Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

Header

Liquid Story Binder XE by Black Obelisk Software

Disable Copy Paste

Amazon Quick Linker

Friday, September 2, 2016

The Water-Hole by Maxwell Struthers Burt

THE WATER-HOLE

[1]


By MAXWELL STRUTHERS BURT
From Scribner’s Magazine

Some men are like the twang of a bow-string. Hardy was like that—short, lithe, sunburned, vivid. Into the lives of Jarrick, Hill, and myself, old classmates of his, he came and went in the fashion of one of those queer winds that on a sultry day in summer blow unexpectedly up a city street out of nowhere. His comings excited us; his goings left us refreshed and a little vaguely discontented. So many people are gray. Hardy gave one a shock of color, as do the deserts and the mountains he inhabited. It was not particularly what he said—he didn’t talk much—it was his appearance, his direct, a trifle fierce, gestures, the sense of mysterious lands that pervaded him. One never knew when he was coming to New York and one never knew how long he was going to stay; he just appeared, was very busy with mining companies for a while, sat about clubs in the late afternoon, and then, one day, he was gone.

Sometimes he came twice in a year; oftener, not for two or three years at a stretch. When he did come we gave him a dinner—that is, Jarrick, Hill, and myself. And it was rather an occasion. We would procure a table in the gayest restaurant we could find, near, but not too near, the music—Hill it was who first suggested this as a dramatic bit of incongruity between Hardy and the frequenters of Broadway—and the most exotic food obtainable, for a good part of his time Hardy, we knew, lived upon camp fare. Then we would try to make him tell about his experiences. Usually he wouldn’t. Impersonally, he was entertaining about South Africa, about the Caucasus, about Alaska, Mexico, anywhere you care to think; but concretely he might have been an illustrated lecture for all he mentioned himself. He was passionately fond of abstract argument. “Y’ see,” he would explain, “I don’t get half as much of this sort of thing as I want. Of course, one does run across remarkable people—now, I met a cow-puncher once who knew Keats by heart—but as a rule I deal only with material things, mines and prospects and assays and that sort of thing.” Poor chap! I wonder if he thought that we, with our brokering and our writing and our lawyering, dealt much with ideas! I remember one night when we sat up until three discussing the philosophy of prohibition over three bottles of port. I wonder how many other men have done the same thing!

But five years ago—no, it was six—Hardy really told us a real story about himself. Necessarily the occasion is memorable in our recollections. We had dined at Lamb’s, and the place was practically empty, for it was long after the theatre hour—only a drowsy waiter here and there, and away over in one corner a young couple who, I suppose, imagined themselves in love. Fancy being in love at Lamb’s! We had been discussing, of all things in the world, bravery and conscience and cowardice and original sin, and that sort of business, and there was no question about it that Hardy was enjoying himself hugely. He was leaning upon the table, a coffee-cup between his relaxed brown hands, listening with an eagerness highly complimentary to the banal remarks we had to make upon the subject. “This is talk!” he ejaculated once with a laugh.

Hill, against the combined attack of Jarrick and myself, was maintaining the argument. “There is no such thing as instinctive bravery,” he affirmed, for the fifth time at least, “amongst intelligent men. Every one of us is naturally a coward. Of course we are. The more imagination we’ve got the more we can realize how pleasant life is, after all, and how rotten the adjuncts of sudden death. It’s reason that does the trick—reason and tradition. Do you know of any one who is brave when he is alone—except, that is, when it is a case of self-preservation? No! Of course not. Did you ever hear of any one choosing to go along a dangerous road or to ford a dangerous river unless he had to—that is, any one of our class, any man of education or imagination? It’s the greater fear of being thought afraid that makes us brave. Take a lawyer in a shipwreck—take myself! Don’t you suppose he’s frightened? Naturally he is, horribly frightened. It’s his reason, his mind, that after a while gets the better of his poor pipe-stem legs and makes them keep pace with the sea-legs about them.”

“It’s condition,” said Jarrick doggedly—“condition entirely. All has to do with your liver and digestion. I know; I fox-hunt, and when I was younger—yes, leave my waist alone!—I rode jumping races. When you’re fit there isn’t a horse alive that bothers you, or a fence, for that matter, or a bit of water.”

“Ever try standing on a ship’s deck, in the dark, knowing you’re going to drown in about twenty minutes?” asked Hill.

Hardy leaned forward to strike a match for his cigarette. “I don’t agree with you,” he said.

“Well, but—” began Hill.

“Neither of you.”

“Oh, of course, you’re outside the argument. You lead an adventurous life. You keep in condition for danger. It isn’t fair.”

“No.” Hardy lit his cigarette and inhaled a puff thoughtfully. “You don’t understand. All you have to say does have some bearing upon things, but, when you get down to brass tacks, it’s instinct—at the last gasp, it’s instinct. You can’t get away from it. Look at the difference between a thoroughbred and a cold-blooded horse! There you are! That’s true. It’s the fashion now to discount instinct, I know; well—but you can’t get away from it. I’ve thought about the thing—a lot. Men are brave against their better reason, against their conscience. It’s a mixed-up thing. It’s confusing and—and sort of damnable,” he concluded lamely.

“Sort of damnable!” ejaculated Hill wonderingly.

“Yes, damnable.”

I experienced inspiration. “You’ve got a concrete instance back of that,” I ventured.

Hardy removed his gaze from the ceiling. “Er—” he stammered. “Why, yes—yes. That’s true.”

“You’d better tell it,” suggested Hill; “otherwise your argument is not very conclusive.”

Hardy fumbled with the spoon of his empty coffee-cup. It was a curious gesture on the part of a man whose franknesses were as clean-cut as his silences. “Well—” he began. “I don’t know. Perhaps. I did know a man, though, who saved another man’s life when he didn’t want to, when there was every excuse for him not to, when he had it all reasoned out that it was wrong, the very wrongest possible thing to do; and he saved him because he couldn’t help it, saved him at the risk of his own life, too.”

“He did!” murmured Hill incredulously.

“Go on!” I urged. I was aware that we were on the edge of a revelation.

Hardy looked down at the spoon in his hand, then up and into my eyes.

“It’s such a queer place to tell it”—he smiled deprecatingly—“here, in this restaurant. It ought to be about a camp-fire, or something like that. Here it seems out of place, like the smell of bacon or sweating mules. Do you know Los Pinos? Well, you wouldn’t. It was just a few shacks and a Mexican gambling-house when I saw it. Maybe it isn’t there any more, at all. You know—those places! People build them and then go away, and in a year there isn’t a thing, just desert again and shifting sand and maybe the little original old ranch by the one spring.” He swept the table-cloth with his hand, as if sweeping something into oblivion, and his eyes sought again the spoon. “It’s queer, that business. Men and women go out to lonely places and build houses, and for a while everything goes on in miniature, just as it does here—daily bread and hating and laughing—and then something happens, the gold gives out or the fields won’t pay, and in no time nature is back again. It’s a big fight. You lose track of it in crowded places.” He raised his head and settled his arms comfortably on the table.

“I wasn’t there for any particular purpose. I was on a holiday. I’d been on a big job up in Colorado and was rather done up, and, as there were some prospects in New Mexico I wanted to see, I hit south, drifting through Santa Fé and Silver City, until I found myself way down on the southern edge of Arizona. It was still hot down there—hot as blazes—it was about the first of September—and the rattlesnakes and the scorpions were still as active as crickets. I knew a chap that had a cattle outfit near the Mexican border, so I dropped in on him one day and stayed two weeks. You see, he was lonely. Had a passion for theatres and hadn’t seen a play for five years. My second-hand gossip was rather a godsend. But finally I got tired of talking about Mary Mannering, and decided to start north again. He bade me good-by on a little hill near his place. ‘See here!’ he said suddenly, looking toward the west. ‘If you go a trifle out of your way you’ll strike Los Pinos, and I wish you would. It’s a little bit of a dump of the United Copper Company’s, no good, I’m thinking, but the fellow in charge is a friend of mine. He’s got his wife there. They’re nice people—or used to be. I haven’t seen them for ten years. They say he drinks a little—well, we all do. Maybe you could write me how she—I mean, how he is getting on?’ And he turned red. I saw how the land lay, and as a favor to him I said I would.

“It was eighty miles away, and I drifted in there one night on top of a tired cow-horse just at sundown. You know how purple—violet, really—those desert evenings are. There was violet stretching away as far as I could see, from the faint violet at my stirrups to the deep, almost black violet of the horizon. Way off to the north I could make out the shadow of some big hills that had been ahead of me all day. The town, what there was of it, lay in a little gully. Along its single street there were a few lights shining like small yellow flowers. I asked my way of a Mexican, and he showed me up to where the Whitneys—that name will do as well as any—lived, in a decent enough sort of bungalow, it would seem, above the gully. He left me there, and I went forward and rapped at the door. Light shone from between the cracks of a near-by shutter, and I could hear voices inside—a man’s voice mostly, hoarse and high-pitched. Then a Chinaman opened the door for me and I had a look inside, into a big living-room beyond. It was civilized all right enough, pleasantly so to a man stepping out of two days of desert and Mexican adobes. At a glance I saw the rugs on the polished floor, and the Navajo blankets about, and a big table in the centre with a shaded lamp and magazines in rows; but the man in riding-clothes standing before the empty fire-place wasn’t civilized at all, at least not at that moment. I couldn’t see the woman, only the top of her head above the back of a big chair, but as I came in I heard her say, ‘Hush!—Jim!—please!’ and I noticed that what I could see of her hair was of that fine true gold you so seldom find. The man stopped in the middle of a sentence and swayed on his feet, then he looked over at me and came toward me with a sort of bulldog, inquiring look. He was a big, red-faced, blond chap, about forty, I should say, who might once have been handsome. He wasn’t now, and it didn’t add to his beauty that he was quite obviously fairly drunk. ‘Well?’ he said, and blocked my way.

“‘I’m a friend of Henry Martin’s,’ I answered. ‘I’ve got a letter for you.’ I was beginning to get pretty angry.

“‘Henry Martin?’ He laughed unsteadily. ‘You’d better give it to my wife over there. She’s his friend. I hardly know him.’ I don’t know when I’d seen a man I disliked as much at first sight.

“There was a rustle from the other side of the room, and Mrs. Whitney came toward us. I avoided her unattractive husband and took her hand, and I understood at once whatever civilizing influences there were about the bungalow we were in. Did you ever do that—ever step out of nowhere, in a wild sort of country, and meet suddenly a man or a woman who might have come straight from a pleasant, well-bred room filled with books and flowers and quiet, nice people? It’s a sensation that never loses its freshness. Mrs. Whitney was like that. I wouldn’t have called her beautiful; she was better; you knew she was good and clean-cut and a thoroughbred the minute you saw her. She was lovely, too; don’t misunderstand me, but you had more important things to think about when you were talking to her. Just at the moment I was wondering how any one who so evidently had been crying could all at once greet a stranger with so cordial a smile. But she was all that—all nerve; I don’t think I ever met a woman quite like her—so fine, you understand.”

Hardy paused. “Have any of you chaps got a cigarette?” he asked; and I noticed that his hand, usually the steadiest hand imaginable, trembled ever so slightly. “Well,” he began again, “there you are! I had tumbled into about as rotten a little, pitiful a little tragedy as you can imagine, there in a God-forsaken desert of Arizona, with not a soul about but a Chinaman, a couple of Scotch stationary engineers, an Irish foreman, two or three young mining men, and a score of Mexicans. Of course, my first impulse was to get out the next morning, to cut it—it was none of my business—although I determined to drop a line to Henry Martin; but I didn’t go. I had a talk with Mrs. Whitney that night, after her attractive husband had taken himself off to bed, and somehow I couldn’t leave just then. You know how it is, you drop into a place where nothing in the world seems likely to happen, and all of a sudden you realize that something is going to happen, and for the life of you you can’t go away. That situation up on top of the hill couldn’t last forever, could it? So I stayed on. I hunted out the big Irish foreman and shared his cabin. The Whitneys asked me to visit them, but I didn’t exactly feel like doing so. The Irishman was a fine specimen of his race, ten years out from Dublin, and everywhere else since that time; generous, irascible, given to great fits of gayety and equally unexpected fits of gloom. He would sit in the evenings, a short pipe in his mouth, and stare up at the Whitney bungalow on the hill above.

“‘That Jim Whitney’s a divvle,’ he confided to me once. ‘Wan of these days I’ll hit him over th’ head with a pick and be hung for murther. Now, what in hell d’ye suppose a nice girl like that sticks by him for? If it weren’t for her I’d ’a’ reported him long ago. The scut!’ And I remember that he spat gloomily.

