Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
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Friday, December 4, 2015
Not Wanted by Anton Chekhov
BETWEEN six and seven o'clock on a July evening, a crowd of summer visitors -- mostly fathers of families -- burdened with parcels, portfolios, and ladies' hat-boxes, was trailing along from the little station of Helkovo, in the direction of the summer villas. They all looked exhausted, hungry, and ill-humoured, as though the sun were not shining and the grass were not green for them.
Trudging along among the others was Pavel Matveyitch Zaikin, a member of the Circuit Court, a tall, stooping man, in a cheap cotton dust-coat and with a cockade on his faded cap. He was perspiring, red in the face, and gloomy. . . .
"Do you come out to your holiday home every day?" said a summer visitor, in ginger-coloured trousers, addressing him.
"No, not every day," Zaikin answered sullenly. "My wife and son are staying here all the while, and I come down two or three times a week. I haven't time to come every day; besides, it is expensive."
"You're right there; it is expensive," sighed he of the ginger trousers. "In town you can't walk to the station, you have to take a cab; and then, the ticket costs forty-two kopecks; you buy a paper for the journey; one is tempted to drink a glass of vodka. It's all petty expenditure not worth considering, but, mind you, in the course of the summer it will run up to some two hundred roubles. Of course, to be in the lap of Nature is worth any money -- I don't dispute it . . . idyllic and all the rest of it; but of course, with the salary an official gets, as you know yourself, every farthing has to be considered. If you waste a halfpenny you lie awake all night. . . . Yes. . . I receive, my dear sir -- I haven't the honour of knowing your name -- I receive a salary of very nearly two thousand roubles a year. I am a civil councillor, I smoke second-rate tobacco, and I haven't a rouble to spare to buy Vichy water, prescribed me by the doctor for gall-stones."
"It's altogether abominable," said Zaikin after a brief silence. "I maintain, sir, that summer holidays are the invention of the devil and of woman. The devil was actuated in the present instance by malice, woman by excessive frivolity. Mercy on us, it is not life at all; it is hard labour, it is hell! It's hot and stifling, you can hardly breathe, and you wander about like a lost soul and can find no refuge. In town there is no furniture, no servants. . . everything has been carried off to the villa: you eat what you can get; you go without your tea because there is no one to heat the samovar; you can't wash yourself; and when you come down here into this 'lap of Nature' you have to walk, if you please, through the dust and heat. . . . Phew! Are you married?"
"Yes. . . three children," sighs Ginger Trousers.
"It's abominable altogether. . . . It's a wonder we are still alive."
At last the summer visitors reached their destination. Zaikin said good-bye to Ginger Trousers and went into his villa. He found a death-like silence in the house. He could hear nothing but the buzzing of the gnats, and the prayer for help of a fly destined for the dinner of a spider. The windows were hung with muslin curtains, through which the faded flowers of the geraniums showed red. On the unpainted wooden walls near the oleographs flies were slumbering. There was not a soul in the passage, the kitchen, or the dining-room. In the room which was called indifferently the parlour or the drawing-room, Zaikin found his son Petya, a little boy of six. Petya was sitting at the table, and breathing loudly with his lower lip stuck out, was engaged in cutting out the figure of a knave of diamonds from a card.
"Oh, that's you, father!" he said, without turning round. "Good-evening."
"Good-evening. . . . And where is mother?"
"Mother? She is gone with Olga Kirillovna to a rehearsal of the play. The day after tomorrow they will have a performance. And they will take me, too. . . . And will you go?"
"H'm! . . . When is she coming back?"
"She said she would be back in the evening."
"And where is Natalya?"
"Mamma took Natalya with her to help her dress for the performance, and Akulina has gone to the wood to get mushrooms. Father, why is it that when gnats bite you their stomachs get red?"
"I don't know. . . . Because they suck blood. So there is no one in the house, then?"
"No one; I am all alone in the house."
Zaikin sat down in an easy-chair, and for a moment gazed blankly at the window.
"Who is going to get our dinner?" he asked.
"They haven't cooked any dinner today, father. Mamma thought you were not coming today, and did not order any dinner. She is going to have dinner with Olga Kirillovna at the rehearsal."
"Oh, thank you very much; and you, what have you to eat?"
"I've had some milk. They bought me six kopecks' worth of milk. And, father, why do gnats suck blood?"
Zaikin suddenly felt as though something heavy were rolling down on his liver and beginning to gnaw it. He felt so vexed, so aggrieved, and so bitter, that he was choking and tremulous; he wanted to jump up, to bang something on the floor, and to burst into loud abuse; but then he remembered that his doctor had absolutely forbidden him all excitement, so he got up, and making an effort to control himself, began whistling a tune from "Les Huguenots."
"Father, can you act in plays?" he heard Petya's voice.
"Oh, don't worry me with stupid questions!" said Zaikin, getting angry. "He sticks to one like a leaf in the bath! Here you are, six years old, and just as silly as you were three years ago. . . . Stupid, neglected child! Why are you spoiling those cards, for instance? How dare you spoil them?"
"These cards aren't yours," said Petya, turning round. "Natalya gave them me."
"You are telling fibs, you are telling fibs, you horrid boy!" said Zaikin, growing more and more irritated. "You are always telling fibs! You want a whipping, you horrid little pig! I will pull your ears!
Petya leapt up, and craning his neck, stared fixedly at his father's red and wrathful face. His big eyes first began blinking, then were dimmed with moisture, and the boy's face began working.
"But why are you scolding?" squealed Petya. "Why do you attack me, you stupid? I am not interfering with anybody; I am not naughty; I do what I am told, and yet . . . you are cross! Why are you scolding me?"
The boy spoke with conviction, and wept so bitterly that Zaikin felt conscience-stricken.
"Yes, really, why am I falling foul of him?" he thought. "Come, come," he said, touching the boy on the shoulder. "I am sorry, Petya . . . forgive me. You are my good boy, my nice boy, I love you."
Petya wiped his eyes with his sleeve, sat down, with a sigh, in the same place and began cutting out the queen. Zaikin went off to his own room. He stretched himself on the sofa, and putting his hands behind his head, sank into thought. The boy's tears had softened his anger, and by degrees the oppression on his liver grew less. He felt nothing but exhaustion and hunger.
"Father," he heard on the other side of the door, "shall I show you my collection of insects?"
"Yes, show me."
Petya came into the study and handed his father a long green box. Before raising it to his ear Zaikin could hear a despairing buzz and the scratching of claws on the sides of the box. Opening the lid, he saw a number of butterflies, beetles, grasshoppers, and flies fastened to the bottom of the box with pins. All except two or three butterflies were still alive and moving.
"Why, the grasshopper is still alive!" said Petya in surprise. "I caught him yesterday morning, and he is still alive!"
"Who taught you to pin them in this way?"
"Olga Kirillovna."
"Olga Kirillovna ought to be pinned down like that herself!" said Zaikin with repulsion. "Take them away! It's shameful to torture animals."
"My God! How horribly he is being brought up!" he thought, as Petya went out.
Pavel Matveyitch forgot his exhaustion and hunger, and thought of nothing but his boy's future. Meanwhile, outside the light was gradually fading. . . . He could hear the summer visitors trooping back from the evening bathe. Some one was stopping near the open dining-room window and shouting: "Do you want any mushrooms?" And getting no answer, shuffled on with bare feet. . . . But at last, when the dusk was so thick that the outlines of the geraniums behind the muslin curtain were lost, and whiffs of the freshness of evening were coming in at the window, the door of the passage was thrown open noisily, and there came a sound of rapid footsteps, talk, and laughter. . . .
"Mamma!" shrieked Petya.
Zaikin peeped out of his study and saw his wife, Nadyezhda Stepanovna, healthy and rosy as ever; with her he saw Olga Kirillovna, a spare woman with fair hair and heavy freckles, and two unknown men: one a lanky young man with curly red hair and a big Adam's apple; the other, a short stubby man with a shaven face like an actor's and a bluish crooked chin.
"Natalya, set the samovar," cried Nadyezhda Stepanovna, with a loud rustle of her skirts. "I hear Pavel Matveyitch is come. Pavel, where are you? Good-evening, Pavel!" she said, running into the study breathlessly. "So you've come. I am so glad. . . . Two of our amateurs have come with me. . . . Come, I'll introduce you. . . . Here, the taller one is Koromyslov . . . he sings splendidly; and the other, the little one . . . is called Smerkalov: he is a real actor . . . he recites magnificently. Oh, how tired I am! We have just had a rehearsal. . . . It goes splendidly. We are acting 'The Lodger with the Trombone' and 'Waiting for Him.' . . . The performance is the day after tomorrow. . . ."
"Why did you bring them?" asked Zaikin.
"I couldn't help it, Poppet; after tea we must rehearse our parts and sing something. . . . I am to sing a duet with Koromyslov. . . . Oh, yes, I was almost forgetting! Darling, send Natalya to get some sardines, vodka, cheese, and something else. They will most likely stay to supper. . . . Oh, how tired I am!"
"H'm! I've no money."
"You must, Poppet! It would be awkward! Don't make me blush."
Half an hour later Natalya was sent for vodka and savouries; Zaikin, after drinking tea and eating a whole French loaf, went to his bedroom and lay down on the bed, while Nadyezhda Stepanovna and her visitors, with much noise and laughter, set to work to rehearse their parts. For a long time Pavel Matveyitch heard Koromyslov's nasal reciting and Smerkalov's theatrical exclamations. . . . The rehearsal was followed by a long conversation, interrupted by the shrill laughter of Olga Kirillovna. Smerkalov, as a real actor, explained the parts with aplomb and heat. . . .
Then followed the duet, and after the duet there was the clatter of crockery. . . . Through his drowsiness Zaikin heard them persuading Smerkalov to read "The Woman who was a Sinner," and heard him, after affecting to refuse, begin to recite. He hissed, beat himself on the breast, wept, laughed in a husky bass. . . . Zaikin scowled and hid his head under the quilt.
"It's a long way for you to go, and it's dark," he heard Nadyezhda Stepanovna's voice an hour later. "Why shouldn't you stay the night here? Koromyslov can sleep here in the drawing-room on the sofa, and you, Smerkalov, in Petya's bed. . . . I can put Petya in my husband's study. . . . Do stay, really!"
At last when the clock was striking two, all was hushed, the bedroom door opened, and Nadyezhda Stepanovna appeared.
"Pavel, are you asleep?" she whispered.
"No; why?"
"Go into your study, darling, and lie on the sofa. I am going to put Olga Kirillovna here, in your bed. Do go, dear! I would put her to sleep in the study, but she is afraid to sleep alone. . . . Do get up!"
Zaikin got up, threw on his dressing-gown, and taking his pillow, crept wearily to the study. . . . Feeling his way to his sofa, he lighted a match, and saw Petya lying on the sofa. The boy was not asleep, and, looking at the match with wide-open eyes:
"Father, why is it gnats don't go to sleep at night?" he asked.
"Because . . . because . . . you and I are not wanted. . . . We have nowhere to sleep even."
"Father, and why is it Olga Kirillovna has freckles on her face?"
"Oh, shut up! I am tired of you."
After a moment's thought, Zaikin dressed and went out into the street for a breath of air. . . . He looked at the grey morning sky, at the motionless clouds, heard the lazy call of the drowsy corncrake, and began dreaming of the next day, when he would go to town, and coming back from the court would tumble into bed. . . . Suddenly the figure of a man appeared round the corner.
"A watchman, no doubt," thought Zaikin. But going nearer and looking more closely he recognized in the figure the summer visitor in the ginger trousers.
"You're not asleep?" he asked.
