Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, April 15, 2022

A Madman by Maurice Level

A Madman by Maurice Level

 

 A Madman 

by Maurice Level

 

He was neither wicked nor cruel, but he hungered for the unexpected. The theatre did not interest him, yet he attended often, hoping for the outbreak of a fire. He went to the fair at Neuilly to see if perhaps one of the menagerie animals might go wild and mangle its trainer. Once he even visited the bullring, but its calculated bloodshed was mundane, too controlled. Meaningless suffering revolted him; he craved the thrill of sudden catastrophe. 

Then, after ten years of waiting, fire indeed ravaged the Opera Comique one night when he was there. He escaped uninjured, but soon afterwards he saw the celebrated lion-tamer Frederick torn to pieces by his cats. The madman was only a few feet away from the cage when it happened. He lost interest in wild beast shows and the theatre and fell into a deep depression. 

But then one morning he saw a garish poster, one of many that covered the walls of Paris. Against a blue background, a peculiar slanted track descended, curled itself into a circular loop and then plummeted straight down. The top of the billboard depicted a tiny cyclist about to dare the dangerous route. 

The newspapers ran a story explaining that the cyclist intended to ride down just such a track. “When I reach the loop,” he told reporters, “you’ll actually see me round it upside down!” The press was invited to inspect the track and the bicycle. “I use no mechanical trickery,” the daredevil bragged, “nothing but precise scientific calculation. That—and my ability to keep up my nerve.” 

When the madman read the article, his good spirits returned. He immediately went to buy a ticket. He did not want his attention distracted when the rider looped the loop, so he purchased an entire box of seats opposite the track and sat alone on opening night. After a suspenseful wait, the cyclist appeared high above the audience at the top of the ribbon of road. A moment of tense anticipation, then down he sped. As promised, he circled the loop with head underneath and feet in the air—and then it was all over. 

The performance certainly thrilled the madman, but as he exited with the crowd, he knew he might experience the same intense sensation once or twice more and then, as always, the novelty would die. Still . . . bicycles break, road surfaces wear out . . . and no man’s nerve holds out forever. Sooner or later, there must be an accident. 

The cyclist was scheduled to perform for three months in Paris and then tour the provinces. The madman decided to go to every single performance, even if he had to follow the show on its travels. He bought the same box for the entire Parisian run and sat in the same seat night after night. 

One evening two months later, the performance had just ended and the madman was on his way out when he noticed the performer standing in one of the corridors of the auditorium. He walked up to him, but before he could utter a word, the cyclist greeted him affably. 

“I know you. You come to my show every night.” 

“That’s true. Your remarkable feat fascinates me. But who told you I’m always here?” 

“No one,” the rider smiled. 

“I see you myself.” 

“But how can you, so high up? At such a moment, are you actually able to study the audience?” 

The cyclist laughed. “Hardly. It’d be dangerous for me to look at a crowd shifting around andprattling. But confidentially, there’s a little trick involved in what I do.” 

“A trick?” The madman was surprised and dismayed. 

“No, no, I don’t mean a hoax. But there’s something I do which the public is unaware of.” The cyclist winked. “This’ll be our little secret, yes? When I mount my bicycle and grasp the handlebars, I never worry about my own strength and coordination, but the total concentration the ride demands concerns me. It’s almost impossible for me to empty my mind of all but one idea. My greatest danger is that my eyes may stray. But here’s my trick—I find one spot in the auditorium and focus all my attention on it. The first time I rode in this hall, I spied you in your box and chose you as my spot. The next evening, there you were again . . .” 

The madman sat in his customary seat. The usual excited buzz filled the hail. A hush fell when the rider made his entrance, a black speck far overhead. Two men held his bicycle. The cyclist gripped the handlebars, stared out over the heads of the crowd and shouted the signal. The men gave the machine a shove. 

At that instant, the madman rose and walked to the opposite side of his box. The audience screamed as cycle and rider shot off the track and plunged into the midst of the crowd. 

The madman donned his coat, smoothed his hat against one sleeve and departed.

Also see:

Short Ghost and Horror Story Collections Vol. 008 (Audio Book)

Short Ghost and Horror Story Collections Vol. 008 (Audio Book)

LibriVox’s Short Ghost and Horror Story Collections Vol. 008 (Audio Book)


A collection of fifteen stories featuring ghoulies, ghosties, long-leggedy beasties and things that go bump in the night. Expect shivers up your spine, the stench of human flesh, and the occasional touch of wonder.

