Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, February 14, 2016

I, the Unspeakable by Walter J. Sheldon


I, the Unspeakable

By WALT SHELDON

Illustrated by LOUIS MARCHETTI

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction April 1951.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]



"What's in a name?" might be very dangerous
to ask in certain societies, in which sticks
and stones are also a big problem!


I fought to be awake. I was dreaming, but I think I must have blushed. I must have blushed in my sleep.

"Do it!" she said. "Please do it! For me!"

It was the voice that always came, low, intense, seductive, the sound of your hand on silk ... and to a citizen of Northem, a conformist, it was shocking. I was a conformist then; I was still one that morning.

I awoke. The glowlight was on, slowly increasing. I was in my living machine in Center Four, where I belonged, and all the familiar things were about me, reality was back, but I was breathing very hard.

I lay on the pneumo a while before getting up. I looked at the chroner: 0703 hours, Day 17, Month IX, New Century Three. My morning nuro-tablets had already popped from the tube, and the timer had begun to boil an egg. The egg was there because the realfood allotment had been increased last month. The balance of trade with Southem had just swung a decimal or two our way.

I rose finally, stepped to the mirror, switched it to positive and looked at myself. New wrinkles—or maybe just a deepening of the old ones. It was beginning to show; the past two years were leaving traces.

I hadn't worried about my appearance when I'd been with the Office of Weapons. There, I'd been able to keep pretty much to myself, doing research on magnetic mechanics as applied to space drive. But other jobs, where you had to be among people, might be different. I needed every possible thing in my favor.

Yes, I still hoped for a job, even after two years. I still meant to keep on plugging, making the rounds.

I'd go out again today.

The timer clicked and my egg was ready. I swallowed the tablets and then took the egg to the table to savor it and make it last.

As I leaned forward to sit, the metal tag dangled from my neck, catching the glowlight. My identity tag.

Everything came back in a rush—

My name. The dream and her voice. And her suggestion.

Would I dare? Would I start out this very morning and take the risk, the terrible risk?


You remember renumbering. Two years ago. You remember how it was then; how everybody looked forward to his new designation, and how everybody made jokes about the way the letters came out, and how all the records were for a while fouled up beyond recognition.

The telecomics kidded renumbering. One went a little too far and they psycho-scanned him and then sent him to Marscol as a dangerous nonconform.

If you were disappointed with your new designation, you didn't complain. You didn't want a sudden visit from the Deacons during the night.

There had to be renumbering. We all understood that. With the population of Northem already past two billion, the old designations were too clumsy. Renumbering was efficient. It contributed to the good of Northem. It helped advance the warless struggle with Southem.

The equator is the boundary. I understand that once there was a political difference and that the two superstates sprawled longitudinally, not latitudinally, over the globe. Now they are pretty much the same. There is the truce, and they are both geared for war. They are both efficient states, as tightly controlled as an experiment with enzymes, as microsurgery, as the temper of a diplomat.

We were renumbered, then, in Northem. You know the system: everybody now has six digits and an additional prefix or suffix of four letters. Stateleader, for instance, has the designation AAAA-111/111. Now, to address somebody by calling off four letters is a little clumsy. We try to pronounce them when they are pronounceable. That is, no one says to Stateleader, "Good morning, A-A-A-A." They say, "Good morning, Aaaa."

Reading the last quote, I notice a curious effect. It says what I feel. Of course I didn't feel that way on that particular morning. I was still conformal; the last thing in my mind was that I would infract and be psycho-scanned.

Four letters then, and in many cases a pronounceable four letter word.

A four letter word.

Yes, you suspect already. You know what a four letter word can be.

Mine was.

It was unspeakable.

The slight weight on my forehead reminded me that I still wore my sleep-learner. I'd been studying administrative cybernetics, hoping to qualify in that field, although it was a poor substitute for a space drive expert. I removed the band and stepped across the room and turned off the oscillator. I went back to my egg and my bitter memories.

I will never forget the first day I received my new four letter combination and reported it to my chief, as required. I was unthinkably embarrassed. He didn't say anything. He just swallowed and choked and became crimson when he saw it. He didn't dare pass it to his secretarial engineer; he went to the administrative circuits and registered it himself.

I can't blame him for easing me out. He was trying to run an efficient organization, after all, and no doubt I upset its efficiency. My work was important—magnetic mechanics was the only way to handle quanta reaction, or the so-called non-energy drive, and was therefore the answer to feasible space travel beyond our present limit of Mars—and there were frequent inspection tours by Big Wheels and Very Important Persons.

Whenever anyone, especially a woman, asked my name, the embarrassment would become a crackling electric field all about us. The best tactic was just not to answer.


The chief called me in one day. He looked haggard.

"Er—old man," he said, not quite able to bring himself to utter my name, "I'm going to have to switch you to another department. How would you like to work on nutrition kits? Very interesting work."

"Nutrition kits? Me? On nutrition kits?"

"Well, I—er—know it sounds unusual, but it justifies. I just had the cybs work it over in the light of present regulations, and it justifies."

Everything had to justify, of course. Every act in the monthly report had to be covered by regulations and cross-regulations. Of course there were so many regulations that if you just took the time to work it out, you could justify damn near anything. I knew what the chief was up to. Just to remove me from my post would have taken a year of applications and hearings and innumerable visits to the capital in Center One. But if I should infract—deliberately infract—it would enable the chief to let me go. The equivalent of resigning.

"I'll infract," I said. "Rather than go on nutrition kits, I'll infract."

He looked vastly relieved. "Uh—fine," he said. "I rather hoped you would."

It took a week or so. Then I was on Non-Productive status and issued an N/P book for my necessities. Very few luxury coupons in the N/P book. I didn't really mind at first. My new living machine was smaller, but basically comfortable, and since I was still a loyal member of the state and a verified conformist, I wouldn't starve.

But I didn't know what I was in for.

I went from bureau to bureau, office to office, department to department—any place where they might use a space drive expert. A pattern began to emerge; the same story everywhere. When I mentioned my specialty they would look delighted. When I handed them my tag and they saw my name, they would go into immediate polite confusion. As soon as they recovered they would say they'd call me if anything turned up....


A few weeks of this and I became a bit dazed.

And then there was the problem of everyday existence. You might say it's lucky to be an N/P for a while. I've heard people say that. Basic needs provided, worlds of leisure time; on the surface it sounds attractive.

But let me give you an example. Say it is monthly realfood day. You go to the store, your mouth already watering in anticipation. You take your place in line and wait for your package. The distributor takes your coupon book and is all ready to reach for your package—and then he sees the fatal letters N/P. Non-Producer. A drone, a drain upon the State. You can see his stare curdle. He scowls at the book again.

"Not sure this is in order. Better go to the end of the line. We'll check it later."

You know what happens before the end of the line reaches the counter. No more packages.

Well, I couldn't get myself off N/P status until I got a post, and with my name I couldn't get a post.

Nor could I change my name. You know what happens when you try to change something already on the records. The very idea of wanting change implies criticism of the State. Unthinkable behavior.

That was why this curious dream voice shocked me so. The thing that it suggested was quite as embarrassing as its non-standard, emotional, provocative tone.

Bear with me; I'm getting to the voice—to her—in a moment.

I want to tell you first about the loneliness, the terrible loneliness. I could hardly join group games at any of the rec centers. I could join no special interest clubs or even State Loyalty chapters. Although I dabbled with theoretical research in my own quarters, I could scarcely submit any findings for publication—not with my name attached. A pseudonym would have been non-regulation and illegal.

But there was the worst thing of all. I could not mate.


Funny, I hadn't thought about mating until it became impossible. I remember the first time, out of sheer idleness, I wandered into a Eugenic Center. I filled out my form very carefully and submitted it for analysis and assignment. The clerk saw my name, and did the usual double-take. He coughed and swallowed and fidgeted.

He said, "Of course you understand that we must submit your application to the woman authorized to spend time in the mating booths with you, and that she has the right to refuse."

"Yes, I understand that."

"M'm," he said, and dismissed me with a nod.

I waited for a call in the next few weeks, still hoping, but I knew no woman would consent to meet a man with my name, let alone enter a mating booth with him.

The urge to reproduce myself became unbearable. I concocted all sorts of wild schemes.

I might infract socially and be classified a nonconform and sent to Marscol. I'd heard rumors that in that desolate land, on that desolate planet, both mingling and mating were rather disgustingly unrestricted. Casual mating would be terribly dangerous, of course, with all the wild irradiated genes from the atomic decade still around, but I felt I'd be willing to risk that. Well, almost....

About then I began to have these dreams. As I've told you, in the dream there was only this woman's seductive voice. The first time I heard it I awoke in a warm sweat and swore something had gone wrong with the sleep-learner. You never hear the actual words with this machine, of course; you simply absorb the concepts unconsciously. Still, it seemed an explanation. I checked thoroughly. Nothing wrong.

The next night I heard the woman's voice again.

"Try it," she said. "Do it. Start tomorrow to get your name changed. There will be a way. There must be a way. The rules are so mixed up that a clever man can do almost anything. Do it, please—for me."


She was not only trying to get me to commit nonconformity, but making heretical remarks besides. I awoke that time and half-expected a Deacon to pop out of the tube and turn his electric club upon me.

And I heard the voice nearly every night.

It hammered away.

"What if you do fail? Almost anything would be better than the miserable existence you're leading now!"

One morning I even caught myself wondering just how I'd go about this idea of hers. Wondering what the first step might be.

She seemed to read my thoughts. That night she said, "Consult the cybs in the Govpub office. If you look hard enough and long enough, you'll find a way."

Now, on this morning of the seventeenth day in the ninth month, I ate my boiled egg slowly and actually toyed with the idea. I thought of being on productive status again. I had almost lost my fanatical craving to be useful to the State, but I did want to be busy—desperately. I didn't want to be despised any more. I didn't want to be lonely. I wanted to reproduce myself.

I made my decision suddenly. Waves of emotion carried me along. I got up, crossed the room to the directory, and pushbuttoned to find the location of the nearest Govpub office.

I didn't know what would happen and almost didn't care.


II

Like most important places, the Govpub Office in Center Four was underground. I could have taken a tunnelcar more quickly, but it seemed pleasanter to travel topside. Or maybe I just wanted to put this off a bit. Think about it. Compose myself.

At the entrance to the Govpub warren there was a big director cyb, a plate with a speaker and switch. The sign on it said to switch it on and get close to the speaker and I did.

The cyb's mechanical voice—they never seem to get the "th" sounds right—said, "This is Branch Four of the Office of Government Publications. Say, 'Publications,' and/or, 'Information desired,' as thoroughly and concisely as possible. Use approved voice and standard phraseology."

Well, simple enough so far. I had always rather prided myself on my knack for approved voice, those flat, emotionless tones that indicate efficiency. And I would never forget how to speak Statese. I said, "Applicant desires all pertinent information relative assignment, change or amendment of State Serial designations, otherwise generally referred to as nomenclature."

There was a second's delay while the audio patterns tripped relays and brought the memory tubes in.

Then the cyb said, "Proceed to Numbering and Identity section. Consult alphabetical list and diagram on your left for location of same."

"Thanks," I said absent-mindedly.

I started to turn away and the cyb said, "Information on tanks is military information and classified. State authorization for—"

I switched it off.


Numbering and Identity wasn't hard to find. I took the shaft to the proper level and then it was only a walk of a few hundred yards through the glowlit corridors.

N. & I. turned out to be a big room, somewhat circular, very high-ceilinged, with banks of cyb controls covering the upper walls. Narrow passageways, like spokes, led off in several directions. There was an information desk in the center of the room.

I looked that way and my heart went into free fall.

There was a girl at the information desk. An exceptionally attractive girl. She was well within the limits of acceptable standard, and her features were even enough, and her hair a middle blonde—but she had something else. Hard to describe. It was a warmth, a buoyancy, a sense of life and intense animation. It didn't exactly show; it radiated. It seemed to sing out from her clear complexion, from her figure, which even a tunic could not hide, from everything about her.

And if I were to state my business, I would have to tell her my name.

I almost backed out right then. I stopped momentarily. And then common sense took hold and I realized that if I were to go through with this thing, here would be only the first of a long series of embarrassments and discomforts. It had to be done.

I walked up to the desk and the girl turned to face me, and I could have sworn that a faint smile crossed her lips. It was swift, like the shadow of a bird across one of the lawns in one of the great parks topside. Very non-standard. Yet I wasn't offended; if anything, I felt suddenly and disturbingly pleased.

"What information is desired?" she asked. Her voice was standard—or was it?

Again I had the feeling of restrained warmth.

I used colloquial. "I want to get the dope on State Serial designations, how they're assigned and so forth. Especially how they might be changed."

She put a handsteno on the desk top and said, "Name? Address? Post?"

I froze. I stood there and stared at her.

She looked up and said, "Well?"

"I—er—no post at present. N/P status."

Her fingers moved on the steno.

I gave her my address and she recorded that.

Then I paused again.

She said, "And your name?"

I took a deep breath and told her.

I didn't want to look into her eyes. I wanted to look away, but I couldn't find a decent excuse to. I saw her eyes become wide and noticed for the first time that they were a warm gray, almost a mouse color. I felt like laughing at that irrelevant observation, but more than that I felt like turning and running. I felt like climbing and dashing all over the walls like a frustrated cat and yelling at the top of my lungs. I felt like anything but standing there and looking stupid, meeting her stare—


She looked down quickly and recorded my name. It took her a little longer than necessary. In that time she recovered. Somewhat.

"All right," she said finally, "I'll make a search."

She turned to a row of buttons on a console in the center of the desk and began to press them in various combinations. A typer clicked away. She tore off a slip of paper, consulted it, and said, "Information desired is in Bank 29. Please follow me."

Well, following her was a pleasure, anyway. I could watch the movement of her hips and torso as she walked. She was not tall, but long-legged and extremely lithe. Graceful and rhythmic. Very, very feminine, almost beyond standard in that respect. I felt blood throb in my temples and was heartily ashamed of myself.

I would like to be in a mating booth with her, I thought, the full authorized twenty minutes. And I knew I was unconformist and the realization hardly scared me at all.

She led me down one of the long passageways.

A few moments later I said, "Don't you sometimes get—well, pretty lonely working here?" Personal talk at a time like this wasn't approved behavior, but I couldn't help it.

She answered hesitantly, but at least she answered. She said, "Not terribly. The cybs are company enough most of the time."

"You don't get many visitors, then."

"Not right here. N. & I. isn't a very popular section. Most people who come to Govpub spend their time researching in the ancient manuscript room. The—er—social habits of the pre-atomic civilization."

I laughed. I knew what she meant, all right. Pre-atomics and their ideas about free mating always fascinated people. I moved up beside her. "What's your name, by the way?"

"L-A-R-A 339/827."

I pronounced it. "Lara. Lah-rah. That's beautiful. Fits you, too."


She didn't answer; she kept her eyes straight ahead and I saw the faint spot of color on her cheek.

I had a sudden impulse to ask her to meet me after hours at one of the rec centers. If it had been my danger alone, I might have, but I couldn't very well ask her to risk discovery of a haphazard, unauthorized arrangement like that and the possibility of going to the psycho-scan.

We came to a turn in the corridor and something happened; I'm not sure just how it happened. I keep telling myself that my movements were not actually deliberate. I was to the right of her. The turn was to the left. She turned quickly, and I didn't, so that I bumped into her, knocking her off balance. I grabbed her to keep her from falling.

