P O E M S
Copyright 1910,
By the Strange Company
Printed by
The Stanley-Taylor Company
San Francisco
AT AURORA, NEW YORK, APRIL
THE TWENTY-SIXTH, 1881, AND
DIED AT CARMEL, CALIFORNIA,
NOVEMBER THE FOURTEENTH,
1907, AGED TWENTY-SIX YEARS
CONTENTS
THE OUTER GATE[1]
Behold, I open shining ways to thee—
Of every inner portal make thee free:
O child, I may not bar the outer door.
Go from me if thou wilt, to come no more;
But all thy pain is mine, thy flesh of me;
And must I hear thee, faint and woefully,
Call on me from the darkness and implore?”
But oftentimes thy voice is sharp to hear,
Thy trailing fragrance heavy on the breath;
Always the outer hall is very still,
And on my face a pleasant wind and clear
Blows straitly from the narrow gate of Death.
RAIN
And through a world where light had died
There ran a mournful little wind
That shook the trees and cried.
In turbid stream and tiny seas—
In swift and slender shafts that beat
The flowers to their knees.
To leaning grass in image clear,
And drifting in the shining pools
The clouds are white and near.
BEST-LOVED
A little thing I passed with crowded hands,
And gave a backward look for beauty’s sake.
Was any hue preferred above the rest?
I only know they pleased me well, and died.
A little thing, incurving like a pearl.
I think its heart had never seen the light.
THE ROSE[2]
Or please you with a rose upon the breast,
A sweeter violet chosen from the rest,
To match your mood with blue caprice of spring—
Leave windy vines a tendril less to swing.
Why, what’s a flower? A day’s delight at best,
A perfume loved, a faded petal pressed,
A whimsey for an hour’s remembering.
From jealous earth, who seeks to set anew
Deep root, young leafage, with a gardener’s art—
To plant her queen of all his garden close,
And make his varying fancy wind and dew,
Cloud, rain, and sunshine for one woman’s heart.
BETWEEN TWO RAINS
The lulling storm has given to the day
An hour of windless air and riven grey;
The world is drained of color; light remains.
Beyond the curving shore a gull complains;
Unceasing, on the bastions of the bay,
With gleam of shields and veer of vaporing spray
The long seas fall, the grey tide wars and wanes.
A mood too sweet for tears, for joy too pale—
What stress has swept or nears us, thou and I?
This hour a mist of light is on the plains,
And seaward fares again with litten sail
Our laden ship of dreams adown the sky.
THE MESSAGE[3]
So might it speak with thrilling touch and light
Of answering eyes, of dim, unuttered things—
A moth from hidden gardens of the night.
BY THE HOSPITAL
With unseen comrades shouting by,
Who grips a bough in swift delight
To let it dip and loose and fly;
Runs till his throbbing muscles speak;
Who bends to feel how keenly lives
The joyous grass beneath his cheek—
With quick-drawn breath he sees them plain—
Those bodies that must lie so still,
So tired—in the House of Pain.
“OH, DRYAD THOUGHTS”
You melted through a sunny wood like mist,
With here a wind of laughter, there a stray
Pleased flower, tipped and kissed.
The press of faces, sullen, gay, and wise,
I hear you calling, calling me; I meet
Your clear, untroubled eyes.
MUSIC IN THE PAVILION
The air a-quiver as the voices meet;
And loud Humanity in mingled flow
Passes with jarring tread of many feet.
(The background for its delicate relief)
Now trembling in a thread, now wild and loud,
The violin laughs and sings, and cries its grief.
A solemn heart with never-ceasing beat,
Bearing an undertone of mystery
The harsh and lovely notes, the shrill and sweet.
With one Ideal holding clear and good;
And sounding over, under, through my ways,
Something apart—and never understood.
REBUKE
I walked thereby as older grew the day,
And sick with sorry clamor in mine ears,
Heart-weary turned my steps and went my way.
(The sun had set, the dusk was closing in)
“O place where laboring Life goes heavy-eyed,
Compound of grime and discord, strife and sin!”
For misty violet lay along the land.
The shining river in mysterious spell
(Divinely touched by some transmuting hand).
(Black-shaped, and jeweled with a crimson spark)
A ship that slowly moved; and, faintly heard,
A cheery song rose blithely to the dark.
