Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Saturday, August 20, 2016
The Long Remembered Thunder by Keith Laumer
THE LONG REMEMBERED THUNDER
BY KEITH LAUMER
[Transcriber's Note: This etext was produced from
Worlds of Tomorrow April 1963
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
He was as ancient as time—and as strange as
his own frightful battle against incredible odds!
I
In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection.
"Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation.
"Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon."
"I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me."
"Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?"
"I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—"
"Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way."
"I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—"
"You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—"
"You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!"
Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth.
"Don't I know you, mister?" he said. His soft voice carried a note of authority.
Tremaine took off his hat. "Sure you do, Jess. It's been a while, though."
The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?"
"Let's go somewhere and sit down, Jess."
In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more."
Jess nodded. "I heard you were with the guv'ment."
"It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings.
"I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—"
"Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it."
"The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?"
"That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended."
"I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..."
"Course," said Jess, "there's always Mr. Bram ..."
"Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid."
"Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river."
"Well, what about him?"
"Nothing. But he's the town's mystery man. You know that. A little touched in the head."
"There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples."
"I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from."
"How long's he lived here in Elsby?"
"Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway."
"Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?"
"You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again."
"I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...."
"Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire."
"What was the idea of that?"
"Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age."
"Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town."
"Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll."
Tremaine shook his head.
"Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...."
"What about her and Bram? A romance?"
Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her."
Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights."
"What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?"
"I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel."
"When's this bootleg station supposed to broadcast again?"
"After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—"
"Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth."
II
Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in.
A thin man with garters above the elbow looked over his shoulder at Tremaine.
"We're closed," he said.
"I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last."
The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?"
"Nothing like that. I just want to know when he bought the place."
The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know."
"I want to know when he bought."
The man hesitated, closed his jaw hard. "Come back tomorrow," he said.
Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly.
"See what I can do," he said.
It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink:
"May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)"
"Translated, what does that mean?" said Tremaine.
"That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?"
"No, thanks," Tremaine said. "That's all I needed." He turned back to the door.
"What's up, mister?" the clerk called after him. "Bram in some kind of trouble?"
"No. No trouble."
The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age."
"I guess you're right."
The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place."
"I've heard those stories. Just superstition, wouldn't you say?"
"Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...."
Tremaine waited.
"You—uh—paying anything for information?"
"Now why would I do that?" Tremaine reached for the door knob.
The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup."
Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint.
"You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves."
"I want nineteen-oh-one, if they go back that far."
The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully."
"I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering.
"What date was it you wanted?"
"Nineteen-oh-one; the week of May nineteenth."
The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you."
"I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly.
On page four, under a column headed County Notes he saw the name Bram:
Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months.
"May I see some earlier issues; from about the first of the year?"
The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye:
A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river.
The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow."
Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel.
A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car.
"Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car.
Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out.
"What's your problem, mister?" a harsh voice drawled.
"What's the matter? Run out of signal?"
"What's it to you, mister?"
"Are you boys in touch with Grammond on the car set?"
"We could be."
"Mind if I have a word with him? My name's Tremaine."
"Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine.
The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?"
"I thought you were going to keep your men away from Elsby until I gave the word, Grammond."
"That was before I knew your Washington stuffed shirts were holding out on me."
"It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle."
Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—"
"That's just what I don't want. If our bird sees cops cruising, he'll go underground."
"You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?"
"Pull your lip back in. You've given me the confirmation I needed."
"Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—"
"The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out."
Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington."
Back in his room, Tremaine put through a call.
"It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—"
"I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—"
"Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners."
"Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation."
"Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel.
He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly.
"Miss Carroll," Tremaine said. "You won't remember me, but I—"
"There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled.
"I'm flattered you remember me, Miss Carroll," he said.
"Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him.
"You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something."
"Just another bureaucrat, I'm afraid."
"You were wise to leave Elsby. There is no future here for a young man."
"I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability."
"Why did you come today, James?" asked Miss Carroll.
"I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?"
"Of course."
"How long has Mr. Bram lived in Elsby?"
Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?"
"There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest."
"I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases."
"I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him."
"Mr. Bram came here when I was a young woman. I'm not certain of the year."
"What does he do for a living?"
"I have no idea."
"Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?"
"I'm ... not sure that anyone truly knows Bram's story."
"You called him 'Bram', Miss Carroll. Is that his first name ... or his last?"
"That is his only name. Just ... Bram."
"You knew him well once, Miss Carroll. Is there anything—"
A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently.
"I'm an unfulfilled old maid, James," she said. "You must forgive me."
Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...."
Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited.
"Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house."
Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone.
"I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen.
"He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again."
"This locket," said Tremaine, "do you still have it?"
Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James."
"May I see it?"
She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?"
Miss Carroll nodded.
"There is one other thing," she said, "perhaps quite meaningless...."
"I'd be grateful for any lead."
"Bram fears the thunder."
III
As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked:
"Any luck, Jimmy?"
Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid."
"Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?"
"Sure. Just so I'm back by full dark."
As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me."
"I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out."
"Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—"
"We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched."
The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?"
He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?"
"In the car."
"Better get it."
Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table.
"This place is empty," he said. "Anybody'd think he'd been gone a week."
"Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance.
"I'm getting jumpy," said Jess. "Dern hounddog, I guess."
A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said.
Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor.
"That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains.
"Maybe he cleaned a chicken. This is the kitchen."
"It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall.
"What do you make of it. Jimmy?"
A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?"
"I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions."
At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair.
"Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you."
"I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?"
"Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?"
"He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...."
"What did you hear?"
"They're lookin for the spies."
"Who's looking for spies?"
"Cops."
"Who says so?"
The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said.
"Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night."
"They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers."
"And you mentioned Bram?"
The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?"
"Anything else?"
The boy looked at his feet.
"What did you shoot at, Hull?" Tremaine said. The boy looked at him sullenly.
"You know anything about the blood on the kitchen floor?"
"I don't know what you're talkin about," Hull said. "We was out squirrel-huntin."
"Hull, is Mr. Bram dead?"
"What you mean?" Hull blurted. "He was—"
"He was what?"
"Nothin."
"The Chief won't like it if you hold out on him, Hull," Tremaine said. "He's bound to find out."
Jess looked at the boy. "Hull's a pretty dumb boy," he said. "But he's not that dumb. Let's have it, Hull."
The boy licked his lips. "I had Pa's 30-30, and Bovey Lay had a twelve-gauge...."
"What time was this?"
"Just after sunset."
"About seven-thirty, that'd be," said Jess. "That was half an hour before the fire was spotted."
"I didn't do no shootin. It was Bovey. Old Bram jumped out at him, and he just fired off the hip. But he didn't kill him. He seen him run off...."
"You were on the porch when this happened. Which way did Bram go?"
"He ... run inside."
"So then you set fire to the place. Whose bright idea was that?"
Hull sat silent. After a moment Tremaine and Jess left the cell.
"He must have gotten clear, Jimmy," said Jess. "Maybe he got scared and left town."
"Bram doesn't strike me as the kind to panic." Tremaine looked at his watch. "I've got to get on my way, Jess. I'll check with you in the morning."
Tremaine crossed the street to the Paradise Bar and Grill, pushed into the jukebox-lit interior, took a stool and ordered a Scotch and water. He sipped the drink, then sat staring into the dark reflection in the glass. The idea of a careful reconnoitre of the Elsby area was gone, now, with police swarming everywhere. It was too bad about Bram. It would be interesting to know where the old man was ... and if he was still alive. He'd always seemed normal enough in the old days: a big solid-looking man, middle-aged, always pleasant enough, though he didn't say much. He'd tried hard, that time, to interest Tremaine in learning whatever it was....
Tremaine put a hand in his jacket pocket, took out Miss Carroll's locket. It was smooth, the size and shape of a wrist-watch chassis. He was fingering it meditatively when a rough hand slammed against his shoulder, half knocking him from the stool. Tremaine caught his balance, turned, looked into the scarred face of a heavy-shouldered man in a leather jacket.
"I heard you was back in town, Tremaine," the man said.
The bartender moved up. "Looky here, Gaskin, I don't want no trouble—"
"Shove it!" Gaskin squinted at Tremaine, his upper lip curled back to expose the gap in his teeth. "You tryin to make more trouble for my boy, I hear. Been over to the jail, stickin your nose in."
Tremaine dropped the locket in his pocket and stood up. Gaskin hitched up his pants, glanced around the room. Half a dozen early drinkers stared, wide-eyed. Gaskin squinted at Tremaine. He smelled of unwashed flannel.
"Sicked the cops onto him. The boy was out with his friends, havin a little fun. Now there he sets in jail."
Tremaine moved aside from the stool, started past the man. Soup Gaskin grabbed his arm.
"Not so fast! I figger you owe me damages. I—"
"Damage is what you'll get," said Tremaine. He slammed a stiff left to Gaskin's ribs, drove a hard right to the jaw. Gaskin jack-knifed backwards, tripped over a bar stool, fell on his back. He rolled over, got to hands and knees, shook his head.
"Git up, Soup!" someone called. "Hot dog!" offered another.
"I'm calling the police!" the bartender yelled.
"Never mind," a voice said from the door. A blue-jacketed State Trooper strolled into the room, fingers hooked into his pistol belt, the steel caps on his boot heels clicking with each step. He faced Tremaine, feet apart.
"Looks like you're disturbin the peace, Mr. Tremaine," he said.
"You wouldn't know who put him up to it, would you?" Tremaine said.
"That's a dirty allegation," the cop grinned. "I'll have to get off a hot letter to my congressman."
Gaskin got to his feet, wiped a smear of blood across his cheek, then lunged past the cop and swung a wild right. Tremaine stepped aside, landed a solid punch on Gaskin's ear. The cop stepped back against the bar. Soup whirled, slammed out with lefts and rights. Tremaine lashed back with a straight left; Gaskin slammed against the bar, rebounded, threw a knockout right ... and Tremaine ducked, landed a right upper-cut that sent Gaskin reeling back, bowled over a table, sent glasses flying. Tremaine stood over him.
"On your feet, jailbird," he said. "A workout is exactly what I needed."
"Okay, you've had your fun," the State cop said. "I'm taking you in, Tremaine."
Tremaine looked at him. "Sorry, copper," he said. "I don't have time right now." The cop looked startled, reached for his revolver.
"What's going on here, Jimmy?" Jess stood in the door, a huge .44 in his hand. He turned his eyes on the trooper.
"You're a little out of your jurisdiction," he said. "I think you better move on 'fore somebody steals your bicycle."
The cop eyed Jess for a long moment, then holstered his pistol and stalked out of the bar. Jess tucked his revolver into his belt, looked at Gaskin sitting on the floor, dabbing at his bleeding mouth. "What got into you, Soup?"
"I think the State boys put him up to it," Tremaine said. "They're looking for an excuse to take me out of the picture."
Jess motioned to Gaskin. "Get up, Soup. I'm lockin you up alongside that boy of yours."
Outside, Jess said, "You got some bad enemies there, Jimmy. That's a tough break. You ought to hold onto your temper with those boys. I think maybe you ought to think about getting over the state line. I can run you to the bus station, and send your car along...."
