Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Wednesday, March 23, 2022

Bellflower by Guy de Maupassant (1850-1893)

 

 Bellflower 

by Guy de Maupassant

 (1850-1893) 

 

Approximate Word Count: 1857        

How strange are those old recollections which haunt us without our being able to get rid of them! This one is so very old that I cannot understand how it has clung so vividly and tenaciously to my memory. Since then I have seen so many sinister things, either affecting or terrible, that I am astonished at not being able to pass a single day without the face of Mother Bellflower recurring to my mind's eye, just as I knew her formerly long, long ago, when I was ten or twelve years old.

She was an old seamstress who came to my parents' house once a week, every Thursday, to mend the linen. My parents lived in one of those country houses called chateaux, which are merely old houses with pointed roofs, to which are attached three or four adjacent farms.

The village, a large village, almost a small market town, was a few hundred yards off and nestled round the church, a red brick church, which had become black with age.

Well, every Thursday Mother Bellflower came between half-past six and seven in the morning and went immediately into the linen room and began to work. She was a tall, thin, bearded or rather hairy woman, for she had a beard all over her face, a surprising, an unexpected beard, growing in improbable tufts, in curly bunches which looked as if they had been sown by a madman over that great face, the face of a gendarme in petticoats. She had them on her nose, under her nose, round her nose, on her chin, on her cheeks, and her eyebrows, which were extraordinarily thick and long and quite gray, bushy and bristling, looked exactly like a pair of mustaches stuck on there by mistake.

She limped, not like lame people generally do, but like a ship pitching. When she planted her great bony, vibrant body on her sound leg, she seemed to be preparing to mount some enormous wave, and then suddenly she dipped as if to disappear in an abyss and buried herself in the ground. Her walk reminded one of a ship in a storm, and her head, which was always covered with an enormous white cap, whose ribbons fluttered down her back, seemed to traverse the horizon from north to south and from south to north at each limp.

I adored Mother Bellflower. As soon as I was up I used to go into the linen room, where I found her installed at work with a foot warmer under her feet. As soon as I arrived she made me take the foot warmer and sit upon it, so that I might not catch cold in that large chilly room under the roof.

"That draws the blood from your head," she would say to me.

She told me stories while mending the linen with her long, crooked, nimble fingers; behind her magnifying spectacles, for age had impaired her sight, her eyes appeared enormous to me, strangely profound, double.

As far as I can remember from the things which she told me and by which my childish heart was moved, she had the large heart of a poor woman. She told me what had happened in the village, how a cow had escaped from the cow house and had been found the next morning in front of Prosper Malet's mill looking at the sails turning, or about a hen's egg which had been found in the church belfry without anyone being able to understand what creature had been there to lay it, or the queer story of Jean Pila's dog who had gone ten leagues to bring back his master's breeches which a tramp had stolen while they were hanging up to dry out of doors after he had been caught in the rain. She told me these simple adventures in such a manner that in my mind they assumed the proportions of never-to-be-forgotten dramas, of grand and mysterious poems; and the ingenious stories invented by the poets, which my mother told me in the evening, had none of the flavor, none of the fullness or of the vigor of the peasant woman's narratives.

Well, one Thursday when I had spent all the morning in listening to Mother Clochette, I wanted to go upstairs to her again during the day after picking hazelnuts with the manservant in the wood behind the farm. I remember it all as clearly as what happened only yesterday.

On opening the door of the linen room I saw the old seamstress lying on the floor by the side of her chair, her face turned down and her arms stretched out, but still holding her needle in one hand and one of my shirts in the other. One of her legs in a blue stocking, the longer one no doubt, was extended under her chair, and her spectacles glistened by the wall, where they had rolled away from her.

I ran away uttering shrill cries. They all came running, and in a few minutes I was told that Mother Clochette was dead.

I cannot describe the profound, poignant, terrible emotion which stirred my childish heart. I went slowly down into the drawing room and hid myself in a dark corner in the depths of a great old armchair, where I knelt and wept. I remained there for a long time, no doubt, for night came on. Suddenly someone came in with a lamp--without seeing me, however--and heard my father and mother talking with the medical man, whose voice recognized.

He had been sent for immediately, and he was explaining the cause of the accident, of which I understood nothing, however. Then he sat down and had a glass of liqueur and a biscuit.

He went on talking, and what he then said will remain engraved on my mind until I die. I think that I can give the exact words which he used.

"Ah!" he said. "The poor woman! she broke her leg the day of my arrival here. I had not even had time to wash my hands after getting off the diligence before I was sent for in all haste, for it was a bad case, very bad.

"She was seventeen and a pretty girl, very pretty! Would anyone believe it? I have never told her story before; in fact, no one but myself and one other person, who is no longer living in this part of the country, ever knew it. Now that she is dead I may be less discreet.

"A young assistant teacher had just come to live in the village; he was good looking and had the bearing of a soldier. All the girls ran after him, but he was disdainful. Besides that, he was very much afraid of his superior, the schoolmaster, old Grabu, who occasionally got out of bed the wrong foot first.

"Old Grabu already employed pretty Hortense, who has just died here and who was afterward nicknamed Clochette. The assistant master singled out the pretty young girl who was no doubt flattered at being chosen by this disdainful conqueror; at any rate, she fell in love with him, and he succeeded in persuading her to give him a first meeting in the hayloft behind the school at night after she had done her day's sewing.

"She pretended to go home, but instead of going downstairs when she left the Grabus', she went upstairs and hid among the hay to wait for her lover. He soon joined her, and he was beginning to say pretty things to her, when the door of the hayloft opened and the schoolmaster appeared and asked: 'What are you doing up there, Sigisbert?' Feeling sure that he would be caught, the young schoolmaster lost his presence of mind and replied stupidly: 'I came up here to rest a little among the bundles of hay, Monsieur Grabu.'

"The loft was very large and absolutely dark. Sigisbert pushed the frightened girl to the farther end and said: 'Go, there and hide yourself. I shall lose my situation, so get away and hide yourself.'

"When the schoolmaster heard the whispering he continued: 'Why, you are not by yourself.'

"'Yes, I am, Monsieur Grabu!'

"'But you are not, for you are talking.'

"'I swear I am, Monsieur Grabu.'

"'I will soon find out,' the old man replied and, double-locking the door, he went down to get a light.

"Then the young man, who was a coward such as one sometimes meets, lost his head, and he repeated, having grown furious all of a sudden: 'Hide yourself, so that he may not find you. You will deprive me of my bread for my whole life; you will ruin my whole career! Do hide yourself!'

"They could hear the key turning in the lock again, and Hortense ran to the window which looked out onto the street, opened it quickly and then in a low and determined voice said: 'You will come and pick me up when he is gone,' and she jumped out.

"Old Grabu found nobody and went down again in great surprise! A quarter of an hour later Monsieur Sigisbert came to me and related his adventure. The girl had remained at the foot of the wall, unable to get up, as she had fallen from the second story, and I went with him to fetch her. It was raining in torrents, and I brought the unfortunate girl home with me, for the right leg was broken in three places, and the bones had come out through the flesh. She did not complain and merely said with admirable resignation: 'I am punished, well punished!'

"I sent for assistance and for the workgirl's friends and told them a made-up story of a runaway carriage which had knocked her down and lamed her outside my door. They believed me, and the gendarmes for a whole month tried in vain to find the author of this accident.

"That is all! Now I say that this woman was a heroine and had the fiber of those who accomplish the grandest deeds in history.

"That was her only love affair, and she died a virgin. She was a martyr, a noble soul, a sublimely devoted woman! And if I did not absolutely admire her I should not have told you this story, which I would never tell anyone during her life; you understand why."

The doctor ceased; Mamma cried, and Papa said some words which I did not catch; then they left the room, and I remained on my knees in the armchair and sobbed, while I heard a strange noise of heavy footsteps and something knocking against the side of the staircase.

They were carrying away Clochette's body.


The Ambitious Guest by Nathaniel Hawthorne (1804-1864)

 

The Ambitious Guest by Nathaniel Hawthorne

The Ambitious Guest 

by Nathaniel Hawthorne

(1804-1864)


Approximate Word Count: 3343        

One September night a family had gathered round their hearth, and piled it high with the driftwood of mountain streams, the dry cones of the pine, and the splintered ruins of great trees that had come crashing down the precipice. Up the chimney roared the fire, and brightened the room with its broad blaze. The faces of the father and mother had a sober gladness; the children laughed; the eldest daughter was the image of Happiness at seventeen; and the aged grandmother, who sat knitting in the warmest place, was the image of Happiness grown old. They had found the "herb, heart's-ease," in the bleakest spot of all New England. This family were situated in the Notch of the White Hills, where the wind was sharp throughout the year, and pitilessly cold in the winter--giving their cottage all its fresh inclemency before it descended on the valley of the Saco. They dwelt in a cold spot and a dangerous one; for a mountain towered above their heads, so steep, that the stones would often rumble down its sides and startle them at midnight.

The daughter had just uttered some simple jest that filled them all with mirth, when the wind came through the Notch and seemed to pause before their cottage--rattling the door, with a sound of wailing and lamentation, before it passed into the valley. For a moment it saddened them, though there was nothing unusual in the tones. But the family were glad again when they perceived that the latch was lifted by some traveller, whose footsteps had been unheard amid the dreary blast which heralded his approach, and wailed as he was entering, and went moaning away from the door.