IN CAMP
I
Above the stones and cresses cool—
The yellow tent, the little moon,
I found within my twilight pool.
The bubble tent—I passed them by,
And sipped a tiny, shattered star,
Deep drinking from that mirrored sky.
II
With leaves that shift in moon and sun;
Across its walls of lucent white
The lovely varied tracings run;
I watch the little feet at dawn—
A sudden oriole overhead,
A darting linnet come and gone.
THE NYMPH
And, lifting eyes abashed with great desire
Before high Jove, the gift of souls we prayed.
New glossed and veined with blood of perfect days
And stirred to murmured speech in fragrant eves,
Into each breast a bird with fettered wings,
A bird fast holden with a silken thread:
To sing of mating and the brooding grass,
To turn thy being earthward to content.”
And, casting forth his gift I cried aloud:
“I pray thee for a soul in truth, great Jove!”
A fabric where the rippled lustre played
And shifted like the humor of a brook—
The sun through dazzled lashes. Straight I cried:
“I know not this!” “Thy soul,” he answered me.{13}
And cast it gleaming to the scattering wind—
Hues green and golden, blue and fervent red.
The very heart and secret of the web—
That held he fast and loosed he not at all;
That gave thee peace of days and long content,
Do now my will. Go forth and find thy soul.”
My sister’s joy or pain; but on great morns
When low light slept above a world in flower,
In ever wavering tides of airy seas,
Winged by the darting ships of dragon-flies—
My steps of comrades. Lonely must I find
The silent places where my soul was hid.
I wandered on a day, and singing found
The very green I sought beneath my feet.
And heaven ribboned in the crossing boughs,
I gathered marvelous strip on strip of blue.{14}
A Naiad from her treasure plucked me forth
Such gold as bound my web with threads of light.
Unto thy fluting in the breathless eve,
And burned my heart’s pale flower to scarlet flame!...
My very soul: a crystal world it was
Wherein the varied earth and heaven’s blue
But long above it was my wonder bent,
And lo! it dried more swiftly than a tear.
And woven all the shreds thou gav’st the wind?
But how, I pray thee, can my task be done
The very heart and secret of the web
Where every thread may end and know its use?
Nor any beauty dimmed on earth or sky,
Yet by thy will I roam unsatisfied.{15}
Again my choice would flout the lesser gift,
And willing take this task thou grantest me—
To twine the eager hues of varied days,
And to its bright perfection weave a soul.
VIVISECTION
In curious hands put living flesh apart,
Till, bare and terrible, the tiny heart
Pulsed, and was still.
Strip through the pleasant flesh of soul-disguise—
Lay for a second’s space before our eyes
A naked life.
THE STRANGER
The sweet withdrawal of a nun,
With busy hands and downward eyes—
The shyest thing beneath the sun.
Our rapid speech, our careless words,
That through them, always, half-afraid,
Her thoughts had gone like seeking birds,
A happy thread with silken gleams,
To carry homeward to her heart,
And weave a hidden nest of dreams.
THE CONSTANT ONES
To hail their chief, but now the sun is set,
And in the sweet new quiet on the world
The king is dead, the fickle leaves forget.
In misty blue the gradual smoke is thinned—
Only the grasses, leaning to his will,
The grasses hold a memory of wind.
INSTINCT
To fall back, silent, at her whispered “No.”
He doeth thus and thus, O thou unjust!”
An eager hand goes out to greet a friend,
Wakes with a hiss the little snake of hate.
SAN FRANCISCO NEW YEAR’S, 1907
As they sang me in and rang me in upon my birthday night—
All above the surging crowd, bells and voices calling loud—
A throng attuned to laughter and a city all alight.
They swept their purples down the bay and sped the homeward keel;
The years of fruits and peace, smiling days and rich increase—
Too indolent with wine and sun to grasp the slaying steel.
The sword was light within my hand, I kept it sheathed and still—
The jeweled city prayed me and the laughing voices stayed me—
A little while I pleased them well and gave them all their will.{21}
I lit above the panic throng my torches’ crimson flare;
For they made my coming bright and I gave them light for light—
I filled the night with flaming wings and Terror’s streaming hair.
