The Story of the Late Mr. Elvesham by H.G. Wells

Word Count:  6768

I set this story down, not expecting it will be believed, but, if possible, to prepare a way of escape for the next victim. He, perhaps, may profit by my misfortune. My own case, I know, is hopeless, and I am now in some measure prepared to meet my fate.

My name is Edward George Eden. I was born at Trentham, in Staffordshire, my father being employed in the gardens there. I lost my mother when I was three years old, and my father when I was five, my uncle, George Eden, then adopting me as his own son. He was a single man, self-educated, and well-known in Birmingham as an enterprising journalist; he educated me generously, fired my ambition to succeed in the world, and at his death, which happened four years ago, left me his entire fortune, a matter of about five hundred pounds after all outgoing charges were paid. I was then eighteen. He advised me in his will to expend the money in completing my education. I had already chosen the profession of medicine, and through his posthumous generosity and my good fortune in a scholarship competition, I became a medical student at University College, London. At the time of the beginning of my story I lodged at 11A University Street in a little upper room, very shabbily furnished and draughty, overlooking the back of Shoolbred's premises. I used this little room both to live in and sleep in, because I was anxious to eke out my means to the very last shillings-worth.

I was taking a pair of shoes to be mended at a shop in the Tottenham Court Road when I first encountered the little old man with the yellow face, with whom my life has now become so inextricably entangled. He was standing on the kerb, and staring at the number on the door in a doubtful way, as I opened it. His eyes--they were dull grey eyes, and reddish under the rims--fell to my face, and his countenance immediately assumed an expression of corrugated amiability.

"You come," he said, "apt to the moment. I had forgotten the number of your house. How do you do, Mr. Eden?"

I was a little astonished at his familiar address, for I had never set eyes on the man before. I was a little annoyed, too, at his catching me with my boots under my arm. He noticed my lack of cordiality.

"Wonder who the deuce I am, eh? A friend, let me assure you. I have seen you before, though you haven't seen me. Is there anywhere where I can talk to you?"

I hesitated. The shabbiness of my room upstairs was not a matter for every stranger. "Perhaps," said I, "we might walk down the street. I'm unfortunately prevented--" My gesture explained the sentence before I had spoken it.

"The very thing," he said, and faced this way, and then that. "The street? Which way shall we go?" I slipped my boots down in the passage. "Look here!" he said abruptly; "this business of mine is a rigmarole. Come and lunch with me, Mr. Eden. I'm an old man, a very old man, and not good at explanations, and what with my piping voice and the clatter of the traffic----"

He laid a persuasive skinny hand that trembled a little upon my arm.

I was not so old that an old man might not treat me to a lunch. Yet at the same time I was not altogether pleased by this abrupt invitation. "I had rather----" I began. "But I had rather," he said, catching me up, "and a certain civility is surely due to my grey hairs."

And so I consented, and went with him.

He took me to Blavitiski's; I had to walk slowly to accommodate myself to his paces; and over such a lunch as I had never tasted before, he fended off my leading question, and I took a better note of his appearance. His clean-shaven face was lean and wrinkled, his shrivelled, lips fell over a set of false teeth, and his white hair was thin and rather long; he seemed small to me,--though indeed, most people seemed small to me,--and his shoulders were rounded and bent. And watching him, I could not help but observe that he too was taking note of me, running his eyes, with a curious touch of greed in them, over me, from my broad shoulders to my suntanned hands, and up to my freckled face again. "And now," said he, as we lit our cigarettes, "I must tell you of the business in hand.

"I must tell you, then, that I am an old man, a very old man." He paused momentarily. "And it happens that I have money that I must presently be leaving, and never a child have I to leave it to." I thought of the confidence trick, and resolved I would be on the alert for the vestiges of my five hundred pounds. He proceeded to enlarge on his loneliness, and the trouble he had to find a proper disposition of his money. "I have weighed this plan and that plan, charities, institutions, and scholarships, and libraries, and I have come to this conclusion at last,"--he fixed his eyes on my face,--"that I will find some young fellow, ambitious, pure-minded, and poor, healthy in body and healthy in mind, and, in short, make him my heir, give him all that I have." He repeated, "Give him all that I have. So that he will suddenly be lifted out of all the trouble and struggle in which his sympathies have been educated, to freedom and influence."

I tried to seem disinterested. With a transparent hypocrisy I said, "And you want my help, my professional services maybe, to find that person."

He smiled, and looked at me over his cigarette, and I laughed at his quiet exposure of my modest pretence.

"What a career such a man might have!" he said. "It fills me with envy to think how I have accumulated that another man may spend----

"But there are conditions, of course, burdens to be imposed. He must, for instance, take my name. You cannot expect everything without some return. And I must go into all the circumstances of his life before I can accept him. He _must_ be sound. I must know his heredity, how his parents and grandparents died, have the strictest inquiries made into his private morals."

This modified my secret congratulations a little.

"And do I understand," said I, "that I----"

"Yes," he said, almost fiercely. "You. _You_."

I answered never a word. My imagination was dancing wildly, my innate scepticism was useless to modify its transports. There was not a particle of gratitude in my mind--I did not know what to say nor how to say it. "But why me in particular?" I said at last.

He had chanced to hear of me from Professor Haslar; he said, as a typically sound and sane young man, and he wished, as far as possible, to leave his money where health and integrity were assured.

That was my first meeting with the little old man. He was mysterious about himself; he would not give his name yet, he said, and after I had answered some questions of his, he left me at the Blavitiski portal. I noticed that he drew a handful of gold coins from his pocket when it came to paying for the lunch. His insistence upon bodily health was curious. In accordance with an arrangement we had made I applied that day for a life policy in the Loyal Insurance Company for a large sum, and I was exhaustively overhauled by the medical advisers of that company in the subsequent week. Even that did not satisfy him, and he insisted I must be re-examined by the great Doctor Henderson.

It was Friday in Whitsun week before he came to a decision. He called me down, quite late in the evening,--nearly nine it was,--from cramming chemical equations for my Preliminary Scientific examination. He was standing in the passage under the feeble gas-lamp, and his face was a grotesque interplay of shadows. He seemed more bowed than when I had first seen him, and his cheeks had sunk in a little.

His voice shook with emotion. "Everything is satisfactory, Mr. Eden," he said. "Everything is quite, quite satisfactory. And this night of all nights, you must dine with me and celebrate your--accession." He was interrupted by a cough. "You won't have long to wait, either," he said, wiping his handkerchief across his lips, and gripping my hand with his long bony claw that was disengaged. "Certainly not very long to wait."

We went into the street and called a cab. I remember every incident of that drive vividly, the swift, easy motion, the vivid contrast of gas and oil and electric light, the crowds of people in the streets, the place in Regent Street to which we went, and the sumptuous dinner we were served with there. I was disconcerted at first by the well-dressed waiter's glances at my rough clothes, bothered by the stones of the olives, but as the champagne warmed my blood, my confidence revived. At first the old man talked of himself. He had already told me his name in the cab; he was Egbert Elvesham, the great philosopher, whose name I had known since I was a lad at school. It seemed incredible to me that this man, whose intelligence had so early dominated mine, this great abstraction, should suddenly realise itself as this decrepit, familiar figure. I daresay every young fellow who has suddenly fallen among celebrities has felt something of my disappointment. He told me now of the future that the feeble streams of his life would presently leave dry for me, houses, copyrights, investments; I had never suspected that philosophers were so rich. He watched me drink and eat with a touch of envy. "What a capacity for living you have!" he said; and then with a sigh, a sigh of relief I could have thought it, "it will not be long."

"Ay," said I, my head swimming now with champagne; "I have a future perhaps--of a passing agreeable sort, thanks to you. I shall now have the honour of your name. But you have a past. Such a past as is worth all my future."

He shook his head and smiled, as I thought, with half sad appreciation of my flattering admiration. "That future," he said, "would you in truth change it?" The waiter came with liqueurs. "You will not perhaps mind taking my name, taking my position, but would you indeed--willingly--take my years?"

"With your achievements," said I gallantly.

He smiled again. "Kummel--both," he said to the waiter, and turned his attention to a little paper packet he had taken from his pocket. "This hour," said he, "this after-dinner hour is the hour of small things. Here is a scrap of my unpublished wisdom." He opened the packet with his shaking yellow fingers, and showed a little pinkish powder on the paper. "This," said he--"well, you must guess what it is. But Kummel--put but a dash of this powder in it--is Himmel."

His large greyish eyes watched mine with an inscrutable expression.

It was a bit of a shock to me to find this great teacher gave his mind to the flavour of liqueurs. However, I feigned an interest in his weakness, for I was drunk enough for such small sycophancy.

He parted the powder between the little glasses, and, rising suddenly, with a strange unexpected dignity, held out his hand towards me. I imitated his action, and the glasses rang. "To a quick succession," said he, and raised his glass towards his lips.

"Not that," I said hastily. "Not that."

He paused with the liqueur at the level of his chin, and his eyes blazing into mine.

"To a long life," said I.

He hesitated. "To a long life," said he, with a sudden bark of laughter, and with eyes fixed on one another we tilted the little glasses. His eyes looked straight into mine, and as I drained the stuff off, I felt a curiously intense sensation. The first touch of it set my brain in a furious tumult; I seemed to feel an actual physical stirring in my skull, and a seething humming filled my ears. I did not notice the flavour in my mouth, the aroma that filled my throat; I saw only the grey intensity of his gaze that burnt into mine. The draught, the mental confusion, the noise and stirring in my head, seemed to last an interminable time. Curious vague impressions of half-forgotten things danced and vanished on the edge of my consciousness. At last he broke the spell. With a sudden explosive sigh he put down his glass.

"Well?" he said.

"It's glorious," said I, though I had not tasted the stuff.

My head was spinning. I sat down. My brain was chaos. Then my perception grew clear and minute as though I saw things in a concave mirror. His manner seemed to have changed into something nervous and hasty. He pulled out his watch and grimaced at it. "Eleven-seven! And to-night I must-- Seven-twenty-five. Waterloo! I must go at once." He called for the bill, and struggled with his coat. Officious waiters came to our assistance. In another moment I was wishing him good-bye, over the apron of a cab, and still with an absurd feeling of minute distinctness, as though--how can I express it?--I not only saw but _felt_ through an inverted opera-glass.

"That stuff," he said. He put his hand to his forehead. "I ought not to have given it to you. It will make your head split to-morrow. Wait a minute. Here." He handed me out a little flat thing like a seidlitz-powder. "Take that in water as you are going to bed. The other thing was a drug. Not till you're ready to go to bed, mind. It will clear your head. That's all. One more shake--Futurus!"

I gripped his shrivelled claw. "Good-bye," he said, and by the droop of his eyelids I judged he too was a little under the influence of that brain-twisting cordial.

He recollected something else with a start, felt in his breast-pocket, and produced another packet, this time a cylinder the size and shape of a shaving-stick. "Here," said he. "I'd almost forgotten. Don't open this until I come to-morrow--but take it now."

It was so heavy that I wellnigh dropped it. "All ri'!" said I, and he grinned at me through the cab window as the cabman flicked his horse into wakefulness. It was a white packet he had given me, with red seals at either end and along its edge. "If this isn't money," said I, "it's platinum or lead."