Readers include:

Roger Clifton
StephenC
John Feaster
Stephen Ball
om123
Erin B. Lillis
Psudonae Vox
Gregg Margarite
Bill Boerst

Genre(s): Horror & Supernatural Fiction, Short Stories

Language: English

Group: Short Ghost and Horror Story Collections

 

CONTENTS

  1. The Amputated Arms by Jorgen Wilhelm Bergsøe, read by Roger Clifton 00:38:28
  2. The Black Dog by Stephen Crane, read by StephenC 00:12:39
  3. The Brown Hand by Sir Arthur Conan Doyle, read by Roger Clifton 00:35:11
  4. The Dead Valley by Ralph Adams Cram, read by John Feaster 00:20:49
  5. The Diary of Mr. Poynter by M. R. James, read by Steven Ball 00:26:52
  6. The Enchanted Woman by Anna Bonus Kingsford, read by om123 00:09:55 
  7. The Haunted House in Royal Street by George Washington Cable, read by Erin B. Lillis 00:56:57 
  8. A Madman by Maurice Level, read by Steven Ball 00:05:47 
  9. The Man of Science by Jerome K. Jerome, read by John Feaster 00:13:38
  10. The Murderer by Richard Middleton, read by Steven Ball 00:03:55 
  11. The Other Wing by Algernon Blackwood, read by Psudonae Vox 00:39:14 
  12. The Secret of Goresthorpe Grange by Sir Arthur Conan Doyle, read by Gregg Margarite (1957-2012) 00:41:48 
  13. To be Used Against Him by Richard Marsh, read by om123 00:47:32 
  14. The Vision of Mirzah by Joseph Addison, read by Bill Boerst 00:12:03 
  15. The Weird Violin by Anonymous, read by  om123  00:13:11

Also see:

 

Short Ghost and Horror Story Collections Vol. 007 (Audio Book)

 

Short Ghost and Horror Story Collections Vol. 007 (Audio Book)

LibriVox’s Short Ghost and Horror Story Collections Vol. 007 (Audio Book)


A collection of fifteen stories featuring ghoulies, ghosties, long-leggedy beasties and things that go bump in the night. Expect shivers up your spine, the stench of human flesh, and the occasional touch of wonder.

Genre(s): Horror & Supernatural Fiction, Short Stories

Language: English

Group: Short Ghost and Horror Story Collections

 

CONTENTS

  1.  The Canterville Ghost by Oscar Wilde, read by Eric Leach 00:56:45
  2. The Cask of Amontillado by Edgar Allan Poe, read by Glen Hallstrom 00:15:35
  3. The Cold Embrace by Mary Elizabeth Braddon, read by Cody Logan 00:22:46
  4. Deceiving Shadows by Songling Pu,  read by Chris Caron 00:06:57
  5. The Highwaymen by Lord Dunsany, read by Gregg Margarite (1957-2012) 00:11:41
  6. Hop-Frog by Edgar Allan Poe, read by Utek 00:26:16
  7. The House of the Nightmare by Edward Lucas White, read by Zarnaz 00:21:45 
  8. The Invalid's Story by Mark Twain, read by Gregg Margarite (1957-2012) 00:16:32 
  9. Lazarus by Leonid Nikolayevich Andreyev, read by Gregg Margarite (1957-2012) 00:45:34
  10. Nyarlahotep  by  H. P. Lovecraft, read by Glen Hallstrom 00:07:50
  11. The Signal-Man by Charles Dickens, read by Megan Argo 00:28:56 
  12. The Tell-Tale Heart by Edgar Allan Poe, read by Joe Cooning 00:13:42
  13. Thirteen at Table by Lord Dunsany, read by om123 00:23:47 
  14. The Vixen by leister Crowley, read by Cyril Shevtsov 00:09:18 
  15. William Wilson by Edgar Allan Poe , read by Bill Cissna 00:53:30


Thursday, April 14, 2022

Children of the Moon by Richard Middleton

 
Children of the Moon By Richard Middleton

Children of the Moon


by Richard Middleton


The boy stood at the place where the park trees stopped and the smooth lawns slid away gently to the great house. He was dressed only in a pair of ragged knickerbockers and a gaping buttonless shirt, so that his legs and neck and chest shone silver bare in the moonlight. By day he had a mass of rough golden hair, but now it seemed to brood above his head like a black cloud that made his face deathly white by comparison. On his arms there lay a great heap of gleaming dew- wet roses and lilies, spoil of the park flower-beds. Their cool petals touched his cheek, and filled his nostrils with aching scent. He felt his arms smarting here and there, where the thorns of the roses had torn them in the dark, but these delicate caresses of pain only served to deepen to him the wonder of the night that wrapped him about like a cloak. Behind him there dreamed the black woods, and over his head multitudinous stars quivered and balanced in space; but these things were nothing to him, for far across the lawn that was spread knee-deep with a web of mist there gleamed for his eager eyes the splendour of a fairy palace. Red and orange and gold, the lights of the fairy revels shone from a hundred windows and filled him with wonder that he should see with wakeful eyes the jewels that he had desired so long in sleep. He could only gaze and gaze until his straining eyes filled with tears, and set the enchanted lights dancing in the dark. On his ears, that heard no more the crying of the night-birds and the quick stir of the rabbits in the brake, there fell the strains of far music. The flowers in his arms seemed to sway to it, and his heart beat to the deep pulse of the night.