"I can't leave now, Jess. I haven't even started."
IV
In his room, Tremaine doctored the cut on his jaw, then opened his trunk, checked over the detector gear. The telephone rang.
"Tremaine? I've been on the telephone with Grammond. Are you out of your mind? I'm—"
"Fred," Tremaine cut in, "I thought you were going to get those state cops off my neck."
"Listen to me, Tremaine. You're called off this job as of now. Don't touch anything! You'd better stay right there in that room. In fact, that's an order!"
"Don't pick now to come apart at the seams, Fred," Tremaine snapped.
"I've ordered you off! That's all!" The phone clicked and the dial tone sounded. Tremaine dropped the receiver in its cradle, then walked to the window absently, his hand in his pocket.
He felt broken pieces and pulled out Miss Carroll's locket. It was smashed, split down the center. It must have gotten it in the tussle with Soup, Tremaine thought. It looked—
He squinted at the shattered ornament. A maze of fine wires was exposed, tiny condensers, bits of glass.
In the street below, tires screeched. Tremaine looked down. A black car was at the curb, doors sprung. Four uniformed men jumped out, headed for the door. Tremaine whirled to the phone. The desk clerk came on.
"Get me Jess—fast!"
The police chief answered.
"Jess, the word's out I'm poison. An earful of State law is at the front door. I'm going out the back. Get in their way all you can." Tremaine dropped the phone, grabbed up the suitcase and let himself out into the hall. The back stairs were dark. He stumbled, cursed, made it to the service entry. Outside, the alley was deserted.
He went to the corner, crossed the street, thrust the suitcase into the back seat of his car and slid into the driver's seat. He started up and eased away from the curb. He glanced in the mirror. There was no alarm.
It was a four-block drive to Miss Carroll's house. The housekeeper let Tremaine in.
"Oh, yes, Miss Carroll is still up," she said. "She never retires until nine. I'll tell her you're here, Mr. Tremaine."
Tremaine paced the room. On his third circuit Miss Carroll came in.
"I wouldn't have bothered you if it wasn't important," Tremaine said. "I can't explain it all now. You said once you had confidence in me. Will you come with me now? It concerns Bram ... and maybe a lot more than just Bram."
Miss Carroll looked at him steadily. "I'll get my wrap."
On the highway Tremaine said, "Miss Carroll, we're headed for Bram's house. I take it you've heard of what happened out there?"
"No, James. I haven't stirred out of the house. What is it?"
"A gang of teen-age toughs went out last night. They had guns. One of them took a shot at Bram. And Bram's disappeared. But I don't think he's dead."
Miss Carroll gasped. "Why? Why did they do it?"
"I don't think they know themselves."
"You say ... you believe he still lives...."
"He must be alive. It dawned on me a little while ago ... a little late, I'll admit. The locket he gave you. Did you ever try it?"
"Try it? Why ... no. I don't believe in magic, James."
"Not magic. Electronics. Years ago Bram talked to me about radio. He wanted to teach me. Now I'm here looking for a transmitter. That transmitter was busy last night. I think Bram was operating it."
There was a long silence.
"James," Miss Carroll said at last, "I don't understand."
"Neither do I, Miss Carroll. I'm still working on finding the pieces. But let me ask you: that night that Bram brought you out to his place. You say he ran to the kitchen and opened a trapdoor in the floor—"
"Did I say floor? That was an error: the panel was in the wall."
"I guess I jumped to the conclusion. Which wall?"
"He crossed the room. There was a table, with a candlestick. He went around it and pressed his hand against the wall, beside the wood-box. The panel slid aside. It was very dark within. He ducked his head, because the opening was not large, and stepped inside...."
"That would be the east wall ... to the left of the back door?"
"Yes."
"Now, Miss Carroll, can you remember exactly what Bram said to you that night? Something about fighting something, wasn't it?"
"I've tried for sixty years to put it out of my mind, James. But I remember every word, I think." She was silent for a moment.
"I was beside him on the buggy seat. It was a warm evening, late in spring. I had told him that I loved him, and ... he had responded. He said that he would have spoken long before, but that he had not dared. Now there was that which I must know.
"His life was not his own, he said. He was not ... native to this world. He was an agent of a mighty power, and he had trailed a band of criminals...." She broke off. "I could not truly understand that part, James. I fear it was too incoherent. He raved of evil beings who lurked in the shadows of a cave. It was his duty to wage each night an unceasing battle with occult forces."
"What kind of battle? Were these ghosts, or demons, or what?"
"I don't know. Evil powers which would be unloosed on the world, unless he met them at the portal as the darkness fell and opposed them."
"Why didn't he get help?"
"Only he could stand against them. I knew little of abnormal psychology, but I understood the classic evidence of paranoia. I shrank from him. He sat, leaning forward, his eyes intent. I wept and begged him to take me back. He turned his face to me, and I saw the pain and anguish in his eyes. I loved him ... and feared him. And he would not turn back. Night was falling, and the enemy awaited him."
"Then, when you got to the house...?"
"He had whipped up the horses, and I remember how I clung to the top braces, weeping. Then we were at the house. Without a word he jumped down and ran to the door. I followed. He lit a lamp and turned to me. From somewhere there was a wailing call, like an injured animal. He shouted something—an unintelligible cry—and ran toward the back of the house. I took up the lamp and followed. In the kitchen he went to the wall, pressed against it. The panel opened. He looked at me. His face was white.
"'In the name of the High God. Linda Carroll, I entreat you....'
"I screamed. And he hardened his face, and went down ... and I screamed and screamed again...." Miss Carroll closed her eyes, drew a shuddering breath.
"I'm sorry to have put you through this, Miss Carroll," Tremaine said. "But I had to know."
Faintly in the distance a siren sounded. In the mirror, headlights twinkled half a mile behind. Tremaine stepped on the gas. The powerful car leaped ahead.
"Are you expecting trouble on the road, James?"
"The State police are unhappy with me, Miss Carroll. And I imagine they're not too pleased with Jess. Now they're out for blood. But I think I can outrun them."
"James." Miss Carroll said, sitting up and looking behind. "If those are police officers, shouldn't you stop?"
"I can't, Miss Carroll. I don't have time for them now. If my idea means anything, we've got to get there fast...."
Bram's house loomed gaunt and dark as the car whirled through the gate, ground to a stop before the porch. Tremaine jumped out, went around the car and helped Miss Carroll out. He was surprised at the firmness of her step. For a moment, in the fading light of dusk, he glimpsed her profile. How beautiful she must have been....
He reached into the glove compartment for a flashlight.
"We haven't got a second to waste," he said. "That other car's not more than a minute behind us." He reached into the back of the car, hauled out the heavy suitcase. "I hope you remember how Bram worked that panel."
On the porch Tremaine's flashlight illuminated the broken hasp. Inside, he led the way along a dark hall, pushed into the kitchen.
"It was there," Miss Carroll said, pointing. Outside, an engine sounded on the highway, slowing, turning in. Headlights pushed a square of cold light across the kitchen wall. Tremaine jumped to the spot Miss Carroll had indicated, put the suitcase down, felt over the wall.
"Give me the light, James," Miss Carroll said calmly. "Press there." She put the spot on the wall. Tremaine leaned against it. Nothing happened. Outside, there was the thump of car doors; a muffled voice barked orders.
"Are you sure...?"
"Yes. Try again, James."
Tremaine threw himself against the wall, slapped at it, searching for a hidden latch.
"A bit higher; Bram was a tall man. The panel opened below...."
Tremaine reached higher, pounded, pushed up, sideways—
With a click a three by four foot section of wall rolled silently aside. Tremaine saw greased metal slides and, beyond, steps leading down.
"They are on the porch now, James," said Miss Carroll.
"The light!" Tremaine reached for it, threw a leg over the sill. He reached back, pulled the suitcase after him. "Tell them I kidnapped you, Miss Carroll. And thanks."
Miss Carroll held out her hand. "Help me, James. I hung back once before. I'll not repeat my folly."
Tremaine hesitated for an instant, then reached out, handed Miss Carroll in. Footsteps sounded in the hall. The flashlight showed Tremaine a black pushbutton bolted to a two by four stud. He pressed it. The panel slid back in place.
Tremaine flashed the light on the stairs.
"Okay, Miss Carroll," he said softly. "Let's go down."
There were fifteen steps, and at the bottom, a corridor, with curved walls of black glass, and a floor of rough boards. It went straight for twenty feet and ended at an old-fashioned five-panel wooden door. Tremaine tried the brass knob. The door opened on a room shaped from a natural cave, with waterworn walls of yellow stone, a low uneven ceiling, and a packed-earth floor. On a squat tripod in the center of the chamber rested an apparatus of black metal and glass, vaguely gunlike, aimed at the blank wall. Beside it, in an ancient wooden rocker, a man lay slumped, his shirt blood-caked, a black puddle on the floor beneath him.
"Bram!" Miss Carroll gasped. She went to him, took his hand, staring into his face.
"Is he dead?" Tremaine said tightly.
"His hands are cold ... but there is a pulse."
A kerosene lantern stood by the door. Tremaine lit it, brought it to the chair. He took out a pocket knife, cut the coat and shirt back from Bram's wound. A shotgun blast had struck him in the side; there was a lacerated area as big as Tremaine's hand.
"It's stopped bleeding," he said. "It was just a graze at close range, I'd say." He explored further. "It got his arm too, but not as deep. And I think there are a couple of ribs broken. If he hasn't lost too much blood...." Tremaine pulled off his coat, spread it on the floor.
"Let's lay him out here and try to bring him around."
Lying on his back on the floor, Bram looked bigger than his six-foot-four, younger than his near-century, Tremaine thought. Miss Carroll knelt at the old man's side, chafing his hands, murmuring to him.
Abruptly a thin cry cut the air.
Tremaine whirled, startled. Miss Carroll stared, eyes wide. A low rumble sounded, swelled louder, broke into a screech, cut off.
"Those are the sounds I heard that night," Miss Carroll breathed. "I thought afterwards I had imagined them, but I remember.... James, what does it mean?"
"Maybe it means Bram wasn't as crazy as you thought," Tremaine said.
Miss Carroll gasped sharply. "James! Look at the wall—"
Tremaine turned. Vague shadows moved across the stone, flickering, wavering.
"What the devil...!"
Bram moaned, stirred. Tremaine went to him. "Bram!" he said. "Wake up!"
Bram's eyes opened. For a moment he looked dazedly at Tremaine, then at Miss Carroll. Awkwardly he pushed himself to a sitting position.
"Bram ... you must lie down," Miss Carroll said.
"Linda Carroll," Bram said. His voice was deep, husky.
"Bram, you're hurt ..."
A mewling wail started up. Bram went rigid "What hour is this?" he grated.
"The sun has just gone down; it's after seven—"
Bram tried to get to his feet. "Help me up," he ordered. "Curse the weakness...."
Tremaine got a hand under the old man's arm. "Careful, Bram," he said. "Don't start your wound bleeding again."
"To the Repellor," Bram muttered. Tremaine guided him to the rocking chair, eased him down. Bram seized the two black pistol-grips, squeezed them.