I stuck it with elaborate care into my pocket, and with a whirling brain walked home through the Regent Street loiterers and the dark back streets beyond Portland Road. I remember the sensations of that walk very vividly, strange as they were. I was still so far myself that I could notice my strange mental state, and wonder whether this stuff I had had was opium--a drug beyond my experience. It is hard now to describe the peculiarity of my mental strangeness--mental doubling vaguely expresses it. As I was walking up Regent Street I found in my mind a queer persuasion that it was Waterloo Station, and had an odd impulse to get into the Polytechnic as a man might get into a train. I put a knuckle in my eye, and it was Regent Street. How can I express it? You see a skilful actor looking quietly at you, he pulls a grimace, and lo!--another person. Is it too extravagant if I tell you that it seemed to me as if Regent Street had, for the moment, done that? Then, being persuaded it was Regent Street again, I was oddly muddled about some fantastic reminiscences that cropped up. "Thirty years ago," thought I, "it was here that I quarrelled with my brother." Then I burst out laughing, to the astonishment and encouragement of a group of night prowlers. Thirty years ago I did not exist, and never in my life had I boasted a brother. The stuff was surely liquid folly, for the poignant regret for that lost brother still clung to me. Along Portland Road the madness took another turn. I began to recall vanished shops, and to compare the street with what it used to be. Confused, troubled thinking is comprehensible enough after the drink I had taken, but what puzzled me were these curiously vivid phantasm memories that had crept into my mind, and not only the memories that had crept in, but also the memories that had slipped out. I stopped opposite Stevens', the natural history dealer's, and cudgelled my brains to think what he had to do with me. A 'bus went by, and sounded exactly like the rumbling of a train. I seemed to be dipping into some dark, remote pit for the recollection. "Of course," said I, at last, "he has promised me three frogs to-morrow. Odd I should have forgotten."

Do they still show children dissolving views? In those I remember one view would begin like a faint ghost, and grow and oust another. In just that way it seemed to me that a ghostly set of new sensations was struggling with those of my ordinary self.

I went on through Euston Road to Tottenham Court Road, puzzled, and a little frightened, and scarcely noticed the unusual way I was taking, for commonly I used to cut through the intervening network of back streets. I turned into University Street, to discover that I had forgotten my number. Only by a strong effort did I recall 11A, and even then it seemed to me that it was a thing some forgotten person had told me. I tried to steady my mind by recalling the incidents of the dinner, and for the life of me I could conjure up no picture of my host's face; I saw him only as a shadowy outline, as one might see oneself reflected in a window through which one was looking. In his place, however, I had a curious exterior vision of myself, sitting at a table, flushed, bright-eyed, and talkative.

"I must take this other powder," said I. "This is getting impossible."

I tried the wrong side of the hall for my candle and the matches, and had a doubt of which landing my room might be on. "I'm drunk," I said, "that's certain," and blundered needlessly on the staircase to sustain the proposition.

At the first glance my room seemed unfamiliar. "What rot!" I said, and stared about me. I seemed to bring myself back by the effort, and the odd phantasmal quality passed into the concrete familiar. There was the old glass still, with my notes on the albumens stuck in the corner of the frame, my old everyday suit of clothes pitched about the floor. And yet it was not so real after all. I felt an idiotic persuasion trying to creep into my mind, as it were, that I was in a railway carriage in a train just stopping, that I was peering out of the window at some unknown station. I gripped the bed-rail firmly to reassure myself. "It's clairvoyance, perhaps," I said. "I must write to the Psychical Research Society."

I put the rouleau on my dressing-table, sat on my bed, and began to take off my boots. It was as if the picture of my present sensations was painted over some other picture that was trying to show through. "Curse it!" said I; "my wits are going, or am I in two places at once?" Half-undressed, I tossed the powder into a glass and drank it off. It effervesced, and became a fluorescent amber colour. Before I was in bed my mind was already tranquillised. I felt the pillow at my cheek, and thereupon I must have fallen asleep.

* * * * *

I awoke abruptly out of a dream of strange beasts, and found myself lying on my back. Probably every one knows that dismal, emotional dream from which one escapes, awake indeed, but strangely cowed. There was a curious taste in my mouth, a tired feeling in my limbs, a sense of cutaneous discomfort. I lay with my head motionless on my pillow, expecting that my feeling of strangeness and terror would pass away, and that I should then doze off again to sleep. But instead of that, my uncanny sensations increased. At first I could perceive nothing wrong about me. There was a faint light in the room, so faint that it was the very next thing to darkness, and the furniture stood out in it as vague blots of absolute darkness. I stared with my eyes just over the bedclothes.

It came into my mind that some one had entered the room to rob me of my rouleau of money, but after lying for some moments, breathing regularly to simulate sleep, I realised this was mere fancy. Nevertheless, the uneasy assurance of something wrong kept fast hold of me. With an effort I raised my head from the pillow, and peered about me at the dark. What it was I could not conceive. I looked at the dim shapes around me, the greater and lesser darknesses that indicated curtains, table, fireplace, bookshelves, and so forth. Then I began to perceive something unfamiliar in the forms of the darkness. Had the bed turned round? Yonder should be the bookshelves, and something shrouded and pallid rose there, something that would not answer to the bookshelves, however I looked at it. It was far too big to be my shirt thrown on a chair.

Overcoming a childish terror, I threw back the bedclothes and thrust my leg out of bed. Instead of coming out of my truckle-bed upon the floor, I found my foot scarcely reached the edge of the mattress. I made another step, as it were, and sat up on the edge of the bed. By the side of my bed should be the candle, and the matches upon the broken chair. I put out my hand and touched--nothing. I waved my hand in the darkness, and it came against some heavy hanging, soft and thick in texture, which gave a rustling noise at my touch. I grasped this and pulled it; it appeared to be a curtain suspended over the head of my bed.

I was now thoroughly awake, and beginning to realise that I was in a strange room. I was puzzled. I tried to recall the overnight circumstances, and I found them now, curiously enough, vivid in my memory: the supper, my reception of the little packages, my wonder whether I was intoxicated, my slow undressing, the coolness to my flushed face of my pillow. I felt a sudden distrust. Was that last night, or the night before? At any rate, this room was strange to me, and I could not imagine how I had got into it. The dim, pallid outline was growing paler, and I perceived it was a window, with the dark shape of an oval toilet-glass against the weak intimation of the dawn that filtered through the blind. I stood up, and was surprised by a curious feeling of weakness and unsteadiness. With trembling hands outstretched, I walked slowly towards the window, getting, nevertheless, a bruise on the knee from a chair by the way. I fumbled round the glass, which was large, with handsome brass sconces, to find the blind cord. I could not find any. By chance I took hold of the tassel, and with the click of a spring the blind ran up.

I found myself looking out upon a scene that was altogether strange to me. The night was overcast, and through the flocculent grey of the heaped clouds there filtered a faint half-light of dawn. Just at the edge of the sky the cloud-canopy had a blood-red rim. Below, everything was dark and indistinct, dim hills in the distance, a vague mass of buildings running up into pinnacles, trees like spilt ink, and below the window a tracery of black bushes and pale grey paths. It was so unfamiliar that for the moment I thought myself still dreaming. I felt the toilet-table; it appeared to be made of some polished wood, and was rather elaborately furnished--there were little cut-glass bottles and a brush upon it. There was also a queer little object, horse-shoe shape it felt, with smooth, hard projections, lying in a saucer. I could find no matches nor candlestick.

I turned my eyes to the room again. Now the blind was up, faint spectres of its furnishing came out of the darkness. There was a huge curtained bed, and the fireplace at its foot had a large white mantel with something of the shimmer of marble.

I leant against the toilet-table, shut my eyes and opened them again, and tried to think. The whole thing was far too real for dreaming. I was inclined to imagine there was still some hiatus in my memory, as a consequence of my draught of that strange liqueur; that I had come into my inheritance perhaps, and suddenly lost my recollection of everything since my good fortune had been announced. Perhaps if I waited a little, things would be clearer to me again. Yet my dinner with old Elvesham was now singularly vivid and recent. The champagne, the observant waiters, the powder, and the liqueurs--I could have staked my soul it all happened a few hours ago.

And then occurred a thing so trivial and yet so terrible to me that I shiver now to think of that moment. I spoke aloud. I said, "How the devil did I get here?" ... _And the voice was not my own_.

It was not my own, it was thin, the articulation was slurred, the resonance of my facial bones was different. Then, to reassure myself I ran one hand over the other, and felt loose folds of skin, the bony laxity of age. "Surely," I said, in that horrible voice that had somehow established itself in my throat, "surely this thing is a dream!" Almost as quickly as if I did it involuntarily, I thrust my fingers into my mouth. My teeth had gone. My finger-tips ran on the flaccid surface of an even row of shrivelled gums. I was sick with dismay and disgust.

I felt then a passionate desire to see myself, to realise at once in its full horror the ghastly change that had come upon me. I tottered to the mantel, and felt along it for matches. As I did so, a barking cough sprang up in my throat, and I clutched the thick flannel nightdress I found about me. There were no matches there, and I suddenly realised that my extremities were cold. Sniffing and coughing, whimpering a little, perhaps, I fumbled back to bed. "It is surely a dream," I whispered to myself as I clambered back, "surely a dream." It was a senile repetition. I pulled the bedclothes over my shoulders, over my ears, I thrust my withered hand under the pillow, and determined to compose myself to sleep. Of course it was a dream. In the morning the dream would be over, and I should wake up strong and vigorous again to my youth and studies. I shut my eyes, breathed regularly, and, finding myself wakeful, began to count slowly through the powers of three.

But the thing I desired would not come. I could not get to sleep. And the persuasion of the inexorable reality of the change that had happened to me grew steadily. Presently I found myself with my eyes wide open, the powers of three forgotten, and my skinny fingers upon my shrivelled gums, I was, indeed, suddenly and abruptly, an old man. I had in some unaccountable manner fallen through my life and come to old age, in some way I had been cheated of all the best of my life, of love, of struggle, of strength, and hope. I grovelled into the pillow and tried to persuade myself that such hallucination was possible. Imperceptibly, steadily, the dawn grew clearer.

At last, despairing of further sleep, I sat up in bed and looked about me. A chill twilight rendered the whole chamber visible. It was spacious and well-furnished, better furnished than any room I had ever slept in before. A candle and matches became dimly visible upon a little pedestal in a recess. I threw back the bedclothes, and, shivering with the rawness of the early morning, albeit it was summer-time, I got out and lit the candle. Then, trembling horribly, so that the extinguisher rattled on its spike, I tottered to the glass and saw--_Elvesham's face_! It was none the less horrible because I had already dimly feared as much. He had already seemed physically weak and pitiful to me, but seen now, dressed only in a coarse flannel nightdress, that fell apart and showed the stringy neck, seen now as my own body, I cannot describe its desolate decrepitude. The hollow cheeks, the straggling tail of dirty grey hair, the rheumy bleared eyes, the quivering, shrivelled lips, the lower displaying a gleam of the pink interior lining, and those horrible dark gums showing. You who are mind and body together, at your natural years, cannot imagine what this fiendish imprisonment meant to me. To be young and full of the desire and energy of youth, and to be caught, and presently to be crushed in this tottering ruin of a body...

But I wander from the course of my story. For some time I must have been stunned at this change that had come upon me. It was daylight when I did so far gather myself together as to think. In some inexplicable way I had been changed, though how, short of magic, the thing had been done, I could not say. And as I thought, the diabolical ingenuity of Elvesham came home to me. It seemed plain to me that as I found myself in his, so he must be in possession of _my_ body, of my strength, that is, and my future. But how to prove it? Then, as I thought, the thing became so incredible, even to me, that my mind reeled, and I had to pinch myself, to feel my toothless gums, to see myself in the glass, and touch the things about me, before I could steady myself to face the facts again. Was all life hallucination? Was I indeed Elvesham, and he me? Had I been dreaming of Eden overnight? Was there any Eden? But if I was Elvesham, I should remember where I was on the previous morning, the name of the town in which I lived, what happened before the dream began. I struggled with my thoughts. I recalled the queer doubleness of my memories overnight. But now my mind was clear. Not the ghost of any memories but those proper to Eden could I raise.

"This way lies insanity!" I cried in my piping voice. I staggered to my feet, dragged my feeble, heavy limbs to the washhand-stand, and plunged my grey head into a basin of cold water. Then, towelling myself, I tried again. It was no good. I felt beyond all question that I was indeed Eden, not Elvesham. But Eden in Elvesham's body!