So enraptured were his senses that he did not notice the coming of the girl, and she was able to examine him closely before she called to him softly through the moonlight.

"Boy! Boy!"

At the sound of her voice he swung round and looked at her with startled eyes. He saw her excited little face and her white dress. "Are you a fairy?" he asked hoarsely, for the night-mist was in his voice. "No," she said, "I'm a little girl. You're a wood-boy, I suppose?"

He stayed silent, regarding her with a puzzled face. Who was this little white creature with the tender voice that had slipped so suddenly out of the night?

"As a matter of fact," the girl continued, "I've come out to have a look at the fairies. There's a ring down in the wood. You can come with me if you like, wood-boy."

He nodded his head silently, for he was afraid to speak to her, and set off through the wood by her side, still clasping the flowers to his breast.

"What were you looking at when I found you?" she asked.

"The palace — the fairy palace," the boy muttered.

"The palace?" the girl repeated. "Why, that's not a palace; that's where I live."

The boy looked at her with new awe; if she were a fairy — But the girl had noticed that his feet made no sound beside her shoes.

"Don't the thorns prick your feet, wood-boy?" she asked; but the boy said nothing, and they were both silent for a while, the girl looking about her keenly as she walked, and the boy watching her face. Presently they came to a wide pool where a little tinkling fountain threw bubbles to the hidden fish.

"Can you swim?" she said to the boy.

He shook his head.

"It's a pity," said the girl; "we might have had a bathe. It would be rather fun in the dark, but it's pretty deep there. We'd better get on to the fairy ring."

The moon had flung queer shadows across the glade in which the ring lay, and when they stood on the edge listening intently the wood seemed to speak to them with a hundred voices.

"You can take hold of my hand, if you like," said the girl, in a whisper.

The boy dropped his flowers about his white feet and felt for the girl's hand in the dark. Soon it lay in his own, a warm live thing, that stirred a little with excitement. "I'm not afraid," the girl said; and so they waited.

The man came upon them suddenly from among the silver birches. He had a knapsack on his back and his hair was as long as a tramp's. At sight of him the girl almost screamed, and her hand trembled in the boy's; some instinct made him hold it tighter.

"What do you want?" he muttered, in his hoarse voice.

The man was no less astonished than the children.

"What on earth are you doing here?" he cried. His voice was mild and reassuring, and the girl answered him promptly. "I came out to look for fairies."

"Oh, that's right enough," commented the man, "and you," he said, turning to the boy, "are you after fairies, too? Oh, I see; picking flowers. Do you mean to sell them?" The boy shook his head. "For my sister," he said, and stopped abruptly. "Is your sister fond of flowers?" "Yes; she's dead."

The man looked at him gravely. "That's a phrase," he said, "and phrases are the devil. Who told you that dead people like flowers?" "They always have them," said the boy, blushing for shame of his pretty thought. "And what are you looking for?" the girl interrupted.

The man made a mocking grimace, and glanced around the glade as if he were afraid of being overheard. "Dreams," he said bluntly.

The girl pondered this for a moment. "And your knapsack?" she began. "Yes," said the man, "it's full of them. The children looked at the knapsack with interest, the girl's fingers tingling to undo the straps of it.

"What are they like?" she asked.

The man gave a short laugh.

"Very like yours and his, I expect; when you grow older, young woman, you'll find there's really only one dream possible for a sensible person. But you don't want to hear about my troubles. This is more in your line." He put his hand in his pocket and pulled out a flageolet, which he put to his lips. "Listen!" he said.

To the girl it seemed as though the little tune had leapt from the pipe, and was dancing round the ring like a real fairy, while echo came tripping through the trees to join it. The boy gaped and said nothing.

At last, when the fairy was beginning to falter and echo was quite out of breath, the man took the flageolet from his lips. "Well," he said, with a smile.

"Thank you very much," said the girl politely. "I think that was very nice indeed. Oh, boy!" she broke off, "you're hurting my hand!" The boy's eyes were shining strangely, and he was waving his arms in dismay. "All the wasted moonlight! he cried; the grass is quite wet with it." The girl turned to him in surprise. "Why, boy, you've found your voice.

"After that," said the man gravely, as he put his flageolet back in his pocket, "I think I will show you the inside of my knapsack."

The girl bent down eagerly, while he loosened the straps, but gave a cry of dissappointment when she saw the contents.

"Pictures!" she said.

"Pictures," echoed the man drily, — "pictures of dreams. I don't know how you're going to see them. Perhaps the moon will do her best."

