Word Count: 1593
A FINE carriage with rubber tyres, a fat coachman, and velvet on the seats, rolled up to the house of a landowner called Gryabov. Fyodor Andreitch Otsov, the district Marshal of Nobility, jumped out of the carriage. A drowsy footman met him in the hall.
"Are the family at home?" asked the Marshal.
"No, sir. The mistress and the children are gone out paying visits, while the master and mademoiselle are catching fish. Fishing all the morning, sir.
Otsov stood a little, thought a little, and then went to the river to look for Gryabov. Going down to the river he found him a mile and a half from the house. Looking down from the steep bank and catching sight of Gryabov, Otsov gushed with laughter. . . . Gryabov, a large stout man, with a very big head, was sitting on the sand, angling, with his legs tucked under him like a Turk. His hat was on the back of his head and his cravat had slipped on one side. Beside him stood a tall thin Englishwoman, with prominent eyes like a crab's, and a big bird-like nose more like a hook than a nose. She was dressed in a white muslin gown through which her scraggy yellow shoulders were very distinctly apparent. On her gold belt hung a little gold watch. She too was angling. The stillness of the grave reigned about them both. Both were motionless, as the river upon which their floats were swimming.
"A desperate passion, but deadly dull!" laughed Otsov. "Good-day, Ivan Kuzmitch."
"Ah . . . is that you ?" asked Gryabov, not taking his eyes off the water. "Have you come?"
"As you see . . . . And you are still taken up with your crazy nonsense! Not given it up yet?"
"The devil's in it. . . . I begin in the morning and fish all day. . . . The fishing is not up to much to-day. I've caught nothing and this dummy hasn't either. We sit on and on and not a devil of a fish! I could scream!"
"Well, chuck it up then. Let's go and have some vodka!"
"Wait a little, maybe we shall catch something. Towards evening the fish bite better . . . . I've been sitting here, my boy, ever since the morning! I can't tell you how fearfully boring it is. It was the devil drove me to take to this fishing! I know that it is rotten idiocy for me to sit here. I sit here like some scoundrel, like a convict, and I stare at the water like a fool. I ought to go to the haymaking, but here I sit catching fish. Yesterday His Holiness held a service at Haponyevo, but I didn't go. I spent the day here with this . . . with this she-devil."
"But . . . have you taken leave of your senses?" asked Otsov, glancing in embarrassment at the Englishwoman. "Using such language before a lady and she . . . ."
"Oh, confound her, it doesn't matter, she doesn't understand a syllable of Russian, whether you praise her or blame her, it is all the same to her! Just look at her nose! Her nose alone is enough to make one faint. We sit here for whole days together and not a single word! She stands like a stuffed image and rolls the whites of her eyes at the water."
The Englishwoman gave a yawn, put a new worm on, and dropped the hook into the water.
"I wonder at her not a little," Gryabov went on, "the great stupid has been living in Russia for ten years and not a word of Russian! . . . Any little aristocrat among us goes to them and learns to babble away in their lingo, while they . . . there's no making them out. Just look at her nose, do look at her nose!"
"Come, drop it . . . it's uncomfortable. Why attack a woman?"
"She's not a woman, but a maiden lady. . . . I bet she's dreaming of suitors. The ugly doll. And she smells of something decaying . . . . I've got a loathing for her, my boy! I can't look at her with indifference. When she turns her ugly eyes on me it sends a twinge all through me as though I had knocked my elbow on the parapet. She likes fishing too. Watch her: she fishes as though it were a holy rite! She looks upon everything with disdain . . . . She stands there, the wretch, and is conscious that she is a human being, and that therefore she is the monarch of nature. And do you know what her name is? Wilka Charlesovna Fyce! Tfoo! There is no getting it out!"
The Englishwoman, hearing her name, deliberately turned her nose in Gryabov's direction and scanned him with a disdainful glance; she raised her eyes from Gryabov to Otsov and steeped him in disdain. And all this in silence, with dignity and deliberation.
"Did you see?" said Gryabov chuckling. "As though to say 'take that.' Ah, you monster! It's only for the children's sake that I keep that triton. If it weren't for the children, I wouldn't let her come within ten miles of my estate. . . . She has got a nose like a hawk's . . . and her figure! That doll makes me think of a long nail, so I could take her, and knock her into the ground, you know. Stay, I believe I have got a bite. . . ."
Gryabov jumped up and raised his rod. The line drew taut. . . . Gryabov tugged again, but could not pull out the hook.
"It has caught," he said, frowning, "on a stone I expect . . . damnation take it . . . ."
There was a look of distress on Gryabov's face. Sighing, moving uneasily, and muttering oaths, he began tugging at the line.
"What a pity; I shall have to go into the water."
"Oh, chuck it!"
"I can't. . . . There's always good fishing in the evening. . . . What a nuisance. Lord, forgive us, I shall have to wade into the water, I must! And if only you knew, I have no inclination to undress. I shall have to get rid of the Englishwoman. . . . It's awkward to undress before her. After all, she is a lady, you know!"
Gryabov flung off his hat, and his cravat.
"Meess . . . er, er . . ." he said, addressing the Englishwoman, "Meess Fyce, je voo pree . . . ? Well, what am I to say to her? How am I to tell you so that you can understand? I say . . . over there! Go away over there! Do you hear?"
Miss Fyce enveloped Gryabov in disdain, and uttered a nasal sound.
"What? Don't you understand? Go away from here, I tell you! I must undress, you devil's doll! Go over there! Over there!"
Gryabov pulled the lady by her sleeve, pointed her towards the bushes, and made as though he would sit down, as much as to say: Go behind the bushes and hide yourself there. . . . The Englishwoman, moving her eyebrows vigorously, uttered rapidly a long sentence in English. The gentlemen gushed with laughter.
"It's the first time in my life I've heard her voice. There's no denying, it is a voice! She does not understand! Well, what am I to do with her?"
"Chuck it, let's go and have a drink of vodka!"
"I can't. Now's the time to fish, the evening. . . . It's evening . . . . Come, what would you have me do? It is a nuisance! I shall have to undress before her. . . ."
Gryabov flung off his coat and his waistcoat and sat on the sand to take off his boots.
"I say, Ivan Kuzmitch," said the marshal, chuckling behind his hand. "It's really outrageous, an insult."
"Nobody asks her not to understand! It's a lesson for these foreigners!"
Gryabov took off his boots and his trousers, flung off his undergarments and remained in the costume of Adam. Otsov held his sides, he turned crimson both from laughter and embarrassment. The Englishwoman twitched her brows and blinked . . . . A haughty, disdainful smile passed over her yellow face.
"I must cool off," said Gryabov, slapping himself on the ribs. "Tell me if you please, Fyodor Andreitch, why I have a rash on my chest every summer."
"Oh, do get into the water quickly or cover yourself with something, you beast."
"And if only she were confused, the nasty thing," said Gryabov, crossing himself as he waded into the water. "Brrrr . . . the water's cold. . . . Look how she moves her eyebrows! She doesn't go away . . . she is far above the crowd! He, he, he . . . . and she doesn't reckon us as human beings."
Wading knee deep in the water and drawing his huge figure up to its full height, he gave a wink and said:
"This isn't England, you see!"
Miss Fyce coolly put on another worm, gave a yawn, and dropped the hook in. Otsov turned away, Gryabov released his hook, ducked into the water and, spluttering, waded out. Two minutes later he was sitting on the sand and angling as before.
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Thursday, December 3, 2015
The Trousseau by Anton Chekhov
Word Count: 2051
I HAVE seen a great many houses in my time, little and big, new and old, built of stone and of wood, but of one house I have kept a very vivid memory. It was, properly speaking, rather a cottage than a house -- a tiny cottage of one story, with three windows, looking extraordinarily like a little old hunchback woman with a cap on. Its white stucco walls, its tiled roof, and dilapidated chimney, were all drowned in a perfect sea of green. The cottage was lost to sight among the mulberry-trees, acacias, and poplars planted by the grandfathers and great-grandfathers of its present occupants. And yet it is a town house. Its wide courtyard stands in a row with other similar green courtyards, and forms part of a street. Nothing ever drives down that street, and very few persons are ever seen walking through it.
The shutters of the little house are always closed; its occupants do not care for sunlight -- the light is no use to them. The windows are never opened, for they are not fond of fresh air. People who spend their lives in the midst of acacias, mulberries, and nettles have no passion for nature. It is only to the summer visitor that God has vouchsafed an eye for the beauties of nature. The rest of mankind remain steeped in profound ignorance of the existence of such beauties. People never prize what they have always had in abundance. "What we have, we do not treasure," and what's more we do not even love it.
The little house stands in an earthly paradise of green trees with happy birds nesting in them. But inside . . . alas . . . ! In summer, it is close and stifling within; in winter, hot as a Turkish bath, not one breath of air, and the dreariness! . . .
The first time I visited the little house was many years ago on business. I brought a message from the Colonel who was the owner of the house to his wife and daughter. That first visit I remember very distinctly. It would be impossible, indeed, to forget it.
