Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

Header

Liquid Story Binder XE by Black Obelisk Software

Disable Copy Paste

Amazon Quick Linker

Friday, January 10, 2025

The $25,000 Jaw by Richard Connell

 

The $25,000 Jaw Richard Connell Published 1922 6,592 words - 27 minutes Croly Addicks is chinless both metaphorically and literally. But things take a drastic turn when the insults and disrespect finally make him snap. Quirky “Aw, wadda yuh expeck of Chinless?” returned the brunette stenographer disdainfully as she crackled paper to conceal her breach of the office rules against conversation. “Feller with ingrown jaws was made to pick on."


The $25,000 Jaw

By

Richard Connell


Word Count: 6,592


Genre: Quirky


Published 1922




“Rather thirsty this morning, eh, Mr. Addicks?” inquired Cowdin, the chief purchasing agent. The “Mister” was said with a long, hissing “s” and was distinctly not meant as a title of respect.

Cowdin, as he spoke, rested his two square hairy hands on Croly Addicks’ desk, and this enabled him to lean forward and thrust his well-razored knob of blue-black jaw within a few inches of Croly Addicks’ face.

“Too bad, Mr. Addicks, too bad,” said Cowdin in a high, sharp voice. “Do you realize, Mr. Addicks, that every time you go up to the water cooler you waste fifteen seconds of the firm’s time? I might use a stronger word than ‘waste,’ but I’ll spare your delicate feelings. Do you think you can control your thirst until you take your lunch at the Waldorf-Astoria, or shall I have your desk piped with ice water, Mr. Addicks?”

Croly Addicks drew his convex face as far away as he could from the concave features of the chief purchasing agent and muttered, “Had kippered herring for breakfast.”

A couple of the stenographers tittered. Croly’s ears reddened and his hands played nervously with his blue-and-white polka-dot necktie. Cowdin eyed him for a contemptuous half second, then rotated on his rubber heel and prowled back to his big desk in the corner of the room.

Croly Addicks, inwardly full of red revolution, outwardly merely flustered and intimidated, rustled among the piles of invoices and forms on his desk, and tried desperately to concentrate on his task as assistant to the assistant purchasing agent of the Pierian Piano Company, a vast far-flung enterprise that boasted, with only slight exaggeration, “We bring melody to a million homes.” He hated Cowdin at all times, and particularly when he called him “Mr. Addicks.” That “Mister” hurt worse than a slap on a sunburned shoulder. What made the hate almost beyond bearing was the realization on Croly’s part that it was impotent.

“Gawsh,” murmured the blond stenographer from the corner of her mouth, after the manner of convicts, “Old Grizzly’s pickin’ on the chinless wonder again. I don’t see how Croly stands it. I wouldn’t if I was him.”

“Aw, wadda yuh expeck of Chinless?” returned the brunette stenographer disdainfully as she crackled paper to conceal her breach of the office rules against conversation. “Feller with ingrown jaws was made to pick on.”

At noon Croly went out to his lunch, not to the big hotel, as Cowdin had suggested, but to a crowded basement full of the jangle and clatter of cutlery and crockery, and the smell and sputter of frying liver. The name of this cave was the Help Yourself Buffet. Its habitués, mostly clerks like Croly, pronounced “buffet” to rhyme with “rough it,” which was incorrect but apt.

The place was, as its patrons never tired of reminding one another as they tried with practiced eye and hand to capture the largest sandwiches, a conscience beanery. As a matter of fact, one’s conscience had a string tied to it by a cynical management.

The system is simple. There are piles of food everywhere, with prominent price tags. The hungry patron seizes and devours what he wishes. He then passes down a runway and reports, to the best of his mathematical and ethical ability, the amount his meal has cost—usually, for reasons unknown, forty-five cents. The report is made to a small automaton of a boy, with a blasé eye and a brassy voice. He hands the patron a ticket marked 45 and at the same instant screams in a sirenic and incredulous voice, “Fawty-fi’.” Then the patron passes on down the alley and pays the cashier at the exit. The purpose of the boy’s violent outcry is to signal the spotter, who roves among the foods, a derby hat cocked over one eye and an untasted sandwich in his hand, so that persons deficient in conscience may not basely report their total as forty-five when actually they have eaten ninety cents’ worth.

On this day, when Croly Addicks had finished his modest lunch, the spotter was lurking near the exit. Several husky-looking young men passed him, and brazenly reported totals of twenty cents, when it was obvious that persons of their brawn would not be content with a lunch costing less than seventy-five; but the spotter noting their bull necks and bellicose air let them pass. But when Croly approached the desk and reported forty-five the spotter pounced on him. Experience had taught the spotter the type of man one may pounce on without fear of sharp words or resentful blows.

“Pahdun me a minute, frien’,” said the spotter. “Ain’t you made a little mistake?”

“Me?” quavered Croly. He was startled and he looked guilty, as only the innocent can look.

“Yes, you,” said the spotter, scowling at the weak outlines of Croly’s countenance.

“No,” jerked out Croly. “Forty-five’s correct.” He tried to move along toward the cashier, but the spotter’s bulk blocked the exit alley.

“Ain’t you the guy I seen layin’ away a double portion of strawb’ry shortcake wit’ cream?” asked the spotter sternly.

Croly hoped that it was not apparent that his upper lip was trembling; his hands went up to his polka-dot tie and fidgeted with it. He had paused yearningly over the strawberry shortcake; but he had decided he couldn’t afford it.

“Didn’t have shortcake,” he said huskily.

“Oh, no!” rejoined the spotter sarcastically, appealing to the ring of interested faces that had now crowded about. “I s’pose that white stuff on your upper lip ain’t whipped cream?”

“It’s milk,” mumbled Croly. “All I had was milk and oatmeal crackers and apple pie. Honest.”

The spotter snorted dubiously.

“Some guy,” he declared loudly, “tucked away a double order of strawb’ry shortcake and a hamboiger steak, and it wasn’t me. So come awn, young feller, you owe the house ninety cents, so cut out the arggament.”

“I—I——” began Croly, incoherently rebellious; but it was clear that the crowd believed him guilty of the conscienceless swindle; so he quailed before the spotter’s accusing eye, and said, “Oh, well, have it your own way. You got me wrong, but I guess you have to pick on little fellows to keep your job.” He handed over ninety cents to the cashier.

“You’ll never see my face in this dump again,” muttered Croly savagely over his shoulder.

“That won’t make me bust out cryin’, Chinless,” called the spotter derisively.

Croly stumbled up the steps, his eyes moist, his heart pumping fast. Chinless! The old epithet. The old curse. It blistered his soul.

Moodily he sought out a bench in Madison Square, hunched himself down and considered his case. To-day, he felt, was the critical day of his life; it was his thirtieth birthday.

His mind flashed back, as you’ve seen it done in the movies, to a scene the night before, in which he had had a leading rôle.

“Emily,” he had said to the loveliest girl in the world, “will you marry me?”

Plainly Emily Mackie had expected something of the sort, and after the fashion of the modern business girl had given the question calm and clear-visioned consideration.

“Croly,” she said softly, “I like you. You are a true friend. You are kind and honest and you work hard. But oh, Croly dear, we couldn’t live on twenty-two dollars and fifty cents a week; now could we?”

That was Croly’s present salary after eleven years with the Pierian Piano Company, and he had to admit that Emily was right; they could not live on it.

“But, dearest Emily,” he argued, “to-morrow they appoint a new assistant purchasing agent, and I’m in line for the job. It pays fifty a week.”

“But are you sure you’ll get it?”

His face fell.

“N-no,” he admitted, “but I deserve it. I know the job about ten times better than any of the others, and I’ve been there longest.”

“You thought they’d promote you last year, you know,” she reminded him.

“And so they should have,” he replied, flushing. “If it hadn’t been for old Grizzly Cowdin! He thinks I couldn’t make good because I haven’t one of those underslung jaws like his.”

“He’s a brute!” cried Emily. “You know more about the piano business than he does.”

“I think I do,” said Croly, “but he doesn’t. And he’s the boss.”

“Oh, Croly, if you’d only assert yourself——”

“I guess I never learned how,” said Croly sadly.

As he sat there on the park bench, plagued by the demon of introspection, he had to admit that he was not the pugnacious type, the go-getter sort that Cowdin spoke of often and admiringly. He knew his job; he could say that of himself in all fairness, for he had spent many a night studying it; some day, he told himself, they’d be surprised, the big chiefs and all of them, to find out how much he did know about the piano business. But would they ever find out?

Nobody, reflected Croly, ever listened when he talked. There was nothing about him that carried conviction. It had always been like that since his very first day in school when the boys had jeeringly noted his rather marked resemblance to a haddock, and had called out, “Chinless, Chinless, stop tryin’ to swallow your face.”

Around his chinlessness his character had developed; no one had ever taken him seriously, so quite naturally he found it hard to take himself seriously. It was inevitable that his character should become as chinless as his face.

His apprenticeship under the thumb and chin of the domineering Cowdin had not tended to decrease his youthful timidity. Cowdin, with a jut of jaw like a paving block, had bullied Croly for years. More than once Croly had yearned burningly to plant his fist squarely on that blue-black prong of chin, and he had even practiced up on a secondhand punching bag with this end in view. But always he weakened at the crucial instant. He let his resentment escape through the safety valve of intense application to the business of his firm. It comforted him somewhat to think that even the big-jawed president, Mr. Flagstead, probably didn’t have a better grasp of the business as a whole than he, chinless Croly Addicks, assistant to the assistant purchasing agent. But—and he groaned aloud at the thought—his light was hidden under a bushel of chinlessness.

Someone had left a crumpled morning edition of an evening paper on the bench, and Croly glanced idly at it. From out the pages stared the determined incisive features of a young man very liberally endowed with jaw. Enviously Croly read the caption beneath the picture, “The fighting face of Kid McNulty, the Chelsea Bearcat, who boxes Leonard.” With a sigh Croly tossed the paper away.

He glanced up at the Metropolitan Tower clock and decided that he had just time enough for a cooling beaker of soda. He reached the soda fountain just ahead of three other thirsty men. By every right he should have been served first. But the clerk, a lofty youth with the air of a grand duke, after one swift appraising glance at the place where Croly’s chin should have been, disregarded the murmured “Pineapple phosphate, please,” and turned to serve the others. Of them he inquired solicitously enough, “What’s yourn?” But when he came to Croly he shot him an impatient look and asked sharply, “Well, speak up, can’t yuh?” The cool drink turned to galling acid as Croly drank it.

He sprinted for his office, trying to cling to a glimmering hope that Cowdin, despite his waspishness of the morning, had given him the promotion. He reached his desk a minute late.

Cowdin prowled past and remarked with a cutting geniality, harder to bear than a curse, “Well, Mr. Addicks, you dallied too long over your lobster and quail, didn’t you?”

Under his desk Croly’s fists knotted tightly. He made no reply. To-morrow, probably, he’d have an office of his own, and be almost free from Cowdin’s ill-natured raillery. At this thought he bent almost cheerfully over his stack of work.

A girl rustled by and thumb-tacked a small notice on the bulletin board. Croly’s heart ascended to a point immediately below his Adam’s apple and stuck there, for the girl was Cowdin’s secretary, and Croly knew what announcement that notice contained. He knew it was against the Spartan code of office etiquette to consult the board during working hours, but he thought of Emily, and what the announcement meant to him, and he rose and with quick steps crossed the room and read the notice.



Ellis G. Baldwin has this day been promoted to assistant purchasing agent.

(Signed) Samuel Cowdin C. P. A.



Croly Addicks had to steady himself against the board; the black letters on the white card jigged before his eyes; his stomach felt cold and empty. Baldwin promoted over his head! Blatant Baldwin, who was never sure of his facts, but was always sure of himself. Cocksure incompetent Baldwin! But—but—he had a bulldog jaw.

Croly Addicks, feeling old and broken, turned around slowly, to find Cowdin standing behind him, a wry smile on his lips, his pin-point eyes fastened on Croly’s stricken face.

“Well, Mr. Addicks,” purred the chief purchasing agent, “are you thinking of going out for a spin in your limousine or do you intend to favor us with a little work to-day?” He tilted his jaw toward Croly.

“I—I thought I was to get that job,” began Croly Addicks, fingering his necktie.

Cowdin produced a rasping sound by rubbing his chin with his finger.

“Oh, did you, indeed?” he asked. “And what made you think that, Mr. Addicks?”

“I’ve been here longest,” faltered Croly, “and I want to get married, and I know the job best, and I’ve been doing the work ever since Sebring quit, Mr. Cowdin.”

For a long time Cowdin did not reply, but stood rubbing his chin and smiling pityingly at Croly Addicks, until Croly, his nerves tense, wanted to scream. Then Cowdin measuring his words spoke loud enough for the others in the room to hear.

“Mr. Addicks,” he said, “that job needs a man with a punch. And you haven’t a punch, Mr. Addicks. Mr. Addicks, that job requires a fighter. And you’re not a fighter, Mr. Addicks. Mr. Addicks, that job requires a man with a jaw on him. And you haven’t any jaw on you, Mr. Addicks. Get me?” He thrust out his own peninsula of chin.

