Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Saturday, January 9, 2016

The Hammerpond Park Burglary by H.G. Wells

Word Count:  2671

it is a moot point whether burglary is to be considered as a sport, a trade, or an art. For a trade, the technique is scarcely rigid enough, and its claims to be considered an art are vitiated by the mercenary element that qualifies its triumphs. On the whole it seems to be most justly ranked as sport, a sport for which no rules are at present formulated, and of which the prizes are distributed in an extremely informal manner. It was this informality of burglary that led to the regrettable extinction of two promising beginners at Hammerpond Park.

The stakes offered in this affair consisted chiefly of diamonds and other personal bric-à-brac belonging to the newly married Lady Aveling. Lady Aveling, as the reader will remember, was the only daughter of Mrs Montague Pangs, the well-known hostess. Her marriage to Lord Aveling was extensively advertised in the papers, the quantity and quality of her wedding presents, and the fact that the honeymoon was to be spent at Hammerpond. The announcement of these valuable prizes created a considerable sensation in the small circle in which Mr Teddy Watkins was the undisputed leader, and it was decided that, accompanied by a duly qualified assistant, he should visit the village of Hammerpond in his professional capacity.

Being a man of naturally retiring and modest disposition, Mr Watkins determined to make this visit incog., and after due consideration of the conditions of his enterprise, he selected the rôle of a landscape artist and the unassuming surname of Smith. He preceded his assistant, who, it was decided, should join him only on the last afternoon of his stay at Hammerpond. Now the village of Hammerpond is perhaps one of the prettiest little corners in Sussex; many thatched houses still survive, the flint-built church with its tall spire nestling under the down is one of the finest and least restored in the county, and the beech-woods and bracken jungles through which the road runs to the great house are singularly rich in what the vulgar artist and photographer call "bits." So that Mr Watkins, on his arrival with two virgin canvases, a brand-new easel, a paint-box, portmanteau, an ingenious little ladder made in sections (after the pattern of the late lamented master Charles Peace), crowbar, and wire coils, found himself welcomed with effusion and some curiosity by half-a-dozen other brethren of the brush. It rendered the disguise he had chosen unexpectedly plausible, but it inflicted upon him a considerable amount of æsthetic conversation for which he was very imperfectly prepared.

"Have you exhibited very much?" said Young Porson in the bar-parlour of the "Coach and Horses," where Mr Watkins was skilfully accumulating local information on the night of his arrival.

"Very little," said Mr Watkins, "just a snack here and there."

"Academy?"

"In course. And the Crystal Palace."

"Did they hang you well?" said Porson.

"Don't rot," said Mr Watkins; "I don't like it."

"I mean did they put you in a good place?"

"Whadyer mean?" said Mr Watkins suspiciously. "One 'ud think you were trying to make out I'd been put away."

Porson had been brought up by aunts, and was a gentlemanly young man even for an artist; he did not know what being "put away" meant, but he thought it best to explain that he intended nothing of the sort. As the question of hanging seemed a sore point with Mr Watkins, he tried to divert the conversation a little. "Do you do figure-work at all?"

"No, never had a head for figures," said Mr Watkins, "my miss—Mrs Smith, I mean, does all that."

"She paints too!" said Porson. "That's rather jolly."

"Very," said Mr Watkins, though he really did not think so, and, feeling the conversation was drifting a little beyond his grasp, added, "I came down here to paint Hammerpond House by moonlight."

"Really!" said Porson. "That's rather a novel idea."

"Yes," said Mr Watkins, "I thought it rather a good notion when it occurred to me. I expect to begin to-morrow night."

"What! You don't mean to paint in the open, by night?"

"I do, though."

"But how will you see your canvas?"

"Have a bloomin' cop's—" began Mr Watkins, rising too quickly to the question, and then realising this, bawled to Miss Durgan for another glass of beer. "I'm goin' to have a thing called a dark lantern," he said to Porson.

"But it's about new moon now," objected Porson. "There won't be any moon."

"There'll be the house," said Watkins, "at any rate. I'm goin', you see, to paint the house first and the moon afterwards."

"Oh!" said Porson, too staggered to continue the conversation.

"They doo say," said old Durgan, the landlord, who had maintained a respectful silence during the technical conversation, "as there's no less than three p'licemen from 'Azelworth on dewty every night in the house—'count of this Lady Aveling 'n her jewellery. One'm won fower-and-six last night, off second footman—tossin'."

Towards sunset next day Mr Watkins, virgin canvas, easel, and a very considerable case of other appliances in hand, strolled up the pleasant pathway through the beech-woods to Hammerpond Park, and pitched his apparatus in a strategic position commanding the house. Here he was observed by Mr Raphael Sant, who was returning across the park from a study of the chalk-pits. His curiosity having been fired by Porson's account of the new arrival, he turned aside with the idea of discussing nocturnal art.

Mr Watkins was apparently unaware of his approach. A friendly conversation with Lady Hammerpond's butler had just terminated, and that individual, surrounded by the three pet dogs which it was his duty to take for an airing after dinner had been served, was receding in the distance. Mr Watkins was mixing colour with an air of great industry. Sant, approaching more nearly, was surprised to see the colour in question was as harsh and brilliant an emerald green as it is possible to imagine. Having cultivated an extreme sensibility to colour from his earliest years, he drew the air in sharply between his teeth at the very first glimpse of this brew. Mr Watkins turned round. He looked annoyed.

"What on earth are you going to do with that beastly green?" said Sant.

Mr Watkins realised that his zeal to appear busy in the eyes of the butler had evidently betrayed him into some technical error. He looked at Sant and hesitated.

"Pardon my rudeness," said Sant; "but really, that green is altogether too amazing. It came as a shock. What do you mean to do with it?"

Mr Watkins was collecting his resources. Nothing could save the situation but decision. "If you come here interrupting my work," he said, "I'm a-goin' to paint your face with it."

Sant retired, for he was a humourist and a peaceful man. Going down the hill he met Porson and Wainwright. "Either that man is a genius or he is a dangerous lunatic," said he. "Just go up and look at his green." And he continued his way, his countenance brightened by a pleasant anticipation of a cheerful affray round an easel in the gloaming, and the shedding of much green paint.

But to Porson and Wainwright Mr Watkins was less aggressive, and explained that the green was intended to be the first coating of his picture. It was, he admitted in response to a remark, an absolutely new method, invented by himself. But subsequently he became more reticent; he explained he was not going to tell every passer-by the secret of his own particular style, and added some scathing remarks upon the meanness of people "hanging about" to pick up such tricks of the masters as they could, which immediately relieved him of their company.

Twilight deepened, first one then another star appeared. The rooks amid the tall trees to the left of the house had long since lapsed into slumbrous silence, the house itself lost all the details of its architecture and became a dark grey outline, and then the windows of the salon shone out brilliantly, the conservatory was lighted up, and here and there a bedroom window burnt yellow. Had anyone approached the easel in the park it would have been found deserted. One brief uncivil word in brilliant green sullied the purity of its canvas. Mr Watkins was busy in the shrubbery with his assistant, who had discreetly joined him from the carriage-drive.

Mr Watkins was inclined to be self-congratulatory upon the ingenious device by which he had carried all his apparatus boldly, and in the sight of all men, right up to the scene of operations. "That's the dressing-room," he said to his assistant, "and, as soon as the maid takes the candle away and goes down to supper, we'll call in. My! how nice the house do look, to be sure, against the starlight, and with all its windows and lights! Swopme, Jim, I almost wish I was a painter-chap. Have you fixed that there wire across the path from the laundry?"

He cautiously approached the house until he stood below the dressing-room window, and began to put together his folding ladder. He was much too experienced a practitioner to feel any unusual excitement. Jim was reconnoitring the smoking-room. Suddenly, close beside Mr Watkins in the bushes, there was a violent crash and a stifled curse. Someone had tumbled over the wire which his assistant had just arranged. He heard feet running on the gravel pathway beyond. Mr Watkins, like all true artists, was a singularly shy man, and he incontinently dropped his folding ladder and began running circumspectly through the shrubbery. He was indistinctly aware of two people hot upon his heels, and he fancied that he distinguished the outline of his assistant in front of him. In another moment he had vaulted the low stone wall bounding the shrubbery, and was in the open park. Two thuds on the turf followed his own leap.

It was a close chase in the darkness through the trees. Mr Watkins was a loosely-built man and in good training, and he gained hand-over-hand upon the hoarsely panting figure in front. Neither spoke, but, as Mr Watkins pulled up alongside, a qualm of awful doubt came over him. The other man turned his head at the same moment and gave an exclamation of surprise. "It's not Jim," thought Mr Watkins, and simultaneously the stranger flung himself, as it were, at Watkin's knees, and they were forthwith grappling on the ground together. "Lend a hand, Bill," cried the stranger as the third man came up. And Bill did—two hands in fact, and some accentuated feet. The fourth man, presumably Jim, had apparently turned aside and made off in a different direction. At Any rate, he did not join the trio. Mr Watkins' memory of the incidents of the next two minutes is extremely vague. He has a dim recollection of having his thumb in the corner of the mouth of the first man, and feeling anxious about its safety, and for some seconds at least he held the head of the gentleman answering to the name of Bill, to the ground by the hair. He was also kicked in a great number of different places, apparently by a vast multitude of people. Then the gentleman who was not Bill got his knee below Mr Watkins' diaphragm, and tried to curl him up upon it.

When his sensations became less entangled he was sitting upon the turf, and eight or ten men—the night was dark, and he was rather too confused to count—standing round him, apparently waiting for him to recover. He mournfully assumed that he was captured, and would probably have made some philosophical reflections on the fickleness of fortune, had not his internal sensations disinclined him for speech.

He noticed very quickly that his wrists were not handcuffed, and then a flask of brandy was put in his hands. This touched him a little—it was such unexpected kindness.

"He's a-comin' round," said a voice which he fancied he recognised as belonging to the Hammerpond second footman.

"We've got 'em, sir, both of 'em," said the Hammerpond butler, the man who had handed him the flask. "Thanks to you."

No one answered this remark. Yet he failed to see how it applied to him.

"He's fair dazed," said a strange voice; "the villains half-murdered him."

Mr Teddy Watkins decided to remain fair dazed until he had a better grasp of the situation. He perceived that two of the black figures round him stood side-by-side with a dejected air, and there was something in the carriage of their shoulders that suggested to his experienced eye hands that were bound together. Two! In a flash he rose to his position. He emptied the little flask and staggered—obsequious hands assisting him—to his feet. There was a sympathetic murmur.

"Shake hands, sir, shake hands," said one of the figures near him. "Permit me to introduce myself. I am very greatly indebted to you. It was the jewels of my wife, Lady Aveling, which attracted these scoundrels to the house."

"Very glad to make your lordship's acquaintance," said Teddy Watkins.

"I presume you saw the rascals making for the shrubbery, and dropped down on them?"

"That's exactly how it happened," said Mr Watkins.

"You should have waited till they got in at the window," said Lord Aveling; "they would get it hotter if they had actually committed the burglary. And it was lucky for you two of the policemen were out by the gates, and followed up the three of you. I doubt if you could have secured the two of them—though it was confoundedly plucky of you, all the same."

"Yes, I ought to have thought of all that," said Mr Watkins; "but one can't think of everythink."

"Certainly not," said Lord Aveling. "I am afraid they have mauled you a little," he added. The party was now moving towards the house. "You walk rather lame. May I offer you my arm?"

