Kate Chopin Biography

Word Count:  610

Kate Chopin, born Katherine O'Flaherty in St. Louis, Missouri on February 8, 1850, is considered one of the first feminist authors of the 20th century. She was following a rather conventional path as a housewife until an unfortunate tragedy -- the untimely death of her husband -- altered the course of her life. She was a talented and prolific short story writer but is best known for her novel The Awakening (1899), a hauntingly prescient tale of a woman unfulfilled by the mundane yet highly celebrated "feminine role," and her painful realization that the constraints of her gender blocked her ability to seek a more fulfilling life.

Chopin placed most of her stories in north central Louisiana, many in Natchitoches, and she published two significant short story collections; Bayou Folk in 1894, and then A Night in Acadie in 1897. The reader will find gems in both collections.

Some argue that modern feminism was borne on her pages, and one needs to look no further than her 1894 short story The Story of an Hour to support the claim. The reader should note the relationship of the leading figure in that story to the circumstances of Kate Chopin’s own life, where the death of her own husband started a process that would ultimately push her beyond the roles of wife and mother of six and on to the life of an artist. After The Story of an Hour a reader would do well to balance the scale and turn their attention to Regret -- a short story blessed with love and borne from a mother's heart.

Desiree's Baby (1893), and The Storm (1898), which is a sequel to her story At the 'Cadian Ball (1892), are also amongst her most celebrated short stories.

Chopin's writing career began after her husband died on their Louisiana plantation in 1882 and she was struggling financially. Her mother convinced Kate to move back to St. Louis, but died shortly thereafter leaving her alone. Now Chopin, suffering from the loss of her husband and mother, was advised by her obstetrician and family friend to fight her state of depression by taking up writing as a source of therapeutic healing, a way to focus her energy and provide Chopin with a source of income. She took the advice to heart.

By the early 1890s, Kate Chopin was writing short stories, articles, and translations which appeared in periodicals and literary magazines regionally based in St. Louis -- she was perceived as a "local color" writer, but her literary qualities were discounted. Her novel The Awakening, (1899) was considered too far ahead of its time and Chopin was discouraged by the literary criticism and that she had not been accepted as an author, so she turned to short story writing almost exclusively thereafter.

Chopin embraced a number of writing styles, taking into account her ancestry of Irish and French descent, and her years with Creole and Cajun influences in Louisiana. Slavery and women's rights were realities that she incorporated in many of her stories and sketches, portraying women in a less than conventional manner, with individual wants and needs. Perhaps in many ways autobiographical, her exploration of women's independence was not celebrated until many years later. Chopin was in many ways, a woman before her time.

Readers interested the feminist aspects of Kate Chopin's works will also wish to investigate plays and short stories from Susan Glaspell and Charlotte Perkins Gilman's semi-autobiographical sketch The Yellow Wallpaper.

But it would be a grave mistake to dismiss Chopin as "a feminist" writer. She was a first-class writer and her ability to raise life from a blank page knows few equals.

To the Friend of My Youth: To Kitty by Kate Chopin

Word Count:  62

It is not all of life
To cling together while the years glide past.
It is not all of love
To walk with clasped hands from first to last.
That mystic garland which the spring did twine
Of scented lilac and the new-blown rose,
Faster than chains will hold my soul to thine
Thro' joy, and grief, thro' life--unto its close.

By The Meadow Gate by Kate Chopin

Word Count:  209

Over the hill and across the ford and down by the meadow gate
A girl is asleep in the long, cool grass.
The soft winds blow and the soft winds pass;
The birds call: "awake!" but they do not stay
While the maid is dreaming the time away
           By the meadow gate

Over the hill and across the ford and down by the meadow gate
A youth with the light of the boundless skies
A glow in his soul and a flame in his eyes,
Follows a voice that is never still,
Trading the path to the distant hill
           By the meadow gate

Over the hill and across the ford and down by the meadow gate
The voice and the dream are near — so near,
That if he but listened his heart might hear.
Now he may follow the years and afar,
He may walk from the world to the evening star
           Past the meadow gate.

Over the hill and across the ford and down by the meadow gate
May her days be many, her days be few,
The dream of the maiden will never come true.
For the soft wind carried the moment away,
And the birds they sang, but they would not stay
           By the meadow gate.

The Unexpected by Kate Chopin

Word Count:  1257

When Randall, for a brief absence, left his Dorothea, whom he was to marry after a time, the parting was bitter; the enforced separation seemed to them too cruel an ordeal to bear. The good-bye dragged with lingering kisses and sighs, and more kisses and more clinging till the last wrench came.

He was to return at the close of the month. Daily letters, impassioned and interminable, passed between them.

He did not return at the close of the month; he was delayed by illness. A heavy cold, accompanied by fever, contracted in some unaccountable way, held him to his bed. He hoped it would be over and that he would rejoin her in a week. But this was a stubborn cold, that seemed not to yield to familiar treatment; yet the physician was not discouraged, and promised to have him on his feet in a fortnight.

All this was torture to the impatient Dorothea; and if her parents had permitted, she surely would have hastened to the bedside of her beloved.

For a long interval he could not write himself. One day he seemed better; another day a "fresh cold" seized him with relentless clutch; and so a second month went by, and Dorothea had reached the limit of her endurance.

Then a tremulous scrawl came from him, saying he would be obliged to pass a season at the south; but he would first revisit his home, if only for a day, to clasp his dearest one to his heart, to appease the hunger for her presence, the craving for her lips that had been devouring him through all the fever and pain of this detestable illness.

Dorothea had read his impassioned letters almost to tatters. She had sat daily gazing for hours upon his portrait, which showed him to be an almost perfect specimen of youthful health, strength and manly beauty.

She knew he would be altered in appearance--he had prepared her, and had even written that she would hardly know him. She expected to see him ill and wasted; she would not seem shocked; she would not let him see astonishment or pain in her face. She was in a quiver of anticipation, a sensuous fever of expectancy till he came.

She sat beside him on the sofa, for after the first delirious embrace he had been unable to hold himself upon his tottering feet, and had sunk exhausted in a corner of the sofa. He threw his head back upon the cushions and stayed, with closed eyes, panting; all the strength of his body had concentrated in the clasp--the grasp with which he clung to her hand.

She stared at him as one might look upon a curious apparition which inspired wonder and mistrust rather than fear. This was not the man who had gone away from her; the man she loved and had promised to marry. What hideous transformation had he undergone, or what devilish transformation was she undergoing in contemplating him? His skin was waxy and hectic, red upon the cheek-bones. His eyes were sunken; his features pinched and prominent; and his clothing hung loosely upon his wasted frame. The lips with which he had kissed her so hungrily, and with which he was kissing her now, were dry and parched, and his breath was feverish and tainted.

At the sight and the touch of him something within her seemed to be shuddering, shrinking, shriveling together, losing all semblance of what had been. She felt as if it was her heart; but it was only her love.

"This is the way my uncle Archibald went--in a gallop--you know." He spoke with a certain derision and in little gasps as if breath were failing him. "There's no danger of that for me, of course, once I get south; but the doctors won't answer for me if I stay here during the coming fall and winter."

Then he held her in his arms with what seemed to be a frenzy of passion; a keen and quickened desire beside which his former and healthful transports were tempered and lukewarm by comparison.

"We need not wait, Dorothea," he whispered. "We must not put it off. Let the marriage be at once, and you will come with me and be with me. Oh, God! I feel as if I would never let you go; as if I must hold you in my arms forever, night and day, and always!"

She attempted to withdraw from his embrace. She begged him not to think of it, and tried to convince him that it was impossible.

"I would only be a hindrance, Randall. You will come back well and strong; it will be time enough then," and to herself she was saying: "never, never, never!" There was a long silence, and he had closed his eyes again.

"For another reason, my Dorothea," and then he waited again, as one hesitates through shame or through fear, to speak. "I am quite -- almost sure I shall get well; but the strongest of us cannot count upon life. If the worst should come I want you to have all I possess; what fortune I have must be yours, and marriage will make my wish secure. Now I'm getting morbid." He ended with a laugh that died away in a cough which threatened to wrench the breath from his body, and which brought the attendant, who had waited without, quickly to his side.

Dorothea watched him from the window descend the steps, leaning upon the man's arm, and saw him enter his carriage and fall helpless and exhausted as he had sunk an hour before in the corner of her sofa.

She was glad there was no one present to compel her to speak. She stayed at the window as if dazed, looking fixedly at the spot where the carriage had stood. A clock on the mantel striking the hour finally roused her, and she realized that there would soon be people appearing whom she would be forced to face and speak to.

Fifteen minutes later Dorothea had changed her house gown, had mounted her "wheel," and was fleeing as if Death himself pursued her.

She sped along the familiar roadway, seemingly borne on by some force other than mechanical-some unw onted energy--a stubborn impulse that lighted her eyes, set her cheeks aflame, bent her supple body to one purpose--that was, swiftest flight.

How far, and how long did she go? She did not know; she did not care. The country about her grew unfamiliar. She was on a rough, unfrequented road, where the birds in the wayside brooks seemed unafraid. She could perceive no human habitation; an old fallow field, a stretch of wood, great trees bending thick-leaved branches languidly, and flinging long, inviting shadows about the road; the woody smell of summer; the drone of the insects; the sky and the clouds, and the quivering, lambent air. She was alone with nature; her pulses beating in unison with its sensuous throb, as she stopped and stretched herself upon the sward. Every muscle, nerve, fibre abandoned itself to the delicious sensation of rest that overtook and crept tingling through the whole length of her body.

She had never spoken a word after bidding him good-by; but now she seemed disposed to make confidants of the tremulous leaves, or the crawling and hopping insects, or the big sky into which she was staring.

"Never!" she whispered, "not for all his thousands! Never, never! not for millions!"

The Story of An Hour by Kate Chopin

Word Count:  1047

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.

It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.

She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.

There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which someone was singing reached her faintly, and countless sparrows were twittering in the eaves.

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.

She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.

Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.

There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

And yet she had loved him--sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!

"Free! Body and soul free!" she kept whispering.

Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door."

"Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Someone was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.

When the doctors came they said she had died of heart disease--of the joy that kills.
The Story of An Hour was featured as The Short Story of the Day on Mon, Jan 05, 2015
The Story of an Hour is one of the stories featured in our collection of Short Stories for High School students.