It was then that Croly Addicks erupted like a long suppressed volcano. All the hate of eleven bullied years was concentrated in his knotted hand as he swung it swishingly from his hip and landed it flush on the outpointing chin.

An ox might have withstood that punch, but Cowdin was no ox. He rolled among the waste-paper baskets. Snorting furiously he scrambled to his feet and made a bull-like rush at Croly. Trembling in every nerve Croly Addicks swung at the blue-black mark again, and Cowdin reeled against a desk. As he fell his thick fingers closed on a cast-iron paperweight that lay on the desk.

Croly Addicks had a blurred split-second vision of something black shooting straight at his face; then he felt a sharp brain-jarring shock; then utter darkness.

When the light came back to him again it was in Bellevue Hospital. His face felt queer, numb and enormous; he raised his hand feebly to it; it appeared to be covered with concrete bandages.

“Don’t touch it,” cautioned the nurse. “It’s in a cast, and is setting.”



It took long weeks for it to set; they were black weeks for Croly, brightened only by a visit or two from Emily Mackie. At last the nurse removed the final bandage and he was discharged from the hospital.

Outside the hospital gate Croly paused in the sunlight. Not many blocks away he saw the shimmer of the East River, and he faced toward it. He could bury his catastrophe there, and forget his smashed-up life, his lost job and his shattered chances of ever marrying. Who would have him now? At best it meant the long weary climb up from the very bottom, and he was past thirty. He took a half step in the direction of the river. He stopped; he felt a hand plucking timidly at his coat sleeve.

The person who plucked at his sleeve was a limp youth with a limp cigarette and vociferous checked clothes and cap. There was no mistaking the awe in his tone as he spoke.

“Say,” said the limp youth, “ain’t you Kid McNulty, de Chelsea Bearcat?”

He? Croly Addicks? Taken for Kid McNulty, the prize fighter? A wave of pleasure swept over the despondent Croly. Life seemed suddenly worth living. He had been mistaken for a prize fighter!

He hardened his voice.

“That’s me,” he said.

“Gee,” said the limp youth, “I seen yuh box Leonard. Gee, that was a battle! Say, next time yuh meet him you’ll knock him for a row of circus tents, won’t yuh?”

“I’ll knock him for a row of aquariums,” promised Croly. And he jauntily faced about and strolled away from the river and toward Madison Square, followed by the admiring glances of the limp youth.

He felt the need of refreshment and pushed into a familiar soda shop. The same lofty grand duke was on duty behind the marble counter, and was taking advantage of a lull by imparting a high polish to his finger nails, and consequently he did not observe the unobtrusive entrance of Croly Addicks.

Croly tapped timidly with his dime on the counter; the grand duke looked up.

“Pineapple phosphate, please,” said Croly in a voice still weak from his hospital days.

The grand duke shot from his reclining position as if attached to a spring.

“Yessir, yessir, right away,” he smiled, and hustled about his task.

Shortly he placed the beverage before the surprised Croly.

“Is it all right? Want a little more sirup?” inquired the grand duke anxiously.

Croly, almost bewildered by this change of demeanor, raised the glass to his lips. As he did so he saw the reflection of a face in the glistening mirror opposite. He winced, and set down the glass, untasted.

He stared, fascinated, overwhelmed; it must surely be his face, since his body was attached to it, but how could it be? The eyes were the mild blue eyes of Croly Addicks, but the face was the face of a stranger—and a startling-looking stranger, at that!

Croly knew of course that it had been necessary to rebuild his face, shattered by the missile hurled by Cowdin, but in the hospital they had kept mirrors from him, and he had discovered, but only by sense of touch, that his countenance had been considerably altered. But he had never dreamed that the transformation would be so radical.

In the clear light he contemplated himself, and understood why he had been mistaken for the Chelsea Bearcat. Kid McNulty had a large amount of jaw, but he never had a jaw like the stranger with Croly Addicks’ eyes who stared back, horrified, at Croly from the soda-fountain mirror. The plastic surgeons had done their work well; there was scarcely any scar. But they had built from Croly’s crushed bones a chin that protruded like the prow of a battleship.

The mariners of mythology whom the sorceress changed into pigs could hardly have been more perplexed and alarmed than Croly Addicks. He had, in his thirty years, grown accustomed to his meek apologetic face. The face that looked back at him was not meek or apologetic. It was distinctly a hard face; it was a determined, forbidding face; it was almost sinister.

Croly had the uncanny sensation of having had his soul slipped into the body of another man, an utter stranger. Inside he was the same timorous young assistant to the assistant purchasing agent—out of work; outside he was a fearsome being, a dangerous-looking man, who made autocratic soda dispensers jump.

To him came a sinking, lost feeling; a cold emptiness; the feeling of a gentle Doctor Jekyll who wakes to find himself in the shell of a fierce Mr. Hyde. For a second or two Croly Addicks regretted that he had not gone on to the river.

The voice of the soda clerk brought him back to the world.

“If your drink isn’t the way you like it, sir,” said the grand duke amiably, “just say the word and I’ll mix you up another.”

Croly started up.

“ ‘Sall right,” he murmured, and fumbled his way out to Madison Square.

He decided to live a while longer, face and all. It was something to be deferred to by soda clerks.

He sank down on a bench and considered what he should do. At the twitter of familiar voices he looked up and saw the blond stenographer and the brunette stenographer from his former company passing on the way to lunch.

He rose, advanced a step toward them, tipped his hat and said, “Hello.”

The blond stenographer drew herself up regally, as she had seen some one do in the movies, and chilled Croly with an icy stare.

“Don’t get so fresh!” she said coldly. “To whom do you think you’re speaking to?”

“You gotta crust,” observed the brunette, outdoing her companion in crushing hauteur. “Just take yourself and your baby scarer away, Mister Masher, and get yourself a job posing for animal crackers.”

They swept on as majestically as tight skirts and French heels would permit, and Croly, confused, subsided back on his bench again. Into his brain, buzzing now from the impact of so many new sensations, came a still stronger impression that he was not Croly Addicks at all, but an entirely different and fresh-born being, unrecognized by his old associates. He pondered on the trick fate had played on him until hunger beckoned him to the Help Yourself Buffet. He was inside before he realized what he was doing, and before he recalled his vow never to enter there again. The same spotter was moving in and out among the patrons, the same derby cocked over one eye, and an untasted sandwich, doubtless the same one, in his hand. He paid no special heed to the renovated Croly Addicks.

Croly was hungry and under the spotter’s very nose he helped himself to hamburger steak and a double order of strawberry shortcake with thick cream. Satisfied, he started toward the blasé check boy with the brassy voice; as he went his hand felt casually in his change pocket, and he stopped short, gripped by horror. The coins he counted there amounted to exactly forty-five cents and his meal totaled a dollar at least. Furthermore, that was his last cent in the world. He cast a quick frightened glance around him. The spotter was lounging against the check desk, and his beady eye seemed focused on Croly Addicks. Croly knew that his only chance lay in bluffing; he drew in a deep breath, thrust forward his new chin, and said to the boy, “Forty-five.” “Fawty-fi’,” screamed the boy. The spotter pricked up his ears.

“Pahdun me a minute, frien’,” said the spotter. “Ain’t you made a little mistake?”

Summoning every ounce of nerve he could Croly looked straight back into the spotter’s eyes.

“No,” said Croly loudly.

For the briefest part of a second the spotter wavered between duty and discretion. Then the beady eyes dropped and he murmured, “Oh, I beg pahdun. I thought you was the guy that just got outside of a raft of strawb’ry shortcake and hamboiger. Guess I made a little mistake myself.”

With the brisk firm step of a conqueror Croly Addicks strode into the air, away from the scene he had once left so humiliated.

Again, for many reflective minutes he occupied one of those chairs of philosophy, a park bench, and revolved in his mind the problem, “Where do I go from here?” The vacuum in his pockets warned him that his need of a job was imperative. Suddenly he released his thoughtful clutch on his new jaw, and his eyes brightened and his spine straightened with a startling idea that at once fascinated and frightened him. He would try to get his old job back again.

Inside him the old shrinking Croly fought it out with the new Croly.

“Don’t be foolish!” bleated the old Croly. “You haven’t the nerve to face Cowdin again.”

“Buck up!” argued back the new Croly. “You made that soda clerk hop, and that spotter quail. The worst Cowdin can say is ‘No!’ ”

“You haven’t a chance in the piano company, anyhow,” demurred the old Croly. “They know you too well; your old reputation is against you. The spineless jellyfish class at twenty-two-fifty per is your limit there.”

“Nonsense,” declared the new Croly masterfully. “It’s the one job you know. Ten to one they need you this minute. You’ve invested eleven years of training in it. Make that experience count.”

“But—but Cowdin may take a wallop at me,” protested the old Croly.

“Not while you have a face like Kid McNulty, the Chelsea Bearcat,” flashed back the new Croly. The new Croly won.

Ten minutes later Samuel Cowdin swiveled round in his chair to face a young man with a pale, grim face and an oversized jaw.

“Well?” demanded Cowdin.

“Mr. Cowdin,” said Croly Addicks, holding his tremors in check by a great effort of will, “I understand you need a man in the purchasing department. I want the job.”

Cowdin shot him a puzzled look. The chief purchasing agent’s countenance wore the expression of one who says “Where have I seen that face before?”

“We do need a man,” Cowdin admitted, staring hard at Croly, “though I don’t know how you knew it. Who are you?”

“I’m Addicks,” said Croly, thrusting out his new chin.

Cowdin started. His brow wrinkled in perplexity; he stared even more intently at the firm-visaged man, and then shook his head as if giving up a problem.

“That’s odd,” he muttered, reminiscently stroking his chin. “There was a young fellow by that name here. Croly was his first name. You’re not related to him, I suppose?”

Croly, the unrecognized, straightened up in his chair as if he had sat on a hornet. With difficulty he gained control over his breathing, and managed to growl, “No, I’m not related to him.”

Cowdin obviously was relieved.

“Didn’t think you were,” he remarked, almost amiably. “You’re not the same type of man at all.”

“Do I get that job?” asked Croly. In his own ears his voice sounded hard.

“What experience have you had?” questioned Cowdin briskly.

“Eleven years,” replied Croly.

“With what company?”

“With this company,” answered Croly evenly.

“With this company?” Cowdin’s voice jumped a full octave higher to an incredulous treble.

“Yes,” said Croly. “You asked me if I was related to Croly Addicks. I said ‘No.’ That’s true. I’m not related to him—because I am Croly Addicks.”

With a gasp of alarm Cowdin jumped to his feet and prepared to defend himself from instant onslaught.

“The devil you are!” he cried.

“Sit down, please,” said Croly, quietly.

Cowdin in a daze sank back into his chair and sat staring, hypnotized, at the man opposite him as one might stare who found a young pink elephant in his bed.

“I’ll forget what happened if you will,” said Croly. “Let’s talk about the future. Do I get the job?”

“Eh? What’s that?” Cowdin began to realize that he was not dreaming.

“Do I get the job?” Croly repeated.

A measure of his accustomed self-possession had returned to the chief purchasing agent and he answered with as much of his old manner as he could muster, “I’ll give you another chance if you think you can behave yourself.”

“Thanks,” said Croly, and inside his new self sniggered at his old self.

The chief purchasing agent was master of himself by now, and he rapped out in the voice that Croly knew only too well, “Get right to work. Same desk. Same salary. And remember, no more monkey business, Mr. Addicks, because if——”

He stopped short. There was something in the face of Croly Addicks that told him to stop. The big new jaw was pointing straight at him as if it were a pistol.

“You said, just now,” said Croly, and his voice was hoarse, “that I wasn’t the same type of man as the Croly Addicks who worked here before. I’m not. I’m no longer the sort of man it’s safe to ride. Please don’t call me Mister unless you mean it.”

Cowdin’s eyes strayed from the snapping eyes of Croly Addicks to the taut jaw; he shrugged his shoulders.

“Report to Baldwin,” was all he said.

As Croly turned away, his back hid from Cowdin the smile that had come to his new face.

The reincarnated Croly had been back at his old job for ten days, or, more accurately, ten days and nights, for it had taken that long to straighten out the snarl in which Baldwin, not quite so sure of himself now, had been immersed to the eyebrows. Baldwin was watching, a species of awe in his eye, while Croly swiftly and expertly checked off a complicated price list. Croly looked up.

“Baldwin,” he said, laying down the work, “I’m going to make a suggestion to you. It’s for your own good.”

“Shoot!” said the assistant purchasing agent warily.

“You’re not cut out for this game,” said Croly Addicks.

“Wha-a-at?” sputtered Baldwin.

Croly leveled his chin at him. Baldwin listened as the new Addicks continued: “You’re not the buying type, Baldwin. You’re the selling type. Take my advice and get transferred to the selling end. You’ll be happier—and you’ll get farther.”