And instead of entering Hammerpond House by the dressing-room window, Mr Watkins entered it—slightly intoxicated, and inclined now to cheerfulness again—on the arm of a real live peer, and by the front door. "This," thought Mr Watkins, "is burgling in style!" The "scoundrels," seen by the gaslight, proved to be mere local amateurs unknown to Mr Watkins, and they were taken down into the pantry and there watched over by the three policemen, two gamekeepers with loaded guns, the butler, an ostler, and a carman, until the dawn allowed of their removal to Hazelhurst police-station. Mr Watkins was made much of in the saloon. They devoted a sofa to him, and would not hear of a return to the village that night. Lady Aveling was sure he was brilliantly original, and said her idea of Turner was just such another rough, half-inebriated, deep-eyed, brave, and clever man. Some one brought up a remarkable little folding-ladder that had been picked up in the shrubbery, and showed him how it was put together. They also described how wires had been found in the shrubbery, evidently placed there to trip-up unwary pursuers. It was lucky he had escaped these snares. And they showed him the jewels.

Mr Watkins had the sense not to talk too much, and in any conversational difficulty fell back on his internal pains. At last he was seized with stiffness in the back, and yawning. Everyone suddenly awoke to the fact that it was a shame to keep him talking after his affray, so he retired early to his room, the little red room next to Lord Aveling's suite.

*******
The dawn found a deserted easel bearing a canvas with a green inscription, in the Hammerpond Park, and it found Hammerpond House in commotion. But if the dawn found Mr Teddy Watkins and the Aveling diamonds, it did not communicate the information to the police.

The Jilting of Jane by H.G. Wells

Word Count:  2553

As I sit writing in my study, I can hear our Jane bumping her way downstairs with a brush and dust-pan. She used in the old days to sing hymn tunes, or the British national song for the time being, to these instruments, but latterly she has been silent and even careful over her work. Time was when I prayed with fervour for such silence, and my wife with sighs for such care, but now they have come we are not so glad as we might have anticipated we should be. Indeed, I would rejoice secretly, though it may be unmanly weakness to admit it, even to hear Jane sing "Daisy," or, by the fracture of any plate but one of Euphemia's best green ones, to learn that the period of brooding has come to an end.

Yet how we longed to hear the last of Jane's young man before we heard the last of him! Jane was always very free with her conversation to my wife, and discoursed admirably in the kitchen on a variety of topics--so well, indeed, that I sometimes left my study door open--our house is a small one--to partake of it. But after William came, it was always William, nothing but William; William this and William that; and when we thought William was worked out and exhausted altogether, then William all over again. The engagement lasted altogether three years; yet how she got introduced to William, and so became thus saturated with him, was always a secret. For my part, I believe it was at the street corner where the Rev. Barnabas Baux used to hold an open-air service after evensong on Sundays. Young Cupids were wont to flit like moths round the paraffin flare of that centre of High Church hymn-singing. I fancy she stood singing hymns there, out of memory and her imagination, instead of coming home to get supper, and William came up beside her and said, "Hello!" "Hello yourself!" she said; and etiquette being satisfied, they proceeded to talk together.

As Euphemia has a reprehensible way of letting her servants talk to her, she soon heard of him. "He is _such_ a respectable young man, ma'am," said Jane, "you don't know." Ignoring the slur cast on her acquaintance, my wife inquired further about this William.

"He is second porter at Maynard's, the draper's," said Jane, "and gets eighteen shillings--nearly a pound--a week, m'm; and when the head porter leaves he will be head porter. His relatives are quite superior people, m'm. Not labouring people at all. His father was a greengrosher, m'm, and had a churnor, and he was bankrup' twice. And one of his sisters is in a Home for the Dying. It will be a very good match for me, m'm," said Jane, "me being an orphan girl."

"Then you are engaged to him?" asked my wife.

"Not engaged, ma'am; but he is saving money to buy a ring--hammyfist."

"Well, Jane, when you are properly engaged to him you may ask him round here on Sunday afternoons, and have tea with him in the kitchen;" for my Euphemia has a motherly conception of her duty towards her maid-servants. And presently the amethystine ring was being worn about the house, even with ostentation, and Jane developed a new way of bringing in the joint so that this gage was evident. The elder Miss Maitland was aggrieved by it, and told my wife that servants ought not to wear rings. But my wife looked it up in _Enquire Within_ and _Mrs. Motherly's Book of Household Management_, and found no prohibition. So Jane remained with this happiness added to her love.

The treasure of Jane's heart appeared to me to be what respectable people call a very deserving young man. "William, ma'am," said Jane one day suddenly, with ill-concealed complacency, as she counted out the beer bottles, "William, ma'am, is a teetotaller. Yes, m'm; and he don't smoke. Smoking, ma'am," said Jane, as one who reads the heart, "_do_ make such a dust about. Beside the waste of money. _And_ the smell. However, I suppose they got to do it--some of them..."

William was at first a rather shabby young man of the ready-made black coat school of costume. He had watery gray eyes, and a complexion appropriate to the brother of one in a Home for the Dying. Euphemia did not fancy him very much, even at the beginning. His eminent respectability was vouched for by an alpaca umbrella, from which he never allowed himself to be parted.

"He goes to chapel," said Jane. "His papa, ma'am----"

"His _what_, Jane?"

"His papa, ma'am, was Church: but Mr. Maynard is a Plymouth Brother, and William thinks it Policy, ma'am, to go there too. Mr. Maynard comes and talks to him quite friendly when they ain't busy, about using up all the ends of string, and about his soul. He takes a lot of notice, do Mr. Maynard, of William, and the way he saves his soul, ma'am."

Presently we heard that the head porter at Maynard's had left, and that William was head porter at twenty-three shillings a week. "He is really kind of over the man who drives the van," said Jane, "and him married, with three children." And she promised in the pride of her heart to make interest for us with William to favour us so that we might get our parcels of drapery from Maynard's with exceptional promptitude.

After this promotion a rapidly-increasing prosperity came upon Jane's young man. One day we learned that Mr. Maynard had given William a book. "'Smiles' 'Elp Yourself,' it's called," said Jane; "but it ain't comic. It tells you how to get on in the world, and some what William read to me was _lovely_, ma'am."

Euphemia told me of this, laughing, and then she became suddenly grave. "Do you know, dear," she said, "Jane said one thing I did not like. She had been quiet for a minute, and then she suddenly remarked, 'William is a lot above me, ma'am, ain't he?'"

"I don't see anything in that," I said, though later my eyes were to be opened.

One Sunday afternoon about that time I was sitting at my writing-desk-- possibly I was reading a good book--when a something went by the window. I heard a startled exclamation behind me, and saw Euphemia with her hands clasped together and her eyes dilated. "George," she said in an awe-stricken whisper, "did you see?"

Then we both spoke to one another at the same moment, slowly and solemnly: "_A silk hat! Yellow gloves! A new umbrella!_"

"It may be my fancy, dear," said Euphemia; "but his tie was very like yours. I believe Jane keeps him in ties. She told me a little while ago, in a way that implied volumes about the rest of your costume, 'The master _do_ wear pretty ties, ma'am.' And he echoes all your novelties."

The young couple passed our window again on their way to their customary walk. They were arm in arm. Jane looked exquisitely proud, happy, and uncomfortable, with new white cotton gloves, and William, in the silk hat, singularly genteel!

That was the culmination of Jane's happiness. When she returned, "Mr. Maynard has been talking to William, ma'am," she said, "and he is to serve customers, just like the young shop gentlemen, during the next sale. And if he gets on, he is to be made an assistant, ma'am, at the first opportunity. He has got to be as gentlemanly as he can, ma'am; and if he ain't, ma'am, he says it won't be for want of trying. Mr. Maynard has took a great fancy to him."

"He _is_ getting on, Jane," said my wife.

"Yes, ma'am," said Jane thoughtfully; "he _is_ getting on."

And she sighed.

That next Sunday as I drank my tea I interrogated my wife. "How is this Sunday different from all other Sundays, little woman? What has happened? Have you altered the curtains, or re-arranged the furniture, or where is the indefinable difference of it? Are you wearing your hair in a new way without warning me? I perceive a change clearly, and I cannot for the life of me say what it is."

Then my wife answered in her most tragic voice, "George," she said, "that William has not come near the place to-day! And Jane is crying her heart out upstairs."

There followed a period of silence. Jane, as I have said, stopped singing about the house, and began to care for our brittle possessions, which struck my wife as being a very sad sign indeed. The next Sunday, and the next, Jane asked to go out, "to walk with William," and my wife, who never attempts to extort confidences, gave her permission, and asked no questions. On each occasion Jane came back looking flushed and very determined. At last one day she became communicative.

"William is being led away," she remarked abruptly, with a catching of the breath, apropos of tablecloths. "Yes, m'm. She is a milliner, and she can play on the piano."

"I thought," said my wife, "that you went out with him on Sunday."

"Not out with him, m'm--after him. I walked along by the side of them, and told her he was engaged to me."

"Dear me, Jane, did you? What did they do?"

"Took no more notice of me than if I was dirt. So I told her she should suffer for it."

"It could not have been a very agreeable walk, Jane."

"Not for no parties, ma'am."

"I wish," said Jane, "I could play the piano, ma'am. But anyhow, I don't mean to let _her_ get him away from me. She's older than him, and her hair ain't gold to the roots, ma'am."

It was on the August Bank Holiday that the crisis came. We do not clearly know the details of the fray, but only such fragments as poor Jane let fall. She came home dusty, excited, and with her heart hot within her.

The milliner's mother, the milliner, and William had made a party to the Art Museum at South Kensington, I think. Anyhow, Jane had calmly but firmly accosted them somewhere in the streets, and asserted her right to what, in spite of the consensus of literature, she held to be her inalienable property. She did, I think, go so far as to lay hands on him. They dealt with her in a crushingly superior way. They "called a cab." There was a "scene," William being pulled away into the four-wheeler by his future wife and mother-in-law from the reluctant hands of our discarded Jane. There were threats of giving her "in charge."

"My poor Jane!" said my wife, mincing veal as though she was mincing William. "It's a shame of them. I would think no more of him. He is not worthy of you."

"No, m'm," said Jane. "He _is_ weak.

"But it's that woman has done it," said Jane. She was never known to bring herself to pronounce "that woman's" name or to admit her girlishness. "I can't think what minds some women must have--to try and get a girl's young man away from her. But there, it only hurts to talk about it," said Jane.

Thereafter our house rested from William. But there was something in the manner of Jane's scrubbing the front doorstep or sweeping out the rooms, a certain viciousness, that persuaded me that the story had not yet ended.

"Please, m'm, may I go and see a wedding tomorrow?" said Jane one day.

My wife knew by instinct whose wedding. "Do you think it is wise, Jane?" she said.

"I would like to see the last of him," said Jane.

"My dear," said my wife, fluttering into my room about twenty minutes after Jane had started, "Jane has been to the boot-hole and taken all the left-off boots and shoes, and gone off to the wedding with them in a bag. Surely she cannot mean--"

"Jane," I said, "is developing character. Let us hope for the best."

Jane came back with a pale, hard face. All the boots seemed to be still in her bag, at which my wife heaved a premature sigh of relief. We heard her go upstairs and replace the boots with considerable emphasis.

"Quite a crowd at the wedding, ma'am," she said presently, in a purely conversational style, sitting in our little kitchen, and scrubbing the potatoes; "and such a lovely day for them." She proceeded to numerous other details, clearly avoiding some cardinal incident.

