Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Monday, January 4, 2016

A Letter from Santa Claus by Mark Twain

Word Count:  574

Palace of Saint Nicholas in the Moon Christmas Morning

My Dear Susy Clemens,

I have received and read all the letters which you and your little sister have written me . . . . I can read your and your baby sister's jagged and fantastic marks without any trouble at all. But I had trouble with those letters which you dictated through your mother and the nurses, for I am a foreigner and cannot read English writing well. You will find that I made no mistakes about the things which you and the baby ordered in your own letters--I went down your chimney at midnight when you were asleep and delivered them all myself--and kissed both of you, too . . . . But . . . there were . . . one or two small orders which I could not fill because we ran out of stock . . . .

There was a word or two in your mama's letter which . . . I took to be "a trunk full of doll's clothes." Is that it? I will call at your kitchen door about nine o'clock this morning to inquire. But I must not see anybody and I must not speak to anybody but you. When the kitchen doorbell rings, George must be blindfolded and sent to the door. You must tell George he must walk on tiptoe and not speak-- otherwise he will die someday. Then you must go up to the nursery and stand on a chair or the nurse's bed and put your ear to the speaking tube that leads down to the kitchen and when I whistle through it you must speak in the tube and say, "Welcome, Santa Claus!" Then I will ask whether it was a trunk you ordered or not. If you say it was, I shall ask you what color you want the trunk to be . . . and then you must tell me every single thing in detail which you want the trunk to contain. Then when I say "Good-by and a merry Christmas to my little Susy Clemens," you must say "Good-by, good old Santa Claus, I thank you very much." Then you must go down into the library and make George close all the doors that open into the main hall, and everybody must keep still for a little while. I will go to the moon and get those things and in a few minutes I will come down the chimney that belongs to the fireplace that is in the hall--if it is a trunk you want--because I couldn't get such a thing as a trunk down the nursery chimney, you know . . . .If I should leave any snow in the hall, you must tell George to sweep it into the fireplace, for I haven't time to do such things. George must not use a broom, but a rag--else he will die someday . . . . If my boot should leave a stain on the marble, George must not holystone it away. Leave it there always in memory of my visit; and whenever you look at it or show it to anybody you must let it remind you to be a good little girl. Whenever you are naughty and someone points to that mark which your good old Santa Claus's boot made on the marble, what will you say, little sweetheart?

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