“Say,” began Baldwin truculently, “you’ve got a nerve. I’ve a good notion to——”

Abruptly he stopped. Croly’s chin was set at an ominous angle.

“Better think it over,” said Croly Addicks, taking up the price list again.

Baldwin gazed for a full minute or more at the remade jaw of his assistant. Then he conceded, “Maybe I will.”

A week later Baldwin announced that he had taken Croly’s advice. The old Addicks would have waited, with anxious nerves on edge, for the announcement of Baldwin’s successor; the new Addicks went straight to the chief purchasing agent.

“Mr. Cowdin,” said Croly, as calmly as a bumping heart would permit, “shall I take over Baldwin’s work?”

The chief purchasing agent crinkled his brow petulantly.

“I had Heaton in mind for the job,” he said shortly without looking up.

“I want it,” said Croly Addicks, and his jaw snapped. His tone made Cowdin look up. “Heaton isn’t ripe for the work,” said Croly. “I am.”

Cowdin could not see that inside Croly was quivering; he could not see that the new Croly was struggling with the old and was exerting every ounce of will power he possessed to wring out the words. All Cowdin could see was the big jaw, bulging and threatening.

He cautiously poked back his office chair so that it rolled on its casters out of range of the man with the dangerous face.

“I told you once before, Addicks,” began the chief purchasing agent——

“You told me once before,” interrupted Croly Addicks sternly, “that the job required a man with a jaw. What do you call this?”

He tapped his own remodeled prow. Cowdin found it impossible not to rest his gaze on the spot indicated by Croly’s forefinger. Unconsciously, perhaps, his beads of eyes roved over his desk in search of a convenient paperweight or other weapon. Finding none the chief purchasing agent affected to consider the merits of Croly’s demand.

“Well,” he said with a judicial air, “I’ve a notion to give you a month’s trial at the job.”

“Good,” said Croly; and inside he buzzed and tingled warmly.

Cowdin wheeled his office chair back within range again.

A month after Croly Addicks had taken up his duties as assistant purchasing agent he was sitting late one afternoon in serious conference with the chief purchasing agent. The day was an anxious one for all the employees of the great piano company. It was the day when the directors met in solemn and awful conclave, and the ancient and acidulous chairman of the board, Cephas Langdon, who owned most of the stock, emerged, woodchucklike, from his hole, to conduct his annual much-dreaded inquisition into the corporation’s affairs, and to demand, with many searching queries, why in blue thunder the company was not making more money. On this day dignified and confident executives wriggled and wilted like tardy schoolboys under his grilling, and official heads were lopped off with a few sharp words.

As frightened secretaries slipped in and out of the mahogany-doored board room information seeped out, and breaths were held and tiptoes walked on as the reports flashed about from office to office.

“Old Langdon’s on a rampage.”

“He’s raking the sales manager over the coals.”

“He’s fired Sherman, the advertising manager.”

“He’s fired the whole advertising department too.”

“He’s asking what in blue thunder is the matter with the purchasing department.”

When this last ringside bulletin reached Cowdin he scowled, muttered, and reached for his hat.

“If anybody should come looking for me,” he said to Croly, “tell ’em I went home sick.”

“But,” protested Croly, who knew well the habits of the exigent chairman of the board, “Mr. Langdon may send down here any minute for an explanation of the purchasing department’s report.”

Cowdin smiled sardonically.

“So he may, so he may,” he said, clapping his hat firmly on his head. “Perhaps you’d be so good as to tell him what he wants to know.”

And still smiling the chief purchasing agent hurried to the freight elevator and made his timely and prudent exit.

“Gawsh,” said the blond stenographer, “Grizzly Cowdin’s ducked again this year.”

“Gee,” said the brunette stenographer, “here’s where poor Mr. Addicks gets it where Nellie wore the beads.”

Croly knew what they were saying; he knew that he had been left to be a scapegoat. He looked around for his own hat. But as he did so he caught the reflection of his new face in the plate-glass top of his desk. The image of his big impressive jaw heartened him. He smiled grimly and waited.

He did not have long to wait. The door was thrust open and President Flagstead’s head was thrust in.

“Where’s Cowdin?” he demanded nervously. Tiny worried pearls of dew on the presidential brow bore evidence that even he had not escaped the grill.

“Home,” said Croly. “Sick.”

Mr. Flagstead frowned. The furrows of worry in his face deepened.

“Mr. Langdon is furious at the purchasing department,” he said. “He wants some things in the report explained, and he won’t wait. Confound Cowdin!”

Croly’s eyes rested for a moment on the reflection of his chin in the glass on his desk; then he raised them to the president’s.

“Mr. Cowdin left me in charge,” he said, hoping that his voice wouldn’t break. “I’ll see if I can answer Mr. Langdon’s questions.”

The president fired a swift look at Croly; at first it was dubious; then, as it appraised Croly’s set face, it grew relieved.

“Who are you?” asked the president.

“Addicks, assistant purchasing agent,” said Croly.

“Oh, the new man. I’ve noticed you around,” said the president. “Meant to introduce myself. How long have you been here?”

“Eleven years,” said Croly.

“Eleven years?” The president was unbelieving. “You couldn’t have been. I certainly would have noticed your face.” He paused a bit awkwardly. Just then they reached the mahogany door of the board room.

Croly Addicks, outwardly a picture of determination, inwardly quaking, followed the president. Old Cephas Langdon was squatting in his chair, his face red from his efforts, his eyes, beneath their tufts of brow, irate. When he spoke, his words exploded in bunches like packs of firecrackers.

“Well, well?” he snapped. “Where’s Cowdin? Why didn’t Cowdin come? I sent for Cowdin, didn’t I? I wanted to see the chief purchasing agent. Where’s Cowdin anyhow? Who are you?”

“Cowdin’s sick. I’m Addicks,” said Croly.

His voice trembled, and his hands went up to play with his necktie. They came in contact with the point of his new chin, and fresh courage came back to him. He plunged his hands into his coat pockets, pushed the chin forward.

He felt the eyes under the bushy brows surveying his chin.

“Cowdin sick, eh?” inquired Cephas Langdon acidly. “Seems to me he’s always sick when I want to find out what in blue thunder ails his department.” He held up a report. “I installed a purchasing system in 1913,” he said, slapping the report angrily, “and look here how it has been foozled.” He slammed the report down on the table. “What I want to know, young man,” he exploded, “is why material in the Syracuse factories cost 29 per cent more for the past three months than for the same period last year. Why? Why? Why?”

He glared at Croly Addicks as if he held him personally responsible. Croly did not drop his eyes before the glare; instead he stuck his chin out another notch. His jaw muscles knotted. His breathing was difficult. The chance he’d been working for, praying for, had come.

“Your purchasing system is all wrong, Mr. Langdon,” he said, in a voice so loud that it made them all jump.

For a second it seemed as if Cephas Langdon would uncoil and leap at the presumptuous underling with the big chin. But he didn’t. Instead, with a smile in which there was a lot of irony, and some interest, he asked, “Oh, indeed? Perhaps, young man, you’ll be so good as to tell me what’s wrong with it? You appear to think you know a thing or two.”

Croly told him. Eleven years of work and study were behind what he said, and he emphasized each point with a thrust of his jaw that would have carried conviction even had his analysis of the system been less logical and concise than it was. Old Cephas Langdon leaning on the directors’ table turned up his ear trumpet so that he wouldn’t miss a word.

“Well? Well? And what would you suggest instead of the old way?” he interjected frequently.

Croly had the answer ready every time. Darkness and dinnertime had come before Croly had finished.

“Flagstead,” said Old Cephas Langdon, turning to the president, “haven’t I always told you that what we needed in the purchasing department was a man with a chin on him? Just drop a note to Cowdin to-morrow, will you, and tell him he needn’t come back?”

He turned toward Croly and twisted his leathery old face into what passed for a smile.

“Young man,” he said, “don’t let anything happen to that jaw of yours. One of these bright days it’s going to be worth twenty-five thousand dollars a year to you.”

That night a young man with a prodigious jaw sat very near a young woman named Emily Mackie, who from time to time looked from his face to the ring finger of her left hand.

“Oh, Croly dear,” she said softly, “how did you do it?”

“Oh, I don’t know,” he said. “Guess I just tried to live up to my jaw.”

Thursday, January 9, 2025

The Last Incantation by Clark Ashton Smith

 


The Last Incantation

By

Clark Ashton Smith


Word Count: 1,923 

Genre: Fantasy, Gothic, Literary

Published 1930 in Weird Tales, Vol. 15, No. 6


Malygris the magician sat in the topmost room of his tower that was builded on a conicall hill above the heart of Susran, capital of Poseidonis. Wrought of a dark stone mined from deep in the earth, perdurable and hard as the fabled adamant, this tower loomed above all others, and flung its shadow far on the roofs and domes of the city, even as the sinister power of Malygris had thrown its darkness on the minds of men.

Now Malygris was old, and all the baleful might of his enchantments, all the dreadful or curious demons under his control, all the fear that he had wrought in the hearts of kings and prelates, were no longer enough to assuage the black ennui of his days. In his chair that was fashioned from the ivory of mastodons, inset with terrible cryptic runes of red tourmalines and azure crystals, he stared moodily through the one lozenge-shaped window of fulvous glass. His white eyebrows were contracted to a single line on the umber parchment of his face, and beneath them his eyes were cold and green as the ice of ancient floes; his beard, half white, half of a black with glaucous gleams, fell nearly to his knees and hid many of the writhing serpentine characters inscribed in woven silver athwart the bosom of his violet robe. About him were scattered all the appurtenances of his art; the skulls of men and monsters; phials filled with black or amber liquids, whose sacrilegious use was known to none but himself; little drums of vulture-skin, and crotali made from the bones and teeth of the cockodrill, used as an accompaniment to certain incantations. The mosaic floor was partly covered with the skins of enormous black and silver apes: and above the door there hung the head of a unicorn in which dwelt the familiar demon of Malygris, in the form of a coral viper with pale green belly and ashen mottlings. Books were piled everywhere: ancient volumes bound in serpent-skin, with verdigris-eaten clasps, that held the frightful lore of Atlantis, the pentacles that have power upon the demons of the earth and the moon, the spells that transmute or disintegrate the elements; and runes from a lost language of Hyperborea. which, when uttered aloud. were more deadly than poison or more potent than any philtre.

But, though these things and the power they held or symbolized were the terror of the peoples and the envy, of all rival magicians, the thoughts of Malygris were dark with immitigable melancholy, and weariness filled his heart as ashes fill the hearth where a great fire has died. Immovable he sat, implacable he mused, while the sun of afternoon, declining on the city and on the sea that was beyond the city, smote with autumnal rays through the window of greenish-yellow glass, and touched his shrunken hands with its phantom gold and fired the bales-rubies of his rings till they burned like demonian eyes. But in his musings there was neither light nor fire; and turning from the grayness of the present, from the darkness that seemed to close in so imminently upon the future, he groped among the shadows of memory, even as a blind man who has lost the sun and seeks it everywhere in vain. And all the vistas of time that had been so full of gold and splendor, the days of triumph that were colored like a soaring flame, the crimson and purple of the rich imperial years of his prime, all these were chill and dim and strangely faded now, and the remembrance thereof was no more than the stirring of dead embers. Then Malygris groped backward to the years of his youth, to the misty, remote, incredible years, where, like an alien star, one memory still burned with unfailing luster—the memory of the girl Nylissa whom he had loved in days ere the lust of unpermitted knowledge and necromantic dominion had ever entered his soul. He had well-nigh forgotten her for decades, in the myriad preoccupations of a life so bizarrely diversified, so replete with occult happenings and powers, with supernatural victories and perils; but now, at the mere thought of this slender and innocent child, who had loved him so dearly when he too was young and slim and guileless, and who had died of a sudden mysterious fever on the very eve of their marriage-day, the mummylike umber of his cheeks took on a phantom flush, and deep down in the icy orbs was a sparkle like the gleam of mortuary tapers. In his dreams arose the irretrievable suns of youth, and he saw the myrtle-shaded valley of Meros, and the stream Zemander, by whose ever-verdant marge he had walked at eventide with Nylissa, seeing the birth of summer stars in the heavens, the stream, and the eyes of his beloved.

Now, addressing the demonian viper that dwelt in the head of the unicorn, Malygris spoke, with the low monotonous intonation of one who thinks aloud:

‘Viper, in the years before you came to dwell with me and to make your abode in the head of the unicorn, I knew a girl who was lovely and frail as the orchids of the jungle, and who died as the orchids die... Viper, am I not Malygris, in whom is centered the mastery of all occult lore, all forbidden dominations, with dominion over the spirits of earth and sea and air, over the solar and lunar demons. over the living and the dead? If so I desire, can I not call the girl Nylissa, in the very semblance of all her youth and beauty, and bring her forth from the never-changing shadows of the cryptic tomb, to stand before me in this chamber, in the evening rays of this autumnal sun?’

