Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, March 3, 2016

Voyage to Far N'jurd by Kris Neville


VOYAGE TO FAR N'JURD

By KRIS NEVILLE

Illustrated by MACK

[Transcriber's Note: This etext was produced from
Galaxy Magazine April 1963.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


They would never live to see the trip's
end. So they made a few changes in their way
of life—and many in their way of death!


I

"I don't see why we have to be here," a crewman said. "He ain't liable to say anything."

"He shore better," the man in front of him said loudly.

"Be still," his wife said. "People's lookin' at ya."

"I don't care a smidgen," he said, "if en they ayre."

"Please," she said.

"Joanne Marie," he said, "you know that when I aims ta do somethin', I'm jest natcher'lly bound to do hit. An' iffen I aims ta talk...."

"Here comes the priest. Now, be still."

The man looked up. "So he do; an' I'll tell ya, hit shore is time he's a-gittin' hyere. I ain't got no all night fer ta sit."

The crewman to his left bent over and whispered, "I'll bet he's gonna tell us it's gonna be another postponement."

"Iffen he does, I'm jest a-gonna stand up an' yell right out that I ain't gonna stand fer hit no longer."

"Now, dear," said Joanne Marie, "the captain can hear ya, if you're gonna talk so loud."

"I hope he does; I jest hope he does. He's th' one that's a-keepin' us all from our Reward, an' I jest hope he does heyar me, so he'll know I'm a-gittin' mighty tyird uv waitin'."

"You tell 'im!" someone said from two rows behind him.


The captain, in the officer's section, sat very straight and tall. He was studiously ignoring the crew. This confined his field of vision to the left half of the recreation area. While the priest stood before the speaker's rostrum waiting for silence, the captain reached back with great dignity and scratched his right shoulder blade.

Nestir, the priest, was dressed out in the full ceremonial costume of office. His high, strapless boots glistened with polish. His fez perched jauntily on his shiny, shaven head. The baldness was symbolic of diligent mental application to abstruse points of doctrine. Cotian exentiati pablum re overum est: "Grass grows not in the middle of a busy thoroughfare." The baldness was the result of the diligent application of an effective depilatory. His blood-red cloak had been freshly cleaned for the occasion, and it rustled around him in silky sibilants.

"Men," he said. And then, more loudly, "Men!"

The hiss and sputter of conversation guttered away.

"Men," he said.

"The other evening," he said, "—Gelday it was, to be exact—one of the crew came to me with a complaint."

"Well, I'll be damned," Joanne Marie's husband said loudly.

Nestir cleared his throat. "It was about the Casting Off. That's why I called you all together today." He stared away, at a point over the head and to the rear of the audience.

"It puts me in mind of the parable of the six Vergios."

Joanne Marie's husband sighed deeply.

"Three, you will recall, were wise. When Prophet was at Meizque, they came to him and said, 'Prophet, we are afflicted. We have great sores upon our bodies.' The Prophet looked at them and did see that it was true. Then he blessed them and took out His knife and lay open their sores. For which the three wise Vergios were passing grateful. And within the last week, they were dead of infection. But three were foolish and hid their sores; and these three did live."

The captain rubbed his nose.

"Calex i pundendem hoy, my children. 'Secrecy makes for a long life,' as it says in the Jarcon." Nestir tugged behind him at his cloak.

"I want you all to remember that little story. I want you all to take it away from here with you and think about it, tonight, in the privacy of your cabins.

"And like the three wise Vergios who went to the Prophet, one of the crewmen came to me. He came to me, and he said: 'Father, I am weary of sailing.'

"Yes, he said, 'I am weary of sailing.'

"Now, don't you think I don't know that. Every one of you—every blessed one of you—is weary of sailing. I know that as well as I know my own name, yes.

"But because he came to me and said, 'Father, I am weary of sailing,' I went to the captain, and I said, 'Captain, the men are weary of sailing.'

"And then the captain said: 'All right, Father,' he said, 'I will set the day for the Festival of the Casting Off!'"


The little fellow was pleased by the rustle of approval from the audience. "God damn, hit's about time!" Joanne Marie's husband said.

Nestir cleared his throat again.

"Hummm. Uh. And the day is not very far distant," said Nestir.

"I knowed there was a catch to hit," Joanne Marie's husband said.

"I know you will have many questions; yes, I know you will have—ah, ah—well, many questions. You are thinking: 'What kind of a Festival can we have here on this ship?' You are thinking: 'What a fine thing—ah, what a good thing, that is—ah, how nice it would be to have the Casting Off at home, among friends.'"

Nestir waved his hands. "Well, I just want to tell you: I come from Koltah. And you know that Koltah never let any city state outdo her in a Festival, uh-huh.

"The arena in Koltah is the greatest arena in the whole system. We have as many as sixty thousand accepted applicants. All of them together in the arena is a—uh, uh, well—a sight to behold. People come from all over to behold it. I never will forget the Festival at which my father was accepted. He....

"Well, the point I want to make is this: I just wanted to tell you that I know what a Festival should be, and the captain and I will do everything in our power to make our Casting Off as wonderful as any anywhere.

"And I want to tell you that if you'll come to me with your suggestions, I'll do all I can to see that we do this thing just the way you want it done. I want you to be proud of this Casting Off Festival, so you can look back on it and say, uh, uh—this day was the real high point of your whole life!"

Everyone but Joanne Marie's husband cheered. He sat glumly muttering to himself.

Nestir bobbed his shiny head at them and beamed his cherubic smile. And noticed that there was a little blonde, one of the crewmen's wives, in the front row that had very cute ankles.

While they were still cheering and stomping and otherwise expressing their enthusiasm and approval, Nestir walked off the speaker's platform and into the officer's corridor. He wiped his forehead indecorously on the hem of his cloak and felt quite relieved that the announcement was over with and the public speaking done.


II

Dinner that evening was a gala occasion aboard the ship. The steward ordered the holiday feast prepared in celebration of Nestir's announcement. And, for the officers, he broke out of the special cellar the last case allotment for Crew One of the delicate Colta Barauche ('94). He ordered the messman to put a bottle of it to the right of each plate.

The captain came down from his stateroom after the meal had begun. He nodded curtly to the officers when he entered the mess hall, walked directly to his place at the head of the table, sat down and morosely began to work the cork out of his wine bottle with his teeth.

"You'll spoil the flavor, shaking it that way," the third mate cautioned. He was particularly fond of that year.

The captain twisted the bottle savagely, and the cork came free with a little pop. He removed the cork from between his teeth, placed it very carefully beside his fork, and poured himself a full glass of the wine.

"Very probably," he said sadly.

"I don't think hit'll do hit," the first mate said. "He hain't shook hard enough to matter."

The captain picked up the glass, brought it toward his lips—then, suddenly having thought of something, he put it back down and turned to Nestir.

"I say. Have you decided on this Carstar thing yet, Father?"

The little priest looked up. He laid his knife across the rim of his plate. "It has ramifications," he said.

When the third mate saw that his opinion on the wine was not immediately to be justified, he settled back in his chair with a little sigh of disapproval.

"Well, what do you think your decision will be, Father?" the steward asked.

Nestir picked up his knife and fork and cut off a piece of meat. "Hummmm," he said. "It's hard to say. The whole issue involves, as a core point, the principle of casta cum mae stotiti."

The first mate nodded sagely.

"The intent, of course, could actually be—ah—sub mailloux; and in that event, naturally, the decision would be even more difficult. I wish I could talk to higher authority about it; but of course I haven't the time. I'll have to decide something."


"He had a very pretty wife," the third mate said.

"Yes, very." Nestir agreed. "But as I was saying, if it could be proven that the culstem fell due to no negligence on his part, either consciously or subconsciously, then the obvious conclusion would be that no stigma would be attached." He speared his meat and chewed it thoughtfully.

"But it wasn't at all bloody," the wife of the second mate said. "I scarcely think he felt it at all. It happened too fast."

Nestir swallowed the mouthful of food and washed it down with a gulp of wine.

"The problem, my dear Helen," he said, "is one of intent. To raise the issue of concomitant agonies is to confuse the whole matter. For instance. Take Wilson, in my home state of Koltah. Certainly he died as miserable a death as anyone could desire."

"Yes," said the second mate's wife. "I remember that. I read about it in the newspapers."

"But it was a case of obvious intent," continued Nestir, "and therefore constituted a clear out attempt to avoid his duty by hastening to his Reward."

Upon hearing the word duty, the captain brightened.

"That," he said to Nestir, "my dear Father, is the cardinal point of the whole game, y'know." He scratched the back of his left hand. "Duty. And I must say, I think you're being quite short-sighted about the Casting Off date. After all, it's not only a question of how we go, but also a question of leaving only after having done our duty. And that's equally important."

"The Synod of Cathau—" Nestir began.

"Plague take it, Father! Really, now, I must say. The Synod of Cathau! Certainly you've misinterpreted that. Anticipation can be a joy, y'know: almost equal to the very Reward. Anticipation should spur man in duty. It's all noble and self sacrificing." He scratched the back of his right hand.

The second mate had been trying to get a word in edgewise for several minutes; he finally succeeded by utilizing the temporary silence following the captain's outburst.

"You don't need to worry about your Casting Off, Captain. You can leave that to me. I assure you, I have in mind a most ingenious method."


The captain was not visibly cheered; he was still brooding about the sad absence of a sense of duty on the part of Nestir. "I will welcome it," he said, "at the proper time, sir. And I certainly hope—" His eyes swept the table. "I certainly hope to be Cast Off by an officer. It would be very humiliating, y'know, to have a crew member do it."

"Oh, very," said the steward.

"I don't know," the second mate's wife said, "whether you better count on my husband or not. I have my own plans for him."

"This problem of Carstar interests me," the third mate said. "Did I ever tell you about my wife? She strangled our second baby."

"He was a very annoying child," his wife said.

"He probably wouldn't have lived, anyway," the third mate said. "Puny baby."

"That," said Nestir, "is not at all like the Carstar case. Not at all. Yours is a question of saliex y cuminzund."

The first mate nodded.

"It seems to me that the whole thing would depend on the intent of the strangler."

"Captain," the steward said, "you really must let me give you some of that salve."

"That's very kind of you, but I...."

"No bother at all," the steward said.

"As I see it," Nestir said, "if the intent was the natural maternal instinct of the mother to release her child from its duty, then...."

"Oh, not at all," the third mate's wife said. "I did it to make him stop crying."

"Well, in that case, I see no reason why he shouldn't get his Reward."

"I certainly hope so," the third mate said. "Jane worries about it all the time."

"I do not," Jane contradicted.

"Now, honey, you know you do so."

At that moment, he lost interest in his wife and leaned across the table toward the captain, "Well?" he asked.

The captain rolled the wine over his tongue. "You were right, of course."

The third mate turned triumphantly to the first mate. "There, I told you so."

The first mate shrugged. "I never do say nothin' right," he said. "I hain't got no luck. I've spent more years un all ya, carpenterin' up a duty log that's better un even th' captain's. An' hit's Martha an' me that gotta wait an' help th' next crew. Lord above knows how long time hit'll be afore we uns'll got ta have a Festival."

"Oh, really, now. Now. Duty, duty," the captain reprimanded him mildly.

"Duty! Duty! Duty! You all ur in a conspiracy. You all want me ta die uv old age."

"Nonsense," said the steward. "We don't want anything of the sort. After all, someone has to orient the new crew."

"Quite right," said the captain. "You ought to be proud."


The first mate slammed his napkin in the middle of his food and stalked out of the mess hall.

"Quite touchy today," Nestir observed.

"By the way," the third mate said. "Wanda gave me a petition to give to you, Father."

"Wanda?"

"Yes. She's sixteen, now."

"Wanda who?" the steward asked.

"Wanda Miller, the bosun's daughter."

"I know her," Helen said.

"She's the oldest child on the ship, and she wants you to sign her adult petition so she can be in the Festival, Father."

"She's so young...."

"Sixteen, Father."

"After all, one must have done some duty," the captain said.

"He wants you to sign it so he can take her in the Changing of the Wives," Jane said.

Nestir fidgeted uncomfortably. "Well, I'll look at her record," he said.

"It's an idea," the second mate said. "Otherwise, we'll be short one woman."

"There wouldn't be one short if he had brought a wife," the first mate's wife said, looking squarely at the captain.

"Now, Martha. I place duty above pleasure. You're just angry, y'know, because you have to stay with your husband."

"All right, so I am. But it's true. And if Carstar hadn't been killed, there would have been two short." She shot a wicked glance at Nestir. "Why don't you and him share a woman—"

"Martha!"

"Although the Prophet knows what woman in her right mind would consent to...."

"Well," said Nestir hesitantly.

"Listen," the third mate said, "the second's right. If you don't sign it, someone will have to do without a woman."

Nestir blushed. "I'll look it over very carefully, but you must realize that the priestcraft...."

"Actually, in a way, it would be her duty to, you see. Think of it like that: as her way to do her duty."

"She's too young for you, dear," Jane said to her husband.

"Oh, I don't know," the steward said. "Sometimes they're the best, I hear."


III

The third mate, whose name was Harry, stood before the mirror combing his hair. He had been combing his hair for the last fifteen minutes.

"I suppose the crew is celebrating?" his wife said.

"I suppose."

She stood up and walked over to the dresser. Absently she began to finger the articles on it.

"You really shouldn't have told them about little Glenn tonight."

"Pish-tush."