"It was all extremely respectable and nice, ma'am; but _her_ father didn't wear a black coat, and looked quite out of place, ma'am. Mr. Piddingquirk--"

"_Who_?"

"Mr. Piddingquirk--William that was, ma'am--had white gloves, and a coat like a clergyman, and a lovely chrysanthemum. He looked so nice, ma'am. And there was red carpet down, just like for gentlefolks. And they say he gave the clerk four shillings, ma'am. It was a real kerridge they had--not a fly. When they came out of church there was rice-throwing, and her two little sisters dropping dead flowers. And someone threw a slipper, and then I threw a boot--"

"Threw a _boot_, Jane!"

"Yes, ma'am. Aimed at her. But it hit _him_. Yes, ma'am, hard. Gev him a black eye, I should think. I only threw that one. I hadn't the heart to try again. All the little boys cheered when it hit him."

After an interval--"I am sorry the boot hit _him_."

Another pause. The potatoes were being scrubbed violently. "He always _was_ a bit above me, you know, ma'am. And he was led away."

The potatoes were more than finished. Jane rose sharply with a sigh, and rapped the basin down on the table.

"I don't care," she said. "I don't care a rap. He will find out his mistake yet. It serves me right. I was stuck up about him. I ought not to have looked so high. And I am glad things are as things are."

My wife was in the kitchen, seeing to the higher cookery. After the confession of the boot-throwing, she must have watched poor Jane fuming with a certain dismay in those brown eyes of hers. But I imagine they softened again very quickly, and then Jane's must have met them.

"Oh, ma'am," said Jane, with an astonishing change of note, "think of all that _might_ have been! Oh, ma'am, I _could_ have been so happy! I ought to have known, but I didn't know...You're very kind to let me talk to you, ma'am...for it's hard on me, ma'am...it's har-r-r-r-d--"

And I gather that Euphemia so far forgot herself as to let Jane sob out some of the fullness of her heart on a sympathetic shoulder. My Euphemia, thank Heaven, has never properly grasped the importance of "keeping up her position." And since that fit of weeping, much of the accent of bitterness has gone out of Jane's scrubbing and brush work.

Indeed, something passed the other day with the butcher-boy--but that scarcely belongs to this story. However, Jane is young still, and time and change are at work with her. We all have our sorrows, but I do not believe very much in the existence of sorrows that never heal.

The Lord of the Dynamos by H.G. Wells

Word Count: 3383

 The chief attendant of the three dynamos that buzzed and rattled at Camberwell, and kept the electric railway going, came out of Yorkshire, and his name was James Holroyd. He was a practical electrician, but fond of whisky, a heavy red-haired brute with irregular teeth. He doubted the existence of the deity, but accepted Carnot's cycle, and he had read Shakespeare and found him weak in chemistry. His helper came out of the mysterious East, and his name was Azuma-zi. But Holroyd called him Pooh-bah. Holroyd liked a nigger because he would stand kicking--a habit with Holroyd--and did not pry into the machinery and try to learn the ways of it. Certain odd possibilities of the negro mind brought into abrupt contact with the crown of our civilisation Holroyd never fully realised, though just at the end he got some inkling of them.

To define Azuma-zi was beyond ethnology. He was, perhaps, more negroid than anything else, though his hair was curly rather than frizzy, and his nose had a bridge. Moreover, his skin was brown rather than black, and the whites of his eyes were yellow. His broad cheekbones and narrow chin gave his face something of the viperine V. His head, too, was broad behind, and low and narrow at the forehead, as if his brain had been twisted round in the reverse way to a European's. He was short of stature and still shorter of English. In conversation he made numerous odd noises of no known marketable value, and his infrequent words were carved and wrought into heraldic grotesqueness. Holroyd tried to elucidate his religious beliefs, and--especially after whisky--lectured to him against superstition and missionaries. Azuma-zi, however, shirked the discussion of his gods, even though he was kicked for it.

Azuma-zi had come, clad in white but insufficient raiment, out of the stokehole of the Lord Clive, from the Straits Settlements, and beyond, into London. He had heard even in his youth of the greatness and riches of London, where all the women are white and fair, and even the beggars in the streets are white, and he arrived, with newly earned gold coins in his pocket, to worship at the shrine of civilisation. The day of his landing was a dismal one; the sky was dun, and a wind-worried drizzle filtered down to the greasy streets, but he plunged boldly into the delights of Shadwell, and was presently cast up, shattered in health, civilised in costume, penniless and, except in matters of the direst necessity, practically a dumb animal, to toil for James Holroyd and to be bullied by him in the dynamo shed at Camberwell. And to James Holroyd bullying was a labour of love.

There were three dynamos with their engines at Camberwell. The two that had been there since the beginning were small machines; the larger one was new. The smaller machines made a reasonable noise; their straps hummed over the drums, every now and then the brushes buzzed and fizzled, and the air churned steadily, whoo! whoo! whoo! between their poles. One was loose in its foundations and kept the shed vibrating. But the big dynamo drowned these little noises altogether with the sustained drone of its iron core, which somehow set part of the ironwork humming. The place made the visitor's head reel with the throb, throb, throb of the engines, the rotation of the big wheels, the spinning ball-valves, the occasional spittings of the steam, and over all the deep, unceasing, surging note of the big dynamo. This last noise was from an engineering point of view a defect, but Azuma-zi accounted it unto the monster for mightiness and pride.

If it were possible we would have the noises of that shed always about the reader as he reads, we would tell all our story to such an accompaniment. It was a steady stream of din, from which the ear picked out first one thread and then another; there was the intermittent snorting, panting, and seething of the steam engines, the suck and thud of their pistons, the dull beat on the air as the spokes of the great driving-wheels came round, a note the leather straps made as they ran tighter and looser, and a fretful tumult from the dynamos; and over all, sometimes inaudible, as the ear tired of it, and then creeping back upon the senses again, was this trombone note of the big machine. The floor never felt steady and quiet beneath one's feet, but quivered and jarred. It was a confusing, unsteady place, and enough to send anyone's thoughts jerking into odd zigzags. And for three months, while the big strike of the engineers was in progress, Holroyd, who was a blackleg, and Azuma-zi, who was a mere black, were never out of the stir and eddy of it, but slept and fed in the little wooden shanty between the shed and the gates.

Holroyd delivered a theological lecture on the text of his big machine soon after Azuma-zi came. He had to shout to be heard in the din. "Look at that," said Holroyd; "where's your 'eathen idol to match 'im?" And Azuma-zi looked. For a moment Holroyd was inaudible, and then Azuma-zi heard: "Kill a hundred men. Twelve per cent. on the ordinary shares," said Holroyd, "and that's something like a Gord!"

Holroyd was proud of his big dynamo, and expatiated upon its size and power to Azuma-zi until heaven knows what odd currents of thought that and the incessant whirling and shindy set up within the curly black cranium. He would explain in the most graphic manner the dozen or so ways in which a man might be killed by it, and once he gave Azuma-zi a shock as a sample of its quality. After that, in the breathing-times of his labour--it was heavy labour, being not only his own, but most of Holroyd's--Azuma-zi would sit and watch the big machine. Now and then the brushes would sparkle and spit blue flashes, at which Holroyd would swear, but all the rest was as smooth and rhythmic as breathing. The band ran shouting over the shaft, and ever behind one as one watched was the complacent thud of the piston. So it lived all day in this big airy shed, with him and Holroyd to wait upon it; not prisoned up and slaving to drive a ship as the other engines he knew--mere captive devils of the British Solomon--had been, but a machine enthroned. Those two smaller dynamos, Azuma-zi by force of contrast despised; the large one he privately christened the Lord of the Dynamos. They were fretful and irregular, but the big dynamo was steady. How great it was! How serene and easy in its working! Greater and calmer even than the Buddhas he had seen at Rangoon, and yet not motionless, but living! The great black coils spun, spun, spun, the rings ran round under the brushes, and the deep note of its coil steadied the whole. It affected Azuma-zi queerly.

Azuma-zi was not fond of labour. He would sit about and watch the Lord of the Dynamos while Holroyd went away to persuade the yard porter to get whisky, although his proper place was not in the dynamo shed but behind the engines, and, moreover, if Holroyd caught him skulking he got hit for it with a rod of stout copper wire. He would go and stand close to the colossus and look up at the great leather band running overhead. There was a black patch on the band that came round, and it pleased him somehow among all the clatter to watch this return again and again. Odd thoughts spun with the whirl of it. Scientific people tell us that savages give souls to rocks and trees--and a machine is a thousand times more alive than a rock or a tree. And Azuma-zi was practically a savage still; the veneer of civilisation lay no deeper than his slop suit, his bruises, and the coal grime on his face and hands. His father before him had worshipped a meteoric stone, kindred blood it may be had splashed the broad wheels of Juggernaut.

He took every opportunity Holroyd gave him of touching and hand, ling the great dynamo that was fascinating him. He polished and cleaned it until the metal parts were blinding in the sun. He felt a mysterious sense of service in doing this. He would go up to it and touch its spinning coils gently. The gods he had worshipped were all far away. The people in London hid their gods.

At last his dim feelings grew more distinct, and took shape in thoughts and at last in acts. When he came into the roaring shed one morning he salaamed to the Lord of the Dynamos, and then when Holroyd was away, he went and whispered to the thundering machine that he was its servant, and prayed it to have pity on him and save him from Holroyd. As he did so a rare gleam of light came in through the open archway of the throbbing machine-shed, and the Lord of the Dynamos, as he whirled and roared, was radiant with pale gold. Then Azuma-zi knew that his service was acceptable to his Lord. After that he did not feel so lonely as he had done, and he had indeed been very much alone in London. And even when his work time was over, which was rare, he loitered about the shed.

Then, the next time Holroyd maltreated him, Azuma-zi went presently to the Lord of the Dynamos and whispered, "Thou seest, O my Lord!" and the angry whir of the machinery seemed to answer him. Thereafter it appeared to him that whenever Holroyd came into the shed a different note came into the sounds of the dynamo. "My Lord bides his time," said Azuma-zi to himself. "The iniquity of the fool is not yet ripe." And he waited and watched for the day of reckoning. One day there was evidence of short circuiting, and Holroyd, making an unwary examination--it was in the afternoon--got a rather severe shock. Azuma-zi from behind the engine saw him jump off and curse at the peccant coil.

"He is warned," said Azuma-zi to himself. "Surely my Lord is very patient."

Holroyd had at first initiated his "nigger" into such elementary conceptions of the dynamo's working as would enable him to take temporary charge of the shed in his absence. But when he noticed the manner in which Azuma-zi hung about the monster he became suspicious. He dimly perceived his assistant was "up to something," and connecting him with the anointing of the coils with oil that had rotted the varnish in one place, he issued an edict, shouted above the confusion of the machinery, "Don't 'ee go nigh that big dynamo any more, Pooh-bah, or a'll take thy skin off!" Besides, if it pleased Azuma-zi to be near the big machine, it was plain sense and decency to keep him away from it.

Azuma-zi obeyed at the time, but later he was caught bowing before the Lord of the Dynamos. At which Holroyd twisted his arm and kicked him as he turned to go away. As Azuma-zi presently stood behind the engine and glared at the back of the hated Holroyd, the noises of the machinery took a new rhythm, and sounded like four words in his native tongue.

It is hard to say exactly what madness is. I fancy Azuma-zi was mad. The incessant din and whirl of the dynamo shed may have churned up his little store of knowledge and his big store of superstitious fancy, at last, into something akin to frenzy. At any rate, when the idea of making Holroyd a sacrifice to the Dynamo Fetich was thus suggested to him, it filled him with a strange tumult of exultant emotion.