Had I been a man of any other age, I might have given myself up to my fate as one enchanted. But in these sceptical days miracles do not pass current. Here was some trick of psychology. What a drug and a steady stare could do, a drug and a steady stare, or some similar treatment, could surely undo. Men have lost their memories before. But to exchange memories as one does umbrellas! I laughed. Alas! not a healthy laugh, but a wheezing, senile titter. I could have fancied old Elvesham laughing at my plight, and a gust of petulant anger, unusual to me, swept across my feelings. I began dressing eagerly in the clothes I found lying about on the floor, and only realised when I was dressed that it was an evening suit I had assumed. I opened the wardrobe and found some more ordinary clothes, a pair of plaid trousers, and an old-fashioned dressing-gown. I put a venerable smoking-cap on my venerable head, and, coughing a little from my exertions, tottered out upon the landing.

It was then, perhaps, a quarter to six, and the blinds were closely drawn and the house quite silent. The landing was a spacious one, a broad, richly-carpeted staircase went down into the darkness of the hall below, and before me a door ajar showed me a writing-desk, a revolving bookcase, the back of a study chair, and a fine array of bound books, shelf upon shelf.

"My study," I mumbled, and walked across the landing. Then at the sound of my voice a thought struck me, and I went back to the bedroom and put in the set of false teeth. They slipped in with the ease of old, habit. "That's better," said I, gnashing them, and so returned to the study.

The drawers of the writing-desk were locked. Its revolving top was also locked. I could see no indications of the keys, and there were none in the pockets of my trousers. I shuffled back at once to the bedroom, and went through the dress suit, and afterwards the pockets of all the garments I could find. I was very eager, and one might have imagined that burglars had been at work, to see my room when I had done. Not only were there no keys to be found, but not a coin, nor a scrap of paper--save only the receipted bill of the overnight dinner.

A curious weariness asserted itself. I sat down and stared at the garments flung here and there, their pockets turned inside out. My first frenzy had already flickered out. Every moment I was beginning to realise the immense intelligence of the plans of my enemy, to see more and more clearly the hopelessness of my position. With an effort I rose and hurried hobbling into the study again. On the staircase was a housemaid pulling up the blinds. She stared, I think, at the expression of my face. I shut the door of the study behind me, and, seizing a poker, began an attack upon the desk. That is how they found me. The cover of the desk was split, the lock smashed, the letters torn out of the pigeon-holes, and tossed about the room. In my senile rage I had flung about the pens and other such light stationery, and overturned the ink. Moreover, a large vase upon the mantel had got broken--I do not know how. I could find no cheque-book, no money, no indications of the slightest use for the recovery of my body. I was battering madly at the drawers, when the butler, backed by two women-servants, intruded upon me.

* * * * *

That simply is the story of my change. No one will believe my frantic assertions. I am treated as one demented, and even at this moment I am under restraint. But I am sane, absolutely sane, and to prove it I have sat down to write this story minutely as the things happened to me. I appeal to the reader, whether there is any trace of insanity in the style or method, of the story he has been reading. I am a young man locked away in an old man's body. But the clear fact is incredible to everyone. Naturally I appear demented to those who will not believe this, naturally I do not know the names of my secretaries, of the doctors who come to see me, of my servants and neighbours, of this town (wherever it is) where I find myself. Naturally I lose myself in my own house, and suffer inconveniences of every sort. Naturally I ask the oddest questions. Naturally I weep and cry out, and have paroxysms of despair. I have no money and no cheque-book. The bank will not recognise my signature, for I suppose that, allowing for the feeble muscles I now have, my handwriting is still Eden's. These people about me will not let me go to the bank personally. It seems, indeed, that there is no bank in this town, and that I have an account in some part of London. It seems that Elvesham kept the name of his solicitor secret from all his household. I can ascertain nothing. Elvesham was, of course, a profound student of mental science, and all my declarations of the facts of the case merely confirm the theory that my insanity is the outcome of overmuch brooding upon psychology. Dreams of the personal identity indeed! Two days ago I was a healthy youngster, with all life before me; now I am a furious old man, unkempt, and desperate, and miserable, prowling about a great, luxurious, strange house, watched, feared, and avoided as a lunatic by everyone about me. And in London is Elvesham beginning life again in a vigorous body, and with all the accumulated knowledge and wisdom of threescore and ten. He has stolen my life.

What has happened I do not clearly know. In the study are volumes of manuscript notes referring chiefly to the psychology of memory, and parts of what may be either calculations or ciphers in symbols absolutely strange to me. In some passages there are indications that he was also occupied with the philosophy of mathematics. I take it he has transferred the whole of his memories, the accumulation that makes up his personality, from this old withered brain of his to mine, and, similarly, that he has transferred mine to his discarded tenement. Practically, that is, he has changed bodies. But how such a change may be possible is without the range of my philosophy. I have been a materialist for all my thinking life, but here, suddenly, is a clear case of man's detachability from matter.

One desperate experiment I am about to try. I sit writing here before putting the matter to issue. This morning, with the help of a table-knife that I had secreted at breakfast, I succeeded in breaking open a fairly obvious secret drawer in this wrecked writing-desk. I discovered nothing save a little green glass phial containing a white powder. Round the neck of the phial was a label, and thereon was written this one word, "_Release_." This may be--is most probably--poison. I can understand Elvesham placing poison in my way, and I should be sure that it was his intention so to get rid of the only living witness against him, were it not for this careful concealment. The man has practically solved the problem of immortality. Save for the spite of chance, he will live in my body until it has aged, and then, again, throwing that aside, he will assume some other victim's youth and strength. When one remembers his heartlessness, it is terrible to think of the ever-growing experience that... How long has he been leaping from body to body?... But I tire of writing. The powder appears to be soluble in water. The taste is not unpleasant.

* * * * *

There the narrative found upon Mr. Elvesham's desk ends. His dead body lay between the desk and the chair. The latter had been pushed back, probably by his last convulsions. The story was written in pencil and in a crazy hand, quite unlike his usual minute characters. There remain only two curious facts to record. Indisputably there was some connection between Eden and Elvesham, since the whole of Elvesham's property was bequeathed to the young man. But he never inherited. When Elvesham committed suicide, Eden was, strangely enough, already dead. Twenty-four hours before, he had been knocked down by a cab and killed instantly, at the crowded crossing at the intersection of Gower Street and Euston Road. So that the only human being who could have thrown light upon this fantastic narrative is beyond the reach of questions. Without further comment I leave this extraordinary matter to the reader's individual judgment.

The Temptation of Harringay by H.G. Wells

Word Count:  1917

IT is quite impossible to say whether this thing really happened. It depends entirely on the word of R.M. Harringay, who is an artist.

Following his version of the affair, the narrative deposes that Harringay went into his studio about ten o'clock to see what he could make of the head that he had been working at the day before. The head in question was that of an Italian organ-grinder, and Harringay thought—but was not quite sure—that the title would be the "Vigil." So far he is frank, and his narrative bears the stamp of truth. He had seen the man expectant for pennies, and with a promptness that suggested genius, had had him in at once.

"Kneel. Look up at that bracket," said Harringay. "As if you expected pennies."

"Don't grin!" said Harringay. "I don't want to paint your gums. Look as though you were unhappy."

Now, after a night's rest, the picture proved decidedly unsatisfactory. "It's good work," said Harringay. "That little bit in the neck ... But."

He walked about the studio and looked at the thing from this point and from that. Then he said a wicked word. In the original the word is given.

"Painting," he says he said. "Just a painting of an organ-grinder—a mere portrait. If it was a live organ-grinder I wouldn't mind. But somehow I never make things alive. I wonder if my imagination is wrong." This, too, has a truthful air. His imagination is wrong.

"That creative touch! To take canvas and pigment and make a man—as Adam was made of red ochre! But this thing! If you met it walking about the streets you would know it was only a studio production. The little boys would tell it to 'Garnome and git frimed.' Some little touch ... Well—it won't do as it is."

He went to the blinds and began to pull them down. They were made of blue holland with the rollers at the bottom of the window, so that you pull them down to get more light. He gathered his palette, brushes, and mahl stick from his table. Then he turned to the picture and put a speck of brown in the corner of the mouth; and shifted his attention thence to the pupil of the eye. Then he decided that the chin was a trifle too impassive for a vigil.

Presently he put down his impedimenta, and lighting a pipe surveyed the progress of his work. "I'm hanged if the thing isn't sneering at me," said Harringay, and he still believes it sneered.

The animation of the figure had certainly increased, but scarcely in the direction he wished. There was no mistake about the sneer. "Vigil of the Unbeliever," said Harringay. "Rather subtle and clever that! But the left eyebrow isn't cynical enough."

He went and dabbed at the eyebrow, and added a little to the lobe of the ear to suggest materialism. Further consideration ensued. "Vigil's off, I'm afraid," said Harringay. "Why not Mephistopheles? But that's a bit too common. 'A Friend of the Doge,'—not so seedy. The armour won't do, though. Too Camelot. How about a scarlet robe and call him 'One of the Sacred College'? Humour in that, and an appreciation of Middle Italian History."

"There's always Benvenuto Cellini," said Harringay; "with a clever suggestion of a gold cup in one corner. But that would scarcely suit the complexion."

He describes himself as babbling in this way in order to keep down an unaccountably unpleasant sensation of fear. The thing was certainly acquiring anything but a pleasing expression. Yet it was as certainly becoming far more of a living thing than it had been—if a sinister one—far more alive than anything he had ever painted before. "Call it 'Portrait of a Gentleman,'" said Harringay;—"A Certain Gentleman."

"Won't do," said Harringay, still keeping up his courage. "Kind of thing they call Bad Taste. That sneer will have to come out. That gone, and a little more fire in the eye—never noticed how warm his eye was before—and he might do for—? What price Passionate Pilgrim? But that devilish face won't do—this side of the Channel.

"Some little inaccuracy does it," he said; "eyebrows probably too oblique,"—therewith pulling the blind lower to get a better light, and resuming palette and brushes.

The face on the canvas seemed animated by a spirit of its own. Where the expression of diablerie came in he found impossible to discover. Experiment was necessary. The eyebrows—it could scarcely be the eyebrows? But he altered them. No, that was no better; in fact, if anything, a trifle more satanic. The corner of the mouth? Pah! more than ever a leer—and now, retouched, it was ominously grim. The eye, then? Catastrophe! he had filled his brush with vermilion instead of brown, and yet he had felt sure it was brown! The eye seemed now to have rolled in its socket, and was glaring at him an eye of fire. In a flash of passion, possibly with something of the courage of panic, he struck the brush full of bright red athwart the picture; and then a very curious thing, a very strange thing indeed, occurred—if it did occur.

The diabolified Italian before him shut both his eyes, pursed his mouth, and wiped the colour off his face with his hand.

Then the red eye opened again, with a sound like the opening of lips, and the face smiled. "That was rather hasty of you," said the picture.

Harringay states that, now that the worst had happened, his self-possession returned. He had a saving persuasion that devils were reasonable creatures.

"Why do you keep moving about then," he said, "making faces and all that—sneering and squinting, while I am painting you?"

"I don't," said the picture.

"You do," said Harringay.

"It's yourself," said the picture.

"It's not myself," said Harringay.

"It is yourself," said the picture. "No! don't go hitting me with paint again, because it's true. You have been trying to fluke an expression on my face all the morning. Really, you haven't an idea what your picture ought to look like."

"I have," said Harringay.

"You have not," said the picture: "You never have with your pictures. You always start with the vaguest presentiment of what you are going to do; it is to be something beautiful—you are sure of that—and devout, perhaps, or tragic; but beyond that it is all experiment and chance. My dear fellow! you don't think you can paint a picture like that?"

Now it must be remembered that for what follows we have only Harringay's word.

"I shall paint a picture exactly as I like," said Harringay, calmly.

This seemed to disconcert the picture a little. "You can't paint a picture without an inspiration," it remarked.

"But I had an inspiration—for this."