For a moment we stood there, face to face, touching each other lightly. I held her by the arms. I felt the primitive warmth of her breath. Our eyes held together ... proton ... electron ... I felt her tremble.

She broke from my grip suddenly and started off again.

After that she was very business-like.

We came finally to the controls of Bank 29 and she stood before them and began to press button combinations. I watched her work; I watched her move. I had almost forgotten why I'd come here. The lights blinked on and off and the typers clacked softly as the machine sorted out information.

She had a long printed sheet from the roll presently. She frowned at it and turned to me. "You can take this along and study it," she said, "but I'm afraid what you have in mind may be—a little difficult."

She must have guessed what I had in mind. I said, "I didn't think it would be easy."

"It seems that the only agency authorized to change a State Serial under any circumstances is Opsych."

"Opsych?" You can't keep up with all these departments.

"The Office of Psychological Adjustment. They can change you if you go from a lower to higher E.A.C."

"I don't get it, exactly."

As she spoke I had the idea that there was sympathy in her voice. Just an overtone. "Well," she said, "as you know, the post a person is qualified to hold often depends largely on his Emotional Adjustment Category. Now if he improves and passes from, let us say, Grade 3 to Grade 4, he will probably change his place of work. In order to protect him from any associative maladjustments developed under the old E.A.C, he is permitted a new number."

I groaned. "But I'm already in the highest E.A.C.!"

"It looks very uncertain then."

"Sometimes I think I'd be better off in the mines, or on Marscol—or—in the hell of the pre-atomics!"

She looked amused. "What did you say your E.A.C. was?"

"Oh, all right. Sorry." I controlled myself and grinned. "I guess this whole thing has been just a little too much for me. Maybe my E.A.C.'s even gone down."

"That might be your chance then."

"How do you mean?"

"If you could get to the top man in Opsych and demonstrate that your number has inadvertently changed your E.A.C., he might be able to justify a change."

"By the State, he might!" I punched my palm. "Only how do I get to him?"

"I can find his location on the cyb here. Center One, the capital, for a guess. You'll have to get a travel permit to go there, of course. Just a moment."

She worked at the machine again, trying it on general data. The printed slip came out a moment later and she read it to me. Chief, Opsych, was in the capital all right. It didn't give the exact location of his office, but it did tell how to find the underground bay in Center One containing the Opsych offices.

We headed back through the passageway then and she kept well ahead of me. I couldn't keep my eyes from her walk, from the way she walked with everything below her shoulders. My blood was pounding at my temples again.

I tried to keep the conversation going. "Do you think it'll be hard to get a travel permit?"

"Not impossible. My guess is that you'll be at Travbur all day tomorrow, maybe even the next day. But you ought to be able to swing it if you hold out long enough."

I sighed. "I know. It's that way everywhere in Northem. Our motto ought to be, 'Why make it difficult when with just a little more effort you can make it impossible?'"


She started to laugh, and then, as she emerged from the passageway into the big circular room, she cut her laugh short.

A second later, as I came along, I saw why.

There were two Deacons by the central desk. They were burly and had that hard, pinched-face look and wore the usual black belts. Electric clubs hung from the belts. Spidery looking pistols were at their sides.

I didn't know whether these two had heard my crack or not. I know they kept looking at me.

Lara and I crossed the room silently, she back to her desk, I to the exit door. The Deacons' remote, disapproving eyes swung in azimuth, tracking us.

I walked out and wanted to turn and smile at Lara, and get into my smile something of the hope that someday, somewhere, I'd see her again—but of course I didn't dare.


III

I had the usual difficulties at Travbur the next day. I won't go into them, except to say that I was batted from office to office like a ping pong ball, and that, when I finally got my travel permit, I was made to feel that I had stolen an original Picasso from the State Museum.

I made it in a day. Just. I got my permit thirty seconds before closing time. I was to take the jetcopter to Center One at 0700 hours the following morning.

In my living machine that evening, I was much too excited to work at theoretical research as I usually did after a hard day of tramping around. I bathed, I paced a while, I sat and hummed nervously and got up and paced again. I turned on the telepuppets. There was a drama about the space pilots who fly the nonconformist prisoners to the forests and pulp-acetate plants on Mars. Seemed that the Southem political prisoners who are confined to the southern hemisphere of Mars, wanted to attack and conquer the north. The nonconformists, led by our pilot, came through for the State in the end. Corn is thicker than water. Standard.

There were, however, some good stereofilm shots of the limitless forests of Mars, and I wondered what it would be like to live there, in a green, fresh-smelling land. Pleasant, I supposed, if you could put up with the no doubt revolting morality of a prison planet.

And the drama seemed to point out that there was no more security for the nonconformists out there than for us here on Earth. Maybe somewhere in the universe, I thought, there would be peace for men. Somewhere beyond the solar system, perhaps, someday when we had the means to go there....

Yet instinct told me that wasn't the answer, either. I thought of a verse by an ancient pre-atomic poet named Hoffenstein. (People had unwieldy, random combinations of letters for names in those days.) The poem went:

Wherever I go,
I go too,
And spoil everything.

That was it. The story of mankind.

I turned the glowlight down and lay on the pneumo after a while, but I didn't sleep for a long, long time.

Then, when I did sleep, when I had been sleeping, I heard the voice again. The low, seductive woman's voice—the startling, shocking voice out of my unconscious.

"You have taken the first step," she said. "You are on your way to freedom. Don't stop now. Don't sink back into the lifelessness of conformity. Go on ... on and on. Keep struggling, for that is the only answer...."


I didn't exactly talk back, but in the queer way of the dream, I thought objections. I was in my thirties, at the mid-point of my life, and the whole of that life had been spent under the State. I knew no other way to act. Suppressing what little individuality I might have was, for me, a way of survival. I was chockful of prescribed, stereotyped reactions, and I held onto them even when something within me told me what they were. This wasn't easy, this breaking away, not even this slight departure from the secure, camouflaged norm....

"The woman, Lara, attracts you," said the voice.

I suppose at that point I twitched or rolled in my sleep. Yes, the voice was right, the woman Lara attracted me. So much that I ached with it.

"Take her. Find a way. When you succeed in changing your name, and know that you can do things, then find a way. There will be a way."

The idea at once thrilled and frightened me.

I woke writhing and in a sweat again.

It was morning.

I dressed and headed for the jetcopter stage and the ship for Center One.

The ship was comfortable and departed on time, a transport with seats for about twenty passengers. I sat near the tail and moodily busied myself watching the gaunt brown earth far below. Between Centers there was mostly desert, only occasional patches of green. Before the atomic decade, I had heard, nearly all the earth was green and teemed with life ... birds, insects, animals, people, too. It was hard rock and sand now, with a few scrubs hanging on for life. The pre-atomics, who hadn't mastered synthesization, would have a hard time scratching existence from the earth today.

I tried to break the sad mood, and started to look around at some of the other passengers. That was when I first noticed the prisoners in the forward seats. Man and woman, they were, a youngish, rather non-descript couple, thin, very quiet. They were manacled and two Deacons sat across from them. The Deacons' backs were turned to me and I could see the prisoners' faces.

They had curious faces. Their eyes were indescribably sad, and yet their lips seemed to be ready to smile at any moment.

They were holding hands, not seeming to care about this vulgar emotional display.

I had the sudden crazy idea that Lara and I were sitting there, holding hands like that, nonconforming in the highest, and that we were wonderfully happy. Our eyes were sad too, but we were really happy, quietly happy, and that was why our lips stayed upon the brink of a smile.


I sighed. My mood was just as sad, if not sadder, than it had been before.

Later, in the rest room, I had a chance to talk to one of the Deacons guarding these two. I was washing my hands when he came in, and he nodded to me briefly and said, "Nice day for a flight."

He seemed pleasant enough, more than I would expect a Deacon to be. He was tall and blond and rather lithe; his shoulders sloped forward like a boxer's.

"Taking those prisoners to Center One?" I asked.

He nodded. "Yup. Habitual nonconforms. About as bad as they come."

"What did they do?"

He chuckled lasciviously. "Kept meeting each other in the rec centers. Didn't know they were being watched. We nabbed 'em topside after they'd gone out in the desert together."

"What happens to them now—Marscol?"

"They'd be lucky, brother, if that was only it. Oh, we'll ship 'em to Mars sooner or later, but first they got to be interviewed."

"You mean for reclassification?"

"No. Just interviewed. We do it routine with everybody we pick up now. Specially morals cases. That's how we crack down on other nonconforms. They got a regular organization, you know."

"They have?"

"Sure. They're all Southem spies. Trying to weaken us for an attack, that's all. I can spot 'em a mile away."

I frowned and cleared my throat a little. "Wouldn't you think that any spies would try to act as normal as possible and not call attention to themselves by infracting morally?"

He put a big finger on my chest. "Listen, you got no idea. I see these buzzards in operation all the time. I know what goes on."

"Of course. I'm sure you do." I kept the sarcasm out of my voice, but it was a struggle.

The finger tapped my chest, once to every word, it seemed. "We interview 'em all. Some of 'em, they really got nothing to tell us and the interview kind of breaks 'em. Know what I mean? But we got to do it. If we only get dope on other nonconforms from one out of ten, we figure we didn't waste our time."

"You mean these—interviews of yours are a form of torture?"

He gave me a hard eye and said, "We don't call it that, brother. We don't call it that."

"Of course," I said again, and went back to washing my hands.

I watched the prisoners for the rest of the flight. I couldn't stop watching them. And all this time I kept thinking of Lara, visualizing her, seeing her young figure and her light hair and her mouse-colored eyes, and not really knowing why.

I had the overpowering desire to spring forward and throttle the two Deacons and help the prisoners to escape. Almost overpowering. I didn't, naturally.

The jetcopter lowered toward the great green parks that cover the topside area of Center One. It was really refreshing to see them. I understood that the lucky residents of Center One were allowed to wander in these parks, and look at the growing things and the sky. Then, presently, the parks were out of sight again and we were settling on the concrete landing stage and I was back to reality.


The first contact at the Office of Psychological Adjustment was, as usual, an information desk. There were people instead of cybs to greet you and I suppose that was because of the special complications of problems brought here. The cybs have their limits, after all.

A gray man with a gray eye and a face like a mimeographed bulletin looked at me and said, in approved voice and standard phraseology, "what information is desired?"

I told him.

His eyebrows rose, as if suddenly buoyant. "Change your name? That's impossible."

I quoted, verse and chapter, the regulation covering it. "H'm," he said. His eyebrows came down, cuddling into a scowl. "Well, that's highly unusual procedure. Better let me see your identity tag."

I gave that to him and he saw my N/P status, and then my unspeakable name, and his eyebrows went up again.

"Perhaps you'd better get this straightened out with General Administration first," he said. He scribbled a slip of paper, showing me how to get there.

The rat race was on.

I found General Administration. They sent me to Activity Control. Activity Control said they couldn't do a thing until I was registered. I went to Registration. Registration said oh, no, I shouldn't have been sent there—although they'd try to direct me to the proper office if I got an okay from Investigation and Security. I. & S. said the regulation I quoted had been amended and I would have to have the amendment first and I could find that in Records. Records sent me back to the first place to get a Search Permit.

And so on.

I kept at it doggedly. Toward the end of the day my legs ached and head felt like a ball of granite. I had discovered that Opsych had nearly as many levels and tunnels and bays as Center Four in its entirety, and I had taken the intercom cars when possible, but most of it had been walking. I tightened my jaw and pulled my stomach in. I'd get to see the Chief if it took me a year.

That was hyperbole, of course. No man could last a year walking those dim, monotonous, aseptic corridors. How can I describe the feeling? The corridors are the same wherever you go. The glowlight comes steadily, unblinkingly, from the walls. The color is a dead oyster white.

There is always the feeling of being lost—even when you know, or think you know, exactly where you are.


It was near the end of the day and I was back at the information desk.

"You again," said the gray man with the gray eye.

"Records says I need a Search Permit. I have to find an amendment on the regulation covering my case."

"Why don't you just give up? You're causing us a great deal of trouble, you know. We have other work to do. Important work."

"So have I. I'm a magnetic mechanics expert. I could be working for the State right now if I could get a post. I can't get a post till my name's changed."

"That's ridiculous."

"I agree. But it's true just the same."

"Well, here's your Search Permit. But I still think you'd be wiser to forget it. And you'd save us a lot of fuss."

I leaned across the desk. "You could save the whole organization a lot of fuss if you'd direct me to the Chief's office. Then I could take my case up with him directly. I've been keeping my eye open for it, but I can't find it anywhere, and of course nobody'll direct me there, even if they know where it is."

He stared at me with mild horror. "Go direct to the Chief's office? Without going through channels?"

"Well, that's what I had in mind."

"Then you'd better get it out of your mind. That's pretty dangerous thinking. That's close to infraction."

"All right." I sighed. "I'll do it the hard way." I took the Search Permit and went back to Records. I was still searching for the amendment when closing time came.

I went back into the dim white corridors and found a foodmat, got some nutro-pills and reviewed the day. These workers here in Center One were experts at putting you off. They were much more skilful than the officials in Center Four. Maybe that was why they were in Center One. Maybe I never would wear them down.

That thought came along and formed a ball of ice right in the bottom of my stomach.

I had to think. I had to think and rest. Real air and a night breeze would help.

I found a shaft and went topside.

I started walking along a winding trail in the great park. The stars were out. They were diamonds, ground to dust, and thrown carelessly across the black velvet of the sky. The moon had not yet risen. There was a breeze, cool and light, and it brought temporary sanity. At least it helped me realize I was tired.

I came to a little brook, and, instead of crossing the foot bridge, I turned and followed the brook upstream. It led through groves of trees and presently I found a little clearing where the bank sloped gently and was covered with soft moss. At the water's edge, the bank and a rock formation made a kind of overhanging ledge and I sat on this a while and stared at the water, liquid silver, tumbling below.

Finally I moved up the bank a little, wrapped my cloak around me and lay down. I looked at the stars. I wondered which one might be Mars. It was red, I'd heard, but I saw nothing like that. Probably it wasn't visible now. I got to thinking about Mars, and I got to thinking about the prison colony there, and then I got to thinking about the primitive life, and then free-mating.

That made me think of Lara, and her firm body and long, clean limbs and blonde hair and mouse-colored eyes.

I drifted off to sleep. Lara stayed with me; she stepped into my dream. It was a wonderful dream. Her voice, when she broke from standard, was thrilling and delicious. It was linked with the tumbling of the brook somehow. She was warm and vibrant in my arms. She was alive, so alive. She was all movement.

We were laughing together and....


I awoke to the sound of shooting.

The moon had risen and the broad glades were silver green and the trees were casting shadows. Voices were barking back and forth within the woods.

"Over that way!" called one.

"Cut 'em off! Cut 'em off!" yelled another.

A man and woman, both entirely naked, both speckled with wounds and bruises, all standard in questioning, stumbled into the clearing. Their eyes were wild, big for their faces. They were thin. They gasped for breath. They looked around them, rats in mazes, and then saw me.

They drew back.

"This way!" called a voice from the wood.

Another shot rang out.

I stared at the man and woman, still too surprised to know what to do or say.

They were the two prisoners I had seen in the jetcopter on my way to Center One.


