Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Saturday, January 9, 2016

Mr. Skelmersdale in Fairyland by H.G. Wells

Word Count:  5323

"There's a man in that shop," said the Doctor, "who has been in Fairyland."

"Nonsense!" I said, and stared back at the shop. It was the usual village shop, post-office, telegraph wire on its brow, zinc pans and brushes outside, boots, shirtings, and potted meats in the window. "Tell me about it," I said, after a pause.

"I don't know," said the Doctor. "He's an ordinary sort of lout-- Skelmersdale is his name. But everybody about here believes it like Bible truth."

I reverted presently to the topic.

"I know nothing about it," said the Doctor, "and I don't want to know. I attended him for a broken finger--Married and Single cricket match-- and that's when I struck the nonsense. That's all. But it shows you the sort of stuff I have to deal with, anyhow, eh? Nice to get modern sanitary ideas into a people like this!"

"Very," I said in a mildly sympathetic tone, and he went on to tell me about that business of the Bonham drain. Things of that kind, I observe, are apt to weigh on the minds of Medical Officers of Health. I was as sympathetic as I knew how, and when he called the Bonham people "asses," I said they were "thundering asses," but even that did not allay him.

Afterwards, later in the summer, an urgent desire to seclude myself, while finishing my chapter on Spiritual Pathology--it was really, I believe, stiffer to write than it is to read--took me to Bignor. I lodged at a farmhouse, and presently found myself outside that little general shop again, in search of tobacco. "Skelmersdale," said I to myself at the sight of it, and went in.

I was served by a short, but shapely, young man, with a fair downy complexion, good, small teeth, blue eyes, and a languid manner. I scrutinised him curiously. Except for a touch of melancholy in his expression, he was nothing out of the common. He was in the shirt-sleeves and tucked-up apron of his trade, and a pencil was thrust behind his inoffensive ear. Athwart his black waistcoat was a gold chain, from which dangled a bent guinea.

"Nothing more to-day, sir?" he inquired. He leant forward over my bill as he spoke.

"Are you Mr. Skelmersdale?" said I.

"I am, sir," he said, without looking up.

"Is it true that you have been in Fairyland?"

He looked up at me for a moment with wrinkled brows, with an aggrieved, exasperated face. "O shut it! " he said, and, after a moment of hostility, eye to eye, he went on adding up my bill. "Four, six and a half," he said, after a pause. "Thank you, Sir."

So, unpropitiously, my acquaintance with Mr. Skelmersdale began.

Well, I got from that to confidence--through a series of toilsome efforts. I picked him up again in the Village Room, where of a night I went to play billiards after my supper, and mitigate the extreme seclusion from my kind that was so helpful to work during the day. I contrived to play with him and afterwards to talk with him. I found the one subject to avoid was Fairyland. On everything else he was open and amiable in a commonplace sort of way, but on that he had been worried--it was a manifest taboo. Only once in the room did I hear the slightest allusion to his experience in his presence, and that was by a cross-grained farm hand who was losing to him. Skelmersdale had run a break into double figures, which, by the Bignor standards, was uncommonly good play. "Steady on!" said his adversary. "None of your fairy flukes!"

Skelmersdale stared at him for a moment, cue in hand, then flung it down and walked out of the room.

"Why can't you leave 'im alone?" said a respectable elder who had been enjoying the game, and in the general murmur of disapproval the grin of satisfied wit faded from the ploughboy's face.

I scented my opportunity. "What's this joke," said I, "about Fairyland?"

"'Tain't no joke about Fairyland, not to young Skelmersdale," said the respectable elder, drinking. A little man with rosy cheeks was more communicative. "They do say, sir," he said, "that they took him into Aldington Knoll an' kep' him there a matter of three weeks."

And with that the gathering was well under weigh. Once one sheep had started, others were ready enough to follow, and in a little time I had at least the exterior aspect of the Skelmersdale affair. Formerly, before he came to Bignor, he had been in that very similar little shop at Aldington Corner, and there whatever it was did happen had taken place. The story was clear that he had stayed out late one night on the Knoll and vanished for three weeks from the sight of men, and had returned with "his cuffs as clean as when he started," and his pockets full of dust and ashes. He returned in a state of moody wretchedness that only slowly passed away, and for many days he would give no account of where it was he had been. The girl he was engaged to at Clapton Hill tried to get it out of him, and threw him over partly because he refused, and partly because, as she said, he fairly gave her the "'ump." And then when, some time after, he let out to some one carelessly that he had been in Fairyland and wanted to go back, and when the thing spread and the simple badinage of the countryside came into play, he threw up his situation abruptly, and came to Bignor to get out of the fuss. But as to what had happened in Fairyland none of these people knew. There the gathering in the Village Room went to pieces like a pack at fault. One said this, and another said that.

Their air in dealing with this marvel was ostensibly critical and sceptical, but I could see a considerable amount of belief showing through their guarded qualifications. I took a line of intelligent interest, tinged with a reasonable doubt of the whole story.

"If Fairyland's inside Aldington Knoll," I said, "why don't you dig it out?"

"That's what I says," said the young ploughboy.

"There's a-many have tried to dig on Aldington Knoll," said the respectable elder, solemnly, "one time and another. But there's none as goes about to-day to tell what they got by digging."

The unanimity of vague belief that surrounded me was rather impressive; I felt there must surely be something at the root of so much conviction, and the already pretty keen curiosity I felt about the real facts of the case was distinctly whetted. If these real facts were to be got from any one, they were to be got from Skelmersdale himself; and I set myself, therefore, still more assiduously to efface the first bad impression I had made and win his confidence to the pitch of voluntary speech. In that endeavour I had a social advantage. Being a person of affability and no apparent employment, and wearing tweeds and knickerbockers, I was naturally classed as an artist in Bignor, and in the remarkable code of social precedence prevalent in Bignor an artist ranks considerably higher than a grocer's assistant. Skelmersdale, like too many of his class, is something of a snob; he had told me to "shut it," only under sudden, excessive provocation, and with, I am certain, a subsequent repentance; he was, I knew, quite glad to be seen walking about the village with me. In due course, he accepted the proposal of a pipe and whisky in my rooms readily enough, and there, scenting by some happy instinct that there was trouble of the heart in this, and knowing that confidences beget confidences, I plied him with much of interest and suggestion from my real and fictitious past. And it was after the third whisky of the third visit of that sort, if I remember rightly, that a propos of some artless expansion of a little affair that had touched and left me in my teens, that he did at last, of his own free will and motion, break the ice. "It was like that with me," he said, "over there at Aldington. It's just that that's so rum. First I didn't care a bit and it was all her, and afterwards, when it was too late, it was, in a manner of speaking, all me."

I forbore to jump upon this allusion, and so he presently threw out another, and in a little while he was making it as plain as daylight that the one thing he wanted to talk about now was this Fairyland adventure he had sat tight upon for so long. You see, I'd done the trick with him, and from being just another half-incredulous, would-be facetious stranger, I had, by all my wealth of shameless self-exposure, become the possible confidant. He had been bitten by the desire to show that he, too, had lived and felt many things, and the fever was upon him.

He was certainly confoundedly allusive at first, and my eagerness to clear him up with a few precise questions was only equalled and controlled by my anxiety not to get to this sort of thing too soon. But in another meeting or so the basis of confidence was complete; and from first to last I think I got most of the items and aspects-- indeed, I got quite a number of times over almost everything that Mr. Skelmersdale, with his very limited powers of narration, will ever be able to tell. And so I come to the story of his adventure, and I piece it all together again. Whether it really happened, whether he imagined it or dreamt it, or fell upon it in some strange hallucinatory trance, I do not profess to say. But that he invented it I will not for one moment entertain. The man simply and honestly believes the thing happened as he says it happened; he is transparently incapable of any lie so elaborate and sustained, and in the belief of the simple, yet often keenly penetrating, rustic minds about him I find a very strong confirmation of his sincerity. He believes-- and nobody can produce any positive fact to falsify his belief. As for me, with this much of endorsement, I transmit his story-- I am a little old now to justify or explain.

He says he went to sleep on Aldington Knoll about ten o'clock one night--it was quite possibly Midsummer night, though he has never thought of the date, and he cannot be sure within a week or so-- and it was a fine night and windless, with a rising moon. I have been at the pains to visit this Knoll thrice since his story grew up under my persuasions, and once I went there in the twilight summer moonrise on what was, perhaps, a similar night to that of his adventure. Jupiter was great and splendid above the moon, and in the north and northwest the sky was green and vividly bright over the sunken sun. The Knoll stands out bare and bleak under the sky, but surrounded at a little distance by dark thickets, and as I went up towards it there was a mighty starting and scampering of ghostly or quite invisible rabbits. Just over the crown of the Knoll, but nowhere else, was a multitudinous thin trumpeting of midges. The Knoll is, I believe, an artificial mound, the tumulus of some great prehistoric chieftain, and surely no man ever chose a more spacious prospect for a sepulchre. Eastward one sees along the hills to Hythe, and thence across the Channel to where, thirty miles and more perhaps, away, the great white lights by Gris Nez and Boulogne wink and pass and shine. Westward lies the whole tumbled valley of the Weald, visible as far as Hindhead and Leith Hill, and the valley of the Stour opens the Downs in the north to interminable hills beyond Wye. All Romney Marsh lies southward at one's feet, Dymchurch and Romney and Lydd, Hastings and its hill are in the middle distance, and the hills multiply vaguely far beyond where Eastbourne rolls up to Beachy Head.

And out upon all this it was that Skelmersdale wandered, being troubled in his earlier love affair, and as he says, "not caring where he went." And there he sat down to think it over, and so, sulking and grieving, was overtaken by sleep. And so he fell into the fairies' power.

The quarrel that had upset him was some trivial matter enough between himself and the girl at Clapton Hill to whom he was engaged. She was a farmer's daughter, said Skelmersdale, and "very respectable," and no doubt an excellent match for him; but both girl and lover were very young and with just that mutual jealousy, that intolerantly keen edge of criticism, that irrational hunger for a beautiful perfection, that life and wisdom do presently and most mercifully dull. What the precise matter of quarrel was I have no idea. She may have said she liked men in gaiters when he hadn't any gaiters on, or he may have said he liked her better in a different sort of hat, but however it began, it got by a series of clumsy stages to bitterness and tears. She no doubt got tearful and smeary, and he grew dusty and drooping, and she parted with invidious comparisons, grave doubts whether she ever had really cared for him, and a clear certainty she would never care again. And with this sort of thing upon his mind he came out upon Aldington Knoll grieving, and presently, after a long interval, perhaps, quite inexplicably, fell asleep.

He woke to find himself on a softer turf than ever he had slept on before, and under the shade of very dark trees that completely hid the sky. Always, indeed, in Fairyland the sky is hidden, it seems. Except for one night when the fairies were dancing, Mr. Skelmersdale, during all his time with them, never saw a star. And of that night I am in doubt whether he was in Fairyland proper or out where the rings and rushes are, in those low meadows near the railway line at Smeeth.

But it was light under these trees for all that, and on the leaves and amidst the turf shone a multitude of glow-worms, very bright and fine. Mr. Skelmersdale's first impression was that he was small, and the next that quite a number of people still smaller were standing all about him. For some reason, he says, he was neither surprised nor frightened, but sat up quite deliberately and rubbed the sleep out of his eyes. And there all about him stood the smiling elves who had caught him sleeping under their privileges and had brought him into Fairyland.