"You, young man," Bram said. "Take the circlet there; place it about my neck."
The flat-metal ring hung from a wire loop. Tremaine fitted it over Bram's head. It settled snugly over his shoulders, a flange at the back against his neck.
"Bram," Tremaine said. "What's this all about?"
"Watch the wall there. My sight grows dim. Tell me what you see."
"It looks like shadows: but what's casting them?"
"Can you discern details?"
"No. It's like somebody waggling their fingers in front of a slide projector."
"The radiation from the star is yet too harsh," Bram muttered. "But now the node draws close. May the High Gods guide my hand!"
A howl rang out, a raw blast of sound. Bram tensed. "What do you see?" he demanded.
"The outlines are sharper. There seem to be other shapes behind the moving ones. It's like looking through a steamy window...." Beyond the misty surface Tremaine seemed to see a high narrow chamber, bathed in white light. In the foreground creatures like shadowy caricatures of men paced to and fro. "They're like something stamped out of alligator hide," Tremaine whispered. "When they turn and I see them edge-on, they're thin...."
"An effect of dimensional attenuation. They strive now to match matrices with this plane. If they succeed, this earth you know will lie at their feet."
"What are they? Where are they? That's solid rock—"
"What you see is the Niss Command Center. It lies in another world than this, but here is the multihedron of intersection. They bring their harmonic generators to bear here in the hope of establishing an aperture of focus."
"I don't understand half of what you're saying, Bram. And the rest I don't believe. But with this staring me in the face, I'll have to act as though I did."
Suddenly the wall cleared. Like a surface of moulded glass the stone threw back ghostly highlights. Beyond it, the Niss technicians, seen now in sharp detail, worked busily, silently, their faces like masks of ridged red-brown leather. Directly opposite Bram's Repellor, an apparatus like an immense camera with a foot-wide silvered lens stood aimed, a black-clad Niss perched in a saddle atop it. The white light flooded the cave, threw black shadows across the floor. Bram hunched over the Repellor, face tensed in strain. A glow built in the air around the Niss machine. The alien technicians stood now, staring with tiny bright-red eyes. Long seconds passed. The black-clad Niss gestured suddenly. Another turned to a red-marked knife-switch, pulled. As suddenly as it had cleared, the wall went milky, then dulled to opacity. Bram slumped back, eyes shut, breathing hoarsely.
"Near were they then," he muttered, "I grow weak...."
"Let me take over," Tremaine said. "Tell me how."
"How can I tell you? You will not understand."
"Maybe I'll understand enough to get us through the night."
Bram seemed to gather himself. "Very well. This must you know....
"I am an agent in the service of the Great World. For centuries we have waged war against the Niss, evil beings who loot the continua. They established an Aperture here, on your Earth. We detected it, and found that a Portal could be set up here briefly. I was dispatched with a crew to counter their move—"
"You're talking gibberish," Tremaine said. "I'll pass the Great World and the continua ... but what's an Aperture?"
"A point of material contact between the Niss world and this plane of space-time. Through it they can pump this rich planet dry of oxygen, killing it—then emerge to feed on the corpse."
"What's a Portal?"
"The Great World lies in a different harmonic series than do Earth and the Niss World. Only at vast intervals can we set up a Portal of temporary identity as the cycles mesh. We monitor the Niss emanations, and forestall them when we can, now in this plane, now in that."
"I see: denial to the enemy."
"But we were late. Already the multihedron was far advanced. A blinding squall lashed outside the river cave where the Niss had focused the Aperture, and the thunder rolled as the ionization effect was propagated in the atmosphere. I threw my force against the Niss Aperture, but could not destroy it ... but neither could they force their entry."
"And this was sixty years ago? And they're still at it?"
"You must throw off the illusion of time! To the Niss only a few days have passed. But here—where I spend only minutes from each night in the engagement, as the patterns coincide—it has been long years."
"Why don't you bring in help? Why do you have to work alone?"
"The power required to hold the Portal in focus against the stresses of space-time is tremendous. Even then the cycle is brief. It gave us first a fleeting contact of a few seconds; it was through that that we detected the Niss activity here. The next contact was four days later, and lasted twenty-four minutes—long enough to set up the Repellor. I fought them then ... and saw that victory was in doubt. Still, it was a fair world; I could not let it go without a struggle. A third identity was possible twenty days later; I elected to remain here until then, attempt to repel the Niss, then return home at the next contact. The Portal closed, and my crew and I settled down to the engagement.
"The next night showed us in full the hopelessness of the contest. By day, we emerged from where the Niss had focussed the Aperture, and explored this land, and came to love its small warm sun, its strange blue sky, its mantle of green ... and the small humble grass-blades. To us of an ancient world it seemed a paradise of young life. And then I ventured into the town ... and there I saw such a maiden as the Cosmos has forgotten, such was her beauty....
"The twenty days passed. The Niss held their foothold—yet I had kept them back.
"The Portal reopened. I ordered my crew back. It closed. Since then, have I been alone...."
"Bram," Miss Carroll said. "Bram ... you stayed when you could have escaped—and I—"
"I would that I could give you back those lost years, Linda Carroll," Bram said. "I would that we could have been together under a brighter sun than this."
"You gave up your world, to give this one a little time," Tremaine said. "And we rewarded you with a shotgun blast."
"Bram ... when will the Portal open again?"
"Not in my life, Linda Carroll. Not for ten thousand years."
"Why didn't you recruit help?" Tremaine said. "You could have trained someone...."
"I tried, at first. But what can one do with frightened rustics? They spoke of witchcraft, and fled."
"But you can't hold out forever. Tell me how this thing works. It's time somebody gave you a break!"
V
Bram talked for half an hour, while Tremaine listened. "If I should fail," he concluded, "take my place at the Repellor. Place the circlet on your neck. When the wall clears, grip the handles and pit your mind against the Niss. Will that they do not come through. When the thunder rolls, you will know that you have failed."
"All right. I'll be ready. But let me get one thing straight: this Repellor of yours responds to thoughts, is that right? It amplifies them—"
"It serves to focus the power of the mind. But now let us make haste. Soon, I fear, will they renew the attack."
"It will be twenty minutes or so, I think," said Tremaine. "Stay where you are and get some rest."
Bram looked at him, his blue eyes grim under white brows. "What do you know of this matter, young man?"
"I think I've doped out the pattern; I've been monitoring these transmissions for weeks. My ideas seemed to prove out okay the last few nights."
"No one but I in all this world knew of the Niss attack. How could you have analyzed that which you knew not of?"
"Maybe you don't know it, Bram, but this Repellor of yours has been playing hell with our communications. Recently we developed what we thought was a Top Secret project—and you're blasting us off the air."
"This is only a small portable unit, poorly screened," Bram said. "The resonance effects are unpredictable. When one seeks to channel the power of thought—"
"Wait a minute!" Tremaine burst out.
"What is it?" Miss Carroll said, alarmed.
"Hyperwave," Tremaine said. "Instantaneous transmission. And thought. No wonder people had headaches—and nightmares! We've been broadcasting on the same band as the human mind!"
"This 'hyperwave'," Bram said. "You say it is instantaneous?"
"That's supposed to be classified information."
"Such a device is new in the cosmos," Bram said. "Only a protoplasmic brain is known to produce a null-lag excitation state."
Tremaine frowned. "Bram, this Repellor focuses what I'll call thought waves for want of a better term. It uses an interference effect to damp out the Niss harmonic generator. What if we poured more power to the Repellor?"
"No. The power of the mind cannot be amplified—"
"I don't mean amplification; I mean an additional source. I have a hyperwave receiver here. With a little rewiring, it'll act as a transmitter. Can we tie it in?"
Bram shook his head. "Would that I were a technician," he said. "I know only what is required to operate the device."
"Let me take a look," Tremaine said. "Maybe I can figure it out."
"Take care. Without it, we fall before the Niss."
"I'll be careful." Tremaine went to the machine, examined it, tracing leads, identifying components.
"This seems clear enough," he said. "These would be powerful magnets here; they give a sort of pinch effect. And these are refracting-field coils. Simple, and brilliant. With this idea, we could beam hyperwave—"
"First let us deal with the Niss!"
"Sure." Tremaine looked at Bram. "I think I can link my apparatus to this," he said. "Okay if I try?"
"How long?"
"It shouldn't take more than fifteen minutes."
"That leaves little time."
"The cycle is tightening," Tremaine said. "I figure the next transmissions ... or attacks ... will come at intervals of under five minutes for several hours now; this may be the last chance."
"Then try," said Bram.
Tremaine nodded, went to the suitcase, took out tools and a heavy black box, set to work. Linda Carroll sat by Bram's side, speaking softly to him. The minutes passed.
"Okay," Tremaine said. "This unit is ready." He went to the Repellor, hesitated a moment, then turned two nuts and removed a cover.
"We're off the air," he said. "I hope my formula holds."
Bram and Miss Carroll watched silently as Tremaine worked. He strung wires, taped junctions, then flipped a switch on the hyperwave set and tuned it, his eyes on the dials of a smaller unit.
"Nineteen minutes have passed since the last attack," Bram said. "Make haste."
"I'm almost done," Tremaine said.
A sharp cry came from the wall. Tremaine jumped. "What the hell makes those sounds?"
"They are nothing—mere static. But they warn that the harmonic generators are warming." Bram struggled to his feet. "Now comes the assault."
"The shadows!" Miss Carroll cried.
Bram sank into the chair, leaned back, his face pale as wax in the faint glow from the wall. The glow grew brighter; the shadows swam into focus.
"Hurry, James," Miss Carroll said. "It comes quickly."
Bram watched through half-closed eyes. "I must man the Repellor. I...." He fell back in the chair, his head lolling.
"Bram!" Miss Carroll cried. Tremaine snapped the cover in place, whirled to the chair, dragged it and its occupant away from the machine, then turned, seized the grips. On the wall the Niss moved in silence, readying the attack. The black-clad figure was visible, climbing to his place. The wall cleared. Tremaine stared across at the narrow room, the gray-clad Niss. They stood now, eyes on him. One pointed. Others erected leathery crests.
Stay out, you ugly devils, Tremaine thought. Go back, retreat, give up....
Now the blue glow built in a flickering arc across the Niss machine. The technicians stood, staring across the narrow gap, tiny red eyes glittering in the narrow alien faces. Tremaine squinted against the brilliant white light from the high-vaulted Niss Command Center. The last suggestion of the sloping surface of the limestone wall was gone. Tremaine felt a draft stir; dust whirled up, clouded the air. There was an odor of iodine.
Back, Tremaine thought. Stay back....
There was a restless stir among the waiting rank of Niss. Tremaine heard the dry shuffle of horny feet against the floor, the whine of the harmonic generator. His eyes burned. As a hot gust swept around him he choked and coughed.
NO! he thought, hurling negation like a weightless bomb. FAIL! RETREAT!
Now the Niss moved, readying a wheeled machine, rolling it into place. Tremaine coughed rackingly, fought to draw a breath, blinking back blindness. A deep thrumming started up; grit particles stung his cheek, the backs of his hands. The Niss worked rapidly, their throat gills visibly dilated now in the unaccustomed flood of oxygen....