"No, I can't sleep," sighed Ginger Trousers. "I am enjoying Nature. . . . A welcome visitor, my wife's mother, arrived by the night train, you know. She brought with her our nieces . . . splendid girls! I was delighted to see them, although . . . it's very damp! And you, too, are enjoying Nature?"
"Yes," grunted Zaikin, "I am enjoying it, too. . . . Do you know whether there is any sort of tavern or restaurant in the neighbourhood?"
Ginger Trousers raised his eyes to heaven and meditated profoundly.
The Chemist's Wife by Anton Chekhov
THE little town of B----, consisting of two or three crooked streets, was sound asleep. There was a complete stillness in the motionless air. Nothing could be heard but far away, outside the town no doubt, the barking of a dog in a thin, hoarse tenor. It was close upon daybreak.
Everything had long been asleep. The only person not asleep was the young wife of Tchernomordik, a qualified dispenser who kept a chemist's shop at B----. She had gone to bed and got up again three times, but could not sleep, she did not know why. She sat at the open window in her nightdress and looked into the street. She felt bored, depressed, vexed . . . so vexed that she felt quite inclined to cry -- again she did not know why. There seemed to be a lump in her chest that kept rising into her throat. . . . A few paces behind her Tchernomordik lay curled up close to the wall, snoring sweetly. A greedy flea was stabbing the bridge of his nose, but he did not feel it, and was positively smiling, for he was dreaming that every one in the town had a cough, and was buying from him the King of Denmark's cough-drops. He could not have been wakened now by pinpricks or by cannon or by caresses.
The chemist's shop was almost at the extreme end of the town, so that the chemist's wife could see far into the fields. She could see the eastern horizon growing pale by degrees, then turning crimson as though from a great fire. A big broad-faced moon peeped out unexpectedly from behind bushes in the distance. It was red (as a rule when the moon emerges from behind bushes it appears to be blushing).
Suddenly in the stillness of the night there came the sounds of footsteps and a jingle of spurs. She could hear voices.
"That must be the officers going home to the camp from the Police Captain's," thought the chemist's wife.
Soon afterwards two figures wearing officers' white tunics came into sight: one big and tall, the other thinner and shorter. . . . They slouched along by the fence, dragging one leg after the other and talking loudly together. As they passed the chemist's shop, they walked more slowly than ever, and glanced up at the windows.
"It smells like a chemist's," said the thin one. "And so it is! Ah, I remember. . . . I came here last week to buy some castor-oil. There's a chemist here with a sour face and the jawbone of an ass! Such a jawbone, my dear fellow! It must have been a jawbone like that Samson killed the Philistines with."
"M'yes," said the big one in a bass voice. "The pharmacist is asleep. And his wife is asleep too. She is a pretty woman, Obtyosov."
"I saw her. I liked her very much. . . . Tell me, doctor, can she possibly love that jawbone of an ass? Can she?"
"No, most likely she does not love him," sighed the doctor, speaking as though he were sorry for the chemist. "The little woman is asleep behind the window, Obtyosov, what? Tossing with the heat, her little mouth half open . . . and one little foot hanging out of bed. I bet that fool the chemist doesn't realise what a lucky fellow he is. . . . No doubt he sees no difference between a woman and a bottle of carbolic!"
"I say, doctor," said the officer, stopping. "Let us go into the shop and buy something. Perhaps we shall see her."
"What an idea -- in the night!"
"What of it? They are obliged to serve one even at night. My dear fellow, let us go in!"
"If you like. . . ."
The chemist's wife, hiding behind the curtain, heard a muffled ring. Looking round at her husband, who was smiling and snoring sweetly as before, she threw on her dress, slid her bare feet into her slippers, and ran to the shop.
On the other side of the glass door she could see two shadows. The chemist's wife turned up the lamp and hurried to the door to open it, and now she felt neither vexed nor bored nor inclined to cry, though her heart was thumping. The big doctor and the slender Obtyosov walked in. Now she could get a view of them. The doctor was corpulent and swarthy; he wore a beard and was slow in his movements. At the slightest motion his tunic seemed as though it would crack, and perspiration came on to his face. The officer was rosy, clean-shaven, feminine-looking, and as supple as an English whip.
"What may I give you? asked the chemist's wife, holding her dress across her bosom.
"Give us . . . er-er . . . four pennyworth of peppermint lozenges!"
Without haste the chemist's wife took down a jar from a shelf and began weighing out lozenges. The customers stared fixedly at her back; the doctor screwed up his eyes like a well-fed cat, while the lieutenant was very grave.
"It's the first time I've seen a lady serving in a chemist's shop," observed the doctor.
"There's nothing out of the way in it," replied the chemist's wife, looking out of the corner of her eye at the rosy-cheeked officer. "My husband has no assistant, and I always help him."
"To be sure. . . . You have a charming little shop! What a number of different . . . jars! And you are not afraid of moving about among the poisons? Brrr!"
The chemist's wife sealed up the parcel and handed it to the doctor. Obtyosov gave her the money. Half a minute of silence followed. . . . The men exchanged glances, took a step towards the door, then looked at one another again.
"Will you give me two pennyworth of soda?" said the doctor.
Again the chemist's wife slowly and languidly raised her hand to the shelf.
"Haven't you in the shop anything . . . such as . . ." muttered Obtyosov, moving his fingers, "something, so to say, allegorical . . . revivifying . . . seltzer-water, for instance. Have you any seltzer-water?"
"Yes," answered the chemist's wife.
"Bravo! You're a fairy, not a woman! Give us three bottles!"
The chemist's wife hurriedly sealed up the soda and vanished through the door into the darkness.
"A peach!" said the doctor, with a wink. "You wouldn't find a pineapple like that in the island of Madeira! Eh? What do you say? Do you hear the snoring, though? That's his worship the chemist enjoying sweet repose."
A minute later the chemist's wife came back and set five bottles on the counter. She had just been in the cellar, and so was flushed and rather excited.
"Sh-sh! . . . quietly!" said Obtyosov when, after uncorking the bottles, she dropped the corkscrew. "Don't make such a noise; you'll wake your husband."
"Well, what if I do wake him?"
"He is sleeping so sweetly . . . he must be dreaming of you. . . . To your health!"
"Besides," boomed the doctor, hiccupping after the seltzer-water, "husbands are such a dull business that it would be very nice of them to be always asleep. How good a drop of red wine would be in this water!"
"What an idea!" laughed the chemist's wife.
"That would be splendid. What a pity they don't sell spirits in chemist's shops! Though you ought to sell wine as a medicine. Have you any vinum gallicum rubrum?"
"Yes."
"Well, then, give us some! Bring it here, damn it!"
"How much do you want?"
"Quantum satis. . . . Give us an ounce each in the water, and afterwards we'll see. . . . Obtyosov, what do you say? First with water and afterwards per se. . . ."
The doctor and Obtyosov sat down to the counter, took off their caps, and began drinking the wine.
"The wine, one must admit, is wretched stuff! Vinum nastissimum! Though in the presence of . . . er . . . it tastes like nectar. You are enchanting, madam! In imagination I kiss your hand."
"I would give a great deal to do so not in imagination," said Obtyosov. "On my honour, I'd give my life."
"That's enough," said Madame Tchernomordik, flushing and assuming a serious expression.
"What a flirt you are, though!" the doctor laughed softly, looking slyly at her from under his brows. "Your eyes seem to be firing shot: piff-paff! I congratulate you: you've conquered! We are vanquished!"
The chemist's wife looked at their ruddy faces, listened to their chatter, and soon she, too, grew quite lively. Oh, she felt so gay! She entered into the conversation, she laughed, flirted, and even, after repeated requests from the customers, drank two ounces of wine.
"You officers ought to come in oftener from the camp," she said; "it's awful how dreary it is here. I'm simply dying of it."
"I should think so!" said the doctor indignantly. "Such a peach, a miracle of nature, thrown away in the wilds! How well Griboyedov said, 'Into the wilds, to Saratov'! It's time for us to be off, though. Delighted to have made your acquaintance . . . very. How much do we owe you?"
The chemist's wife raised her eyes to the ceiling and her lips moved for some time.
"Twelve roubles forty-eight kopecks," she said.
Obtyosov took out of his pocket a fat pocket-book, and after fumbling for some time among the notes, paid.
"Your husband's sleeping sweetly . . . he must be dreaming," he muttered, pressing her hand at parting.
"I don't like to hear silly remarks. . . ."
"What silly remarks? On the contrary, it's not silly at all . . . even Shakespeare said: 'Happy is he who in his youth is young.' "
"Let go of my hand."
At last after much talk and after kissing the lady's hand at parting, the customers went out of the shop irresolutely, as though they were wondering whether they had not forgotten something.
She ran quickly into the bedroom and sat down in the same place. She saw the doctor and the officer, on coming out of the shop, walk lazily away a distance of twenty paces; then they stopped and began whispering together. What about? Her heart throbbed, there was a pulsing in her temples, and why she did not know. . . . Her heart beat violently as though those two whispering outside were deciding her fate.
Five minutes later the doctor parted from Obtyosov and walked on, while Obtyosov came back. He walked past the shop once and a second time. . . . He would stop near the door and then take a few steps again. At last the bell tinkled discreetly.
"What? Who is there?" the chemist's wife heard her husband's voice suddenly. "There's a ring at the bell, and you don't hear it," he said severely. "Is that the way to do things?"
He got up, put on his dressing-gown, and staggering, half asleep, flopped in his slippers to the shop.
"What . . . is it?" he asked Obtyosov.
"Give me . . . give me four pennyworth of peppermint lozenges."
Sniffing continually, yawning, dropping asleep as he moved, and knocking his knees against the counter, the chemist went to the shelf and reached down the jar.
Two minutes later the chemist's wife saw Obtyosov go out of the shop, and, after he had gone some steps, she saw him throw the packet of peppermints on the dusty road. The doctor came from behind a corner to meet him. . . . They met and, gesticulating, vanished in the morning mist.
"How unhappy I am!" said the chemist's wife, looking angrily at her husband, who was undressing quickly to get into bed again. "Oh, how unhappy I am!" she repeated, suddenly melting into bitter tears. "And nobody knows, nobody knows. . . ."
"I forgot fourpence on the counter," muttered the chemist, pulling the quilt over him. "Put it away in the till, please. . . ."
And at once he fell asleep again.
Panic Fears by Anton Chekhov
DURING all the years I have been living in this world I have only three times been terrified.
The first real terror, which made my hair stand on end and made shivers run all over me, was caused by a trivial but strange phenomenon. It happened that, having nothing to do one July evening, I drove to the station for the newspapers. It was a still, warm, almost sultry evening, like all those monotonous evenings in July which, when once they have set in, go on for a week, a fortnight, or sometimes longer, in regular unbroken succession, and are suddenly cut short by a violent thunderstorm and a lavish downpour of rain that refreshes everything for a long time.
The sun had set some time before, and an unbroken gray dusk lay all over the land. The mawkishly sweet scents of the grass and flowers were heavy in the motionless, stagnant air.
I was driving in a rough trolley. Behind my back the gardener's son Pashka, a boy of eight years old, whom I had taken with me to look after the horse in case of necessity, was gently snoring, with his head on a sack of oats. Our way lay along a narrow by-road, straight as a ruler, which lay hid like a great snake in the tall thick rye. There was a pale light from the afterglow of sunset; a streak of light cut its way through a narrow, uncouth-looking cloud, which seemed sometimes like a boat and sometimes like a man wrapped in a quilt. . . .