IV

Maybe I was not quite awake. Maybe I was not really bright, though everybody thinks of himself as bright, I suppose. Maybe it was everything that had happened since the renumbering. Maybe I was fed up and maybe something about the quiet woods called out: Rebel! Rebel!

I don't know.

I pointed to the brook, the overhanging bank, and said, "In there! Quick!"

They scuttled. They passed me and looked at me half-thankfully, half-fearfully.

The voices came nearer.

"Come on! This way! They can't get far!"

I wrapped myself in my cloak and sat down and pretended to be gazing at the stars.

A moment later three Deacons burst upon the clearing. I turned slowly, and stared at them, showing mild artificial surprise. Handsome, burly fellows. The one in the middle was a positive Apollo; I was sure that he waved his hair. He glared at me.

"You," he said.

"Me?"

"Yes, you. What are you doing here?"

I said, "I'm sitting here."

"What for?"

"The night air. To study the stars. Get a change of scene." I shrugged.

Apollo stepped forward and held out his hand. "Your tag."

This was it. When he saw my four letter name he'd really start working on me. I unsnapped the tag from my neck band and handed it to him.

He looked at it, but didn't change expression. The Deacons are well-trained. He looked up again. "N/P, eh?"

"Yes."

"And you belong in Center Four."

"Yes."

"Explain."

I did. Or tried to. Things were roiling around inside me, keeping me from thinking clearly. Once, as I talked, I thought I heard movement under the bank, but the Deacons didn't seem to notice anything. I tried to tell them of my troubles.

There was no sympathy in their eyes.

Apollo said, "See anybody pass by here?"

"Pass by?" I hoped my look was innocent. "Who?"

"Two fugitives. Nonconforms. Escaped during interview. Got the force screen turned off somehow—must have had spies helping them. You didn't see them, eh?"

I shook my head. "I haven't seen anyone for several hours."


Apollo and his two friends traded glances. The one on the right was bull-necked and red-headed; the one on the left had a neck and nose like a crane. It was the one on the left who suddenly smiled. Not a pleasant smile. He stepped up to Apollo and whispered something in his ear. Then Apollo smiled and turned to me again.

"You're sure you haven't seen anyone."

He knew something. I didn't know what, but it was too late to back out now. I said, "Of course I'm sure."

Apollo kept his eyes on me, hard, flat, stony, and held out his hand to the cranelike Deacon. "Your light," he said. The other handed it to him. Apollo flashed it on the ground. It came to rest upon unmistakable footprints in the soft moss. They led to the bank.

I could be certain of arrest, and one of their little interviews now. I really had nothing to lose. Nothing that wasn't already lost—

"Run!" I shouted at the top of my lungs. "They're coming!"

There was a rustling under the bank.

I leaped at Apollo. I leaped hard, with my feet solid, pushing me forward. My shoulder hit him in the midriff. He went down. I scrambled over him and jammed my thumb into his shoulder. He screamed.

There was a buzzing sound and the smell of burned flesh, and a tenth of a second later I felt pain. One of the others had jammed his electric truncheon into the small of my back. It bored in, it burned, and I writhed and yelled. I couldn't help it. I rolled over.

Someone was kicking at me. I grabbed his leg and pulled him down and when he struck the ground I twisted. Another shape blurred toward me—Apollo, recovered and on his feet again. Then buzzing, burned flesh, and the pain this time in the back of my neck. My head swirled. I thrashed, trying to get away. Get away where? That made not much difference. Away, that was all.

The buzzing continued. It was through my flesh now and touching the spine. It would destroy the nerves in a moment. I would be dead—or even worse, a limp cripple, a rag doll.

The smell of roasted flesh and hair was a thick, choking, sickening fog of decay. I couldn't breathe. There was blackness, swirling and concentric, closing in.

I think one of them kicked me in the groin before I lost consciousness.

I couldn't be sure. I couldn't be sure of anything.


Coming out. Sound before sight and I heard the low voices. My eyes were already open. Nebulous shapes, now sharpening.

I was in a small room with gleaming metal walls and I was on my back on a sort of table. Three men were in the room with me, standing over me. Apollo ... the bull-necked man ... the man with the nose like a crane.



Apollo was smiling. Pour water over that smile and immediately a film of ice would form.

"A spy," said Apollo, looking into my open eyes. "Another damn spy."

I shook my head. Ridiculous, but that's what I did. The movement pulled at the wound in the back of my neck and sharp pain, starting there, shot through my whole body. I grimaced and groaned.

Apollo laughed, then suddenly brought his club hard across my face. My cheekbone seemed to make a crunching sound.

"A spy, a damned spy," said Apollo.

"We got a confession for you to sign," said the Crane.

Apollo said, "Shut up. Not yet. We got to interview him first."

"Look," I said, trying to lift my head, trying to rise upon my elbows, "call your chief. Call anybody like that. I can explain this whole thing. It's a long story—"


He hit me again across the other cheekbone.

Shall I describe the next timeless endless hour? All the details? I don't remember all of them, of course, just the moments of sharpest pain that lifted me from the daze. Just the sound of my own screaming at times, and the helpless dryness of my own throat, and the sounds that kept coming from it even when the vocal cords were numb.

Apollo and his pals had fun.

There were the electric clubs. They become so hot at the tip that they will burn through an inch of pine in a couple of seconds. They go even quicker through flesh. After a while the smoke of my own burning flesh was thick in the room, and we all choked a little on it.

They had more fun with their fists, though. They didn't burn me in the worst places. They saved them for their fists and hands.

After a while I couldn't scream. Only a hoarse, helpless, retching sound came out whenever I opened my mouth.

Did I hear their voices then? I couldn't be sure whether I heard them speak, or whether I dreamed that they spoke.

"He can't feel it any more now." That was Apollo's voice.

"Wake him up again," said the Crane. "Give him a shot."

"Oh, hell, I'm hungry," said Apollo.

"All right," said the Crane, "let's go get something to eat. We can always come back again."

Blackness, sweet blackness, and the sense of floating among the stars. Nothingness. It was exquisite now ... even the touch of agony that still seeped through was exquisite.

How much of this, I don't know.

I heard a voice again, and at first I thought my precious blackness was leaving me. I struggled to keep it. I grasped out, clutching with my mind.

"Don't give up ... we are coming...."

It was her voice. The low, seductive voice of my dreams. But I didn't want to hear it now; this was the last thing I wanted to hear. This voice had brought me here, and I never wanted to hear it again.

"No matter what they say ... no matter what they offer you or tell you ... don't give up."

I fought it off. I drove it away by sheer mind-power. Either that or it stopped of itself. I didn't know and didn't care; all I wanted was peace and blackness again if I could find it.

And then, after a while, I was awake, truly awake, and I knew this because I ached and burned all over. I could scarcely move. I lay on the tablelike thing and stared at the gleaming metal ceiling, not really seeing it.

"How do you feel?" said somebody.


I turned my head. The somebody was sitting beside me. He was a man of about fifty, thick-set and gray-haired with skin that looked like fine porcelain. His eyes were blue and they seemed able, intelligent. He was not exactly smiling, but his expression was pleasant. Poised—that was the word. Here was a man who would quietly control things wherever he would go.

I said, "Lousy. And you?"

Ghost of a smile. "Sorry you had to go through it. We pick the Deacons because they're sadistically inclined. That makes for efficiency in the long run. Some people suffer, of course, but it's for the common good."

I didn't say anything. If I had, it would have been insulting, unreasonable, blasphemous, obscene and treasonable. So I didn't say anything. I just kept staring at him.

He continued to smile. "I'm N-J-K-F one seven seven three four nine, Chief of the Office of Psychological Adjustment. I'm usually simply Chief. I want you to consider me your friend—within the limits of State good, that is."

I still didn't say anything.

"Yours is quite a case, and of course I understand it. I think I had a quick insight into it the moment I spotted the arrest report on you. You're really lucky I happened to go through the arrest reports a little while ago, and got to you before the three Deacons who interviewed you returned. They were going to interview you some more."

"Yes. I'm very lucky." My voice was flat, lifeless.

He leaned back easily in the chair. For all that he was thick-set, he was graceful. He was handsome. His head, and deep, pleasant voice, and the cut of his porcelain features all were handsome. Trust in me, said this handsomeness, I am a father to all men.

"Naturally, we want to excuse your actions, and all the infractions you have committed in your rather desperate struggle for escape from your situation. Of course we'll have to re-evaluate your Emotional Adjustment Category. It must be very low by now. And I think I'll be able to assign a new name to you, and have it justify."

Funny, here was the thing I'd sought and fought for, and now I had it, and this was the end of the long fight, and I didn't feel triumphant at all. I didn't even feel pleased. Funny.

The chief said, "You can undoubtedly find a post suitable to a lower E.A.C. You can work your way up again. At least you'll be on productive status and have all the privileges that go with it."

"Yes," I said. "Yes, I suppose so."

"So there's really nothing to worry about now, is there?"

"No, I suppose not."

"There's just one little thing I'd like to go into before I take the steps necessary to get you on your feet again." Even his magnificent poise couldn't conceal the feather touch of slyness then.

"One little thing?" I asked.


The pain was with me again. My body wasn't flesh; it was all raw, clinging pain.

"We'll have to know who started you on your little quest. Who influenced you to try to have your name changed."

I said, "I don't understand what you're talking about."

He looked patient, smilingly patient. "It's rather obvious, you know. You wouldn't have acted as you did purely on your own impulses. I know that, because I cybed for your master file after I saw the report of arrest. Up until two days ago, your actions have always been satisfactorily conformal. A man doesn't change overnight like that without some sort of external influence."

"But there wasn't any," I protested. "I mean, nobody told me to do anything. Nobody real."

He chuckled. "Come now, you don't expect me to believe that, do you? After all, I deal with cases like this quite often. You're not the only one who has tried to upset the efficiency of the State. There's a pattern in these things, my friend. Almost invariably we find that a deliberate influence has gone to work on our infractor. There's a dangerous, organized underground movement that spends its time bringing these things about. One of its members unquestionably contacted you, suggested that you take the steps you have taken. Now, then, who was it?"

"Nobody." I looked blank because I felt blank.

The Chief sighed. "You've changed more than I thought. Probably you're emotionally angry with the State now, after that little interview with the Deacons. That's understandable. But you'll have to come back to your senses. Let's put it this way, old man. If I don't get this information from you right now, the Deacons will."

"Listen," I said, "what I'm telling you is the truth. There was nobody who told me to do anything. There was—well, there was a kind of voice that used to come into my dreams. A woman's voice. It suggested, in my dreams, that I go ahead and try to get my name changed. That's all."

He wasn't smiling any more. "Do you really expect me to believe that?"

"It's the truth, I tell you. It's the truth!"

"Perhaps whoever influenced you did it subtly. Perhaps you never even realized it. Think back now. Who helped you? Who departed from standard and gave you any kind of aid?"

Realization came like a cold wash. There had been help. Lara. She had gone out of her way back there in N. & I. She had been warm and real and she had dropped the mask of efficiency. Could it have been with a purpose? No matter. Guilty or innocent, if I mentioned her name, she would be interviewed. I didn't want that to happen to Lara. I shook my head and said, "No one helped me. I did it all myself. You've got to believe that."

"I don't," said the Chief, and got up. He looked at me for just a moment before he turned away. He said, "The boys will be able to have their fun, after all. I suppose it's just as well. It keeps their morale up to be able to interview somebody once in a while."

"No! You can't! You can't send them in here again!" I shouted, without meaning to. I struggled to rise and found that I was strapped to the table. "No! No!"

He was standing at the doorway to the room. He held a key-box oscillator in his hand and I knew that a force screen held me in the cubicle here, and that without a key-box I could beat my head forever against that invisible barrier and never pass through that doorway. He said, "I'll give you one hour to decide. I'll be back. I'll ask you if you're ready to talk. If you aren't—well, you'll talk to the Deacons instead of me."

The key-box hummed and he walked through the doorway and turned and disappeared.

I stared after him and fought back my sudden nausea.


V

How long, then, lying there before a key-box hummed again? I didn't know. My time sense had been dulled. Even the pain was dull now; it was something that had always existed.

I looked at the shining ceiling.

The glowlights began to dim and I supposed that since my arrest in the park another day had passed.

Most of all, I wondered. Something had happened to me, something that I could almost feel as a physical change, but I didn't know quite what it was. I knew its results. I knew that I was no longer standard, no longer conformal, no longer well-behaved and moral and an efficient, useful citizen of the State. I hated the State. I hated all States. I hate all efficiency and common sense and hate.

It suddenly came to me that I didn't care whether I was in Southem or Northem, or which of them ruled the world.

I lay there.

And presently a key-box hummed and I didn't even look that way. The stink of my own burning flesh still clung to my nostrils, the dull pain was still with me, but I didn't care. It was too much. When horror becomes too great, it stops being horror. The mind is smart. It doesn't believe; it doesn't register. The curve of sensation flattens out, stops, almost.

When such horror looms, you go on doing whatever you are doing.

I was lying there, so I went on lying there.

"Don't speak," whispered a voice. "Don't ask questions."

Something fumbled at the straps. I turned my head, and two people were in the room. They were thin, and their eyes were overlarge and they were naked and covered with bruises. The fugitives of the park last night!

"What are you doing here?"

Finger to the lips. That was the man. He was taking the straps from my legs. The woman was releasing my arms and shoulders.

"But—"

"Sh!" That was the woman.

In a moment they had me free. I started, confidently, to rise, and the pain streaked through me like a powder rocket. They helped me. I stood there, amazed that I could stand. They helped me go forward. I took several dizzy steps, and after that it wasn't as bad. We moved through the doorway; there was no force screen. The man held the key-box. He pressed it as we moved away, to bring the force screen into place once more.

I said, "Where are we—?"

I was shushed again. We went on through the corridors. Dead oyster white corridors. I walked as through a sea of marshmallow. Time sense was gone again and we were pushing on and on and there was no end in sight and we had already forgotten the beginning.

We took an automatic shaft to another level and walked more corridors.


Once we passed an opening and tunnelcars filled with people roared past. I had a flash glimpse of them. They sat there staring straight ahead, wearing the efficient expressions of good workers. State corpses.

Suddenly we emerged into the dark. It was the dark of night, but after the tunnels it was practically sunrise. The air was clean—no, it was not actually as clean as the conditioned air below. It was more than clean. It was alive.

We were on the edge of a great concrete paved area. About a hundred yards ahead, a massive, shining, fat needle rose into the air, and squatted there against the stars. It was a spaceship in its launching cradle. There were low buildings near it, a few floodlights, and people standing around. It took a moment to realize that the men walking up and down and along the groups of people, the men with rifles on their shoulders, were guards.



"Luck, now, that's all we need. A little luck," said the thin man beside me. It was the first time I had heard his voice. It was a low voice; he spoke with emotion. It was not approved standard.

The woman moved beside him and put her hand upon his arm.

I said, "May I talk now?"

He turned to me, smiling. The smile had something of that sadness I had first noticed when he sat a prisoner in the jetcopter. "You want an explanation, don't you? Of course you do. But I'm afraid I can't tell you very much, except that we were sent to get you."

"Sent? By whom? How did you have a key-box? And—"

He laughed. "Wait, one question at a time. I was a force screen technician before—before we were arrested. Cells are the same everywhere. I know how to short the screens out from the inside; it's troublesome, but it can be done. That's how we escaped the first time. Then they discovered we were gone, chased us, and you gave us our second chance. We came here to the rendezvous. There were six here, including our elected leader. When we told the leader what had happened, she arranged for us to return, find you, and help you escape. It wasn't any problem to lift a key-box from the rack where they're usually kept."