“But I got to know the answer to that question sooner than I had expected. You see, I went up to the Whitneys’ often, in the afternoon, or for dinner, or in the evening, and I talked to Mrs. Whitney a great deal; although sometimes I just sat and smoked and listened to her play the piano. She played beautifully. It was a treat to a man who hadn’t heard music for two years. There was a little thing of Grieg’s—a spring song, or something of the sort—and you’ve no idea how quaint and sad and appealing it was, and incongruous, with all its freshness and murmuring about water-falls and pine-trees, there, in those hot, breathless Arizona nights. Mrs. Whitney didn’t talk much; she wasn’t what you’d call a particularly communicative woman, but bit by bit I pieced together something continuous. It seems that she had run away with Whitney ten years before—Oh, yes! Henry Martin! That had been a schoolgirl affair. Nothing serious, you understand. But the Whitney matter had been different. She was greatly in love with him. And the family had disapproved. Some rich, stuffy Boston people, I gathered. But she had made up her mind and taken matters in her own hands. That was her way—a clean-cut sort of person—like a gold-and-white arrow; and now she was going to stick by her choice no matter what happened; owed it to Whitney. There was the quirk in her brain; we all have a quirk somewhere, and that was hers. She felt that she had ruined his career; he had been a brilliant young engineer, but her family had kicked up the devil of a row, and, as they were powerful enough, and nasty enough, had more or less hounded him out of the East. Of course, personally, I never thought he showed any of the essentials of brilliancy, but that’s neither here nor there; she did, and she was satisfied that she owed him all she had. I suppose, too, there was some trace of a Puritan conscience back of it, some inherent feeling about divorce; and there was pride as well, a desire not to let that disgusting family of hers know into what ways her idol had fallen. Anyway, she was adamant—oh, yes, I made no bones about it, I up and asked her one night why she didn’t get rid of the hound. So there she was, that white-and-gold woman, with her love of music, and her love of books, and her love of fine things, and her gentleness, and that sort of fiery, suppressed Northern blood, shut up on top of an Arizona dump with a beast that got drunk every night and twice a day on Sunday. It was worse even than that. One night—we were sitting out on the veranda—her scarf slipped, and I saw a scar on her arm, near her shoulder.” Hardy stopped abruptly and began to roll a little pellet of bread between his thumb and his forefinger; then his tense expression faded and he sat back in his chair.

“Let me have another cigarette,” he said to Jarrick. “No. Wait a minute! I’ll order some.”

He called a waiter and gave his instructions. “You see,” he continued, “when you run across as few nice women as I do that sort of thing is more than ordinarily disturbing. And then I suppose it was the setting, and her loneliness, and everything. Anyway, I stayed on, I got to be a little bit ashamed of myself. I was afraid that Mrs. Whitney would think me prompted by mere curiosity or a desire to meddle, so after a while I gave out that I was prospecting that part of Arizona, and in the mornings I would take a horse and ride out into the desert. I loved it, too; it was so big and spacious and silent and hot. One day I met Whitney on the edge of town. He was sober, as he always was when he had to be; he was a masterful brute, in his way. He stopped me and asked if I had found anything, and when I laughed he didn’t laugh back. ‘There’s gold here,’ he said. ‘Lots of gold. Did you ever hear the story of the Ten Strike Mine? Well, it’s over there.’ He swept with his arm the line of distant hills to the north. ‘The crazy Dutchman that found it staggered into Almuda, ten miles down the valley, just before he died; and his pockets were bulging with samples—pure gold, almost. Yes, by thunder! And that’s the last they ever heard of it. Lots of men have tried—lots of men. Some day I’ll go myself, surer than shooting.’ And he let his hands drop to his sides and stared silently toward the north, a queer, dreamy anger in his eyes. I’ve seen lots of mining men, lots of prospectors, in my time, and it didn’t take me long to size up that look of his. ‘Aha, my friend!’ I said to myself. ‘So you’ve got another vice, have you! It isn’t only rum that’s got a hold on you!’ And I turned my horse into the town.

“But our conversation seemed to have stirred to the surface something in Whitney’s brain that had been at work there a long time, for after that he would never let me alone about his Ten Strike Mine and the mountains that hid it. ‘Over there!’ he would say, and point to the north. From the porch of his bungalow the sleeping hills were plainly visible above the shimmering desert. He would chew on the end of a cigar and consider. ‘It isn’t very far, you know. Two days—maybe three. All we need’s water. No water there—at least, none found. All those fellows who’ve prospected are fools. I’m an expert; so are you. I tell you, Hardy, let’s do it! A couple of little old pack-mules! Eh? How about it? Next week? I can get off. God, I’d like money!’ And he would subside into a sullen silence. At first I laughed at him; but I can tell you that sort of thing gets on your nerves sooner or later and either makes you bolt it or else go. At the end of two weeks I actually found myself considering the fool thing seriously. Of course, I didn’t want to discover a lost gold-mine, that is, unless I just happened to stumble over it; I wanted to keep away from such things; they’re bad; they get into a man’s blood like drugs; but I’ve always had a hankering for a new country, and those hills, shining in the heat, were compelling—very compelling. Besides, I reflected, a trip like that might help to straighten Whitney up a little. I hadn’t much hope, to be sure, but drowning men clutch at straws. It’s curious what sophistry you use to convince yourself, isn’t it? And then—something happened that for two weeks occupied all my mind.”

Hardy paused, considered for a moment the glowing end of his cigarette, and finally looked up gravely; there was a slight hesitation, almost an embarrassment, in his manner. “I don’t exactly know how to put it,” he began. “I don’t want you chaps to imagine anything wrong; it was all very nebulous and indefinite, you understand—Mrs. Whitney was a wonderful woman. I wouldn’t mention the matter at all if it wasn’t necessary for the point of my story; in fact, it is the point of my story. But there was a man there—one of the young engineers—and quite suddenly I discovered that he was in love with Mrs. Whitney, and I think—I never could be quite sure, but I think she was in love with him. It must have been one of those sudden things, a storm out of a clear sky, deluging two people before they were aware. I imagine it was brought to the surface by the chap’s illness. He had been out riding on the desert and had got off to look at something, and a rattlesnake had struck him—a big, dust-dirty thing—on the wrist, and, very faint, he had galloped back to the Whitneys’. And what do you suppose she had done—Mrs. Whitney, that is? Flung herself down on him and sucked the wound! Yes, without a moment’s hesitation, her gold hair all about his hand and her white dress in the dirt. Of course, it was a foolish thing to do, and not in the least the right way to treat a wound, but she had risked her life to do it; a slight cut on her lip—you understand; a tiny, ragged place. Afterward, she had cut the wound crosswise, so, and had put on a ligature, and then had got the man into the house some way and nursed him until he was quite himself again. I dare say he had been in love with her a long while without knowing it, but that clinched matters. Those things come overpoweringly and take a man, down in places like that—semitropical and lonely and lawless, with long, empty days and moonlit nights. Perhaps he told Mrs. Whitney; he never got very far, I am sure. She was a wonderful woman—but she loved him, I think. You can tell those things, you know; a gesture, an unavoidable look, a silence.

“Anyway, I saw what had happened and I was sorry, and for a fortnight I hung around, loath to go, but hating myself all the while for not doing so. And every day Whitney would come at me with his insane scheme. ‘Over there! It isn’t very far. Two days—maybe three. How about it? Eh?’ and then that tense sweep of the arm to the north. I don’t know what it was, weariness, disgust, irritation of the whole sorry plan of things, but finally, and to my own astonishment, I found myself consenting, and within two days Whitney had his crazy pack outfit ready, and on the morning of the third day we set out. Mrs. Whitney had said nothing when we unfolded our intentions to her, nor did she say anything when we departed, but stood on the porch of the bungalow, her hand up to her throat, and watched us out of sight. I wondered what she was thinking about. The Voodoos—that was the name of the mountains we were heading for—had killed a good many men in their time.”

Hardy took a long and thoughtful sip from the glass in front of him before he began again. “I’ve knocked about a good deal in my life,” he said; “I’ve been lost—once in the jungle; I’ve starved; I’ve reached the point where I’ve imagined horrors, heard voices, you understand, and seen great, bearded men mouthing at me—a man’s pretty far gone when that happens to him—but that trip across the desert was the worst I’ve ever taken. By day it was all right, just swaying in your saddle, half asleep a good part of the time, the smell of warm dust in your nose, the three pack-mules plodding along behind; but the nights!—I tell you, I’ve sat about camp-fires up the Congo and watched big, oily black men eat their food, and I once saw a native village sacked, but I’d rather be tied for life to a West Coast nigger than to a man like Whitney. It isn’t good for two people to be alone in a place like that and for one to hate the other as I hated him. God knows why I didn’t kill him; I’d have to get up and leave the fire and go out into the night, and, mind you, I’d be shuddering like a man with the ague under that warm, soft air. And he never for a minute suspected it. His mind was scarred with drink as if a worm had bored its slow way in and out of it. I can see him now, cross-legged, beyond the flames, big, unshaven, heavy-jowled, dirty, what he thought dripping from his mouth like the bacon drippings he was too lazy to wipe away. I won’t tell you what he talked about; you know, the old thing; but not the way even the most wrong-minded of ordinary men talks; there was a sodden, triumphant deviltry in him that was appalling. He cursed the country for its lack of opportunity of a certain kind; he was like a hound held in leash, gloating over what he would do when he got back to the kennels of civilization again. And all the while, at the back of my mind, was a picture of that white-and-gold woman of his, way back toward the south, waiting his return because she owed him her life for the brilliant career she had ruined. It made you sometimes almost want to laugh—insanely. I used to lie awake at night and pray whatever there was to kill him, and do it quickly. I would have turned back, but I felt that every day I could keep him away from Los Pinos was a day gained for Mrs. Whitney. He was a dangerous maniac, too. The first day he behaved himself fairly well, but the second, after supper, when we had cleaned up, he began to fumble through the packs, and finally produced a bottle of brandy.

“‘Fine camping stuff!’ he announced. ‘Lots of results for very little weight. Have some?’

“‘Are you going to drink that?’ I asked.

“‘Oh, go to the devil!’ he snapped. ‘I’ve been out as much as you have.’ I didn’t argue with him further; I hoped if he drank enough the sun would get him. But the third night he upset the water-kegs, two of them. He had been carrying on some sort of weird celebration by himself, and finally staggered out into the desert, singing at the top of his lungs, and the first thing I knew he was down among the kegs, rolling over and over, and kicking right and left. The one that was open was gone; another he kicked the plug out of, but I managed to save about a quarter of its contents. The next morning I spoke to him about it. He blinked his red eyes and chuckled.

“‘Poor sort of stuff, anyway,’ he said.

“‘Yes,’ I agreed; ‘but without it you would blow out like a candle in a dust storm.’ After that we didn’t speak to each other except when it was necessary.

“We were in the foot-hills of the Voodoos by now, and the next day we got into the mountains themselves—great, bare ragged peaks, black and red and dirty yellow, like the cooled-off slake of a furnace. Every now and then a dry gully came down from nowheres; and the only human thing one could see was occasionally, on the sides of one of these, a shivering, miserable, half-dead piñon—nothing but that, and the steel-blue sky overhead, and the desert behind us, shimmering like a lake of salt. It was hot—good Lord! The horn of your saddle burned your hand. That night we camped in a canyon, and the next day went still higher up, following the course of a rutted stream that probably ran water once in a year. Whitney wanted to turn east, and it was all a toss-up to me; the place looked unlikely enough, anyway, although you never can tell. I had settled into the monotony of the trip by now and didn’t much care how long we stayed out. One day was like another—hot little swirls of dust, sweat of mules, and great black cliffs; and the nights came and went like the passing of a sponge over a fevered face. On the sixth day the tragedy happened. It was toward dusk, and one of the mules, the one that carried the water, fell over a cliff.

“He wasn’t hurt; just lay on his back and smiled crossly; but the kegs and the bags were smashed to bits. I like mules, but I wanted to kill that one. It was quiet down there in the canyon—quiet and hot. I looked at Whitney and he looked at me, and I had the sudden, unpleasant realization that he was a coward, added to his other qualifications. Yes, a coward! I saw it in his blurred eyes and the quivering of his bloated lips—stark dumb funk. That was bad. I’m afraid I lost my nerve, too; I make no excuses; fear is infectious. At all events, we tore down out of that place as if death was after us, the mules clattering and flapping in the rear. After a time I rode more slowly, but in the morning we were nearly down at the desert again; and there it lay before us, shimmering like a lake of salt—three days back to water.