That night the two men and their black shadows were alone in the shed together. The shed was lit with one big arc light that winked and flickered purple. The shadows lay black behind the dynamos, the ball governors of the engines whirled from light to darkness, and their pistons beat loud and steady. The world outside seen through the open end of the shed seemed incredibly dim and remote. It seemed absolutely silent, too, since the riot of the machinery drowned every external sound. Far away was the black fence of the yard with grey shadowy houses behind, and above was the deep blue sky and the pale little stars. Azuma-zi suddenly walked across the centre of the shed above which the leather bands were running, and went into the shadow by the big dynamo. Holroyd heard a click, and the spin of the armature changed.

"What are you dewin' with that switch?" he bawled in surprise. "Han't I told you--"

Then he saw the set expression of Azuma-zi's eyes as the Asiatic came out of the shadow towards him.

In another moment the two men were grappling fiercely in front of the great dynamo.

"You coffee-headed fool!" gasped Holroyd, with a brown hand at his throat. "Keep off those contact rings." In another moment he was tripped and reeling back upon the Lord of the Dynamos. He instinctively loosened his grip upon his antagonist to save himself from the machine.

The messenger, sent in furious haste from the station to find out what had happened in the dynamo shed, met Azuma-zi at the porter's lodge by the gate. Azuma-zi tried to explain something, but the messenger could make nothing of the black's incoherent English, and hurried on to the shed. The machines were all noisily at work, and nothing seemed to be disarranged. There was, however, a queer smell of singed hair. Then he saw an odd-looking crumpled mass clinging to the front of the big dynamo, and, approaching, recognised the distorted remains of Holroyd.

The man stared and hesitated a moment. Then he saw the face, and shut his eyes convulsively. He turned on his heel before he opened them, so that he should not see Holroyd again, and went out of the shed to get advice and help.

When Azuma-zi saw Holroyd die in the grip of the Great Dynamo he had been a little scared about the consequences of his act. Yet he felt strangely elated, and knew that the favour of the Lord Dynamo was upon him. His plan was already settled when he met the man coming from the station, and the scientific manager who speedily arrived on the scene jumped at the obvious conclusion of suicide. This expert scarcely noticed Azuma-zi, except to ask a few questions. Did he see Holroyd kill himself? Azuma-zi explained that he had been out of sight at the engine furnace until he heard a difference in the noise from the dynamo. It was not a difficult examination, being untinctured by suspicion.

The distorted remains of Holroyd, which the electrician removed from the machine, were hastily covered by the porter with a coffee-stained tablecloth. Somebody, by a happy inspiration, fetched a medical man. The expert was chiefly anxious to get the machine at work again, for seven or eight trains had stopped midway in the stuffy tunnels of the electric railway. Azuma-zi, answering or misunderstanding the questions of the people who had by authority or impudence come into the shed, was presently sent back to the stoke-hole by the scientific manager. Of course a crowd collected outside the gates of the yard--a crowd, for no known reason, always hovers for a day or two near the scene of a sudden death in London; two or three reporters percolated somehow into the engine-shed, and one even got to Azuma-zi; but the scientific expert cleared them out again, being himself an amateur journalist.

Presently the body was carried away, and public interest departed with it. Azuma-zi remained very quietly at his furnace, seeing over and over again in the coals a figure that wriggled violently and became still. An hour after the murder, to anyone coming into the shed it would have looked exactly as if nothing had ever happened there. Peeping presently from his engine-room the black saw the Lord Dynamo spin and whirl beside his little brothers, and the driving wheels were beating round, and the steam in the pistons went thud, thud, exactly as it had been earlier in the evening. After all, from the mechanical point of view, it had been a most insignificant incident--the mere temporary deflection of a current. But now the slender form and slender shadow of the scientific manager replaced the sturdy outline of Holroyd travelling up and down the lane of light upon the vibrating floor under the straps between the engines and the dynamos.

"Have I not served my Lord?" said Azuma-zi inaudibly, from his shadow, and the note of the great dynamo rang out full and clear. As he looked at the big whirling mechanism the strange fascination of it that had been a little in abeyance since Holroyd's death, resumed its sway.

Never had Azuma-zi seen a man killed so swiftly and pitilessly. The big humming machine had slain its victim without wavering for a second from its steady beating. It was indeed a mighty god.

The unconscious scientific manager stood with his back to him, scribbling on a piece of paper. His shadow lay at the foot of the monster.

"Was the Lord Dynamo still hungry? His servant was ready."

Azuma-zi made a stealthy step forward; then stopped. The scientific manager suddenly stopped writing, and walked down the shed to the endmost of the dynamos, and began to examine the brushes.

Azuma-zi hesitated, and then slipped across noiselessly into shadow by the switch. There he waited. Presently the manager's footsteps could be heard returning. He stopped in his old position, unconscious of the stoker crouching ten feet away from him. Then the big dynamo suddenly fizzled, and in another moment Azuma-zi had sprung out of the darkness upon him.

First, the scientific manager was gripped round the body and swung towards the big dynamo, then, kicking with his knee and forcing his antagonist's head down with his hands, he loosened the grip on his waist and swung round away from the machine. Then the black grasped him again, putting a curly head against his chest, and they swayed and panted as it seemed for an age or so. Then the scientific manager was impelled to catch a black ear in his teeth and bite furiously. The black yelled hideously.

They rolled over on the floor, and the black, who had apparently slipped from the vice of the teeth or parted with some ear--the scientific manager wondered which at the time--tried to throttle him. The scientific manager was making some ineffectual attempts to claw something with his hands and to kick, when the welcome sound of quick footsteps sounded on the floor. The next moment Azuma-zi had left him and darted towards the big dynamo. There was a splutter amid the roar.

The officer of the company who had entered, stood staring as Azuma-zi caught the naked terminals in his hands, gave one horrible convulsion, and then hung motionless from the machine, his face violently distorted.

"I'm jolly glad you came in when you did," said the scientific manager, still sitting on the floor.

He looked at the still quivering figure.

"It's not a nice death to die, apparently--but it is quick."

The official was still staring at the body. He was a man of slow apprehension.

There was a pause.

The scientific manager got up on his feet rather awkwardly. He ran his fingers along his collar thoughtfully, and moved his head to and fro several times.

"Poor Holroyd! I see now." Then almost mechanically he went towards the switch in the shadow and turned the current into the railway circuit again. As he did so the singed body loosened its grip upon the machine and fell forward on its face. The core of the dynamo roared out loud and clear, and the armature beat the air.

So ended prematurely the Worship of the Dynamo Deity, perhaps the most short-lived of all religions. Yet withal it could at least boast a Martyrdom and a Human Sacrifice.

The Magic Shop by H.G. Wells

Word Count:  3995

I had seen the Magic Shop from afar several times; I had passed it once or twice, a shop window of alluring little objects, magic balls, magic hens, wonderful cones, ventriloquist dolls, the material of the basket trick, packs of cards that looked all right, and all that sort of thing, but never had I thought of going in until one day, almost without warning, Gip hauled me by my finger right up to the window, and so conducted himself that there was nothing for it but to take him in. I had not thought the place was there, to tell the truth--a modest-sized frontage in Regent Street, between the picture shop and the place where the chicks run about just out of patent incubators, but there it was sure enough. I had fancied it was down nearer the Circus, or round the corner in Oxford Street, or even in Holborn; always over the way and a little inaccessible it had been, with something of the mirage in its position; but here it was now quite indisputably, and the fat end of Gip's pointing finger made a noise upon the glass.

"If I was rich," said Gip, dabbing a finger at the Disappearing Egg, "I'd buy myself that. And that"--which was The Crying Baby, Very Human --and that," which was a mystery, and called, so a neat card asserted, "Buy One and Astonish Your Friends."

"Anything," said Gip, "will disappear under one of those cones. I have read about it in a book.

"And there, dadda, is the Vanishing Halfpenny--, only they've put it this way up so's we can't see how it's done."

Gip, dear boy, inherits his mother's breeding, and he did not propose to enter the shop or worry in any way; only, you know, quite unconsciously he lugged my finger doorward, and he made his interest clear.

"That," he said, and pointed to the Magic Bottle.

"If you had that?" I said; at which promising inquiry he looked up with a sudden radiance.

"I could show it to Jessie," he said, thoughtful as ever of others.

"It's less than a hundred days to your birthday, Gibbles," I said, and laid my hand on the door-handle.

Gip made no answer, but his grip tightened on my finger, and so we came into the shop.

It was no common shop this; it was a magic shop, and all the prancing precedence Gip would have taken in the matter of mere toys was wanting. He left the burthen of the conversation to me.

It was a little, narrow shop, not very well lit, and the door-bell pinged again with a plaintive note as we closed it behind us. For a moment or so we were alone and could glance about us. There was a tiger in papier-mache on the glass case that covered the low counter--a grave, kind-eyed tiger that waggled his head in a methodical manner; there were several crystal spheres, a china hand holding magic cards, a stock of magic fish-bowls in various sizes, and an immodest magic hat that shamelessly displayed its springs. On the floor were magic mirrors; one to draw you out long and thin, one to swell your head and vanish your legs, and one to make you short and fat like a draught; and while we were laughing at these the shopman, as I suppose, came in.

At any rate, there he was behind the counter--a curious, sallow, dark man, with one ear larger than the other and a chin like the toe-cap of a boot.

"What can we have the pleasure?" he said, spreading his long, magic fingers on the glass case; and so with a start we were aware of him.

"I want," I said, "to buy my little boy a few simple tricks."

"Legerdemain?" he asked. "Mechanical? Domestic?"

"Anything amusing?" said I.

"Um!" said the shopman, and scratched his head for a moment as if thinking. Then, quite distinctly, he drew from his head a glass ball. "Something in this way?" he said, and held it out.

The action was unexpected. I had seen the trick done at entertainments endless times before--it's part of the common stock of conjurers-- but I had not expected it here.

"That's good," I said, with a laugh.

"Isn't it?" said the shopman.

Gip stretched out his disengaged hand to take this object and found merely a blank palm.

"It's in your pocket," said the shopman, and there it was!

"How much will that be?" I asked.

"We make no charge for glass balls," said the shopman politely. "We get them,"--he picked one out of his elbow as he spoke--"free." He produced another from the back of his neck, and laid it beside its predecessor on the counter. Gip regarded his glass ball sagely, then directed a look of inquiry at the two on the counter, and finally brought his round-eyed scrutiny to the shopman, who smiled.

"You may have those too," said the shopman, "and, if you don't mind, one from my mouth. So!"

Gip counselled me mutely for a moment, and then in a profound silence put away the four balls, resumed my reassuring finger, and nerved himself for the next event.

"We get all our smaller tricks in that way," the shopman remarked.

I laughed in the manner of one who subscribes to a jest. "Instead of going to the wholesale shop," I said. "Of course, it's cheaper."

"In a way," the shopman said. "Though we pay in the end. But not so heavily--as people suppose. . . . Our larger tricks, and our daily provisions and all the other things we want, we get out of that hat. . . And you know, sir, if you'll excuse my saying it, there isn't a wholesale shop, not for Genuine Magic goods, sir. I don't know if you noticed our inscription--the Genuine Magic shop." He drew a business-card from his cheek and handed it to me. "Genuine," he said, with his finger on the word, and added, "There is absolutely no deception, sir."

He seemed to be carrying out the joke pretty thoroughly, I thought.