Though they dwelt in such a solitude, these people held daily converse with the world. The romantic pass of the Notch is a great artery, through which the life-blood of internal commerce is continually throbbing between Maine, on one side, and the Green Mountains and the shores of the St. Lawrence, on the other. The stage-coach always drew up before the door of the cottage. The way-farer, with no companion but his staff, paused here to exchange a word, that the sense of loneliness might not utterly overcome him ere he could pass through the cleft of the mountain, or reach the first house in the valley. And here the teamster, on his way to Portland market, would put up for the night; and, if a bachelor, might sit an hour beyond the usual bedtime, and steal a kiss from the mountain maid at parting. It was one of those primitive taverns where the traveller pays only for food and lodging, but meets with a homely kindness beyond all price. When the footsteps were heard, therefore, between the outer door and the inner one, the whole family rose up, grandmother, children, and all, as if about to welcome someone who belonged to them, and whose fate was linked with theirs.

The door was opened by a young man. His face at first wore the melancholy expression, almost despondency, of one who travels a wild and bleak road, at nightfall and alone, but soon brightened up when he saw the kindly warmth of his reception. He felt his heart spring forward to meet them all, from the old woman, who wiped a chair with her apron, to the little child that held out its arms to him. One glance and smile placed the stranger on a footing of innocent familiarity with the eldest daughter.

"Ah, this fire is the right thing!" cried he; "especially when there is such a pleasant circle round it. I am quite benumbed; for the Notch is just like the pipe of a great pair of bellows; it has blown a terrible blast in my face all the way from Bartlett."

"Then you are going towards Vermont?" said the master of the house, as he helped to take a light knapsack off the young man's shoulders.

"Yes; to Burlington, and far enough beyond," replied he. "I meant to have been at Ethan Crawford's tonight; but a pedestrian lingers along such a road as this. It is no matter; for, when I saw this good fire, and all your cheerful faces, I felt as if you had kindled it on purpose for me, and were waiting my arrival. So I shall sit down among you, and make myself at home."

The frank-hearted stranger had just drawn his chair to the fire when something like a heavy footstep was heard without, rushing down the steep side of the mountain, as with long and rapid strides, and taking such a leap in passing the cottage as to strike the opposite precipice. The family held their breath, because they knew the sound, and their guest held his by instinct.

"The old mountain has thrown a stone at us, for fear we should forget him," said the landlord, recovering himself. "He sometimes nods his head and threatens to come down; but we are old neighbors, and agree together pretty well upon the whole. Besides we have a sure place of refuge hard by if he should be coming in good earnest."

Let us now suppose the stranger to have finished his supper of bear's meat; and, by his natural felicity of manner, to have placed himself on a footing of kindness with the whole family, so that they talked as freely together as if he belonged to their mountain brood. He was of a proud, yet gentle spirit--haughty and reserved among the rich and great; but ever ready to stoop his head to the lowly cottage door, and be like a brother or a son at the poor man's fireside. In the household of the Notch he found warmth and simplicity of feeling, the pervading intelligence of New England, and a poetry of native growth, which they had gathered when they little thought of it from the mountain peaks and chasms, and at the very threshold of their romantic and dangerous abode. He had travelled far and alone; his whole life, indeed, had been a solitary path; for, with the lofty caution of his nature, he had kept himself apart from those who might otherwise have been his companions. The family, too, though so kind and hospitable, had that consciousness of unity among themselves, and separation from the world at large, which, in every domestic circle, should still keep a holy place where no stranger may intrude. But this evening a prophetic sympathy impelled the refined and educated youth to pour out his heart before the simple mountaineers, and constrained them to answer him with the same free confidence. And thus it should have been. Is not the kindred of a common fate a closer tie than that of birth?

The secret of the young man's character was a high and abstracted ambition. He could have borne to live an undistinguished life, but not to be forgotten in the grave. Yearning desire had been transformed to hope; and hope, long cherished, had become like certainty, that, obscurely as he journeyed now, a glory was to beam on all his pathway-though not, perhaps, while he was treading it. But when posterity should gaze back into the gloom of what was now the present, they would trace the brightness of his footsteps, brightening as meaner glories faded, and confess that a gifted one had passed from his cradle to his tomb with none to recognize him.

"As yet," cried the stranger--his cheek glowing and his eye flashing with enthusiasm--"as yet, I have done nothing. Were I to vanish from the earth tomorrow, none would know so much of me as you: that a nameless youth came up at nightfall from the valley of the Saco, and opened his heart to you in the evening, and passed through the Notch by sunrise, and was seen no more. Not a soul would ask, 'Who was he? Whither did the wanderer go?' But I cannot die till I have achieved my destiny. Then, let Death come! I shall have built my monument!"

There was a continual flow of natural emotion, gushing forth amid abstracted reverie, which enabled the family to understand this young man's sentiments, though so foreign from their own. With quick sensibility of the ludicrous, he blushed at the ardor into which he had been betrayed.

"You laugh at me," said he, taking the eldest daughter's hand, and laughing himself. "You think my ambition as nonsensical as if I were to freeze myself to death on the top of Mount Washington, only that people might spy at me from the country round about. And, truly, that would be a noble pedestal for a man's statue!"

"It is better to sit here by this fire," answered the girl, blushing, "and be comfortable and contented, though nobody thinks about us."

"I suppose," said her father, after a fit of musing, "there is something natural in what the young man says; and if my mind had been turned that way, I might have felt just the same. It is strange, wife, how his talk has set my head running on things that are pretty certain never to come to pass."

"Perhaps they may," observed the wife. "Is the man thinking what he will do when he is a widower?"

"No, no!" cried he, repelling the idea with reproachful kindness. "When I think of your death, Esther, I think of mine, too. But I was wishing we had a good farm in Bartlett, or Bethlehem, or Littleton, or some other township round the White Mountains; but not where they could tumble on our heads. I should want to stand well with my neighbors and be called Squire, and sent to General Court for a term or two; for a plain, honest man may do as much good there as a lawyer. And when I should be grown quite an old man, and you an old woman, so as not to be long apart, I might die happy enough in my bed, and leave you all crying around me. A slate gravestone would suit me as well as a marble one--with just my name and age, and a verse of a hymn, and something to let people know that I lived an honest man and died a Christian."

"There now!" exclaimed the stranger; "it is our nature to desire a monument, be it slate or marble, or a pillar of granite, or a glorious memory in the universal heart of man."

"We're in a strange way, tonight," said the wife, with tears in her eyes. "They say it's a sign of something, when folks' minds go a-wandering so. Hark to the children!"

They listened accordingly. The younger children had been put to bed in another room, but with an open door between, so that they could be heard talking busily among themselves. One and all seemed to have caught the infection from the fireside circle, and were outvying each other in wild wishes, and childish projects, of what they would do when they came to be men and women. At length a little boy, instead of addressing his brothers and sisters, called out to his mother.

"I'll tell you what I wish, mother," cried he. "I want you and father and grandma'm, and all of us, and the stranger too, to start right away, and go and take a drink out of the basin of the Flume!"

Nobody could help laughing at the child's notion of leaving a warm bed, and dragging them from a cheerful fire, to visit the basin of the Flume--a brook, which tumbles over the precipice, deep within the Notch. The boy had hardly spoken when a wagon rattled along the road, and stopped a moment before the door. It appeared to contain two or three men, who were cheering their hearts with the rough chorus of a song, which resounded, in broken notes, between the cliffs, while the singers hesitated whether to continue their journey or put up here for the night.

"Father," said the girl, "they are calling you by name."

But the good man doubted whether they had really called him, and was unwilling to show himself too solicitous of gain by inviting people to patronize his house. He therefore did not hurry to the door; and the lash being soon applied, the travellers plunged into the Notch, still singing and laughing, though their music and mirth came back drearily from the heart of the mountain.

"There, mother!" cried the boy, again. "They'd have given us a ride to the Flume."

Again they laughed at the child's pertinacious fancy for a night ramble. But it happened that a light cloud passed over the daughter's spirit; she looked gravely into the fire, and drew a breath that was almost a sigh. It forced its way, in spite of a little struggle to repress it. Then starting and blushing, she looked quickly round the circle, as if they had caught a glimpse into her bosom. The stranger asked what she had been thinking of.

"Nothing," answered she, with a downcast smile. "Only I felt lonesome just then."

"Oh, I have always had a gift of feeling what is in other people's hearts," said he, half seriously. "Shall I tell the secrets of yours? For I know what to think when a young girl shivers by a warm hearth, and complains of lonesomeness at her mother's side. Shall I put these feelings into words?"

"They would not be a girl's feelings any longer if they could be put into words," replied the mountain nymph, laughing, but avoiding his eye.

All this was said apart. Perhaps a germ of love was springing in their hearts, so pure that it might blossom in Paradise, since it could not be matured on earth; for women worship such gentle dignity as his; and the proud, contemplative, yet kindly soul is oftenest captivated by simplicity like hers. But while they spoke softly, and he was watching the happy sadness, the lightsome shadows, the shy yearnings of a maiden's nature, the wind through the Notch took a deeper and drearier sound. It seemed, as the fanciful stranger said, like the choral strain of the spirits of the blast, who in old Indian times had their dwelling among these mountains, and made their heights and recesses a sacred region.

