Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Tuesday, April 5, 2022

Masterpieces of Mystery in Four Volumes: Vol. 3 (of 4) Riddle Stories

 

Masterpieces of Mystery in Four Volumes: Vol. 3 (of 4) Riddle Stories
 

Masterpieces of Mystery in Four Volumes: Vol. 3 (of 4) Riddle Stories

 

Vol. 1 - Vol. 2 - Vol. 3 - Vol. 4

 

 

FOREWORD

A distinguished American writer of fiction said to me lately: "Did you ever think of the vital American way we live? We are always going after mental gymnastics." Now the mystery story is mental gymnastics. By the time the reader has followed a chain of facts through he has exercised his mind,—given himself a mental breather. But the claims of the true mystery story do not end with the general reader. It is entitled to the consideration of the discriminating because it indubitably takes its own place as a gauge of mastery in the field of the short story.

 The demand was never quite so keen as it is now. The currents of literature as of all things change swiftly these times. This world of ours has become very sophisticated. It has suffered itself to be exploited till there is no external wonder left. Retroactively the demand for mystery, which is the very soul of interest, must find new expression. Thus we turn inward for fresh thrills to the human comedy, and outward to the realm of the supernatural.

The riddle story is the most naïve form of the mystery story. It may contain a certain element of the supernatural—be tinged with mysticism—but its motive and the revelation thereof must be frankly materialistic—of the earth, earthy. In this respect it is very closely allied to the detective story. The model riddle story should be utterly mundane in motive—told in direct terms. Here again the genius of that great modern master asserts itself, and in "The Oblong Box" we have an early model of its kind. The stories of this collection cover a wide range and are the choice of reading in several literatures.

Joseph Lewis French.


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Masterpieces of Mystery in Four Volumes: Vol. 2 (of 4) Detective Stories

Masterpieces of Mystery in Four Volumes:  Vol. 2 (of 4) Detective Stories

Masterpieces of Mystery in Four Volumes:  Vol. 2 (of 4) Detective Stories

 

Vol. 1 - Vol. 2 - Vol. 3 - Vol. 4

 

FOREWORD

The honour of founding the modern detective story belongs to an American writer. Such tales as "The Purloined Letter" and "The Murders in the Rue Morgue" still stand unrivalled.

We in America no more than the world of letters at large, did not readily realize what Poe had done when he created Auguste Dupin—the prototype of Sherlock Holmes et genus omnes, up to the present hour. On Poe's work is built the whole school of French detective story writers. Conan Doyle derived his inspiration from them in turn, and our American writers of to-day are helped from both French and English sources. It is rare enough to find the detective in fiction even to-day, however, who is not lacking in one supreme quality, scientific imagination. Auguste Dupin had it. Dickens, had he lived a short time longer, might have turned his genius in this direction.

 The last thing he wrote was the "Mystery of Edwin Drood," the mystery of which is still unravelled. I have heard the opinion expressed by an eminent living writer that had Dickens' life been prolonged he would probably have become the greatest master of the detective story, except Poe.

The detective story heretofore has been based upon one of two methods: analysis or deduction. The former was Poe's, to take the typical example; the latter is Conan Doyle's. Of late the discoveries of science have been brought into play in this field of fiction with notable results. The most prominent of such innovators, indeed the first one, is Arthur Reeve, an American writer, whose "Black Hand" will be found in this collection; which has endeavoured within its limited space to cover the field from the start—the detective story—the detective story—wholly the outgrowth of the more highly developed police methods which have sprung into being within little more than half a century, being only so old.

Joseph Lewis French.