He turned to Gip with a smile of remarkable affability. "You, you know, are the Right Sort of Boy."

I was surprised at his knowing that, because, in the interests of discipline, we keep it rather a secret even at home; but Gip received it in unflinching silence, keeping a steadfast eye on him.

"It's only the Right Sort of Boy gets through that doorway."

And, as if by way of illustration, there came a rattling at the door, and a squeaking little voice could be faintly heard. "Nyar! I warn 'a go in there, dadda, I warn 'a go in there. Ny-a-a-ah!" and then the accents of a down-trodden parent, urging consolations and propitiations. "It's locked, Edward," he said.

"But it isn't," said I.

"It is, sir," said the shopman, "always--for that sort of child," and as he spoke we had a glimpse of the other youngster, a little, white face, pallid from sweet-eating and over-sapid food, and distorted by evil passions, a ruthless little egotist, pawing at the enchanted pane. "It's no good, sir," said the shopman, as I moved, with my natural helpfulness, doorward, and presently the spoilt child was carried off howling.

"How do you manage that?" I said, breathing a little more freely.

"Magic!" said the shopman, with a careless wave of the hand, and behold! sparks of coloured fire flew out of his fingers and vanished into the shadows of the shop.

"You were saying," he said, addressing himself to Gip, "before you came in, that you would like one of our 'Buy One and Astonish your Friends' boxes?"

Gip, after a gallant effort, said "Yes."

"It's in your pocket."

And leaning over the counter--he really had an extraordinarily long body--this amazing person produced the article in the customary conjurer's manner. "Paper," he said, and took a sheet out of the empty hat with the springs; "string," and behold his mouth was a string-box, from which he drew an unending thread, which when he had tied his parcel he bit off--and, it seemed to me, swallowed the ball of string. And then he lit a candle at the nose of one of the ventriloquist's dummies, stuck one of his fingers (which had become sealing-wax red) into the flame, and so sealed the parcel. "Then there was the Disappearing Egg," he remarked, and produced one from within my coat-breast and packed it, and also The Crying Baby, Very Human. I handed each parcel to Gip as it was ready, and he clasped them to his chest.

He said very little, but his eyes were eloquent; the clutch of his arms was eloquent. He was the playground of unspeakable emotions. These, you know, were real Magics. Then, with a start, I discovered something moving about in my hat--something soft and jumpy. I whipped it off, and a ruffled pigeon--no doubt a confederate--dropped out and ran on the counter, and went, I fancy, into a cardboard box behind the papier-mache tiger.

"Tut, tut!" said the shopman, dexterously relieving me of my headdress; "careless bird, and--as I live--nesting!"

He shook my hat, and shook out into his extended hand two or three eggs, a large marble, a watch, about half-a-dozen of the inevitable glass balls, and then crumpled, crinkled paper, more and more and more, talking all the time of the way in which people neglect to brush their hats inside as well as out, politely, of course, but with a certain personal application. "All sorts of things accumulate, sir. . . . Not you, of course, in particular. . . . Nearly every customer. . . . Astonishing what they carry about with them. . . ." The crumpled paper rose and billowed on the counter more and more and more, until he was nearly hidden from us, until he was altogether hidden, and still his voice went on and on. "We none of us know what the fair semblance of a human being may conceal, sir. Are we all then no better than brushed exteriors, whited sepulchres--"

His voice stopped--exactly like when you hit a neighbour's gramophone with a well-aimed brick, the same instant silence, and the rustle of the paper stopped, and everything was still. . . .

"Have you done with my hat?" I said, after an interval.

There was no answer.

I stared at Gip, and Gip stared at me, and there were our distortions in the magic mirrors, looking very rum, and grave, and quiet. . . .

"I think we'll go now," I said. "Will you tell me how much all this comes to? . . . .

"I say," I said, on a rather louder note, "I want the bill; and my hat, please."

It might have been a sniff from behind the paper pile. . . .

"Let's look behind the counter, Gip," I said. "He's making fun of us."

I led Gip round the head-wagging tiger, and what do you think there was behind the counter? No one at all! Only my hat on the floor, and a common conjurer's lop-eared white rabbit lost in meditation, and looking as stupid and crumpled as only a conjurer's rabbit can do. I resumed my hat, and the rabbit lolloped a lollop or so out of my way.

"Dadda!" said Gip, in a guilty whisper.

"What is it, Gip?" said I.

"I do like this shop, dadda."

"So should I," I said to myself, "if the counter wouldn't suddenly extend itself to shut one off from the door." But I didn't call Gip's attention to that. "Pussy!" he said, with a hand out to the rabbit as it came lolloping past us; "Pussy, do Gip a magic!" and his eyes followed it as it squeezed through a door I had certainly not remarked a moment before. Then this door opened wider, and the man with one ear larger than the other appeared again. He was smiling still, but his eye met mine with something between amusement and defiance. "You'd like to see our show-room, sir," he said, with an innocent suavity. Gip tugged my finger forward. I glanced at the counter and met the shopman's eye again. I was beginning to think the magic just a little too genuine. "We haven't VERY much time," I said. But somehow we were inside the show-room before I could finish that.

"All goods of the same quality," said the shopman, rubbing his flexible hands together, "and that is the Best. Nothing in the place that isn't genuine Magic, and warranted thoroughly rum. Excuse me, sir!"

I felt him pull at something that clung to my coat-sleeve, and then I saw he held a little, wriggling red demon by the tail--the little creature bit and fought and tried to get at his hand--and in a moment he tossed it carelessly behind a counter. No doubt the thing was only an image of twisted indiarubber, but for the moment--! And his gesture was exactly that of a man who handles some petty biting bit of vermin. I glanced at Gip, but Gip was looking at a magic rocking- horse. I was glad he hadn't seen the thing. "I say," I said, in an undertone, and indicating Gip and the red demon with my eyes, "you haven't many things like that about, have you?"

"None of ours! Probably brought it with you," said the shopman-- also in an undertone, and with a more dazzling smile than ever. "Astonishing what people will carry about with them unawares!" And then to Gip, "Do you see anything you fancy here?"

There were many things that Gip fancied there.

He turned to this astonishing tradesman with mingled confidence and respect. "Is that a Magic Sword?" he said.

"A Magic Toy Sword. It neither bends, breaks, nor cuts the fingers. It renders the bearer invincible in battle against any one under eighteen. Half-a-crown to seven and sixpence, according to size. These panoplies on cards are for juvenile knights-errant and very useful-- shield of safety, sandals of swiftness, helmet of invisibility."

"Oh, daddy!" gasped Gip.

I tried to find out what they cost, but the shopman did not heed me. He had got Gip now; he had got him away from my finger; he had embarked upon the exposition of all his confounded stock, and nothing was going to stop him. Presently I saw with a qualm of distrust and something very like jealousy that Gip had hold of this person's finger as usually he has hold of mine. No doubt the fellow was interesting, I thought, and had an interestingly faked lot of stuff, really good faked stuff, still--

I wandered after them, saying very little, but keeping an eye on this prestidigital fellow. After all, Gip was enjoying it. And no doubt when the time came to go we should be able to go quite easily.

It was a long, rambling place, that show-room, a gallery broken up by stands and stalls and pillars, with archways leading off to other departments, in which the queerest-looking assistants loafed and stared at one, and with perplexing mirrors and curtains. So perplexing, indeed, were these that I was presently unable to make out the door by which we had come.

The shopman showed Gip magic trains that ran without steam or clockwork, just as you set the signals, and then some very, very valuable boxes of soldiers that all came alive directly you took off the lid and said--. I myself haven't a very quick ear and it was a tongue- twisting sound, but Gip--he has his mother's ear--got it in no time. "Bravo!" said the shopman, putting the men back into the box unceremoniously and handing it to Gip. "Now," said the shopman, and in a moment Gip had made them all alive again.

"You'll take that box?" asked the shopman.

"We'll take that box," said I, "unless you charge its full value. In which case it would need a Trust Magnate--"

"Dear heart! No!" and the shopman swept the little men back again, shut the lid, waved the box in the air, and there it was, in brown paper, tied up and--with Gip's full name and address on the paper!

The shopman laughed at my amazement.

"This is the genuine magic," he said. "The real thing."

"It's a little too genuine for my taste," I said again.

After that he fell to showing Gip tricks, odd tricks, and still odder the way they were done. He explained them, he turned them inside out, and there was the dear little chap nodding his busy bit of a head in the sagest manner.

I did not attend as well as I might. "Hey, presto!" said the Magic Shopman, and then would come the clear, small "Hey, presto!" of the boy. But I was distracted by other things. It was being borne in upon me just how tremendously rum this place was; it was, so to speak, inundated by a sense of rumness. There was something a little rum about the fixtures even, about the ceiling, about the floor, about the casually distributed chairs. I had a queer feeling that whenever I wasn't looking at them straight they went askew, and moved about, and played a noiseless puss-in-the-corner behind my back. And the cornice had a serpentine design with masks--masks altogether too expressive for proper plaster.

Then abruptly my attention was caught by one of the odd-looking assistants. He was some way off and evidently unaware of my presence-- I saw a sort of three-quarter length of him over a pile of toys and through an arch--and, you know, he was leaning against a pillar in an idle sort of way doing the most horrid things with his features! The particular horrid thing he did was with his nose. He did it just as though he was idle and wanted to amuse himself. First of all it was a short, blobby nose, and then suddenly he shot it out like a telescope, and then out it flew and became thinner and thinner until it was like a long, red, flexible whip. Like a thing in a nightmare it was! He flourished it about and flung it forth as a fly-fisher flings his line.

My instant thought was that Gip mustn't see him. I turned about, and there was Gip quite preoccupied with the shopman, and thinking no evil. They were whispering together and looking at me. Gip was standing on a little stool, and the shopman was holding a sort of big drum in his hand.

"Hide and seek, dadda!" cried Gip. "You're He!"

And before I could do anything to prevent it, the shopman had clapped the big drum over him. I saw what was up directly. "Take that off," I cried, "this instant! You'll frighten the boy. Take it off!"

The shopman with the unequal ears did so without a word, and held the big cylinder towards me to show its emptiness. And the little stool was vacant! In that instant my boy had utterly disappeared? . . .

You know, perhaps, that sinister something that comes like a hand out of the unseen and grips your heart about. You know it takes your common self away and leaves you tense and deliberate, neither slow nor hasty, neither angry nor afraid. So it was with me.

I came up to this grinning shopman and kicked his stool aside.

"Stop this folly!" I said. "Where is my boy?"

"You see," he said, still displaying the drum's interior, "there is no deception---"

I put out my hand to grip him, and he eluded me by a dexterous movement. I snatched again, and he turned from me and pushed open a door to escape. "Stop!" I said, and he laughed, receding. I leapt after him--into utter darkness.

THUD!

"Lor' bless my 'eart! I didn't see you coming, sir!"

I was in Regent Street, and I had collided with a decent-looking working man; and a yard away, perhaps, and looking a little perplexed with himself, was Gip. There was some sort of apology, and then Gip had turned and come to me with a bright little smile, as though for a moment he had missed me.

And he was carrying four parcels in his arm!

He secured immediate possession of my finger.

For the second I was rather at a loss. I stared round to see the door of the magic shop, and, behold, it was not there! There was no door, no shop, nothing, only the common pilaster between the shop where they sell pictures and the window with the chicks! . . .

I did the only thing possible in that mental tumult; I walked straight to the kerbstone and held up my umbrella for a cab.

"'Ansoms," said Gip, in a note of culminating exultation.