Imagine a limp little woman of forty, gazing at you with alarm and astonishment while you walk from the passage into the parlour. You are a stranger, a visitor, "a young man"; that's enough to reduce her to a state of terror and bewilderment. Though you have no dagger, axe, or revolver in your hand, and though you smile affably, you are met with alarm.
"Whom have I the honour and pleasure of addressing?" the little lady asks in a trembling voice.
I introduced myself and explained why I had come. The alarm and amazement were at once succeeded by a shrill, joyful "Ach!" and she turned her eyes upwards to the ceiling. This "Ach!" was caught up like an echo and repeated from the hall to the parlour, from the parlour to the kitchen, and so on down to the cellar. Soon the whole house was resounding with "Ach!" in various voices.
Five minutes later I was sitting on a big, soft, warm lounge in the drawing-room listening to the "Ach!" echoing all down the street. There was a smell of moth powder, and of goatskin shoes, a pair of which lay on a chair beside me wrapped in a handkerchief. In the windows were geraniums, and muslin curtains, and on the curtains were torpid flies. On the wall hung the portrait of some bishop, painted in oils, with the glass broken at one corner, and next to the bishop a row of ancestors with lemon-coloured faces of a gipsy type. On the table lay a thimble, a reel of cotton, and a half-knitted stocking, and paper patterns and a black blouse, tacked together, were lying on the floor. In the next room two alarmed and fluttered old women were hurriedly picking up similar patterns and pieces of tailor's chalk from the floor.
"You must, please, excuse us; we are dreadfully untidy," said the little lady.
While she talked to me, she stole embarrassed glances towards the other room where the patterns were still being picked up. The door, too, seemed embarrassed, opening an inch or two and then shutting again.
"What's the matter?" said the little lady, addressing the door.
"Où est mon cravatte lequel mon père m'avait envoyé de Koursk?" asked a female voice at the door.
"Ah, est-ce que, Marie . . . que. . . Really, it's impossible. . . . Nous avons donc chez nous un homme peu connu de nous. Ask Lukerya."
"How well we speak French, though!" I read in the eyes of the little lady, who was flushing with pleasure.
Soon afterwards the door opened and I saw a tall, thin girl of nineteen, in a long muslin dress with a gilt belt from which, I remember, hung a mother-of-pearl fan. She came in, dropped a curtsy, and flushed crimson. Her long nose, which was slightly pitted with smallpox, turned red first, and then the flush passed up to her eyes and her forehead.
"My daughter," chanted the little lady, "and, Manetchka, this is a young gentleman who has come," etc.
I was introduced, and expressed my surprise at the number of paper patterns. Mother and daughter dropped their eyes.
"We had a fair here at Ascension," said the mother; "we always buy materials at the fair, and then it keeps us busy with sewing till the next year's fair comes around again. We never put things out to be made. My husband's pay is not very ample, and we are not able to permit ourselves luxuries. So we have to make up everything ourselves."
"But who will ever wear such a number of things? There are only two of you?"
"Oh . . . as though we were thinking of wearing them! They are not to be worn; they are for the trousseau!"
"Ah, mamam, what are you saying?" said the daughter, and she crimsoned again. "Our visitor might suppose it was true. I don't intend to be married. Never!"
She said this, but at the very word "married" her eyes glowed.
Tea, biscuits, butter, and jam were brought in, followed by raspberries and cream. At seven o'clock, we had supper, consisting of six courses, and while we were at supper I heard a loud yawn from the next room. I looked with surprise towards the door: it was a yawn that could only come from a man.
"That's my husband's brother, Yegor Semyonitch," the little lady explained, noticing my surprise. "He's been living with us for the last year. Please excuse him; he cannot come in to see you. He is such an unsociable person, he is shy with strangers. He is going into a monastery. He was unfairly treated in the service, and the disappointment has preyed on his mind."
After supper the little lady showed the vestment which Yegor Semyonitch was embroidering with his own hands as an offering for the Church. Manetchka threw off her shyness for a moment and showed me the tobacco-pouch she was embroidering for her father. When I pretended to be greatly struck by her work, she flushed crimson and whispered something in her mother's ear. The latter beamed all over, and invited me to go with her to the store-room. There I was shown five large trunks, and a number of smaller trunks and boxes.
"This is her trousseau," her mother whispered; "we made it all ourselves."
After looking at these forbidding trunks I took leave of my hospitable hostesses. They made me promise to come and see them again some day.
It happened that I was able to keep this promise. Seven years after my first visit, I was sent down to the little town to give expert evidence in a case that was being tried there.
As I entered the little house I heard the same "Ach!" echo through it. They recognised me at once. . . . Well they might! My first visit had been an event in their lives, and when events are few they are long remembered.
I walked into the drawing-room: the mother, who had grown stouter and was already getting grey, was creeping about on the floor, cutting out some blue material. The daughter was sitting on the sofa, embroidering.
There was the same smell of moth powder; there were the same patterns, the same portrait with the broken glass. But yet there was a change. Beside the portrait of the bishop hung a portrait of the Colonel, and the ladies were in mourning. The Colonel's death had occurred a week after his promotion to be a general.
Reminiscences began. . . . The widow shed tears.
"We have had a terrible loss," she said. "My husband, you know, is dead. We are alone in the world now, and have no one but ourselves to look to. Yegor Semyonitch is alive, but I have no good news to tell of him. They would not have him in the monastery on account of -- of intoxicating beverages. And now in his disappointment he drinks more than ever. I am thinking of going to the Marshal of Nobility to lodge a complaint. Would you believe it, he has more than once broken open the trunks and . . . taken Manetchka's trousseau and given it to beggars. He has taken everything out of two of the trunks! If he goes on like this, my Manetchka will be left without a trousseau at all."
"What are you saying, mamam?" said Manetchka, embarrassed. "Our visitor might suppose . . . there's no knowing what he might suppose. . . . I shall never -- never marry."
Manetchka cast her eyes up to the ceiling with a look of hope and aspiration, evidently not for a moment believing what she said.
A little bald-headed masculine figure in a brown coat and goloshes instead of boots darted like a mouse across the passage and disappeared. "Yegor Semyonitch, I suppose," I thought.
I looked at the mother and daughter together. They both looked much older and terribly changed. The mother's hair was silvered, but the daughter was so faded and withered that her mother might have been taken for her elder sister, not more than five years her senior.
"I have made up my mind to go to the Marshal," the mother said to me, forgetting she had told me this already. "I mean to make a complaint. Yegor Semyonitch lays his hands on everything we make, and offers it up for the sake of his soul. My Manetchka is left without a trousseau."
Manetchka flushed again, but this time she said nothing.
"We have to make them all over again. And God knows we are not so well off. We are all alone in the world now."
"We are alone in the world," repeated Manetchka.
A year ago fate brought me once more to the little house.
Walking into the drawing-room, I saw the old lady. Dressed all in black with heavy crape pleureuses, she was sitting on the sofa sewing. Beside her sat the little old man in the brown coat and the goloshes instead of boots. On seeing me, he jumped up and ran out of the room.
In response to my greeting, the old lady smiled and said:
"Je suis charmée de vous revoir, monsieur."
"What are you making?" I asked, a little later.
"It's a blouse. When it's finished I shall take it to the priest's to be put away, or else Yegor Semyonitch would carry it off. I store everything at the priest's now," she added in a whisper.
And looking at the portrait of her daughter which stood before her on the table, she sighed and said:
"We are all alone in the world."
And where was the daughter? Where was Manetchka? I did not ask. I did not dare to ask the old mother dressed in her new deep mourning. And while I was in the room, and when I got up to go, no Manetchka came out to greet me. I did not hear her voice, nor her soft, timid footstep. . . .
I understood, and my heart was heavy.
I HAVE seen a great many houses in my time, little and big, new and old, built of stone and of wood, but of one house I have kept a very vivid memory. It was, properly speaking, rather a cottage than a house -- a tiny cottage of one story, with three windows, looking extraordinarily like a little old hunchback woman with a cap on. Its white stucco walls, its tiled roof, and dilapidated chimney, were all drowned in a perfect sea of green. The cottage was lost to sight among the mulberry-trees, acacias, and poplars planted by the grandfathers and great-grandfathers of its present occupants. And yet it is a town house. Its wide courtyard stands in a row with other similar green courtyards, and forms part of a street. Nothing ever drives down that street, and very few persons are ever seen walking through it.
The shutters of the little house are always closed; its occupants do not care for sunlight -- the light is no use to them. The windows are never opened, for they are not fond of fresh air. People who spend their lives in the midst of acacias, mulberries, and nettles have no passion for nature. It is only to the summer visitor that God has vouchsafed an eye for the beauties of nature. The rest of mankind remain steeped in profound ignorance of the existence of such beauties. People never prize what they have always had in abundance. "What we have, we do not treasure," and what's more we do not even love it.
The little house stands in an earthly paradise of green trees with happy birds nesting in them. But inside . . . alas . . . ! In summer, it is close and stifling within; in winter, hot as a Turkish bath, not one breath of air, and the dreariness! . . .
The first time I visited the little house was many years ago on business. I brought a message from the Colonel who was the owner of the house to his wife and daughter. That first visit I remember very distinctly. It would be impossible, indeed, to forget it.