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Monday, April 4, 2022

Masterpieces of Mystery, Vol. 1 (of 4) Ghost Stories

 

Masterpieces of Mystery, Vol. 1 (of 4) Ghost Stories
 

Masterpieces of Mystery

 Vol. 1 (of 4) Ghost Stories

 

Vol. 1 - Vol. 2 - Vol. 3 - Vol. 4


FOREWORD

The ghost story is as old as human speech,—and perhaps even antedates it. A naïve acceptance of the supernatural was unquestionably one of the primal attributes of human intelligence. The ghost story may thus quite conceivably be the first form of tale ever invented. It makes its appearance comparatively early in the annals of literature. Who that has read it is likely to forget Pliny's account in a letter to an intimate of an apparition shortly after death to a mutual acquaintance? Old books of tales and legends are full of the ghost story. It has persisted throughout the ages. It began to attain some real standing in literature,—to take its definite place,—a little more than a century ago. Like the apparition it embodies it had always been—and is still to-day even—more or less discredited. Mrs. Radcliffe gave it a new being and even a certain dignity in her "Castle of Otranto"; and after her came Sir Walter Scott who frankly surrendered to the power and charm of the theme. The line of succession has been continuous. The ghost has held his own with his human fellow in fiction, and his tale has been told with increasing skill as the art of the writer has developed. To-day the case for the ghost as an element in fiction is an exceedingly strong one. There has indeed sprung into being within a couple of decades a new school of such writers. Nowadays almost every fictionist of account produces one good thriller at least of this sort. The temptation is irresistible for the simple reason that the theme imposes absolutely no limit on the imagination.

The reader will find here a careful selection illustrating the growth in art of this exotic in literature during the past fifty years, and for a contrast, spanning the centuries, the naïve narration of Pliny the Younger.

Joseph Lewis French


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Tales of the Unexpected by H. G. Wells

Tales of the Unexpected by H. G. Wells

Tales of the Unexpected 

 

by H. G. Wells

 

Excerpt from Tales of the Unexpected

I was surprised to hear a queer sort of laugh, and saw Davidson standing unsteadily in the middle of the room, with a dazzled look on his face. My first impression was that he was drunk. He did not notice me. He was clawing out at something invisible a yard in front of his face. He put out his hand, slowly, rather hesitatingly, and then clutched nothing. 'what's come to it?' he said. He held up his hands to his face, fingers spread out. 'great Scott!' he said. The thing happened three or four years ago, when every one swore by that personage. Then he began raising his feet clumsily, as though he had expected to find them glued to the floor.


About the Author 

H. G. Wells
Herbert George Wells (21 September 1866 – 13 August 1946) was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. Wells is now best remembered for his science fiction novels and is sometimes called the "father of science fiction." Wikipedia

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Complete Collection of 233 Short Stories by Anton Chekhov

 

Complete Collection of Short Stories by Chekhov by Chekhov
 

Complete Collection of 233 Short Stories 

by Anton Chekhov


A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov's stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, "It is not only the immense number of stories he wrote-for few, if any, writers have ever done more-it is the awesome frequency with which he produced masterpieces, stories that shrive us as well as delight and move us, that lay bare our emotions in ways only true art can accomplish."


Anton Chekhov
Anton Pavlovich Chekhov (Russian: Антон Павлович Чехов, IPA: [ɐnˈton ˈpavɫəvʲɪtɕ ˈtɕɛxəf]; 29 January 1860 – 15 July 1904) was a Russian playwright and short-story writer who is considered to be one of the greatest writers in the world. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a doctor by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress." Wikipedia
 
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Sunday, April 3, 2022

The Mysterious Affair at Styles by Agatha Christie

 

The Mysterious Affair at Styles by Agatha Christie

The Mysterious Affair at Styles

 

by Agatha Christie

 

 The Mysterious Affair at Styles is a detective novel by British writer Agatha Christie. It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 and in the United Kingdom by The Bodley Head (John Lane's UK company) on 21 January 1921. Wikipedia

 

Contents

 

CHAPTER I.         I GO TO STYLES

CHAPTER II.        THE 16TH AND 17TH OF JULY

CHAPTER III.       THE NIGHT OF THE TRAGEDY

CHAPTER IV.        POIROT INVESTIGATES

CHAPTER V.        “IT ISN’T STRYCHNINE, IS IT?”