I felt as though I had been put upon the end of a huge oscillating spring. I said, "The leader? She?"

"You'll meet her," he said. "After blastoff you'll meet her. Right now our problem is to slip in among those prisoners without being seen."

"Among the prisoners?"

"Haven't time to explain more. You'll have to trust us. Unless you want to stay here and have the Deacons hunt you till they find you."

He was right: wherever I was going, I had to go. I couldn't go back now. Ever. I said, "I trust you. Let's go."

Slipping in wasn't really difficult. There were only one or two guards for each group of prisoners, and they were looking for someone to escape, not join their flock. Some of the prisoners were dressed, some naked. Some looked bruised and beaten; some did not. It all depended on whether they had been questioned. They all looked dull-eyed, resigned. They paid remarkably little attention as we moved in among them, and stood there.


The guards began to call out orders presently and the groups shuffled forward, and then single lines moved up the ramp and into the spaceship. The thin man and his woman were still with me. "They don't bother to count," he whispered, "so we won't be noticed."

I wanted to ask him other questions, but we were divided into groups and they weren't in mine.

Minutes later I found myself in the vast hull, sitting on one of the tiers that hold the seats vertical when the ship is tail-based for blastoff. It was very dim here and I couldn't readily make out the faces of the people on the same tier with me.

A loudspeaker came to life; a deep, impersonal voice. "Fasten your webbings carefully!"

I did that and heard the rustling sounds about me as the others did it, too.

"Stand by for blastoff!"

There was a dead pause, then a sudden low throbbing roar and the feeling of life in the floor plates and the bulkheads. I felt the slightest weight of pressure against the seat. The seat began to tilt slightly.

Suddenly a soft voice on my left spoke: "We're on our way. They can't stop us now, can they?"

It was the same low, provocative woman's voice that I had heard in my dreams!

I whirled my head. I could see only the shape of flowing hair, no features. "Who are you?"

She laughed. "No wonder you don't recognize me. The natural voice is different than approved standard, isn't it? Listen. Do you remember this?" The head cocked to one side and a crisp, formal voice came out. "Information you desire is in Bank 29."

"Lara!" I said. I pushed toward her, but the webbing held me back.

"Yes. It's I. And we're together now and we'll have a long, long time to find out about each other. It's ten weeks to Mars."


I ran my hand over my forehead. "I don't get it. I don't get any of it. Your voice—I mean your real voice, not the standard one—I dreamed about it, and—"

"I know." I could see her nod. "It wasn't a dream, though. I was talking to you. Each time. That was the way we planned it from the beginning."

"Talking to me? But—but how? Through the sleep-learner?"

"No, we'd never have been able to arrange that. It was through your identity tag, which would almost always be in contact with your skin when you slept. It has a microscopic electrical circuit, both between its metal halves and painted on its surface. The same principle as the sleep-learner, tactile induction, and, of course, a highly selective one-channel receiver. All I needed to do was put my transmitter on that same frequency."

I shook my head. "I follow, I guess, but I'm still baffled. Why all this? When did—"

"Wait for me to finish," she said. "We've been organized and underground, just as the Deacons suspect, for some time. One of our members worked on the identity tags and, when renumbering came about, it was a perfect opportunity to plant the receivers. We picked our people carefully. We picked doctors and hydroponic experts and chemists and rocket pilots—and we picked you because of your knowledge of space drive theory. Someday we'll go on to the stars; someday you'll help us do that. Anyway, all these people we have picked—or most of them—are joining us on Mars. There's where mankind will begin again while Northem and Southem sit upon earth and glare at each other across the equator and wait for war."

"But Mars—there's an equator there, too."

She laughed. "Northem and Southem prisoners there mingle all the time. There aren't enough guards to notice it, or stop it if they did notice it. There have even been hundreds of intermarriages."

"Marriages? You mean like the pre-atomics?"

"Exactly. But we'll get to that later. We needed you for our colony, only it wasn't likely that you'd infract all by yourself. You were too standard, too adjusted. We had to give you something to shake you out of it, to make you realize that the security of the State was not security, but slavery. And so one of our members in the renumbering bureau arranged for you to have that four letter word of yours for a name. One thing led to another, then, not always exactly as we'd planned it, but always in the same general direction. Our whole plan nearly failed when the Deacons nabbed you in the park. Fortunately, I'd come along to stow away on this trip, and I sent those others back after you."

"But what if I'd actually managed to get my name changed?"


The ship was swaying now, balanced on its rocket trail. The acceleration was increasing. The seat was swinging back. The roar was becoming louder.

"It was unlikely enough to take a chance on it. We felt at the very least you'd be kept on N/P status and then we could work on you some more until you infracted, and got sent to Marscol as a nonconform. Funny, that seems a terrible fate to most people. Actually, it's the only escape. From what I hear of Mars we'll like it there."

I was recovering a little now and I dared to say, "If you're there, too, I'll like it. I know that."

"Oh, you'll like other things. You'll like everything. And on Mars they'll call you by your present name if you wish, and no one will be at all shocked by it." There was a slight pause and then she said, "In fact, it's a very nice name. I—I wouldn't mind having it myself."

"Is that what the pre-atomics called a proposal?"

She laughed. "I'm not sure. But at least we have ten weeks to talk it over—"

And then the acceleration pressed hard and the gray curtain began to come, and I knew that when it was lifted we would be on our way through space. I thought in that moment of the name that had brought all this about—the unspeakable four letter word that no conformist would ever dare voice, or even think of; the word, the dangerous word inimical to all that the warring, efficient State meant and stood for.

The word, I realized, that eventually would destroy all that.

I dared to say it now. I spelled it out first, and then I pronounced it. Just loud enough for Lara to hear above the growing roar. "L-O-V-E," I said. "Love."

I heard Lara repeat it before the momentary blackout came.

A Coffin for Jacob by Edward W. Ludwig


A Coffin for Jacob

By EDWARD W. LUDWIG

Illustrated by EMSH

[Transcriber's Note: This etext was produced from
< a type="amzn">Galaxy Science Fiction May 1956.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


With never a moment to rest, the pursuit
through space felt like a game of hounds
and hares ... or was it follow the leader?


Ben Curtis eased his pale, gaunt body through the open doorway of the Blast Inn, the dead man following silently behind him.

His fear-borne gaze traveled into the dimly illumined Venusian gin mill. The place was like an evil caldron steaming with a brew whose ingredients had been culled from the back corners of three planets.

Most of the big room lay obscured behind a shimmering veil of tobacco smoke and the sweet, heavy fumes of Martian Devil's Egg. Here and there, Ben saw moving figures. He could not tell if they were Earthmen, Martians or Venusians.

Someone tugged at his greasy coat. He jumped, thinking absurdly that it was the dead man's hand.

"Coma esta, senor?" a small voice piped. "Speken die Deutsch? Desirez-vous d'amour? Da? Nyet?"

Ben looked down.

The speaker was an eager-eyed Martian boy of about ten. He was like a red-skinned marionette with pipestem arms and legs, clad in a torn skivvy shirt and faded blue dungarees.

"I'm American," Ben muttered.

"Ah, buena! I speak English tres fine, senor. I have Martian friend, she tres pretty and tres fat. She weigh almost eighty pounds, monsieur. I take you to her, si?"

Ben shook his head.


He thought, I don't want your Martian wench. I don't want your opium or your Devil's Egg or your Venusian kali. But if you had a drug that'd bring a dead man to life, I'd buy and pay with my soul.

"It is deal, monsieur? Five dollars or twenty keelis for visit Martian friend. Maybe you like House of Dreams. For House of Dreams—"

"I'm not buying."

The dirty-faced kid shrugged. "Then I show you to good table,—tres bien. I do not charge you, senor."

The boy grabbed his hand. Because Ben could think of no reason for resisting, he followed. They plunged into shifting layers of smoke and through the drone of alcohol-cracked voices.



They passed the bar with its line of lean-featured, slit-eyed Earthmen—merchant spacemen.

They wormed down a narrow aisle flanked by booths carved from Venusian marble that jutted up into the semi-darkness like fog-blanketed tombstones.

Several times, Ben glimpsed the bulky figures of CO2-breathing Venusians, the first he'd ever seen.

They were smoky gray, scaly, naked giants, toads in human shape. They stood solitary and motionless, aloof, their green-lidded eyes unblinking. They certainly didn't look like telepaths, as Ben had heard they were, but the thought sent a fresh rivulet of fear down his spine.

Once he spied a white-uniformed officer of Hoover City's Security Police. The man was striding down an aisle, idly tapping his neuro-club against the stone booths.

Keep walking, Ben told himself. You look the same as anyone else here. Keep walking. Look straight ahead.

The officer passed. Ben breathed easier.

"Here we are, monsieur," piped the Martian boy. "A tres fine table. Close in the shadows."

Ben winced. How did this kid know he wanted to sit in the shadows? Frowning, he sat down—he and the dead man.

He listened to the lonely rhythms of the four-piece Martian orchestra.

The Martians were fragile, doll-like creatures with heads too large for their spindly bodies. Their long fingers played upon the strings of their cirillas or crawled over the holes of their flutes like spider legs. Their tune was sad. Even when they played an Earth tune, it still seemed a song of old Mars, charged with echoes of lost voices and forgotten grandeur.

For an instant, Ben's mind rose above the haunting vision of the dead man. He thought, What are they doing here, these Martians? Here, in a smoke-filled room under a metalite dome on a dust-covered world? Couldn't they have played their music on Mars? Or had they, like me, felt the challenge of new worlds?

He sobered. It didn't matter. He ordered a whiskey from a Chinese waiter. He wet his lips but did not drink. His gaze wandered over the faces of the Inn's other occupants.

You've got to find him, he thought. You've got to find the man with the red beard. It's the only way you can escape the dead man.


The dead man was real. His name was Cobb. He was stout and flabby and about forty and he hated spacemen.

His body was buried now—probably in the silent gray wastes outside Luna City. But he'd become a kind of invisible Siamese twin, as much a part of Ben as sight in his eyes.

Sometimes the image would be shuffling drunkenly beside him, its lips spitting whiskey-slurred curses.

Again, its face would be a pop-eyed mask of surprise as Ben's fist thudded into its jaw. More often, the face would be frozen in the whiteness of death. The large eyes would stare. Blood would trickle from a corner of the gaping mouth.

You can forget a living man. You can defeat him or submit to him or ignore him, and the matter is over and done. You can't escape from a memory that has burned into your mind.

It had begun a week ago in Luna City. The flight from White Sands had been successful. Ben, quietly and moderately, wanted to celebrate. He stopped alone in a rocketfront bar for a beer. The man named Cobb plopped his portly and unsteady posterior on the stool next to him.

"Spacemen," he muttered, "are getting like flies. Everywhere, all you see's spacemen."

He was a neatly dressed civilian.

Ben smiled. "If it weren't for spacemen, you wouldn't be here."

"The name's Cobb." The man hiccoughed. "Spacemen in their white monkey suits. They think they're little tin gods. Betcha you think you're a little tin god." He downed a shot of whiskey.

Ben stiffened. He was twenty-four and dressed in the white, crimson-braided uniform of the Odyssey's junior astrogation officer. He was three months out of the Academy at White Sands and the shining uniform was like a key to all the mysteries of the Universe.

He'd sought long for that key.


At the age of five—perhaps in order to dull the memory of his parents' death in a recent strato-jet crash—he'd spent hours watching the night sky for streaking flame-tails of Moon rockets. At ten, he'd ground his first telescope. At fourteen, he'd converted an abandoned shed on the government boarding-school grounds to a retreat which housed his collection of astronomy and rocketry books.

At sixteen, he'd spent every weekend holiday hitchhiking from Boys Town No. 5 in the Catskills to Long Island Spaceport. There, among the grizzled veterans of the old Moon Patrol, he'd found friends who understood his dream and who later recommended his appointment to the U. S. Academy for the Conquest of Space.

And a month ago, he'd signed aboard the Odyssey—the first ship, it was rumored, equipped to venture as far as the asteroids and perhaps beyond.

Cobb was persistent: "Damn fools shoulda known enough to stay on Earth. What the hell good is it, jumpin' from planet to planet?"

The guy's drunk, Ben thought. He took his drink and moved three stools down the bar.

Cobb followed. "You don't like the truth, eh, kid? You don't like people to call you a sucker."

Ben rose and started to leave the bar, but Cobb grabbed his arm and held him there.

"Thas what you are—a sucker. You're young now. Wait ten years. You'll be dyin' of radiation rot or a meteor'll get you. Wait and see, sucker!"

Until this instant, Ben had suppressed his anger. Now, suddenly and without warning, it welled up into savage fury.

His fist struck the man on the chin. Cobb's eyes gaped in shocked horror. He spun backward. His head cracked sickeningly on the edge of the bar. The sound was like a punctuation mark signaling the end of life.

He sank to the floor, eyes glassy, blood tricking down his jaw.

Ben knew that he was dead.

Then, for a single absurd second, Ben was seized with terror—just as, a moment before, he'd been overwhelmed with anger.

He ran.


For some twenty minutes, he raced through a dizzying, nightmare world of dark rocketfront alleys and shouting voices and pursuing feet.

At last, abruptly, he realized that he was alone and in silence. He saw that he was still on the rocketfront, but in the Tycho-ward side of the city.

He huddled in a dark corner of a loading platform and lit a cigarette. A thousand stars—a thousand motionless balls of silver fire—shone above him through Luna City's transparent dome.

He was sorry he'd hit Cobb, of course. He was not sorry he'd run. Escaping at least gave him a power of choice, of decision.

You can do two things, he thought.

You can give yourself up, and that's what a good officer would do. That would eliminate the escape charge. You'd get off with voluntary manslaughter. Under interplanetary law, that would mean ten years in prison and a dishonorable discharge. And then you'd be free.

But you'd be through with rockets and space. They don't want new men over thirty-four for officers on rockets or even for third-class jet-men on beat-up freighters—they don't want convicted killers. You'd get the rest of the thrill of conquering space through video and by peeking through electric fences of spaceports.

Or—

There were old wives' tales of a group of renegade spacemen who operated from the Solar System's frontiers. The spacemen weren't outlaws. They were misfits, rejectees from the clearing houses on Earth.

And whereas no legally recognized ship had ventured past Mars, the souped-up renegade rigs had supposedly hit the asteroids. Their headquarters was Venus. Their leader—a subject of popular and fantastic conjecture in the men's audiozines—was rumored to be a red-bearded giant.

So, Ben reflected, you can take a beer-and-pretzels tale seriously. You can hide for a couple of days, get rid of your uniform, change your name. You can wait for a chance to get to Venus. To hell with your duty. You can try to stay in space, even if you exile yourself from Earth.

After all, was it right for a single second, a single insignificant second, to destroy a man's life and his dream?


He was lucky. He found a tramp freighter whose skipper was on his last flight before retirement. Discipline was lax, investigation of new personnel even more so.

Ben Curtis made it to Venus.

There was just one flaw in his decision. He hadn't realized that the memory of the dead man's face would haunt him, torment him, follow him as constantly as breath flowed into his lungs.

But might not the rumble of atomic engines drown the murmuring dead voice? Might not the vision of alien worlds and infinite spaceways obscure the dead face?