Imagine a limp little woman of forty, gazing at you with alarm and astonishment while you walk from the passage into the parlour. You are a stranger, a visitor, "a young man"; that's enough to reduce her to a state of terror and bewilderment. Though you have no dagger, axe, or revolver in your hand, and though you smile affably, you are met with alarm.
"Whom have I the honour and pleasure of addressing?" the little lady asks in a trembling voice.
I introduced myself and explained why I had come. The alarm and amazement were at once succeeded by a shrill, joyful "Ach!" and she turned her eyes upwards to the ceiling. This "Ach!" was caught up like an echo and repeated from the hall to the parlour, from the parlour to the kitchen, and so on down to the cellar. Soon the whole house was resounding with "Ach!" in various voices.
Five minutes later I was sitting on a big, soft, warm lounge in the drawing-room listening to the "Ach!" echoing all down the street. There was a smell of moth powder, and of goatskin shoes, a pair of which lay on a chair beside me wrapped in a handkerchief. In the windows were geraniums, and muslin curtains, and on the curtains were torpid flies. On the wall hung the portrait of some bishop, painted in oils, with the glass broken at one corner, and next to the bishop a row of ancestors with lemon-coloured faces of a gipsy type. On the table lay a thimble, a reel of cotton, and a half-knitted stocking, and paper patterns and a black blouse, tacked together, were lying on the floor. In the next room two alarmed and fluttered old women were hurriedly picking up similar patterns and pieces of tailor's chalk from the floor.
"You must, please, excuse us; we are dreadfully untidy," said the little lady.
While she talked to me, she stole embarrassed glances towards the other room where the patterns were still being picked up. The door, too, seemed embarrassed, opening an inch or two and then shutting again.
"What's the matter?" said the little lady, addressing the door.
"Où est mon cravatte lequel mon père m'avait envoyé de Koursk?" asked a female voice at the door.
"Ah, est-ce que, Marie . . . que. . . Really, it's impossible. . . . Nous avons donc chez nous un homme peu connu de nous. Ask Lukerya."
"How well we speak French, though!" I read in the eyes of the little lady, who was flushing with pleasure.
Soon afterwards the door opened and I saw a tall, thin girl of nineteen, in a long muslin dress with a gilt belt from which, I remember, hung a mother-of-pearl fan. She came in, dropped a curtsy, and flushed crimson. Her long nose, which was slightly pitted with smallpox, turned red first, and then the flush passed up to her eyes and her forehead.
"My daughter," chanted the little lady, "and, Manetchka, this is a young gentleman who has come," etc.
I was introduced, and expressed my surprise at the number of paper patterns. Mother and daughter dropped their eyes.
"We had a fair here at Ascension," said the mother; "we always buy materials at the fair, and then it keeps us busy with sewing till the next year's fair comes around again. We never put things out to be made. My husband's pay is not very ample, and we are not able to permit ourselves luxuries. So we have to make up everything ourselves."
"But who will ever wear such a number of things? There are only two of you?"
"Oh . . . as though we were thinking of wearing them! They are not to be worn; they are for the trousseau!"
"Ah, mamam, what are you saying?" said the daughter, and she crimsoned again. "Our visitor might suppose it was true. I don't intend to be married. Never!"
She said this, but at the very word "married" her eyes glowed.
Tea, biscuits, butter, and jam were brought in, followed by raspberries and cream. At seven o'clock, we had supper, consisting of six courses, and while we were at supper I heard a loud yawn from the next room. I looked with surprise towards the door: it was a yawn that could only come from a man.
"That's my husband's brother, Yegor Semyonitch," the little lady explained, noticing my surprise. "He's been living with us for the last year. Please excuse him; he cannot come in to see you. He is such an unsociable person, he is shy with strangers. He is going into a monastery. He was unfairly treated in the service, and the disappointment has preyed on his mind."
After supper the little lady showed the vestment which Yegor Semyonitch was embroidering with his own hands as an offering for the Church. Manetchka threw off her shyness for a moment and showed me the tobacco-pouch she was embroidering for her father. When I pretended to be greatly struck by her work, she flushed crimson and whispered something in her mother's ear. The latter beamed all over, and invited me to go with her to the store-room. There I was shown five large trunks, and a number of smaller trunks and boxes.
"This is her trousseau," her mother whispered; "we made it all ourselves."
After looking at these forbidding trunks I took leave of my hospitable hostesses. They made me promise to come and see them again some day.
It happened that I was able to keep this promise. Seven years after my first visit, I was sent down to the little town to give expert evidence in a case that was being tried there.
As I entered the little house I heard the same "Ach!" echo through it. They recognised me at once. . . . Well they might! My first visit had been an event in their lives, and when events are few they are long remembered.
I walked into the drawing-room: the mother, who had grown stouter and was already getting grey, was creeping about on the floor, cutting out some blue material. The daughter was sitting on the sofa, embroidering.
There was the same smell of moth powder; there were the same patterns, the same portrait with the broken glass. But yet there was a change. Beside the portrait of the bishop hung a portrait of the Colonel, and the ladies were in mourning. The Colonel's death had occurred a week after his promotion to be a general.
Reminiscences began. . . . The widow shed tears.
"We have had a terrible loss," she said. "My husband, you know, is dead. We are alone in the world now, and have no one but ourselves to look to. Yegor Semyonitch is alive, but I have no good news to tell of him. They would not have him in the monastery on account of -- of intoxicating beverages. And now in his disappointment he drinks more than ever. I am thinking of going to the Marshal of Nobility to lodge a complaint. Would you believe it, he has more than once broken open the trunks and . . . taken Manetchka's trousseau and given it to beggars. He has taken everything out of two of the trunks! If he goes on like this, my Manetchka will be left without a trousseau at all."
"What are you saying, mamam?" said Manetchka, embarrassed. "Our visitor might suppose . . . there's no knowing what he might suppose. . . . I shall never -- never marry."
Manetchka cast her eyes up to the ceiling with a look of hope and aspiration, evidently not for a moment believing what she said.
A little bald-headed masculine figure in a brown coat and goloshes instead of boots darted like a mouse across the passage and disappeared. "Yegor Semyonitch, I suppose," I thought.
I looked at the mother and daughter together. They both looked much older and terribly changed. The mother's hair was silvered, but the daughter was so faded and withered that her mother might have been taken for her elder sister, not more than five years her senior.
"I have made up my mind to go to the Marshal," the mother said to me, forgetting she had told me this already. "I mean to make a complaint. Yegor Semyonitch lays his hands on everything we make, and offers it up for the sake of his soul. My Manetchka is left without a trousseau."
Manetchka flushed again, but this time she said nothing.
"We have to make them all over again. And God knows we are not so well off. We are all alone in the world now."
"We are alone in the world," repeated Manetchka.
A year ago fate brought me once more to the little house.
Walking into the drawing-room, I saw the old lady. Dressed all in black with heavy crape pleureuses, she was sitting on the sofa sewing. Beside her sat the little old man in the brown coat and the goloshes instead of boots. On seeing me, he jumped up and ran out of the room.
In response to my greeting, the old lady smiled and said:
"Je suis charmée de vous revoir, monsieur."
"What are you making?" I asked, a little later.
"It's a blouse. When it's finished I shall take it to the priest's to be put away, or else Yegor Semyonitch would carry it off. I store everything at the priest's now," she added in a whisper.
And looking at the portrait of her daughter which stood before her on the table, she sighed and said:
"We are all alone in the world."
And where was the daughter? Where was Manetchka? I did not ask. I did not dare to ask the old mother dressed in her new deep mourning. And while I was in the room, and when I got up to go, no Manetchka came out to greet me. I did not hear her voice, nor her soft, timid footstep. . . .
I understood, and my heart was heavy.
The Death of a Government Clerk by Anton Chekhov
Word Count: 1017
ONE fine evening, a no less fine government clerk called Ivan Dmitritch Tchervyakov was sitting in the second row of the stalls, gazing through an opera glass at the Cloches de Corneville. He gazed and felt at the acme of bliss. But suddenly. . . . In stories one so often meets with this "But suddenly." The authors are right: life is so full of surprises! But suddenly his face puckered up, his eyes disappeared, his breathing was arrested . . . he took the opera glass from his eyes, bent over and . . . "Aptchee!!" he sneezed as you perceive. It is not reprehensible for anyone to sneeze anywhere. Peasants sneeze and so do police superintendents, and sometimes even privy councillors. All men sneeze. Tchervyakov was not in the least confused, he wiped his face with his handkerchief, and like a polite man, looked round to see whether he had disturbed any one by his sneezing. But then he was overcome with confusion. He saw that an old gentleman sitting in front of him in the first row of the stalls was carefully wiping his bald head and his neck with his glove and muttering something to himself. In the old gentleman, Tchervyakov recognised Brizzhalov, a civilian general serving in the Department of Transport.
"I have spattered him," thought Tchervyakov, "he is not the head of my department, but still it is awkward. I must apologise."
Tchervyakov gave a cough, bent his whole person forward, and whispered in the general's ear.
"Pardon, your Excellency, I spattered you accidentally. . . ."
"Never mind, never mind."
"For goodness sake excuse me, I . . . I did not mean to."
"Oh, please, sit down! let me listen!"