"Inspiration!" sneered the sardonic figure; "a fancy that came from your seeing an organ-grinder looking up at a window! Vigil! Ha, ha! You just started painting on the chance of something coming—that's what you did. And when I saw you at it I came. I want a talk with you!" "Art, with you," said the picture,—"it's a poor business. You potter. I don't know how it is, but you don't seem able to throw your soul into it. You know too much. It hampers you. In the midst of your enthusiasms you ask yourself whether something like this has not been done before. And ..."

"Look here," said Harringay, who had expected something better than criticism from the devil. "Are you going to talk studio to me?" He filled his number twelve hoghair with red paint.

"The true artist," said the picture, "is always an ignorant man. An artist who theorises about his work is no longer artist but critic. Wagner ... I say!—What's that red paint for?"

"I'm going to paint you out," said Harringay. "I don't want to hear all that Tommy Rot. If you think just because I'm an artist by trade I'm going to talk studio to you, you make a precious mistake." "One minute," said the picture, evidently alarmed. "I want to make you an offer—a genuine offer. It's right what I'm saying. You lack inspirations. Well. No doubt you've heard of the Cathedral of Cologne, and the Devil's Bridge, and—"

"Rubbish," said Harringay. "Do you think I want to go to perdition simply for the pleasure of painting a good picture, and getting it slated. Take that."

His blood was up. His danger only nerved him to action, so he says. So he planted a dab of vermilion in his creature's mouth. The Italian spluttered and tried to wipe it off—evidently horribly surprised. And then—according to Harringay—there began a very remarkable struggle, Harringay splashing away with the red paint, and the picture wriggling about and wiping it off as fast as he put it on. "Two masterpieces," said the demon. "Two indubitable masterpieces for a Chelsea artist's soul. It's a bargain?" Harringay replied with the paint brush.

For a few minutes nothing could be heard but the brush going and the spluttering and ejaculations of the Italian. A lot of the strokes he caught on his arm and hand, though Harringay got over his guard often enough. Presently the paint on the palette gave out and the two antagonists stood breathless, regarding each other. The picture was so smeared with red that it looked as if it had been rolling about a slaughterhouse, and it was painfully out of breath and very uncomfortable with the wet paint trickling down its neck. Still, the first round was in its favour on the whole. "Think," it said, sticking pluckily to its point, "two supreme masterpieces—in different styles. Each equivalent to the Cathedral..."

"I know," said Harringay, and rushed out of the studio and along the passage towards his wife's boudoir. In another minute he was back with a large tin of enamel—Hedge Sparrow's Egg Tint, it was, and a brush. At the sight of that the artistic devil with the red eye began to scream. "Three masterpieces—culminating masterpieces."

Harringay delivered cut two across the demon, and followed with a thrust in the eye. There was an indistinct rumbling. "Four masterpieces," and a spitting sound.

But Harringay had the upper hand now and meant to keep it. With rapid, bold strokes he continued to paint over the writhing canvas, until at last it was a uniform field of shining Hedge Sparrow tint. Once the mouth reappeared and got as far as "Five master—" before he filled it with enamel; and near the end the red eye opened and glared at him indignantly. But at last nothing remained save a gleaming panel of drying enamel. For a little while a faint stirring beneath the surface puckered it slightly here and there, but presently even that died away and the thing was perfectly still.

Then Harringay—according to Harringay's account—lit his pipe and sat down and stared at the enamelled canvas, and tried to make out clearly what had happened. Then he walked round behind it, to see if the back of it was at all remarkable. Then it was he began to regret he had not photographed the Devil before he painted him out.

This is Harringay's story—not mine. He supports it by a small canvas (24 by 20) enamelled a pale green, and by violent asseverations. It is also true that he never has produced a masterpiece, and in the opinion of his intimate friends probably never will.

The Triumphs of a Taxidermist by H.G. Wells

Word Count:  1462

Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk. We sat in his den together; his library it was, his sitting and his eating-room--separated by a bead curtain, so far as the sense of sight went, from the noisome den where he plied his trade.

He sat on a deck chair, and when he was not tapping refractory bits of coal with them, he kept his feet--on which he wore, after the manner of sandals, the holy relics of a pair of carpet slippers--out of the way upon the mantel-piece, among the glass eyes. And his trousers, by-the-by--though they have nothing to do with his triumphs--were a most horrible yellow plaid, such as they made when our fathers wore side-whiskers and there were crinolines in the land. Further, his hair was black, his face rosy, and his eye a fiery brown; and his coat was chiefly of grease upon a basis of velveteen. And his pipe had a bowl of china showing the Graces, and his spectacles were always askew, the left eye glaring nakedly at you, small and penetrating; the right, seen through a glass darkly, magnified and mild. Thus his discourse ran: "There never was a man who could stuff like me, Bellows, never. I have stuffed elephants and I have stuffed moths, and the things have looked all the livelier and better for it. And I have stuffed human beings--chiefly amateur ornithologists. But I stuffed a nigger once.

"No, there is no law against it. I made him with all his fingers out and used him as a hat-rack, but that fool Homersby got up a quarrel with him late one night and spoilt him. That was before your time. It is hard to get skins, or I would have another.

"Unpleasant? I don't see it. Seems to me taxidermy is a promising third course to burial or cremation. You could keep all your dear ones by you. Bric--brac of that sort stuck about the house would be as good as most company, and much less expensive. You might have them fitted up with clockwork to do things.

"Of course they would have to be varnished, but they need not shine more than lots of people do naturally. Old Manningtree's bald head.... Anyhow, you could talk to them without interruption. Even aunts. There is a great future before taxidermy, depend upon it. There is fossils again...."

He suddenly became silent.

"No, I don't think I ought to tell you that." He sucked at his pipe thoughtfully. "Thanks, yes. Not too much water.

"Of course, what I tell you now will go no further. You know I have made some dodos and a great auk? No! Evidently you are an amateur at taxidermy. My dear fellow, half the great auks in the world are about as genuine as the handkerchief of Saint Veronica, as the Holy Coat of Treves. We make 'em of grebes' feathers and the like. And the great auk's eggs too!"

"Good heavens!"

"Yes, we make them out of fine porcelain. I tell you it is worth while. They fetch--one fetched 300 only the other day. That one was really genuine, I believe, but of course one is never certain. It is very fine work, and afterwards you have to get them dusty, for no one who owns one of these precious eggs has ever the temerity to clean the thing. That's the beauty of the business. Even if they suspect an egg they do not like to examine it too closely. It's such brittle capital at the best.

"You did not know that taxidermy rose to heights like that. My boy, it has risen higher. I have rivalled the hands of Nature herself. One of the genuine great auks"--his voice fell to a whisper--one of the genuine great auks was made by me."

"No. You must study ornithology, and find out which it is yourself. And what is more, I have been approached by a syndicate of dealers to stock one of the unexplored skerries to the north of Iceland with specimens. I may--some day. But I have another little thing in hand just now. Ever heard of the dinornis?

"It is one of those big birds recently extinct in New Zealand. 'Moa' is its common name, so called because extinct: there is no moa now. See? Well, they have got bones of it, and from some of the marshes even feathers and dried bits of skin. Now, I am going to--well, there is no need to make any bones about it--going to forge a complete stuffed moa. I know a chap out there who will pretend to make the find in a kind of antiseptic swamp, and say he stuffed it at once, as it threatened to fall to pieces. The feathers are peculiar, but I have got a simply lovely way of dodging up singed bits of ostrich plume. Yes, that is the new smell you noticed. They can only discover the fraud with a microscope, and they will hardly care to pull a nice specimen to bits for that.

"In this way, you see, I give my little push in the advancement of science.

"But all this is merely imitating Nature. I have done more than that in my time. I have--beaten her."

He took his feet down from the mantel-board, and leant over confidentially towards me. "I have created birds," he said in a low voice. "New birds. Improvements. Like no birds that was ever seen before."

He resumed his attitude during an impressive silence.

"Enrich the universe; rath-er. Some of the birds I made were new kinds of humming birds, and very beautiful little things, but some of them were simply rum. The rummest, I think, was the Anomalopteryx Jejuna. Jejunus-a-um--empty--so called because there was really nothing in it; a thoroughly empty bird--except for stuffing. Old Javvers has the thing now, and I suppose he is almost as proud of it as I am. It is a masterpiece, Bellows. It has all the silly clumsiness of your pelican, all the solemn want of dignity of your parrot, all the gaunt ungainliness of a flamingo, with all the extravagant chromatic conflict of a mandarin duck. Such a bird. I made it out of the skeletons of a stork and a toucan and a job lot of feathers. Taxidermy of that kind is just pure joy, Bellows, to a real artist in the art.

"How did I come to make it? Simple enough, as all great inventions are. One of those young genii who write us Science Notes in the papers got hold of a German pamphlet about the birds of New Zealand, and translated some of it by means of a dictionary and his mother-wit--he must have been one of a very large family with a small mother--and he got mixed between the living apteryx and the extinct anomalopteryx; talked about a bird five feet high, living in the jungles of the North Island, rare, shy, specimens difficult to obtain, and so on. Javvers, who even for a collector, is a miraculously ignorant man, read these paragraphs, and swore he would have the thing at any price. Raided the dealers with enquiries. It shows what a man can do by persistence--will-power. Here was a bird-collector swearing he would have a specimen of a bird that did not exist, that never had existed, and which for very shame of its own profane ungainliness, probably would not exist now if it could help itself. And he got it. He got it."

"Have some more whisky, Bellows?" said the taxidermist, rousing himself from a transient contemplation of the mysteries of will-power and the collecting turn of mind. And, replenished, he proceeded to tell me of how he concocted a most attractive mermaid, and how an itinerant preacher, who could not get an audience because of it, smashed it because it was idolatry, or worse, at Burslem Wakes. But as the conversation of all the parties to this transaction, creator, would-be preserver, and destroyer, was uniformly unfit for publication, this cheerful incident must still remain unprinted.

The reader unacquainted with the dark ways of the collector may perhaps be inclined to doubt my taxidermist, but so far as great auks' eggs, and the bogus stuffed birds are concerned, I find that he has the confirmation of distinguished ornithological writers. And the note about the New Zealand bird certainly appeared in a morning paper of unblemished reputation, for the Taxidermist keeps a copy and has shown it to me.

The Truth about Pyecraft by H.G. Wells

Word Count:  3708

He sits not a dozen yards away. If I glance over my shoulder I can see him. And if I catch his eye--and usually I catch his eye-- it meets me with an expression.

It is mainly an imploring look--and yet with suspicion in it.

Confound his suspicion! If I wanted to tell on him I should have told long ago. I don't tell and I don't tell, and he ought to feel at his ease. As if anything so gross and fat as he could feel at ease! Who would believe me if I did tell?

Poor old Pyecraft! Great, uneasy jelly of substance! The fattest clubman in London.

He sits at one of the little club tables in the huge bay by the fire, stuffing. What is he stuffing? I glance judiciously and catch him biting at a round of hot buttered tea-cake, with his eyes on me. Confound him!--with his eyes on me!

That settles it, Pyecraft! Since you will be abject, since you will behave as though I was not a man of honour, here, right under your embedded eyes, I write the thing down--the plain truth about Pyecraft. The man I helped, the man I shielded, and who has requited me by making my club unendurable, absolutely unendurable, with his liquid appeal, with the perpetual "don't tell" of his looks.

And, besides, why does he keep on eternally eating?

Well, here goes for the truth, the whole truth, and nothing but the truth!

Pyecraft--. I made the acquaintance of Pyecraft in this very smoking- room. I was a young, nervous new member, and he saw it. I was sitting all alone, wishing I knew more of the members, and suddenly he came, a great rolling front of chins and abdomina, towards me, and grunted and sat down in a chair close by me and wheezed for a space, and scraped for a space with a match and lit a cigar, and then addressed me. I forget what he said--something about the matches not lighting properly, and afterwards as he talked he kept stopping the waiters one by one as they went by, and telling them about the matches in that thin, fluty voice he has. But, anyhow, it was in some such way we began our talking.