Our oxygen, Tremaine thought. The looting has started already, and I've failed, and the people of Earth will choke and die....
From what seemed an immense distance, a roll of thunder trembled at the brink of audibility, swelling.
The black-clad Niss on the alien machine half rose, erecting a black-scaled crest, exulting. Then, shockingly, his eyes fixed on Tremaine's, his trap-like mouth gaped, exposing a tongue like a scarlet snake, a cavernous pink throat set with a row of needle-like snow-white teeth. The tongue flicked out, a gesture of utter contempt.
And suddenly Tremaine was cold with deadly rage. We have a treatment for snakes in this world, he thought with savage intensity. We crush 'em under our heels.... He pictured a writhing rattler, broken-backed, a club descending; a darting red coral snake, its venom ready, slashed in the blades of a power mower; a cottonmouth, smashed into red ruin by a shotgun blast....
BACK, SNAKE, he thought. DIE! DIE!
The thunder faded.
And atop the Niss Generator, the black-clad Niss snapped his mouth shut, crouched.
"DIE!" Tremaine shouted. "Die!"
The Niss seemed to shrink in on himself, shivering. His crest went flaccid, twitched twice. The red eyes winked out and the Niss toppled from the machine. Tremaine coughed, gripped the handles, turned his eyes to a gray-uniformed Niss who scrambled up to replace the operator.
I SAID DIE, SNAKE!
The Niss faltered, tumbled back among his fellows, who darted about now like ants in a broached anthill. One turned red eyes on Tremaine, then scrambled for the red cut-out switch.
NO, YOU DON'T, Tremaine thought. IT'S NOT THAT EASY, SNAKE. DIE!
The Niss collapsed. Tremaine drew a rasping breath, blinked back tears of pain, took in a group of Niss in a glance.
Die!
They fell. The others turned to flee then, but like a scythe Tremaine's mind cut them down, left them in windrows. Hate walked naked among the Niss and left none living.
Now the machines. Tremaine thought. He fixed his eyes on the harmonic generator. It melted into slag. Behind it, the high panels set with jewel-like lights blackened, crumpled into wreckage. Suddenly the air was clean again. Tremaine breathed deep. Before him the surface of the rock swam into view.
NO! Tremaine thought thunderously. HOLD THAT APERTURE OPEN!
The rock-face shimmered, faded. Tremaine looked into the white-lit room, at the blackened walls, the huddled dead. No pity, he thought. You would have sunk those white teeth into soft human throats, sleeping in the dark ... as you've done on a hundred worlds. You're a cancer in the cosmos. And I have the cure.
WALLS, he thought, COLLAPSE!
The roof before him sagged, fell in. Debris rained down from above, the walls tottered, went down. A cloud of roiled dust swirled, cleared to show a sky blazing with stars.
Dust, stay clear, Tremaine thought. I want good air to breathe for the work ahead. He looked out across a landscape of rock, ghostly white in the starlight.
LET THE ROCKS MELT AND FLOW LIKE WATER!
An upreared slab glowed, slumped, ran off in yellow rivulets that were lost in the radiance of the crust as it bubbled, belching released gasses. A wave of heat struck Tremaine. Let it be cool here, he thought. Now, Niss world....
"No!" Bram's voice shouted. "Stop, stop!"
Tremaine hesitated. He stared at the vista of volcanic fury before him.
I could destroy it all, he thought. And the stars in the Niss sky....
"Great is the power of your hate, man of Earth," Bram cried. "But curb it now, before you destroy us all!"
"Why?" Tremaine shouted. "I can wipe out the Niss and their whole diseased universe with them, with a thought!"
"Master yourself," Bram said hoarsely. "Your rage destroys you! One of the suns you see in the Niss sky is your Sol!"
"Sol?" Tremaine said. "Then it's the Sol of a thousand years ago. Light takes time to cross a galaxy. And the earth is still here ... so it wasn't destroyed!"
"Wise are you," Bram said. "Your race is a wonder in the Cosmos, and deadly is your hate. But you know nothing of the forces you unloose now. Past time is as mutable as the steel and rock you melted but now."
"Listen to him, James," Miss Carroll pleaded. "Please listen."
Tremaine twisted to look at her, still holding the twin grips. She looked back steadily, her head held high. Beside her, Bram's eyes were sunken deep in his lined face.
"Jess said you looked like a princess once, Miss Carroll," Tremaine said, "when you drove past with your red hair piled up high. And Bram: you were young, and you loved her. The Niss took your youth from you. You've spent your life here, fighting them, alone. And Linda Carroll waited through the years, because she loved you ... and feared you. The Niss did that. And you want me to spare them?"
"You have mastered them," said Bram. "And you are drunk with the power in you. But the power of love is greater than the power of hate. Our love sustained us; your hate can only destroy."
Tremaine locked eyes with the old man. He drew a deep breath at last, let it out shudderingly. "All right," he said "I guess the God complex got me." He looked back once more at the devastated landscape. "The Niss will remember this encounter, I think. They won't try Earth again."
"You've fought valiantly, James, and won," Miss Carroll said. "Now let the power go."
Tremaine turned again to look at her. "You deserve better than this, Miss Carroll," he said. "Bram, you said time is mutable. Suppose—"
"Let well enough alone," Bram said. "Let it go!"
"Once, long ago, you tried to explain this to Linda Carroll. But there was too much against it; she couldn't understand. She was afraid. And you've suffered for sixty years. Suppose those years had never been. Suppose I had come that night ... instead of now—"
"It could never be!"
"It can if I will it!" Tremaine gripped the handles tighter. Let this be THAT night, he thought fiercely. The night in 1901, when Bram's last contact failed. Let it be that night, five minutes before the portal closed. Only this machine and I remain as we are now; outside there are gas lights in the farm houses along the dirt road to Elsby, and in the town horses stand in the stables along the cinder alleys behind the houses; and President McKinley is having dinner in the White House....
There was a sound behind Tremaine. He whirled. The ravaged scene was gone. A great disc mirror stood across the cave, intersecting the limestone wall. A man stepped through it, froze at the sight of Tremaine. He was tall, with curly blond hair, fine-chiseled features, broad shoulders.
"Fdazh ha?" he said. Then his eyes slid past Tremaine, opened still wider in astonishment. Tremaine followed the stranger's glance. A young woman, dressed in a negligee of pale silk, stood in the door, a hair-brush in her hand, her red hair flowing free to her waist. She stood rigid in shock.
Then....
"Mr. Bram...!" she gasped. "What—"
Tremaine found his voice. "Miss Carroll, don't be afraid," he said. "I'm your friend, you must believe me."
Linda Carroll turned wide eyes to him. "Who are you?" she breathed. "I was in my bedroom—"
"I can't explain. A miracle has been worked here tonight ... on your behalf." Tremaine turned to Bram. "Look—" he started.
"What man are you?" Bram cut in in heavily accented English. "How do you come to this place?"
"Listen to me, Bram!" Tremaine snapped. "Time is mutable. You stayed here, to protect Linda Carroll—and Linda Carroll's world. You've just made that decision, right?" Tremaine went on, not waiting for a reply. "You were stuck here ... for sixty years. Earth technology developed fast. One day a man stumbled in here, tracing down the signal from your Repellor; that was me. You showed me how to use the device ... and with it I wiped out the Niss. And then I set the clock back for you and Linda Carroll. The Portal closes in two minutes. Don't waste time...."
"Mutable time?" Bram said. He went past Tremaine to Linda. "Fair lady of Earth," he said. "Do not fear...."
"Sir, I hardly know you," Miss Carroll said. "How did I come here, hardly clothed—"
"Take her, Bram!" Tremaine shouted. "Take her and get back through that Portal—fast." He looked at Linda Carroll. "Don't be afraid," he said. "You know you love him; go with him now, or regret it all your days."
"Will you come?" asked Bram. He held out his hand to her. Linda hesitated, then put her hand in his. Bram went with her to the mirror surface, handed her through. He looked back at Tremaine.
"I do not understand, man of Earth," he said "But I thank you." Then he was gone.
Alone in the dim-lit grotto Tremaine let his hands fall from the grips, staggered to the rocker and sank down. He felt weak, drained of strength. His hands ached from the strain of the ordeal. How long had it lasted? Five minutes? An hour? Or had it happened at all...?
But Bram and Linda Carroll were gone. He hadn't imagined that. And the Niss were defeated.
But there was still his own world to contend with. The police would be waiting, combing through the house. They would want to know what he had done with Miss Carroll. Maybe there would be a murder charge. There'd be no support from Fred and the Bureau. As for Jess, he was probably in a cell now, looking a stiff sentence in the face for obstructing justice....
Tremaine got to his feet, cast a last glimpse at the empty room, the outlandish shape of the Repellor, the mirrored portal. It was a temptation to step through it. But this was his world, with all its faults. Perhaps later, when his strength returned, he could try the machine again....
The thought appalled him. The ashes of hate are worse than the ashes of love, he thought. He went to the stairs, climbed them, pressed the button. Nothing happened. He pushed the panel aside by hand and stepped into the kitchen. He circled the heavy table with the candlestick, went along the hall and out onto the porch. It was almost the dawn of a fresh spring day. There was no sign of the police. He looked at the grassy lawn, the row of new-set saplings.
Strange, he thought. I don't remember any saplings. I thought I drove in under a row of trees.... He squinted into the misty early morning gloom. His car was gone. That wasn't too surprising; the cops had impounded it, no doubt. He stepped down, glanced at the ground ahead. It was smooth, with a faint footpath cut through the grass. There was no mud, no sign of tire tracks—
The horizon seemed to spin suddenly. My God!! Tremaine thought I've left myself in the year 1901...!
He whirled, leaped up on the porch, slammed through the door and along the hall, scrambled through the still-open panel, bounded down the stairs and into the cave—
The Repellor was gone. Tremaine leaped forward with a cry—and under his eyes, the great mirror twinkled, winked out. The black box of the hyperwave receiver lay alone on the floor, beside the empty rocker. The light of the kerosene lamp reflected from the featureless wall.
Tremaine turned, stumbled up the steps, out into the air. The sun showed a crimson edge just peeping above distant hills.
1901, Tremaine thought. The century has just turned. Somewhere a young fellow named Ford is getting ready to put the nation on wheels, and two boys named Wright are about to give it wings. No one ever heard of a World War, or the roaring Twenties, or Prohibition, or FDR, or the Dust Bowl, or Pearl Harbor. And Hiroshima and Nagasaki are just two cities in distant floral Japan....
He walked down the path, stood by the rutted dirt road. Placid cows nuzzled damp grass in the meadow beyond it. In the distance a train hooted.
There are railroads, Tremaine thought. But no jet planes, no radio, no movies, no automatic dish-washers. But then there's no TV, either. That makes up for a lot. And there are no police waiting to grill me, and no murder charge, and no neurotic nest of bureaucrats waiting to welcome me back....
He drew a deep breath. The air was sweet. I'm here, he thought. I feel the breeze on my face and the firm sod underfoot. It's real, and it's all there is now, so I might as well take it calmly. After all, a man with my education ought to be able to do well in this day and age!
