Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Wednesday, March 23, 2022

Catch-22 by Joseph Heller

   
Catch-22 by Joseph Heller

 Catch-22

 by Joseph Heller

Coined by American author Joseph Heller in 1961 in his novel Catch-22, in which the main character feigns madness in order to avoid dangerous combat missions, but his desire to avoid them is taken to prove his sanity. Wikipedia 

 About the Author

Joseph Heller (May 1, 1923 – December 12, 1999) was an American author of novels, short stories, plays, and screenplays. His best-known work is the 1961 novel Catch-22, a satire on war and bureaucracy, whose title has become a synonym for an absurd or contradictory choice. Wikipedia

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Invisible Man Novel by Ralph Ellison

 

Invisible Man Novel by Ralph Ellison

 

 Invisible Man 

by Ralph Ellison

 

 Invisible Man is a novel by Ralph Ellison, published by Random House in 1952. It addresses many of the social and intellectual issues faced by African Americans in the early twentieth century, including black nationalism, the relationship between black identity and Marxism, and the reformist racial policies of Booker T. Washington, as well as issues of individuality and personal identity. Wikipedia

Cover Artist: E. McKnight Kauffer
Characters: Ras the Exhorter, Brother Jack, Invisible Man, Rinehart, Tod Clifton

About the Author

Ralph Waldo Ellison
Ralph Waldo Ellison (March 1, 1913 – April 16, 1994) was an American novelist, literary critic, and scholar best known for his novel Invisible Man, which won the National Book Award in 1953. He also wrote Shadow and Act (1964), a collection of political, social, and critical essays, and Going to the Territory (1986). The New York Times dubbed him "among the gods of America's literary Parnassus." A posthumous novel, Juneteenth, was published after being assembled from voluminous notes he left upon his death. Wikipedia

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Their Eyes Were Watching God by Zora Neale Hurston

    
Their Eyes Were Watching God by Zora Neale Hurston
 

Their Eyes Were Watching God 

by Zora Neale Hurston


  Description  

One of the most important work of 20th Century American literature, Zora Neale Hurston’s beloved 1937 classic Their Eyes Were Watching God, is an enduring southern love stroy sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair – skinned, fiercely independent janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston’s masterwork remains as relevant and affecting today as when it was first published – perhaps the most widely read and highly regarded novel in the entire canon of African American literature.  


About the Author

Zora Neale Hurston

 Zora Neale Hurston was a novelist, folklorist, and anthropologist. An author of four novel ( Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountain, 1939; and seraph on the Suwanee,
1948); two Books of folklore ( Mules and Men, 1935, and Tell My Horse, 1938); an autobiography ( Dust Tracks on a Road, 1942); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College and Columbia University, and was a graduate of Barnard College in.1927. She was born on january 7,1891, in Notasulga, Alabama, and grew up in Notasulga, Alabama, and grew up in Eatonville, Florida. She died in Fort Pierce, in 1960. In 1937, Alice Walker had a headstone placed at her gravestie with this epitaph: “Zora Neale Horston : A Genius of the South.”

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Mule and Men by Zora Neale Hurston

Mule and Men by Zora Neale Hurston


Mule and Men

 by Zora Neale Hurston


Mules and Men is a 1935 autoethnographical collection of African-American folklore collected and written by anthropologist Zora Neale Hurston. The book explores stories she collected in two trips: one in Eatonville and Polk County, Florida, and one in New Orleans. Hurston's decision to focus her research on Florida came from a desire to record the cross-section of black traditions in the state. In her introduction to Mules and Men, she wrote, "Florida is a place that draws people—white people from all over the world, and Negroes from every Southern state surely and some from the North and West". Hurston documented 70 folktales during the Florida trip, while the New Orleans trip yielded a number of stories about Marie Laveau, voodoo and Hoodoo traditions. In addition, Hurston wrote about her experience being initiated into Hoodoo. Wikipedia

About the Author

Zora Neale Hurston
Zora Neale Hurston was a novelist, folklorist, an anthropologist. An author of four novel ( Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountain, 1939; and seraph on the Suwanee,
1948); two Books of folklore ( Mules and Men, 1935, and Tell My Horse, 1938); an autobiography ( Dust Tracks on a Road, 1942); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College and Columbia University, and was a graduate of Barnard College in.1927. She was born on january 7,1891, in Notasulga, Alabama, and grew up in Notasulga, Alabama, and grew up in Eatonville, Florida. She died in Fort Pierce, in 1960. In 1937, Alice Walker had a headstone placed at her gravestie with this epitaph: “Zora Neale Horston : A Genius of the South.”