I helped him in, recalled my address with an effort, and got in also. Something unusual proclaimed itself in my tail-coat pocket, and I felt and discovered a glass ball. With a petulant expression I flung it into the street.

Gip said nothing.

For a space neither of us spoke.

"Dada!" said Gip, at last, "that was a proper shop!"

I came round with that to the problem of just how the whole thing had seemed to him. He looked completely undamaged--so far, good; he was neither scared nor unhinged, he was simply tremendously satisfied with the afternoon's entertainment, and there in his arms were the four parcels.

Confound it! what could be in them?

"Um!" I said. "Little boys can't go to shops like that every day."

He received this with his usual stoicism, and for a moment I was sorry I was his father and not his mother, and so couldn't suddenly there, coram publico, in our hansom, kiss him. After all, I thought, the thing wasn't so very bad.

But it was only when we opened the parcels that I really began to be reassured. Three of them contained boxes of soldiers, quite ordinary lead soldiers, but of so good a quality as to make Gip altogether forget that originally these parcels had been Magic Tricks of the only genuine sort, and the fourth contained a kitten, a little living white kitten, in excellent health and appetite and temper.

I saw this unpacking with a sort of provisional relief. I hung about in the nursery for quite an unconscionable time. . . .

That happened six months ago. And now I am beginning to believe it is all right. The kitten had only the magic natural to all kittens, and the soldiers seem as steady a company as any colonel could desire. And Gip--?

The intelligent parent will understand that I have to go cautiously with Gip.

But I went so far as this one day. I said, "How would you like your soldiers to come alive, Gip, and march about by themselves?"

"Mine do," said Gip. "I just have to say a word I know before I open the lid."

"Then they march about alone?"

"Oh, quite, dadda. I shouldn't like them if they didn't do that."

I displayed no unbecoming surprise, and since then I have taken occasion to drop in upon him once or twice, unannounced, when the soldiers were about, but so far I have never discovered them performing in anything like a magical manner.

It's so difficult to tell.

There's also a question of finance. I have an incurable habit of paying bills. I have been up and down Regent Street several times, looking for that shop. I am inclined to think, indeed, that in that matter honour is satisfied, and that, since Gip's name and address are known to them, I may very well leave it to these people, whoever they may be, to send in their bill in their own time.

The Man Who Could Work Miracles by H.G. Wells

Word Count:  6457

A PANTOUM IN PROSE.

It is doubtful whether the gift was innate. For my own part, I think it came to him suddenly. Indeed, until he was thirty he was a sceptic, and did not believe in miraculous powers. And here, since it is the most convenient place, I must mention that he was a little man, and had eyes of a hot brown, very erect red hair, a moustache with ends that he twisted up, and freckles. His name was George McWhirter Fotheringay--not the sort of name by any means to lead to any expectation of miracles--and he was clerk at Gomshott's. He was greatly addicted to assertive argument. It was while he was asserting the impossibility of miracles that he had his first intimation of his extraordinary powers. This particular argument was being held in the bar of the Long Dragon, and Toddy Beamish was conducting the opposition by a monotonous but effective "So _you_ say," that drove Mr. Fotheringay to the very limit of his patience.

There were present, besides these two, a very dusty cyclist, landlord Cox, and Miss Maybridge, the perfectly respectable and rather portly barmaid of the Dragon. Miss Maybridge was standing with her back to Mr. Fotheringay, washing glasses; the others were watching him, more or less amused by the present ineffectiveness of the assertive method. Goaded by the Torres Vedras tactics of Mr. Beamish, Mr. Fotheringay determined to make an unusual rhetorical effort. "Looky here, Mr. Beamish," said Mr. Fotheringay. "Let us clearly understand what a miracle is. It's something contrariwise to the course of nature, done by power of will, something what couldn't happen without being specially willed."

"So _you_ say," said Mr. Beamish, repulsing him.

Mr. Fotheringay appealed to the cyclist, who had hitherto been a silent auditor, and received his assent--given with a hesitating cough and a glance at Mr. Beamish. The landlord would express no opinion, and Mr. Fotheringay, returning to Mr. Beamish, received the unexpected concession of a qualified assent to his definition of a miracle.

"For instance," said Mr. Fotheringay, greatly encouraged. "Here would be a miracle. That lamp, in the natural course of nature, couldn't burn like that upsy-down, could it, Beamish?"

"_You_ say it couldn't," said Beamish.

"And you?" said Fotheringay. "You don't mean to say--eh?"

"No," said Beamish reluctantly. "No, it couldn't."

"Very well," said Mr. Fotheringay. "Then here comes someone, as it might be me, along here, and stands as it might be here, and says to that lamp, as I might do, collecting all my will--Turn upsy-down without breaking, and go on burning steady, and--Hullo!"

It was enough to make anyone say "Hullo!" The impossible, the incredible, was visible to them all. The lamp hung inverted in the air, burning quietly with its flame pointing down. It was as solid, as indisputable as ever a lamp was, the prosaic common lamp of the Long Dragon bar.

Mr. Fotheringay stood with an extended forefinger and the knitted brows of one anticipating a catastrophic smash. The cyclist, who was sitting next the lamp, ducked and jumped across the bar. Everybody jumped, more or less. Miss Maybridge turned and screamed. For nearly three seconds the lamp remained still. A faint cry of mental distress came from Mr. Fotheringay. "I can't keep it up," he said, "any longer." He staggered back, and the inverted lamp suddenly flared, fell against the corner of the bar, bounced aside, smashed upon the floor, and went out.

It was lucky it had a metal receiver, or the whole place would have been in a blaze. Mr. Cox was the first to speak, and his remark, shorn of needless excrescences, was to the effect that Fotheringay was a fool. Fotheringay was beyond disputing even so fundamental a proposition as that! He was astonished beyond measure at the thing that had occurred. The subsequent conversation threw absolutely no light on the matter so far as Fotheringay was concerned; the general opinion not only followed Mr. Cox very closely but very vehemently. Everyone accused Fotheringay of a silly trick, and presented him to himself as a foolish destroyer of comfort and security. His mind was in a tornado of perplexity, he was himself inclined to agree with them, and he made a remarkably ineffectual opposition to the proposal of his departure.

He went home flushed and heated, coat-collar crumpled, eyes smarting, and ears red. He watched each of the ten street lamps nervously as he passed it. It was only when he found himself alone in his little bedroom in Church Row that he was able to grapple seriously with his memories of the occurrence, and ask, "What on earth happened?"

He had removed his coat and boots, and was sitting on the bed with his hands in his pockets repeating the text of his defence for the seventeenth time, "I didn't want the confounded thing to upset," when it occurred to him that at the precise moment he had said the commanding words he had inadvertently willed the thing he said, and that when he had seen the lamp in the air he had felt that it depended on him to maintain it there without being clear how this was to be done. He had not a particularly complex mind, or he might have stuck for a time at that "inadvertently willed," embracing, as it does, the abstrusest problems of voluntary action; but as it was, the idea came to him with a quite acceptable haziness. And from that, following, as I must admit, no clear logical path, he came to the test of experiment.

He pointed resolutely to his candle and collected his mind, though he felt he did a foolish thing. "Be raised up," he said. But in a second that feeling vanished. The candle was raised, hung in the air one giddy moment, and as Mr. Fotheringay gasped, fell with a smash on his toilet-table, leaving him in darkness save for the expiring glow of its wick.

For a time Mr. Fotheringay sat in the darkness, perfectly still. "It did happen, after all," he said. "And 'ow _I'm_ to explain it I _don't_ know." He sighed heavily, and began feeling in his pockets for a match. He could find none, and he rose and groped about the toilet-table. "I wish I had a match," he said. He resorted to his coat, and there was none there, and then it dawned upon him that miracles were possible even with matches. He extended a hand and scowled at it in the dark. "Let there be a match in that hand," he said. He felt some light object fall across his palm and his fingers closed upon a match.

After several ineffectual attempts to light this, he discovered it was a safety match. He threw it down, and then it occurred to him that he might have willed it lit. He did, and perceived it burning in the midst of his toilet-table mat. He caught it up hastily, and it went out. His perception of possibilities enlarged, and he felt for and replaced the candle in its candlestick. "Here! _you_ be lit," said Mr. Fotheringay, and forthwith the candle was flaring, and he saw a little black hole in the toilet-cover, with a wisp of smoke rising from it. For a time he stared from this to the little flame and back, and then looked up and met his own gaze in the looking-glass. By this help he communed with himself in silence for a time.

"How about miracles now?" said Mr. Fotheringay at last, addressing his reflection.

The subsequent meditations of Mr. Fotheringay were of a severe but confused description. So far, he could see it was a case of pure willing with him. The nature of his experiences so far disinclined him for any further experiments, at least until he had reconsidered them. But he lifted a sheet of paper, and turned a glass of water pink and then green, and he created a snail, which he miraculously annihilated, and got himself a miraculous new tooth-brush. Somewhere in the small hours he had reached the fact that his will-power must be of a particularly rare and pungent quality, a fact of which he had indeed had inklings before, but no certain assurance. The scare and perplexity of his first discovery was now qualified by pride in this evidence of singularity and by vague intimations of advantage. He became aware that the church clock was striking one, and as it did not occur to him that his daily duties at Gomshott's might be miraculously dispensed with, he resumed undressing, in order to get to bed without further delay. As he struggled to get his shirt over his head, he was struck with a brilliant idea. "Let me be in bed," he said, and found himself so. "Undressed," he stipulated; and, finding the sheets cold, added hastily, "and in my nightshirt--ho, in a nice soft woollen nightshirt. Ah!" he said with immense enjoyment. "And now let me be comfortably asleep..."

He awoke at his usual hour and was pensive all through breakfast-time, wondering whether his over-night experience might not be a particularly vivid dream. At length his mind turned again to cautious experiments. For instance, he had three eggs for breakfast; two his landlady had supplied, good, but shoppy, and one was a delicious fresh goose-egg, laid, cooked, and served by his extraordinary will. He hurried off to Gomshott's in a state of profound but carefully concealed excitement, and only remembered the shell of the third egg when his landlady spoke of it that night. All day he could do no work because of this astonishing new self-knowledge, but this caused him no inconvenience, because he made up for it miraculously in his last ten minutes.

As the day wore on his state of mind passed from wonder to elation, albeit the circumstances of his dismissal from the Long Dragon were still disagreeable to recall, and a garbled account of the matter that had reached his colleagues led to some badinage. It was evident he must be careful how he lifted frangible articles, but in other ways his gift promised more and more as he turned it over in his mind. He intended among other things to increase his personal property by unostentatious acts of creation. He called into existence a pair of very splendid diamond studs, and hastily annihilated them again as young Gomshott came across the counting-house to his desk. He was afraid young Gomshott might wonder how he had come by them. He saw quite clearly the gift required caution and watchfulness in its exercise, but so far as he could judge the difficulties attending its mastery would be no greater than those he had already faced in the study of cycling. It was that analogy, perhaps, quite as much as the feeling that he would be unwelcome in the Long Dragon, that drove him out after supper into the lane beyond the gasworks, to rehearse a few miracles in private.