"No, Harry. I mean it. Helen looked at me strangely all through dinner. She has three children, you know."

"You're imagining things."

"But she does have three children."

"I mean about her looking at you."

"Oh."

Harry fiddled with his tie without speaking.

"I mean, as much as to say: 'Well, I raised all of mine.'"

"But honey, about little Glenn. That was an accident, almost. You didn't really mean to choke him that hard."

"But still ... it ... I mean, there was Helen, looking at me like I wasn't doing my duty. You know."

"No," he said. "That's nonsense, Jane. Sheer nonsense. You know what the priest said."

He polished one of his brass buttons with the sleeve of his coat.

"Harry?"

"Yes?"

"I don't think all that is necessary just to go on duty."

"Probably not."

She walked to the bed and sat down. "Harry?"

"Yes, dear?"

"Don't you really think she's awful young?"

"Huh-uh."

"I mean, why don't you pick someone else? Like Mary? She's awful sweet. I'll bet she'd be better."

"Probably."

"She's a lot of fun."

He brushed at his hair again. "Who do you want, Jane?"

"Oh, I don't know." She looked down at her legs, raised them up from the floor and held them out in front of her. "I think I'd kind of like Nestir. With his funny bald head. I hope he asks me."

"I'll mention it to him."

"Would you really, Harry? That would be sweet."

"Sure, honey." He looked down at his watch.

"Harry? Are you going to meet Wanda in the control room?"

"Uh-huh."

"I thought so. Well, remember this, dear: It isn't the day of the Changing of the Wives yet. Don't forget."

"Honey! You don't think for a minute that...."

"No, dear. I know you wouldn't. But just don't, I mean."


He walked over and kissed her forehead and patted her cheek. "Course not," he said, comfortingly.

He left her sitting on the bed and strolled down the officers' corridor, whistling.

He made a mental note to have the bosun send some of the crew in tomorrow to wash down these bulkheads. They needed it. In one corner a spider spun its silver web.

He jogged up the companionway, turned left and felt the air as fresh as spring when he stepped under the great ventilator.

And beneath it lay one of the crew.

He kicked the man several times in the ribs until he came to consciousness.

"Can't sleep here, my man," Harry explained.

"Awww. Go way an' le' me 'lone, huh?"

"Here. Here." He pulled the fellow erect and slapped him in the face briskly. "This is the officers' corridor."

"Oh? Ish it? Schorry. Shore schorry, shir. So schorry."

Harry assisted him to the crew's corridor where he sank to the floor and relapsed once more into a profound slumber.

Harry continued on to the control room.

When he entered it, the second mate was yawning.

"Hi, John. Sleepy?"

"Uh-huh. You're early."

"Don't mind, do you?"

"No ... Quiet tonight. Had to cut the motors an hour ago. Control technician passed out."

"Oh?"

The second mate took out a cigarette and lit it. "Can't blow the ship up, you know. Look like hell on the record. Hope the captain don't find out about it, though. He'll figure the man was neglecting his duty."

He blew a smoke ring.

"Might even bar him from the Festival."

"Yeah," said Harry, "the captain's funny that way."

The second mate blew another smoke ring.

"Well," Harry said.

"Uh. Harry? Are you really going to take that Wanda girl?"

"If Nestir lets me."

"Say. Harry. Do you suppose your wife would...?"


Harry crossed to the second mate and put a hand on his shoulder. "Sorry, old fellow. She's got it in her head to take Nestir." He shrugged. "I don't exactly approve, of course, but ... I'm sure if he doesn't want her, she'd be glad to hear your offer."

"Aw, that's all right," John said. "Don't really matter. Say. By the way. Have I told you what I intend to do to the captain? I've got it all thought out. You know that saber I picked up on Queglat? Well...."

"Look. How about telling me another time?"

"Uh, Sure. If you say so. Uh?"

"I'm kind of expecting Wanda."

"Oh. Sure. I should have known you weren't here early for nothing. In that case, I better be shoving off. Luck."

"Thanks. See you at breakfast."

"Right-o."

After the second mate left, Harry walked over to the control panel. The jet lights were dead. He picked up the intercom and switched over the engine call bell. "'Lo," he said into the microphone. "This is the bridge.... Oh, hi, Barney. Harry.... Have you got a sober control technician down there yet...? Fine. We'll start the jets again. If the captain comes in now—well, you know how he is.... Okay, thanks. Night."

He replaced the microphone. He reached over and threw the forward firing lever. The jet lights came on and the ship began to brake acceleration again.

Having done that, he switched on the space viewer. The steady buzz of the equipment warming sounded in his ears. Wanda would be sure to want to look at the stars. She was simple minded.

"Hello."

He swiveled around. "Oh, hello, Wanda, honey."

"Hello, Haireee. Are you glad little ol' me could come, huh?"

"Sure am."

"Me, too. Can I look at the—oh. It's already on."

"Uh-huh. Look. Wanda."

"Hum?"

"I talked to Nestir today."

"Goody. What did he say, huh? I can be an adult and get to play in the Festival, can I?"

"I don't know, yet. He's thinking about it. That's why I want to see you. He's going to check your record. And Wanda?"

"Them stars shore are purty."

"Wanda, listen to me."

"I'm a-listenin', Haireee."

"You're simply going to have to stop carrying that doll around with you if you want to be an adult."


In Nestir's cabin the next morning, the captain and the priest held a conference.

"No, Captain. I'm afraid I can't agree to that," Nestir said.

The captain said, "Oh, don't be unreasonable, Father. After all, this is a ship, y'know. And I am, after all, the captain."

Nestir shook his head. "The crew and the officers will participate together in the Festival. I will not put the officers' corridor off limits, and—Oh! Yes? Come in!"

The door opened. "Father?"

"Yes, my son? Come in."

"Thank you, Father. Good morning, Captain, sir."

"Sit down, my son. Now, Captain, as I was saying: no segregation. It's contrary to the spirit, if not the wording, of the Jarcon."

"But Father! A crewman! In the officers' corridor! Think!"

"Before the Prophet, we are all equal. I'm sorry, Captain. Now on Koltah, we practiced it with very good results, and...."

"I say, really—"

"Father?" said the crewman who had just entered.

"Yes, my son. In one moment. Now, Captain. As I have been explaining: The arena method has advantages. In Koltah we always used it. But here—due to the—ah—exigencies of deep space—I feel convinced that a departure from normal procedure is warranted. It is not without precedent. Such things were fairly common, in astoli tavoro, up until centralization, three hundred years before Allth. Indeed, in my home city—Koltah—in the year of the seventh plague, a most unusual expedient was adopted. It seems...."

"You're perfectly correct, of course," the captain said.

"That's just what I wanted to see you about, Father," the crewman said. "Now, in my city state of Ni, for the Festivals, we...."

"Shut up," said the captain softly.

"Yes, sir."

"Now, as I was saying, Captain, when the methods used in...."

"If you'll excuse me, Father, I really should return to duty," said the crewman.

"Quite all right, my son. Close the door after you."

"I must say, fellow, your sense of duty is commendable."

"Well, uh, thank you, sir. And thank you, Father, for your time."

"Quite all right, my son. That's what I'm here for. Come in as often as you like."

The crewman closed the door after him.


He had been gone only a moment, scarcely time for Nestir to get properly launched on his account, when Harry, the third mate, knocked on the door and was admitted.

"Oh? Good morning, Captain. I didn't know you were here." Then, to the priest: "I'll come back later, Father."

"Nonsense," said the captain. "Come in."

"Well, I had hoped to see the Father for a minute on ... private business."

"I have to be toddling along," said the captain.

"But Captain! I haven't finished telling you about...."

"I'll just go down and get a cup of coffee," the captain said.

"I'll call you when I'm through," said Harry.

The captain left the room.

"It's about Wanda, Father," said the third mate.

The priest studied the table top. He rearranged some papers. "Ah, yes. The young girl."

"Well, I mean, it's not only about Wanda," said Harry. "You see, my wife, Jane, that is...."

"Yes?" said the priest. He took his pen out of the holder.

"I think, with the proper ... ah ... you know. What I mean is, I think she might look with favor on you in the Changing of the Wives, if I said a few well chosen words in your behalf."

"That is very flattering, my son." He returned the pen to the holder. "Such bounty, as it says in the Jarcon, is cull tensio."

"And with your permission, Father...."

"Ah...."

"She's a very pretty woman."

"Ah.... Quite so."

"Well, about Wanda. I really shouldn't mention this. But Father, if we are short one woman...."

"Hummmm."

"I mean, the girls might think a man gets rusty."

"I see what you mean." Nestir blinked his eyes. "It wouldn't be fair, all things considered."

He stood up.

"I may tell you, my son, that, in thinking this matter over last night, I decided that Wanda—ah—Miller, yes, has had sufficient duty to merit participation in the Festival."

"Justice is a priestly virtue," Harry said.

"And you really think your wife would...?"

"Oh, yes, Father."

"Well, ahem. But...."

"Yes, Father?"

"Ad dulce verboten."

"Uh?"

"That is to say, in order for a woman to join in the ritual of the Changing of the Wives, she must, ahem, be married."

"I never thought of that," said the third mate disconsolately.

"I think that can be arranged, however," said Nestir. "If you go by the mess hall on your way out, please tell the captain we can continue our discussion at his pleasure."


IV

"Sit down, Captain," said Nestir, when the captain entered. "No. Over there, in the comfortable chair. There. Are you comfortable, Captain?"

"Of course I am."

"Good. I have a question to ask you, Captain."

"I say?"

Nestir rubbed his bald head. "Sir," he said by way of preamble, "I know you have the greatest sensibility in questions of duty."

"That's quite so, y'know. I pride myself upon it, if I do say so."

"Exactly. Argot y calpex. No sacrifice is too great."

"True; true."

"Well, then, say the first day of Wenslaus, that would be—ah, a Zentahday—I may depend upon you to wed Wanda Miller, the bosun's daughter, yes?"

"No," said the captain.

"Come now, sir. I realize she is the daughter of a crewman, but—"

"Father," said the captain, "did I ever tell you about the time I led an expeditionary force against Zelthalta?"

"I don't believe you have."

"Then I will tell you. Came about this way. I was given command of fifty-three thousand Barains. Savage devils. Uncivilized, but fine fighters. I was to march them ninety-seven miles across the desert that...."

"Captain! I fear I must be very severe with you. I will be forced to announce in the mess hall this evening that you have refused to do your duty when it was plainly and properly called to your attention."

"Very well, Father," the captain said after several minutes. "I will do it."

He was trembling slightly.


That morning was to be the time of the captain's wedding. He had insisted that it be done in privacy. For the ceremony, he refused to make the slightest change in his everyday uniform; nor would he consent to Nestir's suggestion that he carry a nosegay of hydroponic flowers. He had intended, after the ceremony, to go about his duty as if nothing out of the ordinary had happened; but after it was done with, the vast indignity of it came home to him even more poignantly than he had imagined it would.

Without a word, he left the priest's stateroom and walked slowly, ponderously, with great dignity, to his own.

It was a very fine stateroom. The finest, but for Nestir's, in the whole ship. The velvet and gold drapes (his single esthetic joy) were scented with exotic perfume. The carpet was an inch and a half thick.

He walked through his office without breaking his stride.

The bed was large and fluffy. An unbroken expanse of white coverlette jutting out from the far bulkhead. It looked as soft as feather down.

Without even a sigh, he threw himself upon the bed and lay very, very quiet. His left leg was suspended in the air, intersecting, at the thigh, the plane of the coverlet at forty-five degrees; the number of degrees remained stiffly, unrelaxingly forty-five.

Only after a long, long time did he roll over on his back and then it was merely to stare fixedly at the ceiling.

It is entirely possible that he would have lain there until Doomsday had not his introspection been, around noon, interrupted by an apologetic tap on the door.

"Come in," he whispered, hoping she would not hear him and go away.

But she heard him.

"Husband," Wanda said simply. She closed the door behind her and stood staring at him.

"Madam," he said, "I hope you will have the kindness not to refer to me by that indecent appelation a second time."

"Gee. You say the cutest things. I'm awful glad you had to marry me, huh."

The captain stood up, adjusted his coat and his shoulders, and walked across the room to the dressing table. He opened the left-hand drawer, removed a bottle, poured himself half a water-glass full and drank it off.

"Ah," he said.

He returned to the bed and sat down.

"Can'tcha even say hello ta little ol' me, huh?" she asked.

"Hello," he said. "Madam, sit down. I intend to give you an instructive lecture in the natural order of...."

"Huh?"

"Ah," he said. "Quite true, of course."

She walked over to the chair and sat down. "I don't like them," she said. "Them cloth things over there."

"Those, Madam," he said, "are priceless drapes I had imported from the province of San Xalthan. They have a long, strange history.

"About three thousand years ago, a family by the name of Soong was forced to flee from the city of Xan because the eldest son of the family had become involved in a conspiracy against the illustrious King Fod. As the Soong family was traveling...."

"I don't like 'em anyway," said Wanda.

"Madam," said the captain, "kindly bring me that."

"This?"

"Yes. Thank you."

He took the doll from her. He got up again, walked to the chest of drawers, searched around for a penknife. Finally he located it under a stack of socks.



He returned to the bed. Sitting on the edge, he began to rip the doll along the seams with the penknife. Very carefully he emptied the sawdust out upon the carpet, and with equal deliberation, he cut up the canvas covering into small patches. Within fifteen minutes, for he worked very slowly, the doll was completely destroyed.