So now he sat searching for a perhaps nonexistent red-bearded giant, and hoping and doubting and fearing, all at once.

"You look for someone, senor?"

He jumped. "Oh. You still here?"

"Oui." The Martian kid grinned, his mouth full of purple teeth. "I keep you company on your first night in Hoover City, n'est-ce-pas?"

"This isn't my first night here," Ben lied. "I've been around a while."

"You are spacemen?"

Ben threw a fifty-cent credit piece on the table. "Here. Take off, will you?"

Spiderlike fingers swept down upon the coin. "Ich danke, senor. You know why city is called Hoover City?"

Ben didn't answer.

"They say it is because after women come, they want first thing a thousand vacuum cleaners for dust. What is vacuum cleaner, monsieur?"

Ben raised his hand as if to strike the boy.

"Ai-yee, I go. You keep listen to good Martian music."

The toothpick of a body melted into the semi-darkness.

Minutes passed. There were two more whiskeys. A ceaseless parade of faces broke through the smoky veil that enclosed him—reddish balloon faces, scaly reptilian faces, white-skinned, slit-eyed faces, and occasionally a white, rouged, powdered face. But nowhere was there a face with a red beard.

A sense of hopelessness gripped Ben Curtis. Hoover City was but one of a dozen cities of Venus. Each had twenty dives such as this.

He needed help.

But his picture must have been 'scoped to Venusian visiscreens. A reward must have been offered for his capture. Whom could he trust? The Martian kid, perhaps?

Far down the darkened aisle nearest him, his eyes caught a flash of white. He tensed.

Like the uniform of a Security Policeman, he thought.

His gaze shifted to another aisle and another hint of whiteness.

And then he saw another and another and another.

Each whiteness became brighter and closer, like shrinking spokes of a wheel with Ben as their focal point.

You idiot! The damned Martian kid! You should have known!


Light showered the room in a dazzling explosion. Ben, half blinded, realized that a broad circle of unshaded globes in the ceiling had been turned on.

The light washed away the room's strangeness and its air of brooding wickedness, revealing drab concrete walls and a debris-strewn floor.

Eyes blinked and squinted. There were swift, frightened movements and a chorus of angry murmurs. The patrons of the Blast Inn were like tatter-clad occupants of a house whose walls have been ripped away.

Ben Curtis twisted his lean body erect. His chair tumbled backward, falling.

The white-clad men charged, neuro-clubs upraised.

A woman screamed. The music ceased. The Martian orchestra slunk with feline stealth to a rear exit. Only the giant Venusians remained undisturbed. They stood unmoving, their staring eyes shifting lazily in Ben's direction.

"Curtis!" one of the policemen yelled. "You're covered! Hold it!"

Ben whirled away from the advancing police, made for the exit into which the musicians had disappeared.

A hissing sound traveled past his left ear, a sound like compressed air escaping from a container. A dime-sized section of the concrete wall ahead of him crumbled.

He stumbled forward. They were using deadly neuro-pistols now, not the mildly stunning neuro-clubs.

Another hiss passed his cheek. He was about twelve feet from the exit. Another second, his brain screamed. Just another second—

Or would the exits be guarded?

He heard the hiss.

It hit directly in the small of his back. There was no pain, just a slight pricking sensation, like the shallow jab of a needle.


He froze as if yanked to a stop by a noose. His body seemed to be growing, swelling into balloon proportions. He knew that the tiny needle had imbedded itself deep in his flesh, knew that the paralyzing mortocain was spreading like icy fire into every fiber and muscle of his body.

He staggered like a man of stone moving in slow motion. He'd have fifteen—maybe twenty—seconds before complete lethargy of mind and body overpowered him.

In the dark world beyond his fading consciousness, he heard a voice yell, "Turn on the damn lights!"

Then a pressure and a coldness were on his left hand. He realized that someone had seized it.

A soft feminine voice spoke to him. "You're wounded? They hit you?"

"Yes." His thick lips wouldn't let go of the word.

"You want to escape—even now?"

"Yes."

"You may die if you don't give yourself up."

"No, no."

He tried to stumble toward the exit.

"All right then. Not that way. Here, this way."

Heavy footsteps thudded toward them. A few yards away, a flashlight flicked on.

Hands were guiding him. He was aware of being pushed and pulled. A door closed behind him. The glare of the flashlight faded from his vision—if he still had vision.

"You're sure?" the voice persisted.

"I'm sure," Ben managed to say.

"I have no antidote. You may die."

His mind fought to comprehend. With the anti-paralysis injection, massage and rest, a man could recover from the effects of mortocain within half a day. Without treatment, the paralysis could spread to heart and lungs. It could become a paralysis of death. An effective weapon: the slightest wound compelled the average criminal to surrender at once.

"Anti ... anti ..." The words were as heavy as blobs of mercury forced from his throat. "No ... I'm sure ... sure."

He didn't hear the answer or anything else.


Ben Curtis had no precise sensation of awakening. Return to consciousness was an intangible evolution from a world of black nothingness to a dream-like state of awareness.

He felt the pressure of hands on his naked arms and shoulders, hands that massaged, manipulated, fought to restore circulation and sensitivity. He knew they were strong hands. Their strength seemed to transfer itself to his own body.

For a long time, he tried to open his eyes. His lids felt welded shut. But after a while, they opened. His world of darkness gave way to a translucent cloak of mist. A round, featureless shape hovered constantly above him—a face, he supposed.

He tried to talk. Although his lips moved slightly, the only sound was a deep, staccato grunting.

But he heard someone say, "Don't try to talk." It was the same gentle voice he'd heard in the Blast Inn. "Don't talk. Just lie still and rest. Everything'll be all right."

Everything all right, he thought dimly.

There were long periods of lethargy when he was aware of nothing. There were periods of light and of darkness. Gradually he grew aware of things. He realized that the soft rubber mouth of a spaceman's oxygen mask was clamped over his nose. He felt the heat of electric blankets swathed about his body. Occasionally a tube would be in his mouth and he would taste liquid food and feel a pleasant warmth in his stomach.

Always, it seemed, the face was above him, floating in the obscuring mist. Always, it seemed, the soft voice was echoing in his ears:

"Swallow this now. That's it. You must have food." Or, "Close your eyes. Don't strain. It won't be long. You're getting better."

Better, he'd think. Getting better....

At last, after one of the periods of lethargy, his eyes opened. The mist brightened, then dissolved.

He beheld the cracked, unpainted ceiling of a small room, its colorless walls broken with a single, round window. He saw the footboard of his aluminite bed and the outlines of his feet beneath a faded blanket.

Finally he saw the face and figure that stood at his side.

"You are better?" the kind voice asked.


The face was that of a girl probably somewhere between twenty-five and thirty. Her features, devoid of makeup, had an unhealthy-looking pallor, as if she hadn't used a sunlamp for many weeks. Yet, at the same time, her firm slim body suggested a solidity and a strength. Her straight brown hair was combed backward, tight upon her scalp, and drawn together in a knot at the nape of her neck.

"I—I am better," he murmured. His words were still slow and thick. "I am going to live?"

"You will live."

He thought for a moment. "How long have I been here?"

"Nine days."

"You took care of me?" He noted the deep, dark circles beneath her sleep-robbed eyes.

She nodded.

"You're the one who carried me when I was shot?"

"Yes."

"Why?"

Suddenly he began to cough. Breath came hard. She held the oxygen mask in readiness. He shook his head, not wanting it.

"Why?" he asked again.

"It would be a long story. Perhaps I'll tell you tomorrow."

A new thought, cloaked in sudden fear, entered his murky consciousness. "Tell me, will—will I be well again? Will I be able to walk?"

He lay back then, panting, exhausted.

"You have nothing to worry about," the girl said softly. Her cool hand touched his hot forehead. "Rest. We'll talk later."

His eyes closed and breath came easier. He slept.

When he next awoke, his gaze turned first to the window. There was light outside, but he had no way of knowing if this was morning, noon or afternoon—or on what planet.

He saw no white-domed buildings of Hoover City, no formal lines of green-treed parks, no streams of buzzing gyro-cars. There was only a translucent and infinite whiteness. It was as if the window were set on the edge of the Universe overlooking a solemn, silent and matterless void.

The girl entered the room.

"Hi," she said, smiling. The dark half-moons under her eyes were less prominent. Her face was relaxed.

She increased the pressure in his rubberex pillows and helped him rise to a sitting position.

"Where are we?" he asked.

"Venus."

"We're not in Hoover City?"

"No."

He looked at her, wondering. "You won't tell me?"

"Not yet. Later, perhaps."

"Then how did you get me here? How did we escape from the Inn?"


She shrugged. "We have friends who can be bribed. A hiding place in the city, the use of a small desert-taxi, a pass to leave the city—these can be had for a price."

"You'll tell me your name?"

"Maggie."

"Why did you save me?"

Her eyes twinkled mischievously. "Because you're a good astrogator."

His own eyes widened. "How did you know that?"

She sat on a plain chair beside his bed. "I know everything about you, Lieutenant Curtis."

"How did you learn my name? I destroyed all my papers—"

"I know that you're twenty-four. Born July 10, 1971. Orphaned at four, you attended Boys Town in the Catskills till you were 19. You graduated from the Academy at White Sands last June with a major in Astrogation. Your rating for the five-year period was 3.8—the second highest in a class of fifty-seven. Your only low mark in the five years was a 3.2 in History of Martian Civilization. Want me to go on?"

Fascinated, Ben nodded.

"You were accepted as junior astrogation officer aboard the Odyssey. You did well on your flight from Roswell to Luna City. In a barroom fight in Luna City, you struck and killed a man named Arthur Cobb, a pre-fab salesman. You've been charged with second degree murder and escape. A reward of 5,000 credits has been offered for your capture. You came to Hoover City in the hope of finding a renegade group of spacemen who operate beyond Mars. You were looking for them in the Blast Inn."

He gaped incredulously, struggling to rise from his pillows. "I—don't get it."

"There are ways of finding out what we want to know. As I told you, we have many friends."

He fell back into his pillows, breathing hard. She rose quickly.

"I'm sorry," she said. "I shouldn't have told you yet. I felt so happy because you're alive. Rest now. We'll talk again soon."

"Maggie, you—you said I'd live. You didn't say I'd be able to walk again."

She lowered her gaze. "I hope you'll be able to."

"But you don't think I will, do you?"

"I don't know. We'll try walking tomorrow. Don't think about it now. Rest."

He tried to relax, but his mind was a vortex of conjecture.

"Just one more question," he almost whispered.

"Yes?"

"The man I killed—did he have a wife?"

She hesitated. He thought, Damn it, of all the questions, why did I ask that?

Finally she said, "He had a wife."

"Children?"

"Two. I don't know their ages."

She left the room.


He sank into the softness of his bed. As he turned over on his side, his gaze fell upon an object on a bureau in a far corner of the room.

He sat straight up, his chest heaving.

The object was a tri-dimensional photo of a rock-faced man in a merchant spaceman's uniform. He was a giant of a man with a neatly trimmed red beard!

Ben stared at the photo for a long time. At length, he slipped into restless sleep. Images of faces and echoes of words spun through his brain.

The dead man returned to him. Bloodied lips cursed at him. Glassy eyes accused him. Somewhere were two lost children crying in the night.

And towering above him was a red-bearded man whose great hands reached down and beckoned to him. Ben crawled through the night on hands and knees, his legs numb and useless. The crying of the children was a chilling wail in his ears.

His head rose and turned to the red-bearded man. His pleading voice screamed out to him in a thick, harsh cackle. Yet even as he screamed, the giant disappeared, to be replaced by white-booted feet stomping relentlessly toward him.

He awoke still screaming....

A night without darkness passed. Ben lay waiting for Maggie's return, a question already formed in his mind.

She came and at once he asked, "Who is the man with the red beard?"

She smiled. "I was right then when I gave you that thumbnail biog. You were looking for him, weren't you?"

"Who is he?"

She sat on the chair beside him.

"My husband," she said softly.

He began to understand. "And your husband needs an astrogator? That's why you saved me?"

"We need all the good men we can get."

"Where is he?"

She cocked her head in mock suspicion. "Somewhere between Mercury and Pluto. He's building a new base for us—and a home for me. When his ship returns, I'll be going to him."

"Why aren't you with him now?"

"He said unexplored space is no place for a woman. So I've been studying criminal reports and photos from the Interplanetary Bureau of Investigation and trying to find recruits like yourself. You know how we operate?"

He told her the tales he'd heard.


She nodded. "There are quite a few of us now—about a thousand—and a dozen ships. Our base used to be here on Venus, down toward the Pole. The dome we're in now was designed and built by us a few years ago after we got pushed off Mars. We lost a few men in the construction, but with almost every advance in space, someone dies."

"Venus is getting too civilized. We're moving out and this dome is only a temporary base when we have cases like yours. The new base—I might as well tell you it's going to be an asteroid. I won't say which one."

"Don't get the idea that we're outlaws. Sure, about half our group is wanted by the Bureau, but we make honest livings. We're just people like yourself and Jacob."

"Jacob? Your husband?"

She laughed. "Makes you think of a Biblical character, doesn't it? Jacob's anything but that. And just plain 'Jake' reminds one of a grizzled old uranium prospector and he isn't like that, either."

She lit a cigarette. "Anyway, the wanted ones stay out beyond the frontiers. Jacob and those like him can never return to Earth—not even to Hoover City—except dead. The others are physical or psycho rejects who couldn't get clearance if they went back to Earth. They know nothing but rocketing and won't give up. They bring in our ships to frontier ports like Hoover City to unload cargo and take on supplies."

"Don't the authorities object?"

"Not very strongly. The I. B. I. has too many problems right here to search the whole System for a few two-bit crooks. Besides, we carry cargoes of almost pure uranium and tungsten and all the stuff that's scarce on Earth and Mars and Venus. Nobody really cares whether it comes from the asteroids or Hades. If we want to risk our lives mining it, that's our business."

She pursed her lips. "But if they guessed how strong we are or that we have friends planted in the I. B. I.—well, things might be different. There probably would be a crackdown."

Ben scowled. "What happens if there is a crackdown? And what will you do when Space Corps ships officially reach the asteroids? They can't ignore you then."

"Then we move on. We dream up new gimmicks for our crates and take them to Jupiter, Saturn, Uranus, Neptune, Pluto. In time, maybe, we'll be pushed out of the System itself. Maybe it won't be the white-suited boys who'll make that first hop to the stars. It could be us, you know—if we live long enough. But that Asteroid Belt is murder. You can't follow the text-book rules of astrogation out there. You make up your own."


Ben stiffened. "And that's why you want me for an astrogator."

Maggie rose, her eyes wistful. "If you want to come—and if you get well." She looked at him strangely.

"Suppose—" He fought to find the right words. "Suppose I got well and decided not to join Jacob. What would happen to me? Would you let me go?"

Her thin face was criss-crossed by emotion—alarm, then bewilderment, then fear. "I don't know. That would be up to Jacob."

He lay biting his lip, staring at the photo of Jacob. She touched his hand and it seemed that sadness now dominated the flurry of emotion that had coursed through her.

"The only thing that matters, really," she murmured, "is your walking again. We'll try this afternoon. Okay?"

"Okay," he said.

When she left, his eyes were still turned toward Jacob's photo.

He was like two people, he thought.

Half of him was an officer of the Space Corps. Perhaps one single starry-eyed boy out of ten thousand was lucky enough to reach that goal.