CHAPTER VI.      THE INQUEST

CHAPTER VII.     POIROT PAYS HIS DEBTS

CHAPTER VIII.    FRESH SUSPICIONS

CHAPTER IX.       DR. BAUERSTEIN

CHAPTER X.        THE ARREST

CHAPTER XI.       THE CASE FOR THE PROSECUTION

CHAPTER XII.      THE LAST LINK

CHAPTER XIII.     POIROT EXPLAINS

 

CHAPTER I.

 

I GO TO STYLES

 

The intense interest aroused in the public by what was known at the time as “The Styles Case” has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.

 I will therefore briefly set down the circumstances which led to my being connected with the affair.

 I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month’s sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother’s place in Essex.

 We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.

 “The mater will be delighted to see you again—after all those years,” he added.

 “Your mother keeps well?” I asked.

 “Oh, yes. I suppose you know that she has married again?”

 I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married John’s father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.

 Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wife’s ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their father’s remarriage that they always thought of her as their own mother.

 Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.

 John practised for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.

 John noticed my surprise at the news of his mother’s remarriage and smiled rather ruefully.

 “Rotten little bounder too!” he said savagely. “I can tell you, Hastings, it’s making life jolly difficult for us. As for Evie—you remember Evie?”

 “No.”

 “Oh, I suppose she was after your time. She’s the mater’s factotum, companion, Jack of all trades! A great sport—old Evie! Not precisely young and beautiful, but as game as they make them.”

 “You were going to say——?”

 “Oh, this fellow! He turned up from nowhere, on the pretext of being a second cousin or something of Evie’s, though she didn’t seem particularly keen to acknowledge the relationship. The fellow is an absolute outsider, anyone can see that. He’s got a great black beard, and wears patent leather boots in all weathers! But the mater cottoned to him at once, took him on as secretary—you know how she’s always running a hundred societies?”

 I nodded.

 “Well, of course the war has turned the hundreds into thousands. No doubt the fellow was very useful to her. But you could have knocked us all down with a feather when, three months ago, she suddenly announced that she and Alfred were engaged! The fellow must be at least twenty years younger than she is! It’s simply bare-faced fortune hunting; but there you are—she is her own mistress, and she’s married him.”

 “It must be a difficult situation for you all.”

 “Difficult! It’s damnable!”

 Thus it came about that, three days later, I descended from the train at Styles St. Mary, an absurd little station, with no apparent reason for existence, perched up in the midst of green fields and country lanes. John Cavendish was waiting on the platform, and piloted me out to the car.

 “Got a drop or two of petrol still, you see,” he remarked. “Mainly owing to the mater’s activities.”

 The village of Styles St. Mary was situated about two miles from the little station, and Styles Court lay a mile the other side of it. It was a still, warm day in early July. As one looked out over the flat Essex country, lying so green and peaceful under the afternoon sun, it seemed almost impossible to believe that, not so very far away, a great war was running its appointed course. I felt I had suddenly strayed into another world. As we turned in at the lodge gates, John said:

 “I’m afraid you’ll find it very quiet down here, Hastings.”

 “My dear fellow, that’s just what I want.”

 “Oh, it’s pleasant enough if you want to lead the idle life. I drill with the volunteers twice a week, and lend a hand at the farms. My wife works regularly ‘on the land’. She is up at five every morning to milk, and keeps at it steadily until lunchtime. It’s a jolly good life taking it all round—if it weren’t for that fellow Alfred Inglethorp!” He checked the car suddenly, and glanced at his watch. “I wonder if we’ve time to pick up Cynthia. No, she’ll have started from the hospital by now.”

 “Cynthia! That’s not your wife?”

 “No, Cynthia is a protégée of my mother’s, the daughter of an old schoolfellow of hers, who married a rascally solicitor. He came a cropper, and the girl was left an orphan and penniless. My mother came to the rescue, and Cynthia has been with us nearly two years now. She works in the Red Cross Hospital at Tadminster, seven miles away.”

 As he spoke the last words, we drew up in front of the fine old house. A lady in a stout tweed skirt, who was bending over a flower bed, straightened herself at our approach.