Whistling, Tremaine started the ten-mile walk into town.
The Girl in His Mind by Robert F. Young
THE GIRL IN HIS MIND
By ROBERT F. YOUNG
[Transcriber's Note: This etext was produced from
Worlds of Tomorrow April 1963
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Every man's mind is a universe with countless
places in which he can hide—even from himself!
The dance that the chocoletto girl was performing was an expurgated version of the kylee sex ritual which the Louave maidens of Dubhe 7 practiced on the eve of their betrothal. Expurgated or not, however, it was still on the lascivious side. The G-string that constituted the chocoletto girl's entire costume put her but one degree above the nakedness which the original dance demanded. Nathan Blake's voice was slightly thick when he summoned the waiter who was hovering in the shadows at the back of the room. "Is she free?" he asked.
"I do not know, mensakin. Perhaps."
Blake resumed watching. The girl's movements were a delicate blend of love and lust. Her face accompanied her body, eyes half-lidded one moment to match the languid motion of her limbs, wide and feral the next to match the furious bump and grind of her hips. For a chocoletto she was light-skinned—more bronze, really, than brown. But then, the word "chocoletto", coined by the early beche-la-mer traders, was misleading, and few of the natives of Dubhe 4's southern-most continent lived up to it completely.
She was beautiful too. Her high-cheekboned face was striking—the eyes dark-brown and wide-apart, the mouth sensuous, the teeth showing in a vivid white line between the half-parted purple lips. And her body was splendid. Blake had never seen anyone quite like her.
He beckoned to her when the dance was over and, after slipping into a white thigh-length tunic, she joined him at his table. She ordered Martian wine in a liquid voice, and sipped it with a finesse that belied her cannibalistic forebears. "You wish a night?" she asked.
Blake nodded. "If you are free."
"Three thousand quandoes."
He did not haggle, but counted out the amount and handed it to her. She slipped the bills into a thigh sheath-purse, told him her hut number and stood up to leave. "I will meet you there in an hour," she said.
Her hut was as good a place to wait for her as any. After buying a bottle of native whiskey at the bar, Blake went out into the Dubhe 4 night and made his way through the labyrinthine alleys of the native sector. In common with all chocoletto huts, Eldoria's was uncared for on the outside, and gave a false impression of poverty. He expected to find the usual hanger-on waiting in the anteroom, and looked forward to booting him out into the alley. Instead he found a young girl—
A human girl.
He paused in the doorway. The girl was sitting cross-legged on a small mat, a book open on her lap. Xenophon's Anabasis. Her hair made him think of the copper-colored sunrises of Norma 9 and her eyes reminded him of the blue tarns of Fornax 6. "Come in," she said.
After closing the door, he sat down opposite her on the guest mat. Behind her, a gaudy arras hid the hut's other room. "You are here to wait for Eldoria?" she asked.
Blake nodded. "And you?"
She laughed. "I am here because I live here," she said.
He tried to assimilate the information, but could not. Perceiving his difficulty, the girl went on, "My parents indentured themselves to the Great Starway Cartel and were assigned to the rubber plantations of Dubhe 4. They died of yellow-water dysentery before their indenture ran out, and in accordance with Interstellar Law I was auctioned off along with the rest of their possessions. Eldoria bought me."
Five years as a roving psycheye had hardened Blake to commercial colonization practices; nevertheless, he found the present example of man's inhumanity to man sickening.
"How old are you?" Blake asked.
"Fourteen."
"And what are you going to be when you grow up?"
"Probably I shall be a psychiatrist. Eldoria is sending me to the mission school now, and afterward she is going to put me through an institute of higher learning. And when I come of age, she is going to give me my freedom."
"I see," Blake said. He indicated the book on her lap. "Homework?"
She shook her head. "In addition to my courses at the mission school, I am studying the humanities."
"Xenophon," Blake said. "And I suppose Plato too."
"And Homer and Virgil and Aeschylus and Euripides and all the rest of them. When I grow up I shall be a most well-educated person."
"I'm sure you will be," Blake said, looking at the arras.
"My name is Deirdre."
"Nathan," Blake said. "Nathan Blake."
"Eldoria will be arriving soon. I must go and prepare her dais."
She got up, parted the arras, and slipped into the next room. Shame flamed in Blake's cheeks, and for a moment he considered leaving; then he remembered Eldoria's dance, and he went right on sitting where he was.
Presently the girl returned, and not long afterward the cloying scent of native incense crept beneath the arras and permeated the anteroom. She sat sideways on the mat this time, and he caught her face in profile. There was a suggestion of saintliness in the line of the nose and chin, a suggestion made all the more poignant by the slender column of the neck. He shifted uncomfortably on the guest mat. She had taken up the Anabasis again, and silence was pounding silent fists upon the walls.
He was relieved when Eldoria finally arrived. She ushered him into the next room immediately. It was slightly larger than the anteroom, and much more richly appointed. A thick carpet the color of Martian waterways lay upon the floor, contrasting pleasantly with the golden tapestries that adorned all four walls. The sleeping dais was oval and took up nearly half the floor space. It was strewn with scarlet cushions.
Blake sat down upon it. Nervously he watched Eldoria slip out of her white street robe, his eyes moving back and forth from her smooth dark skin to the arras. The incense thickened around him.
She noticed the back-and-forth movement of his eyes. "You need not fear the little one," she said, laying her hand upon his knee. "She will not enter."
"It's not that so much," Blake said.
"What?" The warm bronze shoulder was touching his....
He rose up once in the night, thinking to find his hotel bed. His next awakening was in the grayness of dawn, and he got up and dressed and moved silently to the doorway. The girl slept just without the arras on a thin sleeping-mat, and he had to step over her to gain the anteroom. In sleep, a strand of her copper-colored hair had tumbled down across her forehead and lay like a lovely flower upon the virginal whiteness of her skin. There was something saintly about her quiet face.
When he reached the alley he began to run, and he did not stop running till the chocoletto sector was far behind him.
The hill was a memory-image and Aldebaran 12 rain-country hills were notoriously steep. Blake was breathing hard when he reached the crest.
Before him lay a memory-image of a section of Deneb 1 wasteland. The image extended for no more than half a mile, but Blake was annoyed that he should have remembered even that much of the wretched terrain. Ideally, a man's mind-country should have been comprised only of the places and times he wanted to remember. Practically, however, that was far from being the case.
He glanced back down into the rain-pocked valley that he had just crossed. The rain and the mist made for poor visibility. He could only faintly distinguish the three figures of his pursuers. The trio seemed a little closer now.
Ever since he had first set foot into his mind, some ten hours ago, they had been on his trail, but for some reason he had been unable to bring himself to go back and find out who they were and what they wanted. Hence he was as vexed with himself as he was with them.
After resting for a few minutes, he descended the hill and started across the Deneb 1 wasteland. It was a remarkably detailed materialization, and his quarry's footprints stood out clearly in the duplicated sand.
Sabrina York did not even know the rudiments of the art of throwing off a mind-tracker. It would have done her but little good if she had, for twelve years as a psycheye had taught Blake all the tricks. Probably she had taken it for granted that the mere act of hiding out in her tracker's mind was in itself a sufficient guarantee of her safety. After all, she had no way of knowing that he had discovered her presence.
Mind-country was as temporally inconsecutive as it was topographically incongruous, so Blake was not surprised when the Deneb 1 wasteland gave way to an expanse of boyhood meadow. Near the meadow was the house where Blake had lived at a much later date. In reality, the places were as far apart in miles as they were in years, but here in the country of his mind they existed side by side, surrounded by heterogeneous landscapes from all over the civilized sector of the galaxy and by the sharply demarcated spectra of a hundred different suns. A few of the suns were in the patchwork sky—Sirius, for example, and its twinkling dwarf companion. Most of them, however, were present only in their remembered radiance. To add to the confusion, scattered night memories interrupted the hodge-podge horizon with columns of darkness, and here and there the gray column of a dawn or dusk memory showed.
The house was flanked on one side by a section of a New Earth spaceport and on the other by an excerpt of an Ex-earth city-block. Behind it flowed a brief blue stretch of Martian waterway.
Sabrina's footsteps led up to the front door, and the door itself was ajar. Perhaps she was still inside. Perhaps she was watching him even now through one of the remembered windows. He scanned them with a professional eye, but saw no sign of her.
Warily he stepped inside, adjusting the temperature of his all-weather jacket to the remembered air-conditioning. His father was sitting in the living room, smoking, and watching 3V. He had no awareness of Blake. At Blake's entry he went right on smoking and watching as though the door had neither opened nor closed. He would go right on smoking and watching till Blake died and the conglomeration of place-times that constituted Blake's mind-world ceased to be. Ironically, he was watching nothing. The 3V program that had been in progress at the time of the unconscious materialization had failed to come through.
The memory was a treasured one—the old man had perished in a 'copter crash several years ago—and for a long while Blake did not move. He had never been in his own mind before. Consequently he was more affected than he might otherwise have been. Finally, stirring himself, he walked out into the kitchen. On a shelf above the sink stood a gaily colored box of his mother's favorite detergent with a full-length drawing of Vera Velvetskin, the company's blond and chic visual symbol, on the front. His mother was standing before the huge automatic range, preparing a meal she had served twenty-three years ago. He regarded her with moist eyes. She had died a dozen years before his father, but the wound that her death had caused had never healed. He wanted to go up behind her and touch her shoulder and say, "What's for supper, mom?" but he knew it would do no good. For her he had no reality, not only because he was far in her future, but because in his mind-world she was a mortal and he, a god—a picayune god, perhaps, but a real one.
As he was about to turn away, the name-plate on the range caught his eye, and thinking that he had read the two words wrong, he stepped closer so that he could see them more clearly. No, he had made no mistake: the first word was "Sabrina", and the second was "York".
He stepped back. Odd that a kitchen range should have the same name as his quarry. But perhaps not unduly so. Giving appliances human names had been common practice for centuries. Even a name like "Sabrina York", while certainly not run-of-the-mill, was bound to be duplicated in real life. Nevertheless a feeling of uneasiness accompanied him when he left the kitchen and climbed the stairs to the second floor.
He went through each room systematically, but saw no sign of Sabrina York. He lingered for some time in his own room, wistfully watching his fifteen-year-old self lolling on the bed with a dog-eared copy of The Galaxy Boys and the Secret of the Crab Nebula, then he stepped back out into the hall and started to descend the stairs.
At the head of the stairs a narrow window looked out over the front yard and thence out over the meadow. He glanced absently through the panes, and came to an abrupt halt. His three pursuers were wading through the long meadow grass less than a quarter of a mile away—not close enough as yet for him to be able to make out their faces, but close enough for him to be able to see that two of them were wearing dresses and that the third had on a blue skirt and blouse, and a kepi to match. He gasped. It simply hadn't occurred to him that his pursuers might be women. To his consternation he discovered that he was even more loath to go back and accost them than he had been before. He actually had an impulse to flee.