‘Yes, master,’ replied the viper, in a low but singularly penetrating hiss, ‘you are Malygris, and all sorcerous or necromantic power is yours, all incantations and spells and pentacles are known to you, It is possible, if you so desire, to summon the girl Nylissa from her abode among the dead, and to behold her again as she was ere her loveliness had known the ravening kiss of the worm.’

‘Viper, is it well, is it meet, that I should summon her thus? ... Will there be nothing to lose, and nothing to regret?’

The viper seemed to hesitate. Then, in a more slow and neasured hiss: ‘It is meet for Malygris to do as he would. Who, save Malygris, can decide if a thing be well or ill?’

‘In other words, you will not advise me?’ the query was as much a statement as a question, and the viper vouchsafed no further utterance.

Malygris brooded for awhile, with his chin on his knotted hands. Then he arose, with a long-unwonted celerity and sureness of movement that belied his wrinkles, and gathered together, from different coigns of the chamber, from ebony shelves, from caskets with locks of gold or brass or electrum, the sundry appurtenances that were needful for his magic. He drew on the floor the requisite circles, and standing within the centermost he lit the thuribles that contained the prescribed incense, and read aloud from a long narrow scroll of gray vellum the purple and vermilion runes of the ritual that summons the departed. The fumes of the censers, blue and white and violet, arose in thick clouds and speedily filled the room with ever-writhing interchanging columns, among which the sunlight disappeared and was succeeded by a wan unearthly glow, pale as the light of moons that ascend from Lethe. With preternatural slowness, with unhuman solemnity, the voice of the necromancer went on in a priest-like chant till the scroll was ended and the last echoes lessened and died out in hollow sepulchral vibrations. Then the colored vapors cleared away, as if the folds of a curtain had been drawn back. But the pale unearthly glow still filled the chamber, and between Malygris and the door where hung the unicorn’s head there stood the apparition of Nylissa, even as she had stood in the perished years, bending a little like a wind-blown flower, and smiling with the unmindful poignancy of youth. Fragile, pallid, and simply gowned, with anemone blossoms in her black hair, with eyes that held the new-born azure of vernal heavens, she was all that Malygris had remembered, and his sluggish heart was quickened with an old delightful fever as he looked upon her.

‘Are you Nylissa?’ he asked—‘the Nylissa whom I loved in the myrtle-shaded valley of Meros, in the golden-hearted days that have gone with all dead eons to the timeless gulf?’

‘Yes, I am Nylissa,’ Her voice was the simple and rippling silver of the voice that had echoed so long in his memory... But somehow, as he gazed and listened, there grew a tiny doubt—a doubt no less absurd than intolerable, but nevertheless insistent: was this altogether the same Nylissa he had known? Was there not some elusive change, too subtle to he named or defined, had time and the grave not taken something away—an innominable something that his magic had not wholly restored? Were the eyes as tender, was the black hair as lustrous, the form as slim and supple, as those of the girl he recalled? He could not be sure, and the growing doubt was succeeded by a leaden dismay, by a grim despondency that choked his heart as with ashes. His scrutiny became searching and exigent and cruel, and momently the phantom was less and less the perfect semblance of Nylissa, momently the lips and brow were less lovely, less subtle in their curves; the slender figure became thin, the tresses took on a common black and the neck an ordinary pallor. The soul of Malygris grew sick again with age and despair and the death of his evanescent hope. He could believe no longer in love or youth or beauty; and even the memory of these things was a dubitable mirage, a thing that might or might not have been. There was nothing left but shadow and grayness and dust, nothing but the empty dark and the cold, and a clutching weight of insufferable weariness, of immedicable anguish.

In accents that were thin and quavering, like the ghost of his former voice, he pronounced the incantation that serves to dismiss a summoned phantom. The form of Nylissa melted upon the air like smoke and the lunar gleam that had surrounded her was replaced by the last rays of the sun. Malygris turned to the viper and spoke in a tone of melancholy reproof:

‘Why did you not warn me?’

‘Would the warning have availed?’ was the counter-question. ‘All knowledge was yours, Malygris, excepting this one thing; and in no other way could you have learned it.’

‘What thing?’ queried the magician. ‘I have learned nothing except the vanity of wisdom, the impotence of magic, the nullity of love, and the delusiveness of memory... Tell me, why could I not recall to life the same Nylissa whom I knew, or thought I knew?’

‘It was indeed Nylissa whom you summoned and saw,’ replied the viper. ‘Your necromancy was potent up to this point; but no necromantic spell could recall for you your own lost youth or the fervent and guileless heart that loved Nylissa, or the ardent eyes that beheld her then. This, my master, was the thing that you had to learn.’

Wednesday, January 8, 2025

The Killers By Ernest Hemingway


Two hit men come to a small-town restaurant to shoot a man to oblige a friend.



The Killers


By


Ernest Hemingway




The door of Henry’s lunchroom opened and two men came in. They sat down at the counter.

“What’s yours?” George asked them.

“I don’t know,” one of the men said. “What do you want to eat, Al?”

“I don’t know,” said Al. “I don’t know what I want to eat.”

Outside it was getting dark. The streetlight came on outside the window. The two men at the counter read the menu. From the other end of the counter Nick Adams watched them. He had been talking to George when they came in.

“I’ll have a roast pork tenderloin with apple sauce and mashed potatoes,” the first man said.

“It isn’t ready yet.”

“What the hell do you put it on the card for?”

“That’s the dinner,” George explained. “You can get that at six o’clock.”

George looked at the clock on the wall behind the counter.

“It’s five o’clock.”

“The clock says twenty minutes past five,” the second man said.

“It’s twenty minutes fast.”

“Oh, to hell with the clock,” the first man said. “What have you got to eat?”

“I can give you any kind of sandwiches,” George said. “You can have ham and eggs, bacon and eggs, liver and bacon, or a steak.”

“Give me chicken croquettes with green peas and cream sauce and mashed potatoes.”

“That’s the dinner.”

“Everything we want’s the dinner, eh? That’s the way you work it.”

“I can give you ham and eggs, bacon and eggs, liver—”

“I’ll take ham and eggs,” the man called Al said. He wore a derby hat and a black overcoat buttoned across the chest. His face was small and white and he had tight lips. He wore a silk muffler and gloves.

“Give me bacon and eggs,” said the other man. He was about the same size as Al. Their faces were different, but they were dressed like twins. Both wore overcoats too tight for them. They sat leaning forward, their elbows on the counter.

“Got anything to drink?” Al asked.

“Silver beer, bevo, ginger-ale,” George said.

“I mean you got anything to drink?”

“Just those I said.”

“This is a hot town,” said the other. “What do they call it?”

“Summit.”

“Ever hear of it?” Al asked his friend.

“No,” said the friend.

“What do they do here nights?” Al asked.

“They eat the dinner,” his friend said. “They all come here and eat the big dinner.”

“That’s right,” George said.

“So you think that’s right?” Al asked George.

“Sure.”

“You’re a pretty bright boy, aren’t you?”

“Sure,” said George.

“Well, you’re not,” said the other little man. “Is he, Al?”

“He’s dumb,” said Al. He turned to Nick. “What’s your name?”

“Adams.”

“Another bright boy,” Al said. “Ain’t he a bright boy, Max?”

“The town’s full of bright boys,” Max said.

George put the two platters, one of ham and eggs, the other of bacon and eggs, on the counter. He set down two side dishes of fried potatoes and closed the wicket into the kitchen.

“Which is yours?” he asked Al.

“Don’t you remember?”

“Ham and eggs.”

“Just a bright boy,” Max said. He leaned forward and took the ham and eggs. Both men ate with their gloves on. George watched them eat.

“What are you looking at?” Max looked at George.

“Nothing.”

“The hell you were. You were looking at me.”

“Maybe the boy meant it for a joke, Max,” Al said.

George laughed.

“You don’t have to laugh,” Max said to him. “You don’t have to laugh at all, see?’

“All right,” said George.

“So he thinks it’s all right.” Max turned to Al. “He thinks it’s all right. That’s a good one.”

“Oh, he’s a thinker,” Al said. They went on eating.

“What’s the bright boy’s name down the counter?” Al asked Max.

“Hey, bright boy,” Max said to Nick. “You go around on the other side of the counter with your boy friend.”

“What’s the idea?” Nick asked.

“There isn’t any idea.”

“You better go around, bright boy,” Al said. Nick went around behind the counter.

“What’s the idea?” George asked.

“None of your damned business,” Al said. “Who’s out in the kitchen?”

“The nigger.”

“What do you mean the nigger?”

“The nigger that cooks.”

“Tell him to come in.”

“What’s the idea?”

“Tell him to come in.”

“Where do you think you are?”

“We know damn well where we are,” the man called Max said. “Do we look silly?”

“You talk silly,” Al said to him. “What the hell do you argue with this kid for? Listen,” he said to George, “tell the nigger to come out here.”

“What are you going to do to him?”

“Nothing. Use your head, bright boy. What would we do to a nigger?”

George opened the slit that opened back into the kitchen. “Sam,” he called. “Come in here a minute.”

The door to the kitchen opened and the nigger came in. “What was it?” he asked. The two men at the counter took a look at him.

“All right, nigger. You stand right there,” Al said.

Sam, the nigger, standing in his apron, looked at the two men sitting at the counter. “Yes, sir,” he said. Al got down from his stool.

“I’m going back to the kitchen with the nigger and bright boy,” he said. “Go on back to the kitchen, nigger. You go with him, bright boy.” The little man walked after Nick and Sam, the cook, back into the kitchen. The door shut after them. The man called Max sat at the counter opposite George. He didn’t look at George but looked in the mirror that ran along back of the counter. Henry’s had been made over from a saloon into a lunch counter.

“Well, bright boy,” Max said, looking into the mirror, “why don’t you say something?”

“What’s it all about?”

“Hey, Al,” Max called, “bright boy wants to know what it’s all about.”

“Why don’t you tell him?” Al’s voice came from the kitchen.

“What do you think it’s all about?”

“I don’t know.”

“What do you think?”

Max looked into the mirror all the time he was talking.

“I wouldn’t say.”

“Hey, Al, bright boy says he wouldn’t say what he thinks it’s all about.”

“I can hear you, all right,” Al said from the kitchen. He had propped open the slit that dishes passed through into the kitchen with a catsup bottle. “Listen, bright boy,” he said from the kitchen to George. “Stand a little further along the bar. You move a little to the left, Max.” He was like a photographer arranging for a group picture.

“Talk to me, bright boy,” Max said. “What do you think’s going to happen?”

George did not say anything.

“I’ll tell you,” Max said. “We’re going to kill a Swede. Do you know a big Swede named Ole Anderson?”

“Yes.”

“He comes here to eat every night, don’t he?”

“Sometimes he comes here.”

“He comes here at six o’clock, don’t he?”

“If he comes.”

“We know all that, bright boy,” Max said. “Talk about something else. Ever go to the movies?”

“Once in a while.”

“You ought to go to the movies more. The movies are fine for a bright boy like you.”

“What are you going to kill Ole Anderson for? What did he ever do to you?”

“He never had a chance to do anything to us. He never even seen us.”

And he’s only going to see us once,” Al said from the kitchen:

“What are you going to kill him for, then?” George asked.

“We’re killing him for a friend. Just to oblige a friend, bright boy.”

“Shut up,” said Al from the kitchen. “You talk too goddamn much.”

“Well, I got to keep bright boy amused. Don’t I, bright boy?”

“You talk too damn much,” Al said. “The nigger and my bright boy are amused by themselves. I got them tied up like a couple of girl friends in the convent.”

“I suppose you were in a convent.”

“You never know.”

“You were in a kosher convent. That’s where you were.”

George looked up at the clock.

“If anybody comes in you tell them the cook is off, and if they keep after it, you tell them you’ll go back and cook yourself. Do you get that, bright boy?”

“All right,” George said. “What you going to do with us afterward?”

“That’ll depend,” Max said. “That’s one of those things you never know at the time.”

George looked up at the clock. It was a quarter past six. The door from the street opened. A streetcar motorman came in.

“Hello, George,” he said. “Can I get supper?”

“Sam’s gone out,” George said. “He’ll be back in about half an hour.”

“I’d better go up the street,” the motorman said. George looked at the clock. It was twenty minutes, past six.

“That was nice, bright boy,” Max said. “You’re a regular little gentleman.”

“He knew I’d blow his head off,” Al said from the kitchen.

“No,” said Max. “It ain’t that. Bright boy is nice. He’s a nice boy. I like him.”

At six-fifty-five George said: “He’s not coming.”

Two other people had been in the lunchroom. Once George had gone out to the kitchen and made a ham-and-egg sandwich “to go” that a man wanted to take with him. Inside the kitchen he saw Al, his derby hat tipped back, sitting on a stool beside the wicket with the muzzle of a sawed-off shotgun resting on the ledge. Nick and the cook were back to back in the corner, a towel tied in each of their mouths. George had cooked the sandwich, wrapped it up in oiled paper, put it in a bag, brought it in, and the man had paid for it and gone out.

“Bright boy can do everything,” Max said. “He can cook and everything. You’d make some girl a nice wife, bright boy.”