Lie like bodies torn and broken, lie like faces seamed with scars;
Here where Beauty dwelt and Pride, ere my torches flamed and died,
The empty arches break the night to frame the tranquil stars.
THE POPPY FIELD
And ever sings to him who muses here
The murmur of the hidden streams and clear
That flow thereto by arching fern and brake.
But never, slumber-heavy, does he wake
To heed the music calling in his ear,
Nor ever knows the water, deep and near,
Ashine with silver lilies for his sake.
The poppies of thy beauty drug his sleep;
Nor heedest thou that I must hear the streams,
And follow all thy crystal thought and fine,
And love at last the lilies folded deep
Within thy soul’s unknown beyond his dreams.
YOU
The comrades of my solitary moods—
Would crouch when heavy footsteps passed them by,
And peer from shelter—freakish folk and shy.
Then, “This one sees—he knows!” they cried.
“Come out!”
They thought to hush their piping till you passed.
“Come out!” they cried. “We dare be brave at last!”
And some are crowned with roses, some with leaves,
And all are mine, but some I never knew.
I could not wake them, but they come for you.
JUST A DOG[4]
Instinct with sudden hope he crept,
(When sad, infrequent hands would raise
The startled notes where sound had slept)
Seeking the voice he used to hear,
Close-crouching at his master’s knees,
Hoping to find again the dear
Familiar hand upon the keys.
Behind his brown and faithful eyes.
There live some mortals, on the whole
Less loving, tender, loyal, wise;
And though we give it to decay,
His poor old body, worn and scarred;
Yet He who judges soul and clay
Will give one dog his just reward.
Toward dim-heard music, far and sweet;
Seeking with eyes rejoiced and dumb;
Seeking with swift, unerring feet,
With love supreme to guide him true,
Across the misty ways of space,—
Until he found the one he knew,
And looked into his master’s face.
MIRAGE[5]
Beyond the trodden sand and herbage white
Of level noon intolerably bright,
A purple lure of love divine and dim.
I hasten toward the fronded palm trees slim—
The fountains of the city of delight—
And stand bewildered to my heart’s despite
In empty plains where hot horizons swim.
For very love of love the city’s gates?
I, weary, desert-wandering, knowing this:
That waiting me the golden doors are fast,
And fathom-deep in dream the Princess waits,
Her curving mouth uplifted for the kiss.
DUSK
Drink coolness once again, for daylight dies.
The young moon dips,
A threaded gleam where sunset languid lies,
And slowly twilight opens starry eyes.
Day’s fading embers cast a last faint glow
Behind a crest
Where curving hills on primrose paleness show
Sharp-lined in jet. Dusk stillness broods below.
Stirs from the broad and dew-wet breast of night.
The leaves reply
With soft small rustling, moths take ghostly flight,
And waking crickets shrill long-drawn delight.
THE SPANISH GIRL
PART I
I
THE VINE
Beyond the garden’s shine,
On José’s careful strings there creeps
A little slender vine.
My laughter meets his sigh.
The house is old, the garden old—
Oh, young, the vine and I!
Across my half-drawn thread;
It’s speech to me of waking leaves,
While José hears his Dead.
My eager visions run;
So, as the long day passes, twine
My thoughts, shot through with sun.
II
THE CHAPEL
The daughters of a moldering year,
Set often in this quiet place
Their votive tapers burning clear.
They hung before the Virgin’s shrine;
To them it was a work of love,
José decrees it task of mine!
Women as proud and white as death—
Ah, they could mold those lifeless things;
They had no blood, they had no breath.
(José would have me pray their prayers).
Now, Mary, warm and all alive,
You shall not think me child of theirs.{31}
If I should heap your altar high
With boughs that knew the nesting bird,
With flowers that bloomed against the sky,
In vivid question, swift surmise—
I think your shadowy face would bend,
And look at me with startled eyes.
III
THE GARDEN
A drift of Vestals slim and tall,
That lined these winding paths with white,
That filled the court from wall to wall.
As from their teasing fires of Hell—
Only when morns and eves were sweet
They walked and liked their garden well.
Always in black, in black they came,
With busy rosary on wrist ...
And all the summer world aflame!