He laid the penknife on the night stand by his bed. He took out a match and struck it across the bottom of his shoe; he bent over and ignited the remains of the doll.

"You'll burn yer rug," Wanda said.

"Yes," the captain said, "I will. Be so kind as to close the door when you leave."


V

The next day the captain appeared at mess.

The third mate said, "I want to thank you for what you done for me, Captain."

"Don't mention it," the captain said, bisecting a pilchard with his fork.

"It's nice Wanda gets to be in the Festival," Jane said. "It pleases my husband so."

"I'm very excited about it all," the steward said.

The first mate turned his egg over with his fork and peered suspiciously at the underside of it. "Hit's all right fur you uns ta feel excited. Martha an' me are still purty bitter."

"Yes," Martha said, "I don't see why the children couldn't take care of themselves."

"Who'd get the new crew out of ice?" John, the second mate, said.

"That," the first mate admitted, "is th' problem. Can'tcha even cook an aig?" he asked the steward.

"What's the matter with the egg?" the third mate asked.

"Hit hain't cooked right," the first mate insisted.

"Helen," the captain said, "may I see you after the meal?"

Helen looked demurely into her plate. "Certainly, captain. But if it's about the Changing of the Wives, I've already been asked for."

"And," John said proudly, "I'll bet she was one of the first ones asked."

"Nestir asked my wife almost a month ago," said Harry. "She was the very first."

"Well," the captain said, "that's what I had in mind." He turned to survey the table. His eyes lit upon Mary, the steward's wife.

She looked at him and shook her head. "John already asked me."

"Well," the captain said, "I must say, this is a very fine breakfast, steward. I dearly love pilchards for breakfast. Convey my compliments to the cook."

"Yes, sir."


"Captain," said Nestir, "I was telling the men ... just before you came ... in about the great pageant of Koltah in the year of '93. At the time, in a special celebration—annum mirabelei—we decided to observe the ancient customs of Meizque. The customs are of some interest, and I thought we might apply several of them to our own Festival."

"Whatever you wish," said the captain tiredly, stirring his coffee.

Before Nestir could resume his account, John interrupted. "I want to mention this again. I have a very special treatment for you, Captain. You should be encouraged by that. No one will ever have a better Casting Off than you."

"Thank you," said the captain. "I shall look forward to it." He laid down his spoon. "Oh, Anne. May I see you?"

"I'm sorry," said the wife of Barney, the engineer. "Really and truly I am, but I've already been asked, too."

"Oh," said the captain.

He looked over at the last officer's wife, Leota. But he quickly looked away.

"Well," he said, "this is a fine breakfast we have this morning steward."

"Thank you, sir. I'll tell the cook."

Jane said, in order to stave off the encroaching silence, "Nestir, how old are you?"

"Going on forty—Jane."

"The prime of life," the steward said.

"Ah," the captain said thoughtfully. "Leota...."

She looked up and soundlessly her mouth formed the words, "Too late."

The captain dropped the spoon to his plate.

Silence fell. It grew prolonged and uncomfortable. Finally the first mate said, "Hit hain't the right way to cook aigs, damn hit."

The captain said, "Father, I say. All the officers' wives have been asked."

"Yes," said Nestir. "They have, haven't they?"

"Do you suppose it would be all right if I just...."

"You know the rules," Nestir said sternly.

"That's what I was afraid you'd say," said the captain. He looked up at the ceiling; his face was placid. He reached up with his right hand and began to scratch his chin. He scratched his chin for a long time, scarcely breathing.

The officers and their wives were silent, waiting for him to speak.


"I believe I'll have another cup of coffee," he said at last.

"Yes, sir," said the steward, snapping his fingers for the waiter.

Martha said: "You should have asked earlier."

"I know," the captain said. "Father, I really don't see why I have to Change Wives."

"But Harry will have yours that day. And you know the rules."

"There are a lot of good-looking women in the crew," the steward said.

"Quite a number," said the captain.

He arose from the table and steadied himself a moment. "Never mind the coffee," he said. "I shouldn't drink over one cup for breakfast. I believe it aggravates my scrofula."

He turned, and walked out of the mess hall.

He walked very straight and tall. He walked down the crew's corridor toward their quarters.

Shortly he saw a woman coming out of one of the cabins.

"Madam," he said.

She came over to him. "Yes, sir?"

"Madam," he said, "Madam, I...."

"Would ja like to have a drink of water? It's right down this way, an' then ya turn ta the left."

"No ... uh. I.... Madam, would you honor me by becoming my partner for the night of the Changing of the Wives?"

She balanced on the balls of her feet and looked up at him. "Yur th' captain, ain'tcha?"

"Yes," he said. "I am."

"Sure, I'll do hit," she said. "I'd be mighty proud ta."

The captain turned away and then turned back. "Madam," he said, "what is your name?"

"Joanne Marie. Jest ask for me. Everybody down here knows me."

"Joanne Marie, Joanne Marie," he repeated under his breath. He shuddered and turned to go.


VI

The day of the Changing of the Wives came to the ship. It was a very important ritualistic day, held, always, three weeks and one day before the Festival of the Casting Off.

The morning of the day, Nestir spoke to the assembled complement. He explained its symbolic importance: he explained its historic development; he delivered, in cretia ultimatum est, an exegesis on the Jarcon. And then he took off the cloak of priestcraft and cast it to the floor. "For I am," he said, "Ah, a man as you are men."

Then, being no longer empowered to pronounce a benediction (under normal conditions, the function of a younger priest), he left the cheering members of Flight Seventeen A and sped directly to his stateroom.

The afternoon passed uneventfully. The complement of the ship moved about their routine chores tingling in anticipation of the evening.

At the evening meal, a new seating arrangement was instituted at the insistence of the steward and the third mate. The newly formed couples were to sit side by side.

To accomplish this, it was necessary to set two extra plates in the officers' mess. One, for Wanda, next to the third mate; and one, for Joanne Marie, beside the captain.

"Please pass the meat," the third mate said.

Nestir handed it across to him.

"Thank you, Father."

"Today, in culpa res, I no longer have that honor," Nestir reminded him. "The blood-red cloak of priestcraft will never again touch my shoulders this side of the Reward."

"I'd be a little sad," said the steward.

"Oh, I don't know," the third mate said.

"It probably all depends," Helen, the wife of the second mate, agreed.

"Hit's a far, far better thing I do," the first mate said sonorously. He was a little drunk.

The captain speared one pea and ate it. "I envy you," he said, looking over at Joanne Marie.

Wanda Miller, who had already upset her glass of water in the third mate's lap, said, "Pass the biscuits, hey.... You uns have better'n we do."

"No," said the steward, "not at all, my dear. We eat the same as the crew."

"Yes; precisely so," the third mate said.

"Except ours is fixed up a little differently," said Jane.

"An' our cook can't fry an aig," the first mate said.

"I wouldn't say that," said the captain.

"Shucks," Joanne Marie said, "anybody can fry an aig."

"On the contrary, Madam. I recall once, when I was a political adviser for the Kong regime...."

"Do you mean mea-Kong?" the steward asked.

"No, that was in Koltah."

"Yes," Nestir said. "I am very familiar with them. They...."

"That's not the one I meant," the captain snapped.

Nestir leaped to his feet. "Well!" he said loudly. "I'm through eating."

"Oh, come now, old man. There's no hurry, really, y'know," the captain insisted gently.

"Ain't there?" Joanne Marie asked. "Gee. I can see you sure ain't like my husband. I mean my ex." She giggled.

"Well, I guess I'm finished, too," Jane said. "Well. Good night, Harry."

"Good night, dear."


In the mess hall, the lights were out. The figure of the captain loomed like a stark obelisk in the gloom.

"Captain, sir, we uns uv been sittin' here at this table fur hours an' hours. I'm gettin' purty tired us sittin'."

"It's not long until the Festival," he said.

"When the mess boy cleared away all them dishes, I thought shore you'd leave, then."

"Oh, no," said the captain. "This is very exciting."

"It ain't, the way I see it," Joanne Marie said.

"Different perspective, Madam. Doubtless you would not have considered it very exciting either, the time I ran a wagon train from Tamask-Cha. You see, the material was to be delivered on a mining contract. Madam, I can assure you it was hot. The only road was a narrow line across the Ubiq desert. And late the first evening...."

"I can see it warn't very exciting," Joanne Marie said.

Silence returned.

"I am getting sleepy," the captain said at length.

"Oh, I'm usually awake this late. Shucks, I'm used to it. Sometimes I jest get ta sleep when it's time ta get up. But I do wish we'd go to bed."

"Madam, your language!"

"All I said was...."

"I know; I know," the captain said. "Madam, come to my stateroom. You may sleep on the sofa."

"Weeeel," Joanne Marie said, "I ain't a-sayin' that. I know my rights."

"Let us not be difficult. I am certain, when I explain to you in a logical fashion the obvious impossibility of—of—"

"You got no wife?"

"No," he said.

"Yeah. I thought not. That sure is swell."

"Madam. Perhaps I can say it this way. I have certain perturbations, but I can assure you, whatever you attempt my aim is inflexible. For me, the Captain, to—ah—consort with a crew woman is preposterous."

"Is that what you call it? Now that's a funny word. My husband calls it—"

"Madam!"

Joanne Marie was cowed into silence. They walked directly to his stateroom.

Once inside, Joanne Marie said, "Now ya jest sit down, comfortable like. I got somethin' I want to tell ya."

"No," the captain said.

"I ain't even told ja yet."

"It won't matter," the captain said.

"My husband don't like me," she said.

He dropped his head into his hands and sighed deeply. Then he looked up, his face set in icy resignation.


VII

John, the second mate, awoke early the morning of the Festival.

"Helen, honey," he said. "Wake up."

She murmured sleepily.

"Come on, now, wake up."

She rolled over to her side of the bed.

"All right," he said. He reached out, fumbled for and found his cigarettes.

"You know what I'm going to do to the captain?" he asked. He lit a cigarette and lying on his back blew smoke rings at the ceiling.

"Yes," his wife said, "you told me."

"First, I'm going to take that saber I got on Queglat and scrape open his scrofula. Then, when he's bleeding nicely, all I have to do is pour a bottle of alcohol on him. Don't you think that will be nice?"

"Yes, dear."

"You know, I'm kinda sorry I went to all the trouble sharpening that saber. After all, it might be more painful if the saber was dull."

"Yes, dear."

"But then, on the other hand...."

"Dear, will you hand me a cigarette?"

"Sure."

He shook out a cigarette, lit it off his and handed it to her.

"So what do you think?"

"It doesn't matter, dear," she said.

"Oh, but it does matter," John insisted. "I think it's very important." He snubbed out his cigarette. "It's all the little details that one should take into account. Can't be too careful about something like that."

He rolled over on his back again. "I'm hungry," he said.

"I really thought they should have served breakfast," Helen said.

"Well, it wouldn't be right to leave all those dirty dishes for the second crew."

"I mean just sandwiches."

"Yes," he said, "they could have made up some sandwiches. I think, though, I'd settle for a cup of tea."

"I could brew you some on the hot plate."

"It's too much bother," John said. "Are you sure you wouldn't mind?"

"No. If you'll get up and put the water on."

"All right," he said.

He threw his legs over the side, fumbled with his feet for the house slippers, padded to the hot plate, put the water on, and came back to bed.

"We've still got an hour before the bell," he said.

"Are you going to shave?"

"I don't think so; not today," he said.

"By the way, honey; what's in that can over there?"

"Fuel oil," she said.

"What's it for?"

"You'd be surprised," she said.

After a while, the water began to sizzle against the sides of the pan.

"Time to get up," she said. She crawled over her husband, slipped into a robe, and proceeded to brew the tea.

"It's not much of a breakfast, John."

"Say," he said, "where's my bottle of alcohol for the captain."

"I set it over by the medicine cabinet, out of the way."

"I wonder if it'll be enough?" he mused.

"I hope so," she said. "Are you going to get up, or must I serve you this tea in bed? I will if you want me to."

"I'll get up," he said. He got up.

"Let's take it in the nook to drink," he said.

"Can't."

"Oh? Why not?"

"One of the legs is off the table."

"If you'd told me, I'd fixed it."

"Never mind," she said.


They each drank two cups of tea; and then each dressed for the Festival.

After that, they sat in silence, awaiting the bell to signal the start of the Festival.

"I'm going to hurry out," John said at length, "as soon as the bell rings, so I can stand outside the captain's door and get him when he comes out."

"That's not fair, John," she said. "You're supposed to wait for the second bell before you can even start to Cast anyone Off."

"I know," said John, "but this way, I'll be sure to get the captain."

"Well," she said, "I'm certainly glad you have that attitude."

He asked, after more silence, "What are you going to do?"

"I think I'll stay here for a little while," she said.

"Yes, that might—"

The bell rang soundingly throughout the ship.

"Time to go," John said. He grabbed his saber. "Where's the alcohol?"

"In there," she said.

He skidded into the bathroom, pocketed the alcohol, and started for the door.

"John!"

"Huh?"

"Aren't you even going to kiss me good-by?"

"Oh, sure. Forgot." He crossed to her, bent down and kissed her. She put her left arm around his neck. With her right hand, she located the table leg she had placed behind her pillow.

John drew away and half turned. "Good—"

She hit him in the left temple with the table leg. He went down like a poleaxed steer.

She laughed happily.


VIII

When the bell sounded for the people to separate, preparatory to the hunt proper, the captain got up and buckled on his huge infantry sword. He had spent most of the night sharpening it.