I had driven a mile and a half, or two miles, when against the pale background of the evening glow there came into sight one after another some graceful tall poplars; a river glimmered beyond them, and a gorgeous picture suddenly, as though by magic, lay stretched before me. I had to stop the horse, for our straight road broke off abruptly and ran down a steep incline overgrown with bushes. We were standing on the hillside and beneath us at the bottom lay a huge hole full of twilight, of fantastic shapes, and of space. At the bottom of this hole, in a wide plain guarded by the poplars and caressed by the gleaming river, nestled a village. It was now sleeping. . . . Its huts, its church with the belfry, its trees, stood out against the gray twilight and were reflected darkly in the smooth surface of the river.
I waked Pashka for fear he should fall out and began cautiously going down.
"Have we got to Lukovo?" asked Pashka, lifting his head lazily.
"Yes. Hold the reins! . . ."
I led the horse down the hill and looked at the village. At the first glance one strange circumstance caught my attention: at the very top of the belfry, in the tiny window between the cupola and the bells, a light was twinkling. This light was like that of a smoldering lamp, at one moment dying down, at another flickering up. What could it come from?
Its source was beyond my comprehension. It could not be burning at the window, for there were neither ikons nor lamps in the top turret of the belfry; there was nothing there, as I knew, but beams, dust, and spiders' webs. It was hard to climb up into that turret, for the passage to it from the belfry was closely blocked up.
It was more likely than anything else to be the reflection of some outside light, but though I strained my eyes to the utmost, I could not see one other speck of light in the vast expanse that lay before me. There was no moon. The pale and, by now, quite dim streak of the afterglow could not have been reflected, for the window looked not to the west, but to the east. These and other similar considerations were straying through my mind all the while that I was going down the slope with the horse. At the bottom I sat down by the roadside and looked again at the light. As before it was glimmering and flaring up.
"Strange," I thought, lost in conjecture. "Very strange."
And little by little I was overcome by an unpleasant feeling. At first I thought that this was vexation at not being able to explain a simple phenomenon; but afterwards, when I suddenly turned away from the light in horror and caught hold of Pashka with one hand, it became clear that I was overcome with terror. . . .
I was seized with a feeling of loneliness, misery, and horror, as though I had been flung down against my will into this great hole full of shadows, where I was standing all alone with the belfry looking at me with its red eye.
"Pashka!" I cried, closing my eyes in horror.
"Well?"
"Pashka, what's that gleaming on the belfry?"
Pashka looked over my shoulder at the belfry and gave a yawn.
"Who can tell?"
This brief conversation with the boy reassured me for a little, but not for long. Pashka, seeing my uneasiness, fastened his big eyes upon the light, looked at me again, then again at the light. . . .
"I am frightened," he whispered.
At this point, beside myself with terror, I clutched the boy with one hand, huddled up to him, and gave the horse a violent lash.
"It's stupid!" I said to myself. "That phenomenon is only terrible because I don't understand it; everything we don't understand is mysterious."
I tried to persuade myself, but at the same time I did not leave off lashing the horse. When we reached the posting station I purposely stayed for a full hour chatting with the overseer, and read through two or three newspapers, but the feeling of uneasiness did not leave me. On the way back the light was not to be seen, but on the other hand the silhouettes of the huts, of the poplars, and of the hill up which I had to drive, seemed to me as though animated. And why the light was there I don't know to this day.
The second terror I experienced was excited by a circumstance no less trivial. . . . I was returning from a romantic interview. It was one o'clock at night, the time when nature is buried in the soundest, sweetest sleep before the dawn. That time nature was not sleeping, and one could not call the night a still one. Corncrakes, quails, nightingales, and woodcocks were calling, crickets and grasshoppers were chirruping. There was a light mist over the grass, and clouds were scurrying straight ahead across the sky near the moon. Nature was awake, as though afraid of missing the best moments of her life.
I walked along a narrow path at the very edge of a railway embankment. The moonlight glided over the lines which were already covered with dew. Great shadows from the clouds kept flitting over the embankment. Far ahead, a dim green light was glimmering peacefully.
"So everything is well," I thought, looking at them.
I had a quiet, peaceful, comfortable feeling in my heart. I was returning from a tryst, I had no need to hurry; I was not sleepy, and I was conscious of youth and health in every sigh, every step I took, rousing a dull echo in the monotonous hum of the night. I don't know what I was feeling then, but I remember I was happy, very happy.
I had gone not more than three-quarters of a mile when I suddenly heard behind me a monotonous sound, a rumbling, rather like the roar of a great stream. It grew louder and louder every second, and sounded nearer and nearer. I looked round; a hundred paces from me was the dark copse from which I had only just come; there the embankment turned to the right in a graceful curve and vanished among the trees. I stood still in perplexity and waited. A huge black body appeared at once at the turn, noisily darted towards me, and with the swiftness of a bird flew past me along the rails. Less than half a minute passed and the blur had vanished, the rumble melted away into the noise of the night.
It was an ordinary goods truck. There was nothing peculiar about it in itself, but its appearance without an engine and in the night puzzled me. Where could it have come from and what force sent it flying so rapidly along the rails? Where did it come from and where was it flying to?
If I had been superstitious I should have made up my mind it was a party of demons and witches journeying to a devils' sabbath, and should have gone on my way; but as it was, the phenomenon was absolutely inexplicable to me. I did not believe my eyes, and was entangled in conjectures like a fly in a spider's web. . . .
I suddenly realized that I was utterly alone on the whole vast plain; that the night, which by now seemed inhospitable, was peeping into my face and dogging my footsteps; all the sounds, the cries of the birds, the whisperings of the trees, seemed sinister, and existing simply to alarm my imagination. I dashed on like a madman, and without realizing what I was doing I ran, trying to run faster and faster. And at once I heard something to which I had paid no attention before: that is, the plaintive whining of the telegraph wires.
"This is beyond everything," I said, trying to shame myself. "It's cowardice! it's silly!"
But cowardice was stronger than common sense. I only slackened my pace when I reached the green light, where I saw a dark signal-box, and near it on the embankment the figure of a man, probably the signalman.
"Did you see it?" I asked breathlessly.
"See whom? What?"
"Why, a truck ran by."
"I saw it, . . ." the peasant said reluctantly. "It broke away from the goods train. There is an incline at the ninetieth mile . . .; the train is dragged uphill. The coupling on the last truck gave way, so it broke off and ran back. . . . There is no catching it now! . . ."
The strange phenomenon was explained and its fantastic character vanished. My panic was over and I was able to go on my way.
My third fright came upon me as I was going home from stand shooting in early spring. It was in the dusk of evening. The forest road was covered with pools from a recent shower of rain, and the earth squelched under one's feet. The crimson glow of sunset flooded the whole forest, coloring the white stems of the birches and the young leaves. I was exhausted and could hardly move.
Four or five miles from home, walking along the forest road, I suddenly met a big black dog of the water spaniel breed. As he ran by, the dog looked intently at me, straight in my face, and ran on.
"A nice dog!" I thought. "Whose is it?"
I looked round. The dog was standing ten paces off with his eyes fixed on me. For a minute we scanned each other in silence, then the dog, probably flattered by my attention, came slowly up to me and wagged his tail.
I walked on, the dog following me.
"Whose dog can it be?" I kept asking myself. "Where does he come from?"
I knew all the country gentry for twenty or thirty miles round, and knew all their dogs. Not one of them had a spaniel like that. How did he come to be in the depths of the forest, on a track used for nothing but carting timber? He could hardly have dropped behind someone passing through, for there was nowhere for the gentry to drive to along that road.
I sat down on a stump to rest, and began scrutinizing my companion. He, too, sat down, raised his head, and fastened upon me an intent stare. He gazed at me without blinking. I don't know whether it was the influence of the stillness, the shadows and sounds of the forest, or perhaps a result of exhaustion, but I suddenly felt uneasy under the steady gaze of his ordinary doggy eyes. I thought of Faust and his bulldog, and of the fact that nervous people sometimes when exhausted have hallucinations. That was enough to make me get up hurriedly and hurriedly walk on. The dog followed me.
"Go away!" I shouted.
The dog probably liked my voice, for he gave a gleeful jump and ran about in front of me.
"Go away!" I shouted again.
The dog looked round, stared at me intently, and wagged his tail good-humoredly. Evidently my threatening tone amused him. I ought to have patted him, but I could not get Faust's dog out of my head, and the feeling of panic grew more and more acute. . . Darkness was coming on, which completed my confusion, and every time the dog ran up to me and hit me with his tail, like a coward I shut my eyes. The same thing happened as with the light in the belfry and the truck on the railway: I could not stand it and rushed away.
At home I found a visitor, an old friend, who, after greeting me, began to complain that as he was driving to me he had lost his way in the forest, and a splendid valuable dog of his had dropped behind.
At a Summer Villa by Anton Chekhov
"I LOVE YOU. You are my life, my happiness -- everything to me! Forgive the avowal, but I have not the strength to suffer and be silent. I ask not for love in return, but for sympathy. Be at the old arbour at eight o'clock this evening. . . . To sign my name is unnecessary I think, but do not be uneasy at my being anonymous. I am young, nice-looking . . . what more do you want?"
When Pavel Ivanitch Vyhodtsev, a practical married man who was spending his holidays at a summer villa, read this letter, he shrugged his shoulders and scratched his forehead in perplexity.
"What devilry is this?" he thought. "I'm a married man, and to send me such a queer . . . silly letter! Who wrote it?"
Pavel Ivanitch turned the letter over and over before his eyes, read it through again, and spat with disgust.
" 'I love you' " . . . he said jeeringly. "A nice boy she has pitched on! So I'm to run off to meet you in the arbour! . . . I got over all such romances and fleurs d'amour years ago, my girl. . . . Hm! She must be some reckless, immoral creature. . . . Well, these women are a set! What a whirligig -- God forgive us! -- she must be to write a letter like that to a stranger, and a married man, too! It's real demoralisation!"
In the course of his eight years of married life Pavel Ivanitch had completely got over all sentimental feeling, and he had received no letters from ladies except letters of congratulation, and so, although he tried to carry it off with disdain, the letter quoted above greatly intrigued and agitated him.
An hour after receiving it, he was lying on his sofa, thinking:
"Of course I am not a silly boy, and I am not going to rush off to this idiotic rendezvous; but yet it would be interesting to know who wrote it! Hm. . . . It is certainly a woman's writing. . . . The letter is written with genuine feeling, and so it can hardly be a joke. . . . Most likely it's some neurotic girl, or perhaps a widow . . . widows are frivolous and eccentric as a rule. Hm. . . . Who could it be?"
What made it the more difficult to decide the question was that Pavel Ivanitch had not one feminine acquaintance among all the summer visitors, except his wife.
"It is queer . . ." he mused. " 'I love you!'. . . When did she manage to fall in love? Amazing woman! To fall in love like this, apropos of nothing, without making any acquaintance and finding out what sort of man I am. . . . She must be extremely young and romantic if she is capable of falling in love after two or three looks at me. . . . But . . . who is she?"
Pavel Ivanitch suddenly recalled that when he had been walking among the summer villas the day before, and the day before that, he had several times been met by a fair young lady with a light blue hat and a turn-up nose. The fair charmer had kept looking at him, and when he sat down on a seat she had sat down beside him. . . .
"Can it be she?" Vyhodtsev wondered. "It can't be! Could a delicate ephemeral creature like that fall in love with a worn-out old eel like me? No, it's impossible!"
At dinner Pavel Ivanitch looked blankly at his wife while he meditated:
"She writes that she is young and nice-looking. . . . So she's not old. . . . Hm. . . . To tell the truth, honestly I am not so old and plain that no one could fall in love with me. My wife loves me! Besides, love is blind, we all know. . . ."
"What are you thinking about?" his wife asked him.
"Oh. . . my head aches a little. . ." Pavel Ivanitch said, quite untruly.