“The next two days were rather a blur, as if a man were walking on a red-hot mirror that tipped up and down and tried to take his legs from under him. There was a water-hole a little to the east of the way we had come, and toward that I tried to head. One of the mules gave out, and staggered and groaned, and tried to get up again. I remember hearing him squeal, once; it was horrible. He lay there, a little black speck on the desert. Whitney and I didn’t speak to each other at all, but I thought of those two kegs of water he had upset. Have you ever been thirsty—mortally thirsty, until you feel your tongue black in your mouth? It’s queer what it does to you. Do you remember that little place—Zorn’s—at college? We used to sit there sometimes on spring afternoons. It was cool and cavern-like, and through the open door one could see the breeze in the maple-trees. Well, I thought about that all the time; it grew to be an obsession, a mirage. I could smell the moss-like smell of bock beer; I even remembered conversations we had had. You fellows were as real to me as you are real to-night. It’s strange, and then, when you come to, uncanny; you feel the sweat on you turn cold.

“We had ridden on in that way I don’t know how long, snatching a couple of feverish hours of sleep in the night, Whitney groaning and mumbling horribly, when suddenly my horse gave a little snicker—low, the way they do when you give them grain—and I felt his tired body straighten up ever so little. ‘Maybe,’ I thought, and I looked up. But I didn’t much care; I just wanted to crawl into some cool place and forget all about it and die. It was late in the afternoon. My shadow was lengthening. Too late, really, for much mirage; but I no longer put great stock in green vegetation and matters of that kind; I had seen too much of it in the last two days fade away into nothing—nothing but blistering, damned sand. And so I wouldn’t believe the cool reeds and the sparkling water until I had dipped down through a little swale and was actually fighting my horse back from the brink. I knew enough to do that, mind you, and to fight back the two mules so that they drank just a little at a time—a little at a time; and all the while I had to wait, with my tongue like sand in my mouth. Over the edge of my horse’s neck I could see the water just below; it looked as cool as rain. I was always a little proud of that—that holding back; it made up, in a way, for the funk of two nights earlier. When the mules and my horse were through I dismounted and, lying flat, bathed my hands, and then, a tiny sip at a time, began to drink. That was hard. When I stood up the heat seemed to have gone, and the breeze was moist and sweet with the smell of evening. I think I sang a little and waved my hands above my head, and, at all events, I remember I lay on my back and rolled a cigarette; and quite suddenly and without the slightest reason there were tears in my eyes. Then I began to wonder what had become of Whitney; I hadn’t thought of him before. I got to my feet, and just as I did so I saw him come over the little rise of sand, swaying in his saddle, and trying, the fool, to make his horse run. He looked like a great scarecrow blown out from some Indian maize-field into the desert. His clothes were torn and his mask of a face was seamed and black from dust and sweat; he saw the water and let out one queer, hoarse screech and kicked at his horse with wabbling legs.

“‘Look out!’ I cried, and stepped in his way. I had seen this sort of thing before and knew what to expect; but he rode me down as if I hadn’t been there. His horse tried to avoid me, and the next moment the sack of grain on its back was on the sands, creeping like a great, monstrous, four-legged thing toward the water. ‘Stay where you are,’ I said, ‘and I’ll bring you some.’ But he only crawled the faster. I grabbed his shoulder. ‘You fool!’ I said. ‘You’ll kill yourself!’

“‘Damn you!’ he blubbered. ‘Damn you!’ And before I knew it, and with all the strength, I imagine, left in him, he was on his feet and I was looking down the barrel of his gun. It looked very round and big and black, too. Beyond it his eyes were regarding me; they were quite mad, there was no doubt about that, but, just the way a dying man achieves some of his old desire to will, there was definite purpose in them. ‘You get out of my way,’ he said, and began very slowly to circle me. You could hardly hear his words, his lips were so blistered and swollen.

“And now this is the point of what I am telling you.” Hardy fumbled again for a match and relit his cigarette. “There we were, we two, in that desert light, about ten feet from the water, he with his gun pointing directly at my heart—and his hand wasn’t trembling as much as you would imagine, either—and he was circling me step by step, and I was standing still. I suppose the whole affair took two minutes, maybe three, but in that time—and my brain was still blurred to other impressions—I saw the thing as clearly as I see it now, as clearly as I saw that great, swollen beast of a face. Here was the chance I had longed for, the hope I had lain awake at night and prayed for; between the man and death I alone stood; and I had every reason, every instinct of decency and common sense, to make me step aside. The man was a devil; he was killing the finest woman I had ever met; his presence poisoned the air he walked in; he was an active agent of evil, there was no doubt of that. I hated him as I had never hated anything else in my life, and at the moment I was sure that God wanted him to die. I knew then that to save him would be criminal; I think so still. And I saw other considerations as well; saw them as clearly as I see you sitting here. I saw the man who loved Mrs. Whitney, and I saw Mrs. Whitney herself, and in my keeping, I knew, was all her chance for happiness, the one hope that the future would make up to her for some of the horror of the past. It would have been an easy thing to do; the most ordinary caution was on my side. Whitney was far larger than I, and, even in his weakened condition—I was weak myself—stronger, and he had a gun that in a flash of light could blow me into eternity. And what would happen then? Why, when he got back to Los Pinos they would hang him; they would be only too glad of the chance; and his wife?—she would die; I knew it—just go out like a flame from the unbearableness of it all. And there wasn’t one chance in a thousand that he wouldn’t kill me if I made a single step toward him. I had only to let him go and in a few minutes he would be dead—as dead as his poor brute of a horse would be within the hour. I felt already the cool relief that would be mine when the black shadow of him was gone. I would ride into town and think no more of it than if I had watched a tarantula die. You see, I had it all reasoned out as clearly as could be; there was morality and common sense, the welfare of other people, the man’s own good, really, and yet—well, I didn’t do it.”

“Didn’t?” It was Jarrick who put the question a little breathlessly.

“No. I stepped toward him—so! One step, then another, very slowly, hardly a foot at a time, and all the while I watched the infernal circle of that gun, expecting it every minute to spit fire. I didn’t want to go; I went against my will. I was scared, too, mortally scared; my legs were like lead—I had to think every time I lifted a foot—and in a queer, crazy way I seemed to feel two people, a man and a woman, holding me back, plucking at my sleeves. But I went. All the time I kept saying, very steady and quiet: ‘Don’t shoot, Whitney! D’you hear! Don’t shoot or I’ll kill you!’ Wasn’t it silly? Kill him! Why, he had me dead ten times before I got to him. But I suppose some trace of sanity was knocking at his drink-sodden brain, for he didn’t shoot—just watched me, his red eyes blinking. So! One step at a time—nearer and nearer—I could feel the sweat on my forehead—and then I jumped. I had him by the legs, and we went down in a heap. He shot then; they always do! But I had him tied up with the rags of his own shirt in a trice. Then I brought him water in my hat and let him drink it, drop by drop. After a while he came to altogether. But he never thanked me; he wasn’t that kind of a brute. I got him into town the morning of the second day and turned him over to his wife. So you see”—Hardy hesitated and looked at the circle of our faces with an odd, appealing look—“it is queer, isn’t it? All mixed up. One doesn’t know.” He sank back in his chair and began to scratch, absent-mindedly, at a holder with a match.

The after-theatre crowd was beginning to come in; the sound of laughter and talk grew steadily higher; far off an orchestra wailed inarticulately.

“What became of them?” I asked.

Hardy looked up as if startled. “The Whitneys? Oh—she died—Martin wrote me. Down there, within a year. One would know it would happen. Like a flame, I suppose—suddenly.”

“And the man—the fellow who was in love with her?”

Hardy stirred wearily. “I haven’t heard,” he said. “I suppose he is still alive.”

He leaned over to complete the striking of his match, and for an instant his arm touched a glass; it trembled and hung in the balance, and he shot out a sinewy hand to stop it, and as he did so the sleeve of his dinner jacket caught. On the brown flesh of his forearm I saw a queer, ragged white cross—the scar a snake bite leaves when it is cicatrized. I meant to avoid his eyes, but somehow I caught them instead. They were veiled and hurt.


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1915."

Fog by Dana Burnet

Fog by Dana Burnet

FOG


By DANA BURNET

From McBride's Magazine

Copyright, 1916, by Robert M. McBride & Co. Copyright, 1917, by Dana Burnet


I HAD come out of the city, where story-telling is a manufactured science, to the country where story- telling is a by-product of life. Mr. Siles had arrived to paint my piazza, as per a roundabout agreement between my cook, my cook's cousin, my cook's cousin's wife, who had been a Miss Siles, and finally — Mr. Siles himself. If that sentence is somewhat involved, so was my contract with Mr. Siles. In the country, a semicircle is the short- est line between two points.

I came at the strange story of Wessel's Andy in some- thing of the same circuitous manner. Mr. Siles, as I have said, had arrived to paint my piazza; but after a long look at the heavens and the heaving sea, he opined that it would be a wet day and that the painting had best be left till to-morrow. I demurred. I was acquainted with the to-morrows of this drowsy Maine village. But while we were arguing the point, a white ghost began to roll in from the deep.

"Fog," said Mr. Siles.

"Yes," I admitted grucjgingly.

He stared into the thickening mists with an expression that puzzled me. I have seen the same look upon the face of a child compelled to face the dark alone.

"I mistrust it," said Mr. Siles, simply.

"Mistrust the fog?"

He nodded, his iron-gray beard quivering with the intensity of the assent.

"Take it in a gale of wind," he said, "that's honest weather, though it blows a man's soul to Kingdom Come. But fog—"

"I suppose strange things do happen in it," I replied. It was a chance shot, but it struck home.

"Strange!" cried Mr. Siles. "You may well say strange! There was somethin* happened right here in this village — "

I settled myself comfortably against the naked piazza railing, and Mr. Siles told me this story.

He was bom a thousand miles from deep water. His folks were small farmers in a middle western grain state, and he was due to inherit the farm. But almost before he could talk they knew he was a queer one. They knew he was no more farmer than he was college professor. He was a land hater from the beginnin*. He hated the look and the feel and the smell of it. He told me after- ward that turnin' a furrow with a plow set his teeth on edge like when you scrape your finger nail along a piece of silk. His name was Andy.

When he was about thirteen year* old he found a pic- ture of a ship in a newspaper. It was like a glimpse of another world. He cut it out and pasted it on the attic wall over his bed. He used to look at it a hundred times a day. He used to get up in the middle of the night, and light a match and look at it. Got so, Andy's father came up early one mornin' with a can o' whitewash and blotted the whole thing out against the wall. The boy did n't say a word until the ship was gone. Then he laughed, a crazy sort o' laugh.

"That's the way they go,"he says, "right into the fog,"he says, "and never come out again ! "

He was sick after that. Some sort of a fever. I guess it made him a little delirious. He told me he was afraid they were goin' to blot him out, same as the picture. Used to dream he was smotherin' to death, and pleasant things like that. Queer, too. . . .

When the fever finally burned out of him, he was nothin' but skin and bones. His people saw he was too sickly to work, so they let him mope around by himself. He used to spend most of his time in the woodshed, whittlin' pine models o* that whitewashed schooner. He was known all through those parts as Wessel's Andy, Wessel bein' his fam'ly name. See for yourself what Wessel's Andy meant. It did n't mean Andrew Wessel, by the grace o* God free, white and twenty-one. It meant "that good-for-nothin', brain-cracked boy over to Wessel's."That's what it amounted to in plain words.

But the strange thing about that name was how it fol- lowed him. It came east a thousand miles, and there wasn't a town but it crawled into, on its belly, like a snake into long grass. And it poisoned each place for him, so that he kept movin' on, movin' on, always toward deep water. It used to puzzle him how strangers knew to call his name hindside foremost. 'T wan't any puzzle to me. He had n't been in my place two minutes askin' for a job, but I say "What's your name?"And he says, starin' hard at the model of the Lucky Star schooner that hung over my counter, "I 'm Wessel's Andy,"he says, never takin' his eyes off the schooner. Likely he 'd done the same absent-minded trick all along the road, though not for just that reason.

I rec'Uect the evenin' he came into my place. I was keepin' a ship's supply store in those days — fittin's and supplies, down by the Old Wharf. He shuffled in to- ward sundown, his belongin's done up in a handkerchief, his clothes covered half an inch thick with dust.

"I want a job," says he.

"What kind of a job?" says I.

"Oh, anything," says he.

"All right,"I told him," you can start in here to-mor- row. I been lookin' for somebody to help around the store."Then I asked him his name and he answered "Wessel's Andy."Some of the boys was standin' 'round and heard him say it. He was never called anything but Wessel's Andy from that time on.

Quietest young fellow ever I saw. — plenty willin* to work, but not very strong. I paid him four dollars a week and let him bunk in with me at the back o' the store. He could have made more money some'ers else, but he would n't go. Naturally there were a good many seafarin' men in and out o' the shop, and some evenin's they used to sit around yarnin' to one another. Often I Ve seen Wessel's Andy hunched up on a soap box be- hind the counter, his eyes burnin' and blinkin' at the model of the Lucky Star on the opposite wall, his head bent to catch the boys' stories. Seemed as if he could n't get enough o' ships and the sea.