There was possibly a certain want of originality in his attempts, for, apart from his will-power, Mr. Fotheringay was not a very exceptional man. The miracle of Moses' rod came to his mind, but the night was dark and unfavourable to the proper control of large miraculous snakes. Then he recollected the story of "Tannhuser" that he had read on the back of the Philharmonic programme. That seemed to him singularly attractive and harmless. He stuck his walking-stick--a very nice Poona-Penang lawyer-- into the turf that edged the footpath, and commanded the dry wood to blossom. The air was immediately full of the scent of roses, and by means of a match he saw for himself that this beautiful miracle was indeed accomplished. His satisfaction was ended by advancing footsteps. Afraid of a premature discovery of his powers, he addressed the blossoming stick hastily: "Go back." What he meant was "Change back;" but of course he was confused. The stick receded at a considerable velocity, and incontinently came a cry of anger and a bad word from the approaching person. "Who are you throwing brambles at, you fool?" cried a voice. "That got me on the shin."

"I'm sorry, old chap," said Mr. Fotheringay, and then, realising the awkward nature of the explanation, caught nervously at his moustache. He saw Winch, one of the three Immering constables, advancing.

"What d'yer mean by it?" asked the constable. "Hullo! it's you, is it? The gent that broke the lamp at the Long Dragon!"

"I don't mean anything by it," said Mr. Fotheringay. "Nothing at all."

"What d'yer do it for then?"

"Oh, bother!" said Mr. Fotheringay.

"Bother indeed! D'yer know that stick hurt? What d'yer do it for, eh?"

For the moment Mr. Fotheringay could not think what he had done it for. His silence seemed to irritate Mr. Winch. "You've been assaulting the police, young man, this time. That's what _you_ done."

"Look here, Mr. Winch," said Mr. Fotheringay, annoyed and confused, "I'm sorry, very. The fact is----"

"Well?"

He could think of no way but the truth. "I was working a miracle." He tried to speak in an off-hand way, but try as he would he couldn't.

"Working a--! 'Ere, don't you talk rot. Working a miracle, indeed! Miracle! Well, that's downright funny! Why, you's the chap that don't believe in miracles... Fact is, this is another of your silly conjuring tricks--that's what this is. Now, I tell you--"

But Mr. Fotheringay never heard what Mr. Winch was going to tell him. He realised he had given himself away, flung his valuable secret to all the winds of heaven. A violent gust of irritation swept him to action. He turned on the constable swiftly and fiercely. "Here," he said, "I've had enough of this, I have! I'll show you a silly conjuring trick, I will! Go to Hades! Go, now!"

He was alone!

Mr. Fotheringay performed no more miracles that night, nor did he trouble to see what had become of his flowering stick. He returned to the town, scared and very quiet, and went to his bedroom. "Lord!" he said, "it's a powerful gift--an extremely powerful gift. I didn't hardly mean as much as that. Not really... I wonder what Hades is like!"

He sat on the bed taking off his boots. Struck by a happy thought he transferred the constable to San Francisco, and without any more interference with normal causation went soberly to bed. In the night he dreamt of the anger of Winch.

The next day Mr. Fotheringay heard two interesting items of news. Someone had planted a most beautiful climbing rose against the elder Mr. Gomshott's private house in the Lullaborough Road, and the river as far as Rawling's Mill was to be dragged for Constable Winch.

Mr. Fotheringay was abstracted and thoughtful all that day, and performed no miracles except certain provisions for Winch, and the miracle of completing his day's work with punctual perfection in spite of all the bee-swarm of thoughts that hummed through his mind. And the extraordinary abstraction and meekness of his manner was remarked by several people, and made a matter for jesting. For the most part he was thinking of Winch.

On Sunday evening he went to chapel, and oddly enough, Mr. Maydig, who took a certain interest in occult matters, preached about "things that are not lawful." Mr. Fotheringay was not a regular chapelgoer, but the system of assertive scepticism, to which I have already alluded, was now very much shaken. The tenor of the sermon threw an entirely new light on these novel gifts, and he suddenly decided to consult Mr. Maydig immediately after the service. So soon as that was determined, he found himself wondering why he had not done so before.

Mr. Maydig, a lean, excitable man with quite remarkably long wrists and neck, was gratified at a request for a private conversation from a young man whose carelessness in religious matters was a subject for general remark in the town. After a few necessary delays, he conducted him to the study of the manse, which was contiguous to the chapel, seated him comfortably, and, standing in front of a cheerful fire--his legs threw a Rhodian arch of shadow on the opposite wall--requested Mr. Fotheringay to state his business.

At first Mr. Fotheringay was a little abashed, and found some difficulty in opening the matter. "You will scarcely believe me, Mr. Maydig, I am afraid"--and so forth for some time. He tried a question at last, and asked Mr. Maydig his opinion of miracles.

Mr. Maydig was still saying "Well" in an extremely judicial tone, when Mr. Fotheringay interrupted again: "You don't believe, I suppose, that some common sort of person--like myself, for instance--as it might be sitting here now, might have some sort of twist inside him that made him able to do things by his will."

"It's possible," said Mr. Maydig. "Something of the sort, perhaps, is possible."

"If I might make free with something here, I think I might show you by a sort of experiment," said Mr. Fotheringay. "Now, take that tobacco-jar on the table, for instance. What I want to know is whether what I am going to do with it is a miracle or not. Just half a minute, Mr. Maydig, please."

He knitted his brows, pointed to the tobacco-jar and said: "Be a bowl of vi'lets."

The tobacco-jar did as it was ordered.

Mr. Maydig started violently at the change, and stood looking from the thaumaturgist to the bowl of flowers. He said nothing. Presently he ventured to lean over the table and smell the violets; they were fresh-picked and very fine ones. Then he stared at Mr. Fotheringay again.

"How did you do that?" he asked.

Mr. Fotheringay pulled his moustache. "Just told it--and there you are. Is that a miracle, or is it black art, or what is it? And what do you think's the matter with me? That's what I want to ask."

"It's a most extraordinary occurrence."

"And this day last week I knew no more that I could do things like that than you did. It came quite sudden. It's something odd about my will, I suppose, and that's as far as I can see."

"Is that--the only thing. Could you do other things besides that?"

"Lord, yes!" said Mr. Fotheringay. "Just anything." He thought, and suddenly recalled a conjuring entertainment he had seen. "Here!" he pointed, "change into a bowl of fish--no, not that--change into a glass bowl full of water with goldfish swimming in it. That's better! You see that, Mr. Maydig?"

"It's astonishing. It's incredible. You are either a most extraordinary... But no----"

"I could change it into anything," said Mr. Fotheringay. "Just anything. Here! be a pigeon, will you?"

In another moment a blue pigeon was fluttering round the room and making Mr. Maydig duck every time it came near him. "Stop there, will you?" said Mr. Fotheringay; and the pigeon hung motionless in the air. "I could change it back to a bowl of flowers," he said, and after replacing the pigeon on the table worked that miracle. "I expect you will want your pipe in a bit," he said, and restored the tobacco-jar.

Mr. Maydig had followed all these later changes in a sort of ejaculatory silence. He stared at Mr. Fotheringay and in a very gingerly manner picked up the tobacco-jar, examined it, replaced it on the table. "_Well_!" was the only expression of his feelings.

"Now, after that it's easier to explain what I came about," said Mr. Fotheringay; and proceeded to a lengthy and involved narrative of his strange experiences, beginning with the affair of the lamp in the Long Dragon and complicated by persistent allusions to Winch. As he went on, the transient pride Mr. Maydig's consternation had caused passed away; he became the very ordinary Mr. Fotheringay of everyday intercourse again. Mr. Maydig listened intently, the tobacco-jar in his hand, and his bearing changed also with the course of the narrative. Presently, while Mr. Fotheringay was dealing with the miracle of the third egg, the minister interrupted with a fluttering, extended hand.

"It is possible," he said. "It is credible. It is amazing, of course, but it reconciles a number of amazing difficulties. The power to work miracles is a gift--a peculiar quality like genius or second sight; hitherto it has come very rarely and to exceptional people. But in this case...I have always wondered at the miracles of Mahomet, and at Yogi's miracles, and the miracles of Madame Blavatsky. But, of course--Yes, it is simply a gift! It carries out so beautifully the arguments of that great thinker"-- Mr. Maydig's voice sank--"his Grace the Duke of Argyll. Here we plumb some profounder law--deeper than the ordinary laws of nature. Yes--yes. Go on. Go on!"

Mr. Fotheringay proceeded to tell of his misadventure with Winch, and Mr. Maydig, no longer overawed or scared, began to jerk his limbs about and interject astonishment. "It's this what troubled me most," proceeded Mr. Fotheringay; "it's this I'm most mijitly in want of advice for; of course he's at San Francisco--wherever San Francisco may be--but of course it's awkward for both of us, as you'll see, Mr. Maydig. I don't see how he can understand what has happened, and I daresay he's scared and exasperated something tremendous, and trying to get at me. I daresay he keeps on starting off to come here. I send him back, by a miracle, every few hours, when I think of it. And, of course, that's a thing he won't be able to understand, and it's bound to annoy him; and, of course, if he takes a ticket every time it will cost him a lot of money. I done the best I could for him, but, of course, it's difficult for him to put himself in my place. I thought afterwards that his clothes might have got scorched, you know--if Hades is all it's supposed to be--before I shifted him. In that case I suppose they'd have locked him up in San Francisco. Of course I willed him a new suit of clothes on him directly I thought of it. But, you see, I'm already in a deuce of a tangle----"

Mr. Maydig looked serious. "I see you are in a tangle. Yes, it's a difficult position. How you are to end it..." He became diffuse and inconclusive.

"However, we'll leave Winch for a little and discuss the larger question. I don't think this is a case of the black art or anything of the sort. I don't think there is any taint of criminality about it at all, Mr. Fotheringay--none whatever, unless you are suppressing material facts. No, it's miracles--pure miracles--miracles, if I may say so, of the very highest class."

He began to pace the hearthrug and gesticulate, while Mr. Fotheringay sat with his arm on the table and his head on his arm, looking worried. "I don't see how I'm to manage about Winch," he said.

"A gift of working miracles--apparently a very powerful gift," said Mr. Maydig, "will find a way about Winch--never fear. My dear sir, you are a most important man--a man of the most astonishing possibilities. As evidence, for example! And in other ways, the things you may do..."

"Yes, _I've_ thought of a thing or two," said Mr. Fotheringay. "But-- some of the things came a bit twisty. You saw that fish at first? Wrong sort of bowl and wrong sort of fish. And I thought I'd ask someone."

"A proper course," said Mr. Maydig, "a very proper course--altogether the proper course." He stopped and looked at Mr. Fotheringay. "It's practically an unlimited gift. Let us test your powers, for instance. If they really _are_ ... If they really are all they seem to be."

And so, incredible as it may seem, in the study of the little house behind the Congregational Chapel, on the evening of Sunday, Nov. 10, 1896, Mr. Fotheringay, egged on and inspired by Mr. Maydig, began to work miracles. The reader's attention is specially and definitely called to the date. He will object, probably has already objected, that certain points in this story are improbable, that if any things of the sort already described had indeed occurred, they would have been in all the papers at that time. The details immediately following he will find particularly hard to accept, because among other things they involve the conclusion that he or she, the reader in question, must have been killed in a violent and unprecedented manner more than a year ago. Now a miracle is nothing if not improbable, and as a matter of fact the reader _was_ killed in a violent and unprecedented manner in 1896. In the subsequent course of this story that will become perfectly clear and credible, as every right-minded and reasonable reader will admit. But this is not the place for the end of the story, being but little beyond the hither side of the middle. And at first the miracles worked by Mr. Fotheringay were timid little miracles--little things with the cups and parlour fitments, as feeble as the miracles of Theosophists, and, feeble as they were, they were received with awe by his collaborator. He would have preferred to settle the Winch business out of hand, but Mr. Maydig would not let him. But after they had worked a dozen of these domestic trivialities, their sense of power grew, their imagination began to show signs of stimulation, and their ambition enlarged. Their first larger enterprise was due to hunger and the negligence of Mrs. Minchin, Mr. Maydig's housekeeper. The meal to which the minister conducted Mr. Fotheringay was certainly ill-laid and uninviting as refreshment for two industrious miracle-workers; but they were seated, and Mr. Maydig was descanting in sorrow rather than in anger upon his housekeeper's shortcomings, before it occurred to Mr. Fotheringay that an opportunity lay before him. "Don't you think, Mr. Maydig," he said, "if it isn't a liberty, _I_----"

"My dear Mr. Fotheringay! Of course! No--I didn't think."