He made up his mind that it was stupid to pay attention to such a nonsensical thing as a love-letter, and laughed at it and at its authoress, but -- alas! -- powerful is the "dacha"enemy of mankind! After dinner, Pavel Ivanitch lay down on his bed, and instead of going to sleep, reflected:
"But there, I daresay she is expecting me to come! What a silly! I can just imagine what a nervous fidget she'll be in and how her tournure will quiver when she does not find me in the arbour! I shan't go, though. . . . Bother her!"
But, I repeat, powerful is the enemy of mankind.
"Though I might, perhaps, just out of curiosity. . ." he was musing, half an hour later. "I might go and look from a distance what sort of a creature she is. . . . It would be interesting to have a look at her! It would be fun, and that's all! After all, why shouldn't I have a little fun since such a chance has turned up?"
Pavel Ivanitch got up from his bed and began dressing. "What are you getting yourself up so smartly for?" his wife asked, noticing that he was putting on a clean shirt and a fashionable tie.
"Oh, nothing. . . . I must have a walk. . . . My head aches. . . . Hm."
Pavel Ivanitch dressed in his best, and waiting till eight o'clock, went out of the house. When the figures of gaily dressed summer visitors of both sexes began passing before his eyes against the bright green background, his heart throbbed.
"Which of them is it? . . ." he wondered, advancing irresolutely. "Come, what am I afraid of? Why, I am not going to the rendezvous! What . . . a fool! Go forward boldly! And what if I go into the arbour? Well, well . . . there is no reason I should."
Pavel Ivanitch's heart beat still more violently. . . . Involuntarily, with no desire to do so, he suddenly pictured to himself the half-darkness of the arbour. . . . A graceful fair girl with a little blue hat and a turn-up nose rose before his imagination. He saw her, abashed by her love and trembling all over, timidly approach him, breathing excitedly, and . . . suddenly clasping him in her arms.
"If I weren't married it would be all right . . ." he mused, driving sinful ideas out of his head. "Though . . . for once in my life, it would do no harm to have the experience, or else one will die without knowing what. . . . And my wife, what will it matter to her? Thank God, for eight years I've never moved one step away from her. . . . Eight years of irreproachable duty! Enough of her. . . . It's positively vexatious. . . . I'm ready to go to spite her!"
Trembling all over and holding his breath, Pavel Ivanitch went up to the arbour, wreathed with ivy and wild vine, and peeped into it. . . . A smell of dampness and mildew reached him. . . .
"I believe there's nobody . . ." he thought, going into the arbour, and at once saw a human silhouette in the corner.
The silhouette was that of a man. . . . Looking more closely, Pavel Ivanitch recognised his wife's brother, Mitya, a student, who was staying with them at the villa.
"Oh, it's you . . ." he growled discontentedly, as he took off his hat and sat down.
"Yes, it's I" . . . answered Mitya.
Two minutes passed in silence.
"Excuse me, Pavel Ivanitch," began Mitya: "but might I ask you to leave me alone?? . . . I am thinking over the dissertation for my degree and. . . and the presence of anybody else prevents my thinking."
"You had better go somewhere in a dark avenue. . ." Pavel Ivanitch observed mildly. "It's easier to think in the open air, and, besides, . . . er . . . I should like to have a little sleep here on this seat. . . It's not so hot here. . . ."
"You want to sleep, but it's a question of my dissertation . . ." Mitya grumbled. "The dissertation is more important."
Again there was a silence. Pavel Ivanitch, who had given the rein to his imagination and was continually hearing footsteps, suddenly leaped up and said in a plaintive voice:
"Come, I beg you, Mitya! You are younger and ought to consider me. . . . I am unwell and . . . I need sleep. . . . Go away!"
"That's egoism. . . . Why must you be here and not I? I won't go as a matter of principle."
"Come, I ask you to! Suppose I am an egoist, a despot and a fool . . . but I ask you to go! For once in my life I ask you a favour! Show some consideration!"
Mitya shook his head.
"What a beast! . . ." thought Pavel Ivanitch. "That can't be a rendezvous with him here! It's impossible with him here!"
"I say, Mitya," he said, "I ask you for the last time. . . . Show that you are a sensible, humane, and cultivated man!"
"I don't know why you keep on so!" . . . said Mitya, shrugging his shoulders. "I've said I won't go, and I won't. I shall stay here as a matter of principle. . . ."
At that moment a woman's face with a turn-up nose peeped into the arbour. . . .
Seeing Mitya and Pavel Ivanitch, it frowned and vanished.
"She is gone!" thought Pavel Ivanitch, looking angrily at Mitya. "She saw that blackguard and fled! It's all spoilt!"
After waiting a little longer, he got up, put on his hat and said:
"You're a beast, a low brute and a blackguard! Yes! A beast! It's mean . . . and silly! Everything is at an end between us!"
"Delighted to hear it!" muttered Mitya, also getting up and putting on his hat. "Let me tell you that by being here just now you've played me such a dirty trick that I'll never forgive you as long as I live."
Pavel Ivanitch went out of the arbour, and beside himself with rage, strode rapidly to his villa. Even the sight of the table laid for supper did not soothe him.
"Once in a lifetime such a chance has turned up," he thought in agitation; "and then it's been prevented! Now she is offended . . . crushed!"
At supper Pavel Ivanitch and Mitya kept their eyes on their plates and maintained a sullen silence. . . . They were hating each other from the bottom of their hearts.
"What are you smiling at?" asked Pavel Ivanitch, pouncing on his wife. "It's only silly fools who laugh for nothing!"
His wife looked at her husband's angry face, and went off into a peal of laughter.
"What was that letter you got this morning?" she asked.
"I? . . . I didn't get one. . . ." Pavel Ivanitch was overcome with confusion. "You are inventing. . . imagination."
"Oh, come, tell us! Own up, you did! Why, it was I sent you that letter! Honour bright, I did! Ha ha!"
Pavel Ivanitch turned crimson and bent over his plate. "Silly jokes," he growled.
"But what could I do? Tell me that. . . . We had to scrub the rooms out this evening, and how could we get you out of the house? There was no other way of getting you out. . . . But don't be angry, stupid. . . . I didn't want you to be dull in the arbour, so I sent the same letter to Mitya too! Mitya, have you been to the arbour?"
Mitya grinned and left off glaring with hatred at his rival.
A Day in the Country by Anton Chekhov
BETWEEN eight and nine o'clock in the morning.
A dark leaden-coloured mass is creeping over the sky towards the sun. Red zigzags of lightning gleam here and there across it. There is a sound of far-away rumbling. A warm wind frolics over the grass, bends the trees, and stirs up the dust. In a minute there will be a spurt of May rain and a real storm will begin.
Fyokla, a little beggar-girl of six, is running through the village, looking for Terenty the cobbler. The white-haired, barefoot child is pale. Her eyes are wide-open, her lips are trembling.
"Uncle, where is Terenty?" she asks every one she meets. No one answers. They are all preoccupied with the approaching storm and take refuge in their huts. At last she meets Silanty Silitch, the sacristan, Terenty's bosom friend. He is coming along, staggering from the wind.
"Uncle, where is Terenty?"
"At the kitchen-gardens," answers Silanty.
The beggar-girl runs behind the huts to the kitchen-gardens and there finds Terenty; the tall old man with a thin, pock-marked face, very long legs, and bare feet, dressed in a woman's tattered jacket, is standing near the vegetable plots, looking with drowsy, drunken eyes at the dark storm-cloud. On his long crane-like legs he sways in the wind like a starling-cote.
"Uncle Terenty!" the white-headed beggar-girl addresses him. "Uncle, darling!"
Terenty bends down to Fyokla, and his grim, drunken face is overspread with a smile, such as come into people's faces when they look at something little, foolish, and absurd, but warmly loved.
"Ah! servant of God, Fyokia," he says, lisping tenderly, "where have you come from?"
"Uncle Terenty," says Fyokia, with a sob, tugging at the lapel of the cobbler's coat. "Brother Danilka has had an accident! Come along!"
"What sort of accident? Ough, what thunder! Holy, holy, holy. . . . What sort of accident?"
"In the count's copse Danilka stuck his hand into a hole in a tree, and he can't get it out. Come along, uncle, do be kind and pull his hand out!"
"How was it he put his hand in? What for?"
"He wanted to get a cuckoo's egg out of the hole for me."
"The day has hardly begun and already you are in trouble. . . ." Terenty shook his head and spat deliberately. "Well, what am I to do with you now? I must come . . . I must, may the wolf gobble you up, you naughty children! Come, little orphan!"
Terenty comes out of the kitchen-garden and, lifting high his long legs, begins striding down the village street. He walks quickly without stopping or looking from side to side, as though he were shoved from behind or afraid of pursuit. Fyokla can hardly keep up with him.
They come out of the village and turn along the dusty road towards the count's copse that lies dark blue in the distance. It is about a mile and a half away. The clouds have by now covered the sun, and soon afterwards there is not a speck of blue left in the sky. It grows dark.
"Holy, holy, holy . . ." whispers Fyokla, hurrying after Terenty. The first rain-drops, big and heavy, lie, dark dots on the dusty road. A big drop falls on Fyokla's cheek and glides like a tear down her chin.
"The rain has begun," mutters the cobbler, kicking up the dust with his bare, bony feet. "That's fine, Fyokla, old girl. The grass and the trees are fed by the rain, as we are by bread. And as for the thunder, don't you be frightened, little orphan. Why should it kill a little thing like you?"
As soon as the rain begins, the wind drops. The only sound is the patter of rain dropping like fine shot on the young rye and the parched road.
"We shall get soaked, Fyolka," mutters Terenty. "There won't be a dry spot left on us. . . . Ho-ho, my girl! It's run down my neck! But don't be frightened, silly. . . . The grass will be dry again, the earth will be dry again, and we shall be dry again. There is the same sun for us all."
A flash of lightning, some fourteen feet long, gleams above their heads. There is a loud peal of thunder, and it seems to Fyokla that something big, heavy, and round is rolling over the sky and tearing it open, exactly over her head.
"Holy, holy, holy . . ." says Terenty, crossing himself. "Don't be afraid, little orphan! It is not from spite that it thunders."
Terenty's and Fyokla's feet are covered with lumps of heavy, wet clay. It is slippery and difficult to walk, but Terenty strides on more and more rapidly. The weak little beggar-girl is breathless and ready to drop.
But at last they go into the count's copse. The washed trees, stirred by a gust of wind, drop a perfect waterfall upon them. Terenty stumbles over stumps and begins to slacken his pace.
"Whereabouts is Danilka?" he asks. "Lead me to him."
Fyokla leads him into a thicket, and, after going a quarter of a mile, points to Danilka. Her brother, a little fellow of eight, with hair as red as ochre and a pale sickly face, stands leaning against a tree, and, with his head on one side, looking sideways at the sky. In one hand he holds his shabby old cap, the other is hidden in an old lime tree. The boy is gazing at the stormy sky, and apparently not thinking of his trouble. Hearing footsteps and seeing the cobbler he gives a sickly smile and says:
"A terrible lot of thunder, Terenty. . . . I've never heard so much thunder in all my life."
"And where is your hand?"
"In the hole. . . . Pull it out, please, Terenty!"
The wood had broken at the edge of the hole and jammed Danilka's hand: he could push it farther in, but could not pull it out. Terenty snaps off the broken piece, and the boy's hand, red and crushed, is released.
"It's terrible how it's thundering," the boy says again, rubbing his hand. "What makes it thunder, Terenty?"
"One cloud runs against the other," answers the cobbler. The party come out of the copse, and walk along the edge of it towards the darkened road. The thunder gradually abates, and its rumbling is heard far away beyond the village.