He had after long hours of considering, decided that there was only one honorable course left to him. He would defend himself.

For if he were the Sole Survivor of the hunt, he would be Cast Off properly by the first mate. Otherwise....

The possibility that it might be done by a crewman was staggeringly humiliating. He would salvage his honor from that final indignity at all costs.

Of course, if he were captured by an officer, it would be a different matter entirely; he would surrender and submit like the gentleman he was. But a crewman....

He took the sword out of the scabbard and rubbed his thumb along the side of it.

He swung it, and it whistled in the air crisply, pleasingly.

He grasped it firmly in his right hand and walked to the door. He threw open the door and jumped back and away.

But it was safe; there was no one outside.

He stepped into the corridor.

Empty.

He looked both ways. He listened.

Then he began to run, swiftly, silently, on his toes.

At the first intersection, he stopped and surveyed the crossing corridor.

To his left, almost at the far bend, he saw a crewman; however, the man was not looking in his direction, and the captain felt that he could be reasonably safe from detection if he crossed quickly enough. He sprinted across the open space.

On the other side, he stopped and waited. After several minutes of silence, he knew that he could safely continue.

He ran for a long distance.

Finally, safely down in the second level, he slowed to a walk. He was breathing heavily; it was very loud, and his footsteps echoed hollowly.

He was alone down there. He could tell that.

At the Jonson bend, he breathed a sigh of relief. Ahead was the empty corridor that led to the dead end, Forward. He could see down it, clear to the bulkhead. And as he knew it would be, it was devoid of life and movement.

He sat down to wait out the long day.

He scratched his chin.

He would have nothing to do until the closing bell. At which time he would be forced to go to the assembly area.

As would anyone else, according to the rules of the Festival as laid down by Nestir, who had not yet been sent to his Reward.

That would be a dangerous time. For then there would be no esthetic consideration. It would be a fight amongst all assembling for the final honor of Sole Survivor. One could expect no mercy: clean, quick sword stroke, no more. No suffering at all.

It was not a pleasant prospect. But to be the coveted Sole Survivor compensated for the risk.

The captain laid the sword across his lap and petted it.

He would fight. And no crew member need expect to be the man Cast Off by the first mate; that was to be the captain's fate.

The second bell called to the ship shrilly.

The hunt was on!


Martha and the first mate assembled the children in the large, comfortable hospital. The steward's department had fixed them all a lunch. The children were silent, for the angry brow of the first mate was a complete damper on their usual animal spirits. There was no holiday happiness.

The children moved around and fell into little, shifting groups. Several of them began to game at marbles, but the first mate broke it up before it degenerated into a fist fight.

"Well, there goes the hunting bell," Martha said.

"Yes," the mate said, "hit do, don't hit."

"I think they could have a regular nurse for this sort of thing," Martha said.

The mate grunted. "Humph. I shore hope they uns don't raise no ruckus. I've got me a splittin' haidache."

"Shhhh. Listen. I thought I heard someone scream."

"Yep," the mate said. "I was sure afraid uv hit; won't be able to heyar myself think all day long. I'm a-tellin' ya, Martha, if these young uns start a-actin' up, too, I'm jest a-gonna take a knife an' split this here haid open, Reward or no Reward."

"That's not a nice way to talk," Martha said.

"No, hit hain't. But I'm a-sayin' hit."

"I'll tell you what I'll do," Martha said. "I'll call all the children together and tell them nursery stories. That oughta keep them quiet. And you go over there and lay down where there won't be anyone to bother you."

"All right, Martha, an' I shore do thankee."

The first mate made his way to the farthest bed, sat down, took off his shoes, and stretched out on it. He reached up and felt his head tenderly.

"Children," Martha called. "Oh, children! I want you all to come over here."

Reluctantly, the children obeyed her.

"That's right," she said. "Now. You all sit down and make yourselves comfortable, and be still as mice so my husband can sleep, and I'll tell you stories. And then, after a while, we'll eat the nice lunch the steward fixed for us, and we'll all have the bestest time."

"I don't like you," one of the little boys said.

"Little boy," Martha said, "I don't like you, either."

"Oh," the little boy said.

"Now," Martha said, "I'm going to tell you the wonderful story about a very pretty Princess and a very pretty Prince: Once upon a time, there was a land called Zont. It sank long ago under the big, salty sea of Zub...."

"My name's Joey," the little boy said.

"Well, Joey," Martha said, "do you see that long, steel rod over there, where we hang clothing from?"

"Uh-huh."

"If you don't shut your little mouth, I'll hang you on it by your thumbs."

"Betcha ya won't," one of the little girls said.


"Once upon a time," Martha said, "there was this handsome Prince and pretty Princess. But the father of the Princess, King Exaltanta, was a heathen and did not believe in the Prophet. Now. When a true believer, kind King Farko, captured King Exaltanta's kingdom, the deposed king hid his daughter in the deepest dungeon.

"Now when the fair Prince, who was the son of King Farko, and whose name was William, heard of the Princess in the dungeon, he decided that he would rescue her and marry her. And after she had had one child by him, the two of them would travel to the Holy City of Meizque to participate in the Changing of the Wives and the Festival there.

"Well, it so happened that King Farko got a special dispensation from the Great Priest to send the members of Exaltanta's family to their Reward without their consent. As he prepared the ceremonies—they were to be very simple: for, after all, the royal household members weren't true believers, and would consequently need to spend a million years (at least) as Outcasts before entering into their Reward, anyhow—as he prepared the ceremonies...."

"But does everyone get a Reward? Even people who don't believe?" a little girl asked, wide eyed.

"Nearly everyone, my child. The Prophet was not a cruel man. Of course, people who try to Cast themselves Off never, never, never get a Reward. But others, everybody else, all get theirs. It's only a question of how long they have to wait. Sometimes, as when they're unbelievers, it may be a long, long, long time, but...."

"I know that," Joey said.

Martha looked up at him and sighed; she stood up. "Come with me, dear," she said.

At that moment, the door flew open with a loud bang.

The first mate, who had been asleep, sat bolt upright on the bed. "God damn hit!" he screamed. "My haid!"

"Oh," said a crew member, who was dragging a woman by the hair, "I'm terribly sorry. I didn't know you were in here. I just came in to Cast Mary Jane Off in privacy." He waved an odd-looking instrument at Martha by way of amplification.

"Hello, mummy," one of the smaller girls said to the woman.

"Oh, why, hello, honey. Are you having fun?"

"Oh, yes, mummy."

Mary Jane looked at the crewman. "Well, Bob," she said, "I guess we'll just have to go some place else."

"Well, git hout er come in, but shut that door! That noise out there is a-tearin' off my haid!"

The crewman called Bob dragged the woman called Mary Jane out of the room. She pulled the door closed behind her.

"Well, children," Martha said, "we ought to get back to my story. Now, King Farko, as you will remember, received a special dispensation...."


Nestir locked his door when the separation bell sounded.

Having done that, he proceeded to fix himself a meal. It was a simple one, consisting only of what material he had been able to steal from the steward's department the previous night.

As he ate, he reflected upon his course of action. It was, he could see, going to be difficult to justify at the Reward. But he had been a priest, and because of that he was reasonably well grounded in theological dialectics.

The Festival, of course, was a fine thing. But it had its weak points. Chief among them being that the Casting Off was left to inexperienced hands, and certainly, if there was ever a time when experience was required, then the Casting Off was that time. One should be Cast Off at leisure; suffering long and deliciously. A state hero, for instance, honored by being Cast Off by one of the King's Guards, certainly died the best death imaginable.

In the present case, although the death as Sole Survivor was to come at the hands of the first mate (who really lacked the training for such a position of trust), it would be the best Casting Off available. For the first mate could follow instructions, and Nestir had written the instructions.

Nestir intended to remain in the stateroom all day; the hunt would go merrily along without him.

When the assembly bell rang, he would still remain in his stateroom.

Then, late at night, he would leave. He would slip down to the first mate's stateroom and determine from him where the premature Sole Survivor slept. Then he would find him and Cast him Off in his sleep. And Nestir would be the actual Sole Survivor.

Nestir could justify his conduct by virtue of the little known theological clause: ego bestum alpha todas. A decision handed down by the High Court of the Prophet (Malin vs the Estate of Kattoa: T & C, '98) nearly a hundred years previously.

Nestir had, in his hip pocket, a small vial of slow-acting poison. He would drink it just before Casting the man Off. Then were he not handled the next day by the first mate, he would die the Outcast death, by his own hand.

He did not doubt his ability to convince Them at the Reward. It would be difficult, but it was not beyond his ability. Certainly, if no one took the opportunity of Casting him Off as he sat behind the locked door of his room, it wasn't Nestir's fault.

The bosun pushed the ventilator grill away and jumped out of the shaft even before it hit the carpet.

He landed catlike, his knees bending springily to absorb the shock. He landed directly behind Nestir and pushed the little man against the wall.

Nestir struggled out of the wreckage of the chair.

"How ... why ... why...?" he said.

"Ah-ha," the bosun said. "Fooled ja, didn't I?"

The bosun was carrying a thin rapier.

"Let's discuss this," Nestir said. "One must go about these things slowly."

"Sorry," the bosun said.

"My God," said Nestir, "you can't Cast me Off just like that: without any suffering!"

"Sorry," the bosun said. "Don't have all day. Spend all day with you, and then what? The more people I can Cast Off before the assembly bell, the better chance I'll have to be the Sole Survivor."

"Have you no compassion, man? Can you turn aside from the course of the gentle Prophet?"

"Sorry," the bosun said again, sincerely. "I can't stand here all day discussing it."

"Ah, me," said Nestir as the bosun drew back from the thrust, "who would have thought that I would be trapped by a religious fanatic?"

"Must look out for myself, you know," said the bosun.


IX

Helen said, "I thought maybe I hit you too hard."

"No," John said. "Fortunately not." He had just opened his eyes.

He was strapped tightly to the bed. "I appreciate what you're doing," he said. "I know you want to be sure I'm Cast Off right. But honey, do you think it was fair to jump the bell on me like that?"

"Well," she said, "that's what you intended to do to the captain."

He grinned ruefully. "Darn it. I did look forward to Casting him Off."

"Oh, well," his wife said, "I guess we can't have everything."

"True, my dear," said John. "It was very thoughtful of you."

"I wanted to be sure that my husband had the best."

"I know you did."

"Well," she said. "I guess I may as well begin."

"Yes," he said.

"Have you any suggestions, honey?"

"No," he said. "I'll leave it all up to you."

"All right." She walked to the dresser and picked up a pair of pliers. She crossed to him.

She had already removed his shoes while he was unconscious.

"I think," she said, "I'll take the big toe first."

"Whatever you like, my dear."

After a moment, she said, "My, I didn't know it was going to be so hard to pull a few little old toenails."

After she had finished with his left foot, she poured alcohol over it.

Then she had to wait for him to regain consciousness.

"Honey?" she asked.

"Yes?"

"You didn't scream very much."

"That's all right," he said. "You're doing fine."

"All right," she said. "If you're satisfied. I guess I may as well start on the other foot.... Oh, John?"

"Yes, dear?"

"Would you like for me to fix you a cup of tea before we go on?"

"I don't think so. But it's a nice thought."

"Honey?"

"Yes?"

"You asked what that fuel oil was for, remember?"

"Yes."

"Well, when I finish this," she said, "I'm going to pour it over you and light it."

"Helen," he said, "I married one of the ... cleverest ... women ... in the ... system."

"There," she said, "I thought I'd never get that one."


The captain got very cramped, sitting there. It was late. He expected it was about time for the assembly bell to ring.

He stood up.

No one had come down his corridor all day, and he felt very pleased with his acumen in selecting it.

There wasn't nearly as much noise as there had been earlier; people were thinning out. He hoped there wouldn't be many left in the fight for the assembly.

He heard, interrupting his reverie, a thin, shrill shriek, drifting down the corridor from his left. Then, looking, he saw a crewman running toward him.

He tightened his grip on his infantry sword.

Then he relaxed. It was all right.

The man had no arms.

The crewman came to a stop in front of him.

"Oh? Captain. Good afternoon, sir."

"Good afternoon. Careful there. You'll get blood on my uniform."

"Sorry, sir."

"How are things going, back there?"

"Pretty slow ... last ... couple hours."

"Getting pretty weak, eh?"

"Yes, sir. Mind if ... I ... sit down?"

"Not at all. Make yourself at home."

"Thank ... you, sir." He sat down. "My," he said, "I'm tired."

"Loss of blood, probably. Listen, old fellow. Do you think you've about quit suffering, now?"

"Oh, yes," the crewman said. "Scarcely feel ... a thing any more. Numb."

"Well, in that case, no sense in keeping you from your Reward."

"Not ... a bit."

The captain drew back his huge sword.

"See ... you ... around," the crewman said.

The sword whistled down.

The captain wiped the sword on the crewman's blouse. His legs were still stiff. He needed a little exercise. He began to walk toward the dead end of the corridor, keeping a weather eye behind him.

"... Bombs away!"

The crewman hurtled onto his shoulders from the steampipe above.

The captain fell flat, and his sword went skittering away, rattling loudly on the steel deck.

"Umph!" he said.

"Boy!" the crewman said, "I shore thought you'd never come back down here."

The captain was stunned. He could feel the crewman lashing his hands together behind him.

"What were you doing up there?" the captain said at length.