There was a wail along the road, as if a funeral were passing. To chase away the gloom, the family threw pine branches on their fire, till the dry leaves crackled and the flame arose, discovering once again a scene of peace and humble happiness. The light hovered about them fondly, and caressed them all. There were the little faces of the children, peeping from their bed apart, and here the father's frame of strength, the mother's subdued and careful mien, the high-browed youth, the budding girl, and the good old grandam, still knitting in the warmest place. The aged woman looked up from her task, and, with fingers ever busy, was the next to speak.

"Old folks have their notions," said she, "as well as young ones. You've been wishing and planning; and letting your heads run on one thing and another, till you've set my mind a-wandering too. Now what should an old woman wish for, when she can go but a step or two before she comes to her grave? Children, it will haunt me night and day till I tell you."

"What is it, mother?" cried the husband and wife at once.

Then the old woman, with an air of mystery which drew the circle closer round the fire, informed them that she had provided her grave-clothes some years before--a nice linen shroud, a cap with a muslin ruff, and everything of a finer sort than she had worn since her wedding day. But this evening an old superstition had strangely recurred to her. It used to be said, in her younger days, that if anything were amiss with a corpse, if only the ruff were not smooth, or the cap did not set right, the corpse in the coffin and beneath the clods would strive to put up its cold hands and arrange it. The bare thought made her nervous.

"Don't talk so, grandmother!" said the girl, shuddering.

"Now," continued the old woman, with singular earnestness, yet smiling strangely at her own folly, "I want one of you, my children- when your mother is dressed and in the coffin--I want one of you to hold a looking-glass over my face. Who knows but I may take a glimpse at myself, and see whether all's right?"

"Old and young, we dream of graves and monuments," murmured the stranger youth. "I wonder how mariners feel when the ship is sinking, and they, unknown and undistinguished, are to be buried together in the ocean--that wide and nameless sepulchre?"

For a moment, the old woman's ghastly conception so engrossed the minds of her hearers that a sound abroad in the night, rising like the roar of a blast, had grown broad, deep, and terrible, before the fated group were conscious of it. The house and all within it trembled; the foundations of the earth seemed to be shaken, as if this awful sound were the peal of the last trump. Young and old exchanged one wild glance, and remained an instant, pale, affrighted, without utterance, or power to move. Then the same shriek burst simultaneously from all their lips.

"The Slide! The Slide!"

The simplest words must intimate, but not portray, the unutterable horror of the catastrophe. The victims rushed from their cottage, and sought refuge in what they deemed a safer spot--where, in contemplation of such an emergency, a sort of barrier had been reared. Alas! they had quitted their security, and fled right into the pathway of destruction. Down came the whole side of the mountain, in a cataract of ruin. Just before it reached the house, the stream broke into two branches--shivered not a window there, but overwhelmed the whole vicinity, blocked up the road, and annihilated everything in its dreadful course. Long ere the thunder of the great Slide had ceased to roar among the mountains, the mortal agony had been endured, and the victims were at peace. Their bodies were never found.

The next morning, the light smoke was seen stealing from the cottage chimney up the mountain side. Within, the fire was yet smouldering on the hearth, and the chairs in a circle round it, as if the inhabitants had but gone forth to view the devastation of the Slide, and would shortly return, to thank Heaven for their miraculous escape. All had left separate tokens, by which those who had known the family were made to shed a tear for each. Who has not heard their name? The story has been told far and wide, and will forever be a legend of these mountains. Poets have sung their fate.

There were circumstances which led some to suppose that a stranger had been received into the cottage on this awful night, and had shared the catastrophe of all its inmates. Others denied that there were sufficient grounds for such a conjecture. Wo for the high-souled youth, with his dream of Earthly Immortality! His name and person utterly unknown; his history, his way of life, his plans, a mystery never to be solved, his death and his existence equally a doubt! Whose was the agony of that death moment?

       

Afterward by Edith Wharton

Afterward  by Edith Wharton

Afterward  

by Edith Wharton

 (1862-1937)

 

Approximate Word Count: 11870  


    I

"Oh, there is one, of course, but you'll never know it."

The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.

The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal "feature." Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: "Well, there's Lyng, in Dorsetshire. It belongs to Hugo's cousins, and you can get it for a song."

The reasons she gave for its being obtainable on these terms -- its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities -- were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.

"I should never believe I was living in an old house unless I was thoroughly uncomfortable," Ned Boyne, the more extravagant of the two, had jocosely insisted; "the least hint of 'convenience' would make me think it had been bought out of an exhibition, with the pieces numbered, and set up again." And they had proceeded to enumerate, with humorous precision, their various suspicions and exactions, refusing to believe that the house their cousin recommended was really Tudor till they learned it had no heating system, or that the village church was literally in the grounds till she assured them of the deplorable uncertainty of the water supply.

"It's too uncomfortable to be true!" Edward Boyne had continued to exult as the avowal of each disadvantage was successively wrung from her; but he had cut short his rhapsody to ask, with a sudden relapse to distrust: "And the ghost? You've been concealing from us the fact that there is no ghost!"

Mary, at the moment, had laughed with him, yet almost with her laugh, being possessed of several sets of independent perceptions, had noted a sudden flatness of tone in Alida's answering hilarity.

"Oh, Dorsetshire's full of ghosts, you know."

"Yes, yes; but that won't do. I don't want to have to drive ten miles to see somebody else's ghost. I want one of my own on the premises. Is there a ghost at Lyng?"

His rejoinder had made Alida laugh again, and it was then that she had flung back tantalizingly: "Oh, there is one, of course, but you'll never know it."

"Never know it?" Boyne pulled her up. "But what in the world constitutes a ghost except the fact of its being known for one?"

"I can't say. But that's the story."

"That there's a ghost, but that nobody knows it's a ghost?"

"Well -- not till afterward, at any rate."

"Till afterward?"

"Not till long, long afterward."

"But if it's once been identified as an unearthly visitant, why hasn't its signalement been handed down in the family? How has it managed to preserve its incognito?"

Alida could only shake her head. "Don't ask me. But it has."

"And then suddenly --" Mary spoke up as if from some cavernous depth of divination --"suddenly, long afterward, one says to one's self, 'That was it?'"

She was oddly startled at the sepulchral sound with which her question fell on the banter of the other two, and she saw the shadow of the same surprise flit across Alida's clear pupils. "I suppose so. One just has to wait."

"Oh, hang waiting!" Ned broke in. "Life's too short for a ghost who can only be enjoyed in retrospect. Can't we do better than that, Mary?"

But it turned out that in the event they were not destined to, for within three months of their conversation with Mrs. Stair they were established at Lyng, and the life they had yearned for to the point of planning it out in all its daily details had actually begun for them.

It was to sit, in the thick December dusk, by just such a widehooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkening to a deeper solitude: it was for the ultimate indulgence in such sensations that Mary Boyne had endured for nearly fourteen years the soul-deadening ugliness of the Middle West, and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it. They had never for a moment meant their new state to be one of idleness; but they meant to give themselves only to harmonious activities. She had her vision of painting and gardening against a background of gray walls, he dreamed of the production of his long-planned book on the "Economic Basis of Culture"; and with such absorbing work ahead no existence could be too sequestered; they could not get far enough from the world, or plunge deep enough into the past.

Dorsetshire had attracted them from the first by a semblance of remoteness out of all proportion to its geographical position. But to the Boynes it was one of the ever-recurring wonders of the whole incredibly compressed island -- a nest of counties, as they put it -- that for the production of its effects so little of a given quality went so far: that so few miles made a distance, and so short a distance a difference.

"It's that," Ned had once enthusiastically explained, "that gives such depth to their effects, such relief to their least contrasts. They've been able to lay the butter so thick on every exquisite mouthful."

The butter had certainly been laid on thick at Lyng: the old gray house, hidden under a shoulder of the downs, had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more richly in its special sense -- the sense of having been for centuries a deep, dim reservoir of life. The life had probably not been of the most vivid order: for long periods, no doubt, it had fallen as noiselessly into the past as the quiet drizzle of autumn fell, hour after hour, into the green fish-pond between the yews; but these back-waters of existence sometimes breed, in their sluggish depths, strange acuities of emotion, and Mary Boyne had felt from the first the occasional brush of an intenser memory.

The feeling had never been stronger than on the December afternoon when, waiting in the library for the belated lamps, she rose from her seat and stood among the shadows of the hearth. Her husband had gone off, after luncheon, for one of his long tramps on the downs. She had noticed of late that he preferred to be unaccompanied on these occasions; and, in the tried security of their personal relations, had been driven to conclude that his book was bothering him, and that he needed the afternoons to turn over in solitude the problems left from the morning's work. Certainly the book was not going as smoothly as she had imagined it would, and the lines of perplexity between his eyes had never been there in his engineering days. Then he had often looked fagged to the verge of illness, but the native demon of "worry" had never branded his brow. Yet the few pages he had so far read to her -- the introduction, and a synopsis of the opening chapter -- gave evidences of a firm possession of his subject, and a deepening confidence in his powers.

The fact threw her into deeper perplexity, since, now that he had done with "business" and its disturbing contingencies, the one other possible element of anxiety was eliminated. Unless it were his health, then? But physically he had gained since they had come to Dorsetshire, grown robuster, ruddier, and fresher-eyed. It was only within a week that she had felt in him the undefinable change that made her restless in his absence, and as tongue-tied in his presence as though it were she who had a secret to keep from him!

The thought that there was a secret somewhere between them struck her with a sudden smart rap of wonder, and she looked about her down the dim, long room.