The girl looked at them nicely, and passed them on one by one to the boy. Presently she made a discovery.

"Oh, boy!" she cried, "your tears are spoiling all the pictures." "I'm sorry," said the boy huskily; "I can't help it."

"I know," the man said quickly; "it doesn't matter a bit. I expect you've seen these pictures before."

"I know them all," said the boy, "but I have never seen them." The man frowned.

"It's the devil," he said to himself, "when boys speak English." He turned suddenly to the girl, who was puzzling over the boy's tears. "It's time you went back to bed," he said; "there won't be any fairies to-night. It's too cold for them."

The girl yawned.

"I shall get into a row when I get back if they've found it out. I don't care."

"The moon is fading," said the boy suddenly; "there are no more shadows."

"We will see you through the wood," the man continued, "and say good-night."

He put his pictures back in his knapsack and then walked silently through the murmuring wood. At the edge of the wood the girl stopped.

"You are a wood-boy," she said to the boy, "and you mustn't come any farther. You can give me a kiss if you like."

The boy did not move, but stayed regarding her awkwardly.

"I think you are a very silly boy," said the girl, with a toss of her head, and she stalked away proudly into the mist. "Why didn't you kiss her?" asked the man. "Her lips would burn me," said the boy. The man and the boy walked slowly across the park.

"Now, boy," said the man, "since civilisation has gone to bed the time has come for you to hear your destiny."

"I am only a poor boy," the boy replied simply. "I don't think I have any destiny." "Paradox," said the man, "is meant to conceal the insincerity of the aged, not to express the simplicity of youth. But I wander. You have made phrases to-night." "What are phrases?"

"What are dreams? What are roses? What, in fine, is the moon? Boy, I take you for a moon- child. You hold her pale flowers in your arms, her white beams have caressed your limbs, you

prefer the kisses of her cool lips to those of that earth-child; all this is very well. But, above all, you have the music of her great silence; above all, you have her tears. When I played to you on my pipe you recognised the voice of your mother. When I showed you my pictures you recalled the tales with which she hushed you to sleep. And so I knew that you were her son and my little brother."

"The moon has always been my friend," said the boy; "but I did not know that she was my mother."

"Perhaps your sister knows it; the happy dead are glad to seek her for a mother; that is why they are so fond of white flowers." "We have a mother at home. She works very hard for us."

"But it is your mother among the clouds who makes your life beautiful, and the beauty of your life is the measure of your days."

While the boy reflected on these things they had reached the gates of the park, and they stole past the silent lodge on to the high road. A man was waiting there in the shadows, and when he saw the boy's companion he rushed out and seized him by the arm.

"So I've got you," he said; "I don't think I'll let you go again in a hurry."

The son of the moon gave a queer little laugh.

"Why, it's Taylor!" he said pleasantly; "but, Taylor, you know you're making a great mistake." "Very possibly," said the keeper, with a laugh.

"You see this boy here, Taylor; I assure you he is much madder than I am."

Taylor looked at the boy kindly.

"Time you were in bed, Tommy," he said.

"Taylor," said the man earnestly, "this boy has made three phrases. "If you don't lock him up he will certainly become a poet. He will set your precious world of sanity ablaze with the fire of his mother, the moon. Your palaces will totter, Taylor, and your kingdoms become as dust. I have warned you."

"That's right, sir; and now you must come with me."

"Boy," said the man generously, "keep your liberty. By grace of Providence, all men in authority are fools. We shall meet again under the light of the moon."

With dreamy eyes the boy watched the departure of his companion. He had become almost invisible along the road when, miraculously as it seemed, the light of the moon broke through the trees by the wayside and lit up his figure. For a moment it fell upon his head like a halo, and touched the knapsack of dreams with glory. Then all was lost in the blackness of night.

As he turned homeward the boy felt a cold wind upon his cheek. It was the first breath of dawn.

 

Also see:

No Living Voice by Thomas Street Millington, Version 2, (eBook)

No Living Voice by Thomas Street Millington, Version 2, (eBook)

 

No Living Voice

by Thomas Street Millington

 

Version 2, (eBook)

 

How do you account for it?’

‘I don’t account for it at all. I don’t pretend to understand it.’

‘You think, then, that it was really supernatural?’

‘We know so little what Nature comprehends–what are its powers and limits–that we can scarcely speak of anything that happens as beyond it or above it.’

‘And you are certain that this did happen?’

‘Quite certain; of that I have no doubt whatever.’

These sentences passed between two gentlemen in the drawing-room of a country house, where a small family party was assembled after dinner; and in consequence of a lull in the conversation occurring at the moment they were distinctly heard by nearly everybody present. Curiosity was excited, and enquiries were eagerly pressed as to the nature or supernature of the event under discussion. ‘A ghost story!’ cried one; ‘oh! delightful! we must and will hear it.’ ‘Oh! please, no,’ said another; ‘I should not sleep all night–and yet I am dying with curiosity.’