What these elves were like I have failed to gather, so vague and imperfect is his vocabulary, and so unobservant of all minor detail does he seem to have been. They were clothed in something very light and beautiful, that was neither wool, nor silk, nor leaves, nor the petals of flowers. They stood all about him as he sat and waked, and down the glade towards him, down a glow-worm avenue and fronted by a star, came at once that Fairy Lady who is the chief personage of his memory and tale. Of her I gathered more. She was clothed in filmy green, and about her little waist was a broad silver girdle. Her hair waved back from her forehead on either side; there were curls not too wayward and yet astray, and on her brow was a little tiara, set with a single star. Her sleeves were some sort of open sleeves that gave little glimpses of her arms; her throat, I think, was a little displayed, because he speaks of the beauty of her neck and chin. There was a necklace of coral about her white throat, and in her breast a coral-coloured flower. She had the soft lines of a little child in her chin and cheeks and throat. And her eyes, I gather, were of a kindled brown, very soft and straight and sweet under her level brows. You see by these particulars how greatly this lady must have loomed in Mr. Skelmersdale's picture. Certain things he tried to express and could not express; "the way she moved," he said several times; and I fancy a sort of demure joyousness radiated from this Lady.

And it was in the company of this delightful person, as the guest and chosen companion of this delightful person, that Mr. Skelmersdale set out to be taken into the intimacies of Fairyland. She welcomed him gladly and a little warmly--I suspect a pressure of his hand in both of hers and a lit face to his. After all, ten years ago young Skelmersdale may have been a very comely youth. And once she took his arm, and once, I think, she led him by the hand adown the glade that the glow-worms lit.

Just how things chanced and happened there is no telling from Mr. Skelmersdale's disarticulated skeleton of description. He gives little unsatisfactory glimpses of strange corners and doings, of places where there were many fairies together, of "toadstool things that shone pink," of fairy food, of which he could only say "you should have tasted it!" and of fairy music, "like a little musical box," that came out of nodding flowers. There was a great open place where fairies rode and raced on "things," but what Mr. Skelmersdale meant by "these here things they rode," there is no telling. Larvae, perhaps, or crickets, or the little beetles that elude us so abundantly. There was a place where water splashed and gigantic king-cups grew, and there in the hotter times the fairies bathed together. There were games being played and dancing and much elvish love-making, too, I think, among the moss-branch thickets. There can be no doubt that the Fairy Lady made love to Mr. Skelmersdale, and no doubt either that this young man set himself to resist her. A time came, indeed, when she sat on a bank beside him, in a quiet, secluded place "all smelling of vi'lets," and talked to him of love.

"When her voice went low and she whispered," said Mr. Skelmersdale, "and laid 'er 'and on my 'and, you know, and came close with a soft, warm friendly way she 'ad, it was as much as I could do to keep my 'ead."

It seems he kept his head to a certain limited unfortunate extent. He saw "'ow the wind was blowing," he says, and so, sitting there in a place all smelling of violets, with the touch of this lovely Fairy Lady about him, Mr. Skelmersdale broke it to her gently-- that he was engaged!

She had told him she loved him dearly, that he was a sweet human lad for her, and whatever he would ask of her he should have--even his heart's desire.

And Mr. Skelmersdale, who, I fancy, tried hard to avoid looking at her little lips as they just dropped apart and came together, led up to the more intimate question by saying he would like enough capital to start a little shop. He'd just like to feel, he said, he had money enough to do that. I imagine a little surprise in those brown eyes he talked about, but she seemed sympathetic for all that, and she asked him many questions about the little shop, "laughing like" all the time. So he got to the complete statement of his affianced position, and told her all about Millie.

"All?" said I.

"Everything," said Mr. Skelmersdale, "just who she was, and where she lived, and everything about her. I sort of felt I 'ad to all the time, I did."

"'Whatever you want you shall have,' said the Fairy Lady. 'That's as good as done. You shall feel you have the money just as you wish. And now, you know--you must kiss me.'"

And Mr. Skelmersdale pretended not to hear the latter part of her remark, and said she was very kind. That he really didn't deserve she should be so kind. And--

The Fairy Lady suddenly came quite close to him and whispered, "Kiss me!"

"And," said Mr. Skelmersdale, "like a fool, I did."

There are kisses and kisses, I am told, and this must have been quite the other sort from Millie's resonant signals of regard. There was something magic in that kiss; assuredly it marked a turning point. At any rate, this is one of the passages that he thought sufficiently important to describe most at length. I have tried to get it right, I have tried to disentangle it from the hints and gestures through which it came to me, but I have no doubt that it was all different from my telling and far finer and sweeter, in the soft filtered light and the subtly stirring silences of the fairy glades. The Fairy Lady asked him more about Millie, and was she very lovely, and so on-- a great many times. As to Millie's loveliness, I conceive him answering that she was "all right." And then, or on some such occasion, the Fairy Lady told him she had fallen in love with him as he slept in the moonlight, and so he had been brought into Fairyland, and she had thought, not knowing of Millie, that perhaps he might chance to love her. "But now you know you can't," she said, "so you must stop with me just a little while, and then you must go back to Millie." She told him that, and you know Skelmersdale was already in love with her, but the pure inertia of his mind kept him in the way he was going. I imagine him sitting in a sort of stupefaction amidst all these glowing beautiful things, answering about his Millie and the little shop he projected and the need of a horse and cart. . . . And that absurd state of affairs must have gone on for days and days. I see this little lady, hovering about him and trying to amuse him, too dainty to understand his complexity and too tender to let him go. And he, you know, hypnotised as it were by his earthly position, went his way with her hither and thither, blind to everything in Fairyland but this wonderful intimacy that had come to him. It is hard, it is impossible, to give in print the effect of her radiant sweetness shining through the jungle of poor Skelmersdale's rough and broken sentences. To me, at least, she shone clear amidst the muddle of his story like a glow-worm in a tangle of weeds.

There must have been many days of things while all this was happening-- and once, I say, they danced under the moonlight in the fairy rings that stud the meadows near Smeeth--but at last it all came to an end. She led him into a great cavernous place, lit by a red nightlight sort of thing, where there were coffers piled on coffers, and cups and golden boxes, and a great heap of what certainly seemed to all Mr. Skelmersdale's senses--coined gold. There were little gnomes amidst this wealth, who saluted her at her coming, and stood aside. And suddenly she turned on him there with brightly shining eyes.

"And now," she said, "you have been kind to stay with me so long, and it is time I let you go. You must go back to your Millie. You must go back to your Millie, and here--just as I promised you--they will give you gold."

"She choked like," said Mr. Skelmersdale. "At that, I had a sort of feeling--" (he touched his breastbone) "as though I was fainting here. I felt pale, you know, and shivering, and even then--I 'adn't a thing to say."

He paused. "Yes," I said.

The scene was beyond his describing. But I know that she kissed him good-bye.

"And you said nothing?"

"Nothing," he said. "I stood like a stuffed calf. She just looked back once, you know, and stood smiling like and crying--I could see the shine of her eyes--and then she was gone, and there was all these little fellows bustling about me, stuffing my 'ands and my pockets and the back of my collar and everywhere with gold."

And then it was, when the Fairy Lady had vanished, that Mr. Skelmersdale really understood and knew. He suddenly began plucking out the gold they were thrusting upon him, and shouting out at them to prevent their giving him more. "'I don't want yer gold,' I said. 'I 'aven't done yet. I'm not going. I want to speak to that Fairy Lady again.' I started off to go after her and they held me back. Yes, stuck their little 'ands against my middle and shoved me back. They kept giving me more and more gold until it was running all down my trouser legs and dropping out of my 'ands. 'I don't want yer gold,' I says to them, 'I want just to speak to the Fairy Lady again.'"

"And did you?"

"It came to a tussle."

"Before you saw her?"

"I didn't see her. When I got out from them she wasn't anywhere to be seen."

So he ran in search of her out of this red-lit cave, down a long grotto, seeking her, and thence he came out in a great and desolate place athwart which a swarm of will-o'-the-wisps were flying to and fro. And about him elves were dancing in derision, and the little gnomes came out of the cave after him, carrying gold in handfuls and casting it after him, shouting, "Fairy love and fairy gold! Fairy love and fairy gold!"

And when he heard these words, came a great fear that it was all over, and he lifted up his voice and called to her by her name, and suddenly set himself to run down the slope from the mouth of the cavern, through a place of thorns and briers, calling after her very loudly and often. The elves danced about him unheeded, pinching him and pricking him, and the will-o'-the-wisps circled round him and dashed into his face, and the gnomes pursued him shouting and pelting him with fairy gold. As he ran with all this strange rout about him and distracting him, suddenly he was knee-deep in a swamp, and suddenly he was amidst thick twisted roots, and he caught his foot in one and stumbled and fell. . . .

He fell and he rolled over, and in that instant he found himself sprawling upon Aldington Knoll, all lonely under the stars.

He sat up sharply at once, he says, and found he was very stiff and cold, and his clothes were damp with dew. The first pallor of dawn and a chilly wind were coming up together. He could have believed the whole thing a strangely vivid dream until he thrust his hand into his side pocket and found it stuffed with ashes. Then he knew for certain it was fairy gold they had given him. He could feel all their pinches and pricks still, though there was never a bruise upon him. And in that manner, and so suddenly, Mr. Skelmersdale came out of Fairyland back into this world of men. Even then he fancied the thing was but the matter of a night until he returned to the shop at Aldington Corner and discovered amidst their astonishment that he had been away three weeks.

"Lor'! the trouble I 'ad!" said Mr. Skelmersdale.

"How?"

"Explaining. I suppose you've never had anything like that to explain."

"Never," I said, and he expatiated for a time on the behaviour of this person and that. One name he avoided for a space.

"And Millie?" said I at last.

"I didn't seem to care a bit for seeing Millie," he said.

"I expect she seemed changed?"

"Every one was changed. Changed for good. Every one seemed big, you know, and coarse. And their voices seemed loud. Why, the sun, when it rose in the morning, fair hit me in the eye!"

"And Millie?"

"I didn't want to see Millie."

"And when you did?"

"I came up against her Sunday, coming out of church. 'Where you been?' she said, and I saw there was a row. I didn't care if there was. I seemed to forget about her even while she was there a-talking to me. She was just nothing. I couldn't make out whatever I 'ad seen in 'er ever, or what there could 'ave been. Sometimes when she wasn't about, I did get back a little, but never when she was there. Then it was always the other came up and blotted her out. . . . Anyow, it didn't break her heart."

"Married?" I asked.

"Married 'er cousin," said Mr. Skelmersdale, and reflected on the pattern of the tablecloth for a space.

When he spoke again it was clear that his former sweetheart had clean vanished from his mind, and that the talk had brought back the Fairy Lady triumphant in his heart. He talked of her--soon he was letting out the oddest things, queer love secrets it would be treachery to repeat. I think, indeed, that was the queerest thing in the whole affair, to hear that neat little grocer man after his story was done, with a glass of whisky beside him and a cigar between his fingers, witnessing, with sorrow still, though now, indeed, with a time-blunted anguish, of the inappeasable hunger of the heart that presently came upon him. "I couldn't eat," he said, "I couldn't sleep. I made mistakes in orders and got mixed with change. There she was day and night, drawing me and drawing me. Oh, I wanted her. Lord! how I wanted her! I was up there, most evenings I was up there on the Knoll, often even when it rained. I used to walk over the Knoll and round it and round it, calling for them to let me in. Shouting. Near blubbering I was at times. Daft I was and miserable. I kept on saying it was all a mistake. And every Sunday afternoon I went up there, wet and fine, though I knew as well as you do it wasn't no good by day. And I've tried to go to sleep there."

He stopped sharply and decided to drink some whisky.