"The ducks flew by here the other day, Terenty," says Danilka, still rubbing his hand. "They must be nesting in the Gniliya Zaimishtcha marshes. . . . Fyolka, would you like me to show you a nightingale's nest?"
"Don't touch it, you might disturb them," says Terenty, wringing the water out of his cap. "The nightingale is a singing-bird, without sin. He has had a voice given him in his throat, to praise God and gladden the heart of man. It's a sin to disturb him."
"What about the sparrow?"
"The sparrow doesn't matter, he's a bad, spiteful bird. He is like a pickpocket in his ways. He doesn't like man to be happy. When Christ was crucified it was the sparrow brought nails to the Jews, and called 'alive! alive!' "
A bright patch of blue appears in the sky.
"Look!" says Terenty. "An ant-heap burst open by the rain! They've been flooded, the rogues!"
They bend over the ant-heap. The downpour has damaged it; the insects are scurrying to and fro in the mud, agitated, and busily trying to carry away their drowned companions.
"You needn't be in such a taking, you won't die of it!" says Terenty, grinning. "As soon as the sun warms you, you'll come to your senses again. . . . It's a lesson to you, you stupids. You won't settle on low ground another time."
They go on.
"And here are some bees," cries Danilka, pointing to the branch of a young oak tree.
The drenched and chilled bees are huddled together on the branch. There are so many of them that neither bark nor leaf can be seen. Many of them are settled on one another.
"That's a swarm of bees," Terenty informs them. "They were flying looking for a home, and when the rain came down upon them they settled. If a swarm is flying, you need only sprinkle water on them to make them settle. Now if, say, you wanted to take the swarm, you would bend the branch with them into a sack and shake it, and they all fall in."
Little Fyokla suddenly frowns and rubs her neck vigorously. Her brother looks at her neck, and sees a big swelling on it.
"Hey-hey!" laughs the cobbler. "Do you know where you got that from, Fyokia, old girl? There are Spanish flies on some tree in the wood. The rain has trickled off them, and a drop has fallen on your neck -- that's what has made the swelling."
The sun appears from behind the clouds and floods the wood, the fields, and the three friends with its warm light. The dark menacing cloud has gone far away and taken the storm with it. The air is warm and fragrant. There is a scent of bird-cherry, meadowsweet, and lilies-of-the-valley.
"That herb is given when your nose bleeds," says Terenty, pointing to a woolly-looking flower. "It does good."
They hear a whistle and a rumble, but not such a rumble as the storm-clouds carried away. A goods train races by before the eyes of Terenty, Danilka, and Fyokla. The engine, panting and puffing out black smoke, drags more than twenty vans after it. Its power is tremendous. The children are interested to know how an engine, not alive and without the help of horses, can move and drag such weights, and Terenty undertakes to explain it to them:
"It's all the steam's doing, children. . . . The steam does the work. . . . You see, it shoves under that thing near the wheels, and it . . . you see . . . it works. . . ."
They cross the railway line, and, going down from the embankment, walk towards the river. They walk not with any object, but just at random, and talk all the way. . . . Danilka asks questions, Terenty answers them. . . .
Terenty answers all his questions, and there is no secret in Nature which baffles him. He knows everything. Thus, for example, he knows the names of all the wild flowers, animals, and stones. He knows what herbs cure diseases, he has no difficulty in telling the age of a horse or a cow. Looking at the sunset, at the moon, or the birds, he can tell what sort of weather it will be next day. And indeed, it is not only Terenty who is so wise. Silanty Silitch, the innkeeper, the market-gardener, the shepherd, and all the villagers, generally speaking, know as much as he does. These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.
Danilka looks at Terenty and greedily drinks in every word. In spring, before one is weary of the warmth and the monotonous green of the fields, when everything is fresh and full of fragrance, who would not want to hear about the golden may-beetles, about the cranes, about the gurgling streams, and the corn mounting into ear?
The two of them, the cobbler and the orphan, walk about the fields, talk unceasingly, and are not weary. They could wander about the world endlessly. They walk, and in their talk of the beauty of the earth do not notice the frail little beggar-girl tripping after them. She is breathless and moves with a lagging step. There are tears in her eyes; she would be glad to stop these inexhaustible wanderers, but to whom and where can she go? She has no home or people of her own; whether she likes it or not, she must walk and listen to their talk.
Towards midday, all three sit down on the river bank. Danilka takes out of his bag a piece of bread, soaked and reduced to a mash, and they begin to eat. Terenty says a prayer when he has eaten the bread, then stretches himself on the sandy bank and falls asleep. While he is asleep, the boy gazes at the water, pondering. He has many different things to think of. He has just seen the storm, the bees, the ants, the train. Now, before his eyes, fishes are whisking about. Some are two inches long and more, others are no bigger than one's nail. A viper, with its head held high, is swimming from one bank to the other.
Only towards the evening our wanderers return to the village. The children go for the night to a deserted barn, where the corn of the commune used to be kept, while Terenty, leaving them, goes to the tavern. The children lie huddled together on the straw, dozing.
The boy does not sleep. He gazes into the darkness, and it seems to him that he is seeing all that he has seen in the day: the storm-clouds, the bright sunshine, the birds, the fish, lanky Terenty. The number of his impressions, together with exhaustion and hunger, are too much for him; he is as hot as though he were on fire, and tosses from, side to side. He longs to tell someone all that is haunting him now in the darkness and agitating his soul, but there is no one to tell. Fyokla is too little and could not understand.
"I'll tell Terenty to-morrow," thinks the boy.
The children fall asleep thinking of the homeless cobbler, and, in the night, Terenty comes to them, makes the sign of the cross over them, and puts bread under their heads. And no one sees his love. It is seen only by the moon which floats in the sky and peeps caressingly through the holes in the wall of the deserted barn.
The Privy Councillor by Anton Chekhov
AT the beginning of April in 1870 my mother, Klavdia Arhipovna, the widow of a lieutenant, received from her brother Ivan, a privy councillor in Petersburg, a letter in which, among other things, this passage occurred: "My liver trouble forces me to spend every summer abroad, and as I have not at the moment the money in hand for a trip to Marienbad, it is very possible, dear sister, that I may spend this summer with you at Kotchuevko. . . ."
On reading the letter my mother turned pale and began trembling all over; then an expression of mingled tears and laughter came into her face. She began crying and laughing. This conflict of tears and laughter always reminds me of the flickering and spluttering of a brightly burning candle when one sprinkles it with water. Reading the letter once more, mother called together all the household, and in a voice broken with emotion began explaining to us that there had been four Gundasov brothers: one Gundasov had died as a baby; another had gone to the war, and he, too, was dead; the third, without offence to him be it said, was an actor; the fourth . . .
"The fourth has risen far above us," my mother brought out tearfully. "My own brother, we grew up together; and I am all of a tremble, all of a tremble! . . . A privy councillor with the rank of a general! How shall I meet him, my angel brother? What can I, a foolish, uneducated woman, talk to him about? It's fifteen years since I've seen him! Andryushenka," my mother turned to me, "you must rejoice, little stupid! It's a piece of luck for you that God is sending him to us!"
After we had heard a detailed history of the Gundasovs, there followed a fuss and bustle in the place such as I had been accustomed to see only before Christmas and Easter. The sky above and the water in the river were all that escaped; everything else was subjected to a merciless cleansing, scrubbing, painting. If the sky had been lower and smaller and the river had not flowed so swiftly, they would have scoured them, too, with bath-brick and rubbed them, too, with tow. Our walls were as white as snow, but they were whitewashed; the floors were bright and shining, but they were washed every day. The cat Bobtail (as a small child I had cut off a good quarter of his tail with the knife used for chopping the sugar, and that was why he was called Bobtail) was carried off to the kitchen and put in charge of Anisya; Fedka was told that if any of the dogs came near the front-door "God would punish him." But no one was so badly treated as the poor sofas, easy-chairs, and rugs! They had never, before been so violently beaten as on this occasion in preparation for our visitor. My pigeons took fright at the loud thud of the sticks, and were continually flying up into the sky.
The tailor Spiridon, the only tailor in the whole district who ventured to make for the gentry, came over from Novostroevka. He was a hard-working capable man who did not drink and was not without a certain fancy and feeling for form, but yet he was an atrocious tailor. His work was ruined by hesitation. . . . The idea that his cut was not fashionable enough made him alter everything half a dozen times, walk all the way to the town simply to study the dandies, and in the end dress us in suits that even a caricaturist would have called outre and grotesque. We cut a dash in impossibly narrow trousers and in such short jackets that we always felt quite abashed in the presence of young ladies.
This Spiridon spent a long time taking my measure. He measured me all over lengthways and crossways, as though he meant to put hoops round me like a barrel; then he spent a long time noting down my measurements with a thick pencil on a bit of paper, and ticked off all the measurements with triangular signs. When he had finished with me he set to work on my tutor, Yegor Alexyevitch Pobyedimsky. My beloved tutor was then at the stage when young men watch the growth of their moustache and are critical of their clothes, and so you can imagine the devout awe with which Spiridon approached him. Yegor Alexyevitch had to throw back his head, to straddle his legs like an inverted V, first lift up his arms, then let them fall. Spiridon measured him several times, walking round him during the process like a love-sick pigeon round its mate, going down on one knee, bending double. . . . My mother, weary, exhausted by her exertions and heated by ironing, watched these lengthy proceedings, and said:
"Mind now, Spiridon, you will have to answer for it to God if you spoil the cloth! And it will be the worse for you if you don't make them fit!"
Mother's words threw Spiridon first into a fever, then into a perspiration, for he was convinced that he would not make them fit. He received one rouble twenty kopecks for making my suit, and for Pobyedimsky's two roubles, but we provided the cloth, the lining, and the buttons. The price cannot be considered excessive, as Novostroevka was about seven miles from us, and the tailor came to fit us four times. When he came to try the things on and we squeezed ourselves into the tight trousers and jackets adorned with basting threads, mother always frowned contemptuously and expressed her surprise:
"Goodness knows what the fashions are coming to nowadays! I am positively ashamed to look at them. If brother were not used to Petersburg I would not get you fashionable clothes!"
Spiridon, relieved that the blame was thrown on the fashion and not on him, shrugged his shoulders and sighed, as though to say:
"There's no help for it; it's the spirit of the age!"
The excitement with which we awaited the arrival of our guest can only be compared with the strained suspense with which spiritualists wait from minute to minute the appearance of a ghost. Mother went about with a sick headache, and was continually melting into tears. I lost my appetite, slept badly, and did not learn my lessons. Even in my dreams I was haunted by an impatient longing to see a general -- that is, a man with epaulettes and an embroidered collar sticking up to his ears, and with a naked sword in his hands, exactly like the one who hung over the sofa in the drawing-room and glared with terrible black eyes at everybody who dared to look at him. Pobyedimsky was the only one who felt himself in his element. He was neither terrified nor delighted, and merely from time to time, when he heard the history of the Gundasov family, said:
"Yes, it will be pleasant to have some one fresh to talk to."
My tutor was looked upon among us as an exceptional nature. He was a young man of twenty, with a pimply face, shaggy locks, a low forehead, and an unusually long nose. His nose was so big that when he wanted to look close at anything he had to put his head on one side like a bird. To our thinking, there was not a man in the province cleverer, more cultivated, or more stylish. He had left the high-school in the class next to the top, and had then entered a veterinary college, from which he was expelled before the end of the first half-year. The reason of his expulsion he carefully concealed, which enabled any one who wished to do so to look upon my instructor as an injured and to some extent a mysterious person. He spoke little, and only of intellectual subjects; he ate meat during the fasts, and looked with contempt and condescension on the life going on around him, which did not prevent him, however, from taking presents, such as suits of clothes, from my mother, and drawing funny faces with red teeth on my kites. Mother disliked him for his "pride," but stood in awe of his cleverness.