The Storm by Kate Chopin

Word Count:  1889

I

The leaves were so still that even Bibi thought it was going to rain. Bobint, who was accustomed to converse on terms of perfect equality with his little son, called the child's attention to certain sombre clouds that were rolling with sinister intention from the west, accompanied by a sullen, threatening roar. They were at Friedheimer's store and decided to remain there till the storm had passed. They sat within the door on two empty kegs. Bibi was four years old and looked very wise.

"Mama'll be 'fraid, yes, he suggested with blinking eyes.

"She'll shut the house. Maybe she got Sylvie helpin' her this evenin'," Bobint responded reassuringly.

"No; she ent got Sylvie. Sylvie was helpin' her yistiday,' piped Bibi.

Bobint arose and going across to the counter purchased a can of shrimps, of which Calixta was very fond. Then he retumed to his perch on the keg and sat stolidly holding the can of shrimps while the storm burst. It shook the wooden store and seemed to be ripping great furrows in the distant field. Bibi laid his little hand on his father's knee and was not afraid.

II

Calixta, at home, felt no uneasiness for their safety. She sat at a side window sewing furiously on a sewing machine. She was greatly occupied and did not notice the approaching storm. But she felt very warm and often stopped to mop her face on which the perspiration gathered in beads. She unfastened her white sacque at the throat. It began to grow dark, and suddenly realizing the situation she got up hurriedly and went about closing windows and doors.

Out on the small front gallery she had hung Bobint's Sunday clothes to dry and she hastened out to gather them before the rain fell. As she stepped outside, Alce Laballire rode in at the gate. She had not seen him very often since her marriage, and never alone. She stood there with Bobint's coat in her hands, and the big rain drops began to fall. Alce rode his horse under the shelter of a side projection where the chickens had huddled and there were plows and a harrow piled up in the corner.

"May I come and wait on your gallery till the storm is over, Calixta?" he asked.

Come 'long in, M'sieur Alce."

His voice and her own startled her as if from a trance, and she seized Bobint's vest. Alce, mounting to the porch, grabbed the trousers and snatched Bibi's braided jacket that was about to be carried away by a sudden gust of wind. He expressed an intention to remain outside, but it was soon apparent that he might as well have been out in the open: the water beat in upon the boards in driving sheets, and he went inside, closing the door after him. It was even necessary to put something beneath the door to keep the water out.

"My! what a rain! It's good two years sence it rain' like that," exclaimed Calixta as she rolled up a piece of bagging and Alce helped her to thrust it beneath the crack.

She was a little fuller of figure than five years before when she married; but she had lost nothing of her vivacity. Her blue eyes still retained their melting quality; and her yellow hair, dishevelled by the wind and rain, kinked more stubbornly than ever about her ears and temples.

The rain beat upon the low, shingled roof with a force and clatter that threatened to break an entrance and deluge them there. They were in the dining room the sitting room the general utility room. Adjoining was her bed room, with Bibi's couch along side her own. The door stood open, and the room with its white, monumental bed, its closed shutters, looked dim and mysterious.

Alce flung himself into a rocker and Calixta nervously began to gather up from the floor the lengths of a cotton sheet which she had been sewing.

lf this keeps up, Dieu sait if the levees goin' to stan it!" she exclaimed.

"What have you got to do with the levees?"

"I got enough to do! An' there's Bobint with Bibi out in that storm if he only didn' left Friedheimer's!"

"Let us hope, Calixta, that Bobint's got sense enough to come in out of a cyclone."

She went and stood at the window with a greatly disturbed look on her face. She wiped the frame that was clouded with moisture. It was stiflingly hot. Alce got up and joined her at the window, looking over her shoulder. The rain was coming down in sheets obscuring the view of far-off cabins and enveloping the distant wood in a gray mist. The playing of the lightning was incessant. A bolt struck a tall chinaberry tree at the edge of the field. It filled all visible space with a blinding glare and the crash seemed to invade the very boards they stood upon.

Calixta put her hands to her eyes, and with a cry, staggered backward. Alce's arm encircled her, and for an instant he drew her close and spasmodically to him.

"Bont!" she cried, releasing herself from his encircling arm and retreating from the window, the house'll go next! If I only knew w'ere Bibi was!" She would not compose herself; she would not be seated. Alce clasped her shoulders and looked into her face. The contact of her warm, palpitating body when he had unthinkingly drawn her into his arms, had aroused all the old-time infatuation and desire for her flesh.

"Calixta," he said, "don't be frightened. Nothing can happen. The house is too low to be struck, with so many tall trees standing about. There! aren't you going to be quiet? say, aren't you?" He pushed her hair back from her face that was warm and steaming. Her lips were as red and moist as pomegranate seed. Her white neck and a glimpse of her full, firm bosom disturbed him powerfully. As she glanced up at him the fear in her liquid blue eyes had given place to a drowsy gleam that unconsciously betrayed a sensuous desire. He looked down into her eyes and there was nothing for him to do but to gather her lips in a kiss. It reminded him of Assumption.

"Do you rememberin Assumption, Calixta?" he asked in a low voice broken by passion. Oh! she remembered; for in Assumption he had kissed her and kissed and kissed her; until his senses would well nigh fail, and to save her he would resort to a desperate flight. If she was not an immaculate dove in those days, she was still inviolate; a passionate creature whose very defenselessness had made her defense, against which his honor forbade him to prevail. Now well, now her lips seemed in a manner free to be tasted, as well as her round, white throat and her whiter breasts.

They did not heed the crashing torrents, and the roar of the elements made her laugh as she lay in his arms. She was a revelation in that dim, mysterious chamber; as white as the couch she lay upon. Her firm, elastic flesh that was knowing for the first time its birthright, was like a creamy lily that the sun invites to contribute its breath and perfume to the undying life of the world.

The generous abundance of her passion, without guile or trickery, was like a white flame which penetrated and found response in depths of his own sensuous nature that had never yet been reached.

When he touched her breasts they gave themselves up in quivering ecstasy, inviting his lips. Her mouth was a fountain of delight. And when he possessed her, they seemed to swoon together at the very borderland of life's mystery.

He stayed cushioned upon her, breathless, dazed, enervated, with his heart beating like a hammer upon her. With one hand she clasped his head, her lips lightly touching his forehead. The other hand stroked with a soothing rhythm his muscular shoulders.

The growl of the thunder was distant and passing away. The rain beat softly upon the shingles, inviting them to drowsiness and sleep. But they dared not yield.

III

The rain was over; and the sun was turning the glistening green world into a palace of gems. Calixta, on the gallery, watched Alce ride away. He turned and smiled at her with a beaming face; and she lifted her pretty chin in the air and laughed aloud.

Bobint and Bibi, trudging home, stopped without at the cistern to make themselves presentable.

"My! Bibi, w'at will yo' mama say! You ought to be ashame'. You oughta' put on those good pants. Look at 'em! An' that mud on yo' collar! How you got that mud on yo' collar, Bibi? I never saw such a boy!" Bibi was the picture of pathetic resignation. Bobint was the embodiment of serious solicitude as he strove to remove from his own person and his son's the signs of their tramp over heavy roads and through wet fields. He scraped the mud off Bibi's bare legs and feet with a stick and carefully removed all traces from his heavy brogans. Then, prepared for the worst the meeting with an over-scrupulous housewife, they entered cautiously at the back door.

Calixta was preparing supper. She had set the table and was dripping coffee at the hearth. She sprang up as they came in.

"Oh, Bobint! You back! My! But I was uneasy. W'ere you been during the rain? An' Bibi? he ain't wet? he ain't hurt?" She had clasped Bibi and was kissing him effusively. Bobint's explanations and apologies which he had been composing all along the way, died on his lips as Calixta felt him to see if he were dry, and seemed to express nothing but satisfaction at their safe return.

"I brought you some shrimps, Calixta," offered Bobint, hauling the can from his ample side pocket and laying it on the table.

"Shrimps! Oh, Bobint! you too good fo' anything!" and she gave him a smacking kiss on the cheek that resounded, "J'vous rponds, we'll have a feas' to-night! umph-umph!"

Bobint and Bibi began to relax and enjoy themselves, and when the three seated themselves at table they laughed much and so loud that anyone might have heard them as far away as Laballire's.

IV

Alce Laballire wrote to his wife, Clarisse, that night. It was a loving letter, full of tender solicitude. He told her not to hurry back, but if she and the babies liked it at Biloxi, to stay a month longer. He was getting on nicely; and though he missed them, he was willing to bear the separation a while longerrealizing that their health and pleasure were the first things to be considered.

V

As for Clarisse, she was charmed upon receiving her husband's letter. She and the babies were doing well. The society was agreeable; many of her old friends and acquaintances were at the bay. And the first free breath since her marriage seemed to restore the pleasant liberty of her maiden days. Devoted as she was to her husband, their intimate conjugal life was something which she was more than willing to forego for a while.

So the storm passed and every one was happy.

The Return of Alcibiade by Kate Chopin

Word Count:  2372

MR. FRED BARTNER was sorely perplexed and annoyed to find that a wheel and tire of his buggy threatened to part company.

"Ef you want," said the negro boy who drove him, "we kin stop yonda at ole M'sié Jean Ba's an' fix it; he got de bes' blacksmif shop in de pa'ish on his place."

"Who in the world is old Monsieur Jean Ba," the young man inquired.

"How come, suh, you don' know old M'sié Jean Baptiste Plochel? He ole, ole. He sorter quare in he head ev' sence his son M'sié Alcibiade got kill' in de wah. Yonda he live'; whar you sees dat che'okee hedge takin' up half de road."

Little more than twelve years ago, before the "Texas and Pacific" had joined the cities of New Orleans and Shreveport with its steel bands, it was a common thing to travel through miles of central Louisiana in a buggy. Fred Bartner, a young commission merchant of New Orleans, on business bent, had made the trip in this way by easy stages from his home to a point on Cane River, within a half day's journey of Natchitoches. From the mouth of Cane River he had passed one plantation after another, - large ones and small ones. There was nowhere sight of anything like a town, except the little hamlet of Cloutierville, through which they had sped in the gray dawn. "Dat town, hit 's ole, ole; mos' a hund'ed year' ole, dey say. Uh, uh, look to me like it heap ol'r an' dat," the darkey had commented. Now they were within sight of Monsieur Jean Ba's towering Cherokee hedge.

It was Christmas morning, but the sun was warm and the air so soft and mild that Bartner found the most comfortable way to wear his light overcoat was across his knees. At the entrance to the plantation he dismounted and the negro drove away toward the smithy which stood on the edge of the field.