"I've tried to go to sleep there," he said, and I could swear his lips trembled. "I've tried to go to sleep there, often and often. And, you know, I couldn't, sir--never. I've thought if I could go to sleep there, there might be something. But I've sat up there and laid up there, and I couldn't--not for thinking and longing. It's the longing. . . . I've tried--"

He blew, drank up the rest of his whisky spasmodically, stood up suddenly and buttoned his jacket, staring closely and critically at the cheap oleographs beside the mantel meanwhile. The little black notebook in which he recorded the orders of his daily round projected stiffly from his breast pocket. When all the buttons were quite done, he patted his chest and turned on me suddenly. "Well," he said, "I must be going."

There was something in his eyes and manner that was too difficult for him to express in words. "One gets talking," he said at last at the door, and smiled wanly, and so vanished from my eyes. And that is the tale of Mr. Skelmersdale in Fairyland just as he told it to me.

The Beautiful Suit by H.G. Wells

Word Count:  1,737


This story is also known as A Moonlight Fable.


There was once a little man whose mother made him a beautiful suit of clothes. It was green and gold, and woven so that I cannot describe how delicate and fine it was, and there was a tie of orange fluffiness that tied up under his chin. And the buttons in their newness shone like stars. He was proud and pleased by his suit beyond measure, and stood before the long looking-glass when first he put it on, so astonished and delighted with it that he could hardly turn himself away. He wanted to wear it everywhere, and show it to all sorts of people. He thought over all the places he had ever visited, and all the scenes he had ever heard described, and tried to imagine what the feel of it would be if he were to go now to those scenes and places wearing his shining suit, and he wanted to go out forthwith into the long grass and the hot sunshine of the meadow wearing it. Just to wear it! But his mother told him "No." She told him he must take great care of his suit, for never would he have another nearly so fine; he must save it and save it, and only wear it on rare and great occasions. It was his wedding-suit, she said. And she took the buttons and twisted them up with tissue paper for fear their bright newness should be tarnished, and she tacked little guards over the cuffs and elbows, and wherever the suit was most likely to come to harm. He hated and resisted these things, but what could he do? And at last her warnings and persuasions had effect, and he consented to take off his beautiful suit and fold it into its proper creases, and put it away. It was almost as though he gave it up again. But he was always thinking of wearing it, and of the supreme occasions when some day it might be worn without the guards, without the tissue paper on the buttons, utterly and delightfully, never caring, beautiful beyond measure.

One night, when he was dreaming of it after his habit, he dreamt he took the tissue paper from one of the buttons, and found its brightness a little faded, and that distressed him mightily in his dream. He polished the poor faded button and polished it, and, if anything, it grew duller. He woke up and lay awake, thinking of the brightness a little dulled, and wondering how he would feel if perhaps when the great occasion (whatever it might be) should arrive, one button should chance to be ever so little short of its first glittering freshness, and for days and days that thought remained with him distressingly. And when next his mother let him wear his suit, he was tempted and nearly gave way to the temptation just to fumble off one little bit of tissue paper and see if indeed the buttons were keeping as bright as ever.

He went trimly along on his way to church, full of this wild desire. For you must know his mother did, with repeated and careful warnings, let him wear his suit at times, on Sundays, for example, to and fro from church, when there was no threatening of rain, no dust blowing, nor anything to injure it, with its buttons covered and its protections tacked upon it, and a sun-shade in his hand to shadow it if there seemed too strong a sunlight for its colours. And always, after such occasions, he brushed it over and folded it exquisitely as she had taught him, and put it away again.

Now all these restrictions his mother set to the wearing of his suit he obeyed, always he obeyed them, until one strange night he woke up and saw the moonlight shining outside his window. It seemed to him the moonlight was not common moonlight, nor the night a common night, and for awhile he lay quite drowsily, with this odd persuasion in his mind. Thought joined on to thought like things that whisper warmly in the shadows. Then he sat up in his little bed suddenly very alert, with his heart beating very fast, and a quiver in his body from top to toe. He had made up his mind. He knew that now he was going to wear his suit as it should be worn. He had no doubt in the matter. He was afraid, terribly afraid, but glad, glad.

He got out of his bed and stood for a moment by the window looking at the moonshine-flooded garden, and trembling at the thing he meant to do. The air was full of a minute clamour of crickets and murmurings, of the infinitesimal shoutings of little living things. He went very gently across the creaking boards, for fear that he might wake the sleeping house, to the big dark clothes-press wherein his beautiful suit lay folded, and he took it out garment by garment, and softly and very eagerly tore off its tissue-paper covering and its tacked protections until there it was, perfect and delightful as he had seen it when first his mother had given it to him--a long time it seemed ago. Not a button had tarnished, not a thread had faded on this dear suit of his; he was glad enough for weeping as in a noiseless hurry he put it on. And then back he went, soft and quick, to the window that looked out upon the garden, and stood there for a minute, shining in the moonlight, with his buttons twinkling like stars, before he got out on the sill, and, making as little of a rustling as he could, clambered down to the garden path below. He stood before his mother's house, and it was white and nearly as plain as by day, with every window-blind but his own shut like an eye that sleeps. The trees cast still shadows like intricate black lace upon the wall.

The garden in the moonlight was very different from the garden by day; moonshine was tangled in the hedges and stretched in phantom cobwebs from spray to spray. Every flower was gleaming white or crimson black, and the air was a-quiver with the thridding of small crickets and nightingales singing unseen in the depths of the trees.

There was no darkness in the world, but only warm, mysterious shadows, and all the leaves and spikes were edged and lined with iridescent jewels of dew. The night was warmer than any night had ever been, the heavens by some miracle at once vaster and nearer, and, spite of the great ivory-tinted moon that ruled the world, the sky was full of stars.

The little man did not shout nor sing for all his infinite gladness. He stood for a time like one awestricken, and then, with a queer small cry and holding out his arms, he ran out as if he would embrace at once the whole round immensity of the world. He did not follow the neat set paths that cut the garden squarely, but thrust across the beds and through the wet, tall, scented herbs, through the night-stock and the nicotine and the clusters of phantom white mallow flowers and through the thickets of southernwood and lavender, and knee-deep across a wide space of mignonette. He came to the great hedge, and he thrust his way through it; and though the thorns of the brambles scored him deeply and tore threads from his wonderful suit, and though burrs and goose-grass and havers caught and clung to him, he did not care. He did not care, for he knew it was all part of the wearing for which he had longed. "I am glad I put on my suit," he said; "I am glad I wore my suit."

Beyond the hedge he came to the duck-pond, or at least to what was the duck-pond by day. But by night it was a great bowl of silver moonshine all noisy with singing frogs, of wonderful silver moonshine twisted and clotted with strange patternings, and the little man ran down into its waters between the thin black rushes, knee-deep and waist-deep and to his shoulders, smiting the water to black and shining wavelets with either hand, swaying and shivering wavelets, amidst which the stars were netted in the tangled reflections of the brooding trees upon the bank. He waded until he swam, and so he crossed the pond and came out upon the other side, trailing, as it seemed to him, not duckweed, but very silver in long, clinging, dripping masses. And up he went through the transfigured tangles of the willow-herb and the uncut seeding grasses of the farther bank. He came glad and breathless into the high-road. "I am glad," he said, "beyond measure, that I had clothes that fitted this occasion."

The high-road ran straight as an arrow flies, straight into the deep-blue pit of sky beneath the moon, a white and shining road between the singing nightingales, and along it he went, running now and leaping, and now walking and rejoicing, in the clothes his mother had made for him with tireless, loving hands. The road was deep in dust, but that for him was only soft whiteness; and as he went a great dim moth came fluttering round his wet and shimmering and hastening figure. At first he did not heed the moth, and then he waved his hands at it, and made a sort of dance with it as it circled round his head. "Soft moth!" he cried, "dear moth! And wonderful night, wonderful night of the world! Do you think my clothes are beautiful, dear moth? As beautiful as your scales and all this silver vesture of the earth and sky?"

And the moth circled closer and closer until at last its velvet wings just brushed his lips...

* * * * *

And next morning they found him dead, with his neck broken, in the bottom of the stone pit, with his beautiful clothes a little bloody, and foul and stained with the duckweed from the pond. But his face was a face of such happiness that, had you seen it, you would have understood indeed how that he had died happy, never knowing that cool and streaming silver for the duckweed in the pond.

The Cone by H.G. Wells

Word Count:  4251

The night was hot and overcast, the sky red, rimmed with the lingering sunset of mid-summer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas- lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.

"He does not suspect?" said the man, a little nervously.

"Not he," she said peevishly, as though that too irritated her. "He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry."

"None of these men of iron have," he said sententiously. "They have no hearts."

"He has not," she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the train passed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs--eight trucks--passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp.

"This country was all fresh and beautiful once," he said; "and now--it is Gehenna. Down that way--nothing but pot-banks and chimneys belching fire and dust into the face of heaven . . . . . But what does it matter? An end comes, an end to all this cruelty . . . . . to-morrow." He spoke the last word in a whisper.

"To-morrow," she said, speaking in a whisper too, and still staring out of the window.

"Dear!" he said, putting his hand on hers.

She turned with a start, and their eyes searched one another's. Hers softened to his gaze. "My dear one!" she said, and then: "It seems so strange --that you should have come into my life like this--to open--" She paused.

"To open?" he said.

"All this wonderful world--" she hesitated, and spoke still more softly--"this world of love to me."

Then suddenly the door clicked and closed. They turned their heads, and he started violently back. In the shadow of the room stood a great shadowy figure--silent. They saw the face dimly in the half-light, with unexpressive dark patches under the penthouse brows. Every muscle in Raut's body suddenly became tense. When could the door have opened? What had he heard? Had he heard all? What had he seen? A tumult of questions.

The new-comer's voice came at last, after a pause that seemed interminable. "Well?" he said.

"I was afraid I had missed you, Horrocks," said the man at the window, gripping the window-ledge with his hand. His voice was unsteady.

The clumsy figure of Horrocks came forward out of the shadow. He made no answer to Raut's remark. For a moment he stood above them.

The woman's heart was cold within her. "I told Mr. Raut it was just possible you might come back," she said, in a voice that never quivered.

Horrocks, still silent, sat down abruptly in the chair by her little work-table. His big hands were clenched; one saw now the fire of his eyes under the shadow of his brows. He was trying to get his breath. His eyes went from the woman he had trusted to the friend he had trusted, and then back to the woman.

By this time and for the moment all three half understood one another. Yet none dared say a word to ease the pent-up things that choked them.

It was the husband's voice that broke the silence at last.

"You wanted to see me?" he said to Raut.

Raut started as he spoke. "I came to see you," he said, resolved to lie to the last.

"Yes," said Horrocks.

"You promised," said Raut, "to show me some fine effects of moonlight and smoke."

"I promised to show you some fine effects of moonlight and smoke," repeated Horrocks in a colourless voice.

"And I thought I might catch you to-night before you went down to the works," proceeded Raut, "and come with you."

There was another pause. Did the man mean to take the thing coolly? Did he after all know? How long had he been in the room? Yet even at the moment when they heard the door, their attitudes . . . . Horrocks glanced at the profile of the woman, shadowy pallid in the half-light. Then he glanced at Raut, and seemed to recover himself suddenly. "Of course," he said, "I promised to show you the works under their proper dramatic conditions. It's odd how I could have forgotten."

"If I am troubling you--" began Raut.

Horrocks started again. A new light had suddenly come into the sultry gloom of his eyes. "Not in the least," he said.