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Catcher in the Rye by J.D. Salinger

 

Catcher in the Rye by by J.D. Salinger

Catcher in the Rye 

by J D Salinger

The Catcher in the Rye is a novel by J. D. Salinger, partially published in serial form in 1945–1946 and as a novel in 1951. It was originally intended for adults but is often read by adolescents for its themes of angst, alienation, and as a critique on superficiality in society. It has been translated widely. About one million copies are sold each year, with total sales of more than 65 million books. The novel's protagonist Holden Caulfield has become an icon for teenage rebellion. The novel also deals with complex issues of innocence, identity, belonging, loss, connection, sex, and depression. Wikipedia

To Kill a Mockingbird by Harper Lee

 

To Kill a Mockingbird by Harper Lee
 

To Kill a Mockingbird 

 

by Harper Lee


Harper Lee's To Kill a Mockingbird was published in 1960. Instantly successful, widely read in middle and high schools in the United States, it has become a classic of modern American literature, winning the Pulitzer Prize. She wrote the novel Go Set a Watchman in the mid-1950s and published it in July 2015 as a sequel to Mockingbird, but it was later confirmed to be merely her first draft of To Kill a Mockingbird. Wikipedia

 Harper Lee's To Kill A Mockingbird is the most important novel ever authored by a native Alabamian. The Pulitzer Prize–winning novel spent 88 weeks on bestseller lists, and by the 50th anniversary of its publication in 2010 had sold some 40 million copies. It continues to sell around a million copies a year and is often ranked among the world's best-sellers. The themes and issues raised in the novel remain relevant, and thus To Kill A Mockingbird will likely hold its place in public discourse on tolerance, justice, and humanity. The Encyclopedia of Alabama

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Bellflower by Guy de Maupassant (1850-1893)

 

 Bellflower 

by Guy de Maupassant

 (1850-1893) 

 

Approximate Word Count: 1857        

How strange are those old recollections which haunt us without our being able to get rid of them! This one is so very old that I cannot understand how it has clung so vividly and tenaciously to my memory. Since then I have seen so many sinister things, either affecting or terrible, that I am astonished at not being able to pass a single day without the face of Mother Bellflower recurring to my mind's eye, just as I knew her formerly long, long ago, when I was ten or twelve years old.

She was an old seamstress who came to my parents' house once a week, every Thursday, to mend the linen. My parents lived in one of those country houses called chateaux, which are merely old houses with pointed roofs, to which are attached three or four adjacent farms.

The village, a large village, almost a small market town, was a few hundred yards off and nestled round the church, a red brick church, which had become black with age.

Well, every Thursday Mother Bellflower came between half-past six and seven in the morning and went immediately into the linen room and began to work. She was a tall, thin, bearded or rather hairy woman, for she had a beard all over her face, a surprising, an unexpected beard, growing in improbable tufts, in curly bunches which looked as if they had been sown by a madman over that great face, the face of a gendarme in petticoats. She had them on her nose, under her nose, round her nose, on her chin, on her cheeks, and her eyebrows, which were extraordinarily thick and long and quite gray, bushy and bristling, looked exactly like a pair of mustaches stuck on there by mistake.

She limped, not like lame people generally do, but like a ship pitching. When she planted her great bony, vibrant body on her sound leg, she seemed to be preparing to mount some enormous wave, and then suddenly she dipped as if to disappear in an abyss and buried herself in the ground. Her walk reminded one of a ship in a storm, and her head, which was always covered with an enormous white cap, whose ribbons fluttered down her back, seemed to traverse the horizon from north to south and from south to north at each limp.

I adored Mother Bellflower. As soon as I was up I used to go into the linen room, where I found her installed at work with a foot warmer under her feet. As soon as I arrived she made me take the foot warmer and sit upon it, so that I might not catch cold in that large chilly room under the roof.

"That draws the blood from your head," she would say to me.

She told me stories while mending the linen with her long, crooked, nimble fingers; behind her magnifying spectacles, for age had impaired her sight, her eyes appeared enormous to me, strangely profound, double.

As far as I can remember from the things which she told me and by which my childish heart was moved, she had the large heart of a poor woman. She told me what had happened in the village, how a cow had escaped from the cow house and had been found the next morning in front of Prosper Malet's mill looking at the sails turning, or about a hen's egg which had been found in the church belfry without anyone being able to understand what creature had been there to lay it, or the queer story of Jean Pila's dog who had gone ten leagues to bring back his master's breeches which a tramp had stolen while they were hanging up to dry out of doors after he had been caught in the rain. She told me these simple adventures in such a manner that in my mind they assumed the proportions of never-to-be-forgotten dramas, of grand and mysterious poems; and the ingenious stories invented by the poets, which my mother told me in the evening, had none of the flavor, none of the fullness or of the vigor of the peasant woman's narratives.