From the end of the long avenue of magnolias that led to it, the house which confronted Bartner looked grotesquely long in comparison with its height. It was one story, of pale, yellow stucco; its massive wooden shutters were a faded green. A wide gallery, topped by the overhanging roof, encircled it.

At the head of the stairs a very old man stood. His figure was small and shrunken, his hair long and snow-white. He wore a broad, soft felt hat, and a brown plaid shawl across his bent shoulders. A tall, graceful girl stood beside him; she was clad in a warm-colored blue stuff gown. She seemed to be expostulating with the old gentleman, who evidently wanted to descend the stairs to meet the approaching visitor. Before Bartner had had time to do more than lift his hat, Monsieur Jean Ba had thrown his trembling arms about the young man and was exclaiming in his quavering old tones: " Á la fin! mon fils! à la fin !" Tears started to the girl's eyes and she was rosy with confusion. "Oh, escuse him, sir; please escuse him," she whisperingly entreated, gently striving to disengage the old gentleman's arms from around the astonished Bartner. But a new line of thought seemed fortunately to take possession of Monsieur Jean Ba, for he moved away and went quickly, pattering like a baby, down the gallery. His fleecy white hair streamed out on the soft breeze, and his brown shawl flapped as he turned the corner.

Bartner, left alone with the girl, proceeded to introduce himself and to explain his presence there.

"Oh! Mr. Fred Bartna of New Orleans? The commission merchant! " she exclaimed, cordially extending her hand. "So well known in Natchitoches parish. Not our merchant, Mr. Bartna," she added, naîvely, "but jus' as welcome, all the same, at my gran'father's."

Bartner felt like kissing her, but he only bowed and seated himself in the big chair which she offered him. He wondered what was the longest time it could take to mend a buggy tire.

She sat before him with her hands pressed down into her lap, and with an eagerness and pretty air of being confidential that were extremely engaging, explained the reasons for her grandfather's singular behavior.

Years ago, her uncle Alcibiade, in going away to the war, with the cheerful assurance of youth, had promised his father that he would return to eat Christmas dinner with him. He never returned. And now, of late years, since Monsieur Jean Ba had begun to fail in body and mind, that old, unspoken hope of long ago had come back to live anew in his heart. Every Christmas Day he watched for the coming of Alcibiade.

"Ah! if you knew, Mr. Bartna, how I have endeavor' to distrac' his mine from that thought! Weeks ago, I tole to all the negroes, big and li'le, 'If one of you dare to say the word, Christmas gif', in the hearing of Monsieur Jean Baptiste, you will have to answer it to me.' "

Bartner could not recall when he had been so deeply interested in a narration.

"So las' night, Mr. Bartna, I said to grandpère, 'Pépère, you know to-morrow will be the great feas' of la Trinité; we will read our litany together in the morning and say a chapelet .' He did not answer a word; il est malin, oui . But this morning at daylight he was rapping his cane on the back gallery, calling together the negroes. Did they not know it was Christmas Day, an' a great dinner mus' be prepare' for his son Alcibiade, whom he was expecting!"

"And so he has mistaken me for his son Alcibiade. It is very unfortunate," said Bartner, sympathetically. He was a good-looking, honest-faced young fellow.

The girl arose, quivering with an inspiration. She approached Bartner, and in her eagerness laid her hand upon his arm.

"Oh, Mr. Bartna, if you will do me a favor! The greates' favor of my life!"

He expressed his absolute readiness.

"Let him believe, jus' for this one Christmas day, that you are his son. Let him have that Christmas dinner with Alcibiade, that he has been longing for so many year'."

Bartner's was not a puritanical conscience, but truthfulness was a habit as well as a principle with him, and he winced. "It seems to me it would be cruel to deceive him; it would not be" - he did not like to say "right," but she guessed that he meant it.

"Oh, for that," she laughed, "you may stay as w'ite as snow, Mr. Bartna. I will take all the sin on my conscience. I assume all the responsibility on my shoulder'."

"Esmée!" the old man was calling as he came trotting back, " Esmée, my child," in his quavering French, "I have ordered the dinner. Go see to the arrangements of the table, and have everything faultless."

. . . . .

The dining-room was at the end of the house, with windows opening upon the side and back galleries. There was a high, simply carved wooden mantelpiece, bearing a wide, slanting, old-fashioned mirror that reflected the table and its occupants. The table was laden with an overabundance. Monsieur Jean Ba sat at one end, Esmée at the other, and Bartner at the side.

Two " grif " boys, a big black woman and a little mulatto girl waited upon them; there was a reserve force outside within easy call, and the little black and yellow faces kept bobbing up constantly above the windowsills. Windows and doors were open, and a fire of hickory branches blazed on the hearth.

Monsieur Jean Ba ate little, but that little greedily and rapidly; then he stayed in rapt contemplation of his guest.

"You will notice, Alcibiade, the flavor of the turkey," he said. "It is dressed with pecans; those big ones from the tree down on the bayou. I had them gathered expressly." The delicate and rich flavor of the nut was indeed very perceptible.

Bartner had a stupid impression of acting on the stage, and had to pull himself together every now and then to throw off the stiffness of the amateur actor. But this discomposure amounted almost to paralysis when he found Mademoiselle Esmée taking the situation as seriously as her grandfather.

" Mon Dieu ! uncle Alcibiade, you are not eating! Mais w'ere have you lef' your appetite? Corbeau, fill your young master's glass. Doralise, you are neglecting Monsieur Alcibiade; he is without bread."

Monsieur Jean Ba's feeble intelligence reached out very dimly; it was like a dream which clothes the grotesque and unnatural with the semblance of reality. He shook his head up and down with pleased approbation of Esmée's "Uncle Alcibiade," that tripped so glibly on her lips. When she arranged his after-dinner brûlot , - a lump of sugar in a flaming teaspoonful of brandy, dropped into a tiny cup of black coffee, - he reminded her, "Your Uncle Alcibiade takes two lumps, Esmée. The scamp! he is fond of sweets. Two or three lumps, Esmée." Bartner would have relished his brûlot greatly, prepared so gracefully as it was by Esmée's deft hands, had it not been for that superfluous lump.

After dinner the girl arranged her grandfather comfortably in his big armchair on the gallery, where he loved to sit when the weather permitted. She fastened his shawl about him and laid a second one across his knees. She shook up the pillow for his head, patted his sunken cheek and kissed his forehead under the soft-brimmed hat. She left him there with the sun warming his feet and old shrunken knees.

Esmée and Bartner walked together under the magnolias. In walking they trod upon the violet borders that grew rank and sprawling, and the subtle perfume of the crushed flowers scented the air deliciously. They stooped and plucked handfuls of them. They gathered roses, too, that were blooming yet against the warm south end of the house; and they chattered and laughed like children. When they sat in the sunlight upon the low steps to arrange the flowers they had broken, Bartner's conscience began to prick him anew.

"You know," he said, "I can't stay here always, as well as I should like to. I shall have to leave presently; then your grandfather will discover that we have been deceiving him, - and you can see how cruel that will be."

"Mr. Bartna," answered Esmée, daintily holding a rosebud up to her pretty nose, "W'en I awoke this morning an' said my prayers, I prayed to the good God that He would give one happy Christmas day to my gran'father. He has answered my prayer; an' He does not sen' his gif's incomplete. He will provide.

"Mr. Bartna, this morning I agreed to take all responsibility on my shoulder', you remember? Now, I place all that responsibility on the shoulder' of the blessed Virgin."

Bartner was distracted with admiration; whether for this beautiful and consoling faith, or its charming votary, was not quite clear to him.

Every now and then Monsieur Jean Ba would call out, "Alcibiade, mon fils ! " and Bartner would hasten to his side. Sometimes the old man had forgotten what he wanted to say. Once it was to ask if the salad had been to his liking, or if he would, perhaps, not have preferred the turkey aux truffes .

"Alcibiade, mon fils ! " Again Bartner amiably answered the summons. Monsieur Jean Ba took the young man's hand affectionately in his, but limply, as children hold hands. Bartner's closed firmly around it.

"Alcibiade, I am going to take a little nap now. If Robert McFarlane comes while I am sleeping, with more talk of wanting to buy Nég Sévérin, tell him I will sell none of my slaves; not the least little négrillon . Drive him from the place with the shotgun. Don't be afraid to use the shot-gun, Alcibiade, - when I am asleep, - if he comes."

Esmée and Bartner forgot that there was such a thing as time, and that it was passing. There were no more calls of " Alcibiade, mon fils ! " As the sun dipped lower and lower in the west, its light was creeping, creeping up and illuming the still body of Monsieur Jean Ba. It lighted his waxen hands, folded so placidly in his lap; it touched his shrunken bosom. When it reached his face, another brightness had come there before it, - the glory of a quiet and peaceful death.

. . . . .

Bartner remained over night, of course, to add what assistance he could to that which kindly neighbors offered.

In the early morning, before taking his departure, he was permitted to see Esmée. She was overcome with sorrow, which he could hardly hope to assuage, even with the keen sympathy which he felt.

"And may I be permitted to ask, Mademoiselle, what will be your plans for the future?"

"Oh," she moaned, "I cannot any longer remain upon the ole plantation, which would not be home without grandpère. I suppose I shall go to live in New Orleans with my tante Clémentine." The last was spoken in the depths of her handkerchief.

Bartner's heart bounded at this intelligence in a manner which he could not but feel was one of unbecoming levity. He pressed her disengaged hand warmly, and went away.

The sun was again shining brightly, but the morning was crisp and cool; a thin wafer of ice covered what had yesterday been pools of water in the road. Bartner buttoned his coat about him closely. The shrill whistles of steam cotton-gins sounded here and there. One or two shivering negroes were in the field gathering what shreds of cotton were left on the dry, naked stalks. The horses snorted with satisfaction, and their strong hoof-beats rang out against the hard ground.

"Urge the horses," Bartner said; "they 've had a good rest and we want to push on to Natchitoches."

"You right, suh. We done los' a whole blesse day, - a plumb day."

"Why, so we have," said Bartner, "I had n't thought of it."

The Recovery by Kate Chopin

Word Count:  1298

She was a woman of thirty-five, possessing something of youthfulness. It was not the bloom, the softness, nor delicacy of coloring which had once been hers; those were all gone. It lurked rather in the expression of her sensitive face, which was at once appealing, pathetic, confiding.

For fifteen years she had lived in darkness with closed lids. By one of those seeming miracles of science, and by slow and gradual stages, the light had been restored to her. Now, for the first time in many years, she opened her eyes upon the full, mellow brightness of a June day.