“Yes?” George said, “Your friend, Ole Anderson, isn’t going to come.”

“We’ll give him ten minutes,” Max said.

Max watched the mirror and the clock. The hands of the clock marked seven o’clock, and then five minutes past seven.

“Come on, Al,” said Max. “We better go. He’s not coming.”

“Better give him five minutes,” Al said from the kitchen.

In the five minutes a man came in, and George explained that the cook was sick.

“Why the hell don’t you get another cook?” the man asked. “Aren’t you running a lunch-counter?” He went out.

“Come on, Al,” Max said.

“What about the two bright boys and the nigger?”

“They’re all right.”

“You think so?”

“Sure. We’re through with it.”

“I don’t like it,” said Al. “It’s sloppy. You talk too much.”

“Oh, what the hell,” said Max. “We got to keep amused, haven’t we?”

“You talk too much, all the same,” Al said. He came out from the kitchen. The cut-off barrels of the shotgun made a slight bulge under the waist of his too tight-fitting overcoat. He straightened his coat with his gloved hands.

“So long, bright boy,” he said to George. “You got a lot of luck.”

“That’s the truth,” Max said. “You ought to play the races, bright boy.”

The two of them went out the door. George watched them, through the window, pass under the arc-light and across the street. In their tight overcoats and derby hats they looked like a vaudeville team. George went back through the swinging door into the kitchen and untied Nick and the cook.

“I don’t want any more of that,” said Sam, the cook. “I don’t want any more of that.”

Nick stood up. He had never had a towel in his mouth before.

“Say,” he said. “What the hell?” He was trying to swagger it off.

“They were going to kill Ole Anderson,” George said. “They were going to shoot him when he came in to eat.”

“Ole Anderson?”

“Sure.”

The cook felt the corners of his mouth with his thumbs.

“They all gone?” he asked.

“Yeah,” said George. “They’re gone now.”

“I don’t like it,” said the cook. “I don’t like any of it at all”

“Listen,” George said to Nick. “You better go see Ole Anderson.”

“All right.”

“You better not have anything to do with it at all,” Sam, the cook, said. “You better stay way out of it.”

“Don’t go if you don’t want to,” George said.

“Mixing up in this ain’t going to get you anywhere,” the cook said. “You stay out of it.”

“I’ll go see him,” Nick said to George. “Where does he live?”

The cook turned away.

“Little boys always know what they want to do,” he said.

“He lives up at Hirsch’s rooming-house,” George said to Nick.

“I’ll go up there.”

Outside the arc-light shone through the bare branches of a tree. Nick walked up the street beside the car-tracks and turned at the next arc-light down a side-street. Three houses up the street was Hirsch’s rooming-house. Nick walked up the two steps and pushed the bell. A woman came to the door.

“Is Ole Anderson here?”

“Do you want to see him?”

“Yes, if he’s in.”

Nick followed the woman up a flight of stairs and back to the end of a corridor. She knocked on the door.

“Who is it?”

“It’s somebody to see you, Mr. Anderson,” the woman said.

“It’s Nick Adams.”

“Come in.”

Nick opened the door and went into the room. Ole Anderson was lying on the bed with all his clothes on. He had been a heavyweight prizefighter and he was too long for the bed. He lay with his head on two pillows. He did not look at Nick.

“What was it?” he asked.

“I was up at Henry’s,” Nick said, “and two fellows came in and tied up me and the cook, and they said they were going to kill you.”

It sounded silly when he said it. Ole Anderson said nothing.

“They put us out in the kitchen,” Nick went on. “They were going to shoot you when you came in to supper.”

Ole Anderson looked at the wall and did not say anything.

“George thought I better come and tell you about it.”

“There isn’t anything I can do about it,” Ole Anderson said.

“I’ll tell you what they were like.”

“I don’t want to know what they were like,” Ole Anderson said. He looked at the wall. “Thanks for coming to tell me about it.”

“That’s all right.”

Nick looked at the big man lying on the bed.

“Don’t you want me to go and see the police?”

“No,” Ole Anderson said. “That wouldn’t do any good.”

“Isn’t there something I could do?”

“No. There ain’t anything to do.”

“Maybe it was just a bluff.”

“No. It ain’t just a bluff.”

Ole Anderson rolled over toward the wall.

“The only thing is,” he said, talking toward the wall, “I just can’t make up my mind to go out. I been here all day.”

“Couldn’t you get out of town?”

“No,” Ole Anderson said. “I’m through with all that running around.”

He looked at the wall.

“There ain’t anything to do now.”

“Couldn’t you fix it up some way?”

“No. I got in wrong.” He talked in the same flat voice. “There ain’t anything to do. After a while I’ll make up my mind to go out.”

“I better go back and see George,” Nick said.

“So long,” said Ole Anderson. He did not look toward Nick. “Thanks for coming around.”

Nick went out. As he shut the door he saw Ole Anderson with all his clothes on, lying on the bed looking at the wall.

“He’s been in his room all day,” the landlady said downstairs. “I guess he don’t feel well. I said to him: ‘Mr. Anderson, you ought to go out and take a walk on a nice fall day like this,’ but he didn’t feel like it.”

“He doesn’t want to go out.”

“I’m sorry he don’t feel well,” the woman said. “He’s an awfully nice man. He was in the ring, you know.”

“I know it.”

“You’d never know it except from the way his face is,” the woman said.

They stood talking just inside the street door. “He’s just as gentle.”

“Well, good night, Mrs. Hirsch,’ Nick said.

“I’m not Mrs. Hirsch,” the woman said. “She owns the place. I just look after it for her. I’m Mrs. Bell.”

“Well, good night, Mrs. Bell,” Nick said.

“Good night,” the woman said.

Nick walked up the dark street to the corner under the arc-light, and then along the car-tracks to Henry’s eating-house. George was inside, back of the counter.

“Did you see Ole?”

“Yes,” said Nick. “He’s in his room and he won’t go out.”

The cook opened the door from the kitchen when he heard Nick’s voice.

“I don’t even listen to it,” he said and shut the door.

“Did you tell him about it?” George asked.

“Sure. I told him but he knows what it’s all about.”

“What’s he going to do?”

“Nothing.”

“They’ll kill him.”

“I guess they will.”

“He must have got mixed up in something in Chicago.”

“I guess so,” said Nick.

“It’s a hell of a thing!”

“It’s an awful thing,” Nick said.

They did not say anything. George reached down for a towel and wiped the counter.

“I wonder what he did?” Nick said.

“Double-crossed somebody. That’s what they kill them for.”

“I’m going to get out of this town,” Nick said.

“Yes,” said George. “That’s a good thing to do.”

“I can’t stand to think about him waiting in the room and knowing he’s going to get it. It’s too damned awful.”

“Well,” said George, “you better not think about it.”

The Horrible by Guy de Maupassant

 


The Horrible


By Guy de Maupassant


Translated from French by Albert M. C. McMaster, A. E. Henderson, MME. Quesada and Others

2,091 Word Count 
Genre: Horror, War, Gothic

Published 1884 in Le Gaulois, Ser. 3, No. 671



The shadows of a balmy night were slowly falling. The women remained in the drawing-room of the villa. The men, seated, or astride of garden chairs, were smoking outside the door of the house, around a table laden with cups and liqueur glasses.

Their lighted cigars shone like eyes in the darkness, which was gradually becoming more dense. They had been talking about a frightful accident which had occurred the night before—two men and three women drowned in the river before the eyes of the guests.

General de G——remarked:

“Yes, these things are affecting, but they are not horrible.

“Horrible, that well-known word, means much more than terrible. A frightful accident like this affects, upsets, terrifies; it does not horrify. In order that we should experience horror, something more is needed than emotion, something more than the spectacle of a dreadful death; there must be a shuddering sense of mystery, or a sensation of abnormal terror, more than natural. A man who dies, even under the most tragic circumstances, does not excite horror; a field of battle is not horrible; blood is not horrible; the vilest crimes are rarely horrible.

“Here are two personal examples which have shown me what is the meaning of horror.

“It was during the war of 1870. We were retreating toward Pont-Audemer, after having passed through Rouen. The army, consisting of about twenty thousand men, twenty thousand routed men, disbanded, demoralized, exhausted, were going to disband at Havre.

“The earth was covered with snow. The night was falling. They had not eaten anything since the day before. They were fleeing rapidly, the Prussians not being far off.

“All the Norman country, sombre, dotted with the shadows of the trees surrounding the farms, stretched out beneath a black, heavy, threatening sky.

“Nothing else could be heard in the wan twilight but the confused sound, undefined though rapid, of a marching throng, an endless tramping, mingled with the vague clink of tin bowls or swords. The men, bent, round-shouldered, dirty, in many cases even in rags, dragged themselves along, hurried through the snow, with a long, broken-backed stride.

“The skin of their hands froze to the butt ends of their muskets, for it was freezing hard that night. I frequently saw a little soldier take off his shoes in order to walk barefoot, as his shoes hurt his weary feet; and at every step he left a track of blood. Then, after some time, he would sit down in a field for a few minutes’ rest, and he never got up again. Every man who sat down was a dead man.

“Should we have left behind us those poor, exhausted soldiers, who fondly counted on being able to start afresh as soon as they had somewhat refreshed their stiffened legs? But scarcely had they ceased to move, and to make their almost frozen blood circulate in their veins, than an unconquerable torpor congealed them, nailed them to the ground, closed their eyes, and paralyzed in one second this overworked human mechanism. And they gradually sank down, their foreheads on their knees, without, however, falling over, for their loins and their limbs became as hard and immovable as wood, impossible to bend or to stand upright.

“And the rest of us, more robust, kept straggling on, chilled to the marrow, advancing by a kind of inertia through the night, through the snow, through that cold and deadly country, crushed by pain, by defeat, by despair, above all overcome by the abominable sensation of abandonment, of the end, of death, of nothingness.

“I saw two gendarmes holding by the arm a curious-looking little man, old, beardless, of truly surprising aspect.

“They were looking for an officer, believing that they had caught a spy. The word ‘spy’ at once spread through the midst of the stragglers, and they gathered in a group round the prisoner. A voice exclaimed: ‘He must be shot!’ And all these soldiers who were falling from utter prostration, only holding themselves on their feet by leaning on their guns, felt all of a sudden that thrill of furious and bestial anger which urges on a mob to massacre.

“I wanted to speak. I was at that time in command of a battalion; but they no longer recognized the authority of their commanding officers; they would even have shot me.

“One of the gendarmes said: ‘He has been following us for the three last days. He has been asking information from every one about the artillery.’ ”

I took it on myself to question this person.

“What are you doing? What do you want? Why are you accompanying the army?”

“He stammered out some words in some unintelligible dialect. He was, indeed, a strange being, with narrow shoulders, a sly look, and such an agitated air in my presence that I really no longer doubted that he was a spy. He seemed very aged and feeble. He kept looking at me from under his eyes with a humble, stupid, crafty air.

“The men all round us exclaimed.

“ ‘To the wall! To the wall!’

“I said to the gendarmes:

“ ‘Will you be responsible for the prisoner?’

“I had not ceased speaking when a terrible shove threw me on my back, and in a second I saw the man seized by the furious soldiers, thrown down, struck, dragged along the side of the road, and flung against a tree. He fell in the snow, nearly dead already.

“And immediately they shot him. The soldiers fired at him, reloaded their guns, fired again with the desperate energy of brutes. They fought with each other to have a shot at him, filed off in front of the corpse, and kept on firing at him, as people at a funeral keep sprinkling holy water in front of a coffin.

“But suddenly a cry arose of ‘The Prussians! the Prussians!’

“And all along the horizon I heard the great noise of this panic-stricken army in full flight.

“A panic, the result of these shots fired at this vagabond, had filled his very executioners with terror; and, without realizing that they were themselves the originators of the scare, they fled and disappeared in the darkness.

“I remained alone with the corpse, except for the two gendarmes whose duty compelled them to stay with me.

“They lifted up the riddled mass of bruised and bleeding flesh.

“ ‘He must be searched,’ I said. And I handed them a box of taper matches which I had in my pocket. One of the soldiers had another box. I was standing between the two.

“The gendarme who was examining the body announced:

“ ‘Clothed in a blue blouse, a white shirt, trousers, and a pair of shoes.’

“The first match went out; we lighted a second. The man continued, as he turned out his pockets:

“ ‘A horn-handled pocketknife, check handkerchief, a snuffbox, a bit of pack thread, a piece of bread.’

“The second match went out; we lighted a third. The gendarme, after having felt the corpse for a long time, said:

“ ‘That is all.’

“I said:

“ ‘Strip him. We shall perhaps find something next his skin.”

“And in order that the two soldiers might help each other in this task, I stood between them to hold the lighted match. By the rapid and speedily extinguished flame of the match, I saw them take off the garments one by one, and expose to view that bleeding bundle of flesh, still warm, though lifeless.

“And suddenly one of them exclaimed:

“ ‘Good God, general, it is a woman!’