I brought them in from field and stream,
I passed not by the smallest one
That pleased me with a yellow gleam;{33}
Then in a hidden chest I found
The marvel of an old brocade—
Strange figures on an azure ground,
With threads of crimson overlaid,
Along the garden, fold on fold,
My silken splendor like a light
I trail between the aisles of gold.
IV
(Some ancient tale of arms and doom)
There came a poignant sweetness blown
From sleeping leagues of orange bloom.
Like shining fishes in a net,
And José’s kindly voice I heard—
“But little one, thine eyes are wet.”
Its shadowy woes in courtly speech,
Nor knew they passed like wraiths of sleep
The heart a vagrant wind could reach.
As swift and passionate impulse veers,
What gust may sweep its roseleaf boats
Adown a sudden tide of tears?
V
And never plant nor beast is free,
Along the tame and trampled fields
An old unrest has followed me.
On foaming reaches curving stark,
And battling with a windy sky
The stormy moon is bright and dark.
My broken singing flung behind,
Whipped by the keen exultant air
Till lips must close and eyes are blind,
The great waves thundering, might on might,
The pagan heart must shout and sway,
Tossed in the passion of the night.
VI
Wild upward wings that shine and blur,
Nor mourn they winds of eventide
That bid the rhythmic garden stir,
This winged and restless strength of flight,
That swings me down a singing hill
Or answers to the calling night,
By all the graven Saints, it seems
Most strange they make for my mischance
No grim confessional of dreams!
In fields unknown to waking sight,
Down glittering spaces, all alone
I whirl the fire of my delight—
Pause as a poising bird is hung,
With supple body swaying slow,
With parted lips and arms up-flung.
VII
Although of earth I question most—
I would I knew the world as well
As Peter and the Angel host!
In all the lonely hours I spend
He bids me tell my beads and sigh....
I wonder if the Saints attend?
And night is fragrant on the land,
The earth and I are so akin
I think no Saint could understand.
To moon and wind its petals part....
It is not for my soul I pray;
Ah Virgin!—for my untried heart.
PART II
I
Break strand from strand, O branches of the hill!
Brave wind that whips me breathless, tear me free!
The witch’s cobweb clings and shivers still.
I plunged me where the silver water fell,
But could not drown the little singing love—
The little love that murmured like a shell.
I ran with flying feet and lips apart,
But love was wilder than my leaping blood—
Ah, louder than the beating of my heart.
II
My stilling hands upon my breast can feel
Its answer tremble like a muted string.
Below the vaulted window where I kneel.
A white and haunted place my garden seems.—
I see the pleading beauty of his eyes
As faces glimmer in a pool of dreams.
(Oh, muting fingers on each quivering string!)
I must not yield ... I think my heart will break.
Mother of Heaven, if he would not sing!
III
Yet ever onward, step by step, descend.
The silence is a threat, the dark alive,
And love how far, how far, my journey’s end.
And sweeter vision never witched a maid.
Into the threatening shades I wander blind:
Ah, Mary, help me now! I am afraid.
IV
My golden garden loud with bees,
And windy grey and silver flows
Along the slopes of olive trees.
Before the early winds were born,
I woke for joy in such a world,
And with the linnets shared the morn.
And heard the morning linnets sing,
And sang for love, and they for wild
Delight of song and sun and spring.
V
For José gazes long and sighs,
Above the pages dim to see
For ghosts of youth that brush his eyes.
“Some new device has made thee fair,
Yet have I often seen these red
Pomegranate flowers against thy hair.”
The hidden thoughts that give me grace,
Nor guess the lights that dreams have fanned,
And read their shining in my face.
Before her eyes, so wise they were,
I laid my secret like a rose:
“Mother, I love!” I cried to her.
VI
Than dreams the moonflower of its blue.
What sun that warmed its shielding glove,—
What long blind eve that gave it dew,
Of shining texture silken-loomed,
Or say what marveling birds would sing
The morning that it thrilled and bloomed?
Some end would come, some bloom must be,
The blind fulfilment that it wrought
Was strained from darkness restlessly;
The answered bud, the dream put by,
And left the flower all sunned, and stilled
With sudden wonder of the sky.
VII
And up and down each slender steep
I watch its tiny people pass.
The sun has lulled me half asleep.
This joy of mine is sweet to hold!