He remembered a little picture book his mother had given him when she was alive. Under the bright pictures of spacemen were the captions:

"A Space Officer Is Honest" "A Space Officer Is Loyal." "A Space Officer Is Dutiful."

Honesty, loyalty, duty. Trite words, but without those concepts, mankind would never have broken away from the planet that held it prisoner for half a million years.

Without them, Everson, after three failures and a hundred men dead, would never have landed on the Moon twenty-seven years ago.


Ben sighed. He had a debt to pay. A good officer would pay that debt. He'd surrender and take his punishment. He'd rip the crimson braid from his uniform. He'd prevent the Academy for the Conquest of Space from being labeled the school of a murderer and a coward.

And by doing these things, the haunting image of a dead man would disappear from his vision.

But the other half of Ben Curtis was the boy who'd stood trembling beneath a night sky of beckoning stars.

The eyes in Jacob's photo seemed to be staring at the boy in him, not at the officer. They appeared both pleading and hopeful. They were like echoes of cold, barren worlds and limitless space, of lurking and savage death. They held the terror of loneliness and of exile, of constant flight and hiding.

But, too, they represented a strength that could fulfill a boy's dream, that could carry a man to new frontiers. They, rather than the neat white uniform, now offered the key to shining miracles. That key was what Ben wanted.

But he asked himself, as he had a thousand times, "If I follow Jacob, can I leave the dead man behind?"

He tried to stretch his legs and he cursed their numbness. He smiled grimly. For a moment, he'd forgotten. How futile now to think of stars!

What if he were to be like this always? Jacob would not want a man with dead legs. Jacob would either send him back to Earth or—Ben shuddered—see that he was otherwise disposed of. And disposal would be the easier course.


This was the crisis. He sat on the side of the bed, Maggie before him, her strong arm about his waist.

"Afraid?" she asked.

"Afraid," he repeated, shaking.

It was as if all time had been funneled into this instant, as if this moment lay at the very vortex of all a man's living and desiring. There was no room in Ben's mind for thoughts of Jacob now.

"You can walk," Maggie said confidently. "I know you can."

He moved his toes, ankles, legs. He began to rise, slowly, falteringly. The firm pressure around his waist increased.

He stood erect. His legs felt like tree stumps, but here and there were a tingling and a warmth, a sensitivity.

"Can you make it to the window?" Maggie asked.

"No, no, not that far."

"Try! Please try!"

She guided him forward.

His feet shuffled. Stomp, stomp. The pressure left his waist. Maggie stepped away, walked to the window, turned back toward him.

He halted, swaying. "Not alone," he mouthed fearfully. "I can't get there by myself."

"Of course you can!" Maggie's voice contained unexpected impatience.

Ashamed, he forced his feet to move. At times, he thought he was going to crash to the floor. He lumbered on, hesitating, fighting to retain his balance. Maggie waited tensely, as if ready to leap to his side.

Then his eyes turned straight ahead to the window. This was the first time he'd actually seen the arid, dust-cloaked plains of the second planet. He straightened, face aglow, as though a small-boy enthusiasm had been reborn in him.

His tree-stump legs carried him to the window. He raised shaking hands against the thick glassite pane.

Outside, the swirling white dust was omnipresent and unchallenged. It cut smooth the surfaces of dust-veiled rocks. It clung to the squat desert shrubbery, to the tall skeletal shapes of Venusian needle-plants and to the swish-tailed lizards that skittered beneath them.

The shrill of wind, audible through the glassite, was like the anguished complaint of the planet itself, like the wail of an entity imprisoned in a dark tomb of dust. Venus was a planet of fury, eternally howling its wrath at being isolated from sunlight and greenery, from the clean blackness of space and the warm glow of sister-planet and star.

The dust covered all, absorbed all, eradicated all. The dust was master. The dome, Ben felt, was as transitory as a tear-drop of fragile glass falling down, down, to crash upon stone.

"Is it always like this?" he asked. "Doesn't the wind ever stop?"

"Sometimes the wind dies. Sometimes, at night, you can see the lights from the city."


He kept staring. The dome, he thought, was a symbol of Man's littleness in a hostile universe.

But, too, it was a symbol of his courage and defiance. And perhaps Man's greatest strength lay in the very audacity that drove him to build such domes.

"You like it, don't you?" Maggie asked. "It's lonely and ugly and wild, but you like it."

He nodded, breathless.

She murmured, "Jacob used to say it isn't the strange sights that thrill spacemen—it's the thoughts that the sights inspire."

He nodded again, still staring.

She began to laugh. Softly at first, then more loudly. It was the kind of laughter that is close to crying.

"You've been standing there for ten minutes! You're going to walk again! You're going to be well!"

He turned to her, smiling with the joyous realization that he had actually stood that long without being aware of it.

Then his smile died.

Standing behind Maggie, in an open doorway, was a gray, scaly, toadlike monster—a six-and-a-half-foot Venusian. He was motionless as a statue, his green-lidded eyes staring curiously at Ben. His scaly hand was tight about the butt of an old-fashioned heat pistol holstered to his hip.



Maggie suppressed a smile. "Don't be frightened, Ben. This is Simon—Simple Simon, we call him. His I. Q. isn't too high, but he makes a good helper and guard for me. He's been so anxious to see you, but I thought it'd be better if he waited until you were well."

Ben nodded, fascinated by the apparent muscular solidity of the creature. It hadn't occurred to his numbed mind that he and Maggie were not the sole occupants of the dome.

But Maggie had acted wisely, he thought. His nightmares had been terrifying enough without bringing Simple Simon into them.

"Shake hands with Ben," she told the Venusian.

Simple Simon lumbered forward, then paused. His eyes blinked. "No," he grated.

Maggie gasped. "Why, Simple Simon, what's the matter?"

The gray creature rasped, "Ben—he not one of us. He thinks—different. In thoughts—thinks escape. Earth."


Maggie paled. "He is one of us, Simon." She stepped forward and seized the Venusian's arm. "You go to your room. Stand guard. You guard Ben just like you guard me. Understand?"

Simple Simon grunted, "I guard. If Ben go—I stop him. I stop him good." He raised his huge hands suggestively.

"No, Simon! Remember what Jacob told you. We hurt no one. Ben is our friend. You help him!"

The Venusian thought for a long moment. Then he nodded. "I help Ben. But if go—stop."

She led the creature out of the room and closed the door.

"Whew," Ben sighed. "I'd heard those fellows were telepaths. Now I know."

Maggie's trembling hands reached for a cigarette. "I—I guess I didn't think, Ben. Venusians can't really read your mind, but they see your feelings, your emotions. It's a logical evolutionary development, I suppose. Auditory and visual communication are difficult here, so evolution turned to empathy. And that's why Jacob keeps a few Venusians in our group. They can detect any feeling of disloyalty before it becomes serious."

Ben remembered Simple Simon's icy gaze and the way his rough hand had gripped his heat pistol. "They could be dangerous."

"Not really. They're as loyal as Earth dogs to their masters. I mean they wouldn't be dangerous to anyone who's loyal to us."

Silently, she helped him back to his bed.

"I'm sorry, Maggie—sorry I haven't decided yet."

She neither answered nor looked at him.

Grimly, he realized that his status had changed. He was no longer a patient; he was a prisoner.

A Venusian day passed, and a Venusian night. The dust swirled and wind blew, as constant as the whirl of indecision in Ben's mind.

Maggie was patient. Once, when she caught him gazing at Jacob's photo, she asked, "Not yet?"

He looked away. "Not yet."


He learned that the little dome consisted of three rooms, each shaped like pieces of a fluffy pie with narrow concrete hallways between.

His room served as a bedroom and he discovered that Maggie slept on a pneumatic cot in the kitchen. The third room, opening into the airlock, housed a small hydroponics garden, sunlamp, short-wave visi-radio, and such emergency equipment as oxygen tanks, windsuits, and vita-rations. It was here that Simple Simon remained most of the time, tending the garden or peering into the viewscreen that revealed the terrain outside the dome.

Maggie prepared Ben's meals, bringing them to him on a tray until he was able to sit at a table. As his paralysis diminished, he helped her with cooking—with Simple Simon standing by as a mute, motionless observer.

Occasionally Maggie would talk of her girlhood in a small town in Missouri and how she'd dreamed of journeying to the stars.

"'Stars are for boys,' they'd tell me, but I was a queer one. While other gals were dressing for their junior proms, I'd be in sloppy slacks down at the spaceport with Jacob."

She laughed often—perhaps in a deliberate attempt to disguise the omnipresent tension. And her laughter was like laughter on Earth, floating through comfortable houses and over green fields and through clear blue sky. When she laughed, she possessed a beauty.

Despite her pale face and lack of makeup, Ben realized that she was no older than he.

If I'd only known her back on Earth, he thought. If I—And then he told himself, You've got enough problems. Don't create another one!

Finally, except for a stiffness in his leg joints, he'd fully recovered.

"How much time do I have?" he asked.

"Before you decide?"

"Yes."

"Very little. Jacob's ship is on its way. It'll be here—well, you can't tell about these things. Two or three Earth days, maybe even tomorrow. It'll stay in Hoover City long enough to discharge and load cargo. Then it'll stop here for us and return to—to our new base."

"What do you think Jacob would do if I didn't want to go with him?"


She shook her head. "You asked me that before. I said I didn't know."

Ben thought, I know a lot about you, Jacob. I know you're based on an asteroid. I know how many men you have, how many ships. I know where this dome is. I know you have men planted in the I. B. I. Would you let me go, knowing these things? How great is your immunity from the law? Do you love freedom so much that you'd kill to help preserve it?

Fear crawled through his mind on icy legs.

"Maggie," he said, "what would Jacob do if he were me?"

She looked amused. "Jacob wouldn't have gotten into your situation. He wouldn't have struck Cobb. Jacob is—"

"A man? And I'm still a boy? Is that what you mean?"

"Not exactly. I think you'll be a man after you make your decision."

He frowned, not liking her answer.

"You think the dream of going into space is a boy's dream, that it can't belong to a man, too?"

"Oh, no. Jacob still has the dream. Most of our men do. And in a man, it's even more wonderful than in a boy." Then her face became more serious. "Ben, you've got to decide soon. And it's got to be a complete decision. You can have no doubt in your mind."

He nodded. "On account of Simon, you mean."

She motioned for him to come to the window in his room. He gazed outward, following the line of her finger as she pointed.

He saw a man-sized mound of stones, dimly visible beneath the wind-whipped dust.

A grave.

"He was a man like you," Maggie said softly. "God knows Simon didn't try to kill him. But he was escaping. He—he made the decision not to join us. Simon sensed it. There was a struggle. Simon's hands—well, he doesn't realize—"

She didn't have to explain further. Ben knew what those mighty scaly paws could do.


The moments were now like bits of eternity cloaked in frozen fear. Somewhere in the blackness of interplanetary space, Jacob's rocket was streaking closer and closer to Venus. How far away was it? A million miles? Fifty thousand? Or was it now—right now—ripping through the murky Venusian atmosphere above the dome?

A complete decision, Maggie had said.

Jacob didn't want a potential deserter in his group. And you couldn't pretend that you were loyal to Jacob—not with monstrosities like Simple Simon about.

Soon Jacob, not Ben, might have to make a decision—a decision that could result in a second cairn of stones on the wind-swept desert.

Ben shivered.

Before retiring, he wandered nervously into the supply room. Maggie was poised over the visi-radio. Simple Simon was intently scanning the night-shrouded terrain in the viewscreen.

"Any news?" Ben asked Maggie.

The girl grunted negatively without looking up.

Ben's gaze fell upon the array of oxygen masks, windsuits, vita-rations. Then, on a littered shelf, he spied a small Venusian compass.

Almost automatically, his hand closed over it. His brain stirred with a single thought: A compass could keep a man traveling in a straight line.

Simple Simon restlessly shifted. He turned to Ben, blinking in the frighteningly alien equivalent of a suspicious scowl.

Ben's hand tightened about the compass. He tried to relax, to force all thought of it from his mind. He stared at the viewscreen, concentrating on the ceaseless drift of dust.

The Venusian's eyes studied him curiously, as if searching his mind for the illusive echo of a feeling that had given him alarm.

"I think I'll turn in," yawned Ben. "'Night, Maggie."

Simon frowned, apparently frustrated in his mental search. "Ben—not one of us. I—watch."


Without answering, Ben returned to his room, the compass hot and moist from the perspiration in his hand.

He took a deep breath.

Why had he taken the compass? He wasn't sure. Perhaps, he reflected, his decision had already been made, deep beneath the surface of consciousness.

He stood before the window, peering into the night. He knew that to attempt to sleep was futile. Sleep, for the past few days an ever-ready friend, had become a hostile stranger.

God, his brain cried, what shall I do?

Slowly, the dust outside the window settled. The scream of wind was no longer audible. His startled eyes beheld dim, faraway lights—those of Hoover City, he guessed.

It was as if, for the space of a few seconds, some cosmic power had silenced the Venusian fury, had guided him toward making his decision.

He whipped up his compass. He barely had time to complete the measurement.

"Sixty-eight degrees," he read. "Northeast by east."

Fresh wind descended onto the plain. Dancing dust erased the vision of the lights.

"Sixty-eight, sixty-eight," he kept muttering.

But now there was nothing to do—except try to sleep and be ready.

Strong hands shook him out of restless sleep. He opened his eyes and saw complete darkness. He thought at first that his eyesight had failed.

"Ben! Wake up!" Maggie's voice came to him, crisp, commanding. "The rocket's coming. I've decoded the message. We only have a few minutes."

The girl snapped on a small bulkhead light. She left him alone to dress.

He slid out of bed, a drowsiness still in him. He reached for his clothing. Abruptly, the full implication of what she had said struck him.

Jacob's rocket was coming. This was the time for decision, yet within his taut body there was only a jungle of conflicting impulses.


Maggie returned, her face hard, her eyes asking the silent question.

Ben stood frozen. The slow seconds beat against his brain like waves of ice.

At last she said, "Ready, Ben?" She spoke evenly, but her searching gaze belied the all-important significance of her words.

In the dim light, the photograph of Jacob was indistinguishable, but Ben could still see the image of the dead man.

He thought, I can't run away with Jacob like a selfish, cowardly kid! No matter how bright the stars would be, that brightness couldn't destroy the image of a dead man with staring eyes. No matter what Jacob and Simon do to me, I've got to try to get back to Earth.

He suddenly felt clean inside. He was no longer ashamed to hold his head high.

"Maggie," he said.

"Yes?"

"I've made my decision."

Outside the window, a waterfall of flame cascaded onto the desert, pushing aside the dust and the darkness. The deep-throated sound of rocket engines grumbled above the whining wind. The floor of the dome vibrated.

"The rocket's here!" Maggie cried.

The flaming exhaust from the ship dissolved into the night. The rocket thunder faded into the wind.

The alarm on the dome's inner airlock bulkhead rang. Maggie ran like a happy child through the concrete corridor, Ben following. She bounded into the supply room, pushed Simple Simon aside, stopped before a control panel. Her fingers flew over switches and levers.

The airlock door slid open. A short, stubble-bearded man clad in windsuit and transparalite helmet stomped in. He unscrewed the face plate of his helmet. His ears were too big and he looked like a fat doll.

"We're ready for you, Mrs. Pierce," he said.

Maggie nodded eagerly. She whirled back to Ben. "Hurry! Get your helmet and suit on!"