Tchervyakov was embarrassed, he smiled stupidly and fell to gazing at the stage. He gazed at it but was no longer feeling bliss. He began to be troubled by uneasiness. In the interval, he went up to Brizzhalov, walked beside him, and overcoming his shyness, muttered:
"I spattered you, your Excellency, forgive me . . . you see . . . I didn't do it to . . . ."
"Oh, that's enough . . . I'd forgotten it, and you keep on about it!" said the general, moving his lower lip impatiently.
"He has forgotten, but there is a fiendish light in his eye," thought Tchervyakov, looking suspiciously at the general. "And he doesn't want to talk. I ought to explain to him . . . that I really didn't intend . . . that it is the law of nature or else he will think I meant to spit on him. He doesn't think so now, but he will think so later!"
On getting home, Tchervyakov told his wife of his breach of good manners. It struck him that his wife took too frivolous a view of the incident; she was a little frightened, but when she learned that Brizzhalov was in a different department, she was reassured.
"Still, you had better go and apologise," she said, "or he will think you don't know how to behave in public."
"That's just it! I did apologise, but he took it somehow queerly . . . he didn't say a word of sense. There wasn't time to talk properly."
Next day Tchervyakov put on a new uniform, had his hair cut and went to Brizzhalov's to explain; going into the general's reception room he saw there a number of petitioners and among them the general himself, who was beginning to interview them. After questioning several petitioners the general raised his eyes and looked at Tchervyakov.
"Yesterday at the Arcadia, if you recollect, your Excellency," the latter began, "I sneezed and . . . accidentally spattered . . . Exc. . . ."
"What nonsense. . . . It's beyond anything! What can I do for you," said the general addressing the next petitioner.
"He won't speak," thought Tchervyakov, turning pale; "that means that he is angry. . . . No, it can't be left like this. . . . I will explain to him."
When the general had finished his conversation with the last of the petitioners and was turning towards his inner apartments, Tchervyakov took a step towards him and muttered:
"Your Excellency! If I venture to trouble your Excellency, it is simply from a feeling I may say of regret! . . . It was not intentional if you will graciously believe me."
The general made a lachrymose face, and waved his hand.
"Why, you are simply making fun of me, sir," he said as he closed the door behind him.
"Where's the making fun in it?" thought Tchervyakov, "there is nothing of the sort! He is a general, but he can't understand. If that is how it is I am not going to apologise to that fanfaron any more! The devil take him. I'll write a letter to him, but I won't go. By Jove, I won't."
So thought Tchervyakov as he walked home; he did not write a letter to the general, he pondered and pondered and could not make up that letter. He had to go next day to explain in person.
"I ventured to disturb your Excellency yesterday," he muttered, when the general lifted enquiring eyes upon him, "not to make fun as you were pleased to say. I was apologising for having spattered you in sneezing. . . . And I did not dream of making fun of you. Should I dare to make fun of you, if we should take to making fun, then there would be no respect for persons, there would be. . . ."
"Be off!" yelled the general, turning suddenly purple, and shaking all over.
"What?" asked Tchervyakov, in a whisper turning numb with horror.
"Be off!" repeated the general, stamping.
Something seemed to give way in Tchervyakov's stomach. Seeing nothing and hearing nothing he reeled to the door, went out into the street, and went staggering along. . . . Reaching home mechanically, without taking off his uniform, he lay down on the sofa and died.
ONE fine evening, a no less fine government clerk called Ivan Dmitritch Tchervyakov was sitting in the second row of the stalls, gazing through an opera glass at the Cloches de Corneville. He gazed and felt at the acme of bliss. But suddenly. . . . In stories one so often meets with this "But suddenly." The authors are right: life is so full of surprises! But suddenly his face puckered up, his eyes disappeared, his breathing was arrested . . . he took the opera glass from his eyes, bent over and . . . "Aptchee!!" he sneezed as you perceive. It is not reprehensible for anyone to sneeze anywhere. Peasants sneeze and so do police superintendents, and sometimes even privy councillors. All men sneeze. Tchervyakov was not in the least confused, he wiped his face with his handkerchief, and like a polite man, looked round to see whether he had disturbed any one by his sneezing. But then he was overcome with confusion. He saw that an old gentleman sitting in front of him in the first row of the stalls was carefully wiping his bald head and his neck with his glove and muttering something to himself. In the old gentleman, Tchervyakov recognised Brizzhalov, a civilian general serving in the Department of Transport.
"I have spattered him," thought Tchervyakov, "he is not the head of my department, but still it is awkward. I must apologise."
Tchervyakov gave a cough, bent his whole person forward, and whispered in the general's ear.
"Pardon, your Excellency, I spattered you accidentally. . . ."
"Never mind, never mind."
"For goodness sake excuse me, I . . . I did not mean to."
"Oh, please, sit down! let me listen!"
Tchervyakov was embarrassed, he smiled stupidly and fell to gazing at the stage. He gazed at it but was no longer feeling bliss. He began to be troubled by uneasiness. In the interval, he went up to Brizzhalov, walked beside him, and overcoming his shyness, muttered:
"I spattered you, your Excellency, forgive me . . . you see . . . I didn't do it to . . . ."
"Oh, that's enough . . . I'd forgotten it, and you keep on about it!" said the general, moving his lower lip impatiently.
"He has forgotten, but there is a fiendish light in his eye," thought Tchervyakov, looking suspiciously at the general. "And he doesn't want to talk. I ought to explain to him . . . that I really didn't intend . . . that it is the law of nature or else he will think I meant to spit on him. He doesn't think so now, but he will think so later!"
On getting home, Tchervyakov told his wife of his breach of good manners. It struck him that his wife took too frivolous a view of the incident; she was a little frightened, but when she learned that Brizzhalov was in a different department, she was reassured.
"Still, you had better go and apologise," she said, "or he will think you don't know how to behave in public."
"That's just it! I did apologise, but he took it somehow queerly . . . he didn't say a word of sense. There wasn't time to talk properly."
Next day Tchervyakov put on a new uniform, had his hair cut and went to Brizzhalov's to explain; going into the general's reception room he saw there a number of petitioners and among them the general himself, who was beginning to interview them. After questioning several petitioners the general raised his eyes and looked at Tchervyakov.
"Yesterday at the Arcadia, if you recollect, your Excellency," the latter began, "I sneezed and . . . accidentally spattered . . . Exc. . . ."
"What nonsense. . . . It's beyond anything! What can I do for you," said the general addressing the next petitioner.
"He won't speak," thought Tchervyakov, turning pale; "that means that he is angry. . . . No, it can't be left like this. . . . I will explain to him."
When the general had finished his conversation with the last of the petitioners and was turning towards his inner apartments, Tchervyakov took a step towards him and muttered:
"Your Excellency! If I venture to trouble your Excellency, it is simply from a feeling I may say of regret! . . . It was not intentional if you will graciously believe me."
The general made a lachrymose face, and waved his hand.
"Why, you are simply making fun of me, sir," he said as he closed the door behind him.
"Where's the making fun in it?" thought Tchervyakov, "there is nothing of the sort! He is a general, but he can't understand. If that is how it is I am not going to apologise to that fanfaron any more! The devil take him. I'll write a letter to him, but I won't go. By Jove, I won't."
So thought Tchervyakov as he walked home; he did not write a letter to the general, he pondered and pondered and could not make up that letter. He had to go next day to explain in person.
"I ventured to disturb your Excellency yesterday," he muttered, when the general lifted enquiring eyes upon him, "not to make fun as you were pleased to say. I was apologising for having spattered you in sneezing. . . . And I did not dream of making fun of you. Should I dare to make fun of you, if we should take to making fun, then there would be no respect for persons, there would be. . . ."
"Be off!" yelled the general, turning suddenly purple, and shaking all over.
"What?" asked Tchervyakov, in a whisper turning numb with horror.
"Be off!" repeated the general, stamping.
Something seemed to give way in Tchervyakov's stomach. Seeing nothing and hearing nothing he reeled to the door, went out into the street, and went staggering along. . . . Reaching home mechanically, without taking off his uniform, he lay down on the sofa and died.
A Classical Student by Anton Chekhov
Word Count: 1175
BEFORE setting off for his examination in Greek, Vanya kissed all the holy images. His stomach felt as though it were upside down; there was a chill at his heart, while the heart itself throbbed and stood still with terror before the unknown. What would he get that day? A three or a two? Six times he went to his mother for her blessing, and, as he went out, asked his aunt to pray for him. On the way to school he gave a beggar two kopecks, in the hope that those two kopecks would atone for his ignorance, and that, please God, he would not get the numerals with those awful forties and eighties.
He came back from the high school late, between four and five. He came in, and noiselessly lay down on his bed. His thin face was pale. There were dark rings round his red eyes.
"Well, how did you get on? How were you marked?" asked his mother, going to his bedside.
Vanya blinked, twisted his mouth, and burst into tears. His mother turned pale, let her mouth fall open, and clasped her hands. The breeches she was mending dropped out of her hands.
"What are you crying for? You've failed, then?" she asked.
"I am plucked. . . . I got a two."
"I knew it would be so! I had a presentiment of it," said his mother. "Merciful God! How is it you have not passed? What is the reason of it? What subject have you failed in?"