"Can it be the house?" she mused.

The room itself might have been full of secrets. They seemed to be piling themselves up, as evening fell, like the layers and layers of velvet shadow dropping from the low ceiling, the dusky walls of books, the smoke-blurred sculpture of the hooded hearth.

"Why, of course -- the house is haunted!" she reflected.

The ghost -- Alida's imperceptible ghost -- after figuring largely in the banter of their first month or two at Lyng, had been gradually discarded as too ineffectual for imaginative use. Mary had, indeed, as became the tenant of a haunted house, made the customary inquiries among her few rural neighbors, but, beyond a vague, "They du say so, Ma'am," the villagers had nothing to impart. The elusive specter had apparently never had sufficient identity for a legend to crystallize about it, and after a time the Boynes had laughingly set the matter down to their profit-and-loss account, agreeing that Lyng was one of the few houses good enough in itself to dispense with supernatural enhancements.

"And I suppose, poor, ineffectual demon, that's why it beats its beautiful wings in vain in the void," Mary had laughingly concluded.

"Or, rather," Ned answered, in the same strain, "why, amid so much that's ghostly, it can never affirm its separate existence as the ghost." And thereupon their invisible housemate had finally dropped out of their references, which were numerous enough to make them promptly unaware of the loss.

Now, as she stood on the hearth, the subject of their earlier curiosity revived in her with a new sense of its meaning -- a sense gradually acquired through close daily contact with the scene of the lurking mystery. It was the house itself, of course, that possessed the ghost-seeing faculty, that communed visually but secretly with its own past; and if one could only get into close enough communion with the house, one might surprise its secret, and acquire the ghost-sight on one's own account. Perhaps, in his long solitary hours in this very room, where she never trespassed till the afternoon, her husband had acquired it already, and was silently carrying the dread weight of whatever it had revealed to him. Mary was too well-versed in the code of the spectral world not to know that one could not talk about the ghosts one saw: to do so was almost as great a breach of goodbreeding as to name a lady in a club. But this explanation did not really satisfy her. "What, after all, except for the fun of the frisson," she reflected, "would he really care for any of their old ghosts?" And thence she was thrown back once more on the fundamental dilemma: the fact that one's greater or less susceptibility to spectral influences had no particular bearing on the case, since, when one did see a ghost at Lyng, one did not know it.

"Not till long afterward," Alida Stair had said. Well, supposing Ned had seen one when they first came, and had known only within the last week what had happened to him? More and more under the spell of the hour, she threw back her searching thoughts to the early days of their tenancy, but at first only to recall a gay confusion of unpacking, settling, arranging of books, and calling to each other from remote corners of the house as treasure after treasure of their habitation revealed itself to them. It was in this particular connection that she presently recalled a certain soft afternoon of the previous October, when, passing from the first rapturous flurry of exploration to a detailed inspection of the old house, she had pressed like a novel heroine a panel that opened at her touch, on a narrow flight of stairs leading to an unsuspected flat ledge of the roof -- the roof which, from below, seemed to slope away on all sides too abruptly for any but practised feet to scale.

The view from this hidden coign was enchanting, and she had flown down to snatch Ned from his papers and give him the freedom of her discovery. She remembered still how, standing on the narrow ledge, he had passed his arm about her while their gaze flew to the long, tossed horizon-line of the downs, and then dropped contentedly back to trace the arabesque of yew hedges about the fish-pond, and the shadow of the cedar on the lawn.

"And now the other way," he had said, gently turning her about within his arm; and closely pressed to him, she had absorbed, like some long, satisfying draft, the picture of the gray-walled court, the squat lions on the gates, and the lime-avenue reaching up to the highroad under the downs.

It was just then, while they gazed and held each other, that she had felt his arm relax, and heard a sharp "Hullo!" that made her turn to glance at him.

Distinctly, yes, she now recalled she had seen, as she glanced, a shadow of anxiety, of perplexity, rather, fall across his face; and, following his eyes, had beheld the figure of a man -- a man in loose, grayish clothes, as it appeared to her -- who was sauntering down the lime-avenue to the court with the tentative gait of a stranger seeking his way. Her short-sighted eyes had given her but a blurred impression of slightness and grayness, with something foreign, or at least unlocal, in the cut of the figure or its garb; but her husband had apparently seen more -- seen enough to make him push past her with a sharp "Wait!" and dash down the twisting stairs without pausing to give her a hand for the descent.

A slight tendency to dizziness obliged her, after a provisional clutch at the chimney against which they had been leaning, to follow him down more cautiously; and when she had reached the attic landing she paused again for a less definite reason, leaning over the oak banister to strain her eyes through the silence of the brown, sun-flecked depths below. She lingered there till, somewhere in those depths, she heard the closing of a door; then, mechanically impelled, she went down the shallow flights of steps till she reached the lower hall.

The front door stood open on the mild sunlight of the court, and hall and court were empty. The library door was open, too, and after listening in vain for any sound of voices within, she quickly crossed the threshold, and found her husband alone, vaguely fingering the papers on his desk.

He looked up, as if surprised at her precipitate entrance, but the shadow of anxiety had passed from his face, leaving it even, as she fancied, a little brighter and clearer than usual.

"What was it? Who was it?" she asked.

"Who?" he repeated, with the surprise still all on his side.

"The man we saw coming toward the house."

He seemed honestly to reflect. "The man? Why, I thought I saw Peters; I dashed after him to say a word about the stable-drains, but he had disappeared before I could get down."

"Disappeared? Why, he seemed to be walking so slowly when we saw him."

Boyne shrugged his shoulders. "So I thought; but he must have got up steam in the interval. What do you say to our trying a scramble up Meldon Steep before sunset?"

That was all. At the time the occurrence had been less than nothing, had, indeed, been immediately obliterated by the magic of their first vision from Meldon Steep, a height which they had dreamed of climbing ever since they had first seen its bare spine heaving itself above the low roof of Lyng. Doubtless it was the mere fact of the other incident's having occurred on the very day of their ascent to Meldon that had kept it stored away in the unconscious fold of association from which it now emerged; for in itself it had no mark of the portentous. At the moment there could have been nothing more natural than that Ned should dash himself from the roof in the pursuit of dilatory tradesmen. It was the period when they were always on the watch for one or the other of the specialists employed about the place; always lying in wait for them, and dashing out at them with questions, reproach, or reminders. And certainly in the distance the gray figure had looked like Peters.

Yet now, as she reviewed the rapid scene, she felt her husband's explanation of it to have been invalidated by the look of anxiety on his face. Why had the familiar appearance of Peters made him anxious? Why, above all, if it was of such prime necessity to confer with that authority on the subject of the stable-drains, had the failure to find him produced such a look of relief? Mary could not say that any one of these considerations had occurred to her at the time, yet, from the promptness with which they now marshaled themselves at her summons, she had a sudden sense that they must all along have been there, waiting their hour.

    II

Weary with her thoughts, she moved toward the window. The library was now completely dark, and she was surprised to see how much faint light the outer world still held.

As she peered out into it across the court, a figure shaped itself in the tapering perspective of bare lines: it looked a mere blot of deeper gray in the grayness, and for an instant, as it moved toward her, her heart thumped to the thought, "It's the ghost!"

She had time, in that long instant, to feel suddenly that the man of whom, two months earlier, she had a brief distant vision from the roof was now, at his predestined hour, about to reveal himself as not having been Peters; and her spirit sank under the impending fear of the disclosure. But almost with the next tick of the clock the ambiguous figure, gaining substance and character, showed itself even to her weak sight as her husband's; and she turned away to meet him, as he entered, with the confession of her folly.

"It's really too absurd," she laughed out from the threshold, "but I never can remember!"

"Remember what?" Boyne questioned as they drew together.

"That when one sees the Lyng ghost one never knows it."

Her hand was on his sleeve, and he kept it there, but with no response in his gesture or in the lines of his fagged, preoccupied face.

"Did you think you'd seen it?" he asked, after an appreciable interval.

"Why, I actually took you for it, my dear, in my mad determination to spot it!"

"Me -- just now?" His arm dropped away, and he turned from her with a faint echo of her laugh. "Really, dearest, you'd better give it up, if that's the best you can do."

"Yes, I give it up -- I give it up. Have you?" she asked, turning round on him abruptly.

The parlor-maid had entered with letters and a lamp, and the light struck up into Boyne's face as he bent above the tray she presented.

"Have you?" Mary perversely insisted, when the servant had disappeared on her errand of illumination.

"Have I what?" he rejoined absently, the light bringing out the sharp stamp of worry between his brows as he turned over the letters.

"Given up trying to see the ghost." Her heart beat a little at the experiment she was making.

Her husband, laying his letters aside, moved away into the shadow of the hearth.

"I never tried," he said, tearing open the wrapper of a newspaper.

"Well, of course," Mary persisted, "the exasperating thing is that there's no use trying, since one can't be sure till so long afterward."

He was unfolding the paper as if he had hardly heard her; but after a pause, during which the sheets rustled spasmodically between his hands, he lifted his head to say abruptly, "Have you any idea how long?"

Mary had sunk into a low chair beside the fireplace. From her seat she looked up, startled, at her husband's profile, which was darkly projected against the circle of lamplight.

"No; none. Have YOU?" she retorted, repeating her former phrase with an added keenness of intention.

Boyne crumpled the paper into a bunch, and then inconsequently turned back with it toward the lamp.