 “Hullo, Evie, here’s our wounded hero! Mr. Hastings—Miss Howard.”

 Miss Howard shook hands with a hearty, almost painful, grip. I had an impression of very blue eyes in a sunburnt face. She was a pleasant-looking woman of about forty, with a deep voice, almost manly in its stentorian tones, and had a large sensible square body, with feet to match—these last encased in good thick boots. Her conversation, I soon found, was couched in the telegraphic style.

"Weeds grow like house afire. Can’t keep even with ’em. Shall press you in. Better be careful.”

 “I’m sure I shall be only too delighted to make myself useful,” I responded.

 “Don’t say it. Never does. Wish you hadn’t later.”

 “You’re a cynic, Evie,” said John, laughing. “Where’s tea to-day—inside or out?”

 “Out. Too fine a day to be cooped up in the house.”

 “Come on then, you’ve done enough gardening for to-day. ‘The labourer is worthy of his hire’, you know. Come and be refreshed.”

 “Well,” said Miss Howard, drawing off her gardening gloves, “I’m inclined to agree with you.”

 She led the way round the house to where tea was spread under the shade of a large sycamore.

 A figure rose from one of the basket chairs, and came a few steps to meet us.

 “My wife, Hastings,” said John.

 I shall never forget my first sight of Mary Cavendish. Her tall, slender form, outlined against the bright light; the vivid sense of slumbering fire that seemed to find expression only in those wonderful tawny eyes of hers, remarkable eyes, different from any other woman’s that I have ever known; the intense power of stillness she possessed, which nevertheless conveyed the impression of a wild untamed spirit in an exquisitely civilised body—all these things are burnt into my memory. I shall never forget them.

 She greeted me with a few words of pleasant welcome in a low clear voice, and I sank into a basket chair feeling distinctly glad that I had accepted John’s invitation. Mrs. Cavendish gave me some tea, and her few quiet remarks heightened my first impression of her as a thoroughly fascinating woman. An appreciative listener is always stimulating, and I described, in a humorous manner, certain incidents of my Convalescent Home, in a way which, I flatter myself, greatly amused my hostess. John, of course, good fellow though he is, could hardly be called a brilliant conversationalist.

 At that moment a well remembered voice floated through the open French window near at hand:

 “Then you’ll write to the Princess after tea, Alfred? I’ll write to Lady Tadminster for the second day, myself. Or shall we wait until we hear from the Princess? In case of a refusal, Lady Tadminster might open it the first day, and Mrs. Crosbie the second. Then there’s the Duchess—about the school fête.”

 There was the murmur of a man’s voice, and then Mrs. Inglethorp’s rose in reply:

 “Yes, certainly. After tea will do quite well. You are so thoughtful, Alfred dear.”

 The French window swung open a little wider, and a handsome white-haired old lady, with a somewhat masterful cast of features, stepped out of it on to the lawn. A man followed her, a suggestion of deference in his manner.

 Mrs. Inglethorp greeted me with effusion.

 “Why, if it isn’t too delightful to see you again, Mr. Hastings, after all these years. Alfred, darling, Mr. Hastings—my husband.”

 I looked with some curiosity at “Alfred darling”. He certainly struck a rather alien note. I did not wonder at John objecting to his beard. It was one of the longest and blackest I have ever seen. He wore gold-rimmed pince-nez, and had a curious impassivity of feature. It struck me that he might look natural on a stage, but was strangely out of place in real life. His voice was rather deep and unctuous. He placed a wooden hand in mine and said:

 “This is a pleasure, Mr. Hastings.” Then, turning to his wife: “Emily dearest, I think that cushion is a little damp.”

 She beamed fondly on him, as he substituted another with every demonstration of the tenderest care. Strange infatuation of an otherwise sensible woman!

 With the presence of Mr. Inglethorp, a sense of constraint and veiled hostility seemed to settle down upon the company. Miss Howard, in particular, took no pains to conceal her feelings. Mrs. Inglethorp, however, seemed to notice nothing unusual. Her volubility, which I remembered of old, had lost nothing in the intervening years, and she poured out a steady flood of conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgments are usually fairly shrewd.