Such treasure had the miser king
Who brushed the very dew to gold.
And breathe the garden scents wind-driven,
So happy that if I should die
They could not comfort me with Heaven.
PART III
I
And bloomed on crystal mornings, flower-wise,
And mourned as roses sadden in long rains.
What pain is this the summer noon denies?
Could heal me like a mother’s touch and kiss.
When I could give my airy griefs to air
I never knew so sharp a thorn as this.
It comes not back again for tears and rue.
A year agone I had not sought as now,
And found the sky a vault of empty blue.
II
The summer burns—so burns another flame:
I see his eyes alight with alien dreams ...
That long-forgotten country whence he came.
Lost waters shine, remembered sunsets die.
Ay, in my kiss another mouth replies,
And speaks of kisses past, of lips put by.
He gives me still (O woeful heart and bruised
To still complain!).... But surely, when I move
His eyes will never follow as they used.
III
It is not that the word, the kiss, is changed.
I cannot say, “Here was his thought withdrawn;
So once was love, so now is love estranged.”
I held as one a lamp that makes his day,
And touch it still, and see its flame burn low,
Its shining figures fade to painted clay.
But watching in its heart the paling spark,
I cry out when the shadows menace this,
As children weep for terror of the dark.
IV
For shrinking Joy, nor any prick of dread,
I know, who closed its eyes forevermore,
And keep this night a vigil with my dead.
Is happy earth, for once it knew love’s feet;
Here once love stood and called the heart that heard,
And all the garden, all the world, grew sweet.
(I had not thought so blithe a thing could die!)
And heap the happy earth upon the face
That has no will to smile nor breath to sigh.
I cannot tell how long my grief has lain—
Virgin, I will not plead you for my love,
Only the pain,—if you would ease the pain.
V
But high in sun we flew along the ledge,
And to the strength I rode I cried aloud
And spurred it near against the trembling edge.
Today he had no wilder mood than I—
No wilder will for lawless wind to call
Upon the narrow trail that meets the sky.)
Heart, how I skirted death and laughed at pain!
Forgotten pain in half-remembered lands
Below me in the valleys with the rain.
VI
Content in little duties that he loves.
Not Marta’s dimming eyes that stare away
Beyond the tranquil court, the circling doves.
And then as drowning sight may pierce the sea
To find the sun a green and wavering ghost,
And shapes of earth distorted monstrously,—
I lose the buoying instant of relief
And sink again as wearying soul and thought
Drown in the sick amazement of my grief.
VII
The wine it held has left a purple trace—
Behold, a stain where happiness had been.
If I should shatter down this empty vase,
To meet its judge in undiscovered lands?
What sentence meted me, alone and lost,
Before him with the fragments in my hands?
Should drip her clearness on this purple stain;
Better my life upheld to her should fill
With limpid dew, and gradual gift of rain.
VIII
And fretted that my curtain should be kept
Close drawn, and wakeful candles over bright,
I welcomed in the quiet moon and slept;
The witching tide of silver shut away,
And Marta’s shaking hand on mine was cold,
Her bending face above me strange and grey.
“Must pale with her, nor wind nor noon-day sky
Be his again whose pulses beat more slow,
More faint, till with the waning moon ... they die.”
THE END
THE GARDEN OF DOLORES
When fretted in the twilight’s pallid space
The trees were black and delicate as lace,
And palms were etchings, sharp and slender-stalked.
And life is rounded in the frailest spray....
Dolores, cold and buried yesterday,
Is it thy spirit here among the roses?
To shadowy caress the flowers unclose;
A blossom in the dark magnolia glows—
Or leaning pallor of an oval cheek?
INDIFFERENCE
I know, I feel it drawing still,
A cobweb on my careless thought—
Old habit-likeness—what you will.
To bind a life to your desire,—
Because its knots about my heart
Could burn me like a witch’s wire,
(Ah, woman soul that prayed “Destroy!”)
Free from the fretting of my pain,
Have killed the fitful strength of joy.
AFTER-KNOWLEDGE
I closed it fast and bade you take the key,
Serene in my unquestioning content
That you alone could wake the harmony.
Familiar lightness of unskilful touch,
The music to the master. If I lost,
He lets the little go who profits much.