Our visitor did not keep us long waiting. At the beginning of May two wagon-loads of big boxes arrived from the station. These boxes looked so majestic that the drivers instinctively took off their hats as they lifted them down.
"There must be uniforms and gunpowder in those boxes," I thought.
Why "gunpowder"? Probably the conception of a general was closely connected in my mind with cannons and gunpowder.
When I woke up on the morning of the tenth of May, nurse told me in a whisper that "my uncle had come." I dressed rapidly, and, washing after a fashion, flew out of my bedroom without saying my prayers. In the vestibule I came upon a tall, solid gentleman with fashionable whiskers and a foppish-looking overcoat. Half dead with devout awe, I went up to him and, remembering the ceremonial mother had impressed upon me, I scraped my foot before him, made a very low bow, and craned forward to kiss his hand; but the gentleman did not allow me to kiss his hand: he informed me that he was not my uncle, but my uncle's footman, Pyotr. The appearance of this Pyotr, far better dressed than Pobyedimsky or me, excited in me the utmost astonishment, which, to tell the truth, has lasted to this day. Can such dignified, respectable people with stern and intellectual faces really be footmen? And what for?
Pyotr told me that my uncle was in the garden with my mother. I rushed into the garden.
Nature, knowing nothing of the history of the Gundasov family and the rank of my uncle, felt far more at ease and unconstrained than I. There was a clamour going on in the garden such as one only bears at fairs. Masses of starlings flitting through the air and hopping about the walks were noisily chattering as they hunted for cockchafers. There were swarms of sparrows in the lilac-bushes, which threw their tender, fragrant blossoms straight in one's face. Wherever one turned, from every direction came the note of the golden oriole and the shrill cry of the hoopoe and the red-legged falcon. At any other time I should have begun chasing dragon-flies or throwing stones at a crow which was sitting on a low mound under an aspen-tree, with his blunt beak turned away; but at that moment I was in no mood for mischief. My heart was throbbing, and I felt a cold sinking at my stomach; I was preparing myself to confront a gentleman with epaulettes, with a naked sword, and with terrible eyes!
But imagine my disappointment! A dapper little foppish gentleman in white silk trousers, with a white cap on his head, was walking beside my mother in the garden. With his hands behind him and his head thrown back, every now and then running on ahead of mother, he looked quite young. There was so much life and movement in his whole figure that I could only detect the treachery of age when I came close up behind and saw beneath his cap a fringe of close-cropped silver hair. Instead of the staid dignity and stolidity of a general, I saw an almost schoolboyish nimbleness; instead of a collar sticking up to his ears, an ordinary light blue necktie. Mother and my uncle were walking in the avenue talking together. I went softly up to them from behind, and waited for one of them to look round.
"What a delightful place you have here, Klavdia!" said my uncle. "How charming and lovely it is! Had I known before that you had such a charming place, nothing would have induced me to go abroad all these years."
My uncle stooped down rapidly and sniffed at a tulip. Everything he saw moved him to rapture and excitement, as though he had never been in a garden on a sunny day before. The queer man moved about as though he were on springs, and chattered incessantly, without allowing mother to utter a single word. All of a sudden Pobyedimsky came into sight from behind an elder-tree at the turn of the avenue. His appearance was so unexpected that my uncle positively started and stepped back a pace. On this occasion my tutor was attired in his best Inverness cape with sleeves, in which, especially back-view, he looked remarkably like a windmill. He had a solemn and majestic air. Pressing his hat to his bosom in Spanish style, he took a step towards my uncle and made a bow such as a marquis makes in a melodrama, bending forward, a little to one side.
"I have the honour to present myself to your high excellency," he said aloud: "the teacher and instructor of your nephew, formerly a pupil of the veterinary institute, and a nobleman by birth, Pobyedimsky!"
This politeness on the part of my tutor pleased my mother very much. She gave a smile, and waited in thrilled suspense to hear what clever thing he would say next; but my tutor, expecting his dignified address to be answered with equal dignity -- that is, that my uncle would say "H'm!" like a general and hold out two fingers -- was greatly confused and abashed when the latter laughed genially and shook hands with him. He muttered something incoherent, cleared his throat, and walked away.
"Come! isn't that charming?" laughed my uncle. "Just look! he has made his little flourish and thinks he's a very clever fellow! I do like that -- upon my soul I do! What youthful aplomb, what life in that foolish flourish! And what boy is this?" he asked, suddenly turning and looking at me.
"That is my Andryushenka," my mother introduced me, flushing crimson. "My consolation. . ."
I made a scrape with my foot on the sand and dropped a low bow.
"A fine fellow . . . a fine fellow . . ." muttered my uncle, taking his hand from my lips and stroking me on the head. "So your name is Andrusha? Yes, yes. . . . H'm! . . . upon my soul! . . . Do you learn lessons?"
My mother, exaggerating and embellishing as all mothers do, began to describe my achievements in the sciences and the excellence of my behaviour, and I walked round my uncle and, following the ceremonial laid down for me, I continued making low bows. Then my mother began throwing out hints that with my remarkable abilities it would not be amiss for me to get a government nomination to the cadet school; but at the point when I was to have burst into tears and begged for my uncle's protection, my uncle suddenly stopped and flung up his hands in amazement.
"My goo-oodness! What's that?" he asked.
Tatyana Ivanovna, the wife of our bailiff, Fyodor Petrovna, was coming towards us. She was carrying a starched white petticoat and a long ironing-board. As she passed us she looked shyly at the visitor through her eyelashes and flushed crimson.
"Wonders will never cease . . ." my uncle filtered through his teeth, looking after her with friendly interest. "You have a fresh surprise at every step, sister . . . upon my soul!"
"She's a beauty . . ." said mother. "They chose her as a bride for Fyodor, though she lived over seventy miles from here. . . ."
Not every one would have called Tatyana a beauty. She was a plump little woman of twenty, with black eyebrows and a graceful figure, always rosy and attractive-looking, but in her face and in her whole person there was not one striking feature, not one bold line to catch the eye, as though nature had lacked inspiration and confidence when creating her. Tatyana Ivanovna was shy, bashful, and modest in her behaviour; she moved softly and smoothly, said little, seldom laughed, and her whole life was as regular as her face and as flat as her smooth, tidy hair. My uncle screwed up his eyes looking after her, and smiled. Mother looked intently at his smiling face and grew serious.
"And so, brother, you've never married!" she sighed.
"No; I've not married."
"Why not?" asked mother softly.
"How can I tell you? It has happened so. In my youth I was too hard at work, I had no time to live, and when I longed to live -- I looked round -- and there I had fifty years on my back already. I was too late! However, talking about it . . . is depressing."
My mother and my uncle both sighed at once and walked on, and I left them and flew off to find my tutor, that I might share my impressions with him. Pobyedimsky was standing in the middle of the yard, looking majestically at the heavens.
"One can see he is a man of culture!" he said, twisting his head round. "I hope we shall get on together."
An hour later mother came to us.
"I am in trouble, my dears!" she began, sighing. "You see brother has brought a valet with him, and the valet, God bless him, is not one you can put in the kitchen or in the hall; we must give him a room apart. I can't think what I am to do! I tell you what, children, couldn't you move out somewhere -- to Fyodor's lodge, for instance -- and give your room to the valet? What do you say?"
We gave our ready consent, for living in the lodge was a great deal more free than in the house, under mother's eye.
"It's a nuisance, and that's a fact!" said mother. "Brother says he won't have dinner in the middle of the day, but between six and seven, as they do in Petersburg. I am simply distracted with worry! By seven o'clock the dinner will be done to rags in the oven. Really, men don't understand anything about housekeeping, though they have so much intellect. Oh, dear! we shall have to cook two dinners every day! You will have dinner at midday as before, children, while your poor old mother has to wait till seven, for the sake of her brother."
Then my mother heaved a deep sigh, bade me try and please my uncle, whose coming was a piece of luck for me for which we must thank God, and hurried off to the kitchen. Pobyedimsky and I moved into the lodge the same day. We were installed in a room which formed the passage from the entry to the bailiff's bedroom.
Contrary to my expectations, life went on just as before, drearily and monotonously, in spite of my uncle's arrival and our move into new quarters. We were excused lessons "on account of the visitor. "Pobyedimsky, who never read anything or occupied himself in any way, spent most of his time sitting on his bed, with his long nose thrust into the air, thinking. Sometimes he would get up, try on his new suit, and sit down again to relapse into contemplation and silence. Only one thing worried him, the flies, which he used mercilessly to squash between his hands. After dinner he usually "rested," and his snores were a cause of annoyance to the whole household. I ran about the garden from morning to night, or sat in the lodge sticking my kites together. For the first two or three weeks we did not see my uncle often. For days together he sat in his own room working, in spite of the flies and the heat. His extraordinary capacity for sitting as though glued to his table produced upon us the effect of an inexplicable conjuring trick. To us idlers, knowing nothing of systematic work, his industry seemed simply miraculous. Getting up at nine, he sat down to his table, and did not leave it till dinner-time; after dinner he set to work again, and went on till late at night. Whenever I peeped through the keyhole I invariably saw the same thing: my uncle sitting at the table working. The work consisted in his writing with one hand while he turned over the leaves of a book with the other, and, strange to say, he kept moving all over -- swinging his leg as though it were a pendulum, whistling, and nodding his head in time. He had an extremely careless and frivolous expression all the while, as though he were not working, but playing at noughts and crosses. I always saw him wearing a smart short jacket and a jauntily tied cravat, and he always smelt, even through the keyhole, of delicate feminine perfumery. He only left his room for dinner, but he ate little.
"I can't make brother out!" mother complained of him. "Every day we kill a turkey and pigeons on purpose for him, I make a compotewith my own hands, and he eats a plateful of broth and a bit of meat the size of a finger and gets up from the table. I begin begging him to eat; he comes back and drinks a glass of milk. And what is there in that, in a glass of milk? It's no better than washing up water! You may die of a diet like that. . . . If I try to persuade him, he laughs and makes a joke of it. . . . No; he does not care for our fare, poor dear!"
We spent the evenings far more gaily than the days. As a rule, by the time the sun was setting and long shadows were lying across the yard, we -- that is, Tatyana Ivanovna, Pobyedimsky, and I -- were sitting on the steps of the lodge. We did not talk till it grew quite dusk. And, indeed, what is one to talk of when every subject has been talked over already? There was only one thing new, my uncle's arrival, and even that subject was soon exhausted. My tutor never took his eyes off Tatyana Ivanovna 's face, and frequently heaved deep sighs. . . . At the time I did not understand those sighs, and did not try to fathom their significance; now they explain a great deal to me.
When the shadows merged into one thick mass of shade, the bailiff Fyodor would come in from shooting or from the field. This Fyodor gave me the impression of being a fierce and even a terrible man. The son of a Russianized gipsy from Izyumskoe, swarthy-faced and curly-headed, with big black eyes and a matted beard, he was never called among our Kotchuevko peasants by any name but "The Devil." And, indeed, there was a great deal of the gipsy about him apart from his appearance. He could not, for instance, stay at home, and went off for days together into the country or into the woods to shoot. He was gloomy, ill-humoured, taciturn, was afraid of nobody, and refused to recognize any authority. He was rude to mother, addressed me familiarly, and was contemptuous of Pobyedimsky's learning. All this we forgave him, looking upon him as a hot-tempered and nervous man; mother liked him because, in spite of his gipsy nature, he was ideally honest and industrious. He loved his Tatyana Ivanovna passionately, like a gipsy, but this love took in him a gloomy form, as though it cost him suffering. He was never affectionate to his wife in our presence, but simply rolled his eyes angrily at her and twisted his mouth.