 Presently Mrs. Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:

 “Is soldiering your regular profession, Mr. Hastings?”

 “No, before the war I was in Lloyd’s.”

 “And you will return there after it is over?”

 “Perhaps. Either that or a fresh start altogether.”

 Mary Cavendish leant forward.

 “What would you really choose as a profession, if you could just consult your inclination?”

 “Well, that depends.”

 “No secret hobby?” she asked. “Tell me—you’re drawn to something? Everyone is—usually something absurd.”

 “You’ll laugh at me.”

 She smiled.

 “Perhaps.”

 “Well, I’ve always had a secret hankering to be a detective!”

 “The real thing—Scotland Yard? Or Sherlock Holmes?”

 “Oh, Sherlock Holmes by all means. But really, seriously, I am awfully drawn to it. I came across a man in Belgium once, a very famous detective, and he quite inflamed me. He was a marvellous little fellow. He used to say that all good detective work was a mere matter of method. My system is based on his—though of course I have progressed rather further. He was a funny little man, a great dandy, but wonderfully clever.”

 “Like a good detective story myself,” remarked Miss Howard. “Lots of nonsense written, though. Criminal discovered in last chapter. Everyone dumbfounded. Real crime—you’d know at once.”

 “There have been a great number of undiscovered crimes,” I argued.

 “Don’t mean the police, but the people that are right in it. The family. You couldn’t really hoodwink them. They’d know.”

 “Then,” I said, much amused, “you think that if you were mixed up in a crime, say a murder, you’d be able to spot the murderer right off?”

 “Of course I should. Mightn’t be able to prove it to a pack of lawyers. But I’m certain I’d know. I’d feel it in my fingertips if he came near me.”

 “It might be a ‘she’,” I suggested.

 “Might. But murder’s a violent crime. Associate it more with a man.”

 “Not in a case of poisoning.” Mrs. Cavendish’s clear voice startled me. “Dr. Bauerstein was saying yesterday that, owing to the general ignorance of the more uncommon poisons among the medical profession, there were probably countless cases of poisoning quite unsuspected.”

 “Why, Mary, what a gruesome conversation!” cried Mrs. Inglethorp. “It makes me feel as if a goose were walking over my grave. Oh, there’s Cynthia!”

 A young girl in V.A.D. uniform ran lightly across the lawn.

 “Why, Cynthia, you are late to-day. This is Mr. Hastings—Miss Murdoch.”

 Cynthia Murdoch was a fresh-looking young creature, full of life and vigour. She tossed off her little V.A.D. cap, and I admired the great loose waves of her auburn hair, and the smallness and whiteness of the hand she held out to claim her tea. With dark eyes and eyelashes she would have been a beauty.

 She flung herself down on the ground beside John, and as I handed her a plate of sandwiches she smiled up at me.

"Sit down here on the grass, do. It’s ever so much nicer.”

 I dropped down obediently.

 “You work at Tadminster, don’t you, Miss Murdoch?”

 She nodded.

 “For my sins.”

 “Do they bully you, then?” I asked, smiling.

 “I should like to see them!” cried Cynthia with dignity.

 “I have got a cousin who is nursing,” I remarked. “And she is terrified of ‘Sisters’.”

 “I don’t wonder. Sisters are, you know, Mr. Hastings. They simp-ly are! You’ve no idea! But I’m not a nurse, thank heaven, I work in the dispensary.”

 “How many people do you poison?” I asked, smiling.

 Cynthia smiled too.

 “Oh, hundreds!” she said.

 “Cynthia,” called Mrs. Inglethorp, “do you think you could write a few notes for me?”

 “Certainly, Aunt Emily.”

 She jumped up promptly, and something in her manner reminded me that her position was a dependent one, and that Mrs. Inglethorp, kind as she might be in the main, did not allow her to forget it.

 My hostess turned to me.