And yet he was afraid to go, himself. I found that out one night when we were lockin' up after the boys had gone.

"Have you ever felt yourself to be a coward, Mr. Siles?" he says, in one of his queer fits o* talkin'.

"Why as for that," I says, "I guess I been pretty good and scared, a time or two."

"Oh, I don't mean that," he says. "I don't mean scared. I mean afraid — day and night, sleepin' and wakin'."

"No,"I says, "and nobody else with good sense would be. Ain't nothin' in this world to frighten a man steady like that, unless it 's his own sin."

Wessel's Andy shook his head, smilin* a little.

"Maybe not in this world," says he, white and quiet, "but how about — other worlds ? "

"What you drivin' at?" says I. "You mean ghosts ?"

"Not ghosts,"he says, lowerin' his voice and lookin* out the side window to where the surf was pawin' the sand. "Just the f eelin' o' ghosts."

"Come to bed," I says. "You've worked too hard to-day."

"No. Please let me tell you. Please sit up awhile. This is one of the times when I can talk."

He grabbed my hand and pulled me down to a chair. His fingers were as cold as ice. Then he dragged his soap box out from the counter and sat opposite me, a few feet away.

"I'11 tell you how I know I 'm a coward," he says. And he told me everything up to the time of his leavin' home.

"You see," he says, "I had to come. It was in me to come East. I Ve been four years workin' my way to open water, and I Ve had a hell of a time ... a hell of a time. But it was in me to come. There has been a ship behind my eyes ever since I can remember. Wakin' or sleepin' I see that ship. It's a schooner, like the Lucky Star there, with all her tops'ls set and she 's disappearin' in a fog. I know,"he says, lookin' at me so strange and sad it sent the shivers down my back, "I know I belong aboard o' that ship."

"All right," I says, as though I did n't think anything of his queer talk," all right, then go aboard of her. You '11 find a hundred vessels up and down the coast that look like the Lucky Star. Not to a seafarin' man, maybe. But you 're a farmer. You could n't tell one from t' other. Take your pick o' the lot," I says," and go aboard of her like a man."

But he just smiled at me, a sickly sort o' smile.

"There's only one," he says, "there's only one, Mr. Siles. When she comes I '11 go aboard of her, but I — won't — go — like — a — man ! "

Then all at once he jumped up with a kind o' moanin' noise and stood shakin' like a leaf, starin' out the window to the sea.

"There," he says, kind o' chokin'. "There, I saw it then ! Oh, God, I saw it then !"

I grabbed him by the shoulders and shook him.

"You saw what?" I says. "Tell me!"

His fingers dug into my arm like so many steel hooks.

"At the end of the Old Wharf. A sail I Look, don't you see it?"

I forced him down onto the soap box.

"Sit there," I says," and don't be a fool. It's low tide," I says, "and there ain't enough water off the Old Wharf to float a dory."

"I saw it," he says, draggin' the words out slow as death, "I saw it, just as I always knew I would. That's what I came East for ... a thousand miles. And I'm afraid to go aboard of her. I'm afraid, because I don't know what it 's for."

He was rockin' himself back and forth like a crazy man, so I ran and got a drop o' whiskey from the back room.

"Here," I says. "Drink this."

He swallowed it straight, like so much water. In a few minutes he quieted. "Now then," I says, "you come to bed. This night's entertainment is over."

But it was n't. About midnight I woke up with the feelin' that somethin' was wrong. First thing I saw was the lamp burnin' high and bright. Next thing was Wes- sel's Andy, sittin* in his underclothes on the edge o' the bunk, my whiskey flask in his hands.

"Mr. Siles," says he, as straight and polite as a dancin* master, though his eyes burned, "I have made free with your whiskey. I have drunk it all, I think."

"Great Jehosophat,"I says, "there was pretty nigh a quart in that flask!"

"I hope you don't begrudge it," says he, still smooth as wax, "because it has made me feel like a man, Mr. Siles, like a man. I could talk — and even laugh a little, I think. Usually I can only feel. Usually I am afraid. Afraid of what, Mr. Siles? Afraid of goin' aboard with- out knowin' what for. That 's the fear to eat your heart out, Mr. Siles. That's the fear to freeze your blood. The not knowin' ivhat for!"

I was wide awake by this time and wonderin' how I could get him back to bed. I did n't want to lay hands on him any more than you 'd want to lay hands on a person with nightmare. So I started to argy with him, like one friend to another. We were a queer lookin' pair, I '11 warrant, sittin' there in our underclothes, facin' each other.

"Look here," I says, calm as a judge, "if it 's your fate to ship aboard of a vessel, why don't you go peace- able and leave the reasons for it to God Almighty ? Ain't anything holdin' you, is there?"

"There is somethin' holdin' me," he says ; and then, very low : "What is it, Mr. Siles, that holds a man back from the sea?"

"Saints and skittles!" I says, jolted out o' my play-actin', "you ain't gone and fallen in love, have you?"

He didn't answer. Just sat there starin' at me, his face whiter than I ever saw a livin' man's face. Then all at once he turned his head, exactly as he would have done if a third person had walked into the room. He was gazin' straight at the lamp now. His eyes had a sort o' dazzled look.

"No," he says. "No, I won't tell that. It's — too — beautiful."

And before I could jump to catch him he pitched in a dead faint onto the floor.

It was two or three days before he was well enough to go to work again. Durin' that time he hardly spoke a word. But one afternoon he came to me.

"Mr. Siles," he said. "I'm queer, but I'm not crazy. You 've been kind to me, and I wanted you to know it was n't that. There are people in this world," he said, "whose lives aren't laid down accordin' to the general rule. I'm one o' them."

And that's all he ever said about his actions the night he drank the whiskey.

It was a week or so later that Wessel's Andy heard the story o' Cap'n Salsbury and the Lucky Star. I suppose he was bound to hear it sooner or later, it bein' a fav'rite yam with the boys. But the way of his hearin' it was an accident, at that.

One afternoon, late, a fisherman from Gloucester put into the harbor. He had carried away some runnin' gear on his way to the Newf'n'land Banks and was stoppin* in port to refit. After supper the skipper came into the shop, where the boys was sittin' round as usual. First thing he saw was that model o' the Lucky Star on the wall.

"What has become o' Dan Salsbury?" says he, squintin' aloft. "What has become o' Dan Salsbury that used to go mackrelin' with the fleet?"

So they told him what had become o' Dan Salsbury, three or four o' them pitchin' in together. But finally it was left to old Jem Haskins to tell the story. In the first place, Jem had the longest wind and in the second place his cousin Allie used to keep house for Cap'n Dan. So Jem knew the ins and outs o' the story better than any o' the rest. As he began to talk, I saw Wessel's Andy pick up his soap box and creep closer. . . And this is the story that he heard:

Cap'n Dan Salsbury was a deep-sea fisherman, owner and master o' the schooner Lucky Star. He had been born and raised in the village and was one of its fav'rite citizens. He was a fine, big man to look at, quiet and unassumin' in his ways and fair in his dealin', aship and ashore. If ever a man deserved to be happy, Dan Salsbury deserved it. But somehow happiness didn't come to him.

First his wife died. He laid her in a little plot o' ground on the hill back of his house, took his year-old girl baby aboard the Lucky Star and sailed for God knows where. He was gone ten months. Then he came back, opened his cottage on Salsbury Hill and set out to make little Hope Salsbury the richest girl in the village. He pretty nigh did it, too. His luck was supernat'ral. His catches were talked about up and down the coast. He became a rich man, accordin to village standards.

Hope Salsbury grew up to be the prettiest girl in town. She was never very strong, takin' after her mother that way, and there was an air about her that kept folks at a distance. It was n't uppish or mean. She was as kind as an angel, and just about as far-away as one. There was n't a youngster in the village but would have died to have her, but she scared 'em speechless with her strange, quiet talk and her big misty eyes. Folks said Hope Sals- bury would n't look at a man, and they were right. She looked straight through him.

It worried Cap'n Dan. He did n't want to get rid of Hope, by a long shot, but he knew he was failin' and he wanted to see her settled with a nice, dependable boy who could take care of her after he had gone. There was a man for every woman, said Cap'n Dan. But Hope did n't seem to find her man. She got quieter and quieter, and lonelier and lonelier, till the Cap'n decided somethin' was wrong somewhere. So he asked her straight out if there was anyone she wanted, anyone she cared enough about to marry. She said no, there was n't. But she said it so queer that the Cap'n began to suspect it was a case of the poor child lovin' somebody who did n't love her. It took him a long time to find the courage to ask that question. But when he did, she only smiled and shook her head.

"Hope,"says the Cap'n, "there 's only one thing in the world that makes a young girl wilt like you 're wiltin', and that 's love. Tell me what it is you want, and we '11 go searchin' the seven seas till we find it."

"I don't know what it is myself," the girl answered. "It's as though I was in love with someone I had met long ago, and then lost."

"Lost can be found," says the Cap'n. "We'll go 'round the world in the Lucky Star"

Within a month's time the old schooner was over- hauled and refitted and made ready for sea. It was June when she sailed out o' the harbor, but she had n't gone far enough to clear the Cape when a fog shut down and hid her from sight. Most of the village was standin' on the wharf to wave good-bye. But they never saw the Lucky Star again. The fog lasted all day and all night and by niornin' o' the second day Cap'n Dan Salsbury and his daughter were a part o' the blue myst'ry across the horizon. They never came back. The Lucky Star was lost with all hands in the big blow off Hatteras two years ago this summer... So little Hope Salsbury never found her man, and that branch o' the Salsbury family died, root, stock and branch.

As old Jem broke off, I glanced at Wessel's Andy. The boy was crouched forward on his soap box, his eyes bumin' like two coals in the shadow. When he saw me lookin' at him, he shrank back like a clam into its shell. That night, as we were undressin* in the back room, he turned to me all of a sudden.

"Mr. Siles," says he, "is there a picture o' Miss Hope Salsbury in this village?"

"Why,"I answered," I don't know as there is — and I don't know as there is n't. Come to think, I guess Cap'n Dan's cousin Ed Salsbury might have a likeness. He inherited most of the Cap'n's prop'ty. Probably find one in the fam'bly album."

"Which house is Ed Salsbury's?"

"Third to the right after you climb the Hill. You aren't thinkin' o' goin' up there to-night, are you?"

Wessel's Andy was kind o' smilin' to himself. He didn't answer my question. But he got into bed all right and proper, turned his face to the wall and was soon breathin' quiet and regular. I never suspected for a minute that he was shammin'.

It was just four o'clock in the mornin' when the tele- phone in the store began to ring — I looked at the clock as I jumped up to answer the call. I was on a party wire and my call was 13 — one long and three shorts. I had never thought about it bein' unlucky till that minute. But it struck me cold to hear that old bell borin' through the early mornin' silence . . .

"Hello,"I says, takin' down the receiver.

"This is Ed Salsbury," says the other party. "Come up to my house right away and take your crazy clerk off my hands. I found him sittin' in the parlor when I came down to start the fires. Asked him what he was doin' and he said he had come to steal things. If you ain't up here in fifteen minutes I '11 call the deputy sheriff."

I was up there in less than fifteen minutes. I cursed that fool boy every step of the way, but I went. I don't know why I took such trouble about him. Maybe I was a part o' that fate o' his.

Ed met me at the door of his cottage.

"Siles,"s ays he, "there's somethin' queer about this. It 's against nature. That boy — I 've been talkin' to him — swears he came up here last night to steal. He pried open one o' the front windows and got into the parlor. That 's enough to send him to jail for a good lon,g bit, but I 'm blessed if I want to send him. I Ve got a suspicion that the lad is lyin', though why any human should lie himself into the penitentiary instead of out of it, blamed if I know. You got any ideas on the subject?"

"What was he doin* when you found him ?" says I.

"That was funny, too. He was sittin' at the table, with the lamp lit, as home-like as you please. And — "

"And what?"

"Lookin' at that old fam'ly album of ours."

"Ed," I says, "I'11 go bond for that boy. Don't say anything about this down at the village. Some day I '11 tell you why he came up here at dead o' night to peek into that old album of yours. It ain't quite clear in my own mind yet, but it 's gettin' clearer."

"Queer how he looked at me when I came in the door,"says Ed. "Just as though he was the one be- longed here and I was the trespasser. His eyes — "

"I know,"I said. "Where is the boy, Ed? I '11 take him home now."

"He 's in the kitchen," Ed answered, kind o' sheepish, "eatin' breakfast."

The Salsburys always were the biggest-hearted folk in the village.