"Have you been telling Mr. Raut of all these contrasts of flame and shadow you think so splendid?" said the woman, turning now to her husband for the first time, her confidence creeping back again, her voice just one half-note too high. "That dreadful theory of yours that machinery is beautiful, and everything else in the world ugly. I thought he would not spare you, Mr. Raut. It's his great theory, his one discovery in art."

"I am slow to make discoveries," said Horrocks grimly, damping her suddenly. "But what I discover . . . . ." He stopped.

"Well?" she said.

"Nothing;" and suddenly he rose to his feet.

"I promised to show you the works," he said to Raut, and put his big, clumsy hand on his friend's shoulder. "And you are ready to go?"

"Quite," said Raut, and stood up also.

There was another pause. Each of them peered through the indistinctness of the dusk at the other two. Horrocks' hand still rested on Raut's shoulder. Raut half fancied still that the incident was trivial after all. But Mrs. Horrocks knew her husband better, knew that grim quiet in his voice, and the confusion in her mind took a vague shape of physical evil. "Very well", said Horrocks, and, dropping his hand, turned towards the door.

"My hat?" Raut looked round in the half-light.

"That's my work-basket," said Mrs. Horrocks, with a gust of hysterical laughter. Their hands came together on the back of the chair. "Here it is!" he said. She had an impulse to warn him in an undertone, but she could not frame a word. "Don't go!" and "Beware of him!" struggled in her mind, and the swift moment passed.

"Got it?" said Horrocks, standing with the door half open.

Raut stepped towards him. "Better say good-bye to Mrs. Horrocks," said the ironmaster, even more grimly quiet in his tone than before.

Raut started and turned. "Good-evening, Mrs. Horrocks," he said, and their hands touched.

Horrocks held the door open with a ceremonial politeness unusual in him towards men. Raut went out, and then, after a wordless look at her, her husband followed. She stood motionless while Raut's light footfall and her husband's heavy tread, like bass and treble, passed down the passage together. The front door slammed heavily. She went to the window, moving slowly, and stood watching--leaning forward. The two men appeared for a moment at the gateway in the road, passed under the street lamp, and were hidden by the black masses of the shrubbery. The lamp-light fell for a moment on their faces, showing only unmeaning pale patches, telling nothing of what she still feared, and doubted, and craved vainly to know. Then she sank down into a crouching attitude in the big arm-chair, her eyes wide open and staring out at the red lights from the furnaces that flickered in the sky. An hour after she was still there, her attitude scarcely changed.

The oppressive stillness of the evening weighed heavily upon Raut. They went side by side down the road in silence, and in silence turned into the cinder-made by-way that presently opened out the prospect of the valley.

A blue haze, half dust, half mist, touched the long valley with mystery. Beyond were Hanley and Etruria, grey and dark masses, outlined thinly by the rare golden dots of the street lamps, and here and there a gaslit window, or the yellow glare of some late-working factory or crowded public-house. Out of the masses, clear and slender against the evening sky, rose a multitude of tall chimneys, many of them reeking, a few smokeless during a season of "play." Here and there a pallid patch and ghostly stunted beehive shapes showed the position of a pot-bank, or a wheel, black and sharp against the hot lower sky, marked some colliery where they raise the iridescent coal of the place. Nearer at hand was the broad stretch of railway, and half invisible trains shunted--a steady puffing and rumbling, with every run a ringing concussion and a rhythmic series of impacts, and a passage of intermittent puffs of white steam across the further view. And to the left, between the railway and the dark mass of the low hill beyond, dominating the whole view, colossal, inky-black, and crowned with smoke and fitful flames, stood the great cylinders of the Jeddah Company Blast Furnaces, the central edifices of the big ironworks of which Horrocks was the manager. They stood heavy and threatening, full of an incessant turmoil of flames and seething molten iron, and about the feet of them rattled the rolling-mills, and the steam hammer beat heavily and splashed the white iron sparks hither and thither. Even as they looked, a truckful of fuel was shot into one of the giants, and the red flames gleamed out, and a confusion of smoke and black dust came boiling upwards towards the sky.

"Certainly you get some fine effects of colour with your furnaces," said Raut, breaking a silence that had become apprehensive.

Horrocks grunted. He stood with his hands in his pockets, frowning down at the dim steaming railway and the busy ironworks beyond, frowning as if he were thinking out some knotty problem.

Raut glanced at him and away again. "At present your moonlight effect is hardly ripe," he continued, looking upward. "The moon is still smothered by the vestiges of daylight."

Horrocks stared at him with the expression of a man who has suddenly awakened. "Vestiges of daylight? . . . . Of course, of course." He too looked up at the moon, pale still in the midsummer sky. "Come along," he said suddenly, and, gripping Raut's arm in his hand, made a move towards the path that dropped from them to the railway.

Raut hung back. Their eyes met and saw a thousand things in a moment that their eyes came near to say. Horrocks' hand tightened and then relaxed. He let go, and before Raut was aware of it, they were arm in arm, and walking, one unwillingly enough, down the path.

"You see the fine effect of the railway signals towards Burslem," said Horrocks, suddenly breaking into loquacity, striding fast, and tightening the grip of his elbow the while. " Little green lights and red and white lights, all against the haze. You have an eye for effect, Raut. It's a fine effect. And look at those furnaces of mine, how they rise upon us as we come down the hill. That to the right is my pet--seventy feet of him. I packed him myself, and he's boiled away cheerfully with iron in his guts for five long years. I've a particular fancy for him. That line of red there--a lovely bit of warm orange you'd call it, Raut--that's the puddlers' furnaces, and there, in the hot light, three black figures--did you see the white splash of the steam-hammer then?--that's the rolling mills. Come along! Clang, clatter, how it goes rattling across the floor! Sheet tin, Raut, --amazing stuff. Glass mirrors are not in it when that stuff comes from the mill. And, squelch!--there goes the hammer again. Come along!"

He had to stop talking to catch at his breath. His arm twisted into Raut's with benumbing tightness. He had come striding down the black path towards the railway as though he was possessed.

Raut had not spoken a word, had simply hung back against Horrocks' pull with all his strength.

"I say," he said now, laughing nervously, but with an undernote of snarl in his voice, "why on earth are you nipping my arm off, Horrocks, and dragging me along like this?"

At length Horrocks released him. His manner changed again. "Nipping your arm off?" he said. "Sorry. But it's you taught me the trick of walking in that friendly way."

"You haven't learnt the refinements of it yet then," said Raut, laughing artificially again. "By Jove! I'm black and blue."

Horrocks offered no apology. They stood now near the bottom of the hill, close to the fence that bordered the railway. The ironworks had grown larger and spread out with their approach. They looked up to the blast furnaces now instead of down; the further view of Etruria and Hanley had dropped out of sight with their descent. Before them, by the stile rose a notice-board, bearing still dimly visible, the words, "Beware of the Trains," half hidden by splashes of coaly mud.

"Fine effects," said Horrocks, waving his arm. "Here comes a train. The puffs of smoke, the orange glare, the round eye of light in front of it, the melodious rattle. Fine effects! But these furnaces of mine used to be finer, before we shoved cones in their throats, and saved the gas."

"How?" said Raut. "Cones?"

"Cones, my man, cones. I'll show you one nearer. The flames used to flare out of the open throats, great--what is it?--pillars of cloud by day, red and black smoke, and pillars of fire by night.

Now we run it off in pipes, and burn it to heat the blast, and the top is shut by a cone. You'll be interested in that cone."

"But every now and then," said Raut, "you get a burst of fire and smoke up there."

"The cone's not fixed, it's hung by a chain from a lever, and balanced by an equipoise. You shall see it nearer. Else, of course, there'd be no way of getting fuel into the thing. Every now and then the cone dips, and out comes the flare."

"I see," said Raut. He looked over his shoulder. "The moon gets brighter," he said.

"Come along," said Horrocks abruptly, gripping his shoulder again, and moving him suddenly towards the railway crossing. And then came one of those swift incidents, vivid, but so rapid that they leave one doubtful and reeling. Halfway across, Horrocks' hand suddenly clenched upon him like a vice, and swung him backward and through a half-turn, so that he looked up the line. And there a chain of lamp-lit carriage-windows telescoped swiftly as it came towards them, and the red and yellow lights of an engine grew larger and larger, rushing down upon them. As he grasped what this meant, he turned his face to Horrocks, and pushed with all his strength against the arm that held him back between the rails. The struggle did not last a moment. Just as certain as it was that Horrocks held him there, so certain was it that he had been violently lugged out of danger.

"Out of the way," said Horrocks, with a gasp, as the train came rattling by, and they stood panting by the gate into the ironworks.

"I did not see it coming," said Raut, still, even in spite of his own apprehensions, trying to keep up an appearance of ordinary intercourse.

Horrocks answered with a grunt. "The cone," he said, and then, as one who recovers himself, "I thought you did not hear."

"I didn't," said Raut.

"I wouldn't have had you run over then for the world," said Horrocks.

"For a moment I lost my nerve," said Raut.

Horrocks stood for half a minute, then turned abruptly towards the ironworks again. "See how fine these great mounds of mine, these clinker-heaps, look in the night! That truck yonder, up above there! Up it goes, and out-tilts the slag. See the palpitating red stuff go sliding down the slope. As we get nearer, the heap rises up and cuts the blast furnaces. See the quiver up above the big one. Not that way! This way, between the heaps. That goes to the puddling furnaces, but I want to show you the canal first." He came and took Raut by the elbow, and so they went along side by side. Raut answered Horrocks vaguely. What, he asked himself, had really happened on the line? Was he deluding himself with his own fancies, or had Horrocks actually held him back in the way of the train? Had he just been within an ace of being murdered?

Suppose this slouching, scowling monster did know anything? For a minute or two then Raut was really afraid for his life, but the mood passed as he reasoned with himself. After all, Horrocks might have heard nothing. At any rate, he had pulled him out of the way in time. His odd manner might be due to the mere vague jealousy he had shown once before. He was talking now of the ash-heaps and the canal. "Eigh?" said Horrocks.

"What?" said Raut. "Rather! The haze in the moonlight. Fine!"

"Our canal," said Horrocks, stopping suddenly. "Our canal by moonlight and firelight is an immense effect. You've never seen it? Fancy that! You've spent too many of your evenings philandering up in Newcastle there. I tell you, for real florid effects--But you shall see. Boiling water . . . "

As they came out of the labyrinth of clinker-heaps and mounds of coal and ore, the noises of the rolling-mill sprang upon them suddenly, loud, near, and distinct. Three shadowy workmen went by and touched their caps to Horrocks. Their faces were vague in the darkness. Raut felt a futile impulse to address them, and before he could frame his words, they passed into the shadows. Horrocks pointed to the canal close before them now: a weird-looking place it seemed, in the blood-red reflections of the furnaces. The hot water that cooled the tuyeres came into it, some fifty yards up-- a tumultuous, almost boiling affluent, and the steam rose up from the water in silent white wisps and streaks, wrapping damply about them, an incessant succession of ghosts coming up from the black and red eddies, a white uprising that made the head swim. The shining black tower of the larger blast-furnace rose overhead out of the mist, and its tumultuous riot filled their ears. Raut kept away from the edge of the water, and watched Horrocks.

"Here it is red," said Horrocks, "blood-red vapour as red and hot as sin; but yonder there, where the moonlight falls on it, and it drives across the clinker-heaps, it is as white as death."

Raut turned his head for a moment, and then came back hastily to his watch on Horrocks. "Come along to the rolling-mills," said Horrocks. The threatening hold was not so evident that time, and Raut felt a little reassured. But all the same, what on earth did Horrocks mean about "white as death" and "red as sin?" Coincidence, perhaps?

