it had been withdrawn, and though the letter itself declared that the plaintiff was dead. It took several weeks of exhaustive cabling to fix the identity of the “Parvis” to whom the fragmentary communication was addressed, but even after these inquiries had shown him to be a Waukesha lawyer, no new facts concerning the Elwell suit were elicited. He appeared to have had no direct concern in it, but to have been conversant with the facts merely as an acquaintance, and possible intermediary; and he declared himself unable to divine with what object Boyne intended to seek his assistance.

This negative information, sole fruit of the first fortnight’s feverish search, was not increased by a jot during the slow weeks that followed. Mary knew that the investigations were still being carried on, but she had a vague sense of their gradually slackening, as the actual march of time seemed to slacken. It was as though the days, flying horror-struck from the shrouded image of the one inscrutable day, gained assurance as the distance lengthened, till at last they fell back into their normal gait. And so with the human imaginations at work on the dark event. No doubt it occupied them still, but week by week and hour by hour it grew less absorbing, took up less space, was slowly but inevitably crowded out of the foreground of consciousness by the new problems perpetually bubbling up from the vaporous caldron of human experience.

Even Mary Boyne’s consciousness gradually felt the same lowering of velocity. It still swayed with the incessant oscillations of conjecture; but they were slower, more rhythmical in their beat. There were moments of overwhelming lassitude when, like the victim of some poison which leaves the brain clear, but holds the body motionless, she saw herself domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life.

These moments lengthened into hours and days, till she passed into a phase of stolid acquiescence. She watched the familiar routine of life with the incurious eye of a savage on whom the meaningless processes of civilization make but the faintest impression. She had come to regard herself as part of the routine, a spoke of the wheel, revolving with its motion; she felt almost like the furniture of the room in which she sat, an insensate object to be dusted and pushed about with the chairs and tables. And this deepening apathy held her fast at Lyng, in spite of the urgent entreaties of friends and the usual medical recommendation of “change.” Her friends supposed that her refusal to move was inspired by the belief that her husband would one day return to the spot from which he had vanished, and a beautiful legend grew up about this imaginary state of waiting. But in reality she had no such belief: the depths of anguish inclosing her were no longer lighted by flashes of hope. She was sure that Boyne would never come back, that he had gone out of her sight as completely as if Death itself had waited that day on the threshold. She had even renounced, one by one, the various theories as to his disappearance which had been advanced by the press, the police, and her own agonized imagination. In sheer lassitude her mind turned from these alternatives of horror, and sank back into the blank fact that he was gone.

No, she would never know what had become of him—no one would ever know. But the house knew; the library in which she spent her long, lonely evenings knew. For it was here that the last scene had been enacted, here that the stranger had come, and spoken the word which had caused Boyne to rise and follow him. The floor she trod had felt his tread; the books on the shelves had seen his face; and there were moments when the intense consciousness of the old, dusky walls seemed about to break out into some audible revelation of their secret. But the revelation never came, and she knew it would never come. Lyng was not one of the garrulous old houses that betray the secrets intrusted to them. Its very legend proved that it had always been the mute accomplice, the incorruptible custodian of the mysteries it had surprised. And Mary Boyne, sitting face to face with its portentous silence, felt the futility of seeking to break it by any human means.

V

“I don’t say it wasn’t straight, yet don’t say it was straight. It was business.”

Mary, at the words, lifted her head with a start, and looked intently at the speaker.

When, half an hour before, a card with “Mr. Parvis” on it had been brought up to her, she had been immediately aware that the name had been a part of her consciousness ever since she had read it at the head of Boyne’s unfinished letter. In the library she had found awaiting her a small neutral-tinted man with a bald head and gold eye-glasses, and it sent a strange tremor through her to know that this was the person to whom her husband’s last known thought had been directed.

Parvis, civilly, but without vain preamble,—in the manner of a man who has his watch in his hand,—had set forth the object of his visit. He had “run over” to England on business, and finding himself in the neighborhood of Dorchester, had not wished to leave it without paying his respects to Mrs. Boyne; without asking her, if the occasion offered, what she meant to do about Bob Elwell’s family.