When he came in from the fields he would noisily and angrily put down his gun, would come out to us on the steps, and sit down beside his wife. After resting a little, he would ask his wife a few questions about household matters, and then sink into silence.
"Let us sing," I would suggest.
My tutor would tune his guitar, and in a deep deacon's bass strike up "In the midst of the valley." We would begin singing. My tutor took the bass, Fyodor sang in a hardly audible tenor, while I sang soprano in unison with Tatyana Ivanovna.
When the whole sky was covered with stars and the frogs had left off croaking, they would bring in our supper from the kitchen. We went into the lodge and sat down to the meal. My tutor and the gipsy ate greedily, with such a sound that it was hard to tell whether it was the bones crunching or their jaws, and Tatyana Ivanovna and I scarcely succeeded in getting our share. After supper the lodge was plunged in deep sleep.
One evening, it was at the end of May, we were sitting on the steps, waiting for supper. A shadow suddenly fell across us, and Gundasov stood before us as though he had sprung out of the earth. He looked at us for a long time, then clasped his hands and laughed gaily.
"An idyll!" he said. "They sing and dream in the moonlight! It's charming, upon my soul! May I sit down and dream with you?"
We looked at one another and said nothing. My uncle sat down on the bottom step, yawned, and looked at the sky. A silence followed. Pobyedimsky, who had for a long time been wanting to talk to somebody fresh, was delighted at the opportunity, and was the first to break the silence. He had only one subject for intellectual conversation, the epizootic diseases. It sometimes happens that after one has been in an immense crowd, only some one countenance of the thousands remains long imprinted on the memory; in the same way, of all that Pobyedimsky had heard, during his six months at the veterinary institute, he remembered only one passage:
"The epizootics do immense damage to the stock of the country. It is the duty of society to work hand in hand with the government in waging war upon them."
Before saying this to Gundasov, my tutor cleared his throat three times, and several times, in his excitement, wrapped himself up in his Inverness. On hearing about the epizootics, my uncle looked intently at my tutor and made a sound between a snort and a laugh.
"Upon my soul, that's charming!" he said, scrutinizing us as though we were mannequins. "This is actually life. . . . This is really what reality is bound to be. Why are you silent, Pelagea Ivanovna?" he said, addressing Tatyana Ivanovna.
She coughed, overcome with confusion.
"Talk, my friends, sing . . . play! . . . Don't lose time. You know, time, the rascal, runs away and waits for no man! Upon my soul, before you have time to look round, old age is upon you. . . . Then it is too late to live! That's how it is, Pelagea Ivanovna. . . . We mustn't sit still and be silent. . . ."
At that point supper was brought out from the kitchen. Uncle went into the lodge with us, and to keep us company ate five curd fritters and the wing of a duck. He ate and looked at us. He was touched and delighted by us all. Whatever silly nonsense my precious tutor talked, and whatever Tatyana Ivanovna did, he thought charming and delightful. When after supper Tatyana Ivanovna sat quietly down and took up her knitting, he kept his eyes fixed on her fingers and chatted away without ceasing.
"Make all the haste you can to live, my friends. . ." he said. "God forbid you should sacrifice the present for the future! There is youth, health, fire in the present; the future is smoke and deception! As soon as you are twenty begin to live."
Tatyana Ivanovna dropped a knitting-needle. My uncle jumped up, picked up the needle, and handed it to Tatyana Ivanovna with a bow, and for the first time in my life I learnt that there were people in the world more refined than Pobyedimsky.
"Yes . . ." my uncle went on, "love, marry, do silly things. Foolishness is a great deal more living and healthy than our straining and striving after rational life."
My uncle talked a great deal, so much that he bored us; I sat on a box listening to him and dropping to sleep. It distressed me that he did not once all the evening pay attention to me. He left the lodge at two o'clock, when, overcome with drowsiness, I was sound asleep.
From that time forth my uncle took to coming to the lodge every evening. He sang with us, had supper with us, and always stayed on till two o'clock in the morning, chatting incessantly, always about the same subject. His evening and night work was given up, and by the end of June, when the privy councillor had learned to eat mother's turkey and compote, his work by day was abandoned too. My uncle tore himself away from his table and plunged into "life." In the daytime he walked up and down the garden, he whistled to the workmen and hindered them from working, making them tell him their various histories. When his eye fell on Tatyana Ivanovna he ran up to her, and, if she were carrying anything, offered his assistance, which embarrassed her dreadfully.
As the summer advanced my uncle grew more and more frivolous, volatile, and careless. Pobyedimsky was completely disillusioned in regard to him.
"He is too one-sided," he said. "There is nothing to show that he is in the very foremost ranks of the service. And he doesn't even know how to talk. At every word it's 'upon my soul.' No, I don't like him!"
From the time that my uncle began visiting the lodge there was a noticeable change both in Fyodor and my tutor. Fyodor gave up going out shooting, came home early, sat more taciturn than ever, and stared with particular ill-humour at his wife. In my uncle's presence my tutor gave up talking about epizootics, frowned, and even laughed sarcastically.
"Here comes our little bantam cock!" he growled on one occasion when my uncle was coming into the lodge.
I put down this change in them both to their being offended with my uncle. My absent-minded uncle mixed up their names, and to the very day of his departure failed to distinguish which was my tutor and which was Tatyana Ivanovna's husband. Tatyana Ivanovna herself he sometimes called Nastasya, sometimes Pelagea, and sometimes Yevdokia. Touched and delighted by us, he laughed and behaved exactly as though in the company of small children. . . . All this, of course, might well offend young men. It was not a case of offended pride, however, but, as I realize now, subtler feelings.
I remember one evening I was sitting on the box struggling with sleep. My eyelids felt glued together and my body, tired out by running about all day, drooped sideways. But I struggled against sleep and tried to look on. It was about midnight. Tatyana Ivanovna, rosy and unassuming as always, was sitting at a little table sewing at her husband's shirt. Fyodor, sullen and gloomy, was staring at her from one corner, and in the other sat Pobyedimsky, snorting angrily and retreating into the high collar of his shirt. My uncle was walking up and down the room thinking. Silence reigned; nothing was to be heard but the rustling of the linen in Tatyana Ivanovna's hands. Suddenly my uncle stood still before Tatyana Ivanovna, and said:
"You are all so young, so fresh, so nice, you live so peacefully in this quiet place, that I envy you. I have become attached to your way of life here; my heart aches when I remember I have to go away. . . . You may believe in my sincerity!"
Sleep closed my eyes and I lost myself. When some sound waked me, my uncle was standing before Tatyana Ivanovna, looking at her with a softened expression. His cheeks were flushed.
"My life has been wasted," he said. "I have not lived! Your young face makes me think of my own lost youth, and I should be ready to sit here watching you to the day of my death. It would be a pleasure to me to take you with me to Petersburg."
"What for?" Fyodor asked in a husky voice.
"I should put her under a glass case on my work-table. I should admire her and show her to other people. You know, Pelagea Ivanovna, we have no women like you there. Among us there is wealth, distinction, sometimes beauty, but we have not this true sort of life, this healthy serenity. . . ."
My uncle sat down facing Tatyana Ivanovna and took her by the hand.
"So you won't come with me to Petersburg?" he laughed. "In that case give me your little hand. . . . A charming little hand! . . . You won't give it? Come, you miser! let me kiss it, anyway. . . ."
At that moment there was the scrape of a chair. Fyodor jumped up, and with heavy, measured steps went up to his wife. His face was pale, grey, and quivering. He brought his fist down on the table with a bang, and said in a hollow voice:
"I won't allow it!
At the same moment Pobyedimsky jumped up from his chair. He, too, pale and angry, went up to Tatyana Ivanovna, and he, too, struck the table with his fist.
"I . . . I won't allow it!" he said.
"What, what's the matter?" asked my uncle in surprise.
"I won't allow it!" repeated Fyodor, banging on the table.
My uncle jumped up and blinked nervously. He tried to speak, but in his amazement and alarm could not utter a word; with an embarrassed smile, he shuffled out of the lodge with the hurried step of an old man, leaving his hat behind. When, a little later, my mother ran into the lodge, Fyodor and Pobyedimsky were still hammering on the table like blacksmiths and repeating, "I won't allow it!"
"What has happened here?" asked mother. "Why has my brother been taken ill? What's the matter?"
Looking at Tatyana's pale, frightened face and at her infuriated husband, mother probably guessed what was the matter. She sighed and shook her head.
"Come! give over banging on the table!" she said. "Leave off, Fyodor! And why are you thumping, Yegor Alexyevitch? What have you got to do with it?"
Pobyedimsky was startled and confused. Fyodor looked intently at him, then at his wife, and began walking about the room. When mother had gone out of the lodge, I saw what for long afterwards I looked upon as a dream. I saw Fyodor seize my tutor, lift him up in the air, and thrust him out of the door.
When I woke up in the morning my tutor's bed was empty. To my question where he was nurse told me in a whisper that he had been taken off early in the morning to the hospital, as his arm was broken. Distressed at this intelligence and remembering the scene of the previous evening, I went out of doors. It was a grey day. The sky was covered with storm-clouds and there was a wind blowing dust, bits of paper, and feathers along the ground. . . . It felt as though rain were coming. There was a look of boredom in the servants and in the animals. When I went into the house I was told not to make such a noise with my feet, as mother was ill and in bed with a migraine. What was I to do? I went outside the gate, sat down on the little bench there, and fell to trying to discover the meaning of what I had seen and heard the day before. From our gate there was a road which, passing the forge and the pool which never dried up, ran into the main road. I looked at the telegraph-posts, about which clouds of dust were whirling, and at the sleepy birds sitting on the wires, and I suddenly felt so dreary that I began to cry.
A dusty wagonette crammed full of townspeople, probably going to visit the shrine, drove by along the main road. The wagonette was hardly out of sight when a light chaise with a pair of horses came into view. In it was Akim Nikititch, the police inspector, standing up and holding on to the coachman's belt. To my great surprise, the chaise turned into our road and flew by me in at the gate. While I was puzzling why the police inspector had come to see us, I heard a noise, and a carriage with three horses came into sight on the road. In the carriage stood the police captain, directing his coachman towards our gate.
"And why is he coming?" I thought, looking at the dusty police captain. "Most probably Pobyedimsky has complained of Fyodor to him, and they have come to take him to prison."
But the mystery was not so easily solved. The police inspector and the police captain were only the first instalment, for five minutes had scarcely passed when a coach drove in at our gate. It dashed by me so swiftly that I could only get a glimpse of a red beard.
Lost in conjecture and full of misgivings, I ran to the house. In the passage first of all I saw mother; she was pale and looking with horror towards the door, from which came the sounds of men's voices. The visitors had taken her by surprise in the very throes of migraine.
"Who has come, mother?" I asked.
"Sister," I heard my uncle's voice, "will you send in something to eat for the governor and me?"
"It is easy to say 'something to eat,' " whispered my mother, numb with horror. "What have I time to get ready now? I am put to shame in my old age!"
Mother clutched at her head and ran into the kitchen. The governor's sudden visit stirred and overwhelmed the whole household. A ferocious slaughter followed. A dozen fowls, five turkeys, eight ducks, were killed, and in the fluster the old gander, the progenitor of our whole flock of geese and a great favourite of mother's, was beheaded. The coachmen and the cook seemed frenzied, and slaughtered birds at random, without distinction of age or breed. For the sake of some wretched sauce a pair of valuable pigeons, as dear to me as the gander was to mother, were sacrificed. It was a long while before I could forgive the governor their death.