He controlled it and descended the stairs with exaggerated slowness, leaving the house by way of the back door. He picked up Sabrina's trail in the back yard and followed it down to the Martian waterway and thence along the bank to where the waterway ended and a campus began. Not the campus of the university which he had visited two days ago to attend his protegee's graduation. It was not a place-time that he cared to revisit, nor a moment that he cared to relive, but Sabrina's trail led straight across the artificially stunted grass toward the little bench where he and Deirdre Eldoria had come to talk after the ceremony was over. He had no choice.
The bench stood beneath a towering American elm whose feathery branches traced green arabesques against the blue June sky. A set of footprints slightly deeper than its predecessors indicated that Sabrina had paused by the trunk. Despite himself Blake paused there too. Pain tightened his throat when he looked at Deirdre's delicate profile and copper-colored hair, intensified when he lowered his eyes to the remembered blueness of her graduation dress. The diamond brooch that he had given her as a graduation present, and which she had proudly pinned upon her bodice for the whole wide world to see, made him want to cry. His self-image of two weeks ago shocked him. There were lines on the face that did not as yet exist, and the brown hair was shot with streaks of gray that had yet to come into being. Lord, he must have been feeling old to have pictured himself like that!
Deirdre was speaking. "Yes," she was saying, "at nine o'clock. And I should very much like for you to come."
Blake Past shook his head. "Proms aren't for parents. You know that as well as I do. That young man you were talking with a few minutes ago—he's the one who should take you. He'd give his right arm for the chance."
"I'll thank you not to imply that you're my father. One would think from the way you talk that you are centuries old!"
"I'm thirty-eight," Blake Past said, "and while I may not be your father, I'm certainly old enough to be. That young man—"
A pink flush of anger climbed into Deirdre Eldoria's girlish cheeks. "What right has he got to take me! Did he scrimp and go without in order to put me through high school and college? Has he booked passage for me to New Earth and paid my tuition to Trevor University?"
"Please," Blake Past said, desperation deepening his voice. "You're only making everything worse. After majoring in Trevorism, you certainly ought to realize by now that there was nothing noble about my buying you after Eldoria died. I only did it to ease my conscience—"
"What do you know about conscience?" Deirdre demanded. "Conscience is a much more complex mechanism than most laymen realize. Guilt feelings aren't reliable criteria. They can stem from false causes—from ridiculous things like a person's inability to accept himself for what he is." Abruptly she dropped the subject. "Don't you realize, Nate," she went on a little desperately, "that I'm leaving tomorrow and that we won't see each other again for years and years?"
"I'll come to New Earth to visit you," Blake said. "Venus is only a few days distant on the new ships."
She stood up. "You won't come—I know you won't." She stamped her foot. "And you won't come to the prom either. I know that too. I knew it all along. Sometimes I'm tempted to—" Abruptly she broke off. "Very well then," she went on, "I'll say good-by now then."
Blake Past stood up too. "No, not yet. I'll walk back to the sorority house with you."
She tossed her head, but the sadness in her tarn-blue eyes belied her hauteur. "If you wish," she said.
Blake Present watched them set out side by side toward the remembered halls of learning that showed in the distance. There had been other people present on the campus that afternoon, but as they had failed to register on Blake Past's mind, they did not exist for Blake Present. All that existed for Blake Present were the diminishing figures of the girl and the man, and the pain that was constricting his throat.
Wretchedly he turned away. As he did so he saw the three shadows lying at his feet and knew that his pursuers had at last caught up to him.
His first reaction when he faced them was amazement. His next reaction was shock. His third was fear.
His amazement resulted from recognition. One of the three women arrayed before him was Miss Stoddart, his boyhood Sunday-school teacher. Standing next to her in a familiar blue uniform was Officer Finch, the police woman who had maintained law and order in the collective elementary school he had attended. Standing next to Officer Finch was blond and chic Vera Velvetskin, whose picture he had seen on box after countless box of his mother's favorite detergent.
His shock resulted from the expressions on the three faces. Neither Miss Stoddart nor Officer Finch ever particularly liked him, but they had never particularly disliked him either. This Miss Stoddart and this Officer Finch disliked him, though. They hated him. They hated him so much that their hatred had thinned out their faces and darkened their eyes. More shocking yet, Vera Velvetskin, who had never existed save in some copywriter's mind, hated him too. In fact, judging from the greater thinness of her face and the more pronounced darkness of her eyes, she hated him even more than Miss Stoddart and Officer Finch did.
His fear resulted from the realization that his mind-world contained phenomena it had no right to contain—not if he was nearly as well-adjusted as he considered himself to be. The three women standing before him definitely were not memory-images. They were too vivid, for one thing. For another, they were aware of him. What were they, then? And what were they doing in his mind?
He asked the two questions aloud.
Three arms were raised and three forefingers were pointed accusingly at his chest. Three pairs of eyes burned darkly. "You ask us that?" Miss Stoddart said. "Callous creature who did a maiden's innocence affront!" said Officer Finch. "And sought sanctuary in ill-fitting robes of righteousness!" said Vera Velvetskin. The three faces moved together, blurred and seemed to blend into one. The three voices were raised in unison: "You know who we are, Nathan Blake. You know who we are!"
Blake stared at them open-mouthed. Then he turned and fled.
It had taken man a long time to discover that he was a god in his own right and that he too was capable of creating universes. Trivial universes, to be sure, when compared with the grandeur and scope of the objective one, and peopled with ghosts instead of human beings; but universes nonetheless.
The discovery came about quite by accident. After projecting himself into a patient's memory one day, a psychologist named Trevor suddenly found himself clinging to the slope of a traumatically distorted mountain. His patient was beside him.
The mountain proved to be an unconscious memory-image out of the patient's boyhood, and its country proved to be the country of the patient's mind. After many trials and errors, Trevor managed to get both himself and his patient back to the objective world, and not long afterward he was able to duplicate the feat on another case.
The next logical step was to enter his own mind, and this he also succeeded in doing.
It was inevitable that Trevor should write a book about his discovery and set about founding a new school of psychology. It was equally inevitable that he should acquire enemies as well as disciples. However, as the years passed and the new therapy which he devised cured more and more psychoses, the ranks of his disciples swelled and those of his enemies shrank. When, shortly before his death, he published a paper explaining how anyone could enter his or her own mind-world at will, his niche in the Freudian hall of fame was assured.
The method employed an ability that had been evolving in the human mind for millennia—the ability to project oneself into a past moment—or, to use Trevor's term, a past "place-time." Considerable practice was required before the first transition could be achieved, but once it was achieved, successive transitions became progressively easier. Entering another person's mind-world was of course a more difficult undertaking, and could be achieved only after an intensive study of a certain moment in that person's past. In order to return to the objective world, it was necessary in both cases to locate the most recently materialized place-time and take one step beyond it.
By their very nature, mind-countries were confusing. They existed on a plane of reality that bore no apparent relationship to the plane of the so-called objective universe. In fact, so far as was known, this secondary—or subjective—reality was connected to so-called true reality only through the awareness of the various creators. In addition, these countries had no outward shape in the ordinary sense of the word, and while most countries contained certain parallel images, these images were subject to the interpretation of the individual creator. As a result they were seldom identical.
It was inevitable that sooner or later some criminal would hit upon the idea of hiding out in his own mind-world till the statute of limitations that applied to his particular crime ran out, and it was equally inevitable that others should follow suit. Society's answer was the psyche-police, and the psyche-police hadn't been in action very long before the first private psycheye appeared.
Blake was one of a long line of such operators.
So far as he knew, the present case represented the first time a criminal had ever hidden out in the pursuer's mind. It would have been a superb stratagem indeed if, shortly after her entry, Sabrina York had not betrayed her presence. For her point of entry she had used the place-time materialization of the little office Blake had opened on Ex-earth at the beginning of his career. Unaccountably she had ransacked it before moving into a co-terminous memory-image.
Even this action wouldn't have given her away, however, if the office hadn't constituted a sentimental memory. Whenever Blake accepted a case he invariably thought of the bleak and lonely little room with its thin-gauge steel desk and battered filing cabinets, and when he had done so after accepting his case—or was it before? He couldn't quite remember—the mental picture that had come into his mind had revealed open drawers, scattered papers and a general air of disarray.
He had suspected the truth immediately, and when he had seen the woman's handkerchief with the initials "SB" embroidered on it lying by one of the filing cabinets he had known definitely that his quarry was hiding out in his mind. Retiring to his bachelor quarters, he had entered at the same place-time and set off in pursuit.
Her only advantage lost, Sabrina York was now at his mercy. Unless she discovered his presence and was able to locate his most recently materialized place-time before he over-took her, her capture was assured.
Only two things bothered Blake. The little office was far in his past, and it was unlikely that anyone save the few intimate acquaintances whom he had told about it were aware that it had ever existed. How, then, had a total stranger such as Sabrina York learned enough about it to enable her to use it as a point of entry?
The other thing that bothered him was of a much more urgent nature. He had been in enough minds and he had read enough on the subject of Trevorism to know that people were sometimes capable of creating beings considerably higher on the scale of mind-country evolution than ordinary memory-ghosts. One woman whom he had apprehended in her own mind had created a walking-talking Virgin Mary who watched over her wherever she went. And once, after tracking down an ex-enlisted man, he had found his quarry holed up in the memory-image of an army barracks with a ten-star general waiting on him hand and foot. But these, and other, similar, cases, had to do with mal-adjusted people, and moreover, the super-image in each instance had been an image that the person involved had wanted to create. Therefore, even assuming that Blake was less well-adjusted than he considered himself to be, why had he created three such malevolent super-images as Miss Stoddart, Officer Finch, and Vera Velvetskin?
They followed him off the campus into a vicarious memory-image of Walden Pond, Thoreau's shack, and the encompassing woods. Judging from the ecstatic "oh's" and "ah's" they kept giving voice to, the place delighted them. Once, glancing back over his shoulder, he saw them standing in front of Thoreau's shack, looking at it as though it were a doll's house. Not far away, Thoreau was sitting in under a tall pine, gazing up into the branches at a bird that had come through only as a vague blur of beak and feathers.
Blake went on. Presently the Walden Pond memory-image gave way to a memory-image of an English park which the ex-Earth government had set aside as a memorial to the English poets and which had impressed Blake sufficiently when he had visited it in his youth to have found a place for itself in the country of his mind. It consisted of reconstructions of famous dwellings out of the lives of the poets, among them, a dwelling out of the life of a poet who was not in the strictest sense of the word English at all—the birthplace of Robert Burns. Oddly enough, it was Burns's birthplace that had impressed Blake most. Now the little cottage stood out in much more vivid detail than any of the other famous dwellings.
Sabrina York must have been attracted to the place, for her footprints showed that she had turned in at the gate, walked up the little path and let herself in the door.
They also showed that she had left by the same route, so there was no reason for Blake to linger. As a matter of fact, the fascination that had brought the place into being had been replaced by an illogical repugnance. But repugnance can sometimes be as compelling a force as fascination, and Blake not only lingered but went inside as well.
He remembered the living room distinctly—the flagstone floor, the huge grill-fronted hearth, the deeply recessed window, the rack of cups and platters on the wall; the empty straight-backed chair standing sternly in a corner, the bare wooden table—
He paused just within the doorway. The chair was no longer empty, the table no longer bare.