So I took Wessel's Andy back to the store, but instead o' talkin' to hiin like I meant to, I never so much as opened my mouth the whole way home. I could n't. He looked too happy. It was the first time I'd seen him look anything but glum and peaked. Now, he was a changed man. There was a light on his face, and when I say light I mean light. Once he burst out laughin* — and it was n't the sort o' laugh that comes from thinkin* o' somethin* funny. It was just as though he'd seen some great trouble turned inside out and found it lined with joy. He made me think of a bridegroom, some- how, stridin' along there in the early dawn. . . .

I believe he would have gone straight on past the store, but for my hand on his arm. He followed me into the back room like a blind man, and there for the first time he spoke.

"I shan't work to-day," he says, drawin* a deep breath. Again I thought of a bridegroom.

"No," I says," you'11 go to bed and get some sleep."

"Yes,"he says, "I must sleep."He began to peel off his clothes, and when I came back an hour later he was sleepin' like a baby, and smilin' . . .

He slept well into the afternoon. Then he got up, shaved, washed and put on the best clothes he owned. He did n't have only the one suit, but he brushed it till it looked like new. Instead o' the blue shirt that he wore around the shop he had on a white one with a standin* collar and a zvhite tie. I found him standin' by the window in the back room, lookin' out to sea.

"Mr. Siles," he says, not turnin' round, "I am goin' to leave you."

"Leave? "I says.

"Yes."

"When you goin'?"

"Soon," he says. And then he faced me.

"That ship," he says, "that ship I told you about" — he was speakin' slow and quiet — "it 's comin* for me very soon. I shan't have to wait much longer now. I feel that it is near. And I am glad."

"I thought you did n't want to go ?" I says, tryin' to get at the real meanin' of his words. I felt like a man in a dark room that 's reachin' for somethin' he knows is there but can't quite locate.

"That was yesterday," he says, smilin' like he had smiled in his sleep. O' To-day I 'm glad. To-day I want to go. It 's the natural thing to do, now. It 's so nat- ural — and good — that I don't mind talkin' about it any more. Sit down,"he says, "and I '11 tell you. You 've been my friend, and you ought to know."

I sat down, feelin' kind o' weak in the knees. By this time it was beginning to grow dark. A slight mist was formin' on the water.

"I've already told you," he says, "about the ship that was always behind my eyes. There was somethin' else, Mr. Siles, somethin' I Ve never told a livin' soul. Ever since I was a little boy I 've been seein' a face. It was a child's face to begin with, but it grew as I grew. It was like a beautiful flower, that changes but is always the same. At first I only dreamed it, but as I grew older I used to see it quite clearly, both day and night. I saw it more and more frequently, until lately " — he put his hand to his eyes — "it has become a livin' part o' me. It is a woman's face, Mr. Siles, and it calls me.

"Until last night I had never connected this face in any way with the ship in the fog. You see, one was the most beautiful thing in the world — the only beautiful thing in my world — and the other was horrible. But it called me, too, and I was afraid; afraid that I would have to go before I found her."

He leaned forward and put his hand on my knee.

"Mr. Siles," says he, in the voice of a man speakin' of his Bride, "I saw that face last night in Mr. Sals- bury's old album. It was the face of Hope Salsbury."

I jumped up and away from him. My brain had been warnin' me all along that something like this was comin', but it was a shock, just the same.

"She 's dead," 1 says. "She 's dead!"

It was the only thing I could think to say. My mouth was dry as a bone. Words would n't come to me.

"Oh, no,"he cried, and his voice rang. "Oh, no, Mr. Siles. There 's no such thing as bein' dead. There are more worlds than one,"he says. "As many more as a man needs,"he says. "This is only a poor breath of a world. There are others, others! I know,"he says — and laughed — "I know how it is with men. They think because their eyes close and their mouths are still and their hearts stop beatin' that it 's the end o' hap- piness. And maybe it is with some. I can't say. Maybe if folks are entirely happy in this world they don't need the others. But it 's every man's right to be happy, Mr. Siles, and the Lord God knows His business. Trust Him, Mr. Siles, trust Him. Don't I know? I used to be afraid, but now I see how it is."

"Lord help me,"I says. "What am I to do? "

"Why, nothin'," he says, pattin' my knee. "It 's all right, Mr. Siles. You go ahead with your life,"he says, "the same as though 1 had never come into it. Take all the happiness you can get, Mr. Siles, for that 's as God intended. But never think it ends here."

I could n't look at him. There was a blur before my eyes. I got up and went out o' the store, headin' down the beach. I wanted to be alone, to sit down quietly and think. My brain was spinnin' like a weathercock in a gale.

I must have blundered up the beach a good two miles before I noticed that the mist was thickenin'. I stopped dead still and watched it creep in, blottin' the blue water as it came. It was like the white sheet that a stage magician drops between him and the audience just before he does his great trick. I wondered what was goin' on behind it.

The sun was settin' behind Salsbury Hill. There was a sort o' glow to the fog. It began to shine like a piece of old silver that has been rubbed with a rag. All at once I heard Wessel's Andy say, clear as a bell: "Mr. Siles, I am goin' to leave you !"

I turned toward home, walkin' fast. But somethin' kept pesterin' me to hurry, hurry! I began to run, but I couldn't get ahead of the black fear that was drivin* me. I saw Wessel's Andy standin' at the window and lookin' out to sea. I heard him say : "It 's comin* for me very soon. "I ran till my heart pounded in my side . . .

The beach curved before me like the blade of a scythe, with the Old Wharf for the handle. The edge of it was glistenin' in the afterglow and the surf broke against it like grain against the knife. I was still half a mile from home when I saw a single figure walk out on that shinin' blade and stand with his arms folded, starin' into the fog. It was Wessel's Andy.

I tried to run faster, but the sand caught my feet. It was like tryin' to run in a dream. I called and shouted to him, but he did n't hear. All the shoutin' in the world wouldn't have stopped him then. Suddenly he threw out his arms and walked down into the water. I was so near by that time that I could see his face. It was like a lamp in the mist.

I called again, but he was in the surf now, and there were other voices in his ears. A wave broke over his shoulders. He struggled on, his hands kind o' gropin' ahead of him. I caught another glimpse of his face. He was smilin' . . .

I gathered myself to jump. I remember the foam on the sand and the water swirlin' underfoot and the new wave makin' and the fog over all. I remember thinkin* o' the strong tide, and how little a man looked in the sea . . .

And then I saw the Lucky Star.

I would have known her anywhere. She was just haulin' out o' the mist, on the starboard tack, with all her canvas set. As I looked she melted in the iog — she that should have been lyin' fathoms deep — and after that I only saw her by glances. But I saw her plain. She was no color at all, and there was n't the sign of a light to mark her, but she came bow on through water that would n't have floated a dory, closer and closer until I could make out the people on her decks. They were like statues carved out o' haze. There was a great figure at the wheel, and others up forward, in smoky oilskins. And at the lee rail I saw a young girl leanin' against the shrouds, one hand to her heart, the other held out as though to tear aside the mist. . . .

I was in the water then, and it was cold. A wave picked me up and carried me forward. I saw Wessel's Andy flounderin' in the trough ahead o' me. I swam for him. My hand touched his shoulder. He twisted half about and looked at me. His hair was like matted sea- weed over his eyes and his face was as pale as the dead. But again, in all that wildness, I thought of a bride- groom ...

A great wave, with a cruel curved edge, lifted above us. I made ready to dive, but he flung his arms out and waited ... I saw white bows ridin' on the crest of it, and the silver belly of a drawin' jib, and it seemed to me I heard a laugh I Then the wave hit me . . .

When I came to, I was lyin' on the beach with some o' the boys bendin' over me. They had heard me shoutin* and arrived just in time to pull me away from the tide. They never found him. They said it was because of the strong undertow. But I knew better. I knew that Wessel's Andy had gone aboard of his vessel at last, and that all was well with him.

Mr. Siles stopped abruptly and drew his hand across his eyes. I found myself staring at the gray wall of fog as though it had been the final curtain of a play. I longed for it to lift — if only for an instant — that I might see the actors out of their parts. But the veil was not drawn aside.

Then I heard some one speaking monotonously of a piazza that would be painted on the morrow, and turning a moment later saw Mr. Siles just vanishing in the mist, a smoky figure solely inhabiting an intangible world.

I went into my house and closed the door. 

Miss Willett by Barry Benefield LibriVox Recording

 
The PDF might take a minute to load. Or, click to download PDF.

If your Web browser is not configured to display PDF files. No worries, just click here to download the PDF file.


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1916."

Buster by Katharine Holland Brown

BUSTER



By KATHARINE HOLLAND BROWN
From Scribner’s Magazine
Copyright, 1918, by Charles Scribner’s Sons.
Copyright, 1919, by Katharine Holland Brown.

Lucien, Mrs. Bellamy’s impeccable chauffeur, brought me home from Mrs. Bellamy’s bridge that green-gold summer afternoon of 1914. Looking down from the cliff road, all Gloucester Harbor was a floor of rippled amethyst. When we turned into the forest drive the air breathed deep of pine fragrance, heady as new wine.

“How few people are driving to-day, Lucien! Yet it’s so perfect—”

“One driver approaches, mademoiselle.” Lucien’s solid gray shape bore hard on the wheel. The big car swerved, shot half-way up the bank. I screamed. Past us like a streak of white lightning tore a headlong white monster, muffler cut out, siren whooping. Its huge wheels grazed our hubs; with a roar, it shot round the curve, plunged down the steep grade toward Gloucester, and vanished. Its shriek rang back to us like the shriek of a lost soul.

“Lucien! That car must have been making eighty miles an hour!”

“Mademoiselle speaks truth.” Lucien, frankly shaken, took off his cap and wiped a very damp brow. “It is the car of the great Doctor Lake, he who is guest of Madame Hallowell, at Greenacres.”

“Doctor Lake! That stodgy old specialist!” I was a bit shaken myself. “Nonsense. He never ventures out of a crawl.”

“Pardon, mademoiselle. It is the car of Doctor Lake. But at the wheel sat not monsieur the doctor. Instead, there sat, and drove”—here Lucien forgot himself completely—“that demon boy.”

“Buster!” I groaned. For there was only one demon boy on all Cape Ann, and that was my second cousin Isabella O’Brien’s only son, Richard Parke O’Brien, rechristened Buster since the days of his tempestuous infancy. Isabella (born Sears and Brattle Street, but she ran away and married Octavius O’Brien, descendant of an unknown race, at eighteen, and has lived ever since in the wilds of Oklahoma)—Isabella, I say, had sent her child to visit Aunt Charlotte and myself, while she and her Octavius went camping in the Yosemite. From her letters we had inferred that she needed a vacation from her Civic League work. Later, we came to realize that her base secret aim had been to win a vacation from Buster. What we two sedate Back Bay spinsters had endured from that unspeakable child!

Octavius O’Brien is a large, emphatic man with large, emphatic ideas as to the rearing of children. Buster once summarized his father’s method in a few simple words.

“Here in New England, when I want to learn how to do anything, you and Aunt Charlotte say: ‘Dear me, Richard, wait till you grow up. Then you’ll understand.’ Down in Oklahoma, dad just gives me a check and says: ‘Go to it.’”

Such eclecticism bears startling fruits. The maddening thing about Buster’s activities was that his blackest crimes, once sifted down, proved not to be crimes at all. Merely the by-products of his inquiring disposition. Although, to quote Aunt Charlotte, if your house is burnt down over your head, it matters little to you whether it was fired for malice or from a scientific desire to see how long it would take to burn.

To-day, as we drove on, I looked back on the summer. As a rule, our months at the shore are compact of slow and tranquil days, but this season had fled past like a demented moving-picture film. Buster had arrived at 9 A. M. the 8th of June. By noon he had made his presence felt. During the next five days he took the gas-range apart, to see how it worked, and put it together again, but inaccurately, so that it blew up and all but annihilated a perfectly good cook. I had to raise Louisiana’s wages three dollars a week. He drained all the water out of the fountain pool, to see how long it would take to refill it; then, at sight of a wayfaring organ-grinder he rushed away, to bribe the man to open up his instrument and let him see how its harmonious innards worked. Thus, he left nine fat, venerable goldfish to flop themselves to a miserable end. To be sure, he sniffled audibly at dinner that night and almost declined dessert; which didn’t bring back aunt’s beloved Chinese carp, alas! He tried to teach Gulliver, the Leonards’ Great Dane, to do German police-dog stunts. Gulliver, who is young, obedient, and muddle-headed, took his training seriously to heart and made breath-taking leaps at the Leonards’ gardener’s throat, to the up-blown pride of both Buster and the gardener. Unhappily, he saw fit to show off his new accomplishment on an irascible New York banker, to whom Commodore Leonard was trying his best to sell his early Pullman place at Beverly Farms. As Buster hotly declared, if the banker hadn’t squealed and acted such a sissy, Gulliver would have stopped with a mere snap at his lapel. But his cries so excited the poor pup that by the time the horrified commodore came to his aid most of the banker’s raiment was in tatters, to say nothing of his dignity. Commodore Leonard lost his one chance of the year to unload that white elephant of a house. At that, he congratulated himself because the banker didn’t sue him for damages.