The words touched the spring of some obscure dread in Mary’s bosom. Did her visitor, after all, know what Boyne had meant by his unfinished phrase? She asked for an elucidation of his question, and noticed at once that he seemed surprised at her continued ignorance of the subject. Was it possible that she really knew as little as she said?

“I know nothing—you must tell me,” she faltered out; and her visitor thereupon proceeded to unfold his story. It threw, even to her confused perceptions, and imperfectly initiated vision, a lurid glare on the whole hazy episode of the Blue Star Mine. Her husband had made his money in that brilliant speculation at the cost of “getting ahead” of some one less alert to seize the chance; the victim of his ingenuity was young Robert Elwell, who had “put him on” to the Blue Star scheme.

Parvis, at Mary’s first startled cry, had thrown her a sobering glance through his impartial glasses.

“Bob Elwell wasn’t smart enough, that’s all; if he had been, he might have turned round and served Boyne the same way. It’s the kind of thing that happens every day in business. I guess it’s what the scientists call the survival of the fittest,” said Mr. Parvis, evidently pleased with the aptness of his analogy.

Mary felt a physical shrinking from the next question she tried to frame; it was as though the words on her lips had a taste that nauseated her.

“But then—you accuse my husband of doing something dishonorable?”

Mr. Parvis surveyed the question dispassionately. “Oh, no, I don’t. I don’t even say it wasn’t straight.” He glanced up and down the long lines of books, as if one of them might have supplied him with the definition he sought. “I don’t say it wasn’t straight, and yet I don’t say it was straight. It was business.” After all, no definition in his category could be more comprehensive than that.

Mary sat staring at him with a look of terror. He seemed to her like the indifferent, implacable emissary of some dark, formless power.

“But Mr. Elwell’s lawyers apparently did not take your view, since I suppose the suit was withdrawn by their advice.”

“Oh, yes, they knew he hadn’t a leg to stand on, technically. It was when they advised him to withdraw the suit that he got desperate. You see, he’d borrowed most of the money he lost in the Blue Star, and he was up a tree. That’s why he shot himself when they told him he had no show.”

The horror was sweeping over Mary in great, deafening waves.

“He shot himself? He killed himself because of that?”

“Well, he didn’t kill himself, exactly. He dragged on two months before he died.” Parvis emitted the statement as unemotionally as a gramophone grinding out its “record.”

“You mean that he tried to kill himself, and failed? And tried again?”

“Oh, he didn’t have to try again,” said Parvis, grimly.

They sat opposite each other in silence, he swinging his eye-glass thoughtfully about his finger, she, motionless, her arms stretched along her knees in an attitude of rigid tension.

“But if you knew all this,” she began at length, hardly able to force her voice above a whisper, “how is it that when I wrote you at the time of my husband’s disappearance you said you didn’t understand his letter?”

Parvis received this without perceptible discomfiture. “Why, I didn’t understand it—strictly speaking. And it wasn’t the time to talk about it, if I had. The Elwell business was settled when the suit was withdrawn. Nothing I could have told you would have helped you to find your husband.”

Mary continued to scrutinize him. “Then why are you telling me now?”

Still Parvis did not hesitate. “Well, to begin with, I supposed you knew more than you appear to—I mean about the circumstances of Elwell’s death. And then people are talking of it now; the whole matter’s been raked up again. And I thought, if you didn’t know, you ought to.”

She remained silent, and he continued: “You see, it’s only come out lately what a bad state Elwell’s affairs were in. His wife’s a proud woman, and she fought on as long as she could, going out to work, and taking sewing at home, when she got too sick—something with the heart, I believe. But she had his bedridden mother to look after, and the children, and she broke down under it, and finally had to ask for help. That attracted attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why—”

Parvis broke off to fumble in an inner pocket. “Here,” he continued, “here’s an account of the whole thing from the ‘Sentinel’—a little sensational, of course. But I guess you’d better look it over.”

He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the “Sentinel” had first shaken the depths of her security.

As she opened the paper, her eyes, shrinking from the glaring head-lines, “Widow of Boyne’s Victim Forced to Appeal for Aid,” ran down the column of text to two portraits inserted in it. The first was her husband’s, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing-table up-stairs in her bedroom. As the eyes in the photograph met hers, she felt it would be impossible to read what was said of him, and closed her lids with the sharpness of the pain.