A man sat on the former and a bottle of wine stood on the latter. Moreover, the room showed signs of having been lived in for a long time. The floor was covered with tracked-in dirt and the walls were blackened from smoke. The grill-work of the hearth was begrimed with grease.
Whatever else he might be the man sitting at the table was not an image out of the past. He was too vividly real. He was around Blake's age, and about Blake's height and build. However, he was given to fat. His paunch contrasted jarringly with Blake's trim waist. His vaguely familiar face was swollen—probably from the wine he had drunk—and his too-full cheeks were well on the way to becoming jowls. His bloodshot eyes were underscored with shadows, and his clothing consisted of odds and ends out of Blake's past: a tattered, too-tight pullover with the letter "L" on the front, a pair of ragged red-plaid hunting breeches and a pair of cracked riding-boots.
Blake advanced across the room and picked up the bottle. One sniff told him that it came from a memory-image of a Martian wine-cellar. He set the bottle back down. "Who are you?" he demanded.
The man looked up at him sardonically. "Call me Smith," he said. "If I told you who I really am, you wouldn't believe me."
"What are you doing in my mind?"
"You should know the answer to that one. You put me here."
Blake stared "Why, I've never even seen you before!"
"Granted," Smith said. "But you used to know me. As a matter of fact, you and I used to get along together famously." He reached around and got a cup off the wall-rack. "Pull up a chair and have a drink. I've been expecting you."
Bewildered, Blake sat but shoved the cup aside. "I don't drink," he said.
"That's right," Smith said. "Stupid of me to forget." He took a swig out of the bottle, set it back down. "Let's see, it's been seven years now. Right?"
"How the devil did you know?"
Smith sighed. "Who should know better than I? Who indeed? But I guess I can't kick too much. You certainly materialized enough of the stuff in your—shall we say 'wilder'?—days." He shook his head. "No, I can't say I've suffered in that respect."
Comprehension came to Blake then. He had heard of the parasites who lived in other person's minds, but this was the first time he had ever happened to run across one. "Why, you're nothing but a mind-comber," he said. "I should have guessed!"
Smith looked hurt. "You do me a grave injustice, friend. A very grave injustice. And after my being so considerate of this cottage and using the back door and everything! The young lady who stopped by a little while ago was much more understanding than you are."
"You talked with her then?" Blake asked. He suppressed a shudder. For some reason it horrified him that his quarry should be aware that so despicable a creature inhabited his mind. "What—what does she look like?"
"You know what she looks like."
"But I don't. I took the case on such short notice that I didn't have a chance to get a picture or even a description of her."
Smith regarded him shrewdly. "What did she do?"
"She murdered her father," Blake said.
Smith guffawed. "I should have known it would be something like that. Ties in perfectly. By the way, what's her name?"
"Sabrina York—not that it's any of your business."
"Oh, but it is my business—as much my business as yours. As a matter of fact, I'm going to help you find her."
Blake stood up. "No, you're not," he said. "You're going to get out of my mind and you're going to stay out—"
He paused as a knock sounded on the door. Smith answered it, and a moment later Miss Stoddart, Officer Finch and Vera Velvetskin filed into the room and arrayed themselves before Blake. Again three arms were raised; again three forefingers were pointed accusingly at his chest. "Wretched creature!" said Miss Stoddart. "Consorting with so foul a fiend!" said Officer Finch. "And in so vile a den of iniquity!" said Vera Velvetskin.
For a while Smith just stood there staring at the three visitors. Then he turned toward Blake. "Well, I'll be damned!" he said. "You really do have an overactive conscience, don't you!" He faced the three women again. "Get off his back, you creeps! Can't you see he's got enough troubles without you dogging his footsteps?" He opened the door. "Out, all of you, before I throw you out!"
Three frightened looks settled on the three thin faces, but neither Miss Stoddart nor Officer Finch nor Vera Velvetskin made a move in the direction of the door till Smith advanced upon them with lowering countenance. Then they fairly scampered from the room. Officer Finch was the last in line, and Smith helped her along with the toe of one of Blake's cracked boots. The shriek she emitted coincided with the slamming of the door.
Smith leaned weakly against the door and began to laugh. "Shut up," Blake said, "and tell me who they are!"
Tears were rolling down Smith's blotchy cheeks. "You know who they are. You created them, didn't you? The skinny one is the one who told you about Moses in the bulrushes and the husky one is the one who saw to it that you didn't step out of line in school and the one with the nice shape is the one you associate with the immaculateness of your mother's kitchen sink. Spiritual virtue, civil virtue—and physical virtue!"
"But why did I create them?" Blake demanded. "And why are they following me around like a bunch of vindictive harpies?"
"There!" Smith said. "You almost had it. Not harpies, though—Furies. Erinyes. Tisiphone, Megaera, Alecto. You created them because you wanted to punish yourself. You created them because you can't accept yourself for what you are. You created them because even after putting me in exile you're still conscience-crazy, and they're following you around and bugging you because you want them to follow you around and bug you—because you want to be reminded of what a heel you think you are! You always were a Puritan in wolfs clothing, Blake."
The remark angered Blake to the extent that it dispelled his amazement. He shoved Smith away from the door and opened it. "All that may be," he said, "and maybe I did know you once upon a time. But don't let me find you here when I get back. Understand?" He paused in the doorway, frowning. "Tell me one more thing, though. Why Burns's birthplace? Why should a memory-image like this appeal to a mind-comber?"
Smith grinned. "Bobby Burns has always fascinated me—just as he has you. Or should I say 'us'?" The grin turned into a leer, and he picked up the bottle and waved it back and forth like a baton—
Furious, Blake strode down the path. Smith's taunting laughter sounding in his wake.
The three Erinyes were waiting for him at the gate, and fell in behind him when he turned down the lane. He lost Sabrina's trail in front of the farmhouse where Coleridge wrote Kubla Khan, picked it up again opposite the Mitre Tavern. Presently it veered right, passed between Milton's birthplace and Stratford-on-Avon, and entered a night-image. He was halfway down a dim-lit street, the Erinyes just behind him, before he realized where he was.
Disciplined trees stood at attention along two suburban strips of lawn. Beyond them, half-remembered houses showed. One of them stood out vividly—a round, modernesque affair surrounded by a quarter-acre of grass and shrubs and flowers. It was the house he had rented while Deirdre Eldoria was attending high school. It was a house he had hoped never to see again.
He was seeing it now, though, and he was going to see it at much closer quarters, for Sabrina's footprints led straight across the remembered lawn to the very doorstep. She had not gone in, however, he discovered presently; instead, she had forsaken the door for a concave picture window through which bright light streamed out onto the grass. The depth of a pair of her footprints showed that she had stood there for a long time, peeking into his past. Despite himself, Blake peeked too. So did the three Erinyes.
The room was a far cry from the one he had just left. The hearth was built of meticulously mortared red bricks. The thick rug was a two-dimensional garden of multicolored flowers. There were exquisite tables and flower-petal stools. There were deep chairs that begged to be sat in. A sybaritic sofa occupied an entire wall.
On the sofa sat a man and a girl. The man was himself at the age of thirty-four. The girl was Deirdre Eldoria at the age of seventeen.
Blake Past was helping her with her lessons. The moment was a composite of a hundred similar scenes. Now she raised her eyes from the book on her lap, and Blake Past caught her girlish profile ... and Blake Present, standing in the soft and scented darkness of the remembered spring night with the three Erinyes breathing down the back of his neck, caught it too, and both Blakes knew pain. Now she returned her attention to the book, and Blake Past leaned forward in order to read the passage that she was in doubt about. And as he did so, her copper-colored hair touched his cheek and the warm tingle of the contact traveled down through the years to Blake Present.
Overcome by the poignancy of the moment, he stepped back from the window, colliding with the three Erinyes as he did so. They moved a little distance away, arrayed themselves, and started to raise their right arms. "Oh, can it!" Blake said disgustedly. In the darkness behind him, someone laughed. "My love, she's but a lassie yet," Smith sang in a cracked baritone. "We'll let her stand a year or twa, she'll no be half sae saucy yet!"
Blake whirled, and flashed his light into the shadows. The light picked up Smith's retreating figure. "Get out of my mind!" Blake shouted. "Do you hear me? Get out of my mind!"
Laughter danced in the darkness, silence ensued. Turning back toward the window, Blake saw that Blake Past and Deirdre Yesterday were leaving the living room. He watched them come out the front door, walk around the corner of the house and start down a starlit garden path.
Forsaking Sabrina's trail, he followed them along the path, the Erinyes at his heels, and watched them sit down on a little white bench beside a rose-riotous trellis. As he watched, Blake Past broke one of the roses free and pinned it in Deirdre's cupreous hair.
Blake Present plunged away from the moment and picked up Sabrina's trail again. Why did I sit there beside her? he demanded silently of the remembered stars. Sit there beside her like her lover when the roses were in bloom? Father-protector—father-fool! I slept with her mistress, and I would have been her Naoise! Within earshot of her conched ear I lay with her black whore-mother, and when the satyr in me was replete I stepped over her thin child's body and ran away!
Behind him in the night, the Erinyes hissed and murmured to each other gloatingly.
Sabrina's trail had been erratic before. Now it became even more so. It approached this boundary and that, only to veer off in another direction. Sometimes it doubled back upon itself, and each time Blake was able to cut down on her lead. He should have been elated. Strangely, however, he was not. Instead, a feeling of uneasiness afflicted him, increasing as the distance between them shrank.
At length, after detouring around an impassable memory-image of deep space, the trail extended into what at first appeared to be a vast woodland park. It was not a park, though. It was a Dubhe 4 rubber plantation. Blake groaned. Did he have to relive this sequence too?
Apparently he did. Sabrina's footprints were deep and undeniable in the soft earth. They pointed unerringly in the remembered direction. Had she discovered that he was following her? Was she deliberately torturing him by making him back-track along a mental trail that he wanted desperately to avoid? It would certainly seem so.
He forced himself to move forward among the gray ghosts of trees. He crossed a shallow, scum-covered stream, leaping from rock to rock, and afterward climbed a hill. Hearing a loud splash behind him, he turned and looked back.
Miss Stoddart, in trying to cross the stream, had lost her balance and fallen in, and Officer Finch and Vera Velvetskin were trying to help her to her feet. As he watched, they too lost their balance and joined their companion in the greenish water. There followed a period of hysterical floundering, after which the trio waded dripping and bedraggled to the bank.
Blake would have laughed, had not the place-time oppressed him. Descending the opposite slope of the hill, he entered a wide valley. Presently he glimpsed the buildings of the Great Starway Cartel processing plant through the trees.
The overseer's bungalow was visible just to the left, and it was toward this latter structure that Sabrina's footprints pointed. The original clearing had swarmed with chocolettos. Blake's, however, did not. In his single-mindedness of six years ago he had had eyes for only two people—the overseer and Deirdre.