 “John will show you your room. Supper is at half-past seven. We have given up late dinner for some time now. Lady Tadminster, our Member’s wife—she was the late Lord Abbotsbury’s daughter—does the same. She agrees with me that one must set an example of economy. We are quite a war household; nothing is wasted here—every scrap of waste paper, even, is saved and sent away in sacks.”

 I expressed my appreciation, and John took me into the house and up the broad staircase, which forked right and left half-way to different wings of the building. My room was in the left wing, and looked out over the park.

 John left me, and a few minutes later I saw him from my window walking slowly across the grass arm in arm with Cynthia Murdoch. I heard Mrs. Inglethorp call “Cynthia” impatiently, and the girl started and ran back to the house. At the same moment, a man stepped out from the shadow of a tree and walked slowly in the same direction. He looked about forty, very dark with a melancholy clean-shaven face. Some violent emotion seemed to be mastering him. He looked up at my window as he passed, and I recognized him, though he had changed much in the fifteen years that had elapsed since we last met. It was John’s younger brother, Lawrence Cavendish. I wondered what it was that had brought that singular expression to his face.

 Then I dismissed him from my mind, and returned to the contemplation of my own affairs.

 The evening passed pleasantly enough; and I dreamed that night of that enigmatical woman, Mary Cavendish.

 The next morning dawned bright and sunny, and I was full of the anticipation of a delightful visit.

 I did not see Mrs. Cavendish until lunch-time, when she volunteered to take me for a walk, and we spent a charming afternoon roaming in the woods, returning to the house about five.

 As we entered the large hall, John beckoned us both into the smoking-room. I saw at once by his face that something disturbing had occurred. We followed him in, and he shut the door after us.

 “Look here, Mary, there’s the deuce of a mess. Evie’s had a row with Alfred Inglethorp, and she’s off.”

 “Evie? Off?”

 John nodded gloomily.

 “Yes; you see she went to the mater, and—Oh,—here’s Evie herself.”

 Miss Howard entered. Her lips were set grimly together, and she carried a small suit-case. She looked excited and determined, and slightly on the defensive.

 “At any rate,” she burst out, “I’ve spoken my mind!”

 “My dear Evelyn,” cried Mrs. Cavendish, “this can’t be true!”

 Miss Howard nodded grimly.

 “True enough! Afraid I said some things to Emily she won’t forget or forgive in a hurry. Don’t mind if they’ve only sunk in a bit. Probably water off a duck’s back, though. I said right out: ‘You’re an old woman, Emily, and there’s no fool like an old fool. The man’s twenty years younger than you, and don’t you fool yourself as to what he married you for. Money! Well, don’t let him have too much of it. Farmer Raikes has got a very pretty young wife. Just ask your Alfred how much time he spends over there.’ She was very angry. Natural! I went on, ‘I’m going to warn you, whether you like it or not. That man would as soon murder you in your bed as look at you. He’s a bad lot. You can say what you like to me, but remember what I’ve told you. He’s a bad lot!’”

 “What did she say?”

 Miss Howard made an extremely expressive grimace.

 “‘Darling Alfred’—‘dearest Alfred’—‘wicked calumnies’ —‘wicked lies’—‘wicked woman’—to accuse her ‘dear husband!’ The sooner I left her house the better. So I’m off.”

 “But not now?”

 “This minute!”

 For a moment we sat and stared at her. Finally John Cavendish, finding his persuasions of no avail, went off to look up the trains. His wife followed him, murmuring something about persuading Mrs. Inglethorp to think better of it.

 As she left the room, Miss Howard’s face changed. She leant towards me eagerly.

 “Mr. Hastings, you’re honest. I can trust you?”

 I was a little startled. She laid her hand on my arm, and sank her voice to a whisper.

 “Look after her, Mr. Hastings. My poor Emily. They’re a lot of sharks—all of them. Oh, I know what I’m talking about. There isn’t one of them that’s not hard up and trying to get money out of her. I’ve protected her as much as I could. Now I’m out of the way, they’ll impose upon her.”

 “Of course, Miss Howard,” I said, “I’ll do everything I can, but I’m sure you’re excited and overwrought.”