Well, one Thursday when I had spent all the morning in listening to Mother Clochette, I wanted to go upstairs to her again during the day after picking hazelnuts with the manservant in the wood behind the farm. I remember it all as clearly as what happened only yesterday.

On opening the door of the linen room I saw the old seamstress lying on the floor by the side of her chair, her face turned down and her arms stretched out, but still holding her needle in one hand and one of my shirts in the other. One of her legs in a blue stocking, the longer one no doubt, was extended under her chair, and her spectacles glistened by the wall, where they had rolled away from her.

I ran away uttering shrill cries. They all came running, and in a few minutes I was told that Mother Clochette was dead.

I cannot describe the profound, poignant, terrible emotion which stirred my childish heart. I went slowly down into the drawing room and hid myself in a dark corner in the depths of a great old armchair, where I knelt and wept. I remained there for a long time, no doubt, for night came on. Suddenly someone came in with a lamp--without seeing me, however--and heard my father and mother talking with the medical man, whose voice recognized.

He had been sent for immediately, and he was explaining the cause of the accident, of which I understood nothing, however. Then he sat down and had a glass of liqueur and a biscuit.

He went on talking, and what he then said will remain engraved on my mind until I die. I think that I can give the exact words which he used.

"Ah!" he said. "The poor woman! she broke her leg the day of my arrival here. I had not even had time to wash my hands after getting off the diligence before I was sent for in all haste, for it was a bad case, very bad.

"She was seventeen and a pretty girl, very pretty! Would anyone believe it? I have never told her story before; in fact, no one but myself and one other person, who is no longer living in this part of the country, ever knew it. Now that she is dead I may be less discreet.

"A young assistant teacher had just come to live in the village; he was good looking and had the bearing of a soldier. All the girls ran after him, but he was disdainful. Besides that, he was very much afraid of his superior, the schoolmaster, old Grabu, who occasionally got out of bed the wrong foot first.

"Old Grabu already employed pretty Hortense, who has just died here and who was afterward nicknamed Clochette. The assistant master singled out the pretty young girl who was no doubt flattered at being chosen by this disdainful conqueror; at any rate, she fell in love with him, and he succeeded in persuading her to give him a first meeting in the hayloft behind the school at night after she had done her day's sewing.

"She pretended to go home, but instead of going downstairs when she left the Grabus', she went upstairs and hid among the hay to wait for her lover. He soon joined her, and he was beginning to say pretty things to her, when the door of the hayloft opened and the schoolmaster appeared and asked: 'What are you doing up there, Sigisbert?' Feeling sure that he would be caught, the young schoolmaster lost his presence of mind and replied stupidly: 'I came up here to rest a little among the bundles of hay, Monsieur Grabu.'

"The loft was very large and absolutely dark. Sigisbert pushed the frightened girl to the farther end and said: 'Go, there and hide yourself. I shall lose my situation, so get away and hide yourself.'

"When the schoolmaster heard the whispering he continued: 'Why, you are not by yourself.'

"'Yes, I am, Monsieur Grabu!'

"'But you are not, for you are talking.'

"'I swear I am, Monsieur Grabu.'

"'I will soon find out,' the old man replied and, double-locking the door, he went down to get a light.

"Then the young man, who was a coward such as one sometimes meets, lost his head, and he repeated, having grown furious all of a sudden: 'Hide yourself, so that he may not find you. You will deprive me of my bread for my whole life; you will ruin my whole career! Do hide yourself!'

"They could hear the key turning in the lock again, and Hortense ran to the window which looked out onto the street, opened it quickly and then in a low and determined voice said: 'You will come and pick me up when he is gone,' and she jumped out.

"Old Grabu found nobody and went down again in great surprise! A quarter of an hour later Monsieur Sigisbert came to me and related his adventure. The girl had remained at the foot of the wall, unable to get up, as she had fallen from the second story, and I went with him to fetch her. It was raining in torrents, and I brought the unfortunate girl home with me, for the right leg was broken in three places, and the bones had come out through the flesh. She did not complain and merely said with admirable resignation: 'I am punished, well punished!'

"I sent for assistance and for the workgirl's friends and told them a made-up story of a runaway carriage which had knocked her down and lamed her outside my door. They believed me, and the gendarmes for a whole month tried in vain to find the author of this accident.

"That is all! Now I say that this woman was a heroine and had the fiber of those who accomplish the grandest deeds in history.

"That was her only love affair, and she died a virgin. She was a martyr, a noble soul, a sublimely devoted woman! And if I did not absolutely admire her I should not have told you this story, which I would never tell anyone during her life; you understand why."

The doctor ceased; Mamma cried, and Papa said some words which I did not catch; then they left the room, and I remained on my knees in the armchair and sobbed, while I heard a strange noise of heavy footsteps and something knocking against the side of the staircase.

They were carrying away Clochette's body.