“I cannot describe to you the strange and poignant sensation of pain that moved my heart. I could not believe it, and I knelt down in the snow before this shapeless pulp of flesh to see for myself: it was a woman.

“The two gendarmes, speechless and stunned, waited for me to give my opinion on the matter. But I did not know what to think, what theory to adopt.

“Then the brigadier slowly drawled out:

“ ‘Perhaps she came to look for a son of hers in the artillery, whom she had not heard from.’

“And the other chimed in:

“ ‘Perhaps, indeed, that is so.’

“And I, who had seen some very terrible things in my time, began to cry. And I felt, in the presence of this corpse, on that icy cold night, in the midst of that gloomy plain; at the sight of this mystery, at the sight of this murdered stranger, the meaning of that word ‘horror.’

“I had the same sensation last year, while interrogating one of the survivors of the Flatters Mission, an Algerian sharpshooter.

“You know the details of that atrocious drama. It is possible, however, that you are unacquainted with one of them.

“The colonel travelled through the desert into the Soudan, and passed through the immense territory of the Touaregs, who, in that great ocean of sand which stretches from the Atlantic to Egypt and from the Soudan to Algeria, are a kind of pirates, resembling those who ravaged the seas in former days.

“The guides who accompanied the column belonged to the tribe of the Chambaa, of Ouargla.

“Now, one day we encamped in the middle of the desert, and the Arabs declared that, as the spring was still some distance away, they would go with all their camels to look for water.

“One man alone warned the colonel that he had been betrayed. Flatters did not believe this, and accompanied the convoy with the engineers, the doctors, and nearly all his officers.

“They were massacred round the spring, and all the camels were captured.

“The captain of the Arab Intelligence Department at Ouargla, who had remained in the camp, took command of the survivors, spahis and sharpshooters, and they began to retreat, leaving behind them the baggage and provisions, for want of camels to carry them.

“Then they started on their journey through this solitude without shade and boundless, beneath the devouring sun, which burned them from morning till night.

“One tribe came to tender its submission and brought dates as a tribute. The dates were poisoned. Nearly all the Frenchmen died, and, among them, the last officer.

“There now only remained a few spahis with their quartermaster, Pobeguin, and some native sharpshooters of the Chambaa tribe. They had still two camels left. They disappeared one night, along with two, Arabs.

“Then the survivors understood that they would be obliged to eat each other, and as soon as they discovered the flight of the two men with the two camels, those who remained separated, and proceeded to march, one by one, through the soft sand, under the glare of a scorching sun, at a distance of more than a gunshot from each other.

“So they went on all day, and when they reached a spring each of them came to drink at it in turn, as soon as each solitary marcher had moved forward the number of yards arranged upon. And thus they continued marching the whole day, raising everywhere they passed, in that level, burnt up expanse, those little columns of dust which, from a distance, indicate those who are trudging through the desert.

“But one morning one of the travellers suddenly turned round and approached the man behind him. And they all stopped to look.

“The man toward whom the famished soldier drew near did not flee, but lay flat on the ground, and took aim at the one who was coming toward him. When he believed he was within gunshot, he fired. The other was not hit, and he continued then to advance, and levelling his gun, in turn, he killed his comrade.

“Then from all directions the others rushed to seek their share. And he who had killed the fallen man, cutting the corpse into pieces, distributed it.

“And they once more placed themselves at fixed distances, these irreconcilable allies, preparing for the next murder which would bring them together.

“For two days they lived on this human flesh which they divided between them. Then, becoming famished again, he who had killed the first man began killing afresh. And again, like a butcher, he cut up the corpse and offered it to his comrades, keeping only his own portion of it.

“And so this retreat of cannibals continued.

“The last Frenchman, Pobeguin, was massacred at the side of a well, the very night before the supplies arrived.

“Do you understand now what I mean by the horrible?”

This was the story told us a few nights ago by General de G——.

Sunday, January 5, 2025

The Nameless Offspring by Clark Ashton Smith

 


The Nameless Offspring


Clark Ashton Smith


Genre: Horror, Gothic, Fantasy


Published 1932 in Strange Tales, Vol. 2, No. 2


Word Count: 7,171



Many and multiform are the dim horrors of Earth, infesting her ways from the prime. They sleep beneath the unturned stone; they rise with the tree from its roots; they move beneath the sea and in subterranean places; they dwell in the inmost adyta; they emerge betimes from the shutten sepulcher of haughty bronze and the low grave that is sealed with clay. There be some that are long known to man, and others as yet unknown that abide the terrible latter days of their revealing. Those which are the most dreadful and the loathliest of all are haply still to be declared. But among those that have revealed themselves aforetime and have made manifest their veritable presence, there is one which may not openly be named for its exceeding foulness. It is that spawn which the hidden dweller in the vaults has begotten upon mortality.

   From the Necronomicon of Abdul Alhazred

In a sense, it is fortunate that the story I must now relate should be so largely a thing of undetermined shadows, of halfshaped hints and forbidden inferences. Otherwise, it could never be written by human hand or read by human eye. My own slight part in the hideous drama was limited to its last act; and to me its earlier scenes were merely a remote and ghastly legend. Yet, even so, the broken reflex of its unnatural horrors has crowded out in perspective the main events of normal life; has made them seem no more than frail gossamers, woven on the dark, windy verge of some unsealed abyss, some deep, half-open charnel, wherein Earth’s nethermost corruptions lurk and fester. The legend of which I speak was familiar to me from childhood, as a theme of family whispers and head shakings, for Sir John Tremoth had been a schoolmate of my father. But I had never met Sir John, had never visited Tremoth Hall, till the time of those happenings which formed the final tragedy. My father had taken me from England to Canada when I was a small infant; he had prospered in Manitoba as an apiarist; and after his death the bee ranch had kept me too busy for years to execute a long-cherished dream of visiting my natal land and exploring its rural by-ways.

When, finally, I set sail, the story was pretty dim in my memory; and Tremoth Hall was no conscious part of my itinerary when I began a motorcycle tour of the English counties. In any case, I should never have been drawn to the neighborhood out of morbid curiosity, such as the frightful tale might possibly have evoked in others. My visit, as it happened, was purely accidental. I had forgotten the exact location of the place, and did not even dream that I was in its vicinity. If I had known, it seems to me that I should have turned aside, in spite of the circumstances that impelled me to seek shelter, rather than intrude upon the almost demoniacal misery of its owner.

When I came to Tremoth Hall, I had ridden all day, in early autumn, through a rolling countryside with leisurely, winding thoroughfares and lanes. The day had been fair, with skies of pale azure above noble parks that were tinged with the first amber and crimson of the following year. But toward the middle of the afternoon, a mist had come in from the hidden ocean across low hills and had closed me about with its moving phantom circle. Somehow, in that deceptive fog, I managed to lose my way, to miss the mile-post that would have given me my direction to the town where I had planned to spend the ensuing night.

I went on for a while, at random, thinking that I should soon reach another crossroad. The way that I followed was little more than a rough lane and was singularly deserted. The fog had darkened and drawn closer, obliterating all horizons; but from what I could see of it, the country was one of heath and boulders, with no sign of cultivation. I topped a level ridge and went down a long, monotonous slope as the mist continued to thicken with twilight. I thought that I was riding toward the west; but before me, in the wan dusk, there was no faintest gleaming or flare of color to betoken the drowned sunset. A dank odor that was touched with salt, like the smell of sea marshes, came to meet me.

The road turned at a sharp angle, and I seemed to be riding between downs and marshland. The night gathered with an almost unnatural quickness, as if in haste to overtake me; and I began to feel a sort of dim concern and alarm, as if I had gone astray in regions that were more dubious than an English county. The fog and twilight seemed to withhold a silent landscape of chill, deathly, disquieting mystery.

Then, to the left of my road and a little before me, I saw a light that somehow suggested a mournful and tear-dimmed eye. It shone among blurred, uncertain masses that were like trees from a ghostland wood. A nearer mass, as I approached it, was resolved into a small lodge-building, such as would guard the entrance of some estate. It was dark and apparently unoccupied. Pausing and peering, I saw the outlines of a wrought-iron gate in a hedge of untrimmed yew.

It all had a desolate and forbidding air; and I felt in my very marrow the brooding chillness that had come in from the unseen marsh in that dismal, ever-coiling fog. But the light was promise of human nearness on the lonely downs; and I might obtain shelter for the night, or at least find someone who could direct me to a town or inn.

Somewhat to my surprise, the gate was unlocked. It swung inward with a rusty grating sound, as if it had not been opened for a long time; and pushing my motorcycle before me, I followed a weed-grown drive toward the light. The rambling mass of a large manor-house disclosed itself, among trees and shrubs whose artificial forms, like the hedge of ragged yew, were assuming a wilder grotesquery than they had received from the hand of the topiary.

The fog had turned into a bleak drizzle. Almost groping in the gloom, I found a dark door, at some distance from the window that gave forth the solitary light. In response to my thrice-repeated knock, I heard at length the muffled sound of slow, dragging footfalls. The door was opened with a gradualness that seemed to indicate caution or reluctance, and I saw before me an old man, bearing a lighted taper in his hand. His fingers trembled with palsy or decrepitude, and monstrous shadows flickered behind him in a dim hallway, and touched his wrinkled features as with the flitting of ominous, batlike wings.

‘What do you wish, sir?’ he asked. The voice, though quavering and hesitant, was far from churlish and did not suggest the attitude of suspicion and downright inhospitality which I had begun to apprehend. However, I sensed a sort of irresolution or dubiety; and as the old man listened to my account of the circumstances that had led me to knock at that lonely door, I saw that he was scrutinizing me with a keenness that belied my first impression of extreme senility.

‘I knew you were a stranger in these parts,’ he commented, when I had finished. ‘But might I inquire your name, sir?’

‘I am Henry Chaldane.’

‘Are you not the son of Mr. Arthur Chaldane?’

Somewhat mystified, I admitted the ascribed paternity.

‘You resemble your father, sir. Mr. Chaldane and Sir John Tremoth were great friends, in the days before your father went to Canada. Will you not come in, sir? This is Tremoth Hall. Sir John has not been in the habit of receiving guests for a long time; but I shall tell him that you are here; and it may be that he will wish to see you.’

Startled, and not altogether agreeably surprised at the discovery of my whereabouts, I followed the old man to a booklined study whose furnishings bore evidence of luxury and neglect. Here he lit an oil lamp of antique fashion, with a dusty, painted shade, and left me alone with the dustier volumes and furniture.

I felt a queer embarrassment, a sense of actual intrusion, as I waited in the wan yellow lamplight. There came back to me the details of the strange, horrific, half-forgotten story I had overheard from my father in childhood years.

Lady Agatha Tremoth, Sir John’s wife, in the first year of their marriage, had become the victim of cataleptic seizures. The third seizure had apparently terminated in death, for she did not revive after the usual interval, and displayed all the familiar marks of the rigor mortis. Lady Agatha’s body was placed in the family vaults, which were of almost fabulous age and extent, and had been excavated in the hill behind the manor-house. On the day following the interment, Sir John, troubled by a queer, insistent doubt as to the finality of the medical verdict, had reentered the vaults in time to hear a wild cry, and had found Lady Agatha sitting up in her coffin. The nailed lid was lying on the stone floor, and it seemed impossible that it could have been removed by the struggles of the frail woman. However, there was no other plausible explanation, though Lady Agatha herself could throw little light on the circumstances of her strange resurrection.

Half dazed, and almost delirious, in a state of dire terror that was easily understandable, she told an incoherent tale of her experience. She did not seem to remember struggling to free herself from the coffin, but was troubled mainly by recollections of a pale, hideous, unhuman face which she had seen in the gloom on awakening from her prolonged and deathlike sleep. It was the sight of this face, stooping over her as she lay in the open coffin, that had caused her to cry out so wildly. The thing had vanished before Sir John’s approach, fleeing swiftly to the inner vaults; and she had formed only a vague idea of its bodily appearance. She thought, however, that it was large and white, and ran like an aoimal on all fours, though its limbs were semihuman.

Of course, her tale was regarded as a sort of dream, or a figment of delirium induced by the awful shock of her experience, which had blotted out all recollection of its true terror. But the memory of the horrible face and figure had seemed to obsess her permanently, and was plainly fraught with associations of mind-unhinging fear. She did not recover from her illness, but lived on in a shattered condition of brain, and body; and nine months later she died, after giving birth to her first child.

Her death was a merciful thing; for the child, it seemed, was one of those appalling monsters that sometimes appear in human families. The exact nature of its abnormality was not known, though frightful and divergent rumors had purported to emanate from the doctor, nurses and servants who had seen it. Some of the latter had left Tremoth Hall and had refused to reture, after a single glimpse of the monstrosity.