 

Also see:


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No Living Voice by Thomas Street Millington

No Living Voice by Thomas Street Millington

 

No Living Voice

 

by Thomas Street Millington


 

‘How do you account for it?’

‘I don’t account for it at all. I don’t pretend to understand it.’

‘You think, then, that it was really supernatural?’

‘We know so little what Nature comprehends–what are its powers and limits–that we can scarcely speak of anything that happens as beyond it or above it.’

‘And you are certain that this did happen?’

‘Quite certain; of that I have no doubt whatever.’

These sentences passed between two gentlemen in the drawing-room of a country house, where a small family party was assembled after dinner; and in consequence of a lull in the conversation occurring at the moment they were distinctly heard by nearly everybody present. Curiosity was excited, and enquiries were eagerly pressed as to the nature or supernature of the event under discussion. ‘A ghost story!’ cried one; ‘oh! delightful! we must and will hear it.’ ‘Oh! please, no,’ said another; ‘I should not sleep all night–and yet I am dying with curiosity.’

Others seemed inclined to treat the question rather from a rational or psychological point of view, and would have started a discussion upon ghosts in general, each giving his own experience; but these were brought back by the voice of the hostess, crying, ‘Question, question!’ and the first speakers were warmly urged to explain what particular event had formed the subject of their conversation.

‘It was you, Mr Browne, who said you could not account for it; and you are such a very matter-of-fact person that we feel doubly anxious to hear what wonderful occurrence could have made you look so grave and earnest.’

‘Thank you,’ said Mr Browne. ‘I am a matter-of-fact person, I confess; and I was speaking of a fact; though I must beg to be excused saying any more about it. It is an old story; but I never even think of it without a feeling of distress; and I should not like to stir up such keen and haunting memories merely for the sake of gratifying curiosity. I was relating to Mr Smith, in few words, an adventure which befell me in Italy many years ago, giving him the naked facts of the case, in refutation of a theory which he had been propounding.’

‘Now we don’t want theories, and we won’t have naked facts; they are hardly proper at any time, and at this period of the year, with snow upon the ground,’ they would be most unseasonable; but we must have that story fully and feelingly related to us, and we promise to give it a respectful hearing, implicit belief, and unbounded sympathy. So draw round the fire, all of you, and let Mr Browne begin.’

Poor Mr Browne turned pale and red, his lips quivered, his entreaties to be excused became quite plaintive; but his good nature and perhaps, also, the consciousness that he could really interest his hearers, led him to overcome his reluctance; and after exacting a solemn promise that there should be no jesting or levity in regard to what he had to tell, he cleared his throat twice or thrice, and in a hesitating nervous tone began as follows:

‘It was in the spring of 18–. I had been at Rome during the Holy Week, and had taken a place in the diligence for Naples. There were two routes: one by way of Terracina and the other by the Via Latina, more inland. The diligence, which made the journey only twice a week, followed these routes alternately, so that each road was traversed only once in seven days. I chose the inland route, and after a long day’s journey arrived at Ceprano, where we halted for the night.

‘The next morning we started again very early, and it was scarcely yet daylight when we reached the Neapolitan frontier, at a short distance from the town. There our passports were examined, and to my great dismay I was informed that mine was not en règle. It was covered, indeed, with stamps and signatures, not one of which had been procured without some cost and trouble; but one ‘visa’ yet was wanting, and that the all-important one, without which none could enter the kingdom of Naples. I was obliged therefore to alight, and to send my wretched passport back to Rome, my wretched self being doomed to remain under police surveillance at Ceprano, until the diligence should bring it back to me on that day week, at soonest.

‘I took up my abode at the hotel where I had passed the previous night, and there I presently received a visit from the Capo di Polizia, who told me very civilly that I must present myself, even morning and evening at his bureau, but that I might have liberty to “circulate” in the neighbourhood during the day. I grew so weary of this dull place, that after I had explored the immediate vicinity of the town I began to extend my walks to a greater distance, and as I always reported myself to the police before night I met with no objection on their part.

‘One day, however, when I had been as far as Alatri and was returning on foot, night overtook me. I had lost my way, and could not tell how far I might be from my destination. I was very tired and had a heavy knapsack on my shoulders, packed with stones and relics from the ruins of the old Pelasgic fortress which I had been exploring, besides a number of old coins and a lamp or two which I had purchased there. I could discern no signs of any human habitation, and the hills, covered with wood, seemed to shut me in on every side. I was beginning to think seriously of looking out for some sheltered spot under a thicket in which to pass the night, when the welcome sound of a footstep behind me fell upon my ears. Presently a man dressed in the usual long shaggy coat of a shepherd overtook me, and hearing of my difficulty offered to conduct me to a house at a short distance from the road, where I might obtain a lodging; before we reached the spot he told me that the house in question was an inn and that he was the landlord of it. He had not much custom, he said, so he employed himself in shepherding during the day; but he could make me conformable, and give me a good supper also, better than I should expect, to look at him; but he had been in different circumstances once, and had lived in service in good families, and knew how things ought to be, and what a signore like myself was used to.