"I clumb up there when I a-hyeared ya a-comin' like a herd o' elephants. I thought ta come down here an' wait hit out 'til th' assembly bell."

"My intentions exactly," the captain said, testing his bonds. There was no escape from them. "Your voice sounds familiar."

"Yeah. Hit should. I'm Henderson, th' officers' messman."

"Lord give me strength," the captain said.

"Now, iffen you'll jest roll over on yer back, Captain."

"What for, my boy?"

"I kinda thought that first off I'd like ta pour this little bottle of hydrofluoric acid on ya."

"That's very clever," the captain said. Then he reconsidered. "For a crewman, that is."


X

The first mate looked over at the bosun.

"Uncomfortable?"

"Yes," the bosun said.

"Fine, I thought you'd be." He took out his penknife and began to whittle on a piece of wood.

After a while he said, "You haint mindin' me puttin' hit off this away?"

"No," the bosun said, "suit yourself."

The first mate sent a shaving skittering with his knife blade. "Shucks," he said, "there hain't really no hurry."

The bosun raised his head from his chest and shook the hair out of his face. "Not really, when you consider it," he said.

"Yep, that's right." The first mate began to work on the point of the stick; he sharpened it down to needle fineness, and then he carefully cut in the barb. "Hain't very strong wood; them barbs are cut against the grain, an' they're liable ta split off when I try ta pull 'em out."

"I hope not," the bosun said.

The first mate said, "Yep, I'm shore afraid they're a-gonna do jest that little trick."

"Look," said the bosun, "this hair's gettin' in my eyes. I wunder if you'd mind kinda snippin' it off?"

"Not a-tall," the first mate said.

He walked over to the bosun, grabbed a handful of hair and sawed it off with the penknife.

"That better?"

"It shore is. Thanks."

"Not a-tall."

The first mate threw down the stick on the table. "Really should uv cut that before."

"I suppose so," the bosun said.

"'Course I warn't hable to see what uz in th' priest's mind."

"No, that's true," the bosun agreed.

The first mate walked over and picked up the typewritten instructions.

"You're a-gonna get a fine Castin' Off," he said.

"I should," the bosun said. "It ain't everybody can be th' Sole Survivor."

"That's true," the first mate said. "Well," he said after a minute, "I jest guess I know them there instructions fine as anything. I suspect we may as well start, iffen hits agreeable ta you."

"I'm ready," the bosun said.

The first mate took his penknife and tested the edge with his thumb. "Shore is sharp," he said. "Ought ta be. I jest got done a-honin' hit."


He walked over to where the bosun was hanging.

"Well," he said. "No time like the present."

He raised the knife.



"Jest a minute," he said. "I think I'll get me some music on the radio. You don't mind?"

"No," said the bosun. "Not a bit."

The first mate walked to the hyperspace radio and flicked on the dial. After fiddling with it for some time, he picked up a symphony being broadcast from Kque. "There," he said, "that's th' kind uv music I shore do like ta hear."

The music welled out and filled the room with sound.

"Shore is purty," the bosun said.

The first mate walked back to him.

"Guess I'll start on your back," he said. He reached up and ripped the bosun's shirt off.

Then, when the back was laid bare, he made a very shallow cut running the length of the shoulders from armpit to armpit.

"Be kinda hard ta get started," he said.

He put the penknife in the incision and began to pry the skin loose. "Gonna take me a long time ta get a hand holt," he said. "Course onct I do, hit'll be as easy as skinnin' a skunk."

"Take yer time," the bosun said.

"Aim to."

The music turned quiet and sounded of the rippling brooks on far Corazon; it reflected the vast meadows of Nid and the giant, silver-capped mountains of Muri. A cello picked up the theme and ran it, in rich notes, over the whole surface of the dead world, Astolath. A whining oboe piped of the sweet winds from Zoltah; and the brass beat out the finny rhythm of the water world of Du.

"'Scuse me," the first mate said. He laid down the penknife and walked to the radio. With a flick of his wrist, he cut it off.

"What uz th' matter with hit?" the bosun asked.

"Didn't ja notice?" said the first mate. "Th' third fiddle was sour."

"Guess I wasn't listenin' close enough," said the bosun.

The first mate returned to his work. "May as well get on with it," he said.

He raised the penknife again.


Martha threw the door open. "Here!" she said. She swung Joey around in front of her by the left ear. "I'm going to have to leave him in here with you, where he won't get into trouble."

The first mate laid aside the penknife.

"Martha," he said, "I jest plain don't like kids."

"I'm sorry," she said, "But I just can't keep him with the rest of the children. I just can't."

"Whatud he do?" the bosun asked.

"Do? Let me tell you," Martha said. "First, he...."

"I didn't," Joey said.

"I haint got no all day ta listen ta ya, woman," the first mate said.

"Well. The worst of it was with little Jane. Do you know what he tried to do to her?"

"No, and I shore don't care," said the first mate testily.

"Well, first he got her down under the table; and then he sat on her; and if I hadn't stopped him, he would have pounded her brains out against the deck."

"My, my," said the bosun.

"That hain't a-tall nice."

"Grownups do it," Joey said.

"That's entirely different," the bosun said.

"No, it ain't. You just don't like me, that's all."

"Little Jane wasn't ready," Martha said. "She hasn't had a chance to do her duty."

"It don't matter," Joey said.

"Little boy," said the bosun, "do you know where people go who talk that way?"

"I don't care," Joey said.

"You see? I'll simply have to leave him in here with you."

"All right," the first mate agreed reluctantly. "Now, little boy," he said, "you hain't a-gonna bother me, hear? I'm very busy. You jest go over there and watch."

"Yes," said the bosun.

Martha said, "Well, I better get back to the other children."

She left and the first mate turned back to his job.

"What's he crying for?" Joey asked.

"'Cause it hurts," the first mate explained.

"You missed somethin' there in th' back," Joey said.

"Why did you try to choke that little girl?" the mate asked.

"'Cause I wanted to."

"Well," the first mate said, "that's why I left that little patch o' skin."

"Oh," said Joey.

He stood up and walked around the bosun.

"What're ya gonna do next?" he asked.

"Be still," said the bosun.

"I bet I know," Joey said. "I'll bet you're gonna take that little stick over there an' stick it in him."

"That shore ... is right," the bosun said proudly.

"Can I, huh?"

"No," the first mate said.

"Why not? All ya gotta do is...." He picked up the stick and lunged at the bosun.


The first mate tripped him and took the stick away from him.

"Let him alone," the bosun said to Joey. "He's doin' jest fine."

"Thankee," said the first mate.

Martha came back.

"Is he bothering you? We could put him in the ice with the new crew," she said.

"Fine," the first mate said.

"Oh, no," Joey said. "You gotta catch me first." He began to back away from Martha.

She took a step toward him.

He turned and started to run.

"Thought so," she said. She had been holding one hand behind her. It contained a plastic ash-tray. She caught him squarely between the ears with it, and he went down.

"Good heave, Martha!" the first mate said.

She walked over to Joey, picked him up and started to the door.

At the door she paused.

"What did you say you wanted for supper, Fontelroy?"

"Two aigs," he said.

What is Posat? by Phyllis Sterling Smith


What is POSAT?

By PHYLLIS STERLING SMITH

Illustrated by ED ALEXANDER

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction September 1951.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Of course coming events cast their shadows
before, but this shadow was 400 years long!


The following advertisement appeared in the July 1953 issue of several magazines:

MASTERY OF ALL KNOWLEDGE CAN BE YOURS!

What is the secret source of those profound
principles that can solve the problems of life?
Send for our FREE booklet of explanation.

Do not be a leaf in the wind! YOU
can alter the course of your life!

Tap the treasury of Wisdom through the ages!

The Perpetual Order of Seekers After Truth

POSAT

an ancient secret society

Most readers passed it by with scarcely a glance. It was, after all, similar to the many that had appeared through the years under the name of that same society. Other readers, as their eyes slid over the familiar format of the ad, speculated idly about the persistent and mildly mysterious organization behind it. A few even resolved to clip the attached coupon and send for the booklet—sometime—when a pen or pencil was nearer at hand.

Bill Evans, an unemployed pharmacist, saw the ad in a copy of Your Life and Psychology that had been abandoned on his seat in the bus. He filled out the blanks on the coupon with a scrap of stubby pencil. "You can alter the course of your life!" he read again. He particularly liked that thought, even though he had long since ceased to believe it. He actually took the trouble to mail the coupon. After all, he had, literally, nothing to lose, and nothing else to occupy his time.

Miss Elizabeth Arnable was one of the few to whom the advertisement was unfamiliar. As a matter of fact, she very seldom read a magazine. The radio in her room took the place of reading matter, and she always liked to think that it amused her cats as well as herself. Reading would be so selfish under the circumstances, wouldn't it? Not but what the cats weren't almost smart enough to read, she always said.

It just so happened, however, that she had bought a copy of the Antivivisectionist Gazette the day before. She pounced upon the POSAT ad as a trout might snap at a particularly attractive fly. Having filled out the coupon with violet ink, she invented an errand that would take her past the neighborhood post office so that she could post it as soon as possible.

Donald Alford, research physicist, came across the POSAT ad tucked at the bottom of a column in The Bulletin of Physical Research. He was engrossed in the latest paper by Dr. Crandon, a man whom he admired from the point of view of both a former student and a fellow research worker. Consequently, he was one of the many who passed over the POSAT ad with the disregard accorded to any common object.

He read with interest to the end of the article before he realized that some component of the advertisement had been noted by a region of his brain just beyond consciousness. It teased at him like a tickle that couldn't be scratched until he turned back to the page.

It was the symbol or emblem of POSAT, he realized, that had caught his attention. The perpendicularly crossed ellipses centered with a small black circle might almost be a conventionalized version of the Bohr atom of helium. He smiled with mild skepticism as he read through the printed matter that accompanied it.

"I wonder what their racket is," he mused. Then, because his typewriter was conveniently at hand, he carefully tore out the coupon and inserted it in the machine. The spacing of the typewriter didn't fit the dotted lines on the coupon, of course, but he didn't bother to correct it. He addressed an envelope, laid it with other mail to be posted, and promptly forgot all about it. Since he was a methodical man, it was entrusted to the U.S. mail early the next morning, together with his other letters.

Three identical forms accompanied the booklet which POSAT sent in response to the three inquiries. The booklet gave no more information than had the original advertisement, but with considerable more volubility. It promised the recipient the secrets of the Cosmos and the key that would unlock the hidden knowledge within himself—if he would merely fill out the enclosed form.

Bill Evans, the unemployed pharmacist, let the paper lie unanswered for several days. To be quite honest, he was disappointed. Although he had mentally disclaimed all belief in anything that POSAT might offer, he had watched the return mails with anticipation. His own resources were almost at an end, and he had reached the point where intervention by something supernatural, or at least superhuman, seemed the only hope.

He had hoped, unreasonably, that POSAT had an answer. But time lay heavily upon him, and he used it one evening to write the requested information—about his employment (ha!), his religious beliefs, his reason for inquiring about POSAT, his financial situation. Without quite knowing that he did so, he communicated in his terse answers some of his desperation and sense of futility.

Miss Arnable was delighted with the opportunity for autobiographical composition. It required five extra sheets of paper to convey all the information that she wished to give—all about her poor, dear father who had been a missionary to China, and the kinship that she felt toward the mystic cults of the East, her belief that her cats were reincarnations of her loved ones (which, she stated, derived from a religion of the Persians; or was it the Egyptians?) and in her complete and absolute acceptance of everything that POSAT had stated in their booklet. And what would the dues be? She wished to join immediately. Fortunately, dear father had left her in a comfortable financial situation.

To Donald Alford, the booklet seemed to confirm his suspicion that POSAT was a racket of some sort. Why else would they be interested in his employment or financial position? It also served to increase his curiosity.

"What do you suppose they're driving at?" he asked his wife Betty, handing her the booklet and questionnaire.

"I don't really know what to say," she answered, squinting a little as she usually did when puzzled. "I know one thing, though, and that's that you won't stop until you find out!"

"The scientific attitude," he acknowledged with a grin.

"Why don't you fill out this questionnaire incognito, though?" she suggested. "Pretend that we're wealthy and see if they try to get our money. Do they have anything yet except your name and address?"

Don was shocked. "If I send this back to them, it will have to be with correct answers!"

"The scientific attitude again," Betty sighed. "Don't you ever let your imagination run away with the facts a bit? What are you going to give for your reasons for asking about POSAT?"

"Curiosity," he replied, and, pulling his fountain pen from his vest pocket, he wrote exactly that, in small, neat script.

It was unfortunate for his curiosity that Don could not see the contents of the three envelopes that were mailed from the offices of POSAT the following week. For this time they differed.

Bill Evans was once again disappointed. The pamphlet that was enclosed gave what apparently meant to be final answers to life's problems. They were couched in vaguely metaphysical terms and offered absolutely no help to him.

His disappointment was tempered, however, by the knowledge that he had unexpectedly found a job. Or, rather, it had fallen into his lap. When he had thought that every avenue of employment had been tried, a position had been offered him in a wholesale pharmacy in the older industrial part of the city. It was not a particularly attractive place to work, located as it was next to a large warehouse, but to him it was hope for the future.

It amused him to discover that the offices of POSAT were located on the other side of the same warehouse, at the end of a blind alley. Blind alley indeed! He felt vaguely ashamed for having placed any confidence in them.