That though the chords were helpless at your will
You had nor wit nor power to sound them true:
Discordant they, or else forever still.
TWO SPENDTHRIFT KINGS
Two spendthrift kings have found and seized,
And Vagabondia may demand
Its pockets lined, its troubles eased.
We own the world by right and law—
The hidden gold in all the hills,
The sweetness in a yellow straw.
GROWTH
And swing in wistful threads above, beyond,
For air and space to blossom. Be it so.
Ah me! I love you, but the plant must grow.
With all the wild sap stirring at my feet.
My quiet trellis, impotent to know
The earth and sun command me: I must grow.
Nor feel the upward straining of my heart.
In every vein the urging currents flow,
Leaf after leaf unfolds: the plant must grow.
CHANGE
My eyes are faithful, grieving with your grief;
And if the year itself could grow not old,
Could stand at waking sap and budding leaf,
An April love the petals of its spring.
When all the birds are silent in my breast,
How can I answer when you bid me sing?
The saddened woodland speaks, and finds you strange.
Ah, dear one, all my world is kin to me,
And with the swerving days I change, I change.
WISTARIA
The Place of Memories far away.
My heart has ached with it today—
The blue wistaria is in bloom.
With half-remembering eyes and cold,
Where quickening with the budding year
It clusters perfect as of old;
Reluctant in an alien spring,
Must feel the sharp, unblunted sting,
The pang of unforgotten days.
MY NOOK[6]
And stare across the canyoned depths to distant miles of blue;
Upon the little path to it no foot might step unbidden.
It was my nook, and mine alone, and not another knew.
And when my doll was sawdust, or my little hopes were fated,
Or all my world was shaken by a little idol’s fall,
Up to my dear retreat I’d climb, with grief or anger weighted,
And, hands behind fern-pillowed head, straightway forget it all.
With tears yet damp upon my cheeks I’d fall to castle-building
(The careless linnets fluttered near a little maid so still),
And all the gorgeous tints I knew, and all the wealth of gilding,
Were lavished on the future that I summoned there at will.
“When one is small the troubles come, and then the tears must follow;
When one is small one finds it good to run and cry alone,
But I shall laugh to think that once I found my world so hollow—
I shall not need this little nook,” I thought, “when I am grown.{67}”
Now eyes whose tears must burn the more because they may not flow,
From sight of face or sound of speech if I could bear your aching,
And bury it deep-hidden in the ferns of long ago!
But oh! the pensive little ghost among her visions sitting
Would view her weeping Future with so piteous surprise!
No, I must leave her in her nook to dream her dreams unwitting—
I could not take my trouble there, I could not meet her eyes.
WHEN PLAINTIVELY AND NEAR THE CRICKET SINGS
Oh, ache of smallest, unforgotten things!
How sharp you are when day and dark are blent,
When beetles hurry by with vibrant wings,
And plaintively and near the cricket sings.
Above the hills a little crescent swings—
Above the path where you will come no more
When beetles hurry by on vibrant wings,
And plaintively and near the cricket sings.
THE LITTLE MEMORIES
At stubborn roots, at boughs that tear my face,
No plants in all my garden grow so high,
Nor fill with sturdier life a wider place.
To go with wordy shears in idle times
And trim them as a patient gardener might,
Clipping the thorny boughs to curves and rhymes.
To make my hurt an easier thing to bear;
If these alone usurped my garden’s length,
It would not be so hard—I should not care.
The trodden flowers, the little memories, grow.
Uprooting fingers press them to my cheek....
Dear heart, I love you, and I miss you so.
PASS BY
The garden withers, for the spring is dry.
For words of thine, for tears, it will not flow.
The long road calls a wanderer: rise and go.”
IN EMPTY COURTS
Like sunlight in the outer spaces spent,
In empty courts where tumbling fountains run,
And flowers bloom, and he is well content.
Alas, the grudging taper that you give!
So small to make the inner temple bright,
So dim to give the glow by which I live.
So warm and fair he shines! nor understands
That I must still be crouching in the dark,
Shielding a little flame with loving hands.
DOWN THE TRAIL
A sea has swept beneath us in the night—
Poured outward in a wrinkled floor of white,
And left our eyrie clear.
There in the deeps the little trail is curled—
We plunge like divers to the under-world.