She was alone. She had asked to be alone at the very first. Glad almost to ecstasy, she was yet afraid. She wanted first to see the light from her open window; to look at the dumb inanimate objects around her before gazing into the dear familiar faces that were stamped with sharp and vivid impress upon her mind.

And how beautiful was the world from her open window!

"Oh, my God!" she whispered, overcome. Her prayer could get no further. There were no words to utter her rapture and thanksgiving at beholding the blue unfathomable June sky; the rolling meadows, russet and green, reaching deep into the purple distance. Close beside her window the maple leaves rippled in the sun; flowers, rich and warm in color blossom beneath, and radiant-winged butterflies hovered sensuous in mid-air.

"The world has not changed," she murmured; "it has only grown more beautiful. Oh, I had forgotten how beautiful!"

Within her room were all the dear, dumb companions comforting her. How well she remembered them all! her mahogany table, bright and polished, just as it had stood fifteen years ago, with a crystal vase of roses and a few books ranged upon it. The sight of chairs, beds, pictures gave her keen joy. The carpet and draperies, even-- with their designs as much like the old ones as could be--seemed to her the same.

She touched with caressing fingers the French clock upon the mantel with its pompous little bronze figure of a last-century gentleman posing in buckles and frills beside the dial. She greeted him as an old friend, and delicately wiped his little bronze face with her soft handkerchief. As a child she had thought him an imposing figure. At a later and over-discriminating age she had patronized him as a poor bit of art. Now, nothing could have induced her to part with the old French clock and its little bronze bonhomme.

The mirror was over there in the corner. She had not forgotten it; oh, no, she had not forgotten, only she grew tremulous at the thought of it standing there. She held back, as a young girl who is going to confession is ashamed and afraid, and invites delay. But she had not forgotten.

"This is folly," she uttered suddenly, passing the handkerchief nervously over her face. With quick resolution she crossed the room and faced her reflected image in the glass.

"Mother!" she cried, involuntarily, turning swiftly; but she was still alone. It had happened like a flash--an unreasoning impulse that knew not control or direction. She at once recovered herself and drew a deep breath. Again she wiped her forehead, that was a little clammy. She clutched the back of a low chair with her shaking hands and looked once more into the mirror. The veins in her wrists swelled like cords and throbbed.

You or I or anyone looking upon that same picture in the glass would have seen a rather well-preserved, stately blonde woman of thirty-five or more. Only God knows what she saw. It was something that held her with terrible fascination.

The eyes, above all, seemed to speak to her. Afflicted as they had been, they alone belonged to that old, other self that had somewhere vanished. She questioned, she challenged them. And while she looked down into their depths she drew into her soul all the crushing weight of the accumulated wisdom of years.

"They lied; they all lied to me," she said, half aloud, never taking her eyes from those others. "Mother, sisters, Robert--all, all of them lied."

When the eyes in the glass had nothing more to tell her, she turned away from them. The pathos of her face had vanished; there was no longer the appeal that had been there a while ago; neither was there confidence.

The following day she walked abroad leaning upon the arm of the man whose untiring devotion to her had persisted for years. She would not fulfill her promise to marry him when blindness had overtaken her. He had endured the years of probation, wanting no other woman for his wife; living at her side when he could, and bringing himself close to her inner life by a warm, quick, watchful sympathy born of much love.

He was older than she--a man of splendid physique. The slim stripling of fifteen years ago was hardly the promise of this man of forty. His face had settled into a certain ruggedness accentuated by a few strong lines, and white hairs were beginning to show among the black ones on the temples.

They walked across the level stretch of lawn toward a sheltered garden seat no great distance away. She had spoken little since that moment of revelation before her mirror. Nothing had startled her after that. She was prepared for the changes which the years had wrought in all of them--mother, sisters, friends.

She seemed to be silently absorbing things, and would have lingered in ecstasy before a flower, or with her gaze penetrating the dense foliage beyond. Her senses had long been sharpened to the sounds and odors of the good, green world, and now her restored vision completed a sensuous impression such as she had never dreamed could be borne in upon a human consciousness.

He led her away to the bench. He fancied that seated he could better hold her attention to what was in his mind to say to her.

He took her hand in his. She was used to this and did not draw it away, but let it lie there.

"Do you remember the old plans, Jane?" he began, almost at once, "all that we were to have done, to have seen, all that we were going to live together? How we had chosen to start away in the early spring time upon our travels--you and I--and only come back with the frosts of winter. You have not forgotten, dearest?" He bent his face down over her hand and kissed it. "The spring is over; but we have the summer with us, and God willing, the autumn and winter left to us. Tell me, Jane--tell me--speak to me!" he entreated.

She looked into his face and then away, and back again, uncertainly.

"I--oh, Robert," she said, gropingly, "wait--I--the sight of things confuses me," and with a faint smile, "I am not used; I must go back into the dark to think."

He still held her hand, but she turned half away from him and buried her face in her arm that she leaned upon the back of the garden seat.

What could she hope to gather from the darkness that the light had not given her! She might hope, and she might wait and she might pray; but hope and prayer and waiting would avail her nothing.

The blessed light had given her back the world, life, love; but it had robbed her of her illusions; it had stolen away her youth.

He drew close to her, pressing his face near hers for his answer; and all that he heard was a little low sob.

The Night Came Slowly by Kate Chopin

Word Count:  295

I am losing my interest in human beings; in the significance of their lives and their actions. Some one has said it is better to study one man than ten books. I want neither books nor men; they make me suffer. Can one of them talk to me like the night – the Summer night? Like the stars or the caressing wind?

The night came slowly, softly, as I lay out there under the maple tree. It came creeping, creeping stealthily out of the valley, thinking I did not notice. And the outlines of trees and foliage nearby blended in one black mass and the night came stealing out from them, too, and from the east and west, until the only light was in the sky, filtering through the maple leaves and a star looking down through every cranny.

The night is solemn and it means mystery.

Human shapes flitted by like intangible things. Some stole up like little mice to peep at me. I did not mind. My whole being was abandoned to the soothing and penetrating charm of the night.

The katydids began their slumber song: they are at it yet. How wise they are. They do not chatter like people. They tell me only: “sleep, sleep, sleep.” The wind rippled the maple leaves like little warm love thrills.

Why do fools cumber the Earth! It was a man’s voice that broke the necromancer’s spell. A man came to-day with his “Bible Class.” He is detestable with his red cheeks and bold eyes and coarse manner and speech. What does he know of Christ? Shall I ask a young fool who was born yesterday and will die tomorrow to tell me things of Christ? I would rather ask the stars: they have seen him.

The Locket by Kate Chopin

Word Count:  2149

I

One night in autumn a few men were gathered about a fire on the slope of a hill. They belonged to a small detachment of Confederate forces and were awaiting orders to march. Their gray uniforms were worn beyond the point of shabbiness. One of the men was heating something in a tin cup over the embers. Two were lying at full length a little distance away, while a fourth was trying to decipher a letter and had drawn close to the light. He had unfastened his collar and a good bit of his flannel shirt front.

"What's that you got around your neck, Ned?" asked one of the men lying in the obscurity.

Ned--or Edmond--mechanically fastened another button of his shirt and did not reply. He went on reading his letter.

"Is it your sweet heart's picture?"

"`Taint no gal's picture," offered the man at the fire. He had removed his tin cup and was engaged in stirring its grimy contents with a small stick. "That's a charm; some kind of hoodoo business that one o' them priests gave him to keep him out o' trouble. I know them Cath'lics. That's how come Frenchy got permoted an never got a scratch sence he's been in the ranks. Hey, French! aint I right?" Edmond looked up absently from his letter.

"What is it?" he asked.

"Aint that a charm you got round your neck?"

"It must be, Nick," returned Edmond with a smile. "I don't know how I could have gone through this year and a half without it."

The letter had made Edmond heart sick and home sick. He stretched himself on his back and looked straight up at the blinking stars. But he was not thinking of them nor of anything but a certain spring day when the bees were humming in the clematis; when a girl was saying good bye to him. He could see her as she unclasped from her neck the locket which she fastened about his own. It was an old fashioned golden locket bearing miniatures of her father and mother with their names and the date of their marriage. It was her most precious earthly possession. Edmond could feel again the folds of the girl's soft white gown, and see the droop of the angel-sleeves as she circled her fair arms about his neck. Her sweet face, appealing, pathetic, tormented by the pain of parting, appeared before him as vividly as life. He turned over, burying his face in his arm and there he lay, still and motionless.

The profound and treacherous night with its silence and semblance of peace settled upon the camp. He dreamed that the fair Octavie brought him a letter. He had no chair to offer her and was pained and embarrassed at the condition of his garments. He was ashamed of the poor food which comprised the dinner at which he begged her to join them.

He dreamt of a serpent coiling around his throat, and when he strove to grasp it the slimy thing glided away from his clutch. Then his dream was clamor.

"Git your duds! you! Frenchy!" Nick was bellowing in his face. There was what appeared to be a scramble and a rush rather than any regulated movement. The hill side was alive with clatter and motion; with sudden up-springing lights among the pines. In the east the dawn was unfolding out of the darkness. Its glimmer was yet dim in the plain below.

"What's it all about?" wondered a big black bird perched in the top of the tallest tree. He was an old solitary and a wise one, yet he was not wise enough to guess what it was all about. So all day long he kept blinking and wondering.

The noise reached far out over the plain and across the hills and awoke the little babes that were sleeping in their cradles. The smoke curled up toward the sun and shadowed the plain so that the stupid birds thought it was going to rain; but the wise one knew better.

"They are children playing a game," thought he. "I shall know more about it if I watch long enough."

At the approach of night they had all vanished away with their din and smoke. Then the old bird plumed his feathers. At last he had understood! With a flap of his great, black wings he shot downward, circling toward the plain.

A man was picking his way across the plain. He was dressed in the garb of a clergyman. His mission was to administer the consolations of religion to any of the prostrate figures in whom there might yet linger a spark of life. A negro accompanied him, bearing a bucket of water and a flask of wine.

There were no wounded here; they had been borne away. But the retreat had been hurried and the vultures and the good Samaritans would have to look to the dead.

There was a soldier--a mere boy--lying with his face to the sky. His hands were clutching the sward on either side and his finger nails were stuffed with earth and bits of grass that he had gathered in his despairing grasp upon life. His musket was gone; he was hatless and his face and clothing were begrimed. Around his neck hung a gold chain and locket. The priest, bending over him, unclasped the chain and removed it from the dead soldier's neck. He had grown used to the terrors of war and could face them unflinchingly; but its pathos, someway, always brought the tears to his old, dim eyes.