Miss Arnable was thrilled to discover that her envelope contained not only several pamphlets, (she scanned the titles rapidly and found that one of them concerned the sacred cats of ancient Egypt), but that it contained also a small pin with the symbol of POSAT wrought in gold and black enamel. The covering letter said that she had been accepted as an active member of POSAT and that the dues were five dollars per month; please remit by return mail. She wrote a check immediately, and settled contentedly into a chair to peruse the article on sacred cats.

After a while she began to read aloud so that her own cats could enjoy it, too.

Don Alford would not have been surprised if his envelope had shown contents similar to the ones that the others received. The folded sheets of paper that he pulled forth, however, made him stiffen with sharp surprise.



"Come here a minute, Betty," he called, spreading them out carefully on the dining room table. "What do you make of these?"

She came, dish cloth in hand, and thoughtfully examined them, one by one. "Multiple choice questions! It looks like a psychological test of some sort."

"This isn't the kind of thing I expected them to send me," worried Don. "Look at the type of thing they ask. 'If you had discovered a new and virulent poison that could be compounded from common household ingredients, would you (1) publish the information in a daily newspaper, (2) manufacture it secretly and sell it as rodent exterminator, (3) give the information to the armed forces for use as a secret weapon, or (4) withhold the information entirely as too dangerous to be passed on?'"

"Could they be a spy ring?" asked Betty. "Subversive agents? Anxious to find out your scientific secrets like that classified stuff that you're so careful of when you bring it home from the lab?"

Don scanned the papers quickly. "There's nothing here that looks like an attempt to get information. Besides, I've told them nothing about my work except that I do research in physics. They don't even know what company I work for. If this is a psychological test, it measures attitudes, nothing else. Why should they want to know my attitudes?"

"Do you suppose that POSAT is really what it claims to be—a secret society—and that they actually screen their applicants?"

He smiled wryly. "Wouldn't it be interesting if I didn't make the grade after starting out to expose their racket?"

He pulled out his pen and sat down to the task of resolving the dilemmas before him.

His next communication from POSAT came to his business address and, paradoxically, was more personal than its forerunners.

Dear Doctor Alford:

We have examined with interest the information that you have sent to us. We are happy to inform you that, thus far, you have satisfied the requirements for membership in the Perpetual Order of Seekers After Truth. Before accepting new members into this ancient and honorable secret society, we find it desirable that they have a personal interview with the Grand Chairman of POSAT.

Accordingly, you are cordially invited to an audience with our Grand Chairman on Tuesday, July 10, at 2:30 P.M. Please let us know if this arrangement is acceptable to you. If not, we will attempt to make another appointment for you.

The time specified for the appointment was hardly a convenient one for Don. At 2:30 P.M. on most Tuesdays, he would be at work in the laboratory. And while his employers made no complaint if he took his research problems home with him and worried over them half the night, they were not equally enthusiastic when he used working hours for pursuing unrelated interests. Moreover, the headquarters of POSAT was in a town almost a hundred miles distant. Could he afford to take a whole day off for chasing will-o-wisps?

It hardly seemed worth the trouble. He wondered if Betty would be disappointed if he dropped the whole matter. Since the letter had been sent to the laboratory instead of his home, he couldn't consult her about it without telephoning.

Since the letter had been sent to the laboratory instead of his home! But it was impossible!

He searched feverishly through his pile of daily mail for the envelope in which the letter had come. The address stared up at him, unmistakably and fearfully legible. The name of his company. The number of the room he worked in. In short, the address that he had never given them!

"Get hold of yourself," he commanded his frightened mind. "There's some perfectly logical, easy explanation for this. They looked it up in the directory of the Institute of Physics. Or in the alumni directory of the university. Or—or—"

But the more he thought about it, the more sinister it seemed. His laboratory address was available, but why should POSAT take the trouble of looking it up? Some prudent impulse had led him to withhold that particular bit of information, yet now, for some reason of their own, POSAT had unearthed the information.

His wife's words echoed in his mind, "Could they be a spy ring? Subversive agents?"

Don shook his head as though to clear away the confusion. His conservative habit of thought made him reject that explanation as too melodramatic.

At least one decision was easier to reach because of his doubts. Now he knew he had to keep his appointment with the Grand Chairman of POSAT.

He scribbled a memo to the department office stating that he would not be at work on Tuesday.


At first Don Alford had some trouble locating the POSAT headquarters. It seemed to him that the block in which the street number would fall was occupied entirely by a huge sprawling warehouse, of concrete construction, and almost entirely windowless. It was recessed from the street in several places to make room for the small, shabby buildings of a wholesale pharmacy, a printer's plant, an upholstering shop, and was also indented by alleys lined with loading platforms.

It was at the back of one of the alleys that he finally found a door marked with the now familiar emblem of POSAT.

He opened the frosted glass door with a feeling of misgiving, and faced a dark flight of stairs leading to the upper floor. Somewhere above him a buzzer sounded, evidently indicating his arrival. He picked his way up through the murky stairwell.

The reception room was hardly a cheerful place, with its battered desk facing the view of the empty alley, and a film of dust obscuring the pattern of the gray-looking wallpaper and worn rug. But the light of the summer afternoon filtering through the window scattered the gloom somewhat, enough to help Don doubt that he would find the menace here that he had come to expect.

The girl addressing envelopes at the desk looked very ordinary. Not the Mata-Hari type, thought Don, with an inward chuckle at his own suspicions. He handed her the letter.

She smiled. "We've been expecting you, Dr. Alford. If you'll just step into the next room—"

She opened a door opposite the stairwell, and Don stepped through it.

The sight of the luxurious room before him struck his eyes with the shock of a dentist's drill, so great was the contrast between it and the shabby reception room. For a moment Don had difficulty breathing. The rug—Don had seen one like it before, but it had been in a museum. The paintings on the walls, ornately framed in gilt carving, were surely old masters—of the Renaissance period, he guessed. Although he recognized none of the pictures, he felt that he could almost name the artists. That glowing one near the corner would probably be a Titian. Or was it Tintorretto? He regretted for a moment the lost opportunities of his college days, when he had passed up Art History in favor of Operational Circuit Analysis.

The girl opened a filing cabinet, the front of which was set flush with the wall, and, selecting a folder from it, disappeared through another door.

Don sprang to examine the picture near the corner. It was hung at eye level—that is, at the eye level of the average person. Don had to bend over a bit to see it properly. He searched for a signature. Apparently there was none. But did artists sign their pictures back in those days? He wished he knew more about such things.

Each of the paintings was individually lighted by a fluorescent tube held on brackets directly above it. As Don straightened up from his scrutiny of the picture, he inadvertently hit his head against the light. The tube, dislodged from its brackets, fell to the rug with a muffled thud.

Now I've done it! thought Don with dismay. But at least the tube hadn't shattered.

In fact—it was still glowing brightly! His eyes registered the fact, even while his mind refused to believe it. He raised his eyes to the brackets. They were simple pieces of solid hardware designed to support the tube.

There were no wires!

Don picked up the slender, glowing cylinder and held it between trembling fingers. Although it was delivering as much light as a two or three hundred watt bulb, it was cool to the touch. He examined it minutely. There was no possibility of concealed batteries.

The thumping of his heart was caused not by the fact that he had never seen a similar tube before, but because he had. He had never held one in his hands, though. The ones which his company had produced as experimental models had been unsuccessful at converting all of the radioactivity into light, and had, of necessity, been heavily shielded.

Right now, two of his colleagues back in the laboratory would still be searching for the right combination of fluorescent material and radioactive salts with which to make the simple, efficient, self-contained lighting unit that he was holding in his hand at this moment!

But this is impossible! he thought. We're the only company that's working on this, and it's secret. There can't be any in actual production!

And even if one had actually been successfully produced, how would it have fallen into the possession of POSAT, an Ancient Secret Society, The Perpetual Order of Seekers After Truth?

The conviction grew in Don's mind that here was something much deeper and more sinister than he would be able to cope with. He should have asked for help, should have stated his suspicions to the police or the F.B.I. Even now—

With sudden decision, he thrust the lighting tube into his pocket and stepped swiftly to the outer door. He grasped the knob and shook it impatiently when it stuck and refused to turn. He yanked at it. His impatience changed to panic. It was locked!

A soft sound behind him made him whirl about. The secretary had entered again through the inner door. She glanced at the vacant light bracket, then significantly at his bulging pocket. Her gaze was still as bland and innocent as when he had entered, but to Don she no longer seemed ordinary. Her very calmness in the face of his odd actions was distressingly ominous.

"Our Grand Chairman will see you now," she said in a quiet voice.

Don realized that he was half crouched in the position of an animal expecting attack. He straightened up with what dignity he could manage to find.

She opened the inner door again and Don followed her into what he supposed to be the office of the Grand Chairman of POSAT.

Instead he found himself on a balcony along the side of a vast room, which must have been the interior of the warehouse that he had noted outside. The girl motioned him toward the far end of the balcony, where a frosted glass door marked the office of the Grand Chairman.



But Don could not will his legs to move. His heart beat at the sight of the room below him. It was a laboratory, but a laboratory the like of which he had never seen before. Most of the equipment was unfamiliar to him. Whatever he did recognize was of a different design than he had ever used, and there was something about it that convinced him that this was more advanced. The men who bent busily over their instruments did not raise their eyes to the figures on the balcony.

"Good Lord!" Don gasped. "That's an atomic reactor down there!" There could be no doubt about it, even though he could see it only obscurely through the bluish-green plastic shielding it.

His thoughts were so clamorous that he hardly realized that he had spoken aloud, or that the door at the end of the balcony had opened.

He was only dimly aware of the approaching footsteps as he speculated wildly on the nature of the shielding material. What could be so dense that only an inch would provide adequate shielding and yet remain semitransparent?

His scientist's mind applauded the genius who had developed it, even as the alarming conviction grew that he wouldn't—couldn't—be allowed to leave here any more. Surely no man would be allowed to leave this place alive to tell the fantastic story to the world!

"Hello, Don," said a quiet voice beside him. "It's good to see you again."

"Dr. Crandon!" he heard his own voice reply. "You're the Grand Chairman of POSAT?"

He felt betrayed and sick at heart. The very voice with which Crandon had spoken conjured up visions of quiet lecture halls and his own youthful excitement at the masterful and orderly disclosure of scientific facts. To find him here in this mad and treacherous place—didn't anything make sense any longer?

"I think we have rather abused you, Don," Dr. Crandon continued. His voice sounded so gentle that Don found it hard to think there was any evil in it. "I can see that you are suspicious of us, and—yes—afraid."


Don stared at the scene below him. After his initial glance to confirm his identification of Crandon, Don could not bear to look at him.

Crandon's voice suddenly hardened, became abrupt. "You're partly right about us, of course. I hate to think how many laws this organization has broken. Don't condemn us yet, though. You'll be a member yourself before the day is over."

Don was shocked by such confidence in his corruptibility.

"What do you use?" he asked bitterly. "Drugs? Hypnosis?"

Crandon sighed. "I forgot how little you know, Don. I have a long story to tell you. You'll find it hard to believe at first. But try to trust me. Try to believe me, as you once did. When I say that much of what POSAT does is illegal, I do not mean immoral. We're probably the most moral organization in the world. Get over the idea that you have stumbled into a den of thieves."

Crandon paused as though searching for words with which to continue.

"Did you notice the paintings in the waiting room as you entered?"

Don nodded, too bewildered to speak.

"They were donated by the founder of our Organization. They were part of his personal collection—which, incidentally, he bought from the artists themselves. He also designed the atomic reactor we use for power here in the laboratory."

"Then the pictures are modern," said Don, aware that his mouth was hanging open foolishly. "I thought one was a Titian—"

"It is," said Crandon. "We have several original Titians, although I really don't know too much about them."

"But how could a man alive today buy paintings from an artist of the Renaissance?"

"He is not alive today. POSAT is actually what our advertisements claim—an ancient secret society. Our founder has been dead for over four centuries."

"But you said that he designed your atomic reactor."

"Yes. This particular one has been in use for only twenty years, however."

Don's confusion was complete. Crandon looked at him kindly. "Let's start at the beginning," he said, and Don was back again in the classroom with the deep voice of Professor Crandon unfolding the pages of knowledge in clear and logical manner. "Four hundred years ago, in the time of the Italian Renaissance, a man lived who was a super-genius. His was the kind of incredible mentality that appears not in every generation, or even every century, but once in thousands of years.

"Probably the man who invented what we call the phonetic alphabet was one like him. That man lived seven thousand years ago in Mesopotamia, and his discovery was so original, so far from the natural course of man's thinking, that not once in the intervening seven thousand years has that device been rediscovered. It still exists only in the civilizations to which it has been passed on directly.

"The super-genius who was our founder was not a semanticist. He was a physical scientist and mathematician. Starting with the meager heritage that existed in these fields in his time, he began tackling physical puzzles one by one. Sitting in his study, using as his principal tool his own great mind, he invented calculus, developed the quantum theory of light, moved on to electromagnetic radiation and what we call Maxwell's equations—although, of course, he antedated Maxwell by centuries—developed the special and general theories of relativity, the tool of wave mechanics, and finally, toward the end of his life, he mathematically derived the packing fraction that describes the binding energy of nuclei—"

"But it can't be done," Don objected. "It's an observed phenomenon. It hasn't been derived." Every conservative instinct that he possessed cried out against this impossible fantasy. And yet—there sat the reactor, sheathed in its strange shield. Crandon watched the direction of Don's glance.