"Lord, no! I only meant," he explained, with a faint tinge of impatience, "is there any legend, any tradition, as to that?"

"Not that I know of," she answered; but the impulse to add, "What makes you ask?" was checked by the reappearance of the parlor maid with tea and a second lamp.

With the dispersal of shadows, and the repetition of the daily domestic office, Mary Boyne felt herself less oppressed by that sense of something mutely imminent which had darkened her solitary afternoon. For a few moments she gave herself silently to the details of her task, and when she looked up from it she was struck to the point of bewilderment by the change in her husband's face. He had seated himself near the farther lamp, and was absorbed in the perusal of his letters; but was it something he had found in them, or merely the shifting of her own point of view, that had restored his features to their normal aspect? The longer she looked, the more definitely the change affirmed itself. The lines of painful tension had vanished, and such traces of fatigue as lingered were of the kind easily attributable to steady mental effort. He glanced up, as if drawn by her gaze, and met her eyes with a smile.

"I'm dying for my tea, you know; and here's a letter for you," he said.

She took the letter he held out in exchange for the cup she proffer him, and, returning to her seat, broke the seal with the languid gesture of the reader whose interests are all inclosed in the circle of one cherished presence.

Her next conscious motion was that of starting to her feet, the letter falling to them as she rose, while she held out to her husband a long newspaper clipping.

"Ned! What's this? What does it mean?"

He had risen at the same instant, almost as if hearing her cry before she uttered it; and for a perceptible space of time he and she studied each other, like adversaries watching for an advantage, across the space between her chair and his desk.

"What's what? You fairly made me jump!" Boyne said at length, moving toward her with a sudden, half-exasperated laugh. The shadow of apprehension was on his face again, not now a look of fixed foreboding, but a shifting vigilance of lips and eyes that gave her the sense of his feeling himself invisibly surrounded.

Her hand shook so that she could hardly give him the clipping.

"This article -- from the 'Waukesha Sentinel' -- that a man named Elwell has brought suit against you -- that there was something wrong about the Blue Star Mine. I can't understand more than half."

They continued to face each other as she spoke, and to her astonishment, she saw that her words had the almost immediate effect of dissipating the strained watchfulness of his look.

"Oh, that!" He glanced down the printed slip, and then folded it with the gesture of one who handles something harmless and familiar. "What's the matter with you this afternoon, Mary? I thought you'd got bad news."

She stood before him with her undefinable terror subsiding slowly under the reassuring touch of his composure.

"You knew about this, then -- it's all right?"

"Certainly I knew about it; and it's all right."

"But what is it? I don't understand. What does this man accuse you of?"

"Oh, pretty nearly every crime in the calendar." Boyne had tossed the clipping down, and thrown himself comfortably into an arm-chair near the fire. "Do you want to hear the story? It's not particularly interesting -- just a squabble over interests in the Blue Star."

"But who is this Elwell? I don't know the name."

"Oh, he's a fellow I put into it -- gave him a hand up. I told you all about him at the time."

"I daresay. I must have forgotten." Vainly she strained back among her memories. "But if you helped him, why does he make this return?"

"Oh, probably some shyster lawyer got hold of him and talked him over. It's all rather technical and complicated. I thought that kind of thing bored you."

His wife felt a sting of compunction. Theoretically, she deprecated the American wife's detachment from her husband's professional interests, but in practice she had always found it difficult to fix her attention on Boyne's report of the transactions in which his varied interests involved him. Besides, she had felt from the first that, in a community where the amenities of living could be obtained only at the cost of efforts as arduous as her husband's professional labors, such brief leisure as they could command should be used as an escape from immediate preoccupations, a flight to the life they always dreamed of living. Once or twice, now that this new life had actually drawn its magic circle about them, she had asked herself if she had done right; but hitherto such conjectures had been no more than the retrospective excursions of an active fancy. Now, for the first time, it startled her a little to find how little she knew of the material foundation on which her happiness was built.

She glanced again at her husband, and was reassured by the composure of his face; yet she felt the need of more definite grounds for her reassurance.

"But doesn't this suit worry you? Why have you never spoken to me about it?"

He answered both questions at once: "I didn't speak of it at first because it did worry me -- annoyed me, rather. But it's all ancient history now. Your correspondent must have got hold of a back number of the 'Sentinel.'"

She felt a quick thrill of relief. "You mean it's over? He's lost his case?"

There was a just perceptible delay in Boyne's reply. "The suit's been withdrawn -- that's all."

But she persisted, as if to exonerate herself from the inward charge of being too easily put off. "Withdrawn because he saw he had no chance?"

"Oh, he had no chance," Boyne answered.

She was still struggling with a dimly felt perplexity at the back of her thoughts.

"How long ago was it withdrawn?"

He paused, as if with a slight return of his former uncertainty. "I've just had the news now; but I've been expecting it."

"Just now -- in one of your letters?"

"Yes; in one of my letters."

She made no answer, and was aware only, after a short interval of waiting, that he had risen, and strolling across the room, had placed himself on the sofa at her side. She felt him, as he did so, pass an arm about her, she felt his hand seek hers and clasp it, and turning slowly, drawn by the warmth of his cheek, she met the smiling clearness of his eyes.

"It's all right -- it's all right?" she questioned, through the flood of her dissolving doubts; and "I give you my word it never was righter!" he laughed back at her, holding her close.

    III

One of the strangest things she was afterward to recall out of all the next day's incredible strangeness was the sudden and complete recovery of her sense of security.

It was in the air when she woke in her low-ceilinged, dusky room; it accompanied her down-stairs to the breakfast-table, flashed out at her from the fire, and re-duplicated itself brightly from the flanks of the urn and the sturdy flutings of the Georgian teapot. It was as if, in some roundabout way, all her diffused apprehensions of the previous day, with their moment of sharp concentration about the newspaper article, -- as if this dim questioning of the future, and startled return upon the past,-had between them liquidated the arrears of some haunting moral obligation. If she had indeed been careless of her husband's affairs, it was, her new state seemed to prove, because her faith in him instinctively justified such carelessness; and his right to her faith had overwhelmingly affirmed itself in the very face of menace and suspicion. She had never seen him more untroubled, more naturally and unconsciously in possession of himself, than after the cross-examination to which she had subjected him: it was almost as if he had been aware of her lurking doubts, and had wanted the air cleared as much as she did.

It was as clear, thank Heaven! as the bright outer light that surprised her almost with a touch of summer when she issued from the house for her daily round of the gardens. She had left Boyne at his desk, indulging herself, as she passed the library door, by a last peep at his quiet face, where he bent, pipe in his mouth, above his papers, and now she had her own morning's task to perform. The task involved on such charmed winter days almost as much delighted loitering about the different quarters of her demesne as if spring were already at work on shrubs and borders. There were such inexhaustible possibilities still before her, such opportunities to bring out the latent graces of the old place, without a single irreverent touch of alteration, that the winter months were all too short to plan what spring and autumn executed. And her recovered sense of safety gave, on this particular morning, a peculiar zest to her progress through the sweet, still place. She went first to the kitchen-garden, where the espalier pear-trees drew complicated patterns on the walls, and pigeons were fluttering and preening about the silvery-slated roof of their cot. There was something wrong about the piping of the hothouse, and she was expecting an authority from Dorchester, who was to drive out between trains and make a diagnosis of the boiler. But when she dipped into the damp heat of the greenhouses, among the spiced scents and waxy pinks and reds of old-fashioned exotics, -- even the flora of Lyng was in the note!-she learned that the great man had not arrived, and the day being too rare to waste in an artificial atmosphere, she came out again and paced slowly along the springy turf of the bowling-green to the gardens behind the house. At their farther end rose a grass terrace, commanding, over the fish-pond and the yew hedges, a view of the long house-front, with its twisted chimney-stacks and the blue shadows of its roof angles, all drenched in the pale gold moisture of the air.

Seen thus, across the level tracery of the yews, under the suffused, mild light, it sent her, from its open windows and hospitably smoking chimneys, the look of some warm human presence, of a mind slowly ripened on a sunny wall of experience. She had never before had so deep a sense of her intimacy with it, such a conviction that its secrets were all beneficent, kept, as they said to children, "for one's good," so complete a trust in its power to gather up her life and Ned's into the harmonious pattern of the long, long story it sat there weaving in the sun.

She heard steps behind her, and turned, expecting to see the gardener, accompanied by the engineer from Dorchester. But only one figure was in sight, that of a youngish, slightly built man, who, for reasons she could not on the spot have specified, did not remotely resemble her preconceived notion of an authority on hot-house boilers. The new-comer, on seeing her, lifted his hat, and paused with the air of a gentleman -- perhaps a traveler-desirous of having it immediately known that his intrusion is involuntary. The local fame of Lyng occasionally attracted the more intelligent sight-seer, and Mary half-expected to see the stranger dissemble a camera, or justify his presence by producing it. But he made no gesture of any sort, and after a moment she asked, in a tone responding to the courteous deprecation of his attitude: "Is there any one you wish to see?"

"I came to see Mr. Boyne," he replied. His intonation, rather than his accent, was faintly American, and Mary, at the familiar note, looked at him more closely. The brim of his soft felt hat cast a shade on his face, which, thus obscured, wore to her short-sighted gaze a look of seriousness, as of a person arriving "on business," and civilly but firmly aware of his rights.

Past experience had made Mary equally sensible to such claims; but she was jealous of her husband's morning hours, and doubtful of his having given any one the right to intrude on them.