The angelus was ringing half a mile away. The priest and the negro knelt and murmured together the evening benediction and a prayer for the dead.

II

The peace and beauty of a spring day had descended upon the earth like a benediction. Along the leafy road which skirted a narrow, tortuous stream in central Louisiana, rumbled an old fashioned cabriolet, much the worse for hard and rough usage over country roads and lanes. The fat, black horses went in a slow, measured trot, notwithstanding constant urging on the part of the fat, black coachman. Within the vehicle were seated the fair Octavie and her old friend and neighbor, Judge Pillier, who had come to take her for a morning drive.

Octavie wore a plain black dress, severe in its simplicity. A narrow belt held it at the waist and the sleeves were gathered into close fitting wristbands. She had discarded her hoopskirt and appeared not unlike a nun. Beneath the folds of her bodice nestled the old locket. She never displayed it now. It had returned to her sanctified in her eyes; made precious as material things sometimes are by being forever identified with a significant moment of one's existence.

A hundred times she had read over the letter with which the locket had come back to her. No later than that morning she had again pored over it. As she sat beside the window, smoothing the letter out upon her knee, heavy and spiced odors stole in to her with the songs of birds and the humming of insects in the air.

She was so young and the world was so beautiful that there came over her a sense of unreality as she read again and again the priest's letter. He told of that autumn day drawing to its close, with the gold and the red fading out of the west, and the night gathering its shadows to cover the faces of the dead. Oh! She could not believe that one of those dead was her own! with visage uplifted to the gray sky in an agony of supplication. A spasm of resistance and rebellion seized and swept over her. Why was the spring here with its flowers and its seductive breath if he was dead! Why was she here! What further had she to do with life and the living!

Octavie had experienced many such moments of despair, but a blessed resignation had never failed to follow, and it fell then upon her like a mantle and enveloped her.

"I shall grow old and quiet and sad like poor Aunt Tavie," she murmured to herself as she folded the letter and replaced it in the secretary. Already she gave herself a little demure air like her Aunt Tavie. She walked with a slow glide in unconscious imitation of Mademoiselle Tavie whom some youthful affliction had robbed of earthly compensation while leaving her in possession of youth's illusions.

As she sat in the old cabriolet beside the father of her dead lover, again there came to Octavie the terrible sense of loss which had assailed her so often before. The soul of her youth clamored for its rights; for a share in the world's glory and exultation. She leaned back and drew her veil a little closer about her face. It was an old black veil of her Aunt Tavie's. A whiff of dust from the road had blown in and she wiped her cheeks and her eyes with her soft, white handkerchief, a homemade handkerchief, fabricated from one of her old fine muslin petticoats.

"Will you do me the favor, Octavie," requested the judge in the courteous tone which he never abandoned, "to remove that veil which you wear. It seems out of harmony, someway, with the beauty and promise of the day."

The young girl obediently yielded to her old companion's wish and unpinning the cumbersome, sombre drapery from her bonnet, folded it neatly and laid it upon the seat in front of her.

"Ah! that is better; far better!" he said in a tone expressing unbounded relief. "Never put it on again, dear." Octavie felt a little hurt; as if he wished to debar her from share and parcel in the burden of affliction which had been placed upon all of them. Again she drew forth the old muslin handkerchief.

They had left the big road and turned into a level plain which had formerly been an old meadow. There were clumps of thorn trees here and there, gorgeous in their spring radiance. Some cattle were grazing off in the distance in spots where the grass was tall and luscious. At the far end of the meadow was the towering lilac hedge, skirting the lane that led to Judge Pillier's house, and the scent of its heavy blossoms met them like a soft and tender embrace of welcome.

As they neared the house the old gentleman placed an arm around the girl's shoulders and turning her face up to him he said: "Do you not think that on a day like this, miracles might happen? When the whole earth is vibrant with life, does it not seem to you, Octavie, that heaven might for once relent and give us back our dead?" He spoke very low, advisedly, and impressively. In his voice was an old quaver which was not habitual and there was agitation in every line of his visage. She gazed at him with eyes that were full of supplication and a certain terror of joy.

They had been driving through the lane with the towering hedge on one side and the open meadow on the other. The horses had somewhat quickened their lazy pace. As they turned into the avenue leading to the house, a whole choir of feathered songsters fluted a sudden torrent of melodious greeting from their leafy hiding places.

Octavie felt as if she had passed into a stage of existence which was like a dream, more poignant and real than life. There was the old gray house with its sloping eaves. Amid the blur of green, and dimly, she saw familiar faces and heard voices as if they came from far across the fields, and Edmond was holding her. Her dead Edmond; her living Edmond, and she felt the beating of his heart against her and the agonizing rapture of his kisses striving to awake her. It was as if the spirit of life and the awakening spring had given back the soul to her youth and bade her rejoice.

It was many hours later that Octavie drew the locket from her bosom and looked at Edmond with a questioning appeal in her glance.

"It was the night before an engagement," he said. "In the hurry of the encounter, and the retreat next day, I never missed it till the fight was over. I thought of course I had lost it in the heat of the struggle, but it was stolen."

"Stolen," she shuddered, and thought of the dead soldier with his face uplifted to the sky in an agony of supplication.

Edmond said nothing; but he thought of his messmate; the one who had lain far back in the shadow; the one who had said nothing.

The Lilies by Kate Chopin

Word Count:  1917

THAT little vagabond Mamouche amused himself one afternoon by letting down the fence rails that protected Mr. Billy's young crop of cotton and corn. He had first looked carefully about him to make sure there was no witness to this piece of rascality. Then he crossed the lane and did the same with the Widow Angèle's fence, thereby liberating Toto, the white calf who stood disconsolately penned up on the other side.

It was not ten seconds before Toto was frolicking madly in Mr. Billy's crop, and Mamouche - the young scamp - was running swiftly down the lane, laughing fiendishly to himself as he went.

He could not at first decide whether there could be more fun in letting Toto demolish things at his pleasure, or in warning Mr. Billy of the calf's presence in the field. But the latter course commended itself as possessing a certain refinement of perfidy.

"Ho, the'a, you!" called out Mamouche to one of Mr. Billy's hands, when he got around to where the men were at work; "you betta go yon'a an' see 'bout that calf o' Ma'me Angèle; he done broke in the fiel' an' 'bout to finish the crop, him." Then Mamouche went and sat behind a big tree, where, unobserved, he could laugh to his heart's content.

Mr. Billy's fury was unbounded when he learned that Madame Angèle's calf was eating up and trampling down his corn. At once he sent a detachment of men and boys to expel the animal from the field. Others were required to repair the damaged fence; while he himself, boiling with wrath, rode up the lane on his wicked black charger.

But merely to look upon the devastation was not enough for Mr. Billy. He dismounted from his horse, and strode belligerently up to Madame Angèle's door, upon which he gave, with his riding-whip, a couple of sharp raps that plainly indicated the condition of his mind.

Mr. Billy looked taller and broader than ever as he squared himself on the gallery of Madame Angèle's small and modest house. She herself half-opened the door, a pale, sweet-looking woman, somewhat bewildered, and holding a piece of sewing in her hands. Little Marie Louise was beside her, with big, inquiring, frightened eyes.

"Well, Madam!" blustered Mr. Billy, "this is a pretty piece of work! That young beast of yours is a fence-breaker, Madam, and ought to be shot."

"Oh, non, non, M'sieur. Toto's too li'le; I'm sho he can't break any fence, him."

"Don't contradict me, Madam. I say he's a fence-breaker. There's the proof before your eyes. He ought to be shot, I say, and - don't let it occur again, Madam." And Mr. Billy turned and stamped down the steps with a great clatter of spurs as he went.

Madame Angèle was at the time in desperate haste to finish a young lady's Easter dress, and she could not afford to let Toto's escapade occupy her to any extent, much as she regretted it. But little Marie Louise was greatly impressed by the affair. She went out in the yard to Toto, who was under the fig- tree, looking not half so shamefaced as he ought. The child, with arms clasped around the little fellow's white shaggy neck, scolded him roundly.

"Ain't you shame', Toto, to go eat up Mr. Billy's cotton an' co'n? W'at Mr. Billy ev'a done to you, to go do him that way? If you been hungry, Toto, w'y you did'n' come like always an' put yo' head in the winda? I'm goin' tell yo' maman w'en she come back f'om the woods to 's'evenin', M'sieur.

Marie Louise only ceased her mild rebuke when she fancied she saw a penitential look in Toto's big soft eyes.

She had a keen instinct of right and justice for so young a little maid. And all the afternoon, and long into the night, she was disturbed by the thought of the unfortunate accident. Of course, there could be no question of repaying Mr. Billy with money; she and her mother had none. Neither had they cotton and corn with which to make good the loss he had sustained through them.

But had they not something far more beautiful and precious than cotton and corn?

Marie Louise thought with delight of that row of Easter lilies on their tall green stems, ranged thick along the sunny side of the house.

The assurance that she would, after all, be able to satisfy Mr. Billy's just anger, was a very sweet one. And soothed by it, Marie Louise soon fell asleep and dreamt a grotesque dream: that the lilies were having a stately dance on the green in the moonlight, and were inviting Mr. Billy to join them.

The following day, when it was nearing noon, Marie Louise said to her mamma: "Maman, can I have some of the Easter lily, to do with like I want?"

Madame Angèle was just then testing the heat of an iron with which to press out the seams in the young lady's Easter dress, and she answered a shade impatiently:

"Yes, yes; va t'en, chérie," thinking that her little girl wanted to pluck a lily or two.

So the child took a pair of old shears from her mother's basket, and out she went to where the tall, perfumed lilies were nodding, and shaking off from their glistening petals the rain-drops with which a passing cloud had just laughingly pelted them.

Snip, snap, went the shears here and there, and never did Marie Louise stop plying them till scores of those long-stemmed lilies lay upon the ground. There were far more than she could hold in her small hands, so she literally clasped the great bunch in her arms, and staggered to her feet with it.

Marie Louise was intent upon her purpose, and lost no time in its accomplishment. She was soon trudging earnestly down the lane with her sweet burden, never stopping, and only one glancing aside to cast a reproachful look at Toto, whom she had not wholly forgiven.

She did not in the least mind that the dogs barked, or that the darkies laughed at her. She went straight on to Mr. Billy's big house, and right into the dining-room, where Mr. Billy sat eating his dinner all alone.