After Lady Agatha’s death, Sir John had withdrawn from society; and little or nothing was divulged in regard to his doings or the fate of the horrible infant. People said, however, that the child was kept in a locked room with iron-barred windows, which no one but Sir John himself ever entered. The tragedy had blighted his whole life, and he had become a recluse, living alone with one or two faithful servants, and allowing his estate to decline grievously through neglect. Doubtless, I thought, the old man who had admitted me was one of the remaining servitors. I was still reviewing the dreadful legend, still striving to recollect certain particulars that had almost passed from memory, when I heard the sound of footsteps which, from their slowness and feebleness, I took to be those of the returning manservant.

However, I was mistaken; for the person who entered was plainly Sir John Tremoth himself. The tall, slightly bent figure, the face that was lined as if by the trickling of some corrosive acid, were marked with a dignity that seemed to triumph over the double ravages of mortal sorrow and illness. Somehow — though I could have calculated his real age — I had expected an old man; but he was scarcely beyond middle life. His cadaverous pallor and feeble tottering walk were those of a man who is stricken with some fatal malady. His manner, as he addressed me, was impeccably courteous and even gracious. But the voice was that of one to whom the ordinary relations and actions of life had long since become meaningless and perfunctory.

“Harper tells me that you are the son of my old school friend, Arthur Chaldane,” he said. ‘I bid you welcome to such poor hospitality as I am able to offer. I have not received guests for many years, and I fear you will find the Hall pretty dull and dismal and will think me an indifferent host. Nevertheless, you must remain, at least for the night. Harper has gone to prepare dinner for us.’

‘You are very kind,’ I replied. ‘I fear, however, that I am intruding. If — ’

‘Not at all,’ he countered firmly. ‘You must be my guest. It is miles to the nearest inn, and the fog is changing into a heavy rain. Indeed, I am glad to have you. You must tell me all about your father and yourself at dinner. In the meanwhile, I’ll try to find a room for you, if you’ll come with me.’ He led me to the second floor of the manor-house and down a long hall with beams and panels of ancient oak. We passed several doors which were doubtless those of bed-chambers. All were closed, and one of the doors was re-enforced with iron bars, heavy and sinister as those of a dungeon cell. Inevitably I surmised that this was the chamber in which the monstrous child had been confined, and also I wondered if the abnormality still lived, after a lapse of time that must have been nearly thirty years. How abysmal, how abhorrent, must have been its departure from the human type, to necessitate an immediate removal from the sight of others! And what characteristics of its further development could have rendered necessary the massive bars on an oaken door which, by itself, was strong enough to have resisted the assaults of any common man or beast?

Without even glancing at the door, my host went on, carrying a taper that scarcely shook in his feeble fingers. My curious reflections, as I followed him, were interrupted with nerve-shattering suddenness by a loud cry that seemed to issue from the barred room. The sound was a long, ever-mounting ululation, infra-bass at first like the tomb-muffled voice of a demon, and rising through abominable degrees to a shrill, ravenous fury, as if the demon had emerged by a series of underground steps to the open air. It was neither human nor bestial, it was wholly preternatural, hellish, macabre; and I shuddered with an insupportable eeriness, that still persisted when the demon voice, after reaching its culnunation, had returned by reverse degrees to a profound sepulchral silence.

Sir John had given no apparent heed to the awful sound, but had gone on with no more than his usual faltering. He had reached the end of the hall, and was pausing before the second chamber from the one with the sealed door.

‘I’ll let you have this room,’ he said. ‘It’s just beyond the one that I occupy.’ He did not turn his face toward me as he spoke; and his voice was unnaturally toneless and restrained. I realized with another shudder that the chamber he had indicated as his own was adjacent to the room from which the frightful ululation had appeared to issue.

The chamber to which he now admitted me had manifestly not been used for years. The air was chill, stagnant, unwholesome, with an all-pervading mustiness; and the antique furniture had gathered the inevitable increment of dust and cobwebs. Sir John began to apologize.

‘I didn’t realize the condition of the room,’ he said. ‘I’ll send Harper after dinner, to do a little dusting and clearing, and put fresh linen on the bed.’

I protested, rather vaguely, that there was no need for him to apologize. The unhuman loneliness and decay of the old manor-house, its lustrums and decades of neglect, and the corresponding desolation of its owner, had impressed me more painfully than ever. And I dared not speculate overmuch concerning the ghastly secret of the barred chamber, and the hellish howling that still echoed in my shaken nerves. Already I regretted the singular fortuity that had drawn me to that place of evil and festering shadows. I felt an urgent desire to leave, to continue my journey even in the face of the bleak autumnal rain and wind-blown darkness. But I could think of no excuse that would be sufficiently tangible and valid. Manifestly, there was nothing to do but remain.

Our dinner was served in a dismal but stately room, by the old man whom Sir John had referred to as Harper. The meal was plain but substantial and well-cooked; and the service was impeccable. I had begun to infer that Harper was the only servant — a combination of valet, butler, housekeeper and chef.

In spite of my hunger, and the pains taken by my host to make me feel at ease, the meal was a solemn and almost funereal ceremony. I could not forget my father’s story; and still less could I forget the sealed door and the baleful ululation. Whatever it was, the monstrosity still lived; and I felt a complex mingling of admiration, pity and horror as I looked at the gaunt and gallant face of Sir John Tremoth, and reflected upon the lifelong hell to which he had been condemned, and the apparent fortitude with which he had borne its unthinkable ordeals. A bottle of excellent sherry was brought in. Over this, we sat for an hour or more. Sir John spoke at some length concerning my father, of whose death he had not previously heard; and he drew me out in regard to my own affairs with the subtle adroitness of a polished man of the world. He said little about himself, and not even by hint or implication did he refer to the tragic history which I have outlined.

Since I am rather abstemious, and did not empty my glass with much frequency, the major part of the heavy wine was consumed by my host. Toward the end, it seemed to bring out in him a curious vein of confidentiality; and he spoke for the first time of the ill health that was all too patent in his appearance. I learned that he was subject to that most painful form: of heart disease, angina pectoris, and had recently recovered from an attack of unusual severity.

‘The next one will finish me,’ he said. ‘And it may come at any time—perhaps tonight.’ He made the announcement very simply, as if he were voicing a commonplace or venturing a prediction about the weather. Then, after a slight pause, he went on, with more emphasis and weightiness of tone:

‘Maybe you’ll think me queer, but I have a fixed prejudice against burial or vault interment. I want my remains to be thoroughly cremated, and have left careful directions to that end. Harper will see to it that they are fulfilled. Fire is the cleanest and purest of the elements, and it cuts short all the damnable processes between death and ultimate disintegration. I can’t bear the idea of some moldy, worm-infested tomb.’

He continued to discourse on the subject for some time, with a singular elaboration and tenseness of manner that showed it to be a familiar theme of thought, if not an actual obsession. It seemed to possess a morbid fascination for him; and there was a painful light in his hollow, haunted eyes, and a touch of rigidly subdued hysteria in his voice, as he spoke. I remembered the interment of Lady Agatha, and her tragic resurrection, and the dim, delirious horror of the vaults that had formed an inexplicable and vaguely disturbing part of her story. It was not hard to understand Sir John’s aversion to burial; but I was far from suspecting the full terror and ghastliness on which his repugnance had been founded.

Harper had disappeared after bringing the sherry; and I surmised that he had been given orders for the renovation of my room. We had now drained our last glasses; and my host had ended his peroration. The wind, which had animated him briefly, seemed to die out, and he looked more ill and haggard than ever. Pleading my own fatigue, I expressed a wish to retire; and he, with his invariable courtliness, insisted on seeing me to my chamber and making sure of my comfort, before seeking his own bed.

In the hall above, we met Harper, who was just descending from a flight of stairs that must have led to an attic or third floor. He was carrying a heavy iron pan, in which a few scraps of meat remained; and I caught an odor of pronounced gaminess, almost virtual putrescence, from the pan as he went by. I wondered if he had been feeding the unknown monstrosity, and if perhaps its food were supplied to it through a trap in the ceiling of the barred room. The surmise was reasonable enough, but the odor of the scraps, by a train of remote, half-literary association, had begun to suggest other surmises which, it would seem, were beyond the realm of possibility and reason. Certain evasive, incoherent hints appeared to point themselves suddenly to an atrocious and abhorrent whole. With imperfect success, I assured myself that the thing I had fancied was incredible to science; was a mere creation of superstitious diablerie. No, it could not be... here in England, of all places... that corpse-devouring demon of Oriental tales and legends, ... the ghoul.

Contrary to my fears, there was no repetition of the fiendish howling as we passed the secret room. But I thought that I heard a measured crunching, such as a large animal would make in devouring its food.

My room, though still drear and dismal enough, had been cleared of its accumulated dust and matted gossamers. After a personal inspection, Sir John left me and retired to his own chamber. I was struck by his deathly pallor and weakness, as he said good night to me, and felt guiltily apprehensive that the strain of receiving and entertaining a guest might have aggravated the dire disease from which he suffered. I seemed to detect actual pain and torment beneath his careful armor of urbanity, and wondered if the urbanity had not been maintained at an excessive cost.

The fatigue of my day-long journey, together with the heavy wine I had drunk, should have conduced to early slumber. But though I lay with tightly closed lids in the darkness, I could not dismiss those evil shadows, those black and charnel larvae, that swarmed upon me from the ancient house. Insufferable and forbidden things besieged me with filthy talons, brushed me with noisome coils, as I tossed through eternal hours and lay staring at the gray square of the storm-darkened window. The dripping of the rain, the sough and moan of the wind, resolved themselves to a dread mutter of half-articulate voices that plotted against my peace and whispered loathfully of nameless secrets in demonian language.

At length, after the seeming lapse of nocturnal centuries, the tempest died away, and I no longer heard the equivocal voices. The window lightened a little in the black wall; and the terrors of my night-long insomnia seemed to withdraw partially, but without bringing the surcease of slumber. I became aware of utter silence; and then, in the silence, of a queer, faint, disquieting sound whose cause and location baffled me for many minutes.

The sound was muffled and far off at times; then it seemed to draw near, as if it were in the next room. I began to identify it as a sort of scratching, such as would be made by the claws of an animal on solid woodwork. Sitting up in bed, and listening attentively, I realized with a fresh start of horror that it came from the direction of the barred chamber. It took on a strange resonance; then it became almost inaudible; and suddenly, for awhile, it ceased. In the interim, I heard a groan, like that of a man in great agony or terror. I could not mistake the source of the groan, which had issued from Sir John Tremoth’s room; nor was I doubtful any longer as to the causation of the scratching.

The groan was not repeated; but the damnable clawing sound began again and was continued till day-break Then, as if the creature that had caused the noise were wholly nocturnal in its’ habits, the faint, vibrant rasping ceased and was not resumed. In a state of dull, nightmarish apprehension, drugged with weariness and want of sleep, I had listened to it with intolerably straining ears. With its cessation, in the hueless, livid dawn, I slid into a deep slumber, from which the muffled and amorphous specters of the old Hall were unable to detain me any longer.

I was awakened by a loud knocking on my door — a knocking in which even my sleep-confused senses could recognize the imperative and urgent. It must have been close upon midday; and feeling guilty at having overslept so egregiously, I ran to the door and opened it. The old manservant, Harper, was standing without, and his tremulous, grief-broken manner told me before he spoke that something of dire import had occurred.

‘I regret to tell you, Mr. Chaldane,’ he quavered, ‘that Sir John is dead. He did not answer my knock as usual; so I made bold to enter his room. He must have died early this morning.’

Inexpressibly shocked by his announcement, I recalled the single groan I had heard in the gray beginning of dawn. My host, perhaps, had been dying at that very moment. I recalled, too, the detestable nightmare scratching. Unavoidably, I wondered if the groan had been occasioned by fear as well as by physical pain. Had the strain and suspense of listening to that hideous sound brought on the final paroxysm of Sir John’s malady? I could not be sure of the truth; but my brain seethed with awful and ghastly conjectures.

With the futile formalities that one employs on such occasions, I tried to condole with the aged servant, and offered him such assistance as I could in making the necessary arrangements for the disposition of his master’s remains. Since there was no telephone in the house, I volunteered to find a doctor who would examine the body and sign the death certificate. The old man seemed to feel a singular relief and gratitude.

‘Thank you, sir,’ he said fervently. Then, as if in explanation: ‘I don’t want to leave Sir John — I promised him that I’d keep a close watch over his body.’ He went on to speak of Sir John’s desire for cremation. It seemed that the baronet had left explicit directions for the building of a pyre of driftwood on the hill behind the Hall, the burning of his remains on this pyre, and the sowing of his ashes on the fields of the estate. These directions he had enjoined and empowered the servant to carry out as soon after death as possible. No one was to be present at the ceremony, except Harper and the hired pall bearers; and Sir John’s nearer relatives—none of whom lived in the vicinity—were not to be informed of his demise till all was over.

I refused Harper’s offer to prepare my breakfast, telling him that I could obtain a meal in the neighboring village. There was a strange uneasiness in his manner; and I realized, with thoughts and emotions not to be specified in this narrative, that he was anxious to begin his promised vigil beside Sir John’s corpse.