They went and stood behind the puddlers for a little while, and then through the rolling-mills, where amidst an incessant din the deliberate steam-hammer beat the juice out of the succulent iron, and black, half-naked Titans rushed the plastic bars, like hot sealing-wax, between the wheels. "Come on," said Horrocks in Raut's ear, and they went and peeped through the little glass hole behind the tuyeres, and saw the tumbled fire writhing in the pit of the blast-furnace. It left one eye blinded for a while. Then, with green and blue patches dancing across the dark, they went to the lift by which the trucks of ore and fuel and lime were raised to the top of the big cylinder.

And out upon the narrow rail that overhung the furnace, Raut's doubts came upon him again. Was it wise to be here? If Horrocks did know--everything! Do what he would, he could not resist a violent trembling. Right under foot was a sheer depth of seventy feet. It was a dangerous place. They pushed by a truck of fuel to get to the railing that crowned the place. The reek of the furnace, a sulphurous vapor streaked with pungent bitterness, seemed to make the distant hillside of Hanley quiver. The moon was riding out now from among a drift of clouds, halfway up the sky above the undulating wooded outlines of Newcastle. The steaming canal ran away from below them under an indistinct bridge, and vanished into the dim haze of the flat fields towards Burslem.

"That's the cone I've been telling you of," shouted Horrocks; "and, below that, sixty feet of fire and molten metal, with the air of the blast frothing through it like gas in soda-water."

Raut gripped the hand-rail tightly, and stared down at the cone. The heat was intense. The boiling of the iron and the tumult of the blast made a thunderous accompaniment to Horrocks' voice. But the thing had to be gone through now. Perhaps, after all . . .

"In the middle," bawled Horrocks, "temperature near a thousand degrees. If YOU were dropped into it . . . . flash into flame like a pinch of gunpowder in a candle. Put your hand out and feel the heat of his breath. Why, even up here I've seen the rain-water boiling off the trucks. And that cone there. It's a damned sight too hot for roasting cakes. The top side of it's three hundred degrees."

"Three hundred degrees!" said Raut.

"Three hundred centigrade, mind!" said Horrocks. "It will boil the blood out of you in no time."

"Eigh?" said Raut, and turned.

"Boil the blood out of you in . . . No, you don't!"

"Let me go!" screamed Raut. "Let go my arm!"

With one hand he clutched at the hand-rail, then with both. For a moment the two men stood swaying. Then suddenly, with a violent jerk, Horrocks had twisted him from his hold. He clutched at Horrocks and missed, his foot went back into empty air; in mid-air he twisted himself, and then cheek and shoulder and knee struck the hot cone together.

He clutched the chain by which the cone hung, and the thing sank an infinitesimal amount as he struck it. A circle of glowing red appeared about him, and a tongue of flame, released from the chaos within, flickered up towards him. An intense pain assailed him at the knees, and he could smell the singeing of his hands. He raised himself to his feet, and tried to climb up the chain, and then something struck his head. Black and shining with the moonlight, the throat of the furnace rose about him.

Horrocks, he saw, stood above him by one of the trucks of fuel on the rail. The gesticulating figure was bright and white in the moonlight, and shouting, "Fizzle, you fool! Fizzle, you hunter of women! You hot-blooded hound! Boil! boil! boil!"

Suddenly he caught up a handful of coal out of the truck, and flung it deliberately, lump after lump, at Raut.

"Horrocks!" cried Raut. "Horrocks!"

He clung crying to the chain, pulling himself up from the burning of the cone. Each missile Horrocks flung hit him. His clothes charred and glowed, and as he struggled the cone dropped, and a rush of hot suffocating gas whooped out and burned round him in a swift breath of flame.

His human likeness departed from him. When the momentary red had passed, Horrocks saw a charred, blackened figure, its head streaked with blood, still clutching and fumbling with the chain, and writhing in agony--a cindery animal, an inhuman, monstrous creature that began a sobbing intermittent shriek.

Abruptly, at the sight, the ironmaster's anger passed. A deadly sickness came upon him. The heavy odour of burning flesh came drifting up to his nostrils. His sanity returned to him.

"God have mercy upon me!" he cried. "O God! what have I done?"

He knew the thing below him, save that it still moved and felt, was already a dead man--that the blood of the poor wretch must be boiling in his veins. An intense realisation of that agony came to his mind, and overcame every other feeling. For a moment he stood irresolute, and then, turning to the truck, he hastily tilted its contents upon the struggling thing that had once been a man. The mass fell with a thud, and went radiating over the cone. With the thud the shriek ended, and a boiling confusion of smoke, dust, and flame came rushing up towards him. As it passed, he saw the cone clear again.

Then he staggered back, and stood trembling, clinging to the rail with both hands. His lips moved, but no words came to them.

Down below was the sound of voices and running steps. The clangour of rolling in the shed ceased abruptly.

The Country of the Blind by H.G. Wells

Word Count:  9575

Three hundred miles and more from Chimborazo, one hundred from the snows of Cotopaxi, in the wildest wastes of Ecuador's Andes, there lies that mysterious mountain valley, cut off from all the world of men, the Country of the Blind. Long years ago that valley lay so far open to the world that men might come at last through frightful gorges and over an icy pass into its equable meadows, and thither indeed men came, a family or so of Peruvian half-breeds fleeing from the lust and tyranny of an evil Spanish ruler. Then came the stupendous outbreak of Mindobamba, when it was night in Quito for seventeen days, and the water was boiling at Yaguachi and all the fish floating dying even as far as Guayaquil; everywhere along the Pacific slopes there were land-slips and swift thawings and sudden floods, and one whole side of the old Arauca crest slipped and came down in thunder, and cut off the Country of the Blind for ever from the exploring feet of men. But one of these early settlers had chanced to be on the hither side of the gorges when the world had so terribly shaken itself, and he perforce had to forget his wife and his child and all the friends and possessions he had left up there, and start life over again in the lower world. He started it again but ill, blindness overtook him, and he died of punishment in the mines; but the story he told begot a legend that lingers along the length of the Cordilleras of the Andes to this day.

He told of his reason for venturing back from that fastness, into which he had first been carried lashed to a llama, beside a vast bale of gear, when he was a child. The valley, he said, had in it all that the heart of man could desire--sweet water, pasture, an even climate, slopes of rich brown soil with tangles of a shrub that bore an excellent fruit, and on one side great hanging forests of pine that held the avalanches high. Far overhead, on three sides, vast cliffs of grey-green rock were capped by cliffs of ice; but the glacier stream came not to them, but flowed away by the farther slopes, and only now and then huge ice masses fell on the valley side. In this valley it neither rained nor snowed, but the abundant springs gave a rich green pasture, that irrigation would spread over all the valley space. The settlers did well indeed there. Their beasts did well and multiplied, and but one thing marred their happiness. Yet it was enough to mar it greatly. A strange disease had come upon them and had made all the children born to them there--and, indeed, several older children also--blind. It was to seek some charm or antidote against this plague of blindness that he had with fatigue and danger and difficulty returned down the gorge. In those days, in such cases, men did not think of germs and infections, but of sins, and it seemed to him that the reason of this affliction must he in the negligence of these priestless immigrants to set up a shrine so soon as they entered the valley. He wanted a shrine--a handsome, cheap, effectual shrine--to be erected in the valley; he wanted relics and such-like potent things of faith, blessed objects and mysterious medals and prayers. In his wallet he had a bar of native silver for which he would not account; he insisted there was none in the valley with something of the insistence of an inexpert liar. They had all clubbed their money and ornaments together, having little need for such treasure up there, he said, to buy them holy help against their ill. I figure this dim-eyed young mountaineer, sunburnt, gaunt, and anxious, hat brim clutched feverishly, a man all unused to the ways of the lower world, telling this story to some keen-eyed, attentive priest before the great convulsion; I can picture him presently seeking to return with pious and infallible remedies against that trouble, and the infinite dismay with which he must have faced the tumbled vastness where the gorge had once come out. But the rest of his story of mischances is lost to me, save that I know of his evil death after several years. Poor stray from that remoteness! The stream that had once made the gorge now bursts from the mouth of a rocky cave, and the legend his poor, ill-told story set going developed into the legend of a race of blind men somewhere "over there" one may still hear to-day.

And amidst the little population of that now isolated and forgotten valley the disease ran its course. The old became groping, the young saw but dimly, and the children that were born to them never saw at all. But life was very easy in that snow-rimmed basin, lost to all the world, with neither thorns nor briers, with no evil insects nor any beasts save the gentle breed of llamas they had lugged and thrust and followed up the beds of the shrunken rivers in the gorges up which they had come. The seeing had become purblind so gradually that they scarcely noticed their loss. They guided the sightless youngsters hither and thither until they knew the whole valley marvellously, and when at last sight died out among them the race lived on. They had even time to adapt themselves to the blind control of fire, which they made carefully in stoves of stone. They were a simple strain of people at the first, unlettered, only slightly touched with the Spanish civilisation, but with something of a tradition of the arts of old Peru and of its lost philosophy. Generation followed generation. They forgot many things; they devised many things. Their tradition of the greater world they came from became mythical in colour and uncertain. In all things save sight they were strong and able, and presently chance sent one who had an original mind and who could talk and persuade among them, and then afterwards another. These two passed, leaving their effects, and the little community grew in numbers and in understanding, and met and settled social and economic problems that arose. Generation followed generation. Generation followed generation. There came a time when a child was born who was fifteen generations from that ancestor who went out of the valley with a bar of silver to seek God's aid, and who never returned. Thereabout it chanced that a man came into this community from the outer world. And this is the story of that man.

He was a mountaineer from the country near Quito, a man who had been down to the sea and had seen the world, a reader of books in an original way, an acute and enterprising man, and he was taken on by a party of Englishmen who had come out to Ecuador to climb mountains, to replace one of their three Swiss guides who had fallen ill. He climbed here and he climbed there, and then came the attempt on Parascotopetl, the Matterhorn of the Andes, in which he was lost to the outer world. The story of that accident has been written a dozen times. Pointer's narrative is the best. He tells how the little party worked their difficult and almost vertical way up to the very foot of the last and greatest precipice, and how they built a night shelter amidst the snow upon a little shelf of rock, and, with a touch of real dramatic power, how presently they found Nunez had gone from them. They shouted, and there was no reply; shouted and whistled, and for the rest of that night they slept no more.

As the morning broke they saw the traces of his fall. It seems impossible he could have uttered a sound. He had slipped eastward towards the unknown side of the mountain; far below he had struck a steep slope of snow, and ploughed his way down it in the midst of a snow avalanche. His track went straight to the edge of a frightful precipice, and beyond that everything was hidden. Far, far below, and hazy with distance, they could see trees rising out of a narrow, shut-in valley--the lost Country of the Blind. But they did not know it was the lost Country of the Blind, nor distinguish it in any way from any other narrow streak of upland valley. Unnerved by this disaster, they abandoned their attempt in the afternoon, and Pointer was called away to the war before he could make another attack. To this day Parascotopetl lifts an unconquered crest, and Pointer's shelter crumbles unvisited amidst the snows.

And the man who fell survived.