It was a finely-furnished room, but disorderly - very disorderly, as an old bachelor's personal surroundings sometimes are. A black boy stood waiting upon the table. When little Marie Louise suddenly appeared, with that armful of lilies, Mr. Billy seemed for a moment transfixed at the sight.

"Well - bless - my soul! what's all this? What's all this?" he questioned, with staring eyes.

Marie Louise had already made a little courtesy. Her sunbonnet had fallen back, leaving exposed her pretty round head; and her sweet brown eyes were full of confidence as they looked into Mr. Billy's.

"I'm bring some lilies to pay back fo' yo' cotton an' co'n w'at Toto eat all up, M'sieur."

Mr. Billy turned savagely upon Pompey. "What are you laughing at, you black rascal? Leave the room!"

Pompey, who out of mistaken zeal had doubled himself with merriment, was too accustomed to the admonition to heed it literally, and he only made a pretense of withdrawing from Mr. Billy's elbow.

"Lilies! well, upon my - isn't it the little one from across the lane?"

"Dat's who," affirmed Pompey, cautiously insinuating himself again into favor.

"Lilies! who ever heard the like? Why, the baby's buried under 'em. Set 'em down somewhere, little one; anywhere." And Marie Louise, glad to be relieved from the weight of the great cluster, dumped them all on the table close to Mr. Billy.

The perfume that came from the damp, massed flowers was heavy and almost sickening in its pungency. Mr. Billy quivered a little, and drew involuntarily back, as if from an unexpected assailant, when the odor reached him. He had been making cotton and corn for so many years, he had forgotten there were such things as lilies in the world.

"Kiar 'em out? fling 'em 'way?" questioned Pompey, who had observed his master cunningly.

"Let 'em alone! Keep your hands off them! Leave the room, you outlandish black scamp! What are you standing there for? Can't you set the Mamzelle a place at table, and draw up a chair?"

So Marie Louise - perched upon a fine old-fashioned chair, supplemented by a Webster's Unabridged - sat down to dine with Mr. Billy.

She had never eaten in company with so peculiar a gentleman before; so irascible toward the inoffensive Pompey, and so courteous to herself. But she was not ill at ease, and conducted herself properly as her mamma had taught her how.

Mr. Billy was anxious that she should enjoy her dinner, and began by helping her generously to Jambalaya. When she had tasted it she made no remark, only laid down her fork, and looked composedly before her.

"Why, bless me! what ails the little one? You don't eat your rice."

"It ain't cook', M'sieur," replied Marie Louise politely.

Pompey nearly strangled in his attempt to smother an explosion.

"Of course it isn't cooked," echoed Mr. Billy, excitedly, pushing away his plate. "What do you mean, setting a mess of that sort before human beings? Do you take us for a couple of - of rice-birds? What are you standing there for; can't you look up some jam or something to keep the young one from starving? Where's all that jam I saw stewing a while back, here?"

Pompey withdrew, and soon returned with a platter of black-looking jam. Mr. Billy ordered cream for it. Pompey reported there was none.

"No cream, with twenty-five cows on the plantation if there's one!" cried Mr. Billy, almost springing from his chair with indignation.

"Aunt Printy 'low she sot de pan o' cream on de winda-sell, suh, an' Unc' Jonah come 'long an' tutn it cl'ar ova; neva lef' a drap in de pan."

But evidently the jam, with or without cream, was as distasteful to Marie Louise as the rice was; for after tasting it gingerly she laid away her spoon as she had done before.

"O, no! little one; you don't tell me it isn't cooked this time," laughed Mr. Billy. "I saw the thing boiling a day and a half. Wasn't it a day and a half, Pompey? if you know how to tell the truth."

"Aunt Printy alluz do cooks her p'esarves tell dey plumb done, sho," agreed Pompey.

"It's burn', M'sieur," said Marie Louise, politely, but decidedly, to the utter confusion of Mr. Billy, who was as mortified as could be at the failure of his dinner to please his fastidious little visitor.

Well, Mr. Billy thought of Marie Louise a good deal after that; as long as the lilies lasted. And they lasted long, for he had the whole household employed in taking care of them. Often he would chuckle to himself: "The little rogue, with her black eyes and her lilies! And the rice wasn't cooked, if you please; and the jam was burnt. And the best of it is, she was right."

But when the lilies withered finally, and had to be thrown away, Mr. Billy donned his best suit, a starched shirt and fine silk necktie. Thus attired, he crossed the lane to carry his somewhat tardy apologies to Madame Angèle and Mamzelle Marie Louise, and to pay them a first visit.

The Kiss by Kate Chopin

Word Count:  1028

It was still quite light out of doors, but inside with the curtains drawn and the smouldering fire sending out a dim, uncertain glow, the room was full of deep shadows.

Brantain sat in one of these shadows; it had overtaken him and he did not mind. The obscurity lent him courage to keep his eves fastened as ardently as he liked upon the girl who sat in the firelight.

She was very handsome, with a certain fine, rich coloring that belongs to the healthy brune type. She was quite composed, as she idly stroked the satiny coat of the cat that lay curled in her lap, and she occasionally sent a slow glance into the shadow where her companion sat. They were talking low, of indifferent things which plainly were not the things that occupied their thoughts. She knew that he loved her--a frank, blustering fellow without guile enough to conceal his feelings, and no desire to do so. For two weeks past he had sought her society eagerly and persistently. She was confidently waiting for him to declare himself and she meant to accept him. The rather insignificant and unattractive Brantain was enormously rich; and she liked and required the entourage which wealth could give her.

During one of the pauses between their talk of the last tea and the next reception the door opened and a young man entered whom Brantain knew quite well. The girl turned her face toward him. A stride or two brought him to her side, and bending over her chair--before she could suspect his intention, for she did not realize that he had not seen her visitor--he pressed an ardent, lingering kiss upon her lips.

Brantain slowly arose; so did the girl arise, but quickly, and the newcomer stood between them, a little amusement and some defiance struggling with the confusion in his face.

"I believe," stammered Brantain, "I see that I have stayed too long. I--I had no idea--that is, I must wish you good-by." He was clutching his hat with both hands, and probably did not perceive that she was extending her hand to him, her presence of mind had not completely deserted her; but she could not have trusted herself to speak.

"Hang me if I saw him sitting there, Nattie! I know it's deuced awkward for you. But I hope you'll forgive me this once--this very first break. Why, what's the matter?"

"Don't touch me; don't come near me," she returned angrily. "What do you mean by entering the house without ringing?"

"I came in with your brother, as I often do," he answered coldly, in self-justification. "We came in the side way. He went upstairs and I came in here hoping to find you. The explanation is simple enough and ought to satisfy you that the misadventure was unavoidable. But do say that you forgive me, Nathalie," he entreated, softening.

"Forgive you! You don't know what you are talking about. Let me pass. It depends upon--a good deal whether I ever forgive you."

At that next reception which she and Brantain had been talking about she approached the young man with a delicious frankness of manner when she saw him there.

"Will you let me speak to you a moment or two, Mr. Brantain?" she asked with an engaging but perturbed smile. He seemed extremely unhappy; but when she took his arm and walked away with him, seeking a retired corner, a ray of hope mingled with the almost comical misery of his expression. She was apparently very outspoken.

"Perhaps I should not have sought this interview, Mr. Brantain; but--but, oh, I have been very uncomfortable, almost miserable since that little encounter the other afternoon. When I thought how you might have misinterpreted it, and believed things" --hope was plainly gaining the ascendancy over misery in Brantain's round, guileless face--"Of course, I know it is nothing to you, but for my own sake I do want you to understand that Mr. Harvy is an intimate friend of long standing. Why, we have always been like cousins--like brother and sister, I may say. He is my brother's most intimate associate and often fancies that he is entitled to the same privileges as the family. Oh, I know it is absurd, uncalled for, to tell you this; undignified even," she was almost weeping, "but it makes so much difference to me what you think of--of me." Her voice had grown very low and agitated. The misery had all disappeared from Brantain's face.

"Then you do really care what I think, Miss Nathalie? May I call you Miss Nathalie?" They turned into a long, dim corridor that was lined on either side with tall, graceful plants. They walked slowly to the very end of it. When they turned to retrace their steps Brantain's face was radiant and hers was triumphant.

Harvy was among the guests at the wedding; and he sought her out in a rare moment when she stood alone.

"Your husband," he said, smiling, "has sent me over to kiss you. "

A quick blush suffused her face and round polished throat. "I suppose it's natural for a man to feel and act generously on an occasion of this kind. He tells me he doesn't want his marriage to interrupt wholly that pleasant intimacy which has existed between you and me. I don't know what you've been telling him," with an insolent smile, "but he has sent me here to kiss you."

She felt like a chess player who, by the clever handling of his pieces, sees the game taking the course intended. Her eyes were bright and tender with a smile as they glanced up into his; and her lips looked hungry for the kiss which they invited.

"But, you know," he went on quietly, "I didn't tell him so, it would have seemed ungrateful, but I can tell you. I've stopped kissing women; it's dangerous."

Well, she had Brantain and his million left. A person can't have everything in this world; and it was a little unreasonable of her to expect it.

The Blind Man by Kate Chopin

Word Count:  754

A man carrying a small red box in one hand walked slowly down the street. His old straw hat and faded garments looked as if the rain had often beaten upon them, and the sun had as many times dried them upon his person. He was not old, but he seemed feeble; and he walked in the sun, along the blistering asphalt pavement. On the opposite side of the street there were trees that threw a thick and pleasant shade: people were all walking on that side. But the man did not know, for he was blind, and moreover he was stupid.

In the red box were lead pencils, which he was endeavoring to sell. He carried no stick, but guided himself by trailing his foot along the stone copings or his hand along the iron railings. When he came to the steps of a house he would mount them. Sometimes, after reaching the door with great difficulty, he could not find the electric button, whereupon he would patiently descend and go his way. Some of the iron gates were locked, their owners being away for the summer, and he would consume much time striving to open them, which made little difference, as he had all the time there was at his disposal.

At times he succeeded in finding the electric button: but the man or maid who answered the bell needed no pencil, nor could they be induced to disturb the mistress of the house about so small a thing.

The man had been out long and had walked far, but had sold nothing. That morning someone who had finally grown tired of having him hanging around had equipped him with this box of pencils, and sent him out to make his living. Hunger, with sharp fangs, was gnawing at his stomach and a consuming thirst parched his mouth and tortured him. The sun was broiling. He wore too much clothing—a vest and coat over his shirt. He might have removed these and carried them on his arm or thrown them away; but he did not think of it. A kind woman who saw him from an upper window felt sorry for him, and wished that he would cross over into the shade.