Subdued and chastened, Buster took himself off to the harbor to seek diversion among the ancient mariners who had already found in him a stimulating audience. He spent, I judge, a pleasant afternoon. He rode back on the Magnolia ’bus just at dinner-time. He did not return alone. Proudly he strode up the steps, one eye cocked over his shoulder at the bland and tarry skipper who swaggered, all too jovially, behind. Eagerly he ran to the palsied Aunt Charlotte.

“Aunt Charlotte, this is my friend, Captain Harrigan, of the Lottie Foster. The captain has come to dinner and to spend the evening, and he’s promised to tell us all his adventures and draw the plans for my racing yacht, when I get one, and teach me how to make her torpedo-proof and—and everything! Cap Harrigan, meet Aunt Charlotte!”

Well, as Aunt Charlotte and I agreed later, we were bound and helpless. The child was so brimful of glad hospitality. You couldn’t strike him in the face by rebuffing his friend. But oh, the hours that followed! As Louisiana put it later, the genman wasn’t plumb drunk, but he cert’ny was happy drunk. The instant dinner was ended Aunt Charlotte fled up-stairs, locked her door, and pushed the bureau against it. I stayed on deck, a quaking Casabianca, till 11 P. M. Then, by way of a mild suggestion, I turned down the lights; and Captain Harrigan, now in mellow tears at the reminiscences of his own boyhood, kissed my hands and took a fervent leave.

“But Richard, child! The man was intoxicated! Disgustingly intoxicated!”

“Gosh, was he? Well, he was bully and interesting, anyhow. Look at all those sailors’ knots he’s taught me. And the story he told about crossing the equator the first time, and the one about the admiral who was always three sheets to the wind and wouldn’t tie his shoe-strings—what does three sheets to the wind mean, anyhow? And he’s showed me how to read a compass and all about sextants and transits, too. Gee, I bet I could steer a dreadnought, after what he’s taught me to-night.”

“He certainly was full of information. But don’t invite any more drunken sailors to the house, dear. Bring your friends home whenever you wish, but make sure first that they’re sober.”

“Well, I will. Though I kind o’ hate to ask ’em.”

With that I let the matter drop. You could not blame the child. Back of every calamity that he brought upon us lay his ravenous curiosity, his frantic longing to know how the world was made and ruled. But to-day was different. No hunger for knowledge could warrant a boy of fifteen in seizing the sacrosanct car of the most famous of Boston specialists, and going joy-riding down the Gloucester hills. Buster should be seriously rebuked.

Incidentally, I’d been playing bridge all afternoon with two stern dowagers and one irritable maiden lady, all crack players, while I’m a hopeless amateur. I had on a tea-rose crêpe de chine and the waitress had spilled coffee on it. Further, I was wearing brand-new patent-leather slippers. Yes, Buster would receive his full deserts.

Buster pranced home at dusk, afire with triumph from his crested red head to his comically massive young feet. Pallid and grave, Aunt Charlotte and I confronted him on the piazza.

“H’lo, Cousin Edith. Say, is dinner ready? Cracky, I could eat a whole barbecue!”

“Richard! Where is Doctor Lake’s car?”

Buster gasped slightly, but his jauntiness never flinched.

“Over at Mrs. Hallowell’s garage, of course.”

“You have just left it there. Richard, don’t you realize what a lawless thing you have done? To take another person’s car without permission—”

“I did too have permission!” Buster’s red crest reared. His black eyes flamed. “I had her opened up, and was studying the engine—gee, some peach!—and I told the doctor’s chauffeur that I’d bet him a box of Gibraltars I could take that car clear to Doctor Lake’s Boston office and back in two hours and not get pinched. And he said, ‘I’m from Saint Joe, son. You gotta show me.’ So I jumped aboard, and I’d beat it down the drive before he could say boo. And I made it in one hour and fifty-seven minutes, though I had to waste ten minutes, and a dollar besides, on the doctor’s mutt of a doorman—making him understand why he must sign his name to a card saying I’d reported there at five sharp. The big dummy, I don’t believe the real reason has dawned on him yet. But you oughter seen that chauffeur wilt when I whizzled her in, two minutes ago!”

“I feel wilted myself. When I think of the apologies I must make to Doctor Lake—”

“Apologies? What for? He ought to be delighted. It was a corking speed test for his car. Down that stem-winder cliff, let me tell you, she just naturally hung on by her eyebrows.”

“Richard, the chauffeur did not mean to give you permission. You know that.”

“W-Well. What if he didn’t?”

“Richard, you are inexcusable.” Aunt Charlotte ruffled her feathers and dashed into the fray. Whereat Richard exploded.

“Gee, ain’t it fierce? Ain’t it, now! How’s a fellow to learn about cars and engines and things if folks won’t ever give him a chance to try ’em out? And I’ve got to find out how to do things and make things and run things; I’ve got to know!”

His solid fists clinched; his voice skittered comically from a bass bellow to an angry treble crow. I choked. He was so exactly like a pin-feathered young Shanghai rooster, hotly contending his right to live his own life, against two glum, elderly hens. But that didn’t deter me from marching him over to Madam Hallowell’s later.

“Nonsense, my dear Miss Edith!” Thus Doctor Lake, just a bit too Olympian in large white waistcoat and eminent calm. “It was my chauffeur’s doing. He will answer to me. I beg you, give the matter no more thought.”

None the less, in his bland eye lurked a yearning to seize on Buster and boil him in oil. Buster saw that look.

“Grown-up folks are so darn stingy!” he mused bitterly as we went away. He aimed a vicious kick at the box hedge. “You’d think any man would be glad to let a fellow take his car to pieces and study it out, then test it for speed and endurance, ’specially when the fellow has never owned anything better than a measly little runabout in all his life. But no. There he stands, all diked out like a cold boiled owl, with his eyes rolled up and his lip rolled out—‘My chauffeur will answer to me.’ When, all the time, he’d lick the hide off me if he just dasted. Old stuffed shirt!”

“You need not speak so disrespectfully—”

“I wouldn’t—if folks wasn’t so disrespectful to me.” His eyes began to flash again, his sullen under-lip to quiver. “‘Learn it all,’ they tell you. ‘Investigate every useful art.’ That’s what everybody pours down your throat, teachers, and relations, an’ all the rest of ’em. How do they s’pose I’m going to learn about things if they lock everything up away from me? And I’ve got to find out about things; I’ve got to know!”

I didn’t say anything. What was the use? You might as well scold an active young dynamo for wanting to spark. But mild little Aunt Charlotte was quite sputtery, for her.

“Isabella and her Octavius have reared their child to have the tastes of a common mechanic. It is too ridiculous. Richard needs to understand problems of finance, not of cogs and axle-grease. If only American parents would adopt the German methods! They teach their children what is best for them to know. They don’t permit their young people to waste time and money on wild-goose flights.”

“N-no.” I shivered a little. For some reason, the annual percentage of school-boy suicides in Prussia flashed through my mind. When you multiplied that by a nation— “But perhaps it’s as well that we give our boys more rope.”

“To hang themselves with?” sniffed Aunt Charlotte. I subsided.

So did Buster, for some weeks—weeks so peaceful, they were all but sinister. Across the ocean, a harebrained student murdered a reigning duke and his duchess. It made the newspapers very unpleasant reading for several days. Across the harbor, the yacht-club gave the most charming dinner dance of the year. Down East Gloucester way, a lank and close-mouthed youth from Salem had set up a shack of a hangar and was giving brief and gaspy flights to the summer populace at five dollars a head. Whereat Buster gravitated to East Gloucester, as the needle to the pole. He bribed Louisiana to give him his breakfast at seven; he snatched a mouthful of lunch in the village; he seldom reached home before dusk.

“Richard, you are not spending your allowance in aeroplane rides?”

“Say, listen, Cousin Edie. Where’d I get the coin for five-dollar jitney trips? I’m overdrawn sixty dollars on my allowance now, all on account of that beanery down the harbor—”

“The beanery? You haven’t eaten sixty dollars’ worth of beans!”

Buster jumped. He turned a sheepish red.

“Gosh, I forgot. Why—well, you see, the boss at that joint has just put in the grandest big new oven ever—iron and cement and a steam-chamber and everything. One day last week he had to go to Boston, and I asked him to let me fire it for him. It was the most interesting thing, to watch that steam-gauge hop up, only she hopped too fast. So I shut off the drafts, but I wasn’t quick enough. There were forty-eight pounds of beans in the roaster, and they burnt up, crocks and all, and—well, between us, we hadn’t put enough water in the boiler. So she sort of—er—well, she blew up. I wired dad for the money, and he came across by return mail. Dad’s a pretty good sport. But I’ll bet he doesn’t loosen up again before Labor Day.”

Well, I was sorry for the baker. But Buster, penniless, was far less formidable than Buster with money in his purse.

The green and golden days flowed on. The North Shore was its loveliest. But the newspapers persisted in being unpleasant. Serbian complications, amazing pronunciamentos, rumors that were absurd past credence; then, appalling, half-believed, the winged horror-tale of Belgium. Then, in a trice, our bridge-tables were pushed back, our yacht dinners forgotten. Frowning, angrily bewildered, we were all making hurried trips to the village and heckling the scared young telegraph-operator with messages and money that must be cabled to marooned kinsfolk at Liverpool or Hamburg or Ostend. “This moment! Can’t you see how important it is?” A day or so more and we were all buying shoes and clothes for little children and rushing our first boggled first-aid parcels to the wharf. And, in the midst of all that dazed hurly, up rose Mrs. John B. Connable. Aglow with panicky triumph, she flung wide the gates of Dawn Towers, her spandy-new futurist palace, to the first bazaar of the Belgian relief!

As one impious damsel put it, Belgium’s extremity was Mrs. Connable’s opportunity. Seven weary years, with the grim patience of stalwart middle age and seventeen millions, has Mrs. John B. labored to mount the long, ice-coated stair that leads from a Montana cow-camp to the thresholds of Beacon Hill. Six cruel seasons have beheld her falter and slip back. But on this, the seventh, by this one soaring scramble, she gained the topmost gliddery round. A bazaar for the Belgians? For once, something new. And Dawn Towers, despite its two-fisted châtelaine, was said to be a poet’s dream.

Well, we went. All of us. Even to Madam Hallowell, in lilac chiffon and white fox fur, looking like the Wicked Fairy done by Drian; even to Aunt Charlotte, wearing the Curtice emeralds, her sainted nose held at an angle that suggested burnt flannel. I’ll say for Mrs. Connable that she did it extremely well. The great, beautiful house was thrown open from turret to foundation-stone. Fortune-tellers lurked in gilded tents; gay contadinas sang and sold their laces—the prettiest girls from the Folies at that; Carli’s band, brought from New York to play fox-trots; cleverest surprise of all, the arrival, at five o’clock, of a lordly limousine conveying three heavenborn “principals,” a haughty young director in puttees, a large camera. Would Mrs. Connable’s guests consent to group themselves upon the beach as background for the garden-party scene of “The Princess Patricia”—with Angela Meadow, from the Metropolitan, as the Princess, if you please, and Lou-Galuppi himself as the villain?

Mrs. Connable’s guests would. All the world loves a camera, I reflected, as I observed Madam Hallowell drift languidly to the centre-front, the chill Cadwalladers from Westchester drape themselves unwittingly but firmly in the foreground, the D’Arcy Joneses stand laughingly holding hands in the very jaws of the machine. But Doctor Lake was the strategist of the hour. Chuckling in innocent mirth, he chatted with the radiant Angela until the director’s signal brought the villain swaggering from the side-lines; then, gracefully dismayed, he stepped back at least six inches. If the camera caught Angela at all, the doctor would be there—every eminent inch of him.

“Ready—camera!”

The joyous chatter stilled. On every face fell smug sweetness, as a chrism. Clickety-click, click-click—

Then, amazingly, another sound mingled with that magic tick, rose, drowned it to silence—the high, snarling whine of a swift-coming aeroplane.

“Keep your places, please! Eyes right!”

Nobody heard him. Swung as on one pivot, the garden-party turned toward the harbor, mazed, agape. Across that silver water, flying so low its propeller flashed through diamond spray, straight toward the crowd on the beach it came—the aeroplane from East Gloucester.