In the evening, when the governor and his suite, after a sumptuous dinner, had got into their carriages and driven away, I went into the house to look at the remains of the feast. Glancing into the drawing-room from the passage, I saw my uncle and my mother. My uncle, with his hands behind his back, was walking nervously up and down close to the wall, shrugging his shoulders. Mother, exhausted and looking much thinner, was sitting on the sofa and watching his movements with heavy eyes.
"Excuse me, sister, but this won't do at all," my uncle grumbled, wrinkling up his face. "I introduced the governor to you, and you didn't offer to shake hands. You covered him with confusion, poor fellow! No, that won't do. . . . Simplicity is a very good thing, but there must be limits to it. . . . Upon my soul! And then that dinner! How can one give people such things? What was that mess, for instance, that they served for the fourth course?"
"That was duck with sweet sauce . . ." mother answered softly.
"Duck! Forgive me, sister, but . . . but here I've got heartburn! I am ill!"
My uncle made a sour, tearful face, and went on:
"It was the devil sent that governor! As though I wanted his visit! Pff! . . . heartburn! I can't work or sleep . . . I am completely out of sorts. . . . And I can't understand how you can live here without anything to do . . . in this boredom! Here I've got a pain coming under my shoulder-blade! . . ."
My uncle frowned, and walked about more rapidly than ever.
"Brother," my mother inquired softly, "what would it cost to go abroad?"
"At least three thousand . . ." my uncle answered in a tearful voice. "I would go, but where am I to get it? I haven't a farthing. Pff! . . . heartburn!"
My uncle stopped to look dejectedly at the grey, overcast prospect from the window, and began pacing to and fro again.
A silence followed. . . . Mother looked a long while at the ikon, pondering something, then she began crying, and said:
"I'll give you the three thousand, brother. . . ."
Three days later the majestic boxes went off to the station, and the privy councillor drove off after them. As he said good-bye to mother he shed tears, and it was a long time before he took his lips from her hands, but when he got into his carriage his face beamed with childlike pleasure. . . . Radiant and happy, he settled himself comfortably, kissed his hand to my mother, who was crying, and all at once his eye was caught by me. A look of the utmost astonishment came into his face.
"What boy is this?" he asked.
My mother, who had declared my uncle's coming was a piece of luck for which I must thank God, was bitterly mortified at this question. I was in no mood for questions. I looked at my uncle's happy face, and for some reason I felt fearfully sorry for him. I could not resist jumping up to the carriage and hugging that frivolous man, weak as all men are. Looking into his face and wanting to say something pleasant, I asked:
"Uncle, have you ever been in a battle?"
"Ah, the dear boy . . ." laughed my uncle, kissing me. "A charming boy, upon my soul! How natural, how living it all is, upon my soul! . . ."
The carriage set off. . . . I looked after him, and long afterwards that farewell "upon my soul" was ringing in my ears.
A Happy Man by Anton Chekhov
THE passenger train is just starting from Bologoe, the junction on the Petersburg-Moscow line. In a second-class smoking compartment five passengers sit dozing, shrouded in the twilight of the carriage. They had just had a meal, and now, snugly ensconced in their seats, they are trying to go to sleep. Stillness.
The door opens and in there walks a tall, lanky figure straight as a poker, with a ginger-coloured hat and a smart overcoat, wonderfully suggestive of a journalist in Jules Verne or on the comic stage.
The figure stands still in the middle of the compartment for a long while, breathing heavily, screwing up his eyes and peering at the seats.
"No, wrong again!" he mutters. "What the deuce! It's positively revolting! No, the wrong one again!"
One of the passengers stares at the figure and utters a shout of joy:
"Ivan Alexyevitch! what brings you here? Is it you?"
The poker-like gentleman starts, stares blankly at the passenger, and recognizing him claps his hands with delight.
"Ha! Pyotr Petrovitch," he says. "How many summers, how many winters! I didn't know you were in this train."
"How are you getting on?"
"I am all right; the only thing is, my dear fellow, I've lost my compartment and I simply can't find it. What an idiot I am! I ought to be thrashed!"
The poker-like gentleman sways a little unsteadily and sniggers.
"Queer things do happen!" he continues. "I stepped out just after the second bell to get a glass of brandy. I got it, of course. Well, I thought, since it's a long way to the next station, it would be as well to have a second glass. While I was thinking about it and drinking it the third bell rang. . . . I ran like mad and jumped into the first carriage. I am an idiot! I am the son of a hen!"
"But you seem in very good spirits," observes Pyotr Petrovitch. "Come and sit down! There's room and a welcome."
"No, no. . . . I'm off to look for my carriage. Good-bye!"
"You'll fall between the carriages in the dark if you don't look out! Sit down, and when we get to a station you'll find your own compartment. Sit down!"
Ivan Alexyevitch heaves a sigh and irresolutely sits down facing Pyotr Petrovitch. He is visibly excited, and fidgets as though he were sitting on thorns.
"Where are you travelling to?" Pyotr Petrovitch enquires.
"I? Into space. There is such a turmoil in my head that I couldn't tell where I am going myself. I go where fate takes me. Ha-ha! My dear fellow, have you ever seen a happy fool? No? Well, then, take a look at one. You behold the happiest of mortals! Yes! Don't you see something from my face?"
"Well, one can see you're a bit . . . a tiny bit so-so."
"I dare say I look awfully stupid just now. Ach! it's a pity I haven't a looking-glass, I should like to look at my counting-house. My dear fellow, I feel I am turning into an idiot, honour bright. Ha-ha! Would you believe it, I'm on my honeymoon. Am I not the son of a hen?"
"You? Do you mean to say you are married?"
"To-day, my dear boy. We came away straight after the wedding."
Congratulations and the usual questions follow. "Well, you are a fellow!" laughs Pyotr Petrovitch. "That's why you are rigged out such a dandy."
"Yes, indeed. . . . To complete the illusion, I've even sprinkled myself with scent. I am over my ears in vanity! No care, no thought, nothing but a sensation of something or other . . . deuce knows what to call it . . . beatitude or something? I've never felt so grand in my life!"
Ivan Alexyevitch shuts his eyes and waggles his head.
"I'm revoltingly happy," he says. "Just think; in a minute I shall go to my compartment. There on the seat near the window is sitting a being who is, so to say, devoted to you with her whole being. A little blonde with a little nose . . . little fingers. . . . My little darling! My angel! My little poppet! Phylloxera of my soul! And her little foot! Good God! A little foot not like our beetle-crushers, but something miniature, fairylike, allegorical. I could pick it up and eat it, that little foot! Oh, but you don't understand! You're a materialist, of course, you begin analyzing at once, and one thing and another. You are cold-hearted bachelors, that's what you are! When you get married you'll think of me. 'Where's Ivan Alexyevitch now?' you'll say. Yes; so in a minute I'm going to my compartment. There she is waiting for me with impatience . . . in joyful anticipation of my appearance. She'll have a smile to greet me. I sit down beside her and take her chin with my two fingers.
Ivan Alexyevitch waggles his head and goes off into a chuckle of delight.
"Then I lay my noddle on her shoulder and put my arm round her waist. Around all is silence, you know . . . poetic twilight. I could embrace the whole world at such a moment. Pyotr Petrovitch, allow me to embrace you!"
"Delighted, I'm sure." The two friends embrace while the passengers laugh in chorus. And the happy bridegroom continues:
"And to complete the idiocy, or, as the novelists say, to complete the illusion, one goes to the refreshment-room and tosses off two or three glasses. And then something happens in your head and your heart, finer than you can read of in a fairy tale. I am a man of no importance, but I feel as though I were limitless: I embrace the whole world!"
The passengers, looking at the tipsy and blissful bridegroom, are infected by his cheerfulness and no longer feel sleepy. Instead of one listener, Ivan Alexyevitch has now an audience of five. He wriggles and splutters, gesticulates, and prattles on without ceasing. He laughs and they all laugh.
"Gentlemen, gentlemen, don't think so much! Damn all this analysis! If you want a drink, drink, no need to philosophize as to whether it's bad for you or not. . . . Damn all this philosophy and psychology!"
The guard walks through the compartment.
"My dear fellow," the bridegroom addresses him, "when you pass through the carriage No. 209 look out for a lady in a grey hat with a white bird and tell her I'm here!"
"Yes, sir. Only there isn't a No. 209 in this train; there's 219!"
"Well, 219, then! It's all the same. Tell that lady, then, that her husband is all right!"
Ivan Alexyevitch suddenly clutches his head and groans:
"Husband. . . . Lady. . . . All in a minute! Husband. . . . Ha-ha! I am a puppy that needs thrashing, and here I am a husband! Ach, idiot! But think of her! . . . Yesterday she was a little girl, a midget . . . it s simply incredible!"
"Nowadays it really seems strange to see a happy man," observes one of the passengers; "one as soon expects to see a white elephant."
"Yes, and whose fault is it?" says Ivan Alexyevitch, stretching his long legs and thrusting out his feet with their very pointed toes. "If you are not happy it's your own fault! Yes, what else do you suppose it is? Man is the creator of his own happiness. If you want to be happy you will be, but you don't want to be! You obstinately turn away from happiness."
"Why, what next! How do you make that out?"
"Very simply. Nature has ordained that at a certain stage in his life man should love. When that time comes you should love like a house on fire, but you won't heed the dictates of nature, you keep waiting for something. What's more, it's laid down by law that the normal man should enter upon matrimony. There's no happiness without marriage. When the propitious moment has come, get married. There's no use in shilly-shallying. . . . But you don't get married, you keep waiting for something! Then the Scriptures tell us that 'wine maketh glad the heart of man.' . . . If you feel happy and you want to feel better still, then go to the refreshment bar and have a drink. The great thing is not to be too clever, but to follow the beaten track! The beaten track is a grand thing!"
"You say that man is the creator of his own happiness. How the devil is he the creator of it when a toothache or an ill-natured mother-in-law is enough to scatter his happiness to the winds? Everything depends on chance. If we had an accident at this moment you'd sing a different tune."
"Stuff and nonsense!" retorts the bridegroom. "Railway accidents only happen once a year. I'm not afraid of an accident, for there is no reason for one. Accidents are exceptional! Confound them! I don't want to talk of them! Oh, I believe we're stopping at a station."
"Where are you going now?" asks Pyotr Petrovitch. "To Moscow or somewhere further south?
"Why, bless you! How could I go somewhere further south, when I'm on my way to the north?"
"But Moscow isn't in the north."
"I know that, but we're on our way to Petersburg," says Ivan Alexyevitch.
"We are going to Moscow, mercy on us!"
"To Moscow? What do you mean?" says the bridegroom in amazement.
"It's queer. . . . For what station did you take your ticket?"
"For Petersburg."
"In that case I congratulate you. You've got into the wrong train."
There follows a minute of silence. The bridegroom gets up and looks blankly round the company.
"Yes, yes," Pyotr Petrovitch explains. "You must have jumped into the wrong train at Bologoe. . . . After your glass of brandy you succeeded in getting into the down-train."
Ivan Alexyevitch turns pale, clutches his head, and begins pacing rapidly about the carriage.
"Ach, idiot that I am!" he says in indignation. "Scoundrel! The devil devour me! Whatever am I to do now? Why, my wife is in that train! She's there all alone, expecting me, consumed by anxiety. Ach, I'm a motley fool!"
The bridegroom falls on the seat and writhes as though someone had trodden on his corns.
"I am un-unhappy man!" he moans. "What am I to do, what am I to do?"
"There, there!" the passengers try to console him. "It's all right. . . . You must telegraph to your wife and try to change into the Petersburg express. In that way you'll overtake her."
"The Petersburg express!" weeps the bridegroom, the creator of his own happiness. "And how am I to get a ticket for the Petersburg express? All my money is with my wife."
The passengers, laughing and whispering together, make a collection and furnish the happy man with funds.