It would be tedious and unnecessary to detail the funereal afternoon that followed. The heavy sea fog had returned; and I seemed to grope my way through a sodden but unreal world as I sought the nearby town. I succeeded in locating a doctor and also in securing several men to build the pyre and act as pall bearers. I was met everywhere with an odd taciturnity, and no one seemed willing to comment on Sir John’s death or to speak of the dark legendry that was attached to Tremoth Hall.

Harper, to my amazement, had proposed that the cremation should take place at once. This, however, proved to be impracticable. When all the formalities and arrangements had been completed, the fog turned into a steady, everlasting downpour which rendered impossible the lighting of the pyre; and we were compelled to defer the ceremony. I had promised Harper that I should remain at the Hall till all was done; and so it was that I spent a second night beneath that roof of accurst and abominable secrets.

The darkness came on betimes. After a last visit to the village, in which I procured some sandwiches for Harper and myself in lieu of dinner, I returned to the lonely Hall. I was met by Harper on the stairs, as I ascended to the deathchamber. There was an increased agitation in his manner, as if something had happened to frighten him.

‘I wonder if you’d keep me company tonight, Mr. Chaldane,’ he said. ‘It’s a gruesome watch that I’m asking you to share, and it may be a dangerous one. But Sir John would thank you, I am sure. If you have a weapon of any sort, it will be well to bring it with you.’

It was impossible to refuse his request, and I assented at once. I was unarmed; so Harper insisted on equipping me with an antique revolver, of which he himself carried the mate.

‘Look here, Harper,’ I said bluntly, as we followed the hall to Sir John’s chamber, ‘what are you afraid of?’

He flinched visibly at the question and seemed unwilling to answer. Then, after a moment, he appeared to realize that frankness was necessary.

‘It’s the thing in the barred room,’ he explained. ‘You must have heard it, sir. We’ve had the care of it, Sir John and I, these eight and twenty years; and we’ve always feared that it might break out. It never gave us much trouble — as long as we kept it well-fed. But for the last three nights, it has been scratching at the thick oaken wall of Sir John’s chamber, which is something it never did before. Sir John thought it knew that he was going to die, and that it wanted to reach his body — being hungry for other food than we had given it. That’s why we must guard him closely tonight, Mr. Chaldane. I pray to God that the wall will hold; but the thing keeps on clawing and clawing, like a demon; and I don’t like the hollowness of the sound — as if the wall were getting pretty thin.’

Appalled by this confirmation of my own most repugnant surmise, I could offer no rejoinder, since all comment would have been futile. With Harper’s open avowal, the abnormality took on a darker and more encroaching shadow, a more potent and tyrannic menace. Willingly would I have foregone the promised vigil — but this, of course, it was impossible to do.

The bestial, diabolic scratching, louder and more frantic than before, assailed my ears as we passed the barred room. All too readily, I understood the nameless fear that had impelled the old man to request my company. The sound was inexpressibly alarming and nerve-sapping, with its grim, macabre insistence, its intimation of ghoulish hunger. It became even plainer, with a hideous, tearing vibrancy, when we entered the room of death.

During the whole course of that funereal day, I had refrained from visiting this chamber, since I am lacking in the morbid curiosity which impels many to gaze upon the dead. So it was that I beheld my host for the second and last time. Fully dressed and prepared for the pyre, he lay on the chill white bed whose heavily figured, arraslike curtains had been drawn back. The room was lit by several tall tapers, arranged on a little table in curious brazen candelabras that were greened with antiquity; but the light seemed to afford only a doubtful, dolorous glimmering in the drear spaciousness and mortuary shadows.

Somewhat against my will, I gazed on the dead features, and averted my eyes very hastily. I was prepared for the stony pallor and rigor, but not for the full betrayal of that hideous revulsion, that inhuman terror and horror, which must have corroded the man’s heart through infernal years; and which, with almost superhuman control, he had masked from the casual beholder in life. The revelation was too painful, and I could not look at him again. In a sense, it seemed that he was not dead; that he was still listening with agonized attention to the dreadful sounds that might well have served to precipitate the final attack of his malady.

There were several chairs, dating, I think, like the bed itself, from the seventeenth century. Harper and I seated ourselves near the small table and between the deathbed and the paneled wall of blackish wood from which the ceaseless clawing sound appeared to issue. In tacit silence, with drawn and cocked revolvers, we began our ghastly vigil.

As we sat and waited, I was driven to picture the unnamed monstrosity; and formless or half-formed images of charnel nightmare pursued each other in chaotic succession through my mind. An atrocious curiosity, to which I should normally have been a stranger, prompted me to question Harper; but I was restrained by an even more powerful inhibition. On his part, the old man volunteered no information or comment whatever, but watched the wall with fear-bright eyes that did not seem to waver in his palsy-nodding head.

It would be impossible to convey the unnatural tension, the macabre suspense and baleful expectation of the hours that followed. The woodwork must have been of great thickness and hardness, such as would have defied the assaults of any normal creature equipped only with talons or teeth; but in spite of such obvious arguments as these, I thought momentarily to see it crumble inward. The scratching noise went on eternally; and to my febrile fancy, it grew sharper and nearer every instant. At recurrent intervals, I seemed to hear a low, eager, dog-like whining, such as a ravenous animal would make when it neared the goal of its burrowing.

Neither of us had spoken of what we should do, in case the monster should attain its objective; but there seemed to be an unvoiced agreement. However, with a superstitiousness of which I should not have believed myself capable, I began to wonder if the monster possessed enough of humanity in its composition to be vulnerable to mere revolver bullets. To what extent would it display the traits of its unknown and fabulous paternity’? I tried to convince myself that such questions and wonderings were patently absurd; but was drawn to them again and again, as if by the allurement of some forbiddem gulf.

The night wore on, like the flowing of a dark, sluggish stream; and the tall, funeral tapers had burned to within an inch of their verdigris-eaten sockets. It was this circumstance alone that gave me an idea of the passage of time; for I seemed to be drowning in a black eternity, motionless beneath the crawling and seething of blind horrors. I had grown so accustomed to the clawing noise in the woodwork, and the sound had gone on so long, that I deemed its evergrowing sharpness and hollowness a mere hallucination; and so it was that the end of our vigil came without apparent warning.

Suddenly, as I stared at the wall and listened with frozen fixity, I heard a harsh, splinteriag souod, and saw that a narrow strip had broken loose and was hanging from the panel. Then, before I could collect myself or credit the awful witness of my senses, a large semicircular portion of the wall collapsed in many splinters beneath the impact of some ponderous body.

Mercifully, perhaps, I have never been able to recall with any degree of distinctness the hellish thing that issued from the panel. The visual shock, by its own excess of horror, has almost blotted the details from memory. I have, however, the blurred impression of a huge, whitish, hairless and semi-quadruped body, of canine teeth in a half-human face, and long hyena nails at the end of forelimbs that were both arms and legs. A charnel stench preceded the apparition, like a breath from the den of some carrion-eating animal; and then, with a single nightmare leap, the thing was upon us.

I heard the staccato crack of Harper’s revolver, sharp and vengeful in the closed room; but there was only a rusty click from my own weapon. Perhaps the cartridge was too old; any rate, it had misfired. Before I could press the trigger again, I was hurled to the floor with terrific violence, striking my head against the heavy base of the little table. A black curtain, spangled with countless fires, appeared to fall upon me and to blot the room from sight. Then all the fires went out, and there was only darkness.

Again, slowly, I became conscious of flame and shadow; but the flame was bright and Qickering, and seemed to grow ever more brilliant. Then my dull, doubtful senses were sharply revived and clarified by the acrid odor of burning cloth. The features of the room returned to vision, and I found that I was lying huddled against the overthrown table, gazing toward the death-bed. The guttering candles had been hurled to the floor. One of them was eating a slow circle of fire in the carpet beside me; and another, spreading, had ignited the bed curtains, which were flaring swiftly upward to the great canopy. Even as I lay staring, huge, ruddy tatters of the burning fabric fell upon the bed in a dozen places, and the body of Sir John Tremoth was ringed about with starting flames.

I staggered heavily to my feet, dazed and giddy with the fall that had hurled me into oblivion. The room was empty, except for the old manservant, who lay near the door, moaning indistinctly. The door itself stood open, as if someone — or something had gone out during my period of unconsciousness. I turned again to the bed, with some instinctive, halfformed intention of trying to extinguish the blaze. The flames were spreading rapidly, were leaping higher, but they were not swift enough to veil from my sickened eyes the hands and features — if one could any longer call them such — of that which had been Sir John Tremath. Of the last horror that had overtaken him, I must forbear explicit mention; and I would that I could likewise avoid the remembrance. All too tardily had the monster been frightened away by the fire...

There is little more to tell. Looking back once more, as I reeled from the smoke-laden room with Harper in my arms, I saw that the bed and its canopy had become a mass of mounting flames. The unhappy baronet had found in his own deathchamber the funeral pyre for which he had longed.

It was nearly dawn when we emerged from the doomed manor-house The rain had ceased, leaving a heaven lined with high and dead-gray clouds. The chill air appeared to revive the aged manservant, and he stood feebly beside me, uttering not a word, as we watched an ever-climbing spire of flame that broke from the somber-roof of Tremoth Hall and began to cast a sullen glare on the unkempt hedges.

In the combined light of the fireless dawn and the lurid conflagration, we both saw at our feet the semihuman, monstrous footprints, with their mark of long and canine nails, that had been trodden freshly and deeply in the rain-wet soil. They came from the direction of the manor-house, and ran toward the heath-clad hill that rose behind it.

Still without speaking, we followed the steps. Almost without interruption, they led to the entrance of the ancient family vaults, to the heavy iron door in the hillside that had been closed for a full generation by Sir John Tremoth’s order. The door itself swung open, and we saw that its rusty chain and lock had been shattered by a strength that was more than the strength of man or beast. Then, peering within, we saw the clay-touched outline of the unreturning footprints that went downward into mausolean darkness on the stairs.

We were both weaponless, having left our revolvers behind us in the death-chamber; but we did not hesitate long. Harper possessed a liberal supply of matches; and looking about, I found a heavy billet of water-soaked wood, which might serve in lieu of a cudgel In grim silence, with tacit determination, and forgetful of any danger, we conducted a thorough search of the well-nigh interminable vaults, striking match after match as we went on in the musty shadows.

The traces of ghoulish footsteps grew fainter as we followed them into those black recesses; and we found nothing anywhere but noisome dampness and undisturbed cobwebs and the countless coffins of the dead. The thing that we sought had vanished utterly, as if swallowed up by the subterranean walls.

At last we returned to the entrance. There, as we stood blinking in the full daylight, with gray and haggard faces, Harper spoke for the first time, saying in his slow, tremulous voice:

‘Many years ago — soon after Lady Agatha’s death — Sir John and I searched the vaults from end to end; but we could find no trace of the thing we suspected. Now, as then, it is useless to seek. There are mysteries which, God helping, will never be fathomed. We know only that the offspring of the vaults has gone back to the vaults. There may it remain.’

Silently, in my shaken heart, I echoed his last words and his wish.

Saturday, January 4, 2025

A Farewell to Arms by Ernest Hemingway | Foreword by Olivia Salter

  

A Farewell to Arms by Ernest Hemingway | Foreword by Olivia Salter


A Farewell to Arms


By Ernest Hemingway



Foreword


Ernest Hemingway’s A Farewell to Arms is much more than a novel of love and war; it is a profound exploration of the human condition, told through the lens of one man’s journey during World War I. First published in 1929, this semi-autobiographical work captures the essence of Hemingway’s literary genius—his unmatched ability to distill emotion and experience into prose that is as sparse as it is deeply evocative.

Set against the backdrop of the Italian front, the novel chronicles the story of Frederic Henry, an American ambulance driver, and his passionate, tragic romance with Catherine Barkley, a British nurse. Their love blossoms amidst the chaos of war, a stark reminder of the fragility and transience of human connection. Yet, this is not a story of idealized romance or heroism. Instead, Hemingway offers an unflinching portrayal of love as both salvation and suffering, and war as both senseless destruction and a crucible of human resilience.

Hemingway’s prose, characterized by its simplicity and precision, allows readers to inhabit the spaces between words, where the deepest emotions reside. His use of understatement—what he famously called the "iceberg theory"—renders moments of joy and sorrow with haunting clarity, leaving readers to grapple with what lies beneath the surface.

The themes of A Farewell to Arms—love, loss, courage, disillusionment—are timeless, resonating with readers across generations. It is a book that speaks not only to the specific horrors of World War I but to the universal struggles of humanity in the face of war, uncertainty, and mortality.

As you embark on this journey through Frederic Henry’s world, prepare to confront the full spectrum of human experience. Hemingway does not shy away from life’s harsh realities, but within those, he uncovers moments of profound beauty and truth. A Farewell to Arms is a testament to the enduring power of literature to illuminate the darkest corners of existence and remind us of the resilience of the human spirit.

Olivia Salter

01/04/2025




The PDF might take a minute to load. Or, click to download PDF.

If your Web browser is not configured to display PDF files. No worries, just click here to download the PDF file.