"Have you an appointment with Mr. Boyne?" she asked.

He hesitated, as if unprepared for the question.

"Not exactly an appointment," he replied.

"Then I'm afraid, this being his working-time, that he can't receive you now. Will you give me a message, or come back later?"

The visitor, again lifting his hat, briefly replied that he would come back later, and walked away, as if to regain the front of the house. As his figure receded down the walk between the yew hedges, Mary saw him pause and look up an instant at the peaceful house-front bathed in faint winter sunshine; and it struck her, with a tardy touch of compunction, that it would have been more humane to ask if he had come from a distance, and to offer, in that case, to inquire if her husband could receive him. But as the thought occurred to her he passed out of sight behind a pyramidal yew, and at the same moment her attention was distracted by the approach of the gardener, attended by the bearded pepper-and-salt figure of the boiler-maker from Dorchester.

The encounter with this authority led to such far-reaching issues that they resulted in his finding it expedient to ignore his train, and beguiled Mary into spending the remainder of the morning in absorbed confabulation among the greenhouses. She was startled to find, when the colloquy ended, that it was nearly luncheon-time, and she half expected, as she hurried back to the house, to see her husband coming out to meet her. But she found no one in the court but an under-gardener raking the gravel, and the hall, when she entered it, was so silent that she guessed Boyne to be still at work behind the closed door of the library.

Not wishing to disturb him, she turned into the drawing-room, and there, at her writing-table, lost herself in renewed calculations of the outlay to which the morning's conference had committed her. The knowledge that she could permit herself such follies had not yet lost its novelty; and somehow, in contrast to the vague apprehensions of the previous days, it now seemed an element of her recovered security, of the sense that, as Ned had said, things in general had never been "righter."

She was still luxuriating in a lavish play of figures when the parlor-maid, from the threshold, roused her with a dubiously worded inquiry as to the expediency of serving luncheon. It was one of their jokes that Trimmle announced luncheon as if she were divulging a state secret, and Mary, intent upon her papers, merely murmured an absent-minded assent.

She felt Trimmle wavering expressively on the threshold as if in rebuke of such offhand acquiescence; then her retreating steps sounded down the passage, and Mary, pushing away her papers, crossed the hall, and went to the library door. It was still closed, and she wavered in her turn, disliking to disturb her husband, yet anxious that he should not exceed his normal measure of work. As she stood there, balancing her impulses, the esoteric Trimmle returned with the announcement of luncheon, and Mary, thus impelled, opened the door and went into the library.

Boyne was not at his desk, and she peered about her, expecting to discover him at the book-shelves, somewhere down the length of the room; but her call brought no response, and gradually it became clear to her that he was not in the library.

She turned back to the parlor-maid.

"Mr. Boyne must be up-stairs. Please tell him that luncheon is ready."

The parlor-maid appeared to hesitate between the obvious duty of obeying orders and an equally obvious conviction of the foolishness of the injunction laid upon her. The struggle resulted in her saying doubtfully, "If you please, Madam, Mr. Boyne's not up-stairs."

"Not in his room? Are you sure?"

"I'm sure, Madam."

Mary consulted the clock. "Where is he, then?"

"He's gone out," Trimmle announced, with the superior air of one who has respectfully waited for the question that a well-ordered mind would have first propounded.

Mary's previous conjecture had been right, then. Boyne must have gone to the gardens to meet her, and since she had missed him, it was clear that he had taken the shorter way by the south door, instead of going round to the court. She crossed the hall to the glass portal opening directly on the yew garden, but the parlor maid, after another moment of inner conflict, decided to bring out recklessly, "Please, Madam, Mr. Boyne didn't go that way."

Mary turned back. "Where did he go? And when?"

"He went out of the front door, up the drive, Madam." It was a matter of principle with Trimmle never to answer more than one question at a time.

"Up the drive? At this hour?" Mary went to the door herself, and glanced across the court through the long tunnel of bare limes. But its perspective was as empty as when she had scanned it on entering the house.

"Did Mr. Boyne leave no message?" she asked.

Trimmle seemed to surrender herself to a last struggle with the forces of chaos.

"No, Madam. He just went out with the gentleman."

"The gentleman? What gentleman?" Mary wheeled about, as if to front this new factor.

"The gentleman who called, Madam," said Trimmle, resignedly.

"When did a gentleman call? Do explain yourself, Trimmle!"

Only the fact that Mary was very hungry, and that she wanted to consult her husband about the greenhouses, would have caused her to lay so unusual an injunction on her attendant; and even now she was detached enough to note in Trimmle's eye the dawning defiance of the respectful subordinate who has been pressed too hard.

"I couldn't exactly say the hour, Madam, because I didn't let the gentleman in," she replied, with the air of magnanimously ignoring the irregularity of her mistress's course.

"You didn't let him in?"

"No, Madam. When the bell rang I was dressing, and Agnes--"

"Go and ask Agnes, then," Mary interjected. Trimmle still wore her look of patient magnanimity. "Agnes would not know, Madam, for she had unfortunately burnt her hand in trying the wick of the new lamp from town--" Trimmle, as Mary was aware, had always been opposed to the new lamp--" and so Mrs. Dockett sent the kitchen-maid instead."

Mary looked again at the clock. "It's after two! Go and ask the kitchen-maid if Mr. Boyne left any word."

She went into luncheon without waiting, and Trimmle presently brought her there the kitchen-maid's statement that the gentleman had called about one o'clock, that Mr. Boyne had gone out with him without leaving any message. The kitchen-maid did not even know the caller's name, for he had written it on a slip of paper, which he had folded and handed to her, with the injunction to deliver it at once to Mr. Boyne.

Mary finished her luncheon, still wondering, and when it was over, and Trimmle had brought the coffee to the drawing-room, her wonder had deepened to a first faint tinge of disquietude. It was unlike Boyne to absent himself without explanation at so unwonted an hour, and the difficulty of identifying the visitor whose summons he had apparently obeyed made his disappearance the more unaccountable. Mary Boyne's experience as the wife of a busy engineer, subject to sudden calls and compelled to keep irregular hours, had trained her to the philosophic acceptance of surprises; but since Boyne's withdrawal from business he had adopted a Benedictine regularity of life. As if to make up for the dispersed and agitated years, with their "stand-up" lunches and dinners rattled down to the joltings of the dining-car, he cultivated the last refinements of punctuality and monotony, discouraging his wife's fancy for the unexpected; and declaring that to a delicate taste there were infinite gradations of pleasure in the fixed recurrences of habit.

Still, since no life can completely defend itself from the unforeseen, it was evident that all Boyne's precautions would sooner or later prove unavailable, and Mary concluded that he had cut short a tiresome visit by walking with his caller to the station, or at least accompanying him for part of the way.

This conclusion relieved her from farther preoccupation, and she went out herself to take up her conference with the gardener. Thence she walked to the village post-office, a mile or so away; and when she turned toward home, the early twilight was setting in.

She had taken a foot-path across the downs, and as Boyne, meanwhile, had probably returned from the station by the highroad, there was little likelihood of their meeting on the way. She felt sure, however, of his having reached the house before her; so sure that, when she entered it herself, without even pausing to inquire of Trimmle, she made directly for the library. But the library was still empty, and with an unwonted precision of visual memory she immediately observed that the papers on her husband's desk lay precisely as they had lain when she had gone in to call him to luncheon.

Then of a sudden she was seized by a vague dread of the unknown. She had closed the door behind her on entering, and as she stood alone in the long, silent, shadowy room, her dread seemed to take shape and sound, to be there audibly breathing and lurking among the shadows. Her short-sighted eyes strained through them, half discerning an actual presence, something aloof, that watched and knew; and in the recoil from that intangible propinquity she threw herself suddenly on the bell-rope and gave it a desperate pull.

The long, quavering summons brought Trimmle in precipitately with a lamp, and Mary breathed again at this sobering reappearance of the usual.

"You may bring tea if Mr. Boyne is in," she said, to justify her ring.

"Very well, Madam. But Mr. Boyne is not in," said Trimmle, putting down the lamp.

"Not in? You mean he's come back and gone out again?"

"No, Madam. He's never been back."

The dread stirred again, and Mary knew that now it had her fast.

"Not since he went out with -- the gentleman?"

"Not since he went out with the gentleman."

"But who was the gentleman?" Mary gasped out, with the sharp note of some one trying to be heard through a confusion of meaningless noises.

"That I couldn't say, Madam." Trimmle, standing there by the lamp, seemed suddenly to grow less round and rosy, as though eclipsed by the same creeping shade of apprehension.

"But the kitchen-maid knows -- wasn't it the kitchen-maid who let him in?"

"She doesn't know either, Madam, for he wrote his name on a folded paper."

Mary, through her agitation, was aware that they were both designating the unknown visitor by a vague pronoun, instead of the conventional formula which, till then, had kept their allusions within the bounds of custom. And at the same moment her mind caught at the suggestion of the folded paper.

"But he must have a name! Where is the paper?"

She moved to the desk, and began to turn over the scattered documents that littered it. The first that caught her eye was an unfinished letter in her husband's hand, with his pen lying across it, as though dropped there at a sudden summons.

"My dear Parvis," --who was Parvis?--"I have just received your letter announcing Elwell's death, and while I suppose there is now no farther risk of trouble, it might be safer--"

She tossed the sheet aside, and continued her search; but no folded paper was discoverable among the letters and pages of manuscript which had been swept together in a promiscuous heap, as if by a hurried or a startled gesture.