"Yes, the reactor," said Crandon. "He built one like it. It confirmed his theories. His calculations showed him something else too. He saw the destructive potentialities of an atomic explosion. He himself could not have built an atomic bomb; he didn't have the facilities. But his knowledge would have enabled other men to do so. He looked about him. He saw a political setup of warring principalities, rival states, intrigue, and squabbles over political power. Giving the men of his time atomic energy would have been like handing a baby a firecracker with a lighted fuse.

"What should he have done? Let his secrets die with him? He didn't think so. No one else in his age could have derived the knowledge that he did. But it was an age of brilliant men. Leonardo. Michelangelo. There were men capable of learning his science, even as men can learn it today. He gathered some of them together and founded this society. It served two purposes. It perpetuated his discoveries and at the same time it maintained the greatest secrecy about them. He urged that the secrets be kept until the time when men could use them safely. The other purpose was to make that time come about as soon as possible."

Crandon looked at Don's unbelieving face. "How can I make you see that it is the truth? Think of the eons that man or manlike creatures have walked the Earth. Think what a small fraction of that time is four hundred years. Is it so strange that atomic energy was discovered a little early, by this displacement in time that is so tiny after all?"

"But by one man," Don argued.

Crandon shrugged. "Compared with him, Don, you and I are stupid men. So are the scientists who slowly plodded down the same road he had come, stumbling first on one truth and then the succeeding one. We know that inventions and discoveries do not occur at random. Each is based on the one that preceded it. We are all aware of the phenomenon of simultaneous invention. The path to truth is a straight one. It is only our own stupidity that makes it seem slow and tortuous.

"He merely followed the straight path," Crandon finished simply.


Don's incredulity thawed a little. It was not entirely beyond the realm of possibility.

But if it were true! A vast panorama of possible achievements spread before him.

"Four hundred years!" he murmured with awe. "You've had four hundred years head-start on the rest of the world! What wonders you must have uncovered in that time!"

"Our technical achievements may disappoint you," warned Crandon. "Oh, they're way beyond anything that you are familiar with. You've undoubtedly noticed the shielding material on the reactor. That's a fairly recent development of our metallurgical department. There are other things in the laboratory that I can't even explain to you until you have caught up on the technical basis for understanding them.

"Our emphasis has not been on physical sciences, however, except as they contribute to our central project. We want to change civilization so that it can use physical science without disaster."

For a moment Don had been fired with enthusiasm. But at these words his heart sank.

"Then you've failed," he said bitterly. "In spite of centuries of advance warning, you've failed to change the rest of us enough to prevent us from trying to blow ourselves off the Earth. Here we are, still snarling and snapping at our neighbors' throats—and we've caught up with you. We have the atomic bomb. What's POSAT been doing all that time? Or have you found that human nature really can't be changed?"

"Come with me," said Crandon.

He led the way along the narrow balcony to another door, then down a steep flight of stairs. He opened a door at the bottom, and Don saw what must have been the world's largest computing machine.

"This is our answer," said Crandon. "Oh, rather, it's the tool by which we find our answer. For two centuries we have been working on the newest of the sciences—that of human motivation. Soon we will be ready to put some of our new knowledge to work. But you are right in one respect, we are working now against time. We must hurry if we are to save our civilization. That's why you are here. We have work for you to do. Will you join us, Don?"

"But why the hocus-pocus?" asked Don. "Why do you hide behind such a weird front as POSAT? Why do you advertise in magazines and invite just anyone to join? Why didn't you approach me directly, if you have work for me to do? And if you really have the answers to our problems, why haven't you gathered together all the scientists in the world to work on this project—before it's too late?"

Crandon took a sighing breath. "How I wish that we could do just that! But you forget that one of the prime purposes of our organization is to maintain the secrecy of our discoveries until they can be safely disclosed. We must be absolutely certain that anyone who enters this building will have joined POSAT before he leaves. What if we approached the wrong scientist? Centuries of accomplishment might be wasted if they attempted either to reveal it or to exploit it!

"Do you recall the questionnaires that you answered before you were invited here? We fed the answers to this machine and, as a result, we know more about how you will react in any given situation than you do yourself. Even if you should fail to join us, our secrets would be safe with you. Of course, we miss a few of the scientists who might be perfect material for our organization. You'd be surprised, though, at how clever our advertisements are at attracting exactly the men we want. With the help of our new science, we have baited our ads well, and we know how to maintain interest. Curiosity is, to the men we want, a powerful motivator."

"But what about the others?" asked Don. "There must be hundreds of applicants who would be of no use to you at all."

"Oh, yes," replied Crandon. "There are the mild religious fanatics. We enroll them as members and keep them interested by sending pamphlets in line with their interests. We even let them contribute to our upkeep, if they seem to want to. They never get beyond the reception room if they come to call on us. But they are additional people through whom we can act when the time finally comes.

"There are also the desperate people who try POSAT as a last resort—lost ones who can't find their direction in life. For them we put into practice some of our newly won knowledge. We rehabilitate them—anonymously, of course. Even find jobs or patch up homes. It's good practice for us.

"I think I've answered most of your questions, Don. But you haven't answered mine. Will you join us?"

Don looked solemnly at the orderly array of the computer before him. He had one more question.

"Will it really work? Can it actually tell you how to motivate the stubborn, quarrelsome, opinionated people one finds on this Earth?"

Crandon smiled. "You're here, aren't you?"

Don nodded, his tense features relaxing.

"Enroll me as a member," he said.

Wednesday, March 2, 2016

What Do You Read? by Boyd Ellanby


WHAT DO YOU READ?

By Boyd Ellanby

Illustrated by Malcolm Smith

[Transcriber's Note: This etext was produced from Other Worlds March 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]


Writers have long dreamed of a plot machine, but the machines in Script-Lab did much more than plot the story—they wrote it. Why bother with human writers when the machines did the job so much faster and better?


Herbert would have preferred the seclusion of a coptor-taxi, but he knew he could not afford it. The Bureau paid its writers adequately, but not enough to make them comfortable in taxis. In front of his apartment house, he took the escalator to the Airway. It must have been pleasant, he thought as he stepped onto the moving sidewalk, to be a writer in the days when they were permitted to receive royalties and, presumably, to afford taxi fare.

On the rare occasions when he was forced to travel in the city, he usually tried to insulate himself from the Airway crowds by trying to construct new plots for his fiction. In his younger days, of course, he had occupied the time in reading the classics, but lately, so great was the confusion of the city, he preferred to close his eyes, and try to devise a reverse twist for one of his old stories.

Today, he found it harder than usual to concentrate. The Airway was crowded, and he had never heard the people so noisy. Up ahead half a block, there was a sharp scream. Herbert opened his eyes and peered ahead to see what had happened. Someone had been pushed through the railing of the Airway, and as his section rolled on and passed, he could see lying on the pavement below the body of a young cripple, his hands still holding a broken crutch.

Herbert shuddered. He felt sick, and closed his eyes again.

"Wonder how that happened?" said the man in front of him.

"He probably got in the way," said a girl, callously.

The man ahead made no comment, and Herbert dismissed his own puzzlement. Could he make a plot out of this incident of the crippled boy? he wondered.

He shifted to the slower track, descended the escalator, and stepped onto the street across from the Bureau of Public Entertainment. He had to wait a moment, for an ambulance was clanging down the street; then he crossed to the stone-faced building.

As he rode up the elevator, he wondered again why John had ordered him to come to lunch. He realized that he was no longer a young man, but he certainly did not feel ready to be pensioned. And in the last year he had actually written more fiction than in any other year of his life. Very little of it had been used, for some reason, but story for story he thought it matched any of his previous output.

Ludwig received him with little ceremony. "Sit down, Herbert. It was good of you to come. Miss Dodson," he called through the intercom, "this is strictly off the air. Nothing is to be recorded. Is that clear?"

"Well, John," said Carre. "You're looking harassed, if I may say so. Are they working you too hard? Or are you just faced with the unpleasant job of firing an old friend? I realize, of course, that AFE aren't using much of my stuff just now."

Ludwig smiled unhappily and shook his head. "I'm not planning to fire you, Herbert. But you know, of course, that you're in the same boat with the other Writers, and that boat is in choppy waters. Frankly, I'm not very happy about the situation. The five-year experimental period is coming to an end. This Bureau has the job of providing entertainment, and that includes, among many other categories, literature. Books, articles, and stories. And I'm faced with a difficult decision: shall we employ Writers, or use Script-Lab? You are only one of the many people we support, of course, and both you and Script-Lab furnish material to Adult Fiction, Earth, who distribute it as they see fit."

Herbert Carre nibbled at his graying moustache. "I know. And for the last year, for some reason, AFE has not seen fit to use much of my stuff. And yet it's no different. I write just the same sort of thing I always did."

"Tastes change, Herbert. Script-Lab reports that the public seem to prefer the machine-made stories. I have a week to make a definite decision, and I'm particularly anxious to finish the job because I've been asked to transfer, at the earliest possible moment, to the Bureau of Public Safety. The Committee are inclined, on the whole, to favor the enlarging of Script-Lab, and transferring all the Writers to some other department."

"Great Gamma! You mean all literature will be machine-made from now on?"

"Don't get excited, Herb! That's what I've got to decide. But if they can really write it just as well, why not? You remember Hartridge, don't you? Class behind me at college, majored in electronics? He's in charge of the machine experiment and he's about convinced us that his machines can turn out manuscripts at lower cost, more rapidly and of better quality than you Writers can. And he says the public like his product better. Have you seen any of it?"

"No," said Carre, "I don't know that I have. You know I never read anything but the classics, for pleasure; nothing later than Thackeray, or, at the latest, James Joyce. What principle do they work on?"

"I'm not an electronics man. Hartridge tells me they are specially sensitive blocks of tubes, and that memory, including all the basic plots of fiction, and all the basic varieties of dialog have been built into them."

Carre shuddered. "I will never believe, in the face of any evidence, that machines can take the place of human writers. What machine could have written 'Alice'?"

"Calm down, Herbert. I want your help. I haven't followed developments since the days of the early electronic computers, and I haven't time for studying them now. And, unfortunately, I never read modern fiction any more—no time for anything but official reports. Now I've always respected your judgment. I want your opinion of the adequacy of the material put out by Script-Lab."

"Have you forgotten," said Carre, "that I am a Writer? Aren't you afraid of a biased report?"

"Not from you. I need a competent judge. And if you are forced to bring in a favorable report, you know I'd find you a place in some other field. I might even get you a pension."

"I hope not. Not yet."

"Go over and see Hartridge, look over his machines, and bring me a critical estimate of the quality of their work—not just literary quality, of course; we're interested also in entertainment value. Don't be prejudiced. I imagine you'd be the last to deny that writing can be damned hard work."

"You're right," said Carre. "I would be the last person to deny it. Somehow, I've always liked the work, but if the machines can really take our place, I will try to bow out gracefully."


Once again Carre took the escalator to the Airway and moved across the city. He tried to think of fiction plots, but he could not control his mind. He was worried. The people standing near him were quarreling, their shrill voices hurt his ears, and the crowd was so dense that he could not move away.

Age, he feared, was making him irritable. As he approached his station, he pushed towards the escalator. He brushed against a woman who was reading a plastibacked book. She looked up, frowned, and then stamped viciously on his extended foot. Half-stunned with pain and amazement, Herbert managed to get to the escalator, went down, and limped slowly through the doorway of Computer House. What had possessed the woman? he wondered. He'd barely brushed her sleeve, in passing.

He stood before the door labelled "Manuscript Laboratory: Dr. Philip Hartridge," and pushed the button. The door opened, but two husky guards with pistols in hand blocked his entrance.

"Your name, please, and your business?"

Herbert fought a tendency to stammer. His foot still hurt him, he had developed a headache, and he felt bewildered.

"I just want—My name is Herbert Carre and I want to see Dr. Hartridge. Why, we've known each other for years!"

"Identification, please?"

They examined his identity card and his Bureau papers, and nodded. Then one returned his pistol to its holster and approached him.

"Just as a formality, if you please. Dr. Hartridge apologizes for this." He ran his hands over Herbert's shabby blouse and trousers, then stepped back.

"That's all, Mr. Carre," he said. "You can go in." They preceded him into the reception room, advanced to the rear wall and pushed a series of buttons in a complex pattern. A double door, made of metal instead of the innocent oak it had seemed to be, slowly swung open.

Philip Hartridge rose from his desk and extended his hand.

"Awfully good to see you, Carre," he said. "It must have been nearly ten years. Sorry you've never come over to see us sooner. We're very proud of Script-Lab. How are things?"

"Not bad," said Herbert. "I'm still feeling overwhelmed by the elaborate protective system you have here. What explains the body-guards? I didn't suppose this laboratory was classified."

Hartridge leaned back in his chair. "It's not classified. Those men are here to protect me from possible violence."

"Violence? Great Gamma, do you mean personal threats?"

"Yes. Only last week, my 'coptor exploded a few minutes after I started the motor. By a lucky chance, I had gone back to the house to get my brief-case. But someone had certainly tried to kill me."

"Why on earth, Hartridge, should some one—"

"It might be one of several people," he said. "But I think it's my brother Ben. He would, of course, like to have my share of the money our father left us. But I'll take care he doesn't get it." He grinned, and patted his hip. "It's rather more likely to be the other way around. But we won't waste time in trivialities, Carre. Ludwig called me. I know you want to see our set-up here. Come in and see the machines."

They walked through another set of double doors and into the Laboratory.