“I thought if you felt disposed to put your name down—” she heard Parvis continue.

She opened her eyes with an effort, and they fell on the other portrait. It was that of a youngish man, slightly built, in rough clothes, with features somewhat blurred by the shadow of a projecting hat-brim. Where had she seen that outline before? She stared at it confusedly, her heart hammering in her throat and ears. Then she gave a cry.

“This is the man—the man who came for my husband!”

She heard Parvis start to his feet, and was dimly aware that she had slipped backward into the corner of the sofa, and that he was bending above her in alarm. With an intense effort she straightened herself, and reached out for the paper, which she had dropped.

“It’s the man! I should know him anywhere!” she cried in a voice that sounded in her own ears like a scream.

Parvis’s voice seemed to come to her from far off, down endless, fog-muffled windings.

“Mrs. Boyne, you’re not very well. Shall I call somebody? Shall I get a glass of water?”

“No, no, no!” She threw herself toward him, her hand frantically clenching the newspaper. “I tell you, it’s the man! I know him! He spoke to me in the garden!”

Parvis took the journal from her, directing his glasses to the portrait. “It can’t be, Mrs. Boyne. It’s Robert Elwell.”

“Robert Elwell?” Her white stare seemed to travel into space. “Then it was Robert Elwell who came for him.”

“Came for Boyne? The day he went away?” Parvis’s voice dropped as hers rose. He bent over, laying a fraternal hand on her, as if to coax her gently back into her seat. “Why, Elwell was dead! Don’t you remember?”

Mary sat with her eyes fixed on the picture, unconscious of what he was saying.

“Don’t you remember Boyne’s unfinished letter to me—the one you found on his desk that day? It was written just after he’d heard of Elwell’s death.” She noticed an odd shake in Parvis’s unemotional voice. “Surely you remember that!” he urged her.

Yes, she remembered: that was the profoundest horror of it. Elwell had died the day before her husband’s disappearance; and this was Elwell’s portrait; and it was the portrait of the man who had spoken to her in the garden. She lifted her head and looked slowly about the library. The library could have borne witness that it was also the portrait of the man who had come in that day to call Boyne from his unfinished letter. Through the misty surgings of her brain she heard the faint boom of half-forgotten words—words spoken by Alida Stair on the lawn at Pangbourne before Boyne and his wife had ever seen the house at Lyng, or had imagined that they might one day live there.

“This was the man who spoke to me,” she repeated.

She looked again at Parvis. He was trying to conceal his disturbance under what he imagined to be an expression of indulgent commiseration; but the edges of his lips were blue. “He thinks me mad; but I’m not mad,” she reflected; and suddenly there flashed upon her a way of justifying her strange affirmation.

She sat quiet, controlling the quiver of her lips, and waiting till she could trust her voice to keep its habitual level; then she said, looking straight at Parvis: “Will you answer me one question, please? When was it that Robert Elwell tried to kill himself?”

“When—when?” Parvis stammered.

“Yes; the date. Please try to remember.”

She saw that he was growing still more afraid of her. “I have a reason,” she insisted gently.

“Yes, yes. Only I can’t remember. About two months before, I should say.”

“I want the date,” she repeated.

Parvis picked up the newspaper. “We might see here,” he said, still humoring her. He ran his eyes down the page. “Here it is. Last October—the—”

She caught the words from him. “The 20th, wasn’t it?” With a sharp look at her, he verified. “Yes, the 20th. Then you did know?”

“I know now.” Her white stare continued to travel past him. “Sunday, the 20th—that was the day he came first.”

Parvis’s voice was almost inaudible. “Came here first?”

“Yes.”

“You saw him twice, then?”

“Yes, twice.” She breathed it at him with dilated eyes. “He came first on the 20th of October. I remember the date because it was the day we went up Meldon Steep for the first time.” She felt a faint gasp of inward laughter at the thought that but for that she might have forgotten.

Parvis continued to scrutinize her, as if trying to intercept her gaze.