‘The house to which he took me seemed like its owner to have seen better days. It was a large rambling place and much dilapidated, but it was tolerably comfortable within; and my landlord, after he had thrown off his sheepskin coat, prepared me a good and savoury meal, and sat down to look at and converse with me while I ate it. I did not much like the look of the fellow; but he seemed anxious to be sociable and told me a great deal about his former life when he was in service, expecting to receive similar confidences from me. I did not gratify him much, but one must talk of something, and he seemed to think it only proper to express an interest in his guests and to learn as much of their concerns as they would tell him.

‘I went to bed early, intending to resume my journey as soon as it should be light. My landlord took up my knapsack, and carried it to my room, observing as he did so that it was a great weight for me to travel with. I answered jokingly that it contained great treasures, referring to my coins and relics; of course he did not understand me, and before I could explain he wished me a most happy little night, and left me.

‘The room in which I found myself was situated at the end of a long passage; there were two rooms on the right side of this passage, and a window on the left, which looked out upon a yard or garden. Having taken a survey of the outside of the house while smoking my cigar after dinner, when the moon was up, I understood exactly the position of my chamber–the end room of a long narrow wing, projecting at right angles from the main building, with which it was connected only by the passage and the two side rooms already mentioned. Please to bear this description carefully in mind while I proceed.

‘Before getting into bed, I drove into the floor close to the door a small gimlet which formed part of a complicated pocket-knife which I always carried with me, so that it would be impossible for any one to enter the room without my knowledge; there was a lock to the door, but the key would not turn in it; there was also a bolt, but it would not enter the hole intended for it, the door having sunk apparently from its proper level. I satisfied, myself, however, that the door was securely fastened by my gimlet, and soon fell asleep.

‘How can I describe the strange and horrible sensation which oppressed me as I woke out of my first slumber? I had been sleeping soundly, and before I quite recovered consciousness I had instinctively risen from my pillow, and was crouching forward, my knees drawn up, my hands clasped before my face, and my whole frame quivering with horror. I saw nothing, felt nothing; but a sound was ringing in my ears which seemed to make my blood run cold. I could not have supposed it possible that any mere sound, whatever might be its nature, could have produced such a revulsion of feeling or inspired such intense horror as I then experienced. It was not a cry of terror that I heard–that would have roused me to action–nor the moaning of one in pain—that would have distressed me, and called forth sympathy rather than aversion. True, it was like the groaning of one in anguish and despair, but not like any mortal voice: it seemed too dreadful, too intense, for human utterance. The sound had begun while I was fast asleep–close in the head of my bed–close to my very pillow; it continued after I was wide awake–a long, loud, hollow, protracted groan, making the midnight air reverberate, and then dying gradually away until it ceased entirely. It was some minutes before I could at all recover from the terrible impression which seemed to stop my breath and paralyse my limbs. At length I began to look about me, for the night was not entirely dark, and I could discern the outlines of the room and the several pieces of furniture in it. I then got out of bed, and called aloud, “Who is there? What is the matter? Is anyone ill?” I repeated these enquiries in Italian and in French, but there was none that answered. Fortunately I had some matches in my pocket and was able to light my candle. I then examined every pan of the room carefully, and especially the wall at the head of my bed, sounding it with my knuckles; it was firm and solid there, as in all other places. I unfastened my door, and explored the passage and the two adjoining rooms, which were unoccupied and almost destitute of furniture; they had evidently not been used for some time. Search as I would I could gain no clue to the mystery. Returning to my room I sat down upon the bed in great perplexity, and began to turn over in my mind whether it was possible I could have been deceived–whether the sounds which caused me such distress might be the offspring of some dream or nightmare; but to that conclusion I could not bring myself at all, much as I wished it, for the groaning had continued ringing in my ears long after I was wide awake and conscious. While I was thus reflecting, having neglected to close the door which was opposite to the side of my bed where I was sitting, I heard a soft footstep at a distance, and presently a light appeared at the further end of the passage. Then I saw the shadow of a man east upon the opposite wall; it moved very slowly, and presently stopped. I saw the hand raised, as if making a sign to someone, and I knew from the fact of the shadow being thrown in advance that there must be a second person in the rear by whom the light was carried. After a short pause they seemed to retrace their steps, without my having had a glimpse of either of them, but only of the shadow which had come before and which followed them as they withdrew. It was then a little after one o’clock, and I concluded they were retiring late to rest, and anxious to avoid disturbing me, though I have since thought that it was the light from my room which caused their retreat. I felt half inclined to call to them, but I shrank, without knowing why, from making known what had disturbed me, and while I hesitated they were gone; so I fastened my door again, and resolved to sit up and watch a little longer by myself. But now my candle was beginning to burn low, and I found myself in this dilemma: either I must extinguish it at once, or I should be left without the means of procuring a light in case I should be again disturbed. I regretted that I had not called for another candle while there were people yet moving in the house, but I could not do so now without making explanations; so I grasped my box of matches, put out my light, and lay down, not without a shudder, in the bed.