"In Greek. . . . Mother, I . . . They asked me the future of phero, and I . . . instead of saying oisomai said opsomai. Then . . . then there isn't an accent, if the last syllable is long, and I . . . I got flustered. . . . I forgot that the alpha was long in it. . . . I went and put in the accent. Then Artaxerxov told me to give the list of the enclitic particles. . . . I did, and I accidentally mixed in a pronoun . . . and made a mistake . . . and so he gave me a two. . . . I am a miserable person. . . . I was working all night. . . I've been getting up at four o'clock all this week . . . ."
"No, it's not you but I who am miserable, you wretched boy! It's I that am miserable! You've worn me to a threadpaper, you Herod, you torment, you bane of my life! I pay for you, you good-for-nothing rubbish; I've bent my back toiling for you, I'm worried to death, and, I may say, I am unhappy, and what do you care? How do you work?"
"I . . . I do work. All night. . . . You've seen it yourself."
"I prayed to God to take me, but He won't take me, a sinful woman. . . . You torment! Other people have children like everyone else, and I've one only and no sense, no comfort out of him. Beat you? I'd beat you, but where am I to find the strength? Mother of God, where am I to find the strength?"
The mamma hid her face in the folds of her blouse and broke into sobs. Vanya wriggled with anguish and pressed his forehead against the wall. The aunt came in.
"So that's how it is. . . . Just what I expected," she said, at once guessing what was wrong, turning pale and clasping her hands. "I've been depressed all the morning. . . . There's trouble coming, I thought . . . and here it's come. . . ."
"The villain, the torment!"
"Why are you swearing at him?" cried the aunt, nervously pulling her coffee-coloured kerchief off her head and turning upon the mother. "It's not his fault! It's your fault! You are to blame! Why did you send him to that high school? You are a fine lady! You want to be a lady? A-a-ah! I dare say, as though you'll turn into gentry! But if you had sent him, as I told you, into business . . . to an office, like my Kuzya . . . here is Kuzya getting five hundred a year. . . . Five hundred roubles is worth having, isn't it? And you are wearing yourself out, and wearing the boy out with this studying, plague take it! He is thin, he coughs. . . just look at him! He's thirteen, and he looks no more than ten."
"No, Nastenka, no, my dear! I haven't thrashed him enough, the torment! He ought to have been thrashed, that's what it is! Ugh . . . Jesuit, Mahomet, torment!" she shook her fist at her son. "You want a flogging, but I haven't the strength. They told me years ago when he was little, 'Whip him, whip him!' I didn't heed them, sinful woman as I am. And now I am suffering for it. You wait a bit! I'll flay you! Wait a bit . . . ."
The mamma shook her wet fist, and went weeping into her lodger's room. The lodger, Yevtihy Kuzmitch Kuporossov, was sitting at his table, reading "Dancing Self-taught." Yevtihy Kuzmitch was a man of intelligence and education. He spoke through his nose, washed with a soap the smell of which made everyone in the house sneeze, ate meat on fast days, and was on the look-out for a bride of refined education, and so was considered the cleverest of the lodgers. He sang tenor.
"My good friend," began the mamma, dissolving into tears. "If you would have the generosity -- thrash my boy for me. . . . Do me the favour! He's failed in his examination, the nuisance of a boy! Would you believe it, he's failed! I can't punish him, through the weakness of my ill-health. . . . Thrash him for me, if you would be so obliging and considerate, Yevtihy Kuzmitch! Have regard for a sick woman!"
Kuporossov frowned and heaved a deep sigh through his nose. He thought a little, drummed on the table with his fingers, and sighing once more, went to Vanya.
"You are being taught, so to say," he began, "being educated, being given a chance, you revolting young person! Why have you done it?"
He talked for a long time, made a regular speech. He alluded to science, to light, and to darkness.
"Yes, young person."
When he had finished his speech, he took off his belt and took Vanya by the hand.
"It's the only way to deal with you," he said. Vanya knelt down submissively and thrust his head between the lodger's knees. His prominent pink ears moved up and down against the lodger's new serge trousers, with brown stripes on the outer seams.
Vanya did not utter a single sound. At the family council in the evening, it was decided to send him into business.
BEFORE setting off for his examination in Greek, Vanya kissed all the holy images. His stomach felt as though it were upside down; there was a chill at his heart, while the heart itself throbbed and stood still with terror before the unknown. What would he get that day? A three or a two? Six times he went to his mother for her blessing, and, as he went out, asked his aunt to pray for him. On the way to school he gave a beggar two kopecks, in the hope that those two kopecks would atone for his ignorance, and that, please God, he would not get the numerals with those awful forties and eighties.
He came back from the high school late, between four and five. He came in, and noiselessly lay down on his bed. His thin face was pale. There were dark rings round his red eyes.
"Well, how did you get on? How were you marked?" asked his mother, going to his bedside.
Vanya blinked, twisted his mouth, and burst into tears. His mother turned pale, let her mouth fall open, and clasped her hands. The breeches she was mending dropped out of her hands.
"What are you crying for? You've failed, then?" she asked.
"I am plucked. . . . I got a two."
"I knew it would be so! I had a presentiment of it," said his mother. "Merciful God! How is it you have not passed? What is the reason of it? What subject have you failed in?"
"In Greek. . . . Mother, I . . . They asked me the future of phero, and I . . . instead of saying oisomai said opsomai. Then . . . then there isn't an accent, if the last syllable is long, and I . . . I got flustered. . . . I forgot that the alpha was long in it. . . . I went and put in the accent. Then Artaxerxov told me to give the list of the enclitic particles. . . . I did, and I accidentally mixed in a pronoun . . . and made a mistake . . . and so he gave me a two. . . . I am a miserable person. . . . I was working all night. . . I've been getting up at four o'clock all this week . . . ."
"No, it's not you but I who am miserable, you wretched boy! It's I that am miserable! You've worn me to a threadpaper, you Herod, you torment, you bane of my life! I pay for you, you good-for-nothing rubbish; I've bent my back toiling for you, I'm worried to death, and, I may say, I am unhappy, and what do you care? How do you work?"
"I . . . I do work. All night. . . . You've seen it yourself."
"I prayed to God to take me, but He won't take me, a sinful woman. . . . You torment! Other people have children like everyone else, and I've one only and no sense, no comfort out of him. Beat you? I'd beat you, but where am I to find the strength? Mother of God, where am I to find the strength?"
The mamma hid her face in the folds of her blouse and broke into sobs. Vanya wriggled with anguish and pressed his forehead against the wall. The aunt came in.
"So that's how it is. . . . Just what I expected," she said, at once guessing what was wrong, turning pale and clasping her hands. "I've been depressed all the morning. . . . There's trouble coming, I thought . . . and here it's come. . . ."
"The villain, the torment!"
"Why are you swearing at him?" cried the aunt, nervously pulling her coffee-coloured kerchief off her head and turning upon the mother. "It's not his fault! It's your fault! You are to blame! Why did you send him to that high school? You are a fine lady! You want to be a lady? A-a-ah! I dare say, as though you'll turn into gentry! But if you had sent him, as I told you, into business . . . to an office, like my Kuzya . . . here is Kuzya getting five hundred a year. . . . Five hundred roubles is worth having, isn't it? And you are wearing yourself out, and wearing the boy out with this studying, plague take it! He is thin, he coughs. . . just look at him! He's thirteen, and he looks no more than ten."
"No, Nastenka, no, my dear! I haven't thrashed him enough, the torment! He ought to have been thrashed, that's what it is! Ugh . . . Jesuit, Mahomet, torment!" she shook her fist at her son. "You want a flogging, but I haven't the strength. They told me years ago when he was little, 'Whip him, whip him!' I didn't heed them, sinful woman as I am. And now I am suffering for it. You wait a bit! I'll flay you! Wait a bit . . . ."
The mamma shook her wet fist, and went weeping into her lodger's room. The lodger, Yevtihy Kuzmitch Kuporossov, was sitting at his table, reading "Dancing Self-taught." Yevtihy Kuzmitch was a man of intelligence and education. He spoke through his nose, washed with a soap the smell of which made everyone in the house sneeze, ate meat on fast days, and was on the look-out for a bride of refined education, and so was considered the cleverest of the lodgers. He sang tenor.
"My good friend," began the mamma, dissolving into tears. "If you would have the generosity -- thrash my boy for me. . . . Do me the favour! He's failed in his examination, the nuisance of a boy! Would you believe it, he's failed! I can't punish him, through the weakness of my ill-health. . . . Thrash him for me, if you would be so obliging and considerate, Yevtihy Kuzmitch! Have regard for a sick woman!"
Kuporossov frowned and heaved a deep sigh through his nose. He thought a little, drummed on the table with his fingers, and sighing once more, went to Vanya.
"You are being taught, so to say," he began, "being educated, being given a chance, you revolting young person! Why have you done it?"
He talked for a long time, made a regular speech. He alluded to science, to light, and to darkness.
"Yes, young person."
When he had finished his speech, he took off his belt and took Vanya by the hand.