“There, I knew he’d butt in just at the wrong minute! I ordered him for six, sharp!” Mrs. Connable’s voice rang hotly through the silence. “Hi, there! Land farther down the beach; we ain’t ready for you. Go on, I tell you! Oh, oh, my gracious goodness me! He’s a-headin’ right on top of us—”

That was all anybody heard. For in that second, pandemonium broke. The great, screaming bird drove down upon us with the speed of light, the blast of a howitzer shell. Whir-r-rip! The big marquee collapsed like a burst balloon. Crash! One landing-wheel grazed the band-stand; it tipped over like a fruit-basket, spilling out shrieking men. Through a dizzy mist I saw the garden-party, all its pose forgot, scuttle like terrified ants. I saw the scornful Cadwalladers leap behind an infant pine. I saw D’Arcy Jones seize his wedded wife by her buxom shoulders and fling her in front of him, a living shield. I saw—can I believe?—the august Doctor Lake, pop-eyed and shrieking, gallop headlong across the beach and burrow madly in the low-tide sands. I saw—but how could my spinning brain set down those thousand spectacles?

However, one eye saw it all—and set it down in cold, relentless truth—the camera. True to his faith, that camera-man kept on grinding, even when the monster all but grazed his head.

Then, swifter even than that goblin flight, it was all over. With a deafening thud, the aeroplane grounded on a bed of early asters. Out of the observer’s seat straddled a lean, tall shape—the aviator. From the pilot’s sheath leaped a white-faced, stammering boy. White to his lips; but it was the pallor of a white flame, the light of a glory past all words.

“H’lo, Cousin Edie! See me bring her across the harbor? Some little pilot!” Then, as if he saw for the first that gurgling multitude, the wrecked tent, the over-turned band-stand: “Gee, that last puff of wind was more than I’d counted on. But she landed like thistledown, just the same. Just thistledown!”

I’ll pass over the next few hours. And why attempt to chronicle the day that followed? Bright and early, I set forth to scatter olive-branches like leaves of Vallombrosa. Vain to portray the icy calm of the Misses Cadwallader, the smiling masks which hid the rage of the D’Arcy Joneses. Hopeless to depict the bland, amused aplomb of Doctor Lake. To hear him graciously disclaim all chagrin was to doubt the word of one’s own vision. Could I have dreamed the swoop of that mighty bird, the screech of a panic-stricken fat man galloping like a mad hippopotamus for the shelter of the surf?

As for Mrs. John B. Connable—hell hath no fury like the woman who has fought and bled for years to mount that treacherous flight; who, gaining the last giddy step, feels, in one sick heartbeat, the ladder give way from under. I went from that tearful and belligerent empress feeling as one who has gazed into the dusk fires of the Seventh Ledge.

“We’ll have to give a dinner for her, and ask the Cadwalladers and Cousin Sue Curtice and the Salem Bronsons. That will pacify her, if anything can.” Thus Aunt Charlotte, with irate gloom. There are times when Aunt Charlotte’s deep spiritual nature betrays a surprising grasp of mundane things.

“Especially if we can get that French secretary, and Madam Hallowell. Now I’m off to soothe the aviator. Where did I put my check-book?”

The aviator stood at his hangar door, winding a coil of wire. His lean body looked feather-light in its taut khaki; under the leathern helmet, his narrow, dark eyes glinted like the eyes of a falcon hooded against the sun. Blank, unsmiling, he heard my maunder of explanation. Somehow his cool aloofness daunted me a bit. But when I fumbled for my checkbook, he flashed alive.

“Money? What for? Because the kid scraped an aileron? Forget it. I ain’t puttin’ up any holler. He’s fetched an’ carried for me all summer. I’m owin’ him, if it comes down to that.”

“But Richard had no right to damage your machine—”

“Well, he never meant to. That squally gust put him off tack, else he’d ’a’ brought her down smooth’s a whistle. For, take it from me, he’s a flier born. Hand, eye, balance, feel, he’s got ’em all. And he’s patient and speedy and cautious and reckless all at once. And he knows more about engines than I do, this minute. There’s not a motor made that can faze him. Say, he’s one whale of a kid, all right. If his folks would let me, I’d take him on as flyin’ partner. Fifty-fifty at that.”

I stiffened a trifle.

“You are very kind. But such a position would hardly be fitting—”

“For a swell kid like him?” Under his helmet those keen eyes narrowed to twin points of light. “Likely not. You rich hill folks can’t be expected to know your own kids. You’ll send him to Harvard, then chain him up in a solid-mahogany office, with a gang of solid-mahogany clerks to kowtow to him, and teach him to make money. When he might be flyin’ with me. Flyin’—with me!” His voice shook on a hoarse, exultant note. He threw back his head; from under the leathern casque his eyes flamed out over the world of sea and sky, his conquered province. “When he might be a flier, the biggest flier the world has ever seen. Say, can you beat it? Can you beat it?”

His rudeness was past excuse. Yet I stood before him in the oddest guilty silence. Finally—

“But please let me pay you. That broken strut—”

“Nothing doing, sister. Forget it.” He bent to his work. “Pay me? No matter if my plane did get a knock, it was worth it. Just to see that fat guy in white pants hot-foot it for deep water! Yes, I’m paid. Good-by.”

Then, to that day of shards and ashes, add one more recollection—Buster’s face when Aunt Charlotte laid it upon him that he should never again enter that hangar door.

“Aunt Charlotte! For Pete’s sake, have a heart! I’ve got that plane eatin’ out of my hand. If that plaguy cat’s-paw hadn’t sprung up—”

“You will not go to East Gloucester again, Richard. That ends it.” Aunt Charlotte swept from the room.

“Gee!” Buster’s wide eyes filled. He slumped into the nearest chair. “Say, Cousin Edie! Ain’t I got one friend left on earth?”

“Now, Richard—”

“Can’t you see what I’m tryin’ to put over? I don’t expect Aunt Charlotte to see. She’s a pippin, all right, but that solid-ivory dome of hers—”

Richard!

“But you’re different. You aren’t so awful old. You ought to understand that a fellow just has to know about things—cars, ships, aeroplanes, motors, everything!”

“But—”

“Now, Cousin Edith, I’m not stringin’ you. I’m dead in earnest. I’m not tryin’ to bother anybody; I’m just tryin’ to learn what I’ve got to learn.” He leaped up, gripped my arm; his passionate boy voice shrilled; he was droll and pitiful and insolent all in a breath. “No, sirree, I ain’t bluffin’, not for a cent. Believe me, Cousin Edith, us fellows have got to learn how everything works, and learn it quick. I tell you, we’ve got to know!”

――――

Well.... All this was the summer of 1914. Three years ago. Three years and eight months ago, to be exact. Nowadays, I don’t wear tea-rose crêpe frocks nor slim French slippers. Our government’s daily Hints for Paris run more to coarse blue denim and dour woollen hose and clumping rubber boots. My once-lily hands clasp a scrubbing-brush far oftener than a hand at bridge. And I rise at five-thirty and gulp my scalding coffee in the hot, tight galley of Field Hospital 64, then set to work. For long before the dawn they come, that endless string of ambulances, with their terrible and precious freight. Then it’s baths and food and swift, tense minutes in the tiny “theatre,” and swifter, tenser seconds when we and the orderlies hurry through dressings and bandagings, while the senior nurse toils like a Turk alongside and bosses us meanwhile like a slave-driver. Every day my heart is torn open in my breast for the pain of my children, my poor, big, helpless, broken children. Every night, when I slip by to take a last peep at their sleepy, contented faces, my heart is healed for me again. Then I stumble off to our half-partitioned slit and throw myself on my bunk, tired to my last bone, happy to the core of my soul. But day by day the work heaps up. Every cot is full, every tent overflowing. We’re short of everything, beds, carbolic, dressings, food. And yesterday, at dusk, when we were all fagged to exhaustion, there streamed down a very flood of wounded, eight ambulance-loads, harvest of a bombed munitions depot.

“We haven’t an inch of room.”

“We’ve got to make room.” Doctor Lake, sweating, dog-tired, swaying on his feet from nine unbroken hours at the operating-table, took command. “Take my hut; it’ll hold four at a pinch. You nurses will give up your cubby-hole? Thought so. Plenty hot water, Octave? Bring ’em along.”

They brought them along. Every stretcher, every bunk, every crack was crowded now. Then came the whir of a racing motor. One more ambulance plunged up the sodden road.

“Ah! Grand blessé!” murmured old Octave.

Grand blessé! And not a blanket left, even. Put him in the coal-hole,” groaned the head nurse.

“Nix on the coal-hole.” Thus the muddy young driver, hauling out the stretcher with its long, moveless shape. “This is the candy kid—hear me? Our crack scout. Escadrille 32.”

“Escadrille 32?” The number held no meaning for me. Yet I pushed nearer. Grand blessé, indeed, that lax, pulseless body, that shattered flesh, that blood and mire. I bent closer. Red hair, shining and thick, the red that always goes with cinnamon freckles. A clean-cut, ashen young face, a square jaw, a stubborn, boyish chin with a deep-cleft dimple.

Then my heart stopped short. The room whirled round me.

“Buster!” I cried out. “You naughty, darling little scamp! So you got your way, after all. You ran off from school, and joined the escadrille—oh, sonny-boy, don’t you hear me? Listen! Listen!”

The gaunt face did not stir. Only that ashy whiteness seemed to grow yet whiter.

“We’ll do our best, Miss Preston. Go away now, dear.” The head nurse put me gently back. I knew too well what her gentleness meant.

“But Doctor Lake can save him! Doctor Lake can pull him through!”

“Doctor Lake is worn out. We’ll have to manage without him.”

“Don’t you believe it!” I flamed. Then I, the greenest, meekest slavey in the service, dashed straight to the operating-room, and gripped Doctor Lake by both wrists and jerked him bodily off the bench where he crouched, a sick, lubberly heap, blind with fatigue.

“No, you sha’n’t stop to rest. Not yet!” I stormed at him. Somehow I dragged him down the ward, to my boy’s side. At sight of that deathlike face, the limp, shivering man pulled himself together with all his weary might.

“I’ll do my level best, Miss Edith. Go away, now, that’s a good girl.”

I went away and listened to the ambulance-driver. He was having an ugly bullet scratch on his arm tied up. He was not a regular field-service man, but a young Y. M. C. A. helper who had taken the place of a driver shot down that noon.

“Well, you see, that kid took the air two hours ago to locate the battery that’s been spilling shells into our munitions station. He spotted it, and two others besides. Naturally, they spotted him. He scooted for home, with a shrapnel wound in his shoulder, and made a bad landing three miles back of the lines, and broke his leg and whacked his head. Luckily I wasn’t a hundred yards away. I got him aboard my car and gave him first aid and started to bring him straight over here. Would he stand for that? Not Buddy. ‘You’ll take me to headquarters first, to report,’ says he. ‘So let her out.’

“No use arguing. I let her out. We reported at headquarters, three miles out of our way, then started here. Two miles back, a shell struck just ahead and sent a rock the size of a paving-brick smack against our engine. The car stopped, dead. Did that faze the kid? Not so you could notice it. ‘You hoist me on the seat and let me get one hand on the wheel,’ says he, cool’s a cucumber. ‘There isn’t a car made but will jump through hoops for me.’ Go she did. With her engine knocked galley west, mind you, and him propped up, chirk as a cherub, with his broken leg and his smashed shoulder, and a knock on his head that would ’a’ stopped his clock if he’d had any brains to jolt. Skill? He drove that car like a racer. She only hit the high places. Pluck? He wrote it.

“We weren’t fifty yards from the hospital when he crumpled down, and I grabbed him. Hemorrhage, I guess. I sure do hope they pull him through. But—I don’t believe—”

Soon a very dirty-faced brigadier-general, whom I used to meet at dances long ago, came and sat down on a soap-box and held my hands and tried to comfort me, so gently and so patiently, the poor, kind, blundering dear. Most of his words just buzzed and glimmered round me. But one thought stuck in my dull brain.

“This isn’t your boy’s first service to his country, Miss Edith. He has been with the escadrille only a month, but he has brought down three enemy planes, and his scouting has been invaluable. He’s a wonder, anyhow. So are all our flying boys. They tell me that the German youngsters make such good soldiers because they’re trained to follow orders blindfold. All very well when it comes to following a bayonet charge over the top. But the escadrille—that’s another story. Take our boys, brought up to sail their own boats and run their own cars and chance any fool risk in sight. Couple up that impudence, that fearlessness, that splendid curiosity, and you’ve got a fighting-machine that not only fights but wins. All the drilled, stolid forces in creation can’t beat back that headlong young spirit. If—”

He halted, stammering.

“If—we can’t keep him with us, you must remember that he gave his best to his country, and his best was a noble gift. Be very glad that you could help your boy prepare himself to bestow it. You and his parents gave him his outdoor life and his daring sports and his fearless outlook, and his uncurbed initiative. You helped him build himself, mind and body, to flawless powers and to instant decisions. To-day came his chance to give his greatest service. No matter what comes now, you—you have your royal memory.”

But I could not hear any more. I cried out that I didn’t want any royal memories, I wanted my dear, bad, self-willed little boy. The general got up then and limped away and stood and looked out of the window.