 She interrupted me by slowly shaking her forefinger.

 “Young man, trust me. I’ve lived in the world rather longer than you have. All I ask you is to keep your eyes open. You’ll see what I mean.”

 The throb of the motor came through the open window, and Miss Howard rose and moved to the door. John’s voice sounded outside. With her hand on the handle, she turned her head over her shoulder, and beckoned to me.

 “Above all, Mr. Hastings, watch that devil—her husband!”

 There was no time for more. Miss Howard was swallowed up in an eager chorus of protests and good-byes. The Inglethorps did not appear.

 As the motor drove away, Mrs. Cavendish suddenly detached herself from the group, and moved across the drive to the lawn to meet a tall bearded man who had been evidently making for the house. The colour rose in her cheeks as she held out her hand to him.

 “Who is that?” I asked sharply, for instinctively I distrusted the man.

 “That’s Dr. Bauerstein,” said John shortly.

 “And who is Dr. Bauerstein?”

 “He’s staying in the village doing a rest cure, after a bad nervous breakdown. He’s a London specialist; a very clever man—one of the greatest living experts on poisons, I believe.”

 “And he’s a great friend of Mary’s,” put in Cynthia, the irrepressible.

 John Cavendish frowned and changed the subject.

 “Come for a stroll, Hastings. This has been a most rotten business. She always had a rough tongue, but there is no stauncher friend in England than Evelyn Howard.”

 He took the path through the plantation, and we walked down to the village through the woods which bordered one side of the estate.

 As we passed through one of the gates on our way home again, a pretty young woman of gipsy type coming in the opposite direction bowed and smiled.

 “That’s a pretty girl,” I remarked appreciatively.

 John’s face hardened.

 “That is Mrs. Raikes.”

 “The one that Miss Howard——”

 “Exactly,” said John, with rather unnecessary abruptness.

 I thought of the white-haired old lady in the big house, and that vivid wicked little face that had just smiled into ours, and a vague chill of foreboding crept over me. I brushed it aside.

 “Styles is really a glorious old place,” I said to John.

 He nodded rather gloomily.

 “Yes, it’s a fine property. It’ll be mine some day—should be mine now by rights, if my father had only made a decent will. And then I shouldn’t be so damned hard up as I am now.”

 “Hard up, are you?”

 “My dear Hastings, I don’t mind telling you that I’m at my wits’ end for money.”

 “Couldn’t your brother help you?”

 “Lawrence? He’s gone through every penny he ever had, publishing rotten verses in fancy bindings. No, we’re an impecunious lot. My mother’s always been awfully good to us, I must say. That is, up to now. Since her marriage, of course——” he broke off, frowning.

 For the first time I felt that, with Evelyn Howard, something indefinable had gone from the atmosphere. Her presence had spelt security. Now that security was removed—and the air seemed rife with suspicion. The sinister face of Dr. Bauerstein recurred to me unpleasantly. A vague suspicion of everyone and everything filled my mind. Just for a moment I had a premonition of approaching evil.

About the Author 

Agatha Christie
Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller; 15 September 1890 – 12 January 1976) was an English writer known for her 66 detective novels and 14 short story collections, particularly those revolving around fictional detectives Hercule Poirot and Miss Marple. She also wrote the world's longest-running play, The Mousetrap, which has been performed in the West End since 1952, as well as six novels under the pseudonym Mary Westmacott. In 1971, she was made a Dame (DBE) for her contributions to literature. Guinness World Records lists Christie as the best-selling fiction writer of all time, her novels having sold more than two billion copies. Wikipedia

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Stopping By Woods On A Snowy Evening By Robeet Frost

Stopping By Woods On A Snowy Evening 

By 

Robeet Frost

 
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
 

 

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

 

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

About the Author

 

Robert Frost
Robert Lee Frost
(March 26, 1874 – January 29, 1963) was an American poet. His work was initially published in England before it was published in the United States. Known for his realistic depictions of rural life and his command of American colloquial speech, Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes. Wikipedia

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