At the end of the slope he fell a thousand feet, and came down in the midst of a cloud of snow upon a snow-slope even steeper than the one above. Down this he was whirled, stunned and insensible, but without a bone broken in his body; and then at last came to gentler slopes, and at last rolled out and lay still, buried amidst a softening heap of the white masses that had accompanied and saved him. He came to himself with a dim fancy that he was ill in bed; then realized his position with a mountaineer's intelligence and worked himself loose and, after a rest or so, out until he saw the stars. He rested flat upon his chest for a space, wondering where he was and what had happened to him. He explored his limbs, and discovered that several of his buttons were gone and his coat turned over his head. His knife had gone from his pocket and his hat was lost, though he had tied it under his chin. He recalled that he had been looking for loose stones to raise his piece of the shelter wall. His ice-axe had disappeared.

He decided he must have fallen, and looked up to see, exaggerated by the ghastly light of the rising moon, the tremendous flight he had taken. For a while he lay, gazing blankly at the vast, pale cliff towering above, rising moment by moment out of a subsiding tide of darkness. Its phantasmal, mysterious beauty held him for a space, and then he was seized with a paroxysm of sobbing laughter . . . .

After a great interval of time he became aware that he was near the lower edge of the snow. Below, down what was now a moon-lit and practicable slope, he saw the dark and broken appearance of rock-strewn turf He struggled to his feet, aching in every joint and limb, got down painfully from the heaped loose snow about him, went downward until he was on the turf, and there dropped rather than lay beside a boulder, drank deep from the flask in his inner pocket, and instantly fell asleep . . . .

He was awakened by the singing of birds in the trees far below.

He sat up and perceived he was on a little alp at the foot of a vast precipice that sloped only a little in the gully down which he and his snow had come. Over against him another wall of rock reared itself against the sky. The gorge between these precipices ran east and west and was full of the morning sunlight, which lit to the westward the mass of fallen mountain that closed the descending gorge. Below him it seemed there was a precipice equally steep, but behind the snow in the gully he found a sort of chimney-cleft dripping with snow-water, down which a desperate man might venture. He found it easier than it seemed, and came at last to another desolate alp, and then after a rock climb of no particular difficulty, to a steep slope of trees. He took his bearings and turned his face up the gorge, for he saw it opened out above upon green meadows, among which he now glimpsed quite distinctly a cluster of stone huts of unfamiliar fashion. At times his progress was like clambering along the face of a wall, and after a time the rising sun ceased to strike along the gorge, the voices of the singing birds died away, and the air grew cold and dark about him. But the distant valley with its houses was all the brighter for that. He came presently to talus, and among the rocks he noted--for he was an observant man--an unfamiliar fern that seemed to clutch out of the crevices with intense green hands. He picked a frond or so and gnawed its stalk, and found it helpful.

About midday he came at last out of the throat of the gorge into the plain and the sunlight. He was stiff and weary; he sat down in the shadow of a rock, filled up his flask with water from a spring and drank it down, and remained for a time, resting before he went on to the houses.

They were very strange to his eyes, and indeed the whole aspect of that valley became, as he regarded it, queerer and more unfamiliar. The greater part of its surface was lush green meadow, starred with many beautiful flowers, irrigated with extraordinary care, and bearing evidence of systematic cropping piece by piece. High up and ringing the valley about was a wall, and what appeared to be a circumferential water channel, from which the little trickles of water that fed the meadow plants came, and on the higher slopes above this flocks of llamas cropped the scanty herbage. Sheds, apparently shelters or feeding-places for the llamas, stood against the boundary wall here and there. The irrigation streams ran together into a main channel down the centre of the valley, and this was enclosed on either side by a wall breast high. This gave a singularly urban quality to this secluded place, a quality that was greatly enhanced by the fact that a number of paths paved with black and white stones, and each with a curious little kerb at the side, ran hither and thither in an orderly manner. The houses of the central village were quite unlike the casual and higgledy-piggledy agglomeration of the mountain villages he knew; they stood in a continuous row on either side of a central street of astonishing cleanness, here and there their parti-coloured facade was pierced by a door, and not a solitary window broke their even frontage. They were parti-coloured with extraordinary irregularity, smeared with a sort of plaster that was sometimes grey, sometimes drab, sometimes slate-coloured or dark brown; and it was the sight of this wild plastering first brought the word "blind" into the thoughts of the explorer. "The good man who did that," he thought, "must have been as blind as a bat."

He descended a steep place, and so came to the wall and channel that ran about the valley, near where the latter spouted out its surplus contents into the deeps of the gorge in a thin and wavering thread of cascade. He could now see a number of men and women resting on piled heaps of grass, as if taking a siesta, in the remoter part of the meadow, and nearer the village a number of recumbent children, and then nearer at hand three men carrying pails on yokes along a little path that ran from the encircling wall towards the houses. These latter were clad in garments of llama cloth and boots and belts of leather, and they wore caps of cloth with back and ear flaps. They followed one another in single file, walking slowly and yawning as they walked, like men who have been up all night. There was something so reassuringly prosperous and respectable in their bearing that after a moment's hesitation Nunez stood forward as conspicuously as possible upon his rock, and gave vent to a mighty shout that echoed round the valley.

The three men stopped, and moved their heads as though they were looking about them. They turned their faces this way and that, and Nunez gesticulated with freedom. But they did not appear to see him for all his gestures, and after a time, directing themselves towards the mountains far away to the right, they shouted as if in answer. Nunez bawled again, and then once more, and as he gestured ineffectually the word "blind" came up to the top of his thoughts. "The fools must be blind," he said.

When at last, after much shouting and wrath, Nunez crossed the stream by a little bridge, came through a gate in the wall, and approached them, he was sure that they were blind. He was sure that this was the Country of the Blind of which the legends told. Conviction had sprung upon him, and a sense of great and rather enviable adventure. The three stood side by side, not looking at him, but with their ears directed towards him, judging him by his unfamiliar steps. They stood close together like men a little afraid, and he could see their eyelids closed and sunken, as though the very balls beneath had shrunk away. There was an expression near awe on their faces.

"A man," one said, in hardly recognisable Spanish. "A man it is--a man or a spirit--coming down from the rocks."

But Nunez advanced with the confident steps of a youth who enters upon life. All the old stories of the lost valley and the Country of the Blind had come back to his mind, and through his thoughts ran this old proverb, as if it were a refrain:--

"In the Country of the Blind the One-Eyed Man is King."

"In the Country of the Blind the One-Eyed Man is King."

And very civilly he gave them greeting. He talked to them and used his eyes.

"Where does he come from, brother Pedro?" asked one.

"Down out of the rocks."

"Over the mountains I come," said Nunez, "out of the country beyond there--where men can see. From near Bogota--where there are a hundred thousands of people, and where the city passes out of sight."

"Sight?" muttered Pedro. "Sight?"

"He comes," said the second blind man, "out of the rocks."

The cloth of their coats, Nunez saw was curious fashioned, each with a different sort of stitching.

They startled him by a simultaneous movement towards him, each with a hand outstretched. He stepped back from the advance of these spread fingers.

"Come hither," said the third blind man, following his motion and clutching him neatly.

And they held Nunez and felt him over, saying no word further until they had done so.

"Carefully," he cried, with a finger in his eye, and found they thought that organ, with its fluttering lids, a queer thing in him. They went over it again.

"A strange creature, Correa," said the one called Pedro. "Feel the coarseness of his hair. Like a llama's hair."

"Rough he is as the rocks that begot him," said Correa, investigating Nunez's unshaven chin with a soft and slightly moist hand. "Perhaps he will grow finer."

Nunez struggled a little under their examination, but they gripped him firm.

"Carefully," he said again.

"He speaks," said the third man. "Certainly he is a man."

"Ugh!" said Pedro, at the roughness of his coat.

"And you have come into the world?" asked Pedro.

"Out of the world. Over mountains and glaciers; right over above there, half-way to the sun. Out of the great, big world that goes down, twelve days' journey to the sea."

They scarcely seemed to heed him. "Our fathers have told us men may be made by the forces of Nature," said Correa. "It is the warmth of things, and moisture, and rottenness--rottenness."

"Let us lead him to the elders," said Pedro.

"Shout first," said Correa, "lest the children be afraid. This is a marvellous occasion."

So they shouted, and Pedro went first and took Nunez by the hand to lead him to the houses.

He drew his hand away. "I can see," he said.

"See?" said Correa.

"Yes; see," said Nunez, turning towards him, and stumbled against Pedro's pail.

"His senses are still imperfect," said the third blind man. "He stumbles, and talks unmeaning words. Lead him by the hand."

"As you will," said Nunez, and was led along laughing.

It seemed they knew nothing of sight.

Well, all in good time he would teach them.

He heard people shouting, and saw a number of figures gathering together in the middle roadway of the village.

He found it tax his nerve and patience more than he had anticipated, that first encounter with the population of the Country of the Blind. The place seemed larger as he drew near to it, and the smeared plasterings queerer, and a crowd of children and men and women (the women and girls he was pleased to note had, some of them, quite sweet faces, for all that their eyes were shut and sunken) came about him, holding on to him, touching him with soft, sensitive hands, smelling at him, and listening at every word he spoke. Some of the maidens and children, however, kept aloof as if afraid, and indeed his voice seemed coarse and rude beside their softer notes. They mobbed him. His three guides kept close to him with an effect of proprietorship, and said again and again, "A wild man out of the rocks."

"Bogota," he said. "Bogota. Over the mountain crests."

"A wild man--using wild words," said Pedro. "Did you hear that--"Bogota? His mind has hardly formed yet. He has only the beginnings of speech."

A little boy nipped his hand. "Bogota!" he said mockingly.

"Aye! A city to your village. I come from the great world --where men have eyes and see."

"His name's Bogota," they said.

"He stumbled," said Correa--" stumbled twice as we came hither."

"Bring him in to the elders."

And they thrust him suddenly through a doorway into a room as black as pitch, save at the end there faintly glowed a fire. The crowd closed in behind him and shut out all but the faintest glimmer of day, and before he could arrest himself he had fallen headlong over the feet of a seated man. His arm, outflung, struck the face of someone else as he went down; he felt the soft impact of features and heard a cry of anger, and for a moment he struggled against a number of hands that clutched him. It was a one-sided fight. An inkling of the situation came to him and he lay quiet.

"I fell down," be said; I couldn't see in this pitchy darkness."

There was a pause as if the unseen persons about him tried to understand his words. Then the voice of Correa said: "He is but newly formed. He stumbles as he walks and mingles words that mean nothing with his speech."

Others also said things about him that he heard or understood imperfectly.

"May I sit up?" he asked, in a pause. "I will not struggle against you again."

They consulted and let him rise.

The voice of an older man began to question him, and Nunez found himself trying to explain the great world out of which he had fallen, and the sky and mountains and such-like marvels, to these elders who sat in darkness in the Country of the Blind. And they would believe and understand nothing whatever that he told them, a thing quite outside his expectation. They would not even understand many of his words. For fourteen generations these people had been blind and cut off from all the seeing world; the names for all the things of sight had faded and changed; the story of the outer world was faded and changed to a child's story; and they had ceased to concern themselves with anything beyond the rocky slopes above their circling wall. Blind men of genius had arisen among them and questioned the shreds of belief and tradition they had brought with them from their seeing days, and had dismissed all these things as idle fancies and replaced them with new and saner explanations. Much of their imagination had shrivelled with their eyes, and they had made for themselves new imaginations with their ever more sensitive ears and finger-tips. Slowly Nunez realised this: that his expectation of wonder and reverence at his origin and his gifts was not to be borne out; and after his poor attempt to explain sight to them had been set aside as the confused version of a new-made being describing the marvels of his incoherent sensations, he subsided, a little dashed, into listening to their instruction. And the eldest of the blind men explained to him life and philosophy and religion, how that the world (meaning their valley) had been first an empty hollow in the rocks, and then had come first inanimate things without the gift of touch, and llamas and a few other creatures that had little sense, and then men, and at last angels, whom one could hear singing and making fluttering sounds, but whom no one could touch at all, which puzzled Nunez greatly until he thought of the birds.