"It's the only way to deal with you," he said. Vanya knelt down submissively and thrust his head between the lodger's knees. His prominent pink ears moved up and down against the lodger's new serge trousers, with brown stripes on the outer seams.
Vanya did not utter a single sound. At the family council in the evening, it was decided to send him into business.
An Enigmatic Nature by Anton Chekhov
Word Count: 832
ON the red velvet seat of a first-class railway carriage a pretty lady sits half reclining. An expensive fluffy fan trembles in her tightly closed fingers, a pince-nez keeps dropping off her pretty little nose, the brooch heaves and falls on her bosom, like a boat on the ocean. She is greatly agitated.
On the seat opposite sits the Provincial Secretary of Special Commissions, a budding young author, who from time to time publishes long stories of high life, or "Novelli" as he calls them, in the leading paper of the province. He is gazing into her face, gazing intently, with the eyes of a connoisseur. He is watching, studying, catching every shade of this exceptional, enigmatic nature. He understands it, he fathoms it. Her soul, her whole psychology lies open before him.
"Oh, I understand, I understand you to your inmost depths!" says the Secretary of Special Commissions, kissing her hand near the bracelet. "Your sensitive, responsive soul is seeking to escape from the maze of ---- Yes, the struggle is terrific, titanic. But do not lose heart, you will be triumphant! Yes!"
"Write about me, Voldemar!" says the pretty lady, with a mournful smile. "My life has been so full, so varied, so chequered. Above all, I am unhappy. I am a suffering soul in some page of Dostoevsky. Reveal my soul to the world, Voldemar. Reveal that hapless soul. You are a psychologist. We have not been in the train an hour together, and you have already fathomed my heart."
"Tell me! I beseech you, tell me!"
"Listen. My father was a poor clerk in the Service. He had a good heart and was not without intelligence; but the spirit of the age -- of his environment -- vous comprenez? -- I do not blame my poor father. He drank, gambled, took bribes. My mother -- but why say more? Poverty, the struggle for daily bread, the consciousness of insignificance -- ah, do not force me to recall it! I had to make my own way. You know the monstrous education at a boarding-school, foolish novel-reading, the errors of early youth, the first timid flutter of love. It was awful! The vacillation! And the agonies of losing faith in life, in oneself! Ah, you are an author. You know us women. You will understand. Unhappily I have an intense nature. I looked for happiness -- and what happiness! I longed to set my soul free. Yes. In that I saw my happiness!"
"Exquisite creature!" murmured the author, kissing her hand close to the bracelet. "It's not you I am kissing, but the suffering of humanity. Do you remember Raskolnikov and his kiss?"
"Oh, Voldemar, I longed for glory, renown, success, like every -- why affect modesty? -- every nature above the commonplace. I yearned for something extraordinary, above the common lot of woman! And then -- and then -- there crossed my path -- an old general -- very well off. Understand me, Voldemar! It was self-sacrifice, renunciation! You must see that! I could do nothing else. I restored the family fortunes, was able to travel, to do good. Yet how I suffered, how revolting, how loathsome to me were his embraces -- though I will be fair to him -- he had fought nobly in his day. There were moments -- terrible moments -- but I was kept up by the thought that from day to day the old man might die, that then I would begin to live as I liked, to give myself to the man I adore -- be happy. There is such a man, Voldemar, indeed there is!"
The pretty lady flutters her fan more violently. Her face takes a lachrymose expression. She goes on:
"But at last the old man died. He left me something. I was free as a bird of the air. Now is the moment for me to be happy, isn't it, Voldemar? Happiness comes tapping at my window, I had only to let it in -- but -- Voldemar, listen, I implore you! Now is the time for me to give myself to the man I love, to become the partner of his life, to help, to uphold his ideals, to be happy -- to find rest -- but -- how ignoble, repulsive, and senseless all our life is! How mean it all is, Voldemar. I am wretched, wretched, wretched! Again there is an obstacle in my path! Again I feel that my happiness is far, far away! Ah, what anguish! -- if only you knew what anguish!"
"But what -- what stands in your way? I implore you tell me! What is it?"
"Another old general, very well off----"
The broken fan conceals the pretty little face. The author props on his fist his thought -- heavy brow and ponders with the air of a master in psychology. The engine is whistling and hissing while the window curtains flush red with the glow of the setting sun.
ON the red velvet seat of a first-class railway carriage a pretty lady sits half reclining. An expensive fluffy fan trembles in her tightly closed fingers, a pince-nez keeps dropping off her pretty little nose, the brooch heaves and falls on her bosom, like a boat on the ocean. She is greatly agitated.
On the seat opposite sits the Provincial Secretary of Special Commissions, a budding young author, who from time to time publishes long stories of high life, or "Novelli" as he calls them, in the leading paper of the province. He is gazing into her face, gazing intently, with the eyes of a connoisseur. He is watching, studying, catching every shade of this exceptional, enigmatic nature. He understands it, he fathoms it. Her soul, her whole psychology lies open before him.
"Oh, I understand, I understand you to your inmost depths!" says the Secretary of Special Commissions, kissing her hand near the bracelet. "Your sensitive, responsive soul is seeking to escape from the maze of ---- Yes, the struggle is terrific, titanic. But do not lose heart, you will be triumphant! Yes!"
"Write about me, Voldemar!" says the pretty lady, with a mournful smile. "My life has been so full, so varied, so chequered. Above all, I am unhappy. I am a suffering soul in some page of Dostoevsky. Reveal my soul to the world, Voldemar. Reveal that hapless soul. You are a psychologist. We have not been in the train an hour together, and you have already fathomed my heart."
"Tell me! I beseech you, tell me!"
"Listen. My father was a poor clerk in the Service. He had a good heart and was not without intelligence; but the spirit of the age -- of his environment -- vous comprenez? -- I do not blame my poor father. He drank, gambled, took bribes. My mother -- but why say more? Poverty, the struggle for daily bread, the consciousness of insignificance -- ah, do not force me to recall it! I had to make my own way. You know the monstrous education at a boarding-school, foolish novel-reading, the errors of early youth, the first timid flutter of love. It was awful! The vacillation! And the agonies of losing faith in life, in oneself! Ah, you are an author. You know us women. You will understand. Unhappily I have an intense nature. I looked for happiness -- and what happiness! I longed to set my soul free. Yes. In that I saw my happiness!"
"Exquisite creature!" murmured the author, kissing her hand close to the bracelet. "It's not you I am kissing, but the suffering of humanity. Do you remember Raskolnikov and his kiss?"
"Oh, Voldemar, I longed for glory, renown, success, like every -- why affect modesty? -- every nature above the commonplace. I yearned for something extraordinary, above the common lot of woman! And then -- and then -- there crossed my path -- an old general -- very well off. Understand me, Voldemar! It was self-sacrifice, renunciation! You must see that! I could do nothing else. I restored the family fortunes, was able to travel, to do good. Yet how I suffered, how revolting, how loathsome to me were his embraces -- though I will be fair to him -- he had fought nobly in his day. There were moments -- terrible moments -- but I was kept up by the thought that from day to day the old man might die, that then I would begin to live as I liked, to give myself to the man I adore -- be happy. There is such a man, Voldemar, indeed there is!"
The pretty lady flutters her fan more violently. Her face takes a lachrymose expression. She goes on:
"But at last the old man died. He left me something. I was free as a bird of the air. Now is the moment for me to be happy, isn't it, Voldemar? Happiness comes tapping at my window, I had only to let it in -- but -- Voldemar, listen, I implore you! Now is the time for me to give myself to the man I love, to become the partner of his life, to help, to uphold his ideals, to be happy -- to find rest -- but -- how ignoble, repulsive, and senseless all our life is! How mean it all is, Voldemar. I am wretched, wretched, wretched! Again there is an obstacle in my path! Again I feel that my happiness is far, far away! Ah, what anguish! -- if only you knew what anguish!"
"But what -- what stands in your way? I implore you tell me! What is it?"
"Another old general, very well off----"
The broken fan conceals the pretty little face. The author props on his fist his thought -- heavy brow and ponders with the air of a master in psychology. The engine is whistling and hissing while the window curtains flush red with the glow of the setting sun.
At the Barber's by Anton Chekhov
Word Count: 1255
MORNING. It is not yet seven o'clock, but Makar Kuzmitch Blyostken's shop is already open. The barber himself, an unwashed, greasy, but foppishly dressed youth of three and twenty, is busy clearing up; there is really nothing to be cleared away, but he is perspiring with his exertions. In one place he polishes with a rag, in another he scrapes with his finger or catches a bug and brushes it off the wall.
The barber's shop is small, narrow, and unclean. The log walls are hung with paper suggestive of a cabman's faded shirt. Between the two dingy, perspiring windows there is a thin, creaking, rickety door, above it, green from the damp, a bell which trembles and gives a sickly ring of itself without provocation. Glance into the looking-glass which hangs on one of the walls, and it distorts your countenance in all directions in the most merciless way! The shaving and haircutting is done before this looking-glass. On the little table, as greasy and unwashed as Makar Kuzmitch himself, there is everything: combs, scissors, razors, a ha'porth of wax for the moustache, a ha'porth of powder, a ha'porth of much watered eau de Cologne, and indeed the whole barber's shop is not worth more than fifteen kopecks.