She spun back to the big-eared little man. "Cargo unloaded? All set for the flight home?"

Home, Ben thought. She calls a place she's never seen home.

"Cargo's unloaded."

"No trouble with the I. B. I.? No investigation?"

"Not yet. We're good for a few more hauls, I guess."


Ben slipped on his windsuit. He glanced at the control panel for the airlock. Yes, he could manipulate it easily. He contemplated the heat pistol at Simple Simon's hip. A tempting idea—but, no, he wanted no more of violence.

Then he bit his lip. He cleared his mind of all thought.

Simple Simon evidently had not noted the impulse that flicked his adrenals into pumping.

The big-eared man stared strangely at Maggie. "Mrs. Pierce, before we go, I'd better tell you something."

"You can do that on the rocket."

Maggie stepped forward to seize her helmet. The man blocked her movement.

"Mrs. Pierce, your husband—Jacob—was on the rocket."

"What?" The girl released a broken, unbelieving little laugh. "Why, he wouldn't dare! That idiot, taking a chance like—" Alarm twisted her features. "He—he wasn't captured—"

"No, he wasn't captured. And he took no chance, Mrs. Pierce."

A moment of silence. Then she sucked in her breath.

Ben understood. Words echoed in his mind: "Jacob and those like him can never return to Earth, not even to Hoover City—except dead."

Maggie swayed. Ben and the big-eared little man jumped to her side, guided her back into the compartment used as a kitchen. They helped her to a chair. Ben turned on the fire beneath a coffee pot. Simple Simon watched silently.

Her eyes empty and staring, Maggie asked, "How did it happen?"

"We were heading into a clump of baby asteroids the size of peas. The radar warning was too slow. We couldn't pull away; we had to stop. The deceleration got him—crushed him. He lived for five minutes afterward."

The little man produced a folded paper from a pocket of his suit. "Jacob said he had some ideas he had to get down on paper. God knows why, but during those five minutes he drew up this plan for improving our deceleration compensator."

"Plans for—" she gasped.

"He was a spaceman, Mrs. Pierce." The man handed her the paper. Ben caught a glimpse of scribbled circuits, relays, cathodes.

"When he finished," the man continued, "he said to tell you that he loved you."

She started to hand the paper back.

The spaceman shook his head. "No, the original is yours. I've made copies for our own ships and for the brass in Hoover City."


Maggie kept talking to the little man, lost in the world he was creating for her. Ben was excluded from that world, a stranger.

Then Ben saw his opportunity.

Simple Simon's face was expressionless, but tears were zig-zagging down his gray, reptilian features. Ben stared for several seconds, wondering if his vision had deceived him. Till this instant, he'd somehow assumed that the big Venusian was devoid of emotion.

But Simple Simon was crying.

It was unlikely that the creature would peer into his mind at a moment like this.

Step by step, Ben backed toward the open door in the rear of the compartment. Silently, he slipped through it. He attempted to move automatically, without feeling.

He darted into the supply room. The continued drone of voices told him his action had not been observed.

He didn't like it at all. Escaping this way was like crumpling Maggie's grief into an acid ball and hurling it into her face. But he had no other choice.

A few seconds later, he was dressed in windsuit and oxygen helmet. A can of vita-rations was strapped to his back and his compass was in his hand.

Heart refusing to stop pounding, he threw the levers and switches to open the airlock. He cringed under the grinding, scraping noise, as loud to him as the ringing clash of swords.

But the murmur of voices continued.

He stepped outside. The airlock door clanged shut. He was caught by the biting dust and the shrill banshee wind. He fell, then scrambled erect.

To his right, he saw the silver sheen of Jacob's rocket shining behind a row of golden, eyelike portholes. Beneath it were black outlines of moving, helmeted figures.

He bent low to study the luminous dial of his compass.

Behind him was a grating and a sliding of metal. A movement in the darkness.

He turned.

Dimly illuminated by the glow from the rocket ports was the grim, stony face of Simple Simon.


The Venusian was like a piece of the night itself, compressed and solidified to form a living creature. The impression was contradicted only by the glowing whiteness of his eyes.

The reptilian body shuffled forward. The scales on his great face and chest reflected the lights from the rocket like Christmas tree ornaments dusted with gold.

His hands reached out.

Words thundered in Ben's memory: God knows Simon didn't try to kill him. Simon's hands—well, he doesn't realize—

Ben hopped away from the groping hands, slipped the compass into his pocket, balled his fists. The wind caught at his body. He stumbled, then recovered his balance.

Despite the wind and his suit's bulkiness, he was surprised at his own agility. He recalled that the gravitational pull of Venus was only four-fifths of Earth's. That was an advantage.

Crouching against the wind, he stepped to his left, away from the rocket. He was reluctant to enter an area of greater darkness, but neither did he want to risk observation by the men he'd seen near Jacob's ship.

Simple Simon followed. He moved like an automaton, functioning with awkward, methodical slowness. His hands, speckled with reflected light, rose up out of the darkness.

Ben stepped back, wiped the dust from his clouded face-plate. One swoop of those hands, he knew, could shatter his helmet, destroy his oxygen supply, leave him choking on deadly methane and carbon dioxide.

But, so far, Simon seemed bent on capture, not destruction. That fact gave Ben a second advantage.

Scaly fingers, moving now with greater swiftness, closed over the shoulder of his suit. Ben felt himself being pulled forward, a child in the grasp of a giant. His brief surge of confidence vanished. Cold terror swept upon him.

He lashed out wildly. His right fist found his target, found it so well that the skin split on his gloved knuckles.

Simon's head snapped back. The grasping fingers slipped from Ben's suit.

But still the Venusian lumbered ahead, an irresistible juggernaut, the hands continually groping. Ben ducked and slipped aside. The can of vita-rations was ripped from his back.

He crouched low, fighting the wind, maneuvering for another blow. His lungs ached, but he had no opportunity to increase his helmet's oxygen flow. His weak leg muscles were beginning to pain as though with needles of fire.


The hands crashed down upon his shoulders. This time, his fist found Simon's stomach. The creature released a grunt audible above the howling of wind. His body doubled up.

Ben struck again and again. His lungs throbbed as if they'd break through his chest. A fresh layer of dust coated his face-plate, nearly blinding him. He fought instinctively, gauntleted fists battering.

Simple Simon fell.



Ben brushed away the dust from his face-plate, turned up his helmet's oxygen valve. Then he knelt by the fallen creature.

A new fear came to Ben Curtis—a fear almost as great as that of being caught in Simon's crushing grip. It was the fear that he had killed again.

But even in the near-darkness, he could distinguish the labored rise and fall of the massive chest.

Thank God, he thought.

From the direction of Jacob's ship, a flash of light caught his eye. The black shapes of helmeted men were becoming larger, nearer.

Ben tensed. The spacemen couldn't have heard sounds of the struggle, but they might have noticed movement.

Puffing, Ben plunged into the darkness to his left, slowing only long enough to consult the dial of his compass.

"Sixty-eight degrees," he breathed.

The compass dial was now his only companion and his only hope. It was the one bit of reality in a world of black, screaming nightmare.


At first Ben Curtis fought the wind and the dust and the night. His fists were clenched as they had been while struggling with Simon. Each step forward was a challenge, a struggle and—so far, at any rate—a victory.

But how far was the city? Five miles? Ten? How could you judge distance through a haze of alien sand?

And were Simple Simon or Jacob's men following? How good was a Venusian's vision at night? Would the scaly hands find him even now, descending on him from out of the blackness?

He kept walking, walking. Sixty-eight degrees.

Gradually his senses grew numb to the fear of recapture. He became oblivious to the wailing wind and the beat of dust against his face-plate. He moved like a robot. His mind wandered back through time and space, a pin-wheel spinning with unforgettable impressions, faces, voices.

He saw the white features of a dead man, their vividness fading now and no longer terrifying.

A Space Officer Is Honest. A Space Officer Is Loyal. A Space Officer Is Dutiful. The words were like clear, satisfying music.

He cursed at the image of a pop-eyed Martian boy. A tres fine table, monsieur. Close in the shadows.

And yet, he told himself, the boy really didn't do anything wrong. He was only helping to capture a murderer. Maybe he was lonesome for Mars and needed money to go home.

Ben thought of Maggie: While other gals were dressing for their junior proms, I'd be in sloppy slacks down at the spaceport with Jacob.... If I'd only known her back on Earth—

Maggie, sitting alone now with a wrinkled paper and its mass of scrawled circuits. Alone and hollow with grief and needing help. Ben's throat tightened. Damn it, he didn't want to think about that.

What was it the little big-eared man had said? I've made copies for our own ships and for the brass in Hoover City.

Why had he said that? Why would renegades give their secrets to the Space Corps? The Corps would incorporate the discoveries in their ships. With them, they'd reach the asteroids. Jacob's group would be pushed even further outward.

Ben stopped, the wind whipping at his suit and buffeting his helmet—but not as hard as the answer he had found.


Jacob and his men had an existence to justify, a debt to pay. They justified that existence and paid that debt by helping humanity in its starward advance.

Maggie had said, We carry cargoes of almost pure uranium and tungsten and all the stuff that's getting scarce on Earth and Mars and Venus. If we want to risk our lives getting it, that's our business.... The dome we're in now was designed and built by us a few years ago. We lost a few men in the construction, but with almost every advance in space, someone dies.

The wind pressed Ben back. The coldness of the Venusian night was seeping into his suit. It was as if his body were bathed, at once, in flame and ice.

He slipped, fell, his face turned toward the sandy ground. He did not try to rise.

Yet his mind seemed to soar above the pain, to carry him into a wondrous valley of new awareness.

Man would never be content to stay on nine insignificant globes-not when his eyes had the power to stare into a night sky and when his brain had the ability to imagine. There would have to be pioneers to seek out the unknown horror, to face it and defeat it. There would have to be signposts lining the great road and helping others to follow without fear.

For all the brilliancy of their dreams, those men would be the lonely ones, the men of no return. For all the glory of their brief adventure, they would give not only their cloaks, but ultimately their lives.

Ben lay trembling in the darkness.

His brain cried, You couldn't rig up a radar system or a deceleration compensator, but you could chart those asteroids. You can't bring a man named Cobb back to life, but you could help a thousand men and women to stay alive five or ten or twenty years from now.

Ben knew at last what decision Jacob would have made.

The reverse of sixty-eight on a compass is two-forty-eight.


Like flashing knitting needles, strong hands moved about his face-plate, his windsuit, his helmet. Then they were wiping perspiration from his white face and placing a wet cloth on the back of his neck.

"You were coming back," a voice kept saying. "You were coming back."

His mouth was full of hot coffee. He became aware of a gentle face hovering above him, just as it had a seeming eternity ago.

He sat up on the bed, conscious now of his surroundings.

"Simon says you were coming back, Ben. Why?"

He fought to grasp the meaning of Maggie's words. "Simon? Simon found me? He brought me back?"

"Only a short way. He said you were almost here."

Ben closed his eyes, reliving the whirlwind of thought that had whipped through his brain. He mumbled something about pioneers and a scrawled paper and a debt and a decision.

Then he blinked and saw that he and Maggie were not alone. Simple Simon stood at the foot of his bed—and was that a trace of a smile on his reptilian mouth? And three windsuited spacemen stood behind Maggie, helmets in their hands. One was a lean-boned, reddish-skinned Martian.

Simple Simon said, "Ben—changed. Thinks—like us. Good now. Like—Jacob."

The little big-eared man stepped up and shook hands with Ben. "If Simon says so, that's good enough for me."

A blond-haired Earthman helped Ben from the bed. "Legs okay, fellow? Think you're ready?"

Ben stood erect unassisted. "Legs okay. And I'm ready."

He thought for a moment. "But suppose I wasn't ready. Suppose I didn't want to go with you. I know a lot about your organization. What would you do?"

The blond man shrugged untroubledly. "We wouldn't kill you, if that's what you mean. We'd probably vote on whether to take you with us anyway or let you go." His smile was frank. "I'm glad we don't have to vote."

Ben nodded and turned to Maggie. "You're still coming with us?"

She shook her head, a mist shining in her sad eyes. "Not on this trip. Not without Jacob. I'll get one of our desert taxis back to Hoover City. Then I'll be going to Earth for a while. I've got some thinking to do and thinking is done best on Earth. Out here is the place for feeling." Her eyes lost a little of their pain. "But I'll be back. Jacob wouldn't stay on Earth. Neither will I. I'll be seeing you."

The big-eared man put his hand on Ben's shoulder.

"Think you can get us back to Juno?" he asked.

Ben looked at Maggie and then at the big-eared man. "You're as good as there," he said confidently.