He talked about various things and came round to games. And thence to my figure and complexion. "You ought to be a good cricketer," he said. I suppose I am slender, slender to what some people would call lean, and I suppose I am rather dark, still--I am not ashamed of having a Hindu great-grandmother, but, for all that, I don't want casual strangers to see through me at a glance to her. So that I was set against Pyecraft from the beginning.

But he only talked about me in order to get to himself.

"I expect," he said, "you take no more exercise than I do, and probably you eat no less." (Like all excessively obese people he fancied he ate nothing.) "Yet,"--and he smiled an oblique smile-- "we differ."

And then he began to talk about his fatness and his fatness; all he did for his fatness and all he was going to do for his fatness; what people had advised him to do for his fatness and what he had heard of people doing for fatness similar to his. "A priori," he said, "one would think a question of nutrition could be answered by dietary and a question of assimilation by drugs." It was stifling. It was dumpling talk. It made me feel swelled to hear him.

One stands that sort of thing once in a way at a club, but a time came when I fancied I was standing too much. He took to me altogether too conspicuously. I could never go into the smoking-room but he would come wallowing towards me, and sometimes he came and gormandised round and about me while I had my lunch. He seemed at times almost to be clinging to me. He was a bore, but not so fearful a bore as to be limited to me; and from the first there was something in his manner--almost as though he knew, almost as though he penetrated to the fact that I might--that there was a remote, exceptional chance in me that no one else presented.

"I'd give anything to get it down," he would say--"anything," and peer at me over his vast cheeks and pant.

Poor old Pyecraft! He has just gonged, no doubt to order another buttered tea-cake!

He came to the actual thing one day. "Our Pharmacopoeia," he said, "our Western Pharmacopoeia, is anything but the last word of medical science. In the East, I've been told--"

He stopped and stared at me. It was like being at an aquarium.

I was quite suddenly angry with him. "Look here," I said, "who told you about my great-grandmother's recipes?"

"Well," he fenced.

"Every time we've met for a week," I said, "and we've met pretty often--you've given me a broad hint or so about that little secret of mine."

"Well," he said, "now the cat's out of the bag, I'll admit, yes, it is so. I had it--"

"From Pattison?"

"Indirectly," he said, which I believe was lying, "yes."

"Pattison," I said, "took that stuff at his own risk."

He pursed his mouth and bowed.

"My great-grandmother's recipes," I said, "are queer things to handle. My father was near making me promise--"

"He didn't?"

"No. But he warned me. He himself used one--once."

"Ah! . . . But do you think--? Suppose--suppose there did happen to be one--"

"The things are curious documents," I said.

"Even the smell of 'em. . . . No!"

But after going so far Pyecraft was resolved I should go farther. I was always a little afraid if I tried his patience too much he would fall on me suddenly and smother me. I own I was weak. But I was also annoyed with Pyecraft. I had got to that state of feeling for him that disposed me to say, "Well, take the risk!" The little affair of Pattison to which I have alluded was a different matter altogether. What it was doesn't concern us now, but I knew, anyhow, that the particular recipe I used then was safe. The rest I didn't know so much about, and, on the whole, I was inclined to doubt their safety pretty completely.

Yet even if Pyecraft got poisoned--

I must confess the poisoning of Pyecraft struck me as an immense undertaking.

That evening I took that queer, odd-scented sandalwood box out of my safe and turned the rustling skins over. The gentleman who wrote the recipes for my great-grandmother evidently had a weakness for skins of a miscellaneous origin, and his handwriting was cramped to the last degree. Some of the things are quite unreadable to me--though my family, with its Indian Civil Service associations, has kept up a knowledge of Hindustani from generation to generation--and none are absolutely plain sailing. But I found the one that I knew was there soon enough, and sat on the floor by my safe for some time looking at it.

"Look here," said I to Pyecraft next day, and snatched the slip away from his eager grasp.

"So far as I--can make it out, this is a recipe for Loss of Weight. ("Ah!" said Pyecraft.) I'm not absolutely sure, but I think it's that. And if you take my advice you'll leave it alone. Because, you know-- I blacken my blood in your interest, Pyecraft--my ancestors on that side were, so far as I can gather, a jolly queer lot. See?"

"Let me try it," said Pyecraft.

I leant back in my chair. My imagination made one mighty effort and fell flat within me. "What in Heaven's name, Pyecraft," I asked, "do you think you'll look like when you get thin?"

He was impervious to reason. I made him promise never to say a word to me about his disgusting fatness again whatever happened--never, and then I handed him that little piece of skin.

"It's nasty stuff," I said.

"No matter," he said, and took it.

He goggled at it. "But--but--" he said.

He had just discovered that it wasn't English.

"To the best of my ability," I said, "I will do you a translation."

I did my best. After that we didn't speak for a fortnight. Whenever he approached me I frowned and motioned him away, and he respected our compact, but at the end of a fortnight he was as fat as ever. And then he got a word in.

"I must speak," he said. "It isn't fair. There's something wrong. It's done me no good. You're not doing your great-grandmother justice."

"Where's the recipe?"

He produced it gingerly from his pocket-book.

I ran my eye over the items. "Was the egg addled?" I asked.

"No. Ought it to have been?"

"That," I said, "goes without saying in all my poor dear great-grandmother's recipes. When condition or quality is not specified you must get the worst. She was drastic or nothing. . . . And there's one or two possible alternatives to some of these other things. You got fresh

rattlesnake venom."

"I got a rattlesnake from Jamrach's. It cost--it cost--"

"That's your affair, anyhow. This last item--"

"I know a man who--"

"Yes. H'm. Well, I'll write the alternatives down. So far as I know the language, the spelling of this recipe is particularly atrocious. By-the-bye, dog here probably means pariah dog."

For a month after that I saw Pyecraft constantly at the club and as fat and anxious as ever. He kept our treaty, but at times he broke the spirit of it by shaking his head despondently. Then one day in the cloakroom he said, "Your great-grandmother--"

"Not a word against her," I said; and he held his peace.

I could have fancied he had desisted, and I saw him one day talking to three new members about his fatness as though he was in search of other recipes. And then, quite unexpectedly, his telegram came.

"Mr. Formalyn!" bawled a page-boy under my nose, and I took the telegram and opened it at once.

"For Heaven's sake come.--Pyecraft."

"H'm," said I, and to tell the truth I was so pleased at the rehabilitation of my great grandmother's reputation this evidently promised that I made a most excellent lunch.

I got Pyecraft's address from the hall porter. Pyecraft inhabited the upper half of a house in Bloomsbury, and I went there so soon as I had done my coffee and Trappistine. I did not wait to finish my cigar.

"Mr. Pyecraft?" said I, at the front door.

They believed he was ill; he hadn't been out for two days.

"He expects me," said I, and they sent me up.

I rang the bell at the lattice-door upon the landing.

"He shouldn't have tried it, anyhow," I said to myself. "A man who eats like a pig ought to look like a pig."

An obviously worthy woman, with an anxious face and a carelessly placed cap, came and surveyed me through the lattice.

I gave my name and she let me in in a dubious fashion.

"Well?" said I, as we stood together inside Pyecraft's piece of the landing.

"'E said you was to come in if you came," she said, and regarded me, making no motion to show me anywhere. And then, confidentially, "'E's locked in, sir."

"Locked in?"

"Locked himself in yesterday morning and 'asn't let any one in since, sir. And ever and again swearing. Oh, my!"

I stared at the door she indicated by her glances.

"In there?" I said.

"Yes, sir."

"What's up?"

She shook her head sadly, "'E keeps on calling for vittles, sir. 'eavy vittles 'e wants. I get 'im what I can. Pork 'e's 'ad, sooit puddin', sossiges, noo bread. Everythink like that. Left outside, if you please, and me go away. 'E's eatin', sir, somethink awful."

There came a piping bawl from inside the door: "That Formalyn?"

"That you, Pyecraft?" I shouted, and went and banged the door.

"Tell her to go away."

I did.

Then I could hear a curious pattering upon the door, almost like some one feeling for the handle in the dark, and Pyecraft's familiar grunts.

"It's all right," I said, "she's gone."

But for a long time the door didn't open.

I heard the key turn. Then Pyecraft's voice said, "Come in."

I turned the handle and opened the door. Naturally I expected to see Pyecraft.

Well, you know, he wasn't there!

I never had such a shock in my life. There was his sitting-room in a state of untidy disorder, plates and dishes among the books and writing things, and several chairs overturned, but Pyecraft--

"It's all right, o' man; shut the door," he said, and then I discovered him.

There he was right up close to the cornice in the corner by the door, as though some one had glued him to the ceiling. His face was anxious and angry. He panted and gesticulated. "Shut the door," he said. "If that woman gets hold of it--"

I shut the door, and went and stood away from him and stared.

"If anything gives way and you tumble down," I said, "you'll break your neck, Pyecraft."

"I wish I could," he wheezed.

"A man of your age and weight getting up to kiddish gymnastics--"

"Don't," he said, and looked agonised.

"I'll tell you," he said, and gesticulated.

"How the deuce," said I, "are you holding on up there?"

And then abruptly I realised that he was not holding on at all, that he was floating up there--just as a gas-filled bladder might have floated in the same position. He began a struggle to thrust himself away from the ceiling and to clamber down the wall to me. "It's that prescription," he panted, as he did so. "Your great-gran--"

He took hold of a framed engraving rather carelessly as he spoke and it gave way, and he flew back to the ceiling again, while the picture smashed onto the sofa. Bump he went against the ceiling, and I knew then why he was all over white on the more salient curves and angles of his person. He tried again more carefully, coming down by way of the mantel.

It was really a most extraordinary spectacle, that great, fat, apoplectic-looking man upside down and trying to get from the ceiling to the floor. "That prescription," he said. "Too successful."

"How?"

"Loss of weight--almost complete."

And then, of course, I understood.

"By Jove, Pyecraft," said I, "what you wanted was a cure for fatness! But you always called it weight. You would call it weight."

Somehow I was extremely delighted. I quite liked Pyecraft for the time. "Let me help you!" I said, and took his hand and pulled him down. He kicked about, trying to get a foothold somewhere. It was very like holding a flag on a windy day.

"That table," he said, pointing, "is solid mahogany and very heavy. If you can put me under that---"

I did, and there he wallowed about like a captive balloon, while I stood on his hearthrug and talked to him.

I lit a cigar. "Tell me," I said, "what happened?"

"I took it," he said.

"How did it taste?"

"Oh, beastly!"

I should fancy they all did. Whether one regards the ingredients or the probable compound or the possible results, almost all of my great-grandmother's remedies appear to me at least to be extraordinarily uninviting. For my own part--

"I took a little sip first."

"Yes?"

"And as I felt lighter and better after an hour, I decided to take the draught."

"My dear Pyecraft!"

"I held my nose," he explained. "And then I kept on getting lighter and lighter--and helpless, you know."

He gave way to a sudden burst of passion. "What the goodness am I to do?" he said.

"There's one thing pretty evident," I said, "that you mustn't do. If you go out of doors, you'll go up and up." I waved an arm upward. "They'd have to send Santos-Dumont after you to bring you down again."

"I suppose it will wear off?"

I shook my head. "I don't think you can count on that," I said.

And then there was another burst of passion, and he kicked out at adjacent chairs and banged the floor. He behaved just as I should have expected a great, fat, self-indulgent man to behave under trying circumstances--that is to say, very badly. He spoke of me and my great-grandmother with an utter want of discretion.

"I never asked you to take the stuff," I said.

And generously disregarding the insults he was putting upon me, I sat down in his armchair and began to talk to him in a sober, friendly fashion.

I pointed out to him that this was a trouble he had brought upon himself, and that it had almost an air of poetical justice. He had eaten too much. This he disputed, and for a time we argued the point.

He became noisy and violent, so I desisted from this aspect of his lesson. "And then," said I, "you committed the sin of euphuism. You called it not Fat, which is just and inglorious, but Weight. You--"

He interrupted to say he recognised all that. What was he to do?

I suggested he should adapt himself to his new conditions. So we came to the really sensible part of the business. I suggested that it would not be difficult for him to learn to walk about on the ceiling with his hands--

"I can't sleep," he said.