Stepping into the clearing, he saw the man now—the bearded bestial face, the long arms, the large and hairy hands—and he saw the fifteen-year old girl lying on the ground where the man had thrown her after she had slapped his face. After a moment he saw himself of six years ago step out of the grove of rubber trees and advance white-faced into the scene.
"No!" the girl lying on the ground cried. "He'll kill you!"
Blake Past ignored her. The overseer had drawn a knife. Now the knife flashed, and a streak of crimson appeared on Blake Past's arm. The knife flashed again, but this time it described a large arc and landed a dozen feet away. Now the overseer's throat was between Blake Past's hands, and the bearded face was changing colors. It grew green first, then blue. Blake Past shook the man several times before letting him slip to the ground. He dropped a handful of quandoe-notes on the heaving chest.
"That's what you paid for her," he said. He withdrew a paper from his breast pocket, unfolded it and held it before the gasping overseer's eyes. "Sign it," he said, handing it to him.
The overseer did so, lying on his side. Blake Past pocketed the paper and helped the girl to her feet. The tarn-blue eyes were wide in the thin child's face. "Eldoria died," she blurted. "They—"
Blake Past nodded. "I know. But they can't sell you any more. I own you now."
"I am glad," the girl said. "I knew from the first moment I saw you that you were noble. I shall like being your slave, and I will serve you very faithfully."
Blake Past looked away. Blake Present lowered his eyes. "Can you walk?" Blake Past asked.
"Oh, yes. I am very strong."
She took a step forward, swayed and would have fallen, had not Blake Past caught her. "I—I guess I am not quite as strong as I thought," she said. "But I shall recuperate swiftly. Why did you come back, mensakin Blake?"
"I came back to buy you from Eldoria," Blake Past said. He did not add that the memory of her saintly face as he had seen it when he stepped over her had lasted a whole year, or that his dreams of her had made a mockery of his sleep. "When I found out that Eldoria had died and that you had been sold again, I came directly here."
"You will not be sorry. I will make you an excellent slave."
"I didn't buy you for that reason. I bought you to give you your—"
"There is one request I would like to make, however," the girl interrupted. "I would like to take 'Eldoria' as my surname. She was very kind to me, and I would like to repay her in some way."
"Very well," Blake Past said. "'Deirdre Eldoria' it will be, then."
He picked her up and carried her into the grove. Blake Present watched them till they disappeared among the trees. He knew where Blake Past was taking her—had taken her. Back to the settlement, and from there to the spaceport, and thence to Ex-earth. Ex-earth and high school, then college—
She had never been his slave, though. He had been hers.
Sabrina's trail circled back into the grove and left the place-time by a different route. Immediately it became erratic again. It was evident to Blake that she was searching for a particular memory-image and that she was having trouble finding it. Perhaps she knew of some moment in his past where she would be safe even from him.
When he stepped into the little Dubhe 4 settlement he instinctively assumed that it was on the same chronological plane as the plantation place-time. However, the darkness that instantly enclosed him and the stars that sprang to life in the sky apprised him that such could not possibly be the case. This was the Dubhe 4 settlement of seven years ago. This was the night he had sat in the chocoletto cafe and watched Eldoria dance—the night he had kept a tryst with her in her hut; the night he had first seen Deirdre.
But why had Sabrina come here? Where in this wretched little memory-image did she expect to find sanctuary?
Suddenly he knew. Eldoria's hut. He would rather die than enter it again, and somehow Sabrina must have discovered his attitude. Probably even now she was within those four remembered walls, laughing at him.
Anger kindled in him. The effrontery of her! Daring to pre-empt a moment that belonged solely to him! He would enter the hut if it killed him. If he had to, he would tear down its walls and banish its memory forever from the country of his mind.
With the aid of his pocket torch, he found her footprints in the dust. He followed them down the street, the three Erinyes tagging doggedly along behind him. The trail, erratic no longer, led straight to the labyrinthine alleys of the native sector and thence along the shortest route to Eldoria's hut. For a person who had never been to Dubhe 4, Sabrina York certainly knew her way around.
Maybe, though, she had been to Dubhe 4. He knew very little about her. He knew nothing at all, in fact, save that she had murdered her father. He did not even know how she had murdered him, or why. Abruptly Blake shoved the matter from his mind. It wasn't his business to know how or why she had done the deed. It was his business to find and apprehend her.
Presently, in the darkness before him, he made out a motionless white-robed figure. He approached it warily, found to his consternation that it was frozen in the act of taking a step forward. He shone his light into the face. It was dark bronze in hue. The eyes were wide apart, and the teeth showed in a vivid white line between half-parted purple lips. Eldoria, on her way to keep her tryst with him....
But why didn't she move on? Suddenly Blake knew. In treating a patient, Trevorite psychologists sometimes froze certain place-times in his past in order to study them in greater detail. The girl in Blake's mind had either frozen the Dubhe 4 place-time herself, then, or had hired a professional to do the job.
Clearly she had something up her sleeve about which Blake knew nothing.
He went on, not quite so confidently now. He had proceeded less than a dozen steps when he saw the brooch. It was lying in the dust just to the left of one of Sabrina's footprints, and it threw back the light of the torch in glittering shards that hurt his eyes. Disbelievingly, he picked it up. The Erinyes clustered around him to see what he had found. They were still wet and dishelved and reeked of the piercing odor of decayed algae. They looked anything but happy.
Blake turned the brooch over in the palm of his hand. The inscription on the back leaped up and smote him right between the eyes, and he staggered and nearly fell. To Deirdre Eldoria, he read, from Nathan Blake.
He stood there numbly for a long while, not thinking—unable to think. Finally he slipped the brooch into his pocket and moved on.
He was trembling when he reached the door of Eldoria's hut. The footprints led straight up to the threshold and came to an end. Diffidently he touched the primitive knob, turned it and pushed the door open. He stepped inside and closed the door in the faces of the three Erinyes. The remembered anteroom seemed smaller and more sordid than the original, but he knew that it was really no different. He had remembered it accurately enough. It was he who was different, not the room.
Opposite the door, Deirdre Yesterday sat immobile before the arras. Equally immobile, Blake Past sat facing her. Deirdre Yesterday's lips were parted in the midst of uttering a soundless word. The Anabasis lay open on her lap.
Blake Present found it difficult to breathe. The difficulty stemmed from a physical as well as an emotional source. Someone was burning incense.
He wiped his forehead. Then, bracing himself, he walked over to the arras, parted it and stepped into the inner room.
The inner room was empty.
A small notebook lay upon the dais among the scattered scarlet cushions. Near it was a faint depression in the foamy coverlet. Blake picked up the notebook. The first page contained a hastily written message:
Nate dearest, I've lost my nerve, and by the time you read this I shall have run away. Please forgive me for disobeying you. I wanted desperately to fulfill your wishes by going to New Earth and attending Trevor University, and now I shall, because sitting here in this little room I have faced at last the very real possibility that you really do not love me. I had hoped that by entering your mind and leading you back through our moments together to the moment when we met and by freezing that moment and letting you find me in this room, you would be shocked into associating me with Eldoria rather than with the naive little girl sitting outside the arras—with sex, rather than with saintliness; that I could bring you to understand that the little-girl image you have of me is as unrealistic as the father-image you have of yourself. But the passing moments have made me realize that all this while I have been deluding myself with false hopes and that I am merely hopelessly in love with a man who does not regard me as a woman at all, who—
Here the message broke off as abruptly as it had begun. There was a mist before Blake's eyes, and he could not swallow. He bent down and felt the depression in the coverlet. It was still warm. There had been no footprints leading away from the hut, he remembered.
Straightening, he surveyed the golden tapestries that adorned the room's four walls. It was not at all difficult to pick out the one behind which she was standing. It was difficult, though, to go over and raise it. Her face was pale, and the khaki hiking suit she was wearing made it seem all the more so. She stepped out of her hiding place, and he let the tapestry fall into place behind her.
She would not meet his eyes. "In another moment I would have been gone," she said. "Oh, Nate, why did you come so soon!"
Suddenly the arras parted, and Smith stepped into the room. Without pausing, he advanced across the resilient carpet, shoved Blake aside and took Deirdre into his arms. He grasped her hair, pulled her head back and bent his evil face toward hers.
Outraged, Blake seized the man's shoulder, spun him around and struck him in the mouth. Instantly his own mouth went numb, and he tasted blood.
He knew who Smith was then.
Glancing into Deirdre's eyes, he saw that she knew too, and realized that she had known all along.
He had read of the personality-splits that sometimes occurred when there was an acute conflict between the Puritan and satyr, or the good and evil, components of the psyche. But never having previously run across a real-life example he had failed to tumble to the truth when he had entered Burns's birthplace cottage and seen Smith sitting at the table.
When such splits occurred, the stronger component took over completely and the weaker component was exiled to the country of the mind. In Blake's case, the Puritan component had been the stronger, and the satyr component the weaker. Hence the latter had had to go. Smith, therefore, was but another aspect of himself—a flesh-and-blood alter ego who was overplaying his role in an attempt to force Blake into a response that would make the two of them one again.
Knowing who Smith was supplied Blake with the answer to who Sabrina York was.
Unconsciously he had been aware all along of Smith's presence in the English park image. When he discovered that Deirdre had entered his mind he had been so utterly horrified over the prospect of her running into his depraved alter ego that he had unconsciously concealed her presence from himself by supplying her with a fictitious identity. She had deliberately ransacked the little office and left her handkerchief behind in the process in order to apprise him of her whereabouts and to induce him to follow her, but he had rejected the initials "D. E." on her handkerchief and substituted the initials of the first name that came into his mind—Sabrina York. Next he had needed a logical reason to go after her and bring her back. His profession had supplied part of it, and his father-complex had supplied the other.
In entering his mind instead of going to New Earth, Deirdre had disobeyed him and thus, after a fashion, had symbolically destroyed him. Hence "Sabrina York" had become the murderer of her father, and Blake had set out in pursuit of her in his capacity as a psycheye. Deirdre had been careful to leave a clear trail, and the reason she had dropped her brooch was to assure him that he was on the right track.
Smith was wiping his mouth and grinning at the same time. Now he advanced upon the girl again. Twenty years fell from Blake's shoulders as he shoved the man aside. The column of Deirdre's neck was strong and shapely. Her breasts were in full and virginal bloom. Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners? Hungrily Blake took her in his arms.
When, a long time later, he released her, Smith had disappeared.
The three Erinyes were standing forlornly in the street when Blake and Deirdre left the hut. The hatred had vanished from their faces and they were looking at each other as though they had just lost their last friend. Certainly they had lost their raison d'etre. Blake sighed. Having created them, he was responsible for their welfare. Now that they were unemployed it was up to him to do something about it.
Deirdre was regarding them with wide eyes. "Eumenides yet!" she gasped. "Oh, Nate, if you aren't the darndest!"
Blushing, Blake took her arm and beckoned to the Erinyes to follow him. He led the way cross-country to the Walden Pond image. Thoreau was still sitting under the tall pine, gazing raptly up at the blurred bird. The sunlight was warm and benign. Blake almost wished he could remain there himself. He had always been partial to Walden Pond.
He faced the three Erinyes.
He left them planning their new way of life.
Being human, he would probably have need of them again.