He went on to tell Nunez how this time had been divided into the warm and the cold, which are the blind equivalents of day and night, and how it was good to sleep in the warm and work during the cold, so that now, but for his advent, the whole town of the blind would have been asleep. He said Nunez must have been specially created to learn and serve the wisdom they had acquired, and that for all his mental incoherency and stumbling behaviour he must have courage and do his best to learn, and at that all the people in the door-way murmured encouragingly. He said the night--for the blind call their day night--was now far gone, and it behooved everyone to go back to sleep. He asked Nunez if he knew how to sleep, and Nunez said he did, but that before sleep he wanted food. They brought him food, llama's milk in a bowl and rough salted bread, and led him into a lonely place to eat out of their hearing, and afterwards to slumber until the chill of the mountain evening roused them to begin their day again. But Nunez slumbered not at all.

Instead, he sat up in the place where they had left him, resting his limbs and turning the unanticipated circumstances of his arrival over and over in his mind.

Every now and then he laughed, sometimes with amusement and sometimes with indignation.

"Unformed mind!" he said. "Got no senses yet! They little know they've been insulting their Heaven-sent King and master . . . . .

"I see I must bring them to reason.

"Let me think.

"Let me think."

He was still thinking when the sun set.

Nunez had an eye for all beautiful things, and it seemed to him that the glow upon the snow-fields and glaciers that rose about the valley on every side was the most beautiful thing he had ever seen. His eyes went from that inaccessible glory to the village and irrigated fields, fast sinking into the twilight, and suddenly a wave of emotion took him, and he thanked God from the bottom of his heart that the power of sight had been given him.

He heard a voice calling to him from out of the village.

"Yaho there, Bogota! Come hither!"

At that he stood up, smiling. He would show these people once and for all what sight would do for a man. They would seek him, but not find him.

"You move not, Bogota," said the voice.

He laughed noiselessly and made two stealthy steps aside from the path.

"Trample not on the grass, Bogota; that is not allowed."

Nunez had scarcely heard the sound he made himself. He stopped, amazed.

The owner of the voice came running up the piebald path towards him.

He stepped back into the pathway. "Here I am," he said.

"Why did you not come when I called you?" said the blind man. "Must you be led like a child? Cannot you hear the path as you walk?"

Nunez laughed. "I can see it," he said.

"There is no such word as see," said the blind man, after a pause. "Cease this folly and follow the sound of my feet."

Nunez followed, a little annoyed.

"My time will come," he said.

"You'll learn," the blind man answered. "There is much to learn in the world."

"Has no one told you, 'In the Country of the Blind the One-Eyed Man is King?'"

"What is blind?" asked the blind man, carelessly, over his shoulder.

Four days passed and the fifth found the King of the Blind still incognito, as a clumsy and useless stranger among his subjects.

It was, he found, much more difficult to proclaim himself than he had supposed, and in the meantime, while he meditated his coup d'etat, he did what he was told and learnt the manners and customs of the Country of the Blind. He found working and going about at night a particularly irksome thing, and he decided that that should be the first thing he would change.

They led a simple, laborious life, these people, with all the elements of virtue and happiness as these things can be understood by men. They toiled, but not oppressively; they had food and clothing sufficient for their needs; they had days and seasons of rest; they made much of music and singing, and there was love among them and little children. It was marvellous with what confidence and precision they went about their ordered world. Everything, you see, had been made to fit their needs; each of the radiating paths of the valley area had a constant angle to the others, and was distinguished by a special notch upon its kerbing; all obstacles and irregularities of path or meadow had long since been cleared away; all their methods and procedure arose naturally from their special needs. Their senses had become marvellously acute; they could hear and judge the slightest gesture of a man a dozen paces away--could hear the very beating of his heart. Intonation had long replaced expression with them, and touches gesture, and their work with hoe and spade and fork was as free and confident as garden work can be. Their sense of smell was extraordinarily fine; they could distinguish individual differences as readily as a dog can, and they went about the tending of llamas, who lived among the rocks above and came to the wall for food and shelter, with ease and confidence. It was only when at last Nunez sought to assert himself that he found how easy and confident their movements could be.

He rebelled only after he had tried persuasion.

He tried at first on several occasions to tell them of sight. "Look you here, you people," he said. "There are things you do not understand in me."

Once or twice one or two of them attended to him; they sat with faces downcast and ears turned intelligently towards him, and he did his best to tell them what it was to see. Among his hearers was a girl, with eyelids less red and sunken than the others, so that one could almost fancy she was hiding eyes, whom especially he hoped to persuade. He spoke of the beauties of sight, of watching the mountains, of the sky and the sunrise, and they heard him with amused incredulity that presently became condemnatory. They told him there were indeed no mountains at all, but that the end of the rocks where the llamas grazed was indeed the end of the world; thence sprang a cavernous roof of the universe, from which the dew and the avalanches fell; and when he maintained stoutly the world had neither end nor roof such as they supposed, they said his thoughts were wicked. So far as he could describe sky and clouds and stars to them it seemed to them a hideous void, a terrible blankness in the place of the smooth roof to things in which they believed--it was an article of faith with them that the cavern roof was exquisitely smooth to the touch. He saw that in some manner he shocked them, and gave up that aspect of the matter altogether, and tried to show them the practical value of sight. One morning he saw Pedro in the path called Seventeen and coming towards the central houses, but still too far off for hearing or scent, and he told them as much. "In a little while," he prophesied, "Pedro will be here." An old man remarked that Pedro had no business on path Seventeen, and then, as if in confirmation, that individual as he drew near turned and went transversely into path Ten, and so back with nimble paces towards the outer wall. They mocked Nunez when Pedro did not arrive, and afterwards, when he asked Pedro questions to clear his character, Pedro denied and outfaced him, and was afterwards hostile to him.

Then he induced them to let him go a long way up the sloping meadows towards the wall with one complaisant individual, and to him he promised to describe all that happened among the houses. He noted certain goings and comings, but the things that really seemed to signify to these people happened inside of or behind the windowless houses--the only things they took note of to test him by--and of those he could see or tell nothing; and it was after the failure of this attempt, and the ridicule they could not repress, that he resorted to force. He thought of seizing a spade and suddenly smiting one or two of them to earth, and so in fair combat showing the advantage of eyes. He went so far with that resolution as to seize his spade, and then he discovered a new thing about himself, and that was that it was impossible for him to hit a blind man in cold blood.

He hesitated, and found them all aware that he had snatched up the spade. They stood all alert, with their heads on one side, and bent ears towards him for what he would do next.

"Put that spade down," said one, and he felt a sort of helpless horror. He came near obedience.

Then he had thrust one backwards against a house wall, and fled past him and out of the village.

He went athwart one of their meadows, leaving a track of trampled grass behind his feet, and presently sat down by the side of one of their ways. He felt something of the buoyancy that comes to all men in the beginning of a fight, but more perplexity. He began to realise that you cannot even fight happily with creatures who stand upon a different mental basis to yourself. Far away he saw a number of men carrying spades and sticks come out of the street of houses and advance in a spreading line along the several paths towards him. They advanced slowly, speaking frequently to one another, and ever and again the whole cordon would halt and sniff the air and listen.

The first time they did this Nunez laughed. But afterwards he did not laugh.

One struck his trail in the meadow grass and came stooping and feeling his way along it.

For five minutes he watched the slow extension of the cordon, and then his vague disposition to do something forthwith became frantic. He stood up, went a pace or so towards the circumferential wall, turned, and went back a little way. There they all stood in a crescent, still and listening.

He also stood still, gripping his spade very tightly in both hands. Should he charge them?

The pulse in his ears ran into the rhythm of "In the Country of the Blind the One-Eyed Man is King."

Should he charge them?

He looked back at the high and unclimbable wall behind--unclimbable because of its smooth plastering, but withal pierced with many little doors and at the approaching line of seekers. Behind these others were now coming out of the street of houses.

Should he charge them?

"Bogota!" called one. "Bogota! where are you?"

He gripped his spade still tighter and advanced down the meadows towards the place of habitations, and directly he moved they converged upon him. "I'll hit them if they touch me," he swore; "by Heaven, I will. I'll hit." He called aloud, "Look here, I'm going to do what I like in this valley! Do you hear? I'm going to do what I like and go where I like."

They were moving in upon him quickly, groping, yet moving rapidly. It was like playing blind man's buff with everyone blindfolded except one. "Get hold of him!" cried one. He found himself in the arc of a loose curve of pursuers. He felt suddenly he must be active and resolute.

"You don't understand," he cried, in a voice that was meant to be great and resolute, and which broke. "You are blind and I can see. Leave me alone!"

"Bogota! Put down that spade and come off the grass!"

The last order, grotesque in its urban familiarity, produced a gust of anger. "I'll hurt you," he said, sobbing with emotion. "By Heaven, I'll hurt you! Leave me alone!"

He began to run--not knowing clearly where to run. He ran from the nearest blind man, because it was a horror to hit him. He stopped, and then made a dash to escape from their closing ranks. He made for where a gap was wide, and the men on either side, with a quick perception of the approach of his paces, rushed in on one another. He sprang forward, and then saw he must be caught, and swish! the spade had struck. He felt the soft thud of hand and arm, and the man was down with a yell of pain, and he was through.

Through! And then he was close to the street of houses again, and blind men, whirling spades and stakes, were running with a reasoned swiftness hither and thither.

He heard steps behind him just in time, and found a tall man rushing forward and swiping at the sound of him. He lost his nerve, hurled his spade a yard wide of this antagonist, and whirled about and fled, fairly yelling as he dodged another.

He was panic-stricken. He ran furiously to and fro, dodging when there was no need to dodge, and, in his anxiety to see on every side of him at once, stumbling. For a moment he was down and they heard his fall. Far away in the circumferential wall a little doorway looked like Heaven, and he set off in a wild rush for it. He did not even look round at his pursuers until it was gained, and he had stumbled across the bridge, clambered a little way among the rocks, to the surprise and dismay of a young llama, who went leaping out of sight, and lay down sobbing for breath.

And so his coup d'etat came to an end.

He stayed outside the wall of the valley of the blind for two nights and days without food or shelter, and meditated upon the Unexpected. During these meditations he repeated very frequently and always with a profounder note of derision the exploded proverb: "In the Country of the Blind the One-Eyed Man is King." He thought chiefly of ways of fighting and conquering these people, and it grew clear that for him no practicable way was possible. He had no weapons, and now it would be hard to get one.

The canker of civilisation had got to him even in Bogota, and he could not find it in himself to go down and assassinate a blind man. Of course, if he did that, he might then dictate terms on the threat of assassinating them all. But--Sooner or later he must sleep! . . . .

He tried also to find food among the pine trees, to be comfortable under pine boughs while the frost fell at night, and-- with less confidence--to catch a llama by artifice in order to try to kill it--perhaps by hammering it with a stone--and so finally, perhaps, to eat some of it. But the llamas had a doubt of him and regarded him with distrustful brown eyes and spat when he drew near. Fear came on him the second day and fits of shivering. Finally he crawled down to the wall of the Country of the Blind and tried to make his terms. He crawled along by the stream, shouting, until two blind men came out to the gate and talked to him.

"I was mad," he said. "But I was only newly made."

They said that was better.

He told them he was wiser now, and repented of all he had done.

Then he wept without intention, for he was very weak and ill now, and they took that as a favourable sign.

They asked him if he still thought he could see."