There is a squeaking sound from the invalid bell and an elderly man in a tanned sheepskin and high felt over-boots walks into the shop. His head and neck are wrapped in a woman's shawl.
This is Erast Ivanitch Yagodov, Makar Kuzmitch's godfather. At one time he served as a watchman in the Consistory, now he lives near the Red Pond and works as a locksmith.
"Makarushka, good-day, dear boy!" he says to Makar Kuzmitch, who is absorbed in tidying up.
They kiss each other. Yagodov drags his shawl off his head, crosses himself, and sits down.
"What a long way it is!" he says, sighing and clearing his throat. "It's no joke! From the Red Pond to the Kaluga gate."
"How are you?"
"In a poor way, my boy. I've had a fever."
"You don't say so! Fever!"
"Yes, I have been in bed a month; I thought I should die. I had extreme unction. Now my hair's coming out. The doctor says I must be shaved. He says the hair will grow again strong. And so, I thought, I'll go to Makar. Better to a relation than to anyone else. He will do it better and he won't take anything for it. It's rather far, that's true, but what of it? It's a walk."
"I'll do it with pleasure. Please sit down."
With a scrape of his foot Makar Kuzmitch indicates a chair. Yagodov sits down and looks at himself in the glass and is apparently pleased with his reflection: the looking-glass displays a face awry, with Kalmuck lips, a broad, blunt nose, and eyes in the forehead. Makar Kuzmitch puts round his client's shoulders a white sheet with yellow spots on it, and begins snipping with the scissors.
"I'll shave you clean to the skin!" he says.
"To be sure. So that I may look like a Tartar, like a bomb. The hair will grow all the thicker."
"How's auntie?"
"Pretty middling. The other day she went as midwife to the major's lady. They gave her a rouble."
"Oh, indeed, a rouble. Hold your ear."
"I am holding it. . . . Mind you don't cut me. Oy, you hurt! You are pulling my hair."
"That doesn't matter. We can't help that in our work. And how is Anna Erastovna?"
"My daughter? She is all right, she's skipping about. Last week on the Wednesday we betrothed her to Sheikin. Why didn't you come?"
The scissors cease snipping. Makar Kuzmitch drops his hands and asks in a fright:
"Who is betrothed?"
"Anna."
"How's that? To whom?"
"To Sheikin. Prokofy Petrovitch. His aunt's a housekeeper in Zlatoustensky Lane. She is a nice woman. Naturally we are all delighted, thank God. The wedding will be in a week. Mind you come; we will have a good time."
"But how's this, Erast Ivanitch?" says Makar Kuzmitch, pale, astonished, and shrugging his shoulders. "It's . . . it's utterly impossible. Why, Anna Erastovna . . . why I . . . why, I cherished sentiments for her, I had intentions. How could it happen?"
"Why, we just went and betrothed her. He's a good fellow."
Cold drops of perspiration come on the face of Makar Kuzmitch. He puts the scissors down on the table and begins rubbing his nose with his fist.
"I had intentions," he says. "It's impossible, Erast Ivanitch. I . . . I am in love with her and have made her the offer of my heart. . . . And auntie promised. I have always respected you as though you were my father. . . . I always cut your hair for nothing. . . . I have always obliged you, and when my papa died you took the sofa and ten roubles in cash and have never given them back. Do you remember?"
"Remember! of course I do. Only, what sort of a match would you be, Makar? You are nothing of a match. You've neither money nor position, your trade's a paltry one."
"And is Sheikin rich?"
"Sheikin is a member of a union. He has a thousand and a half lent on mortgage. So my boy . . . . It's no good talking about it, the thing's done. There is no altering it, Makarushka. You must look out for another bride. . . . The world is not so small. Come, cut away. Why are you stopping?"
Makar Kuzmitch is silent and remains motionless, then he takes a handkerchief out of his pocket and begins to cry.
"Come, what is it?" Erast Ivanitch comforts him. "Give over. Fie, he is blubbering like a woman! You finish my head and then cry. Take up the scissors!"
Makar Kuzmitch takes up the scissors, stares vacantly at them for a minute, then drops them again on the table. His hands are shaking.
"I can't," he says. "I can't do it just now. I haven't the strength! I am a miserable man! And she is miserable! We loved each other, we had given each other our promise and we have been separated by unkind people without any pity. Go away, Erast Ivanitch! I can't bear the sight of you."
"So I'll come to-morrow, Makarushka. You will finish me to-morrow."
"Right."
"You calm yourself and I will come to you early in the morning."
Erast Ivanitch has half his head shaven to the skin and looks like a convict. It is awkward to be left with a head like that, but there is no help for it. He wraps his head in the shawl and walks out of the barber's shop. Left alone, Makar Kuzmitch sits down and goes on quietly weeping.
Early next morning Erast Ivanitch comes again.
"What do you want?" Makar Kuzmitch asks him coldly.
"Finish cutting my hair, Makarushka. There is half the head left to do."
"Kindly give me the money in advance. I won't cut it for nothing."
Without saying a word Erast Ivanitch goes out, and to this day his hair is long on one side of the head and short on the other. He regards it as extravagance to pay for having his hair cut and is waiting for the hair to grow of itself on the shaven side.
He danced at the wedding in that condition.
MORNING. It is not yet seven o'clock, but Makar Kuzmitch Blyostken's shop is already open. The barber himself, an unwashed, greasy, but foppishly dressed youth of three and twenty, is busy clearing up; there is really nothing to be cleared away, but he is perspiring with his exertions. In one place he polishes with a rag, in another he scrapes with his finger or catches a bug and brushes it off the wall.
The barber's shop is small, narrow, and unclean. The log walls are hung with paper suggestive of a cabman's faded shirt. Between the two dingy, perspiring windows there is a thin, creaking, rickety door, above it, green from the damp, a bell which trembles and gives a sickly ring of itself without provocation. Glance into the looking-glass which hangs on one of the walls, and it distorts your countenance in all directions in the most merciless way! The shaving and haircutting is done before this looking-glass. On the little table, as greasy and unwashed as Makar Kuzmitch himself, there is everything: combs, scissors, razors, a ha'porth of wax for the moustache, a ha'porth of powder, a ha'porth of much watered eau de Cologne, and indeed the whole barber's shop is not worth more than fifteen kopecks.
There is a squeaking sound from the invalid bell and an elderly man in a tanned sheepskin and high felt over-boots walks into the shop. His head and neck are wrapped in a woman's shawl.
This is Erast Ivanitch Yagodov, Makar Kuzmitch's godfather. At one time he served as a watchman in the Consistory, now he lives near the Red Pond and works as a locksmith.
"Makarushka, good-day, dear boy!" he says to Makar Kuzmitch, who is absorbed in tidying up.
They kiss each other. Yagodov drags his shawl off his head, crosses himself, and sits down.
"What a long way it is!" he says, sighing and clearing his throat. "It's no joke! From the Red Pond to the Kaluga gate."
"How are you?"
"In a poor way, my boy. I've had a fever."
"You don't say so! Fever!"
"Yes, I have been in bed a month; I thought I should die. I had extreme unction. Now my hair's coming out. The doctor says I must be shaved. He says the hair will grow again strong. And so, I thought, I'll go to Makar. Better to a relation than to anyone else. He will do it better and he won't take anything for it. It's rather far, that's true, but what of it? It's a walk."
"I'll do it with pleasure. Please sit down."
With a scrape of his foot Makar Kuzmitch indicates a chair. Yagodov sits down and looks at himself in the glass and is apparently pleased with his reflection: the looking-glass displays a face awry, with Kalmuck lips, a broad, blunt nose, and eyes in the forehead. Makar Kuzmitch puts round his client's shoulders a white sheet with yellow spots on it, and begins snipping with the scissors.
"I'll shave you clean to the skin!" he says.
"To be sure. So that I may look like a Tartar, like a bomb. The hair will grow all the thicker."
"How's auntie?"
"Pretty middling. The other day she went as midwife to the major's lady. They gave her a rouble."
"Oh, indeed, a rouble. Hold your ear."
"I am holding it. . . . Mind you don't cut me. Oy, you hurt! You are pulling my hair."
"That doesn't matter. We can't help that in our work. And how is Anna Erastovna?"
"My daughter? She is all right, she's skipping about. Last week on the Wednesday we betrothed her to Sheikin. Why didn't you come?"
The scissors cease snipping. Makar Kuzmitch drops his hands and asks in a fright:
"Who is betrothed?"
"Anna."
"How's that? To whom?"
"To Sheikin. Prokofy Petrovitch. His aunt's a housekeeper in Zlatoustensky Lane. She is a nice woman. Naturally we are all delighted, thank God. The wedding will be in a week. Mind you come; we will have a good time."
"But how's this, Erast Ivanitch?" says Makar Kuzmitch, pale, astonished, and shrugging his shoulders. "It's . . . it's utterly impossible. Why, Anna Erastovna . . . why I . . . why, I cherished sentiments for her, I had intentions. How could it happen?"
"Why, we just went and betrothed her. He's a good fellow."
Cold drops of perspiration come on the face of Makar Kuzmitch. He puts the scissors down on the table and begins rubbing his nose with his fist.