But that was no great difficulty. It was quite possible, I pointed out, to make a shake-up under a wire mattress, fasten the under things on with tapes, and have a blanket, sheet, and coverlet to button at the side. He would have to confide in his housekeeper, I said; and after some squabbling he agreed to that. (Afterwards it was quite delightful to see the beautifully matter-of-fact way with which the good lady took all these amazing inversions.) He could have a library ladder in his room, and all his meals could be laid on the top of his bookcase. We also hit on an ingenious device by which he could get to the floor whenever he wanted, which was simply to put the British Encyclopaedia (tenth edition) on the top of his open shelves. He just pulled out a couple of volumes and held on, and down he came. And we agreed there must be iron staples along the skirting, so that he could cling to those whenever he wanted to get about the room on the lower level.

As we got on with the thing I found myself almost keenly interested. It was I who called in the housekeeper and broke matters to her, and it was I chiefly who fixed up the inverted bed. In fact, I spent two whole days at his flat. I am a handy, interfering sort of man with a screw-driver, and I made all sorts of ingenious adaptations for him--ran a wire to bring his bells within reach, turned all his electric lights up instead of down, and so on. The whole affair was extremely curious and interesting to me, and it was delightful to think of Pyecraft like some great, fat blow-fly, crawling about on his ceiling and clambering round the lintels of his doors from one room to another, and never, never, never coming to the club any more. . . .

Then, you know, my fatal ingenuity got the better of me. I was sitting by his fire drinking his whisky, and he was up in his favourite corner by the cornice, tacking a Turkey carpet to the ceiling, when the idea struck me. "By Jove, Pyecraft!" I said, "all this is totally unnecessary."

And before I could calculate the complete consequences of my notion I blurted it out. "Lead underclothing," said I, and the mischief was done.

Pyecraft received the thing almost in tears. "To be right ways up again--" he said. I gave him the whole secret before I saw where it would take me. "Buy sheet lead," I said, "stamp it into discs. Sew 'em all over your underclothes until you have enough. Have lead-soled boots, carry a bag of solid lead, and the thing is done! Instead of being a prisoner here you may go abroad again, Pyecraft; you may travel--"

A still happier idea came to me. "You need never fear a shipwreck. All you need do is just slip off some or all of your clothes, take the necessary amount of luggage in your hand, and float up in the air--"

In his emotion he dropped the tack-hammer within an ace of my head. "By Jove!" he said, "I shall be able to come back to the club again."

The thing pulled me up short. "By Jove!" I said faintly. "Yes. Of course--you will."

He did. He does. There he sits behind me now, stuffing--as I live!-- a third go of buttered tea-cake. And no one in the whole world knows-- except his housekeeper and me--that he weighs practically nothing; that he is a mere boring mass of assimilatory matter, mere clouds in clothing, niente, nefas, the most inconsiderable of men. There he sits watching until I have done this writing. Then, if he can, he will waylay me. He will come billowing up to me. . . .

He will tell me over again all about it, how it feels, how it doesn't feel, how he sometimes hopes it is passing off a little. And always somewhere in that fat, abundant discourse he will say, "The secret's keeping, eh? If any one knew of it--I should be so ashamed. . . . Makes a fellow look such a fool, you know. Crawling about on a ceiling and all that. . . ."

And now to elude Pyecraft, occupying, as he does, an admirable strategic position between me and the door.

The Valley of Spiders by H.G. Wells

Word Count:  4132

Towards mid-day the three pursuers came abruptly round a bend in the torrent bed upon the sight of a very broad and spacious valley. The difficult and winding trench of pebbles along which they had tracked the fugitives for so long, expanded to a broad slope, and with a common impulse the three men left the trail, and rode to a little eminence set with olive-dun trees, and there halted, the two others, as became them, a little behind the man with the silver-studded bridle.

For a space they scanned the great expanse below them with eager eyes. It spread remoter and remoter, with only a few clusters of sere thorn bushes here and there, and the dim suggestions of some now waterless ravine, to break its desolation of yellow grass. Its purple distances melted at last into the bluish slopes of the further hills-- hills it might be of a greener kind--and above them invisibly supported, and seeming indeed to hang in the blue, were the snowclad summits of mountains that grew larger and bolder to the north-westward as the sides of the valley drew together. And westward the valley opened until a distant darkness under the sky told where the forests began. But the three men looked neither east nor west, but only steadfastly across the valley.

The gaunt man with the scarred lip was the first to speak. "Nowhere," he said, with a sigh of disappointment in his voice. "But after all, they had a full day's start."

"They don't know we are after them," said the little man on the white horse.

"She would know," said the leader bitterly, as if speaking to himself.

"Even then they can't go fast. They've got no beast but the mule, and all to-day the girl's foot has been bleeding---"

The man with the silver bridle flashed a quick intensity of rage on him. "Do you think I haven't seen that?" he snarled.

"It helps, anyhow," whispered the little man to himself.

The gaunt man with the scarred lip stared impassively. "They can't be over the valley," he said. "If we ride hard--"

He glanced at the white horse and paused.

"Curse all white horses!" said the man with the silver bridle, and turned to scan the beast his curse included.

The little man looked down between the mclancholy ears of his steed.

"I did my best," he said.

The two others stared again across the valley for a space. The gaunt man passed the back of his hand across the scarred lip.

"Come up!" said the man who owned the silver bridle, suddenly. The little man started and jerked his rein, and the horse hoofs of the three made a multitudinous faint pattering upon the withered grass as they turned back towards the trail. . . .

They rode cautiously down the long slope before them, and so came through a waste of prickly, twisted bushes and strange dry shapes of horny branches that grew amongst the rocks, into the levels below. And there the trail grew faint, for the soil was scanty, and the only herbage was this scorched dead straw that lay upon the ground. Still, by hard scanning, by leaning beside the horses' necks and pausing ever and again, even these white men could contrive to follow after their prey.

There were trodden places, bent and broken blades of the coarse grass, and ever and again the sufficient intimation of a footmark. And once the leader saw a brown smear of blood where the half-caste girl may have trod. And at that under his breath he cursed her for a fool.

The gaunt man checked his leader's tracking, and the little man on the white horse rode behind, a man lost in a dream. They rode one after another, the man with the silver bridle led the way, and they spoke never a word. After a time it came to the little man on the white horse that the world was very still. He started out of his dream. Besides the little noises of their horses and equipment, the whole great valley kept the brooding quiet of a painted scene.

Before him went his master and his fellow, each intently leaning forward to the left, each impassively moving with the paces of his horse; their shadows went before them--still, noiseless, tapering attendants; and nearer a crouched cool shape was his own. He looked about him. What was it had gone? Then he remembered the reverberation from the banks of the gorge and the perpetual accompaniment of shifting, jostling pebbles. And, moreover--? There was no breeze. That was it! What a vast, still place it was, a monotonous afternoon slumber. And the sky open and blank, except for a sombre veil of haze that had gathered in the upper valley.

He straightened his back, fretted with his bridle, puckered his lips to whistle, and simply sighed. He turned in his saddle for a time, and stared at the throat of the mountain gorge out of which they had come. Blank! Blank slopes on either side, with never a sign of a decent beast or tree--much less a man. What a land it was! What a wilderness! He dropped again into his former pose.

It filled him with a momentary pleasure to see a wry stick of purple black flash out into the form of a snake, and vanish amidst the brown. After all, the infernal valley WAS alive. And then, to rejoice him still more, came a little breath across his face, a whisper that came and went, the faintest inclination of a stiff black-antlered bush upon a little crest, the first intimations of a possible breeze. Idly he wetted his finger, and held it up.

He pulled up sharply to avoid a collision with the gaunt man, who had stopped at fault upon the trail. Just at that guilty moment he caught his master's eye looking towards him.

For a time he forced an interest in the tracking. Then, as they rode on again, he studied his master's shadow and hat and shoulder, appearing and disappearing behind the gaunt man's nearer contours. They had ridden four days out of the very limits of the world into this desolate place, short of water, with nothing but a strip of dried meat under their saddles, over rocks and mountains, where surely none but these fugitives had ever been before--for that!

And all this was for a girl, a mere wilful child! And the man had whole cityfuls of people to do his basest bidding--girls, women! Why in the name of passionate folly this one in particular? asked the little man, and scowled at the world, and licked his parched lips with a blackened tongue. It was the way of the master, and that was all he knew. Just because she sought to evade him. . . .

His eye caught a whole row of high plumed canes bending in unison, and then the tails of silk that hung before his neck flapped and fell. The breeze was growing stronger. Somehow it took the stiff stillness out of things--and that was well.

"Hullo!" said the gaunt man.

All three stopped abruptly.

"What?" asked the master. "What?"

"Over there," said the gaunt man, pointing up the valley.

"What?"

"Something coming towards us."

And as he spoke a yellow animal crested a rise and came bearing down upon them. It was a big wild dog, coming before the wind, tongue out, at a steady pace, and running with such an intensity of purpose that he did not seem to see the horsemen he approached. He ran with his nose up, following, it was plain, neither scent nor quarry. As he drew nearer the little man felt for his sword. "He's mad," said the gaunt rider.

"Shout!" said the little man, and shouted.

The dog came on. Then when the little man's blade was already out, it swerved aside and went panting by them and past. The eyes of the little man followed its flight. "There was no foam," he said. For a space the man with the silver-studded bridle stared up the valley. "Oh, come on!" he cried at last. "What does it matter?" and jerked his horse into movement again.

The little man left the insoluble mystery of a dog that fled from nothing but the wind, and lapsed into profound musings on human character. "Come on!" he whispered to himself. "Why should it be given to one man to say 'Come on!' with that stupendous violence of effect. Always, all his life, the man with the silver bridle has been saying that. If I said it--!" thought the little man. But people marvelled when the master was disobeyed even in the wildest things. This half-caste girl seemed to him, seemed to every one, mad--blasphemous almost. The little man, by way of comparison, reflected on the gaunt rider with the scarred lip, as stalwart as his master, as brave and, indeed, perhaps braver, and yet for him there was obedience, nothing but to give obedience duly and stoutly. . .

Certain sensations of the hands and knees called the little man back to more immediate things. He became aware of something. He rode up beside his gaunt fellow. "Do you notice the horses?" he said in an undertone.

The gaunt face looked interrogation.

"They don't like this wind," said the little man, and dropped behind as the man with the silver bridle turned upon him.

"It's all right," said the gaunt-faced man.

They rode on again for a space in silence. The foremost two rode downcast upon the trail, the hindmost man watched the haze that crept down the vastness of the valley, nearer and nearer, and noted how the wind grew in strength moment by moment. Far away on the left he saw a line of dark bulks--wild hog perhaps, galloping down the valley, but of that he said nothing, nor did he remark again upon the uneasiness of the horses.

And then he saw first one and then a second great white ball, a great shining white ball like a gigantic head of thistle-down, that drove before the wind athwart the path. These balls soared high in the air, and dropped and rose again and caught for a moment, and hurried on and passed, but at the sight of them the restlessness of the horses increased.

Then presently he saw that more of these drifting globes--and then soon very many more--were hurrying towards him down the valley.

They became aware of a squealing. Athwart the path a huge boar rushed, turning his head but for one instant to glance at them, and then hurling on down the valley again. And at that, all three stopped and sat in their saddles, staring into the thickening haze that was coming upon them.

"If it were not for this thistle-down--" began the leader.

But now a big globe came drifting past within a score of yards of them. It was really not an even sphere at all, but a vast, soft, ragged, filmy thing, a sheet gathered by the corners, an aerial jelly-fish, as it were, but rolling over and over as it advanced, and trailing long, cobwebby threads and streamers that floated in its wake.

"It isn't thistle-down," said the little man.

"I don't like the stuff," said the gaunt man.

And they looked at one another.

"Curse it!" cried the leader. "The air's full of it up there. If it keeps on at this pace long, it will stop us altogether."