‘For an hour or more I lay awake thinking over what had occurred, and by that time I had almost persuaded myself that I had nothing but my own morbid imagination to thank for the alarm which I had suffered. “It is an outer wall,” I said to myself; “they are all outer walls, and the house is built of stone; it is impossible that any sound could be heard through such a thickness. Besides, it seemed to be in my room, close to my ear. What an idiot I must be, to be excited and alarmed about nothing; I’ll think no more about it.” So I turned on my side, with a smile (rather a forced one) at my own foolishness, and composed myself to sleep.

‘At that instant I heard, with more distinctness than I ever heard any other sound in my life, a gasp, a voiceless gasp, as if someone were in agony for breath, biting at the air, or trying with desperate efforts to cry out or speak. It was repeated a second and a third time; then there was a pause; then again that horrible gasping; and then a long-drawn breath, an audible drawing up of the air into the throat, such as one would make in heaving a deep sigh. Such sounds as these could not possibly have been heard unless they had been close to my ear; they seemed to come from the wall at my head, or to rise up out of my pillow. That fearful gasping, and that drawing in of the breath, in the darkness and silence of the night, seemed to make every nerve in my body thrill with dreadful expectation. Unconsciously I shrank away from it, crouching down as before, with my face upon my knees. It ceased, and immediately a moaning sound began, which lengthened out into an awful, protracted groan, waxing louder and louder, as if under an increasing agony, and then dying away slowly and gradually into silence; yet painfully and distinctly audible even to the last.

‘As soon as I could rouse myself from the freezing horror which seemed to penetrate even to my joints and marrow, I crept away from the bed, and in the furthest corner of the room lighted with shaking hand my candle, looking anxiously about me as I did so, expecting some dreadful revelation as the light flashed up. Yet, if you will believe me, I did not feel alarmed or frightened; but rather oppressed, and penetrated with an unnatural, overpowering, sentiment of awe. I seemed to be in the presence of some great and horrible mystery, some bottomless depth of woe, or misery, or crime. I shrank from it with a sensation of intolerable loathing and suspense. It was a feeling akin to this which prevented me from calling to my landlord. I could not bring myself to speak to him of what had passed; not knowing how nearly he might be himself involved in the mystery. I was only anxious to escape as quietly as possible from the room and from the house. The candle was now beginning to flicker in its socket, but the stars were shining outside, and there was space and air to breathe there, which seemed to be wanting in my room; so I hastily opened my window, tied the bedclothes together for a rope, and lowered myself silently and safely to the ground.

‘There was a light still burning in the lower part of the house; but I crept noiselessly along, feeling my way carefully among the trees, and in due time came upon a beaten track which led me to a road, the same which I had been travelling on the previous night. I walked on, scarcely knowing whither, anxious only to increase my distance from the accursed house, until the day began to break, when almost the first object I could see distinctly was a small body of men approaching me. It was with no small pleasure that I recognized at their head my friend the Capo di Polizia. “Ah!” he cried, “unfortunate Inglese, what trouble you have given me! Where have you been? God be praised that I see you safe and sound! But how? What is the matter with you? You look like one possessed.”‘

‘I told him how I had lost my way, and where I had lodged.

‘”And what happened to you there?” he cried, with a look of anxiety.

‘”I was disturbed in the night. I could not sleep. I made my escape, and here I am. I cannot tell you more.”

‘”But you must tell me more, dear sir; forgive me; you must tell me everything. I must know all that passed in that house. We have had it under our surveillance for a long time, and when I heard in what direction you had gone yesterday, and had not returned, I feared you had got into some mischief there, and we were even now upon our way to look for you.”

‘I could not enter into particulars, but I told him I had heard strange sounds, and at his request I went back with him to the spot. He told me by the way that the house was known to be the resort of banditti; that the landlord harboured them, received their ill-gotten goods, and helped them to dispose of their booty.