“We saw him from the roof,” she went on. “He came down the lime-avenue toward the house. He was dressed just as he is in that picture. My husband saw him first. He was frightened, and ran down ahead of me; but there was no one there. He had vanished.”

“Elwell had vanished?” Parvis faltered.

“Yes.” Their two whispers seemed to grope for each other. “I couldn’t think what had happened. I see now. He tried to come then; but he wasn’t dead enough—he couldn’t reach us. He had to wait for two months; and then he came back again—and Ned went with him.”

She nodded at Parvis with the look of triumph of a child who has successfully worked out a difficult puzzle. But suddenly she lifted her hands with a desperate gesture, pressing them to her bursting temples.

“Oh, my God! I sent him to Ned—I told him where to go! I sent him to this room!” she screamed out.

She felt the walls of the room rush toward her, like inward falling ruins; and she heard Parvis, a long way off, as if through the ruins, crying to her, and struggling to get at her. But she was numb to his touch, she did not know what he was saying. Through the tumult she heard but one clear note, the voice of Alida Stair, speaking on the lawn at Pangbourne.

“You won’t know till afterward,” it said. “You won’t know till long, long afterward.”

Summary

Mary and Ned Boyne, a wealthy American couple, purchase Lyng, an old English country house rumored to be haunted. They’re intrigued by the estate agent’s cryptic comment that they won’t know it’s haunted until “afterward.” Shortly after moving in, Ned mysteriously disappears following a visit from an unidentified man, leaving Mary bewildered and desperate for answers.

For months, Mary searches for clues about her husband’s disappearance, but finds nothing. Her life becomes a cycle of uncertainty and fading hope. Eventually, she learns from Mr. Parvis, a lawyer, that Ned had made his fortune by ruining a man named Robert Elwell in a business deal. Elwell had attempted suicide and died two months later, just before Ned’s disappearance.

With growing horror, Mary realizes that the mysterious visitor was Elwell’s ghost, come to exact revenge. She remembers seeing the ghost once before, on the day of Elwell’s suicide attempt, but didn’t understand its significance at the time. The story concludes with Mary’s devastating realization that she had unknowingly directed Elwell’s ghost to her husband on the day he vanished, finally understanding the meaning of “afterward” in the most tragic way possible.
QuestionsHow does the setting of an old English country house contribute to the atmosphere of the story? Provide specific examples from the text.
What is the significance of the phrase “you won’t know till afterward” in the context of the story? How does it foreshadow events?
Analyze the character of Mary Boyne. How does she change throughout the story?
Discuss the role of guilt in the story. How does it affect both Ned and Mary?
How does Wharton build suspense throughout the narrative? Identify specific techniques she uses.
Compare and contrast Mary’s initial perception of the ghost with her understanding at the end of the story.
What commentary does the story make about wealth and the means of acquiring it? Support your answer with evidence from the text.
Examine the symbolism of the unfinished letter. What might it represent in the larger context of the story?
How does the story explore the theme of consequences for past actions? Provide examples from the text.
Discuss the effectiveness of the story’s ending. How does it tie together the various elements of the narrative, and what impact does it have on the reader?
Bio

Edith Wharton (1862-1937) was an American novelist, short story writer, and designer. Born Edith Newbold Jones into a wealthy New York family, she was educated privately and traveled extensively in Europe during her youth.

Wharton began her literary career in her late 30s, publishing her first novel, “The Valley of Decision,” in 1902. She gained significant recognition with “The House of Mirth” (1905), a critique of the society in which she was raised. Her most famous work, “The Age of Innocence” (1920), won the Pulitzer Prize for Fiction in 1921, making her the first woman to receive this award.

Known for her sharp wit and keen observations of upper-class New York society, Wharton wrote over 40 books in 40 years, including novels, short story collections, and works on architecture, gardens, and interior design. Her writing often explored themes of personal and social conflicts, focusing on the constraints placed on women in the late 19th and early 20th centuries.

Wharton was also noted for her friendship with Henry James and her humanitarian work during World War I, for which she was awarded the French Legion of Honor. She spent much of her adult life in France, where she died in 1937, leaving behind a rich literary legacy that continues to be studied and admired today.