An instinctive feeling, such as lines out a herd of deer at the approach of some ambiguous thing, prompted them to turn their horses to the wind, ride forward for a few paces, and stare at that advancing multitude of floating masses. They came on before the wind with a sort of smooth swiftness, rising and falling noiselessly, sinking to earth, rebounding high, soaring--all with a perfect unanimity, with a still, deliberate assurance.

Right and left of the horsemen the pioneers of this strange army passed. At one that rolled along the ground, breaking shapelessly and trailing out reluctantly into long grappling ribbons and bands, all three horses began to shy and dance. The master was seized with a sudden unreasonable impatience. He cursed the drifting globes roundly. "Get on!" he cried; "get on! What do these things matter? How can they matter? Back to the trail!" He fell swearing at his horse and sawed the bit across its mouth.

He shouted aloud with rage. "I will follow that trail, I tell you!" he cried. "Where is the trail?"

He gripped the bridle of his prancing horse and searched amidst the grass. A long and clinging thread fell across his face, a grey streamer dropped about his bridle-arm, some big, active thing with many legs ran down the back of his head. He looked up to discover one of those grey masses anchored as it were above him by these things and flapping out ends as a sail flaps when a boat comes, about-- but noiselessly.

He had an impression of many eyes, of a dense crew of squat bodies, of long, many-jointed limbs hauling at their mooring ropes to bring the thing down upon him. For a space he stared up, reining in his prancing horse with the instinct born of years of horsemanship. Then the flat of a sword smote his back, and a blade flashed overhead and cut the drifting balloon of spider-web free, and the whole mass lifted softly and drove clear and away.

"Spiders!" cried the voice of the gaunt man. "The things are full of big spiders! Look, my lord!"

The man with the silver bridle still followed the mass that drove away.

"Look, my lord!"

The master found himself staring down at a red, smashed thing on the ground that, in spite of partial obliteration, could still wriggle unavailing legs. Then when the gaunt man pointed to another mass that bore down upon them, he drew his sword hastily. Up the valley now it was like a fog bank torn to rags. He tried to grasp the situation.

"Ride for it!" the little man was shouting. "Ride for it down the valley."

What happened then was like the confusion of a battle. The man with the silver bridle saw the little man go past him slashing furiously at imaginary cobwebs, saw him cannon into the horse of the gaunt man and hurl it and its rider to earth. His own horse went a dozen paces before he could rein it in. Then he looked up to avoid imaginary dangers, and then back again to see a horse rolling on the ground, the gaunt man standing and slashing over it at a rent and fluttering mass of grey that streamed and wrapped about them both. And thick and fast as thistle-down on waste land on a windy day in July, the cobweb masses were coming on.

The little man had dismounted, but he dared not release his horse. He was endeavouring to lug the struggling brute back with the strength of one arm, while with the other he slashed aimlessly, The tentacles of a second grey mass had entangled themselves with the struggle, and this second grey mass came to its moorings, and slowly sank.

The master set his teeth, gripped his bridle, lowered his head, and spurred his horse forward. The horse on the ground rolled over, there were blood and moving shapes upon the flanks, and the gaunt man, suddenly leaving it, ran forward towards his master, perhaps ten paces. His legs were swathed and encumbered with grey; he made ineffectual movements with his sword. Grey streamers waved from him; there was a thin veil of grey across his face. With his left hand he beat at something on his body, and suddenly he stumbled and fell. He struggled to rise, and fell again, and suddenly, horribly, began to howl, "Oh--ohoo, ohooh!"

The master could see the great spiders upon him, and others upon the ground.

As he strove to force his horse nearer to this gesticulating, screaming grey object that struggled up and down, there came a clatter of hoofs, and the little man, in act of mounting, swordless, balanced on his belly athwart the white horse, and clutching its mane, whirled past. And again a clinging thread of grey gossamer swept across the master's face. All about him, and over him, it seemed this drifting, noiseless cobweb circled and drew nearer him. . . .

To the day of his death he never knew just how the event of that moment happened. Did he, indeed, turn his horse, or did it really of its own accord stampede after its fellow? Suffice it that in another second he was galloping full tilt down the valley with his sword whirling furiously overhead. And all about him on the quickening breeze, the spiders' airships, their air bundles and air sheets, seemed to him to hurry in a conscious pursuit.

Clatter, clatter, thud, thud--the man with the silver bridle rode, heedless of his direction, with his fearful face looking up now right, now left, and his sword arm ready to slash. And a few hundred yards ahead of him, with a tail of torn cobweb trailing behind him, rode the little man on the white horse, still but imperfectly in the saddle. The reeds bent before them, the wind blew fresh and strong, over his shoulder the master could see the webs hurrying to overtake. . . .

He was so intent to escape the spiders' webs that only as his horse gathered together for a leap did he realise the ravine ahead. And then he reaIised it only to misunderstand and interfere. He was leaning forward on his horse's neck and sat up and back all too late.

But if in his excitement he had failed to leap, at any rate he had not forgotten how to fall. He was horseman again in mid-air. He came off clear with a mere bruise upon his shoulder, and his horse rolled, kicking spasmodic legs, and lay still. But the master's sword drove its point into the hard soil, and snapped clean across, as though Chance refused him any longer as her Knight, and the splintered end missed his face by an inch or so.

He was on his feet in a moment, breathlessly scanning the onrushing spider-webs. For a moment he was minded to run, and then thought of the ravine, and turned back. He ran aside once to dodge one drifting terror, and then he was swiftly clambering down the precipitous sides, and out of the touch of the gale.

There under the lee of the dry torrent's steeper banks he might crouch, and watch these strange, grey masses pass and pass in safety till the wind fell, and it became possible to escape. And there for a long time he crouched, watching the strange, grey, ragged masses trail their streamers across his narrowed sky.

Once a stray spider fell into the ravine close beside him--a full foot it measured from leg to leg, and its body was half a man's hand-- and after he had watched its monstrous alacrity of search and escape for a little while, and tempted it to bite his broken sword, he lifted up his iron-heeled boot and smashed it into a pulp. He swore as he did so, and for a time sought up and down for another.

Then presently, when he was surer these spider swarms could not drop into the ravine, he found a place where he could sit down, and sat and fell into deep thought and began after his manner to gnaw his knuckles and bite his nails. And from this he was moved by the coming of the man with the white horse.

He heard him long before he saw him, as a clattering of hoofs, stumbling footsteps, and a reassuring voice. Then the little man appeared, a rueful figure, still with a tail of white cobweb trailing behind him. They approached each other without speaking, without a salutation. The little man was fatigued and shamed to the pitch of hopeless bitterness, and came to a stop at last, face to face with his seated master. The latter winced a little under his dependant's eye. "Well?" he said at last, with no pretence of authority.

"You left him?"

"My horse bolted."

"I know. So did mine."

He laughed at his master mirthlessly.

"I say my horse bolted," said the man who once had a silver-studded bridle.

"Cowards both," said the little man.

The other gnawed his knuckle through some meditative moments, with his eye on his inferior.

"Don't call me a coward," he said at length.

"You are a coward like myself."

"A coward possibly. There is a limit beyond which every man must fear. That I have learnt at last. But not like yourself. That is where the difference comes in."

"I never could have dreamt you would have left him. He saved your life two minutes before. . . . Why are you our lord?"

The master gnawed his knuckles again, and his countenance was dark.

"No man calls me a coward," he said. "No. A broken sword is better than none. . . . One spavined white horse cannot be expected to carry two men a four days' journey. I hate white horses, but this time it cannot be helped. You begin to understand me? . . . I perceive that you are minded, on the strength of what you have seen and fancy, to taint my reputation. It is men of your sort who unmake kings. Besides which--I never liked you."

"My lord!" said the little man.

"No," said the master. "No!"

He stood up sharply as the little man moved. For a minute perhaps they faced one another. Overhead the spiders' balls went driving. There was a quick movement among the pebbles; a running of feet, a cry of despair, a gasp and a blow. . . .

Towards nightfall the wind fell. The sun set in a calm serenity, and the man who had once possessed the silver bridle came at last very cautiously and by an easy slope out of the ravine again; but now he led the white horse that once belonged to the little man. He would have gone back to his horse to get his silver-mounted bridle again, but he feared night and a quickening breeze might still find him in the valley, and besides he disliked greatly to think he might discover his horse all swathed in cobwebs and perhaps unpleasantly eaten.

And as he thought of those cobwebs and of all the dangers he had been through, and the manner in which he had been preserved that day, his hand sought a little reliquary that hung about his neck, and he clasped it for a moment with heartfelt gratitude. As he did so his eyes went across the valley.

"I was hot with passion," he said, "and now she has met her reward. They also, no doubt--"

And behold! Far away out of the wooded slopes across the valley, but in the clearness of the sunset distinct and unmistakable, he saw a little spire of smoke.

At that his expression of serene resignation changed to an amazed anger. Smoke? He turned the head of the white horse about, and hesitated. And as he did so a little rustle of air went through the grass about him. Far away upon some reeds swayed a tattered sheet of grey. He looked at the cobwebs; he looked at the smoke.

"Perhaps, after all, it is not them," he said at last.

But he knew better.

After he had stared at the smoke for some time, he mounted the white horse.

As he rode, he picked his way amidst stranded masses of web. For some reason there were many dead spiders on the ground, and those that lived feasted guiltily on their fellows. At the sound of his horse's hoofs they fled.

Their time had passed. From the ground without either a wind to carry them or a winding sheet ready, these things, for all their poison, could do him little evil. He flicked with his belt at those he fancied came too near. Once, where a number ran together over a bare place, he was minded to dismount and trample them with his boots, but this impulse he overcame. Ever and again he turned in his saddle, and looked back at the smoke.

"Spiders," he muttered over and over again. "Spiders! Well, well. . . . The next time I must spin a web."

Through a Window by H.G. Wells

Word Count:  3081

AFTER his legs were set, they carried Bailey into the study and put him on a couch before the open window. There he lay, a live—even a feverish man down to the loins, and below that a double-barrelled mummy swathed in white wrappings. He tried to read, even tried to write a little, but most of the time he looked out of the window.

He had thought the window cheerful to begin with, but now he thanked God for it many times a day. Within, the room was dim and grey, and in the reflected light the wear of the furniture showed plainly. His medicine and drink stood on the little table, with such litter as the bare branches of a bunch of grapes or the ashes of a cigar upon a green plate, or a day old evening paper. The view outside was flooded with light, and across the corner of it came the head of the acacia, and at the foot the top of the balcony-railing of hammered iron. In the foreground was the weltering silver of the river, never quiet and yet never tiresome. Beyond was the reedy bank, a broad stretch of meadow land, and then a dark line of trees ending in a group of poplars at the distant bend of the river, and, upstanding behind them,a square church tower.

Up and down the river, all day long, things were passing. Now a string of barges drifting down to London, piled with lime or barrels of beer; then a steam-launch, disengaging heavy masses of black smoke, and disturbing the whole width of the river with long rolling waves; then an impetuous electric launch, and then a boatload of pleasure-seekers, a solitary sculler, or a four from some rowing club. Perhaps the river was quietest of a morning or late at night. One moonlight night some people drifted down singing, and with a zither playing—it sounded very pleasantly across the water.

In a few days Bailey began to recognise some of the craft; in a week he knew the intimate history of half-a-dozen. The launch Luzon, from Fitzgibbon's, two miles up, would go fretting by, sometimes three or four times a day, conspicuous with its colouring of Indian-red and yellow, and its two Oriental attendants; and one day, to Bailey's vast amusement, the house-boat Purple Emperor came to a stop outside, and breakfasted in the most shameless domesticity. Then one afternoon, the captain of a slow-moving barge began a quarrel with his wife as they came into sight from the left, and had carried it to personal violence before he vanished behind the window-frame to the right. Bailey regarded all this as an entertainment got up to while away his illness, and applauded all the more moving incidents. Mrs Green, coming in at rare intervals with his meals, would catch him clapping his hands or softly crying, "Encore!" But the river players had other engagements, and his encore went unheeded.