Look, in that little thicket just ahead!
Down, down, the covey whirrs,
Mocking us, careful, led,
Slow-slipping beads along a slender thread.
Here we tread yellow leaves.
(Sun in the sycamores,
Sun on the granite walls.)
All is so still,
Never wind blows,
Only the singing stream
Shouts little waterfalls.
Oh, sweet airs damp with ferns!
The day is old, the lengthening shadows chill—
The wanderer returns.{73}
The black crowd passing near; and far away
A fading rose of sunset hanging low
Above the roofs of indigo and grey.
“BELLS FROM OVER THE HILLS SOUND SWEET.”—Russian Proverb.
So still the valley lies, so still, so still,
With sweeping smoky spirals blue and lazy,
With yellow light aglow from hill to hill.
Sometimes the echoes startle with my singing;
Sometimes a bird the heavy silence fills,
And always I can hear them ringing, ringing,
My mocking bells, my Bells from over the Hills.
“Captive in your prison hear us call!”
Message from a life of action bring they,
Life beyond these hills more sweet than all.
Would that I could heed their call and follow,
Waking while this drowsy valley sleeps,
Follow Fortune over hill and hollow,
Wrest from her the treasures that she keeps!
Still hills and hills beyond would stretch for aye.
Peace in this little valley has its dwelling,
And that the chase would profit who shall say?
For hopes and dear delights, ah, who can near them?
Something ungained, the heart with longing fills,
And follow though I might I still should hear them,
The mocking bells, the Bells from over the Hills.
IN TOWN
It is not like the paths I know,
Yet can I find the morning there,
All crystal light and early air.
Grow dimmer as they slope and blend,
Until they crowd no more, and one
May see his mountains at the end.
I lean upon my window-sill,
And watch them floating, clean and high—
My sunset ships across the sky.
MOODS
I
And sweet last light across the meadow—
The wind has tangled, left them all
In webs of green, in silver shadow.
Still silvering to each word that passes,
Until a tangled joy it lies,
A shining web of wind-blown grasses.
II
Of small and piteous lives misused:
The fallen bird we could not save,
The butterfly we helped—and bruised.
Most bright and frail of winged things—
A moment’s faith, an hour’s love,
Grieving the dust with broken wings.
A MISTY MORNING
Beyond was whiteness dim and strange, and spectral shapes drew near.
Upon the shadowy borderland, one paused and looked at me;
A friend had started into life within my magic space!
First black he was, then dim he was, then merged in formless grey.
TWO SONGS
The low-voiced trees, the meadow’s monotone.
O friend of mine, it is for these you pray.
This alien land must call unheard, unseen,
While one beloved note your heart has known,
To hunger for it, half a world away.
And stand at sunset when the winds are still,
Watching the hollow valleys brim with light,
The red and brown and yellow hills—they shout,
And on the shoulders of the marching host
The bayonets are gleaming points of white.
Their lessening voices die in distance pale—
Ineffably dissolved in opal hues;
Against the sky the last sweet echoes fail
While all the West is quivering, fold on fold
To one great voice—one vibrant peal of gold.
NOON
Flowed through an arch of leaves into the sun;
But all was shadow where it left my feet—
A shade with netted ripples overrun,
A brook that flowed in coolness to the sun.
Vivid to narrowed eyelids, fiercely bright,
And bright the happy water slipped away
In gleaming pools and broken lines of light.
YOUR BEAUTIFUL PASSING
As a wild bird ruffles the motionless brink of the water,
Moving in gradual path on its mirror of shadow,
After him streaking and trembling long ripples of silver.
BY MOONLIGHT
It glowed with golden heat, with vivid hues—
Mountains and sky that merged in melting blues
And hazy air that shimmered far away.
White with pale brightness, luminously chill.
The moon reigns queen, but faintly shining still
The dim stars glimmer on the hilltops high.
ONE DAY
Were sown with silver-grey.
We bruised the leaves with hurrying feet
To wafts of strong and tarry sweet,
A moment’s pleasure as we ran,
Forgotten on our way.
In every brief and breathless rest
The spice of sage was ours,
Crushed from the dull and slender leaves—
The tiny yellow flowers,
When day was done
No more remembered than the wind and sun.