The man drifted into a side street, where there was a group of noisy, excited children at play. The color of the box which he carried attracted them and they wanted to know what was in it. One of them attempted to take it away from him. With the instinct to protect his own and his only means of sustenance, he resisted, shouted at the children and called them names. A policeman coming round the corner and seeing that he was the centre of a disturbance, jerked him violently around by the collar; but upon perceiving that he was blind, considerably refrained from clubbing him and sent him on his way. He walked on in the sun.

During his aimless rambling he turned into a street where there were monster electric cars thundering up and down, clanging wild bells and literally shaking the ground beneath his feet with their terrific impetus. He started to cross the street.

Then something happened—something horrible happened that made the women faint and the strongest men who saw it grow sick and dizzy. The motorman’s lips were as gray as his face, and that was ashen gray; and he shook and staggered from the superhuman effort he had put forth to stop his car.

Where could the crowds have come from so suddenly,as if by magic? Boys on the run, men and women tearing up on their wheels to see the sickening sight: doctors dashing up in buggies as if directed by Providence.

And the horror grew when the multitude recognized in the dead and mangled figure one of the wealthiest, most useful and most influential men of the town, a man noted for his prudence and foresight. How could such a terrible fate have overtaken him? He was hastening from his business house, for he was late, to join his family, who were to start in an hour or two for their summer home on the Atlantic coast. In his hurry he did not perceive the other car coming from the opposite direction and the common, harrowing thing was repeated.

The blind man did not know what the commotion was all about. He had crossed the street, and there he was, stumbling on in the sun, trailing his foot along the coping.

The Bênitous' Slave by Kate Chopin

Word Count:  656

OLD Uncle Oswald believed he belonged to the Bênitous, and there was no getting the notion out of his head. Monsieur tried every way, for there was no sense in it. Why, it must have been fifty years since the Bênitous owned him. He had belonged to others since, and had later been freed. Beside, there was not a Bênitou left in the parish now, except one rather delicate woman, who lived with her little daughter in a corner of Natchitoches town, and constructed "fashionable millinery." The family had dispersed, and almost vanished, and the plantation as well had lost its identity.

But that made no difference to Uncle Oswald. He was always running away from Monsieur - who kept him out of pure kindness - and trying to get back to those Bênitous.

More than that, he was constantly getting injured in such attempts. Once he fell into the bayou and was nearly drowned. Again he barely escaped being run down by an engine. But another time, when he had been lost two days, and finally discovered in an unconscious and half-dead condition in the woods, Monsieur and Doctor Bonfils reluctantly decided that it was time to "do something" with the old man.

So, one sunny spring morning, Monsieur took Uncle Oswald in the buggy, and drove over to Natchitoches with him, intending to take the evening train for the institution in which the poor creature was to be cared for.

It was quite early in the afternoon when they reached town, and Monsieur found himself with several hours to dispose of before train-time. He tied his horses in front of the hotel - the quaintest old stuccoed house, too absurdly unlike a "hotel" for anything - and entered. But he left Uncle Oswald seated upon a shaded bench just within the yard.

There were people occasionally coming in and going out; but no one took the smallest notice of the old negro drowsing over the cane that he held between his knees. The sight was common in Natchitoches.

One who passed in was a little girl about twelve, with dark, kind eyes, and daintily carrying a parcel. She was dressed in blue calico, and wore a stiff white sun-bonnet, extinguisher fashion, over her brown curls.

Just as she passed Uncle Oswald again, on her way out, the old man, half asleep, let fall his cane. She picked it up and handed it back to him, as any nice child would have done.

"Oh, thankee, thankee, missy," stammered Uncle Oswald, all confused at being waited upon by this little lady. "You is a putty li'le gal. W'at 's yo' name, honey?"

"My name 's Susanne; Susanne Bênitou," replied the girl.

Instantly the old negro stumbled to his feet. Without a moment's hesitancy he followed the little one out through the gate, down the street, and around the corner.

It was an hour later that Monsieur, after a distracted search, found him standing upon the gallery of the tiny house in which Madame Bênitou kept "fashionable millinery."

Mother and daughter were sorely perplexed to comprehend the intentions of the venerable servitor, who stood, hat in hand, persistently awaiting their orders.

Monsieur understood and appreciated the situation at once, and he has prevailed upon Madame Bênitou to accept the gratuitous services of Uncle Oswald for the sake of the old darky's own safety and happiness.

Uncle Oswald never tries to run away now. He chops wood and hauls water. He cheerfully and faithfully bears the parcels that Susanne used to carry; and makes an excellent cup of black coffee.

I met the old man the other day in Natchitoches, contentedly stumbling down St. Denis street with a basket of figs that some one was sending to his mistress. I asked him his name.

"My name 's Oswal', Madam; Oswal' - dat 's my name. I b'longs to de Bênitous," and some one told me his story then.

Tante Cat'rinette by Kate Chopin

Word Count:  3114

IT happened just as everyone had predicted. Tante Cat'rinette was beside herself with rage and indignation when she learned that the town authorities had for some reason condemned her house and intended to demolish it.

"Dat house w'at Vieumaite gi' me his own se'f, out his own mout', w'en he gi' me my freedom! All wrote down en regle befo' de cote! Bon dieu Seigneur, w'at dey talkin' 'bout!"

Tante Cat'rinette stood in the doorway of her home, resting a gaunt black hand against the jamb. In the other hand she held her corncob pipe. She was a tall, large-boned woman of a pronounced Congo type. The house in question had been substantial enough in its time. It contained four rooms: the lower two of brick, the upper ones of adobe. A dilapidated gallery projected from the upper story and slanted over the narrow banquette, to the peril of passers-by.

"I don't think I ever heard why the property was given to you in the first place, Tante Cat'rinette," observed Lawyer Paxton, who had stopped in passing, as so many others did, to talk the matter over with the old negress. The affair was attracting some attention in town, and its development was being watched with a good deal of interest. Tante Cat'rinette asked nothing better than to satisfy the lawyer's curiosity.

"Vieumaite all time say Cat'rinette wort' gole to 'im; de way I make dem nigga' walk chalk. But," she continued, with recovered seriousness, "w'en I nuss 'is li'le gal w'at all de doctor' 'low it 's goin' die, an' I make it well, me, den Vieumaite, he can't do 'nough, him. He name' dat li'le gal Cat'rine fo' me. Das Miss Kitty w'at marry Miché Raymond yon' by Gran' Eco'. Den he gi' me my freedom; he got plenty slave', him; one don' count in his pocket. An' he gi' me dat house w'at I'm stan'in' in de do'; he got plenty house' an' lan', him. Now dey want pay me t'ousan' dolla', w'at I don' axen' fo', an' tu'n me out dat house! I waitin' fo' 'em, Miche Paxtone," and a wicked gleam shot into the woman's small, dusky eyes. "I got my axe grine fine. Fus' man w'at touch Cat'rinette fo' tu'n her out dat house, he git 'is head bus' like I bust a gode."

"Dat's nice day, ainty, Miché Paxtone? Fine wedda fo' dry my close." Upon the gallery above hung an array of shirts, which gleamed white in the sunshine, and flapped in the rippling breeze.

The spectacle of Tante Cattrinette defying the authorities was one which offered much diversion to the children of the neighborhood. They played numberless pranks at her expense; daily serving upon her fictitious notices purporting to be to the last degree official. One youngster, in a moment of inspiration, composed a couplet, which they recited, sang, shouted at all hours, beneath her windows.

"Tante Cat'rinette, she go to town;
W'en she come back, her house pull' down."

So ran the production. She heard it many times during the day, but, far from offending her, she accepted it as a warning, - a prediction, as it were, - and she took heed not to offer to fate the conditions for its fulfillment. She no longer quitted her house even for a moment, so great was her fear and so firm her belief that the town authorities were lying in wait to possess themselves of it. She would not cross the street to visit a neighbor. She waylaid passers-by and pressed them into service to do her errands and small shopping. She grew distrustful and suspicious, ever on the alert to scent a plot in the most innocent endeavor to induce her to leave the house.

One morning, as Tante Cat'rinette was hanging out her latest batch of washing, Eusèbe, a "free mulatto" from Red River, stopped his pony beneath her gallery.

"Hé, Tante Cat'rinette!" he called up to her.

She turned to the railing just as she was, in her bare arms and neck that gleamed ebony-like against the unbleached cotton of her chemise. A coarse skirt was fastened about her waist, and a string of many-colored beads knotted around her throat. She held her smoking pipe between her yellow teeth.

"How you all come on, Miché Eusèbe?" she questioned, pleasantly.

"We all middlin', Tante Cat'rinette. But Miss Kitty, she putty bad off out yon'a. I see Mista Raymond dis mo'nin' w'en I pass by his house; he say look like de feva don' wan' to quit 'er. She been axen' fo' you all t'rough de night. He 'low he reckon I betta tell you. Nice wedda we got fo' plantin', Tante Cat'rinette."

"Nice wedda fo' lies, Miché Eusèbe," and she spat contemptuously down upon the banquette. She turned away without noticing the man further, and proceeded to hang one of Lawyer Paxton's fine linen shirts upon the line.

"She been axen' fo' you all t'rough de night."

Somehow Tante Cat'rinette could not get that refrain out of her head. She would not willingly believe that Eusèbe had spoken the truth, but - "She been axen fo' you all t'rough de night - all t'rough de night." The words kept ringing in her ears, as she came and went about her daily tasks. But by degrees she dismissed Eusèbe and his message from her mind. It was Miss Kitty's voice that she could hear in fancy following her, calling out through the night, "W'ere Tante Cat'rinette? W'y Tante Cat'rinette don' come? W'y she don' come - w'y she don' come?"

All day the woman muttered and mumbled to herself in her Creole patois; invoking council of "Vieumaite," as she always did in her troubles. Tante Cat'rinette's religion was peculiarly her own; she turned to heaven with her grievances, it is true, but she felt that there was no one in Paradise with whom she was quite so well acquainted as with "Vieumaite."

Late in the afternoon she went and stood on her doorstep, and looked uneasily and anxiously out upon the almost deserted street. When a little girl came walking by, - a sweet child with a frank and innocent face, upon whose word she knew she could rely, - Tante Cat'rinette invited her to enter.

"Come yere see Tante Cat'rinette, Lolo. It's long time you en't come see Tante Cat'rine; you gittin' proud." She made the little one sit down, and offered her a couple of cookies, which the child accepted with pretty avidity.