"No," he said. "That was folly. The word means nothing. Less than nothing!"

They asked him what was overhead.

"About ten times ten the height of a man there is a roof above the world--of rock--and very, very smooth. So smooth--so beautifully smooth . . "He burst again into hysterical tears. "Before you ask me any more, give me some food or I shall die!"

He expected dire punishments, but these blind people were capable of toleration. They regarded his rebellion as but one more proof of his general idiocy and inferiority, and after they had whipped him they appointed him to do the simplest and heaviest work they had for anyone to do, and he, seeing no other way of living, did submissively what he was told.

He was ill for some days and they nursed him kindly. That refined his submission. But they insisted on his lying in the dark, and that was a great misery. And blind philosophers came and talked to him of the wicked levity of his mind, and reproved him so impressively for his doubts about the lid of rock that covered their cosmic casserole that he almost doubted whether indeed he was not the victim of hallucination in not seeing it overhead.

So Nunez became a citizen of the Country of the Blind, and these people ceased to be a generalised people and became individualities to him, and familiar to him, while the world beyond the mountains became more and more remote and unreal. There was Yacob, his master, a kindly man when not annoyed; there was Pedro, Yacob's nephew; and there was Medina-sarote, who was the youngest daughter of Yacob. She was little esteemed in the world of the blind, because she had a clear-cut face and lacked that satisfying, glossy smoothness that is the blind man's ideal of feminine beauty, but Nunez thought her beautiful at first, and presently the most beautiful thing in the whole creation. Her closed eyelids were not sunken and red after the common way of the valley, but lay as though they might open again at any moment; and she had long eyelashes, which were considered a grave disfigurement. And her voice was weak and did not satisfy the acute hearing of the valley swains. So that she had no lover.

There came a time when Nunez thought that, could he win her, he would be resigned to live in the valley for all the rest of his days.

He watched her; he sought opportunities of doing her little services and presently he found that she observed him. Once at a rest-day gathering they sat side by side in the dim starlight, and the music was sweet. His hand came upon hers and he dared to clasp it. Then very tenderly she returned his pressure. And one day, as they were at their meal in the darkness, he felt her hand very softly seeking him, and as it chanced the fire leapt then, and he saw the tenderness of her face.

He sought to speak to her.

He went to her one day when she was sitting in the summer moonlight spinning. The light made her a thing of silver and mystery. He sat down at her feet and told her he loved her, and told her how beautiful she seemed to him. He had a lover's voice, he spoke with a tender reverence that came near to awe, and she had never before been touched by adoration. She made him no definite answer, but it was clear his words pleased her.

After that he talked to her whenever he could take an opportunity. The valley became the world for him, and the world beyond the mountains where men lived by day seemed no more than a fairy tale he would some day pour into her ears. Very tentatively and timidly he spoke to her of sight.

Sight seemed to her the most poetical of fancies, and she listened to his description of the stars and the mountains and her own sweet white-lit beauty as though it was a guilty indulgence. She did not believe, she could only half understand, but she was mysteriously delighted, and it seemed to him that she completely understood.

His love lost its awe and took courage. Presently he was for demanding her of Yacob and the elders in marriage, but she became fearful and delayed. And it was one of her elder sisters who first told Yacob that Medina-sarote and Nunez were in love.

There was from the first very great opposition to the marriage of Nunez and Medina-sarote; not so much because they valued her as because they held him as a being apart, an idiot, incompetent thing below the permissible level of a man. Her sisters opposed it bitterly as bringing discredit on them all; and old Yacob, though he had formed a sort of liking for his clumsy, obedient serf, shook his head and said the thing could not be. The young men were all angry at the idea of corrupting the race, and one went so far as to revile and strike Nunez. He struck back. Then for the first time he found an advantage in seeing, even by twilight, and after that fight was over no one was disposed to raise a hand against him. But they still found his marriage impossible.

Old Yacob had a tenderness for his last little daughter, and was grieved to have her weep upon his shoulder.

"You see, my dear, he's an idiot. He has delusions; he can't do anything right."

"I know," wept Medina-sarote. "But he's better than he was. He's getting better. And he's strong, dear father, and kind--stronger and kinder than any other man in the world. And he loves me--and, father, I love him."

Old Yacob was greatly distressed to find her inconsolable, and, besides--what made it more distressing--he liked Nunez for many things. So he went and sat in the windowless council-chamber with the other elders and watched the trend of the talk, and said, at the proper time, "He's better than he was. Very likely, some day, we shall find him as sane as ourselves."

Then afterwards one of the elders, who thought deeply, had an idea. He was a great doctor among these people, their medicine-man, and he had a very philosophical and inventive mind, and the idea of curing Nunez of his peculiarities appealed to him. One day when Yacob was present he returned to the topic of Nunez. "I have examined Nunez," he said, "and the case is clearer to me. I think very probably he might be cured."

"This is what I have always hoped," said old Yacob.

"His brain is affected," said the blind doctor.

The elders murmured assent.

"Now, what affects it?"

"Ah!" said old Yacob.

This," said the doctor, answering his own question. "Those queer things that are called the eyes, and which exist to make an agreeable depression in the face, are diseased, in the case of Nunez, in such a way as to affect his brain. They are greatly distended, he has eyelashes, and his eyelids move, and consequently his brain is in a state of constant irritation and distraction."

"Yes?" said old Yacob. "Yes?"

"And I think I may say with reasonable certainty that, in order to cure him complete, all that we need to do is a simple and easy surgical operation--namely, to remove these irritant bodies."

"And then he will be sane?"

"Then he will be perfectly sane, and a quite admirable citizen."

"Thank Heaven for science!" said old Yacob, and went forth at once to tell Nunez of his happy hopes.

But Nunez's manner of receiving the good news struck him as being cold and disappointing.

"One might think," he said, "from the tone you take that you did not care for my daughter."

It was Medina-sarote who persuaded Nunez to face the blind surgeons.

"You do not want me," he said, "to lose my gift of sight?"

She shook her head.

"My world is sight."

Her head drooped lower.

"There are the beautiful things, the beautiful little things--the flowers, the lichens amidst the rocks, the light and softness on a piece of fur, the far sky with its drifting dawn of clouds, the sunsets and the stars. And there is you. For you alone it is good to have sight, to see your sweet, serene face, your kindly lips, your dear, beautiful hands folded together. . . . . It is these eyes of mine you won, these eyes that hold me to you, that these idiots seek. Instead, I must touch you, hear you, and never see you again. I must come under that roof of rock and stone and darkness, that horrible roof under which your imaginations stoop . . . no; you would not have me do that?"

A disagreeable doubt had arisen in him. He stopped and left the thing a question.

"I wish," she said, "sometimes--" She paused.

"Yes?" he said, a little apprehensively.

"I wish sometimes--you would not talk like that."

"Like what?"

"I know it's pretty--it's your imagination. I love it, but now--"

He felt cold. "Now?" he said, faintly.

She sat quite still.

"You mean--you think--I should be better, better perhaps--"

He was realising things very swiftly. He felt anger perhaps, anger at the dull course of fate, but also sympathy for her lack of understanding--a sympathy near akin to pity.

"Dear," he said, and he could see by her whiteness how tensely her spirit pressed against the things she could not say. He put his arms about her, he kissed her ear, and they sat for a time in silence.

"If I were to consent to this?" he said at last, in a voice that was very gentle.

She flung her arms about him, weeping wildly. "Oh, if you would," she sobbed, "if only you would!"

For a week before the operation that was to raise him from his servitude and inferiority to the level of a blind citizen Nunez knew nothing of sleep, and all through the warm, sunlit hours, while the others slumbered happily, he sat brooding or wandered aimlessly, trying to bring his mind to bear on his dilemma. He had given his answer, he had given his consent, and still he was not sure. And at last work-time was over, the sun rose in splendour over the golden crests, and his last day of vision began for him. He had a few minutes with Medina-sarote before she went apart to sleep.

"To-morrow," he said, "I shall see no more."

"Dear heart!" she answered, and pressed his hands with all her strength.

"They will hurt you but little," she said; "and you are going through this pain, you are going through it, dear lover, for me . . . . Dear, if a woman's heart and life can do it, I will repay you. My dearest one, my dearest with the tender voice, I will repay."

He was drenched in pity for himself and her.

He held her in his arms, and pressed his lips to hers and looked on her sweet face for the last time. "Good-bye!" he whispered to that dear sight, "good-bye!"

And then in silence he turned away from her.

She could hear his slow retreating footsteps, and something in the rhythm of them threw her into a passion of weeping.

He walked away.

He had fully meant to go to a lonely place where the meadows were beautiful with white narcissus, and there remain until the hour of his sacrifice should come, but as he walked he lifted up his eyes and saw the morning, the morning like an angel in golden armour, marching down the steeps . . . .

It seemed to him that before this splendour he and this blind world in the valley, and his love and all, were no more than a pit of sin.

He did not turn aside as he had meant to do, but went on and passed through the wall of the circumference and out upon the rocks, and his eyes were always upon the sunlit ice and snow.

He saw their infinite beauty, and his imagination soared over them to the things beyond he was now to resign for ever!

He thought of that great free world that he was parted from, the world that was his own, and he had a vision of those further slopes, distance beyond distance, with Bogota, a place of multitudinous stirring beauty, a glory by day, a luminous mystery by night, a place of palaces and fountains and statues and white houses, lying beautifully in the middle distance. He thought how for a day or so one might come down through passes drawing ever nearer and nearer to its busy streets and ways. He thought of the river journey, day by day, from great Bogota to the still vaster world beyond, through towns and villages, forest and desert places, the rushing river day by day, until its banks receded, and the big steamers came splashing by and one had reached the sea--the limitless sea, with its thousand islands, its thousands of islands, and its ships seen dimly far away in their incessant journeyings round and about that greater world. And there, unpent by mountains, one saw the sky--the sky, not such a disc as one saw it here, but an arch of immeasurable blue, a deep of deeps in which the circling stars were floating . . . .

His eyes began to scrutinise the great curtain of the mountains with a keener inquiry.

For example; if one went so, up that gully and to that chimney there, then one might come out high among those stunted pines that ran round in a sort of shelf and rose still higher and higher as it passed above the gorge. And then? That talus might be managed. Thence perhaps a climb might be found to take him up to the precipice that came below the snow; and if that chimney failed, then another farther to the east might serve his purpose better. And then? Then one would be out upon the amber-lit snow there, and half-way up to the crest of those beautiful desolations. And suppose one had good fortune!

He glanced back at the village, then turned right round and regarded it with folded arms.

He thought of Medina-sarote, and she had become small and remote.

He turned again towards the mountain wall down which the day had come to him.

Then very circumspectly he began his climb.

When sunset came he was not longer climbing, but he was far and high. His clothes were torn, his limbs were bloodstained, he was bruised in many places, but he lay as if he were at his ease, and there was a smile on his face.

From where he rested the valley seemed as if it were in a pit and nearly a mile below. Already it was dim with haze and shadow, though the mountain summits around him were things of light and fire. The mountain summits around him were things of light and fire, and the little things in the rocks near at hand were drenched with light and beauty, a vein of green mineral piercing the grey, a flash of small crystal here and there, a minute, minutely-beautiful orange lichen close beside his face. There were deep, mysterious shadows in the gorge, blue deepening into purple, and purple into a luminous darkness, and overhead was the illimitable vastness of the sky. But he heeded these things no longer, but lay quite still there, smiling as if he were content now merely to have escaped from the valley of the Blind, in which he had thought to be King. And the glow of the sunset passed, and the night came, and still he lay there, under the cold, clear stars.