"But the kitchen-maid saw him. Send her here," she commanded, wondering at her dullness in not thinking sooner of so simple a solution.

Trimmle, at the behest, vanished in a flash, as if thankful to be out of the room, and when she reappeared, conducting the agitated underling, Mary had regained her self-possession, and had her questions pat.

The gentleman was a stranger, yes--that she understood. But what had he said? And, above all, what had he looked like? The first question was easily enough answered, for the disconcerting reason that he had said so little--had merely asked for Mr. Boyne, and, scribbling something on a bit of paper, had requested that it should at once be carried in to him.

"Then you don't know what he wrote? You're not sure it was his name?"

The kitchen-maid was not sure, but supposed it was, since he had written it in answer to her inquiry as to whom she should announce.

"And when you carried the paper in to Mr. Boyne, what did he say?"

The kitchen-maid did not think that Mr. Boyne had said anything, but she could not be sure, for just as she had handed him the paper and he was opening it, she had become aware that the visitor had followed her into the library, and she had slipped out, leaving the two gentlemen together.

"But then, if you left them in the library, how do you know that they went out of the house?"

This question plunged the witness into momentary inarticulateness, from which she was rescued by Trimmle, who, by means of ingenious circumlocutions, elicited the statement that before she could cross the hall to the back passage she had heard the gentlemen behind her, and had seen them go out of the front door together.

"Then, if you saw the gentleman twice, you must be able to tell me what he looked like."

But with this final challenge to her powers of expression it became clear that the limit of the kitchen-maid's endurance had been reached. The obligation of going to the front door to "show in" a visitor was in itself so subversive of the fundamental order of things that it had thrown her faculties into hopeless disarray, and she could only stammer out, after various panting efforts at evocation, "His hat, mum, was different-like, as you might say--"

"Different? How different?" Mary flashed out at her, her own mind, in the same instant, leaping back to an image left on it that morning, but temporarily lost under layers of subsequent impressions.

"His hat had a wide brim, you mean? and his face was pale--a youngish face?" Mary pressed her, with a white-lipped intensity of interrogation. But if the kitchen-maid found any adequate answer to this challenge, it was swept away for her listener down the rushing current of her own convictions. The stranger--the stranger in the garden! Why had Mary not thought of him before? She needed no one now to tell her that it was he who had called for her husband and gone away with him. But who was he, and why had Boyne obeyed his call?

    IV

It leaped out at her suddenly, like a grin out of the dark, that they had often called England so little--"such a confoundedly hard place to get lost in."

A confoundedly hard place to get lost in! That had been her husband's phrase. And now, with the whole machinery of official investigation sweeping its flash-lights from shore to shore, and across the dividing straits; now, with Boyne's name blazing from the walls of every town and village, his portrait how that wrung her! hawked up and down the country like the image of a hunted criminal; now the little compact, populous island, so policed, surveyed, and administered, revealed itself as a Sphinx-like guardian of abysmal mysteries, staring back into his wife's anguished eyes as if with the malicious joy of knowing something they would never know!

In the fortnight since Boyne's disappearance there had been no word of him, no trace of his movements. Even the usual misleading reports that raise expectancy in tortured bosoms had been few and fleeting. No one but the bewildered kitchen-maid had seen him leave the house, and no one else had seen "the gentleman" who accompanied him. All inquiries in the neighborhood failed to elicit the memory of a stranger's presence that day in the neighborhood of Lyng. And no one had met Edward Boyne, either alone or in company, in any of the neighboring villages, or on the road across the downs, or at either of the local railway-stations. The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.

Mary, while every external means of investigation was working at its highest pressure, had ransacked her husband's papers for any trace of antecedent complications, of entanglements or obligations unknown to her, that might throw a faint ray into the darkness. But if any such had existed in the background of Boyne's life, they had disappeared as completely as the slip of paper on which the visitor had written his name. There remained no possible thread of guidance except -- if it were indeed an exception -- the letter which Boyne had apparently been in the act of writing when he received his mysterious summons. That letter, read and reread by his wife, and submitted by her to the police, yielded little enough for conjecture to feed on.

"I have just heard of Elwell's death, and while I suppose there is now no farther risk of trouble, it might be safer--" That was all. The "risk of trouble" was easily explained by the newspaper clipping which had apprised Mary of the suit brought against her husband by one of his associates in the Blue Star enterprise. The only new information conveyed in the letter was the fact of its showing Boyne, when he wrote it, to be still apprehensive of the results of the suit, though he had assured his wife that it had been withdrawn, and though the letter itself declared that the plaintiff was dead. It took several weeks of exhaustive cabling to fix the identity of the "Parvis" to whom the fragmentary communication was addressed, but even after these inquiries had shown him to be a Waukesha lawyer, no new facts concerning the Elwell suit were elicited. He appeared to have had no direct concern in it, but to have been conversant with the facts merely as an acquaintance, and possible intermediary; and he declared himself unable to divine with what object Boyne intended to seek his assistance.

This negative information, sole fruit of the first fortnight's feverish search, was not increased by a jot during the slow weeks that followed. Mary knew that the investigations were still being carried on, but she had a vague sense of their gradually slackening, as the actual march of time seemed to slacken. It was as though the days, flying horror-struck from the shrouded image of the one inscrutable day, gained assurance as the distance lengthened, till at last they fell back into their normal gait. And so with the human imaginations at work on the dark event. No doubt it occupied them still, but week by week and hour by hour it grew less absorbing, took up less space, was slowly but inevitably crowded out of the foreground of consciousness by the new problems perpetually bubbling up from the vaporous caldron of human experience.

Even Mary Boyne's consciousness gradually felt the same lowering of velocity. It still swayed with the incessant oscillations of conjecture; but they were slower, more rhythmical in their beat. There were moments of overwhelming lassitude when, like the victim of some poison which leaves the brain clear, but holds the body motionless, she saw herself domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life.

These moments lengthened into hours and days, till she passed into a phase of stolid acquiescence. She watched the familiar routine of life with the incurious eye of a savage on whom the meaningless processes of civilization make but the faintest impression. She had come to regard herself as part of the routine, a spoke of the wheel, revolving with its motion; she felt almost like the furniture of the room in which she sat, an insensate object to be dusted and pushed about with the chairs and tables. And this deepening apathy held her fast at Lyng, in spite of the urgent entreaties of friends and the usual medical recommendation of "change." Her friends supposed that her refusal to move was inspired by the belief that her husband would one day return to the spot from which he had vanished, and a beautiful legend grew up about this imaginary state of waiting. But in reality she had no such belief: the depths of anguish inclosing her were no longer lighted by flashes of hope. She was sure that Boyne would never come back, that he had gone out of her sight as completely as if Death itself had waited that day on the threshold. She had even renounced, one by one, the various theories as to his disappearance which had been advanced by the press, the police, and her own agonized imagination. In sheer lassitude her mind turned from these alternatives of horror, and sank back into the blank fact that he was gone.

No, she would never know what had become of him -- no one would ever know. But the house knew; the library in which she spent her long, lonely evenings knew. For it was here that the last scene had been enacted, here that the stranger had come, and spoken the word which had caused Boyne to rise and follow him. The floor she trod had felt his tread; the books on the shelves had seen his face; and there were moments when the intense consciousness of the old, dusky walls seemed about to break out into some audible revelation of their secret. But the revelation never came, and she knew it would never come. Lyng was not one of the garrulous old houses that betray the secrets intrusted to them. Its very legend proved that it had always been the mute accomplice, the incorruptible custodian of the mysteries it had surprised. And Mary Boyne, sitting face to face with its portentous silence, felt the futility of seeking to break it by any human means.

    V

"I don't say it wasn't straight, yet don't say it was straight. It was business."

Mary, at the words, lifted her head with a start, and looked intently at the speaker.

When, half an hour before, a card with "Mr. Parvis" on it had been brought up to her, she had been immediately aware that the name had been a part of her consciousness ever since she had read it at the head of Boyne's unfinished letter. In the library she had found awaiting her a small neutral-tinted man with a bald head and gold eye-glasses, and it sent a strange tremor through her to know that this was the person to whom her husband's last known thought had been directed.

Parvis, civilly, but without vain preamble,--in the manner of a man who has his watch in his hand,--had set forth the object of his visit. He had "run over" to England on business, and finding himself in the neighborhood of Dorchester, had not wished to leave it without paying his respects to Mrs. Boyne; without asking her, if the occasion offered, what she meant to do about Bob Elwell's family.

The words touched the spring of some obscure dread in Mary's bosom. Did her visitor, after all, know what Boyne had meant by his unfinished phrase? She asked for an elucidation of his question, and noticed at once that he seemed surprised at her continued ignorance of the subject. Was it possible that she really knew as little as she said?

"I know nothing -- you must tell me," she faltered out; and her visitor thereupon proceeded to unfold his story. It threw, even to her confused perceptions, and imperfectly initiated vision, a lurid glare on the whole hazy episode of the Blue Star Mine. Her husband had made his money in that brilliant speculation at the cost of "getting ahead" of some one less alert to seize the chance; the victim of his ingenuity was young Robert Elwell, who had "put him on" to the Blue Star scheme.

Parvis, at Mary's first startled cry, had thrown her a sobering glance through his impartial glasses.