"I should never have thought I could take such an interest in things that did not concern me," said Bailey to Wilderspin, who used to come in in his nervous, friendly way and try to comfort the sufferer by being talked to. "I thought this idle capacity was distinctive of little children and old maids. But it's just circumstances. I simply can't work, and things have to drift; it's no good to fret and struggle. And so I lie here and am as amused as a baby with a rattle, at this river and its affairs.

"Sometimes, of course, it gets a bit dull, but not often.

"I would give anything, Wilderspin, for a swamp—just one swamp—once. Heads swimming and a steam launch to the rescue, and a chap or so hauled out with a boat-hook.... There goes Fitzgibbon's launch! They have a new boat-hook, I see, and the little blackie is still in the dumps. I don't think he's very well, Wilderspin. He's been like that for two or three days, squatting sulky-fashion and meditating over the churning of the water. Unwholesome for him to be always staring at the frothy water running away from the stern."

They watched the little steamer fuss across the patch of sunlit river, suffer momentary occultation from the acacia, and glide out of sight behind the dark window-frame.

"I'm getting a wonderful eye for details," said Bailey: "I spotted that new boat-hook at once. The other nigger is a funny little chap. He never used to swagger with the old boat-hook like that."

"Malays, aren't they?" said Wilderspin. "Don't know," said Bailey. "I thought one called all that sort of mariner Lascar."

Then he began to tell Wilderspin what he knew of the private affairs of the houseboat, Purple Emperor. "Funny," he said, "how these people come from all points of the compass—from Oxford and Windsor, from Asia and Africa—and gather and pass opposite the window just to entertain me. One man floated out of the infinite the day before yesterday, caught one perfect crab opposite, lost and recovered a scull, and passed on again. Probably he will never come into my life again. So far as I am concerned, he has lived and had his little troubles, perhaps thirty—perhaps forty—years on the earth, merely to make an ass of himself for three minutes in front of my window. Wonderful thing, Wilderspin, if you come to think of it."

"Yes," said Wilderspin; "isn't it?"

A day or two after this Bailey had a brilliant morning. Indeed, towards the end of the affair, it became almost as exciting as any window show very well could be. We will, however, begin at the beginning.

Bailey was all alone in the house, for his housekeeper had gone into the town three miles away to pay bills, and the servant had her holiday. The morning began dull. A canoe went up about half-past nine, and later a boat-load of camping men came down. But this was mere margin. Things became cheerful about ten o'clock.

It began with something white fluttering in the remote distance where the three poplars marked the river bend. "Pocket-handkerchief," said Bailey, when he saw it "No. Too big! Flag perhaps."

However, it was not a flag, for it jumped about. "Man in whites running fast, and this way," said Bailey. "That's luck! But his whites are precious loose!" Then a singular thing happened. There was a minute pink gleam among the dark trees in the distance, and a little puff of pale grey that began to drift and vanish eastward. The man in white jumped and continued running. Presently the report of the shot arrived.

"What the devil!" said Bailey. "Looks as if someone was shooting at him."

He sat up stiffly and stared hard. The white figure was coming along the pathway through the corn. "It's one of those niggers from the Fitzgibbon's," said Bailey; "or may I be hanged! I wonder why he keeps sawing with his arm."

Then three other figures became indistinctly visible against the dark background of the trees.

Abruptly on the opposite bank a man walked into the picture. He was black-bearded, dressed in flannels, had a red belt, and a vast grey felt hat. He walked, leaning very much forward and with his hands swinging before him. Behind him one could see the grass swept by the towing-rope of the boat he was dragging. He was steadfastly regarding the white figure that was hurrying through the corn. Suddenly he stopped. Then, with a peculiar gesture, Bailey could see that he began pulling in the tow-rope hand over hand. Over the water could be heard the voices of the people in the still invisible boat.

"What are you after, Hagshot?" said someone.

The individual with the red belt shouted something that was inaudible, and went on lugging in the rope, looking over his shoulder at the advancing white figure as he did so. He came down the bank, and the rope bent a lane among the reeds and lashed the water between his pulls.

Then just the bows of the boat came into view, with the towing-mast and a tall, fair-haired man standing up and trying to see over the bank. The boat bumped unexpectedly among the reeds, and the tall, fair-haired man disappeared suddenly, having apparently fallen back into the invisible part of the boat. There was a curse and some indistinct laughter. Hagshot did not laugh, but hastily clambered into the boat and pushed off. Abruptly the boat passed out of Bailey's sight.

But it was still audible. The melody of voices suggested that its occupants were busy telling each other what to do.

The running figure was drawing near the bank. Bailey could now see clearly that it was one of Fitzgibbon's Orientals, and began to realise what the sinuous thing the man carried in his hand might be. Three other men followed one another through the corn, and the foremost carried what was probably the gun. They were perhaps two hundred yards or more behind the Malay. "It's a man hunt, by all that's holy!" said Bailey.

The Malay stopped for a moment and surveyed the bank to the right. Then he left the path, and, breaking through the corn, vanished in that direction. The three pursuers followed suit, and their heads and gesticulating arms above the corn, after a brief interval, also went out of Bailey's field of vision.

Bailey so far forgot himself as to swear. "Just as things were getting lively!" he said. Something like a woman's shriek came through the air. Then shouts, a howl, a dull whack upon the balcony outside that made Bailey jump, and then the report of a gun.

"This is precious hard on an invalid," said Bailey.

But more was to happen yet in his picture. In fact, a great deal more. The Malay appeared again, running now along the bank up stream. His stride had more swing and less pace in it than before. He was threatening someone ahead with the ugly krees he carried. The blade, Bailey noticed, was dull—it did not shine as steel should.

Then came the tall, fair man, brandishing a boat-hook, and after him three other men in boating costume, running clumsily with oars. The man with the grey hat and red belt was not with them. After an interval the three men with the gun reappeared, still in the corn, but now near the river bank. They emerged upon the towing-path, and hurried after the others. The opposite bank was left blank and desolate again.

The sick-room was disgraced by more profanity. "I would give my life to see the end of this," said Bailey. There were indistinct shouts up stream. Once they seemed to be coming nearer, but they disappointed him.

Bailey sat and grumbled. He was still grumbling when his eye caught something black and round among the waves. "Hullo!" he said. He looked narrowly and saw two triangular black bodies frothing every now and then about a yard in front of this.

He was still doubtful when the little band of pursuers came into sight again, and began to point to this floating object. They were talking eagerly. Then the man with the gun took aim.

"He's swimming the river, by George!" said Bailey.

The Malay looked round, saw the gun, and went under. He came up so close to Bailey's bank of the river that one of the bars of the balcony hid him for a moment. As he emerged the man with the gun fired. The Malay kept steadily onward—Bailey could see the wet hair on his forehead now and the krees between his teeth—and was presently hidden by the balcony.

This seemed to Bailey an unendurable wrong. The man was lost to him for ever now, so he thought. Why couldn't the brute have got himself decently caught on the opposite bank, or shot in the water?

"It's worse than Edwin Drood," said Bailey.

Over the river, too, things had become an absolute blank. All seven men had gone down stream again, probably to get the boat and follow across. Bailey listened and waited. There was silence. "Surely it's not over like this," said Bailey.

Five minutes passed—ten minutes. Then a tug with two barges went up stream. The attitudes of the men upon these were the attitudes of those who see nothing remarkable in earth, water, or sky. Clearly the whole affair had passed out of sight of the river. Probably the hunt had gone into the beech woods behind the house.

"Confound it!" said Bailey. "To be continued again, and no chance this time of the sequel. But this is hard on a sick man." He heard a step on the staircase behind him and looking round saw the door open. Mrs Green came in and sat down, panting. She still had her bonnet on, her purse in her hand, and her little brown basket upon her arm. "Oh, there!" she said, and left Bailey to imagine the rest.

"Have a little whisky and water, Mrs Green, and tell me about it," said Bailey.

Sipping a little, the lady began to recover her powers of explanation.

One of those black creatures at the Fitzgibbon's had gone mad, and was running about with a big knife, stabbing people. He had killed a groom, and stabbed the under-butler, and almost cut the arm off a boating gentleman.

"Running amuck with a krees," said Bailey. "I thought that was it."

And he was hiding in the wood when she came through it from the town.

"What! Did he run after you?" asked Bailey, with a certain touch of glee in his voice. "No, that was the horrible part of it," Mrs Green explained. She had been right through the woods and had never known he was there. It was only when she met young Mr Fitzgibbon carrying his gun in the shrubbery that she heard anything about it. Apparently, what upset Mrs Green was the lost opportunity for emotion. She was determined, however, to make the most of what was left her.

"To think he was there all the time!" she said, over and over again.

Bailey endured this patiently enough for perhaps ten minutes. At last he thought it advisable to assert himself. "It's twenty past one, Mrs Green," he said. "Don't you think it time you got me something to eat?"

This brought Mrs Green suddenly to her knees.

"Oh Lord, sir!" she said. "Oh! don't go making me go out of this room, sir, till I know he's caught. He might have got into the house, sir. He might be creeping, creeping, with that knife of his, along the passage this very———"

She broke off suddenly and glared over him at the window. Her lower jaw dropped. Bailey turned his head sharply.

For the space of half a second things seemed just as they were. There was the tree, the balcony, the shining river, the distant church tower. Then he noticed that the acacia was displaced about a foot to the right, and that it was quivering, and the leaves were rustling. The tree was shaken violently, and a heavy panting was audible.

In another moment a hairy brown hand had appeared and clutched the balcony railings, and in another the face of the Malay was peering through these at the man on the couch. His expression was an unpleasant grin, by reason of the krees he held between his teeth, and he was bleeding from an ugly wound in his cheek. His hair wet to drying stuck out like horns from his head. His body was bare save for the wet trousers that clung to him. Bailey's first impulse was to spring from the couch, but his legs reminded him that this was impossible.

By means of the balcony and tree the man slowly raised himself until he was visible to Mrs Green. With a choking cry she made for the door and fumbled with the handle.

Bailey thought swiftly and clutched a medicine bottle in either hand. One he flung, and it smashed against the acacia. Silently and deliberately, and keeping his bright eyes fixed on Bailey, the Malay clambered into the balcony. Bailey, still clutching his second bottle, but with a sickening, sinking feeling about his heart, watched first one leg come over the railing and then the other.

It was Bailey's impression that the Malay took about an hour to get his second leg over the rail. The period that elapsed before the sitting position was changed to a standing one seemed enormous—days, weeks, possibly a year or so. Yet Bailey had no clear impression of anything going on in his mind during that vast period, except a vague wonder at his inability to throw the second medicine bottle. Suddenly the Malay glanced over his shoulder. There was the crack of a rifle. He flung up his arms and came down upon the couch. Mrs Green began a dismal shriek that seemed likely to last until Doomsday. Bailey stared at the brown body with its shoulder blade driven in, that writhed painfully across his legs and rapidly staining and soaking the spotless bandages. Then he looked at the long krees, with the reddish streaks upon its blade, that lay an inch beyond the trembling brown fingers upon the floor. Then at Mrs Green, who had backed hard against the door and was staring at the body and shrieking in gusty outbursts as if she would wake the dead. And then the body was shaken by one last convulsive effort. The Malay gripped the krees, tried to raise himself with his left hand, and collapsed. Then he raised his head, stared for a moment at Mrs Green, and twisting his face round looked at Bailey. With a gasping groan the dying man succeeded in clutching the bed clothes with his disabled hand, and by a violent effort, which hurt Bailey's legs exceedingly, writhed sideways towards what must be his last victim. Then something seemed released in Bailey's mind and he brought down the second bottle with all his strength on to the Malay's face. The krees fell heavily upon the floor.

"Easy with those legs," said Bailey, as young Fitzgibbon and one of the boating party lifted the body off him.

Young Fitzgibbon was very white in the face. "I didn't mean to kill him," he said.

"It's just as well," said Bailey.