Short Story Writing: Short Story Classified by Charles Raymond Barrett

The treatment demanded by any particular story depends more upon its class than upon the tale itself; a story which recounts an actual occurrence is much less exacting than one which attempts to depict manners; and, in general, the more the writer relies on his art, the more difficult is his task. It is therefore both possible and profitable to separate short stories into definite groups and to consider them collectively rather than as units. This classification is based chiefly upon the necessity of a plot, the purpose or aim of the narrative, and the skill and care required for its successful treatment. It is crude and arbitrary from a literary standpoint, for a good short story is capable of being listed under several different classes, but it serves our practical purpose. Each story is placed according to its dominant class; and the classes are arranged progressively from the simplest to the most difficult of treatment. The examples are presented only as definite illustrations; there is no attempt to classify all short stories, or all the stories of any particular author.
I. The Tale is the relation, in an interesting and literary form, of some simple incident or stirring fact. It has no plot in the sense that there is any problem to unravel, or any change in the relation of the characters; it usually contains action, but chiefly accidents or odd happenings, which depend on their intrinsic interest, without regard to their influence on the lives of the actors.
(a) It is often a genuine True Story, jealously observant of facts, and embellished only to the extent that the author has endeavored to make his style vivid and picturesque. Such stories are a result of the tendency of the modern newspaper to present its news in good literary form. The best illustrations are the occasional contributions of Ray Stannard Baker to McClure's Magazine.
(b) It may, however, be an Imaginative Tale, which could easily happen, but which is the work of the author's imagination. It is a straightforward narration of possible events; if it passes the bounds of probability, or attempts the utterly impossible, it becomes a Story of Ingenuity. It has no love element and no plot; and its workmanship is loose. The best examples are the stories of adventure found in the better class of boys' and children's papers.
II. The Moral Story, in spite of the beautiful examples left us by Hawthorne, is usually too baldly didactic to attain or hold a high place in literature. Its avowed purpose is to preach, and, as ordinarily written, preach it does in the most determined way. Its plot is usually just sufficient to introduce the moral. It is susceptible of a high literary polish in the hands of a master; but when attempted by a novice it is apt to degenerate into a mess of moral platitudes.
(a) The Fable makes no attempt to disguise its didactic purpose, but publishes it by a final labelled "Moral," which epitomizes the lesson it conveys. In Fables the characters are often animals, endowed with all the attributes of men. It early lost favor because of its bald didacticism, and for the last century has been practiced only occasionally. To-day it is used chiefly for the purpose of burlesque and satire, as in George Ade's "Fables in Slang." Æsop is of course the immortal example of this sort of story.
(b) The Story with a Moral attempts to sugar-coat its sermon with a little narrative. It sticks rather closely to facts, and has a slight plot, which shows, or is made to show, the consequences of drinking, stealing, or some other sin. Usually it is either brutally realistic or absurdly exaggerated; but that it can be given literary charm is proved by Hawthorne's use of it. Maria Edgeworth is easily the "awful example" of this class, and her stories, such as "Murad the Unlucky" and "The Grateful Negro," are excellent illustrations of how not to write. Many of Hawthorne's tales come under this head, especially "Lady Eleanor's Mantle," "The Ambitious Guest," and "Miss Bullfrog." The stories of Miss Wilkins usually have a strong moral element, but they are better classed in a later division. Contemporary examples of this style of writing may be found in the pages of most Sunday School and Temperance papers.
(c) The Allegory is the only really literary form of the Moral Story, and the only one which survives to-day. It has a strong moral purpose, but disguises it under the pretense of a well-told story; so that it is read for its story alone, and the reader is conscious of its lesson only when he has finished the narrative. It usually personifies or gives concrete form to the various virtues and vices of men. Examples: Hawthorne's "The Birthmark," "Rappaccini's Daughter," and "Feathertop." Allegories which deserve the name are sometimes found in current periodicals.
III. The Weird Story owes its interest to the innate love of the supernatural or unexplainable which is a part of our complex human nature—the same feeling which prompts a group of children to beg for "just one more" ghost story, while they are still shaken with the terror of the last one. It may have a definite plot in which supernatural beings are actors; but more often it is slight in plot, but contains a careful psychological study of some of the less pleasant emotions.
(a) The Ghost Story usually has a definite plot, in which the ghost is an actor. The ghost may be a "really truly" apparition, manifesting itself by the conventional methods, and remaining unexplained to the end, as in Irving's "The Spectre Bridegroom," and Kipling's "The Phantom 'Rickshaw;" or it may prove to be the result of a superstitious mind dwelling upon perfectly natural occurrences, as in Irving's "The Legend of Sleepy Hollow," and Wilkins' "A Gentle Ghost." It requires art chiefly to render it plausible; particularly in the latter case, when the mystery must be carefully kept up until the denouement.
(b) The Fantastic Tale treats of the lighter phases of the supernatural. Its style might be well described as whimsical, its purpose is to amuse by means of playful fancies, and it usually exhibits a delicate humor. The plot is slight and subordinate. Examples: Hawthorne's "A Select Party," "The Hall of Fantasy," and "Monsieur du Miroir;" and most of our modern fairy tales.
(c) The Study in Horror was first made popular by Poe, and he has had almost no successful imitators. It is unhealthy and morbid, full of a terrible charm if well done, but tawdry and disgusting if bungled. It requires a daring imagination, a full and facile vocabulary, and a keen sense of the ludicrous to hold these two in check. The plot is used only to give the setting to the story. Most any of Poe's tales would serve as an illustration, but "The Pit and the Pendulum," and "The Fall of the House of Usher" are particularly apt. Doyle has done some work approaching Poe's, but his are better classed as Stories of Ingenuity.

 IV. The Character Study is a short story in which the chief interest rests in the development and exposition of human character. It may treat of either a type or an individual. Good character delineation is one of the surest proofs of a writer's literary ability.
(a) When the character depicted is inactive the resultant work is not really a story. It usually has no plot, and is properly a Sketch, in which the author makes a psychological analysis of his subject. It inclines to superficiality and is liable to degenerate into a mere detailed description of the person. It demands of the writer the ability to catch striking details and to present them vividly and interestingly. Examples: Hawthorne's "Sylph Etherege" and "Old Esther Dudley;" Poe's "The Man of the Crowd;" James' "Greville Fane" and "Sir Edmund Orme;" Stevenson's "Will o' the Mill;" Wilkins' "The Scent of the Roses" and "A Village Lear."
(b) When the character described is active we have a Character Study proper, built upon a plot out his own personality before us by means of speech and action. The plot is subordinated to the character sketching. The psychological analysis is not presented by the author in so many words, but is deduced by the reader from his observation of the character. Such studies constitute one of the highest art forms of the short story, for the characters must live on the printed page. The short stories of Henry James and of Miss Wilkins could almost be classed in toto under this head; Miss Wilkins' characters are usually types, while those of James are more often individual, though rather unusual. Other good examples are Hawthorne's "Edward Randolph's Portrait;" Irving's "The Devil and Tom Walker," and "Wolfert Weber;" Stevenson's "Markheim" and "The Brown Box;" and Davis' "Van Bibber," as depicted in the several stories of "Van Bibber and Others."
Notice that in both subdivisions nearly every title embodies a reference to the character described, showing that the author intentionally set out to sketch a character.
V. The Dialect Story might be considered as a subdivision of the preceding class, since it is in effect a Character Study; but its recent popularity seems to warrant its being treated separately. Its chief distinction is that it is written in the broken English used by the uneducated classes of our own country, and by foreigners. Its plot is either very slight or hopelessly hackneyed, and it is redeemed from sheer commonplace only by its picturesque language. It is usually told in the first person by some English-murdering ignoramus. It is simple, and sometimes has a homely pathos. It may present character as either active or inactive, though usually the former. Its excuse for existence is that it gives truthful expression, in their own language, to the thoughts of certain classes of society; but as written by the amateur the dialect is a fearful and wonderful combination of incorrect English that was never heard from the mouth of any living man. Joel Chandler Harris' "Nights with Uncle Remus" contains genuine dialect; other varieties correctly handled may be found in almost any of the stories of George Washington Cable, Ian Maclaren, and Miss Wilkins.
The Dialect Story as literature and as a field for the novice is considered at length in Chapter VI.

VI. The Parable of the Times is a short story which aims to present a vivid picture of our own times, either to criticise some existing evil, or to entertain by telling us something of how "the other half" of the world lives. It is in a sense a further development of The Tale (Class I.), though it has a more definite plot. It is the most favored form of the short story to-day, and its popularity is responsible for a mess of inane commonplace and bald realism that is written by amateurs, who think they are presenting pen pictures of life. For since its matter is gathered from our everyday lives, it requires some degree of skill to make such narratives individual and interesting.
(a) The Instructive Story of this class may be further subdivided as (1) that which puts present day problems in concrete form, with no attempt at a solution; and (2) that which not only criticises, but attempts also to correct. In either case, it aims to reform by education; it deals with actual problems of humanity rather than with abstract moral truths; and it seeks to amuse always, and to reform if possible. It must not be confused with the Moral Story of Class II. Octave Thanet writes this style of story almost exclusively, and any of her work selected at random would be a good illustration; her "Sketches of American Types" would be listed under (1), and such stories as "The Scab" and "Trusty No. 49" under (2). Under (1) would come also Brander Matthews' "Vignettes of Manhattan;" and under (2) Edward Everett Hale's "The Man Without a Country" and "Children of the Public."
(b) The most usual story of this class is the Story of To-day, which uses present day conditions as a background, and which endeavors only to amuse and interest the reader. Naturally, however, since the scenes and persons described must be new to the reader, such a story is also educating and broadening in its influence. Its plot may seem trivial when analyzed, but it is selected with a view more to naturalness than to strength or complexity. Here we should list nearly all of our modern so-called "society stories," and "stories of manners." Any of Richard Harding Davis' short stories will serve as an excellent illustration, and most of the stories in current periodicals belong in the same category.
VII. The Story of Ingenuity is one of the most modern forms of the short story, and, if I may be pardoned the prolixity, one of the most ingenious. It might be called the "fairy tale of the grown-up," for its interest depends entirely upon its appeal to the love for the marvelous which no human being ever outgrows. It requires fertility of invention, vividness of imagination, and a plausible and convincing style. Yet it is an easy sort of story to do successfully, since ingenuity will atone for many technical faults; but it usually lacks serious interest and is short lived. Poe was the originator and great exemplar of the Story of Ingenuity, and all of his tales possess this cleverness in some degree.
(a) The Story of Wonder has little plot. It is generally the vivid description of some amazing discovery (Poe's "Some Words with a Mummy," Hale's "The Spider's Eye"), impossible invention (Adee's "The Life Magnet," Mitchell's "The Ablest Man in the World"), astounding adventure (Stockton's "Wreck of the Thomas Hyde," Stevenson's "House with Green Blinds"), or a vivid description of what might be (Benjamin's "The End of New York," Poe's "The Domain of Arnheim"). It demands unusual imaginative power.
(b) The Detective Story requires the most complex plot of any type of short story, for its interest depends solely upon the solution of the mystery presented in that plot. It arouses in the human mind much the same interest as an algebraic problem, which it greatly resembles. Poe wrote the first, and probably the best, one in "The Murders in the Rue Morgue;" his "The Mystery of Marie Roget" and "The Gold Bug" are other excellent examples. Doyle, in his "Sherlock Holmes" stories, is a worthy successor of Poe.

VIII. The Humorous Story almost belongs in the category of Stories of Ingenuity, so largely does it depend upon the element of the unusual; but for that fact it should have been listed earlier, because it has little care for plot. Indeed, these stories are the freest of all in their disregard for conventions; with them it is "anything to raise a laugh," and the end is supposed to justify the means. In general they are of transient interest and crude workmanship, little fitted to be called classics; but Mark Twain, at least, has shown us that humor and art are not incompatible.
(a) The simplest form is the Nonsense Story, as it may be justly called. Usually it has the merest thread of plot, but contains odd or grotesque characters whose witty conversation furnishes all the amusement necessary. If the characters do act they have an unfortunate tendency to indulge in horse play. The work of John Kendrick Bangs well illustrates this type of story. His books, "The House Boat on the Styx" and "The Pursuit of the House Boat," are really only collections of short stories, for each chapter can be considered as a whole.
(b) The Burlesque has a plot, but usually one which is absurdly impossible, or which is treated in a burlesque style. The amusement is derived chiefly from the contrast between the matter and the method of its presentation. Most of Stockton's stories are of this type: notably his "The Lady, or the Tiger?" Mark Twain, too, usually writes in this vein, as in "The Jumping Frog" and "The Stolen White Elephant."
IX. The Dramatic Story is the highest type of the short story. It requires a definite but simple plot, which enables the characters to act out their parts. In its perfect form it is the "bit of real life" which it is the aim of the short story to present. It is the story shorn of all needless verbiage, and told as nearly as possible in the words and actions of the characters themselves; and it possesses a strong climax. Therefore it demands the most careful and skillful workmanship, from its conception to its final polishing. It is the most modern type of the short story.
(a) The short story has Dramatic Form when the author's necessary comments correspond to the stage directions of the drama. Such a story is, in fact, a miniature drama, and is often capable of being acted just as it stands. It has a definite plot, but it is developed by dialogue as frequently as by action. It is the extreme of the modern tendency toward dramatic narrative, and is just a little too "stagey" and artificial to be a perfect short story. It is, however, in good literary standing and in good favor with the public, and it is most excellent practice for the tyro, for in it he has to sink himself completely in his characters. Examples: Hope's "The Dolly Dialogues;" Kipling's "The Story of the Gadsbys;" and Howells' one act parlor plays, like "The Parlor Car," "The Register," "The Letter," and "Unexpected Guests."
(b) A short story has Dramatic Effect when it deals with a single crisis, conveys a single impression, is presented chiefly by the actors themselves, and culminates in a single, perfect climax. It may, or may not, be capable of easy dramatization. It is less artificial than the story of pure Dramatic Form, but is just as free from padding and irrelevant matter, and just as vivid in effect. It allows of greater art and finish, for the writer has wider freedom in his method of presentation. Examples: Poe's "'Thou Art the Man!'" and "Berenice;" James' "The Lesson of the Master" and "A Passionate Pilgrim;" Wilkins' "A New England Nun" and "Amanda and Love;" Stevenson's "The Isle of the Voices;" and Irving's "The Widow and Her Son" and "Rip Van Winkle." But, indeed, every good short story belongs in this class, which is not so much a certain type of the short story, as the "honor class" to which each story seeks admittance.
Every story cited in this book, unless otherwise located, can be found in one of the appended published collections of short stories:
George Ade: "Fables in Slang."
John Kendrick Bangs: "The Bicyclers;" "Ghosts I Have Met;" "The Houseboat on the Styx;" "Mantel-Piece Minstrels, and Other Stories;" "Paste Jewels;" "The Pursuit of the Houseboat;" "The Water-Ghost and Others."
J. M. Barrie: "An Auld Licht Manse;" "Auld Licht Idyls."
George Washington Cable: "Old Creole Days;" "Strange True Stories of Louisiana."
Samuel L. Clemens (Mark Twain): "Merry Tales;" "The Stolen White Elephant."
Richard Harding Davis: "Cinderella and Others;" "The Exiles and Other Stories;" "Gallegher, and Other Stories;" "The Lion and the Unicorn;" "Van Bibber and Others."
Charles Dickens: "Christmas Books;" "Christmas Stories;" "Sketches by Boz."
A. Conan Doyle: "The Adventures of Sherlock Holmes;" "The Captain of the Pole Star;" "The Exploits of Brigadier Gerard;" "Memoirs of Sherlock Holmes;" "My Friend the Murderer;" "Round the Red Lamp."
Maria Edgeworth: "Popular Tales."
Alice French (Octave Thanet): "A Book of True Lovers;" "The Missionary Sheriff;" "Stories of a Western Town."
H. Rider Haggard: "Allan's Wife."
Joel Chandler Harris: "Daddy Jake, the Runaway;" "Nights with Uncle Remus;" "Tales of Home Folks in Peace and War."
Bret Harte: "Colonel Starbottle's Client;" "In the Hollow of the Hills;" "The Luck of Roaring Camp;" "Mrs. Skagg's Husbands;" "Tales of the Argonauts;" "Thankful Blossom;" "The Story of a Mine."
Nathaniel Hawthorne: "Mosses from an Old Manse;" "Twice Told Tales."
Anthony Hope: "The Dolly Dialogues."
William Dean Howells: "A Fearful Responsibility and Other Stories;" "The Mouse-Trap and Other Farces;" "The Sleeping Car and Other Farces."
Washington Irving: "The Sketch Book;" "Tales of a Traveler."
Henry James: "The Aspern Papers;" "The Author of Beltraffio;" "The Lesson of the Master;" "A London Life;" "A Passionate Pilgrim;" "The Real Thing."
Rudyard Kipling: "The Day's Work;" "In Black and White;" "Indian Tales;" "The Jungle Book;" "Life's Handicap;" "Many Inventions;" "The Phantom 'Rickshaw;" "Plain Tales from the Hills;" "The Second Jungle Book;" "Soldiers Three and Military Tales;" "Soldier Stories;" "Under the Deodars."
Brander Matthews: "Outlines in Local Color;" "Tales of Fantasy and Fact;" "Vignettes of Manhattan."
Guy de Maupassant: "The Odd Number."
Thomas Nelson Page: "The Burial of the Guns;" "In Ole Virginia."
Scribner's series: "Short Stories by American Authors."
Robert Louis Stevenson: "The Island Nights' Entertainments;" "The Merry Men;" "New Arabian Nights."
Frank R. Stockton: "Amos Kilbright;" "The Lady, or the Tiger?" "Rudder Grange;" "A Story Teller's Pack."
John Watson (Ian Maclaren): "Auld Lang Syne;" "Beside the Bonnie Brier Bush."
Mary E. Wilkins: "A Humble Romance;" "The Love of Parson Lord;" "A New England Nun;" "The Pot of Gold;" "Silence;" "Young Lucretia."


Excerpted From Short Story Writing, by Charles Raymond Barrett