The noise was deafening. Twenty enormous machines sat in the room. Each was contained in a dull plastic case, and the control panels were a maze of dials, buttons, and red and green indicator lights. An electric typewriter was connected to and operated by each machine, and through each typewriter ran an endless roll of paper, which emerged to be cut off into eleven-inch lengths by automatic knives.

"How do you stand the noise?" asked Carre. "Why don't you use Silent Typers?"

"Oh, the machines don't mind the noise. Silent Typers would be an unnecessary expense, and as a matter of fact, I've come to like the sound. It's soothing, after a time."

Carre strolled slowly, rather mournfully, from one monster to another, glancing at the emerging manuscripts.

"The rate of output," said Hartridge, "is not less than a hundred words a minute, and they never have to stop to look up their facts, or to struggle with a balky plot. Can you do as well?"

"I wish I could," said Carre. "I know so little about electronics. Do the machines use much current?"

"No, that's another of their virtues, they're very economical. The tubes are so efficient that all twenty machines are run from this one source, right here—Don't touch it! It's not ordinary house current, you know. We start with eight thousand volts,—it saves on metal and transformers."

Herbert found it hard to think against the clatter of the typewriters. "I'm ashamed to admit," he said, "that I feel a kind of envy, they seem to compose with such ease."

Hartridge laughed. "No trouble at all! I tell you, my pretty typewriters are going to put you out of business. You can see for yourself, Carre, that there's no need for you human writers. We are doing a perfect job here, and we could supply all the material—novels, stories, fact articles, biographies—that the country could read. AFE has been using more and more of our scripts, as you probably know."

"I know."

"I can't say exactly why it is, but we do seem to be able to hit the public taste better than you Writers." He reached over and patted one of the plastic cases, as though it had been an affectionate dog.

"Do your machines do nothing but write new material?" asked Carre, as he strolled on.

"That depends on the demand. Sometimes we have a call for some out-of-print item, or some work which is so hard to get hold of that we simply have the machines re-do it. After Number Twelve, here, produced the entire English translation of 'War and Peace' without a single semantic error, we were not afraid to trust them with anything. As a matter of fact, we've got Number Eight re-writing some nineteenth-century items that have not been available for years—things that were destroyed or banned during the Atomic Wars, but which the present government finds acceptable. Would you like to see?"

Carre stood in front of Number Eight in fascination as the metal arms hammered out the words and lines. After a moment, he frowned. "I seem to remember this! I must have read it in my early boyhood. It seems so long ago. Joan of Arc! But I don't remember its happening just this way."

"Just goes to show you can't trust your memory, Carre. You know the machines are perfectly logical, and they can't make a mistake."

"No, of course not. Odd, though." He brushed his hand over a forehead grown wet.

The knife flashed down, cut the paper, and the page fell into its basket. Hartridge picked it up.

"Would you like this sheet, as a memento? Number Eight can easily re-do it."

"Thank you."

"And is there anything else I can show you? I don't mind admitting I'm very proud of my machines."

"Well," said Carre, "perhaps you might let me have some of your current manuscripts, just for tonight? I can make a comparative study, for Ludwig, and return them sometime tomorrow."

"Nothing easier." He assembled a bundle of stapled sheets and put them in a box, and then rang for the guards, to show him out.

"Take care of yourself, Carre. See you tomorrow."


Herbert sat, that evening, in his book-lined room, reading manuscripts. He looked more and more puzzled, and ill at ease. He got up, after a time, to pace the room, and on a sudden impulse he left the apartment and hurried up the street.

It had grown dark outside, and he hurried. He could not stand the thought of the Airway, so he walked. He had covered nearly half a mile when, at the corner ahead, two Street-taxis approached each other at right angles. The drivers glared at each other. Neither slowed to let the other pass; they crashed, and began to burn. Carre hurried on, trying not to hear the screams of the people or the siren of the approaching ambulance. No wonder, he thought, that they need Ludwig in the Bureau of Public Safety; people were behaving so irrationally!

He climbed the steps of the City Library, and advanced to the desk.

"I should like to see files of the magazines published by Adult Fiction, Earth, if you please."

"But which magazine, sir? They publish hundreds."

"Well, as a start, let me see those which publish light fiction."

For two hours he sat in the Scholar's Room, skimming the pages of the magazines—Sagebrush Westerns, Romance and Marriage, Pinkerton's Own, Harper's, and a dozen others. He read with concentration, and made few notes. On his way home he stopped at a news-machine and selected an armful of the current issues to take home with him. He read in his room until nearly dawn, and when he did lie down he could not sleep, or rest.

"I don't believe it," he whispered to himself. "It can't be true." And, half an hour later, "How did it happen?"


At nine next morning he was sitting in the reception room of the Bureau of Public Entertainment, with brief-case on his knees, waiting for Ludwig. It was nearly noon before Ludwig himself arrived, and summoned his visitor.

He sat at his desk, his white hair rumpled, and nervously fingered his watch chain as Carre took the chair opposite.

"Sorry to keep you waiting, Herbert. The Commissioners over in Safety have a bad situation to handle, and I've been trying to advise them. I'll be glad when this writing business is straightened out, and I can give full attention to Safety. What did you think of Script-Lab?"

"Well, it's very efficient."

"I knew that," said Ludwig. "Machines are built to be efficient. But what do you think of their output? How does it compare with the work of the Writers?"

Carre cleared his throat. "John, don't you read the magazines any more?"

"No. No time. Do you?"

"I haven't, until yesterday. I read them, all night. I hardly know how to express myself. John, something is wrong with the machines."

"Nonsense! There can't be anything wrong with them. They're fed the plots, fed the variations, and then with perfect logic they create their stories. You're not an electronics expert, you know."

Carre stared at the floor. Ludwig sighed.

"I'm sorry, Herbert. I'm just too tired to be decently courteous. But what I wanted from you, after all, was a literary evaluation and not a scientific one."

"I express myself so badly. There's something wrong, something I can't exactly define, with what they write."

Ludwig looked exasperated. "But what, man? Be concrete."

"I'll try. Here's a short story that was made yesterday. Glance over it, please, and tell me how it strikes you."

Ludwig read through the manuscript with his accustomed rapidity. "I don't see anything particularly wrong about it," he said. "Murder mysteries have never been to my taste, and I don't know that I exactly approve of the hero's killing his benefactress with an undetectable poison, and then inheriting her fortune and marrying her niece. Undetectable poisons are all nonsense, anyway."

"The story doesn't seem to you—unhealthy?"

"I don't know what you're getting at! It's on the grim side, I suppose, but isn't most modern fiction a little grim? How about your own stuff?"

"I think there's a difference. I know I've written a few mysteries, and even some tragic stories, but I don't believe I've ever written anything exactly like this. And this is typical. They're doing reprints, too, of books that were destroyed or lost during the Atomic Wars. Do you remember Joan of Arc? Mark Twain's version? Here is a page from Script-Lab's manuscript."

Ludwig took the sheet and read aloud: "By-and-by a frantic man in priest's garb came wailing and lamenting and tore through the crowd and the barrier of soldiers and flung himself on his knees by Joan's cart and put up his hands in supplication, crying out—

'"O, forgive, forgive!"

'It was Loyseleur!

'And Joan's heart knew nothing of forgiveness, nothing of compassion, nothing of pity for all that suffer and have been offensive—'"

Ludwig looked up with a frown. "That's odd. It's been so long since I saw that book—I was only a boy—but that isn't just the way I remember it."

"That's what Script-Lab is writing."

"But the machines, don't—"

"I know. They don't make mistakes."

The buzz of the visi-sonor interrupted them, and the Commissioner of Public Safety spoke from the screen.

"For heaven's sake, Ludwig, shelve the book-business and get over here. We've had a rash of robberies with violence, a dozen bad street accidents, and two suspicious deaths of diabetics in coma. We need help."

Ludwig was already reaching for his brief case. "Right away," he said, and flicked the switch.

"John!" Carre begged, "This book matter is serious. You can't just drop it! Come with me to Hartridge's lab and see for yourself!"

"I can't. No time. You heard the Commissioner."

"Tomorrow morning?"

"Can't make it. Have to go to a funeral. A niece of mine who died suddenly of cancer. Poor girl. We thought she was doing so well, too, with the hormone injections. Not that her husband will break his heart, from what I know of the scoundrel."

Carre followed him towards the door. "Then make it tomorrow afternoon! It's vital!"

Ludwig pulled out his watch, and thought for a second. "All right. Meet you there tomorrow at three." The door slammed behind him.


They followed the guards through the chrome steel doors into the room with the machines. All twenty typewriters were hammering out their hundred words a minute.

"It is an honor to have a visit from you, Commissioner Ludwig," said Hartridge. "We're very proud of Script-Lab. You'll agree, I know, that the experiment has been eminently successful. Tough on you, of course, Carre. But you Writers can always land on your feet."

"The decision has not yet been made," said Ludwig. "Now to business." He pulled a chair up to the desk, opened his brief case, and took out some papers.

"Before I examine the machines, I'd like to check with you the facts and figures that Carre has compiled for me. In 1971, the first year of the experiment, only ten per cent of Script-Lab's output of stories, books, and articles was accepted by Adult Fiction, Earth. Right?"

"Right," said Hartridge. "But that was our worst year. Since then—"

Ludwig held up his hand. "In the second year, you supplied thirty-five per cent of the needs of AFE. Check?"

"Check."

"In the two years following you supplied seventy-five per cent, and in 1976, this year you are supplying about ninety per cent of all published matter, with the Writers supplying only ten per cent. Correct?"

"Correct. A wonderful record, Commissioner."

Ludwig turned to another sheet of data. "As I understand it, you feed into the machine's memories, basic plots, factual data, conversational variants, and they do the rest?"

"That's right. We give them the material, and they create with perfect rationality. I myself read nearly everything they make, and even I am amazed at their craftsmanship. And they are so efficient, and write so swiftly!"

"Speed is no doubt a desirable feature," said Ludwig.

"But not the only one!" said Carre.

Hartridge smiled. "Professional jealously is warping your judgment, old man. It may be hard to take, but you Writers have nothing to give the world, anymore, that machines can't."

Ludwig turned his back and surveyed the room. "I would like to see, now, some of your productions."

Hartridge beamed. "As a matter of fact, I have something that ought to interest you, particularly. Just follow me, gentlemen. Here, by the way, is our power source. Note how simple and efficient the circuit design is. Ah, here we are. Knowing that you were making us a visit today, I gave to Number Seven, here, the necessary data for creating your own monologue on 'Our Duties to the Aged.' That was your doctoral thesis, I believe?"

"But that's out of print! I haven't seen a copy myself in years!"

"To Script-Lab, that is unimportant. Feed it the data, the basic premises, and it will do the rest. Would you like to see?"

The three men crowded around Number Seven, and watched the emergence of paper from the typewriter as the keys tapped the words into lines, and the carriage shifted. Ludwig, at first, showed only the pleasure which any writer feels on re-reading a good piece of work. Gradually, his face changed. He looked puzzled, uncertain, and then his skin reddened with anger.


"He looked puzzled, uncertain, and then his skin reddened with anger."


The automatic knife chopped down and severed the completed page. Ludwig scooped it up from the basket and read the page a second time. He raised his eyes to meet the tense gaze of Carre.

"Is this what you were trying to tell me, Herbert?"

"That sort of thing. Yes."

"Is something wrong, Commissioner?" said Hartridge. "I thought you'd be pleased."

"Pleased? But this is something I never wrote!"

"But you must have written it," said Hartridge. "Or are you just trying to sabotage my project with a deliberate misstatement?"

"Read it!" said Ludwig. "Read that paragraph out loud."

"'Our duties to the aged,'" read Hartridge, "'are closely bound to our duties to ourselves. When the old become infirm, they should be quietly helped out of a contented existence. After all, the only measure of the value of aged men and women should be their present usefulness to society.'

He looked up from the page. "I don't see why you're so unwilling to admit your authorship, Commissioner. There's nothing wrong with this."

"Only," Ludwig said softly, "I didn't write it. What the monologue actually said was something like this: 'Our duties to the aged are closely bound to our duties to ourselves. When the old become infirm, they should be quietly helped to a contented existence. After all, the only measure of the value of aged men and women should be their past usefulness to our society.'

"You've made your point, Carre," he went on. "If this sort of perverted advice has been fed to our people the last few years, it's no wonder we're having a wave of crimes. Be selfish! It pays. An eye for an eye! Poison the old man! Nobody will ever know and you'll get his money!"

Hartridge was still studying the typescript, and he spoke with defiance. "Number Seven's excerpt from your monologue seems perfectly sensible to me," he said. "For some reason of your own you must be lying about it. Why, the version you say you remember is utterly illogical!"

"Of course it's illogical!" said Carre. "Don't you see—"

"Of course it's illogical!" shouted Ludwig. "It was illogical for Joan to forgive her tormentor. It's illogical to take care of invalids. It's illogical to forget an injury. But it's human! How on earth is society to exist if it feels only the rational emotions? You, yourself, Hartridge, have been corrupted by reading the work of Script-Lab, and you no longer have any sense of human charity. These monsters have been undermining our whole life, because the only motivation they were provided was the most dangerous and ugly thing possible in the world of human beings—pure logic!"

As he shouted, he fumbled at his watch, unhooked the long gold chain, and with a sudden lunge, flung it across the bus bars which supplied the current to the machines.

There was a blinding flash, a hiss, and the eternal clacking of the typewriters was replaced by silence.