Mr. Fotheringay waved his hand. "What shall we have?" he said, in a large, inclusive spirit, and, at Mr. Maydig's order, revised the supper very thoroughly. "As for me," he said, eyeing Mr. Maydig's selection, "I am always particularly fond of a tankard of stout and a nice Welsh rarebit, and I'll order that. I ain't much given to Burgundy," and forthwith stout and Welsh rarebit promptly appeared at his command. They sat long at their supper, talking like equals, as Mr. Fotheringay presently perceived, with a glow of surprise and gratification, of all the miracles they would presently do. "And, by-the-by, Mr. Maydig," said Mr. Fotheringay, "I might perhaps be able to help you--in a domestic way."

"Don't quite follow," said Mr. Maydig, pouring out a glass of miraculous old Burgundy.

Mr. Fotheringay helped himself to a second Welsh rarebit out of vacancy, and took a mouthful. "I was thinking," he said, "I might be able (_chum, chum_) to work (_chum, chum_) a miracle with Mrs. Minchin (_chum, chum_)--make her a better woman."

Mr. Maydig put down the glass and looked doubtful.

"She's----She strongly objects to interference, you know, Mr. Fotheringay. And--as a matter of fact--it's well past eleven and she's probably in bed and asleep. Do you think, on the whole----"

Mr. Fotheringay considered these objections. "I don't see that it shouldn't be done in her sleep."

For a time Mr. Maydig opposed the idea, and then he yielded. Mr. Fotheringay issued his orders, and a little less at their ease, perhaps, the two gentlemen proceeded with their repast. Mr. Maydig was enlarging on the changes he might expect in his housekeeper next day, with an optimism, that seemed even to Mr. Fotheringay's supper senses a little forced and hectic, when a series of confused noises from upstairs began. Their eyes exchanged interrogations, and Mr. Maydig left the room hastily. Mr. Fotheringay heard him calling up to his housekeeper and then his footsteps going softly up to her.

In a minute or so the minister returned, his step light, his face radiant. "Wonderful!" he said, "and touching! Most touching!"

He began pacing the hearthrug. "A repentance--a most touching repentance-- through the crack of the door. Poor woman! A most wonderful change! She had got up. She must have got up at once. She had got up out of her sleep to smash a private bottle of brandy in her box. And to confess it too!... But this gives us--it opens--a most amazing vista of possibilities. If we can work this miraculous change in _her_..."

"The thing's unlimited seemingly," said Mr. Fotheringay. "And about Mr. Winch----"

"Altogether unlimited." And from the hearthrug Mr. Maydig, waving the Winch difficulty aside, unfolded a series of wonderful proposals-- proposals he invented as he went along.

Now what those proposals were does not concern the essentials of this story. Suffice it that they were designed in a spirit of infinite benevolence, the sort of benevolence that used to be called post-prandial. Suffice it, too, that the problem of Winch remained unsolved. Nor is it necessary to describe how far that series got to its fulfilment. There were astonishing changes. The small hours found Mr. Maydig and Mr. Fotheringay careering across the chilly market square under the still moon, in a sort of ecstasy of thaumaturgy, Mr. Maydig all flap and gesture, Mr. Fotheringay short and bristling, and no longer abashed at his greatness. They had reformed every drunkard in the Parliamentary division, changed all the beer and alcohol to water (Mr. Maydig had overruled Mr. Fotheringay on this point); they had, further, greatly improved the railway communication of the place, drained Flinder's swamp, improved the soil of One Tree Hill, and cured the vicar's wart. And they were going to see what could be done with the injured pier at South Bridge. "The place," gasped Mr. Maydig, "won't be the same place to-morrow. How surprised and thankful everyone will be!" And just at that moment the church clock struck three.

"I say," said Mr. Fotheringay, "that's three o'clock! I must be getting back. I've got to be at business by eight. And besides, Mrs. Wimms----"

"We're only beginning," said Mr. Maydig, full of the sweetness of unlimited power. "We're only beginning. Think of all the good we're doing. When people wake----"

"But----," said Mr. Fotheringay.

Mr. Maydig gripped his arm suddenly. His eyes were bright and wild. "My dear chap," he said, "there's no hurry. Look"--he pointed to the moon at the zenith--"Joshua!"

"Joshua?" said Mr. Fotheringay.

"Joshua," said Mr. Maydig. "Why not? Stop it."

Mr. Fotheringay looked at the moon.

"That's a bit tall," he said, after a pause.

"Why not?" said Mr. Maydig. "Of course it doesn't stop. You stop the rotation of the earth, you know. Time stops. It isn't as if we were doing harm."

"H'm!" said Mr. Fotheringay. "Well," he sighed, "I'll try. Here!"

He buttoned up his jacket and addressed himself to the habitable globe, with as good an assumption of confidence as lay in his power. "Jest stop rotating, will you?" said Mr. Fotheringay.

Incontinently he was flying head over heels through the air at the rate of dozens of miles a minute. In spite of the innumerable circles he was describing per second, he thought; for thought is wonderful--sometimes as sluggish as flowing pitch, sometimes as instantaneous as light. He thought in a second, and willed. "Let me come down safe and sound. Whatever else happens, let me down safe and sound."

He willed it only just in time, for his clothes, heated by his rapid flight through the air, were already beginning to singe. He came down with a forcible, but by no means injurious, bump in what appeared to be a mound of fresh-turned earth. A large mass of metal and masonry, extraordinarily like the clock-tower in the middle of the market square, hit the earth near him, ricochetted over him, and flew into stonework, bricks, and cement, like a bursting bomb. A hurtling cow hit one of the larger blocks and smashed like an egg. There was a crash that made all the most violent crashes of his past life seem like the sound of falling dust, and this was followed by a descending series of lesser crashes. A vast wind roared throughout earth and heaven, so that he could scarcely lift his head to look. For a while he was too breathless and astonished even to see where he was or what had happened. And his first movement was to feel his head and reassure himself that his streaming hair was still his own.

"Lord!" gasped Mr. Fotheringay, scarce able to speak for the gale, "I've had a squeak! What's gone wrong? Storms and thunder. And only a minute ago a fine night. It's Maydig set me on to this sort of thing. _What_ a wind! If I go on fooling in this way I'm bound to have a thundering accident!...

"Where's Maydig?

"What a confounded mess everything's in!"

He looked about him so far as his flapping jacket would permit. The appearance of things was really extremely strange. "The sky's all right anyhow," said Mr. Fotheringay. "And that's about all that is all right. And even there it looks like a terrific gale coming up. But there's the moon overhead. Just as it was just now. Bright as midday. But as for the rest----Where's the village? Where's--where's anything? And what on earth set this wind a-blowing? I didn't order no wind."

Mr. Fotheringay struggled to get to his feet in vain, and after one failure, remained on all fours, holding on. He surveyed the moonlit world to leeward, with the tails of his jacket streaming over his head. "There's something seriously wrong," said Mr. Fotheringay. "And what it is-- goodness knows."

Far and wide nothing was visible in the white glare through the haze of dust that drove before a screaming gale but tumbled masses of earth and heaps of inchoate ruins, no trees, no houses, no familiar shapes, only a wilderness of disorder, vanishing at last into the darkness beneath the whirling columns and streamers, the lightnings and thunderings of a swiftly rising storm. Near him in the livid glare was something that might once have been an elm-tree, a smashed mass of splinters, shivered from boughs to base, and further a twisted mass of iron girders--only too evidently the viaduct--rose out of the piled confusion.

You see, when Mr. Fotheringay had arrested the rotation of the solid globe, he had made no stipulation concerning the trifling movables upon its surface. And the earth spins so fast that the surface at its equator is travelling at rather more than a thousand miles an hour, and in these latitudes at more than half that pace. So that the village, and Mr. Maydig, and Mr. Fotheringay, and everybody and everything had been jerked violently forward at about nine miles per second--that is to say, much more violently than if they had been fired out of a cannon. And every human being, every living creature, every house, and every tree--all the world as we know it--had been so jerked and smashed and utterly destroyed. That was all.

These things Mr. Fotheringay did not, of course, fully appreciate. But he perceived that his miracle had miscarried, and with that a great disgust of miracles came upon him. He was in darkness now, for the clouds had swept together and blotted out his momentary glimpse of the moon, and the air was full of fitful struggling tortured wraiths of hail. A great roaring of wind and waters filled earth and sky, and peering under his hand through the dust and sleet to windward, he saw by the play of the lightnings a vast wall of water pouring towards him.

"Maydig!" screamed Mr. Fotheringay's feeble voice amid the elemental uproar. "Here!--Maydig!

"Stop!" cried Mr. Fotheringay to the advancing water. "Oh, for goodness' sake, stop!

"Just a moment," said Mr. Fotheringay to the lightnings and thunder. "Stop jest a moment while I collect my thoughts... And now what shall I do?" he said. "What _shall_ I do? Lord! I wish Maydig was about."

"I know," said Mr. Fotheringay. "And for goodness' sake let's have it right _this_ time."

He remained on all fours, leaning against the wind, very intent to have everything right.

"Ah!" he said. "Let nothing what I'm going to order happen until I say 'Off!'...Lord! I wish I'd thought of that before!"

He lifted his little voice against the whirlwind, shouting louder and louder in the vain desire to hear himself speak. "Now then!--here goes! Mind about that what I said just now. In the first place, when all I've got to say is done, let me lose my miraculous power, let my will become just like anybody else's will, and all these dangerous miracles be stopped. I don't like them. I'd rather I didn't work 'em. Ever so much. That's the first thing. And the second is--let me be back just before the miracles begin; let everything be just as it was before that blessed lamp turned up. It's a big job, but it's the last. Have you got it? No more miracles, everything as it was--me back in the Long Dragon just before I drank my half-pint. That's it! Yes."

He dug his fingers into the mould, closed his eyes, and said "Off!"

Everything became perfectly still. He perceived that he was standing erect.

"So _you_ say," said a voice.

He opened his eyes. He was in the bar of the Long Dragon, arguing about miracles with Toddy Beamish. He had a vague sense of some great thing forgotten that instantaneously passed. You see that, except for the loss of his miraculous powers, everything was back as it had been, his mind and memory therefore were now just as they had been at the time when this story began. So that he knew absolutely nothing of all that is told here-- knows nothing of all that is told here to this day. And among other things, of course, he still did not believe in miracles.

"I tell you that miracles, properly speaking, can't possibly happen," he said, "whatever you like to hold. And I'm prepared to prove it up to the hilt."

"That's what _you_ think," said Toddy Beamish, and "Prove it if you can."

"Looky here, Mr. Beamish," said Mr. Fotheringay. "Let us clearly understand what a miracle is. It's something contrariwise to the course of nature done by power of Will..."