THE MISSION GRAVES
Nature remembers, with her fitful tears.
The wooden slabs lose name and date with years,
And crumble, rotten.
On Saint’s day, from an evening rite returning,
Set for each unknown soul a candle burning,
With muttered prayer.
Strange, spectral-gleaming through the lonely dark.
Whose nameless dust did each faint glimmer mark—
Skull, crumbling bone?
The grateful Dead, far-called from voids of space,
Each by the tiny spark that gave him grace,
Watched, the night through.
ALONG THE TRACK
To follow day across the waning fields,
The crisping weeds and wastes of tender brown.
A tracery of broken arabesques
Upon the sullen crimson of the sky.
They cut the crayon softness of the dusk
With thin converging gleams of bloody red.
A PLACE OF DREAMS
Here, where the little stream, to meet the sun,
Flows down a yellow rock like yellow wine.
And in it shut a word for Wonderland—
The blue Unknown beyond the sycamores.
THINK NOT, O LILIAS[7]
Think not, O Lilias, that the love of this night will endure in the sun. Hast thou beheld fungi, white, evil, rosy-lined, poisonous, shrivel in the eyes of day?
In this wilderness of strange hearts it is not thine alone that concerns me. Many brave hearts of men are more to me than thine. The hearts of men breathe deeply. As for thy heart, it runs from me, it is quicksilver, it does not concern me greatly.
“TO ROSY BUDS....”
To melting clouds in endless deeps of air,
My love shall lift a swelling throat and sing,
Akin to all things fugitive and fair.
But captive eyes are pitiful to see!
Oh, flashing sun on upward-beating wings—
Oh, tumbling notes of joy—my bird is free!
Dear fleeting buds, bear not your fruit and die!
Be this a path forever found and lost,
A drift of bloom upon an April sky.
YESTERDAY[8]
To elfin threads, to gleaming browns.
Like tawny grasses lean with wind
They drew your heart across the downs.
Your will of all the winds that blew
They drew across the world to me,
To thread my whimsey thoughts of you
Along the downs, above the sea.
So green it was and amber-walled
A face would glimmer like a moon
Seen whitely through an emerald—
And there my mermaid fancy lay
And dreamed the light and you were one,
And flickered in her sea-weed’s sway
A broken largesse of the sun.
I made my heart into a sky,
And through a twilight like a shell
I saw the shining sea-gulls fly.
I found between the sea and land
And lost again, unwrit, unheard,
A song that fluttered in my hand
And vanished like a silver bird.
THE MOURNER
And never words, and yearns as water grieves,
With white arms curving on a listless beach,
And murmurs inarticulate as leaves—
Her huge sea-lands ineffable and far
Hold crouched and splendid Sorrow, eyed with light,
And Pain who beads his forehead with a star.
AVE ATQUE VALE
It stirs the air along familiar ways—
A sigh for strange things dear forever ending,
For beauty shrinking in these alien days.
I wander silent through the waning land,
And find for youth and little leaves to love me
The old, old lichen crumbling in my hand.
This windy eve of dreams, I cannot tell.
I know they grope through some strange mist to find you,
My hands that give you Greeting and Farewell.
NOTES
[1] This poem, so distinctly prophetic, was written a year and four months before her death.
[2] “The Rose” was written for Mr. Porter Garnett on the occasion of his marriage.
[3] These lines were in response to a long telegram dispatched at night by a distant friend.
[4] Of this poem, “Just a Dog,” a letter says: “My cousin, who used often to play on the piano, died; and after his death his dog, when anyone touched the instrument, used to come from wherever he might be to see if the player were not his master. Then he would slink away again. The dog died after a few grieving months. I loved him, and made these verses.”
[5] “Mirage” is an endeavor to portray the alien attitude of one who had long vainly sought love.
[6] “My Nook” was written at the age of sixteen.
[7] “Think Not, O Lilias.” These prose lines were recalled out of a dream. They are included here because of their singular beauty.
[8] “Yesterday,” and “The Mourner” which follows it, are the last poems. “Ave atque Vale” was written some two years before.
The responsibility for these notes lies with Mr. Henry Anderson Lafler, who has edited this book. Thanks are due to Mr. George Sterling and Mr. Porter Garnett, who have lightened the labor of its preparation.
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