I sat and waited. I kept on waiting—minutes on gray minutes, hours on hours.

Then a nurse grasped my shoulders, and tried to tell me something. I heard her clearly, but I couldn’t string her words together to make meaning. Finally, she drew me to my feet and led me back to the operating-room.

There stood Doctor Lake. He was leaning against the wall and wiping his face on a piece of gauze. He came straight to me and put out both big, kind hands.

“Tell me. You needn’t try to make it easy—”

“There, there, Miss Edith. There’s nothing to tell. Look for yourself.”

Gray-lipped, whiter than ashes, straight and moveless as a young knight in marble effigy, lay my boy. But a shadow pulse flickered in that bound temple, the cheek I kissed was warm.

“No,” said Doctor Lake very softly. “He won’t die. He’s steel and whipcord, that youngster. Heaven be praised, you can’t kill his sort with a hatchet.”

He leaned down, gave Buster a long, searching look. His puffy, fagged face twisted with bewilderment, then broke into chuckles of astonishment and delight.

“Well, on my word and honor! I’ve just this moment recognized him. This blessé is the imp of Satan who used to steal my car up the North Shore. He’s the chap who steered that confounded aeroplane into the garden-party.... I’ve always sworn that, let me once lay hands on that young scalawag, I’d lick the tar out of him!”

“Well, here’s your chance,” snivelled I.

He did not hear me. He had stooped again over Buster. Again he was peering into that still face. Over his own face came a strange look, mirthful, then deep with question, profoundly tender; then, flashing through, a gleam of amazing and most piteous jealousy, the bitter, comic jealousy of the most famous of all middle-aged American surgeons for insolent, fool-hardy, glorious youth.

Then he turned and went away, a big, dead-tired, shambling figure. And in that instant my boy’s heavy eyes lifted and stared at me. Slowly in them awoke a drowsy sparkle.

“Hello, Cousin Edith. When did you blow in?”

I didn’t try to speak. I looked past him at Doctor Lake, now plodding from the room. Buster’s eyes followed mine. Over his face came a smile of heaven’s own light.

“Old stuffed shirt,” sighed Buster with exquisite content. He turned his gaunt young head on the pillow; he tucked a brawny fist under his cheek. Before I could speak he had slipped away, far on a sea of dreams.


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1918."

Supers By Frederick Booth

Supers
by Frederick Booth


Wanted: Tall, good-looking men for the stage. Must be well dressed. Apply at stage door of Theatre at ten A.M.

There is a certain amount of irony in the above, such as, for instance, "Tall, good-looking"; "must be well dressed"; and the man who appears in the side street in the vicinity of the stage door at about half-past nine in the morning knows this, for he wrote the advertisement himself.

He is a thick man, with a red beard trimmed in the form of a blunt wedge, and cut away from around his mouth as a hedge is cut from a gate. He is a man with a cool green eye, immobile face, and distant manner. A man who walks slowly, is introspective, gloomy; who carries a big stick like Javert's cudgel and studies the pavement like a man of large affairs. He has the manner of a general waiting to review his army, which he expects to find decimated and run down at the heel. He wears a derby hat slightly broken at the crown, a little shiny on the edges; an overcoat with a collar somewhat frayed; boots that are rather square-toed and vulgar.

This combination of shabbiness and thoughtfulness lends him an appearance of sorrow simple and primitive in the light of his red beard as if he were telling himself and would like to tell the world: Here is a man of immense capabilities, fated to deal in small and absolutely rotten potatoes.

In twos and threes some men begin to come in sight from the direction of Sixth and Seventh Avenues. They sidle into the street that runs by the stage door; some of them cast at Red Beard a look of recognition and a half-nod, to which he is profoundly indifferent. Others fix their gaze upon the legend over the door as children stare at the entrance of a circus tent.

Little by little the straggling and deliberate comers make a scattered crowd. The catchings of the advertisement agglomerate and blacken the middle of the street.

They stand stock-still. As a concourse of men they are, all in all, voiceless and apathetic; before the momentary flurry of some traffic in the street they are brushed aside as dry leaves. There is a shuffling of feet on the asphalt as of dry leaves hurried along by the wind.

There seems to be an understanding among these men, as if this were not their first venture in such an enterprise. And there seems to be an understanding between them and the man with the cane: he appears, by the casual oblique glance, by the turned shoulder, to know them, where they came from, what he can do with them; and to feel the indifference of the dealer for his stock-in-trade. He wrote the ad. Here are the men. It is the same as ordering coal and seeing it dumped upon the sidewalk.

The scattered crowd had become a mob, a quiet mob that pushes gently, elbows itself without offence, waits.

Tall? Well-dressed? There are tall men, but their heads move in a sea of men that are short, men that are stooped. There may be well-dressed men, but they are hidden among men with shabby clothes. They are of all ages, but of the same condition. There may be seen grey heads, like patches of white wool in a flock of black sheep.

From a distance this small mass of humanity, held in abeyance by a single purpose, appears to be wholly silent, its attention, if not its glance, controlled by the simple potency of the stage door; but coming closer one may hear sounds that are words gutturally spoken, and a desultory murmur that resolves itself into a dialogue of many parts. Is there any stratum of society that does not have its shop talk? In every one, its atoms, akin, are stretching back and forth those little tentacles of question and answer, of seeking to know, of seeking to tell, that hold them together.

"Wher' wus you last week?"

"T' Newark wit' Mantell."

"Any good?"

"Nix. Rotten. One night y' play an' th' next y' don't an' y' gotta "

"How many do they want here?"

"I dunno, it's a rotten bizness; not'ing in this bizness no more. I'm goin' t' "

"Hey, y' rummy, git offa my foot. Whaddaya t'ink I yam?"

A sinister sort of meekness controls these men; hold men patient who are hard of face; docile who seem to be cut for any sort of business; pathetically anxious who seem to be cast for any rough hazard.

These are the men who may be seen on park benches; at saloon corners; who accost passers in the name of charity; who carry restaurant signs; who may be seen every morning at newspaper offices eagerly scanning the want columns; who carry a newspaper as if it were something precious; who hurry along with a sidelong gait; whose shoes make a sliding noise on the pavement.

These are men unshaven of face, pallid of complexion. Some of them wear overcoats turned up at the collar, sagging at the skirt with a rag-tag of frayed lining showing; bulging at the pocket with some unimaginable personal freight. Some of them wear no overcoats, some no vests, others no collars. Some, with short, shrunken trousers, show bare red ankles. There are trousers that have settled into fixed folds about the shoes as if they had not been doffed or pulled up for some nights. The feet point out at a loutish angle, or point in pigeonwise. There are flat feet, feet broken at the instep, spread out like a duck's oozing damp, hideous and evidently filthy, stub-ended, low in the instep, too large. They shift, shuffle, and twist about like wounded and helpless members. The hands that go with them are red and dirty; they are rubbed against trousers impotently, for want of something better to do. These men stand with the necks habitually drawn into their collars, their shoulders hunched. They have an unhealthy colour and they speak in voices coarsened by whisky and by the weather. They crane at the door like beggars waiting for a hand-out.

It is ten o'clock. Red Beard has forsaken the sidewalk and is standing on a box or something at the stage door, looking at the findings of his advertisement. He scowls heavily and appears to be disgusted with what he sees.

The crowd edges closer. Those on the outside push those within. The crowd becomes a pack. Necks crane upwards. A hoarse voice meant to be jocular wheezes:

"Hey, bo, y' want me, don't y's? Ain't I t' cheese?"

A laugh swells up, but dies instantly before the sardonic sneer under Red Beard's hedge. Some one says: "Huh, wot 'd'yu's t'ink you are, a primy donny star?"

Red Beard's jaw moves and he is heard to mutter:

"Gawd, what a rotten bunch!"

A uniform pushing and shoving begins. A clownish, uncouth eagerness manifests itself and animates the crowd. It is as if they were scrambling for apples. The scuffling of feet sounds like an unrhythmic dance. On the outside gaunt, bent legs push to get in. On the inside, in the middle of the jam, scrawny necks stretch up, heads stare.

A hoarse clacking murmur, resembling more than anything else the quacking of geese going to water, is evidence of a certain sort of talk going on within the confines of the crowd. It runs in a monotone and reveals no anger, no impatience, none of the mob frenzy that might be expected here. A futile eagerness!

Already the man on the box has begun to exercise his authority. He holds in his hand a card which he consults with knitted brows, and from which his glance shoots quickly, like an accusation, at the men. He points at one man in the thick of the press.

"You there," he says, "you wop wit' t' dent in your nose, I want youse."

As the lucky one shoves forward the crowd is forced apart as logs are pried apart by a canthook.

"Youse guys stand back," bawls Red Beard. The stage door is opened by some one whose face shows through the dirty glass and the first super fights his way within.

Red Beard's club-like finger is periodically brandished at the pack; his voice of brass names some candidate by any ill-favoured mark he can see, and that one is cut out as a steer is cut out of the herd.

It seems that some definite programme is being followed: some planned chiaroscuro of the stage is being sketched in: broad shoulders and tall frames are at a premium, but shrunk figures, hairy faces and loutish manners are nailed by the Captain of this peculiar industry; old men with long beards have their innings.

The crowd imperceptibly draws together at the edges as the middle is gutted and the ill-hued flowers of the flock are plucked.

At last some at the outside begin to straggle from the press. They light cigarettes which hang like appendages from their lips; some of them whistle; some dance a tentative hop. Thus they make light of their bootless quest "for a job."

Suddenly the man on the box waves his hand and says: "That's all; youse guys come back here tomorry morning." hops from his perch and disappears within the theatre.

The largest number of those who came are still on the street. Collectively they present the appearance of a dog licking his chops after some morsel snatched away. They gape at the door closed in their faces as if some one had gone inside with something that belonged to them.

There is some hesitation, some loafing about, then a policeman bears down and waves his club. The black knot untangles itself, tailing out into a long string that drags its length in two directions, towards the two avenues, thins more, parts in the middle and disappears. No face shows more than passing disappointment little has been lost. Some whistle, others call to each other, empty phrases are bandied about by tongues that have lost the gift of tongues.

The scuffling of their feet more or less in unison sounds like a rope dragging.


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1916."

Miss Willett by Barry Benefield

 
Miss Willett by Barry Benefield

Miss Willett
by Barry Benefield



The PDF might take a minute to load. Or, click to download PDF.

If your Web browser is not configured to display PDF files. No worries, just click here to download the PDF file.

.


This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1916."

The Best Short Stories of 1916, and the Yearbook of the American Short Stories

 

The Best Short Stories of 1916, and the Yearbook of the American  Short Stories

CONTENTS

Introduction. By the Editor i

The Sacrificial Altar. By Gertrude Atherton . . 7

(From Harper's Magazine)

Miss Willett. By Barry Benefield 37

(From The Century Magazine)

Supers. By Frederick Booth 52

(From The Seven Arts Magazine)

Fog. By Dana Burnet 58

(From McBride's Magazine)

Ma's Pretties. By Francis Buzzell 75

(From The Pictorial Review)

The Great Auk. By Irvin S. Cobb 85

(From The Saturday Evening Post)

The Lost Phoebe. By Theodore Dreiser 115

(From The Century Magazine)

The Silent Intare. By Armistead C. Gordon . . 133

(From Scribner's Magazine)

The Cat of the Cane-Brake. By Frederick Stuart
Greene 149

(From The Metropolitan Magazirte)

Making Port. By Richard Matthews Hallet ... 162

(From Every Week)

"Ice Water, Pl—!" By Fannie Hurst 181

(From Collier's Weekly)

Little Selves. By Mary Lerner 212

(From The Atlantic Monthly)

The Sun Chaser. By Jeannette Marks 226

(From The Pictorial Review)

At the End of the Road. By Walter J. Muilenburg 262

(From The Forum)

The Big Stranger on Dorchester Heights. By Albert Du Verney Pentz 272

(From The Boston Evening Transcript)

The Menorah. By Benjamin Rosenblatt 275

(From The Bellman)

Penance. By Elsie Singmaster 282

(From The Pictorial Review)

Feet of Gold. By Gordon Arthur Smith 294

(From Scribner's Magazine)

Down on Their Knees. By Wilbur Daniel Steele . 322

(From Harper's Magazine)

Half-Past Ten. By Alice L. Tildesley 349

(From The Black Cat)

The Yearbook of the American Short Story for 1916  357

The Roll of Honor for 1916 359

Volumes of Short Stories Published During 1916   365

Fifty American Short Stories of 1916 : A Critical

Summary 374

Necrology for 1916 388

Magazine Averages for 1916 389

Index of Short Stories for 1916 394


The PDF might take a minute to load. Or, click to download PDF.

If your Web browser is not configured to display PDF files. No worries, just click here to download the PDF file.