‘Arrived at the spot, he placed his men about the premises and instituted a strict search, the landlord and the man who was found in the house being compelled to accompany him. The room in which I had slept was carefully examined; the floor was of plaster or cement, so that no sound could have passed through it; the walls were sound and solid, and there was nothing to be seen that could in any way account for the strange disturbance I had experienced. The room on the ground-floor underneath my bedroom was next inspected; it contained a quantity of straw, hay, firewood, and lumber. It was paved with brick, and on turning over the straw which was heaped together in a corner it was observed that the bricks were uneven, as if they had been recently disturbed.

‘”Dig here,” said the officer, “we shall find something hidden here, I imagine.”

‘The landlord was evidently much disturbed. “Stop,” he cried. “I will tell you what lies there; come away out of doors, and you shall know all about it.”

‘”Dig, I say. We will find out for ourselves.”

‘”Let the dead rest,” cried the landlord, with a trembling voice. “For the love of heaven come away, and hear what I shall tell you.”

‘”Go on with your work,” said the sergeant to his men, who were now plying pickaxe and spade.

‘”I can’t stay here and see it,” exclaimed the landlord once more. “Hear then! It is the body of my son, my only son–let him rest, if rest he can. He was wounded in a quarrel, and brought home here to die. I thought he would recover, but there was neither doctor nor priest at hand, and in spite of all that we could do for him he died. Let him alone now, or let a priest first be sent for; he died unconfessed, but it was not my fault; it may not be yet too late to make peace for him.”

‘”But why is he buried in this place?”

‘”We did not wish to make a stir about it. Nobody knew of his death, and we laid him down quietly; one place I thought was as good as another when once the life was out of him. We are poor folk, and could not pay for ceremonies.”

‘The truth at length came out. Father and son were both members of a band of thieves; under this floor they concealed their plunder, and there too lay more than one mouldering corpse, victims who had occupied the room in which I slept, and had there met their death. The son was indeed buried in that spot; he had been mortally wounded in a skirmish with travellers, and had lived long enough to repent of his deeds and to beg for that priestly absolution which, according to his creed, was necessary to secure his pardon. In vain he had urged his hither to bring the confessor to his bedside; in vain he had entreated him to break off from the murderous band with which he was allied and to live honestly in future; his prayers were disregarded, and his dying admonitions were of no avail. But for the strange mysterious warning which had roused me from my sleep and driven me out of the house that night another crime would have been added to the old man’s tale of guilt. That gasping attempt to speak, and that awful groaning–whence did they proceed? It was no living voice. Beyond that I will express no opinion on the subject. I will only say it was the means of saving my life, and at the same time putting an end to the series of bloody deeds which had been committed in that house.

‘I received my passport that evening by the diligence from Rome, and started the next morning on my way to Naples. As we were crossing the frontier a tall figure approached, wearing the long rough cappotta of the mendicant friars, with a hood over the face and holes for the eyes to look through. He carried a tin money-box in his hand, which he held out to the passengers, jingling a few coins in it, and crying in a monotonous voice, “Anime in purgatorio! Anime in purgatorio!”

I do not believe in purgatory, nor in supplications for the dead; but I dropped a piece of silver into the box nevertheless, as I thought of that unhallowed grave in the forest, and my prayer went up to heaven in all sincerity–“Requiescat in pace!“‘


Also see:

Short Ghost and Horror Story Collections Vol. 006 (Audio Book)

 

LibriVox’s Short Ghost and Horror Story Collections Vol. 006 (Audio Book)

LibriVox’s Short Ghost and Horror Story Collections Vol. 006 (Audio Book)


A collection of ten pieces, read by various readers, about the unreal edges of this world in legend and story; tales of love, death and beyond. If just one story prickles the hair on the back of your neck, or prickles your eyelids with the touch of tears, we will have succeeded. 

 Readers in this collection are: Virgil, James Christopher, Rowdy Delaney, David Federman, Anna Simon, Annoying Twit and Jane Greensmith.

Genre(s): Horror & Supernatural Fiction, Short Stories

Language: English

Group: Short Ghost and Horror Story Collections

 

CONTENTS

  1. Children of the Moon by Richard Middleton, read by Virgil 00:13:05
  2. Ghosts That Have Haunted Me by John Kendrick Bangs, read by James Christopher 00:24:51
  3. Gods of the North by Robert E. Howard, read by Rowdy Delaney 00:21:11
  4. A Haunted House by Virginia Woolf, read by David Federman 00:06:23
  5. The Man who was not on the Passenger List by Robert Barr, read by Anna Simon 00:11:51
  6. No Living Voice by Thomas Street Millington, read by Annoying Twit 00:23:17 
  7. The Old Nurse's Story by Elizabeth Cleghorn Gaskell, read by Jane Greensmith 00:50:35
  8. Rattle of Bones by Robert E. Howard, read by Rowdy Delaney 00:15:32
  9. The Red Room by H. G. Wells, read by Virgil 00:21:51
  10. Skulls in the Stars by Robert E. Howard, read by Rowdy Delaney 00:23:47