"Bob Elwell wasn't smart enough, that's all; if he had been, he might have turned round and served Boyne the same way. It's the kind of thing that happens every day in business. I guess it's what the scientists call the survival of the fittest," said Mr. Parvis, evidently pleased with the aptness of his analogy.

Mary felt a physical shrinking from the next question she tried to frame; it was as though the words on her lips had a taste that nauseated her.

"But then--you accuse my husband of doing something dishonorable?"

Mr. Parvis surveyed the question dispassionately. "Oh, no, I don't. I don't even say it wasn't straight." He glanced up and down the long lines of books, as if one of them might have supplied him with the definition he sought. "I don't say it wasn't straight, and yet I don't say it was straight. It was business." After all, no definition in his category could be more comprehensive than that.

Mary sat staring at him with a look of terror. He seemed to her like the indifferent, implacable emissary of some dark, formless power.

"But Mr. Elwell's lawyers apparently did not take your view, since I suppose the suit was withdrawn by their advice."

"Oh, yes, they knew he hadn't a leg to stand on, technically. It was when they advised him to withdraw the suit that he got desperate. You see, he'd borrowed most of the money he lost in the Blue Star, and he was up a tree. That's why he shot himself when they told him he had no show."

The horror was sweeping over Mary in great, deafening waves.

"He shot himself? He killed himself because of that? "

"Well, he didn't kill himself, exactly. He dragged on two months before he died." Parvis emitted the statement as unemotionally as a gramophone grinding out its "record."

"You mean that he tried to kill himself, and failed? And tried again?"

"Oh, he didn't have to try again," said Parvis, grimly.

They sat opposite each other in silence, he swinging his eyeglass thoughtfully about his finger, she, motionless, her arms stretched along her knees in an attitude of rigid tension.

"But if you knew all this," she began at length, hardly able to force her voice above a whisper, "how is it that when I wrote you at the time of my husband's disappearance you said you didn't understand his letter?"

Parvis received this without perceptible discomfiture. "Why, I didn't understand it -- strictly speaking. And it wasn't the time to talk about it, if I had. The Elwell business was settled when the suit was withdrawn. Nothing I could have told you would have helped you to find your husband."

Mary continued to scrutinize him. "Then why are you telling me now?"

Still Parvis did not hesitate. "Well, to begin with, I supposed you knew more than you appear to -- I mean about the circumstances of Elwell's death. And then people are talking of it now; the whole matter's been raked up again. And I thought, if you didn't know, you ought to."

She remained silent, and he continued: "You see, it's only come out lately what a bad state Elwell's affairs were in. His wife's a proud woman, and she fought on as long as she could, going out to work, and taking sewing at home, when she got too sick-something with the heart, I believe. But she had his bedridden mother to look after, and the children, and she broke down under it, and finally had to ask for help. That attracted attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why--"

Parvis broke off to fumble in an inner pocket. "Here," he continued, "here's an account of the whole thing from the 'Sentinel'--a little sensational, of course. But I guess you'd better look it over."

He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the "Sentinel" had first shaken the depths of her security.

As she opened the paper, her eyes, shrinking from the glaring head-lines, "Widow of Boyne's Victim Forced to Appeal for Aid," ran down the column of text to two portraits inserted in it. The first was her husband's, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing-table up-stairs in her bedroom. As the eyes in the photograph met hers, she felt it would be impossible to read what was said of him, and closed her lids with the sharpness of the pain.

"I thought if you felt disposed to put your name down--" she heard Parvis continue.

She opened her eyes with an effort, and they fell on the other portrait. It was that of a youngish man, slightly built, in rough clothes, with features somewhat blurred by the shadow of a projecting hat-brim. Where had she seen that outline before? She stared at it confusedly, her heart hammering in her throat and ears. Then she gave a cry.

"This is the man--the man who came for my husband!"

She heard Parvis start to his feet, and was dimly aware that she had slipped backward into the corner of the sofa, and that he was bending above her in alarm. With an intense effort she straightened herself, and reached out for the paper, which she had dropped.

"It's the man! I should know him anywhere!" she cried in a voice that sounded in her own ears like a scream.

Parvis's voice seemed to come to her from far off, down endless, fog-muffled windings.

"Mrs. Boyne, you're not very well. Shall I call somebody? Shall I get a glass of water?"

"No, no, no!" She threw herself toward him, her hand frantically clenching the newspaper. "I tell you, it's the man! I know him! He spoke to me in the garden!"

Parvis took the journal from her, directing his glasses to the portrait. "It can't be, Mrs. Boyne. It's Robert Elwell."

"Robert Elwell?" Her white stare seemed to travel into space. "Then it was Robert Elwell who came for him."

"Came for Boyne? The day he went away?" Parvis's voice dropped as hers rose. He bent over, laying a fraternal hand on her, as if to coax her gently back into her seat. "Why, Elwell was dead! Don't you remember?"

Mary sat with her eyes fixed on the picture, unconscious of what he was saying.

"Don't you remember Boyne's unfinished letter to me -- the one you found on his desk that day? It was written just after he'd heard of Elwell's death." She noticed an odd shake in Parvis's unemotional voice. "Surely you remember that!" he urged her.

Yes, she remembered: that was the profoundest horror of it. Elwell had died the day before her husband's disappearance; and this was Elwell's portrait; and it was the portrait of the man who had spoken to her in the garden. She lifted her head and looked slowly about the library. The library could have borne witness that it was also the portrait of the man who had come in that day to call Boyne from his unfinished letter. Through the misty surgings of her brain she heard the faint boom of half-forgotten words -- words spoken by Alida Stair on the lawn at Pangbourne before Boyne and his wife had ever seen the house at Lyng, or had imagined that they might one day live there.

"This was the man who spoke to me," she repeated.

She looked again at Parvis. He was trying to conceal his disturbance under what he imagined to be an expression of indulgent commiseration; but the edges of his lips were blue. "He thinks me mad; but I'm not mad," she reflected; and suddenly there flashed upon her a way of justifying her strange affirmation.

She sat quiet, controlling the quiver of her lips, and waiting till she could trust her voice to keep its habitual level; then she said, looking straight at Parvis: "Will you answer me one question, please? When was it that Robert Elwell tried to kill himself?"

"When--when?" Parvis stammered.

"Yes; the date. Please try to remember."

She saw that he was growing still more afraid of her. "I have a reason," she insisted gently.

"Yes, yes. Only I can't remember. About two months before, I should say."

"I want the date," she repeated.

Parvis picked up the newspaper. "We might see here," he said, still humoring her. He ran his eyes down the page. "Here it is. Last October--the--"

She caught the words from him. "The 20th, wasn't it?" With a sharp look at her, he verified. "Yes, the 20th. Then you did know?"

"I know now." Her white stare continued to travel past him. "Sunday, the 20th--that was the day he came first."

Parvis's voice was almost inaudible. "Came here first?"

"Yes."

"You saw him twice, then?"

"Yes, twice." She breathed it at him with dilated eyes. "He came first on the 20th of October. I remember the date because it was the day we went up Meldon Steep for the first time." She felt a faint gasp of inward laughter at the thought that but for that she might have forgotten.

Parvis continued to scrutinize her, as if trying to intercept her gaze.

"We saw him from the roof," she went on. "He came down the lime avenue toward the house. He was dressed just as he is in that picture. My husband saw him first. He was frightened, and ran down ahead of me; but there was no one there. He had vanished."

"Elwell had vanished?" Parvis faltered.

"Yes." Their two whispers seemed to grope for each other. "I couldn't think what had happened. I see now. He tried to come then; but he wasn't dead enough--he couldn't reach us. He had to wait for two months; and then he came back again--and Ned went with him."

She nodded at Parvis with the look of triumph of a child who has successfully worked out a difficult puzzle. But suddenly she lifted her hands with a desperate gesture, pressing them to her bursting temples.

"Oh, my God! I sent him to Ned--I told him where to go! I sent him to this room!" she screamed out.

She felt the walls of the room rush toward her, like inward falling ruins; and she heard Parvis, a long way off, as if through the ruins, crying to her, and struggling to get at her. But she was numb to his touch, she did not know what he was saying. Through the tumult she heard but one clear note, the voice of Alida Stair, speaking on the lawn at Pangbourne.

"You won't know till afterward," it said. "You won't know till long, long afterward."

       

About the Author 

Edith Wharton

Edith Wharton (/ˈhwɔːrtən/; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. She was inducted into the National Women's Hall of Fame in 1996. Among her other well known works are The House of Mirth and the novella Ethan Frome. Wikipedia 

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Tuesday, March 22, 2022

The School by Donald Barthelme


The School by Donald Barthelme
 

The School

by Donald Barthelme

Based on the short story by Donald Barthelme, this darkly comedic fable explores the strange and unfortunate occurrences in Mr. Gibson's second grade class. Based on the short story by award winning author Donald Barthelme, The School is a darkly comedic fable that pushes the boundaries of absurdity and convention.


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Donald Barthelme was an American short story writer and novelist known for his playful, postmodernist style of short fiction. Wikipedia

Born: April 7, 1931, Philadelphia, PA
Died: July 23, 1989, Houston, TX
Education: University of Houston (1957)
Spouse: Marion Barthelme (m. ?–1989)
Nominations: PEN/Faulkner Award for Fiction, Pulitzer Prize for Fiction, More
Movies: Concerning the Bodyguard


Titles by Donald Barthelme