"You putty good li'le gal, you, Lolo. You keep on go confession all de time?"

"Oh, yes. I'm goin' make my firs' communion firs' of May, Tante Cat'rinette." A dog-eared catechism was sticking out of Lolo's apron pocket.

"Des right; be good li'le gal. Mine yo' maman ev't'ing she say; an' neva tell no story. It's nuttin' bad in dis worl' like tellin' lies. You know Eusèbe?"

"Eusèbe?"

"Yes; dat li'le ole Red River free m'latto. Uh, uh! dat one man w'at kin tell lies, yas! He come tell me Miss Kitty down sick yon'a. You ev' yeard such big story like dat, Lolo?"

The child looked a little bewildered, but she answered promptly, " 'Tain't no story, Tante Cat'rinette. I yeard papa sayin', dinner time, Mr. Raymond sen' fo' Dr. Chalon. An' Dr. Chalon says he ain't got time to go yonda. An' papa says it's because Dr. Chalon on'y want to go w'ere it's rich people; an' he's 'fraid Mista Raymond ain' goin' pay 'im."

Tante Cat'rinette admired the little girl's pretty gingham dress, and asked her who had ironed it. She stroked her brown curls, and talked of all manner of things quite foreign to the subject of Eusèbe and his wicked propensity for telling lies.

She was not restless as she had been during the early part of the day, and she no longer mumbled and muttered as she had been doing over her work.

At night she lighted her coal-oil lamp, and placed it near a window where its light could be seen from the street through the half-closed shutters. Then she sat herself down, erect and motionless, in a chair.

When it was near upon midnight, Tante Cat'rinette arose, and looked cautiously, very cautiously, out of the door. Her house lay in the line of deep shadow that extended along the street. The other side was bathed in the pale light of the declining moon. The night was agreeably mild, profoundly still, but pregnant with the subtle quivering life of early spring. The earth seemed asleep and breathing, - a scent-laden breath that blew in soft puffs against Tante Cat'rinette's face as she emerged from the house. She closed and locked her door noiselessly; then she crept slowly away, treading softly, stealthily as a cat, in the deep shadow.

There were but few people abroad at that hour. Once she ran upon a gay party of ladies and gentlemen who had been spending the evening over cards and anisette. They did not notice Tante Cat'rinette almost effacing herself against the black wall of the cathedral. She breathed freely and ventured from her retreat only when they had disappeared from view. Once a man saw her quite plainly, as she darted across a narrow strip of moonlight. But Tante Cat'rinette need not have gasped with fright as she did. He was too drunk to know if she were a thing of flesh, or only one of the fantastic, maddening shadows that the moon was casting across his path to bewilder him. When she reached the outskirts of the town, and had to cross the broad piece of open country which stretched out toward the pine wood, an almost paralyzing terror came over her. But she crouched low, and hurried through the marsh and weeds, avoiding the open road. She could have been mistaken for one of the beasts browsing there where she passed.

But once in the Grand Ecore road that lay through the pine wood, she felt secure and free to move as she pleased. Tante Cat'rinette straightened herself, stiffened herself in fact, and unconsciously assuming the attitude of the professional sprinter, she sped rapidly beneath the Gothic interlacing branches of the pines. She talked constantly to herself as she went, and to the animate and inanimate objects around her. But her speech, far from intelligent, was hardly intelligible.

She addressed herself to the moon, which she apostrophized as an impertinent busybody spying upon her actions. She pictured all manner of troublesome animals, snakes, rabbits, frogs, pursuing her, but she defied them to catch Cat'rinette, who was hurrying toward Miss Kitty. "Pa capab trapé Cat'rinette, vouzot; mo pé couri vite coté Miss Kitty."She called up to a mocking-bird warbling upon a lofty limb of a pine tree, asking why it cried out so, and threatening to secure it and put it into a cage. "Ca to pé crié comme ça, ti céléra? Arete, mo trapé zozos la, momété li den ain bon lacage."Indeed, Tante Cat'rinette seemed on very familiar terms with the night, with the forest, and with all the flying, creeping, crawling things that inhabit it. At the speed with which she traveled she soon had covered the few miles of wooded road, and before long had reached her destination.

The sleeping-room of Miss Kitty opened upon the long outside gallery, as did all the rooms of the unpretentious frame house which was her home. The place could hardly be called a plantation; it was too small for that. Nevertheless Raymond was trying to plant; trying to teach school between times, in the end room; and sometimes, when he found himself in a tight place, trying to clerk for Mr. Jacobs over in Campte, across Red River.

Tante Cat'rinette mounted the creaking steps, crossed the gallery, and entered Miss Kitty's room as though she were returning to it after a few moments' absence. There was a lamp burning dimly upon the high mantelpiece. Raymond had evidently not been to bed; he was in shirt sleeves, rocking the baby's cradle. It was the same mahogany cradle which had held Miss Kitty thirty-five years before, when Tante Cat'rinette had rocked it. The cradle had been bought then to match the bed, - the big, beautiful bed on which Miss Kitty lay now in a restless half slumber. There was a fine French clock on the mantel, still telling the hours as it had told them years ago. But there was no carpets or rugs on the floors. There was no servant in the house.

Raymond uttered an exclamation of amazement when he saw Tante Cat'rinette enter.

"How you do, Miché Raymond?" she said, quietly, "I yeard Miss Kitty been sick; Eusèbe tell me dat di mo'nin'."

She moved toward the bed as lightly as though shod with velvet, and seated herself there. Miss Kitty's hand lay outside the coverlid; a shapely hand, which her few days of illness and rest had not yet softened. The negress laid her own black hand upon it. At the touch Miss Kitty instinctively turned her palm upward.

"It's Tante Cat'rinette!" she exclaimed, with a note of satisfaction in her feeble voice. "W'en did you come, Tante Cat'rinette? They all said you wouldn' come."

"I'm goin' come ev'y night, cher coeur, ev'y night tell you be well. Tante Cat'rinette can't come daytime no mo'."

"Raymond tole me about it. They doin' you mighty mean in town, Tante Cat'rinette."

"Nev' mine, ti chou. I know how take care dat w'at Cieumaite gi' me. You go sleep now. Cat'rinette goin' set yere an' mine you. She don' wan' no céléra doctor. We drive 'em out wid a stick, day come roun' yere.

Miss Kitty was soon sleeping more restfully than she had done since her illness began. Raymond had finally succeeded in quieting the baby, and he tiptoed into the adjoining room, where the other children lay, to snatch a few hours of much-needed rest for himself. Cat'rinette sat faithfully beside her charge, administering at intervals to the sick woman's wants.

But the thought of regaining her home before daybreak, and of the urgent necessity for doing so, did not leave Tante Cat'rinette's mind for an instant.

In the profound darkness, the deep stillness of the night that comes before dawn, she was walking again through the woods, on her way back to town.

The mocking-birds were asleep, and so were the frogs and the snakes; and the moon was gone, and so was the breeze. She walked now in utter silence but for the heavy guttural breathing that accompanied her rapid footsteps. She walked with a desperate determination along the road, every foot of which was familiar to her.

When she at last emerged from the woods, the earth about her was faintly, very faintly, beinning to reveal itself in the tremulous, gray, uncertain light of approaching day. She staggered and plunged onward with beating pulses quickened by fear.

A sudden turn, and Tante Cat'rinette stood facing the river. She stopped abruptly, as if at command of some unseen power that forced her. For an instant she pressed a black hand against her tired, burning eyes, and stared fixedly ahead of her.

Tante Cat'rinette had always believed that Paradise was up there overhead where the sun and stars and moon are, and that "Vieumaite" inhabited that region of splendor. She never for a moment doubted this. It would be difficult, perhaps unsatisfying, to explain why Tante Cat'rinette, on that particular morning, when a vision of the rising day broke suddenly upon her, should have believed that she stood in face of a heavenly revelation. But why not, after all? Since she talked so familiarly herself to the unseen, why should it not respond to her when the time came?

Across the narrow, quivering line of water, the delicate budding branches of young trees were limned black against the gold, orange, - what word is there to tell the color of that morning sky! And steeped in the splendor of it hung one pale star; there was not another in the whole heaven.

Tante Cat'rinette stood with her eyes fixed intently upon that star, which held her like a hypnotic spell. She stammered breathlessly:

"Mo pé couté, Vieumaite. Cat'rinette pé couté." (I am listening, Vieumaite. Cat'rinette hears you.)

She stayed there motionless upon the brink of the river till the star melted into the brightness of the day and became part of it.

When Tante Cat'rinette entered Miss Kitty's room for the second time, the aspect of things had changed somewhat. Miss Kitty was with much difficulty holding the baby while Raymond mixed a saucer of food for the little one. Their oldest daughter, a child of twelve, had come into the room with an apronful of chips from the woodpile, and was striving to start a fire on the hearth, to make the morning coffee. The room seemed bare and almost squalid in the daylight.

"Well, yere Tante Cat'rinette come back," she said, quietly announcing herself.

They could not well understand why she was back; but it was good to have her there, and they did not question.

She took the baby from its mother, and, seating herself, began to feed it from the saucer which Raymond placed beside her on a chair.

"Yas," she said, "Cat'rinette goin' stay; dis time she en't nev' goin' 'way no mo'."

Husband and wife looked at each other with surprised, questioning eyes.

"Miché Raymond," remarked the woman, turning her head up to him with a certain comical shrewdness in her glance, "if somebody want len' you t'ousan' dolla', w'at you goin' say? Even if it's ole nigga 'oman?"

The man's face flushed with sudden emotion. "I would say that person was our bes' frien', Tante Cat'rinette. An'," he added, with a smile, "I would give her a mortgage on the place, of co'se, to secu' her f'om loss."

"Des right," agreed the woman practically.

"Den Cat'rinette goin' len' you t'ousan' dolla'. Dat w'at Vieumaite give her, dat b'long to her; don' b'long to nobody else. An' we go yon'a to town, Miché Raymond, you an' me. You care me befo' Miché Paxtone. I want 'im fo' put down in writin' befo' de cote dat w'at Cat'rinette got, it fo' Miss Kitty w'en I be dead."

Miss Kitty was crying softly in the depths of her pillow.

"I en't got no head fo' all dat, me," laughed Tante Cat'rinette, good humoredly, as she held a spoonful of pap up to the baby's eager lips. "It's Vieumaite tell me all dat clair an' plain dis mo'nin', w'en I comin 'long de Gran' Eco' road."