"I had intentions," he says. "It's impossible, Erast Ivanitch. I . . . I am in love with her and have made her the offer of my heart. . . . And auntie promised. I have always respected you as though you were my father. . . . I always cut your hair for nothing. . . . I have always obliged you, and when my papa died you took the sofa and ten roubles in cash and have never given them back. Do you remember?"
"Remember! of course I do. Only, what sort of a match would you be, Makar? You are nothing of a match. You've neither money nor position, your trade's a paltry one."
"And is Sheikin rich?"
"Sheikin is a member of a union. He has a thousand and a half lent on mortgage. So my boy . . . . It's no good talking about it, the thing's done. There is no altering it, Makarushka. You must look out for another bride. . . . The world is not so small. Come, cut away. Why are you stopping?"
Makar Kuzmitch is silent and remains motionless, then he takes a handkerchief out of his pocket and begins to cry.
"Come, what is it?" Erast Ivanitch comforts him. "Give over. Fie, he is blubbering like a woman! You finish my head and then cry. Take up the scissors!"
Makar Kuzmitch takes up the scissors, stares vacantly at them for a minute, then drops them again on the table. His hands are shaking.
"I can't," he says. "I can't do it just now. I haven't the strength! I am a miserable man! And she is miserable! We loved each other, we had given each other our promise and we have been separated by unkind people without any pity. Go away, Erast Ivanitch! I can't bear the sight of you."
"So I'll come to-morrow, Makarushka. You will finish me to-morrow."
"Right."
"You calm yourself and I will come to you early in the morning."
Erast Ivanitch has half his head shaven to the skin and looks like a convict. It is awkward to be left with a head like that, but there is no help for it. He wraps his head in the shawl and walks out of the barber's shop. Left alone, Makar Kuzmitch sits down and goes on quietly weeping.
Early next morning Erast Ivanitch comes again.
"What do you want?" Makar Kuzmitch asks him coldly.
"Finish cutting my hair, Makarushka. There is half the head left to do."
"Kindly give me the money in advance. I won't cut it for nothing."
Without saying a word Erast Ivanitch goes out, and to this day his hair is long on one side of the head and short on the other. He regards it as extravagance to pay for having his hair cut and is waiting for the hair to grow of itself on the shaven side.
He danced at the wedding in that condition.
Joy by Anton Chekhov
Word Count: 697
IT was twelve o'clock at night.
Mitya Kuldarov, with excited face and ruffled hair, flew into his parents' flat, and hurriedly ran through all the rooms. His parents had already gone to bed. His sister was in bed, finishing the last page of a novel. His schoolboy brothers were asleep.
"Where have you come from?" cried his parents in amazement. "What is the matter with you?
"Oh, don't ask! I never expected it; no, I never expected it! It's . . . it's positively incredible!"
Mitya laughed and sank into an armchair, so overcome by happiness that he could not stand on his legs.
"It's incredible! You can't imagine! Look!"
His sister jumped out of bed and, throwing a quilt round her, went in to her brother. The schoolboys woke up.
"What's the matter? You don't look like yourself!"
"It's because I am so delighted, Mamma! Do you know, now all Russia knows of me! All Russia! Till now only you knew that there was a registration clerk called Dmitry Kuldarov, and now all Russia knows it! Mamma! Oh, Lord!"
Mitya jumped up, ran up and down all the rooms, and then sat down again.
"Why, what has happened? Tell us sensibly!"
"You live like wild beasts, you don't read the newspapers and take no notice of what's published, and there's so much that is interesting in the papers. If anything happens it's all known at once, nothing is hidden! How happy I am! Oh, Lord! You know it's only celebrated people whose names are published in the papers, and now they have gone and published mine!"
"What do you mean? Where?"
The papa turned pale. The mamma glanced at the holy image and crossed herself. The schoolboys jumped out of bed and, just as they were, in short nightshirts, went up to their brother.
"Yes! My name has been published! Now all Russia knows of me! Keep the paper, mamma, in memory of it! We will read it sometimes! Look!"
Mitya pulled out of his pocket a copy of the paper, gave it to his father, and pointed with his finger to a passage marked with blue pencil.
"Read it!"
The father put on his spectacles.
"Do read it!"
The mamma glanced at the holy image and crossed herself. The papa cleared his throat and began to read: "At eleven o'clock on the evening of the 29th of December, a registration clerk of the name of Dmitry Kuldarov . . ."
"You see, you see! Go on!"
". . . a registration clerk of the name of Dmitry Kuldarov, coming from the beershop in Kozihin's buildings in Little Bronnaia in an intoxicated condition. . ."
"That's me and Semyon Petrovitch. . . . It's all described exactly! Go on! Listen!"
". . . intoxicated condition, slipped and fell under a horse belonging to a sledge-driver, a peasant of the village of Durikino in the Yuhnovsky district, called Ivan Drotov. The frightened horse, stepping over Kuldarov and drawing the sledge over him, together with a Moscow merchant of the second guild called Stepan Lukov, who was in it, dashed along the street and was caught by some house-porters. Kuldarov, at first in an unconscious condition, was taken to the police station and there examined by the doctor. The blow he had received on the back of his head. . ."
"It was from the shaft, papa. Go on! Read the rest!"
". . . he had received on the back of his head turned out not to be serious. The incident was duly reported. Medical aid was given to the injured man. . . ."
"They told me to foment the back of my head with cold water. You have read it now? Ah! So you see. Now it's all over Russia! Give it here!"
Mitya seized the paper, folded it up and put it into his pocket.
"I'll run round to the Makarovs and show it to them. . . . I must show it to the Ivanitskys too, Natasya Ivanovna, and Anisim Vassilyitch. . . . I'll run! Good-bye!"
Mitya put on his cap with its cockade and, joyful and triumphant, ran into the street.
IT was twelve o'clock at night.
Mitya Kuldarov, with excited face and ruffled hair, flew into his parents' flat, and hurriedly ran through all the rooms. His parents had already gone to bed. His sister was in bed, finishing the last page of a novel. His schoolboy brothers were asleep.
"Where have you come from?" cried his parents in amazement. "What is the matter with you?
"Oh, don't ask! I never expected it; no, I never expected it! It's . . . it's positively incredible!"
Mitya laughed and sank into an armchair, so overcome by happiness that he could not stand on his legs.
"It's incredible! You can't imagine! Look!"
His sister jumped out of bed and, throwing a quilt round her, went in to her brother. The schoolboys woke up.
"What's the matter? You don't look like yourself!"
"It's because I am so delighted, Mamma! Do you know, now all Russia knows of me! All Russia! Till now only you knew that there was a registration clerk called Dmitry Kuldarov, and now all Russia knows it! Mamma! Oh, Lord!"
Mitya jumped up, ran up and down all the rooms, and then sat down again.
"Why, what has happened? Tell us sensibly!"
"You live like wild beasts, you don't read the newspapers and take no notice of what's published, and there's so much that is interesting in the papers. If anything happens it's all known at once, nothing is hidden! How happy I am! Oh, Lord! You know it's only celebrated people whose names are published in the papers, and now they have gone and published mine!"
"What do you mean? Where?"
The papa turned pale. The mamma glanced at the holy image and crossed herself. The schoolboys jumped out of bed and, just as they were, in short nightshirts, went up to their brother.
"Yes! My name has been published! Now all Russia knows of me! Keep the paper, mamma, in memory of it! We will read it sometimes! Look!"
Mitya pulled out of his pocket a copy of the paper, gave it to his father, and pointed with his finger to a passage marked with blue pencil.
"Read it!"
The father put on his spectacles.
"Do read it!"
The mamma glanced at the holy image and crossed herself. The papa cleared his throat and began to read: "At eleven o'clock on the evening of the 29th of December, a registration clerk of the name of Dmitry Kuldarov . . ."
"You see, you see! Go on!"
". . . a registration clerk of the name of Dmitry Kuldarov, coming from the beershop in Kozihin's buildings in Little Bronnaia in an intoxicated condition. . ."
"That's me and Semyon Petrovitch. . . . It's all described exactly! Go on! Listen!"
". . . intoxicated condition, slipped and fell under a horse belonging to a sledge-driver, a peasant of the village of Durikino in the Yuhnovsky district, called Ivan Drotov. The frightened horse, stepping over Kuldarov and drawing the sledge over him, together with a Moscow merchant of the second guild called Stepan Lukov, who was in it, dashed along the street and was caught by some house-porters. Kuldarov, at first in an unconscious condition, was taken to the police station and there examined by the doctor. The blow he had received on the back of his head. . ."
"It was from the shaft, papa. Go on! Read the rest!"
". . . he had received on the back of his head turned out not to be serious. The incident was duly reported. Medical aid was given to the injured man. . . ."
"They told me to foment the back of my head with cold water. You have read it now? Ah! So you see. Now it's all over Russia! Give it here!"
Mitya seized the paper, folded it up and put it into his pocket.
"I'll run round to the Makarovs and show it to them. . . . I must show it to the Ivanitskys too, Natasya Ivanovna, and Anisim Vassilyitch. . . . I'll run! Good-bye!"
Mitya put on his cap with its cockade and, joyful and triumphant, ran into the street.
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